PRAELUDIUM At the tomb of Mitrofan Belyayev Rimsky-Korsakov

arr. Geoff Colmer

Lento, mournfully h = 63

   muted
    
Soprano Cornet        
mp p

  
    
a2

         
muted
Solo Cornet
p

 
Repiano Cornet           

 
2nd Cornet           

 
3rd Cornet
           

       
Flugel         
mp p

       
Solo Horn             
mp mp p mf

 
1st Horn                     
mp p mf

    
2nd Horn                  
  
mp mp p mf

     
1st Baritone              
mp p mf

           
2nd Baritone
      
mp
p mf

           
1st Trombone   
mp p mf

   
2nd Trombone          
mp p mf

           
Bass Trombone
     
mp
mf

  
           
 
Euphonium

mf

     
a1

            
Eb Bass   
mp mf

        
Bb Bass
     
p mf
cymb



      
soft beaters 

  
Untuned
pp mf

Tam-tam           
mf

               
Glockenspiel     
mp
© 2014 G Colmer (geoff_colmer@hotmail.com)
2

A
    
8 open
Sop. Cor.         
mp p

 
   open
a2

Solo Cor.           
p


(open)
  
Rep.          
mp p


HOB open
2nd Cor.             
mp p mf


HOB open
3rd Cor.
             
mp p mf

       
Flug.         
mp p mf

      
Solo Hn.           
mp p mf

 
1st Hn.                
mp p mf

            
2nd Hn.
  
mp mp
mf

    
1st Bar.           
mp mf


           
2nd Bar.  
mp mf

  
1st Tbn.               
mp p mf

 
2nd Tbn.              
mp p mf


B. Tbn.          
 

mf

 
     

      
 
Euph.
mp
mf
     
Eb Bass        
   
mf

       
Bb Bass
  
 
p mf

      


  
Dr.
pp mf

T.-t.          
mf

Glock.               

mp
 3

B
 
16

Sop. Cor.         

               
a2
Solo Cor.        
p mp

             
Rep.          
p mp


               
      
2nd Cor.
p mp

      
       
3rd Cor.

mp

         
Flug.  


Solo Hn.         


1st Hn.         

        
2nd Hn.


                 
1st Bar.        
p

              
2nd Bar.
        
p

                
1st Tbn.        
p mp


2nd Tbn.                      
p mp

      
             
B. Tbn.
   
p mp

                        
      
         
Euph.
p


a2

              
   
   
Eb Bass
p


Bb Bass
          
4

C
 
24

Sop. Cor.         


Solo Cor.            
p


Rep.            
p


2nd Cor.            
p

         
3rd Cor.
 

p

      
molto tenuto
 
Flug.          
p

  
molto tenuto
       
Solo Hn.      
p

  
molto tenuto
       
1st Hn.      
p

       
molto tenuto
       
2nd Hn.

p

   
molto tenuto
          
1st Bar.       
mp p

              
molto tenuto
   
2nd Bar.
 
mp p

  
1st Tbn.           
p


2nd Tbn.            
p

          
B. Tbn.
  
p

              
                                  
molto tenuto
Euph.  
mp p


Eb Bass         


Bb Bass
          
 5

D
  
32
   
Sop. Cor.      
mf


            
a2 a4
Solo Cor.           
p mf

             
Rep.       
p mf

  
2nd Cor.        
mf

        
3rd Cor.
 
mf

           
Flug.           
mp p mf mf

        
Solo Hn.      
mp mf

        
1st Hn.      
mp mf

             
2nd Hn.

mp mf

    3 3 3 3 3
 
3 

                       
1st Bar.
3 3 3 3 3

p 3
mf p

  

     
3
                      
3 3 3 3 3 3
2nd Bar.
     
3
p 3 3 3 3 mf p

            
1st Tbn.       
p mf

            
2nd Tbn.      
p mf mf

 
       
B. Tbn.  
mf

                           

Euph.       
mp p mf p

 
                     
a1

    
       

Eb Bass

mf p


Bb Bass
                

p
 E
    
38
  
6 open
Sop. Cor.    muted   
f mp

       
  
a2

          
open
  
muted
Solo Cor.

ff p

 
Rep.             
ff mp

        
a1
2nd Cor.      
ff mp

     
3rd Cor.
        
ff

  
Flug.            
ff mp

         
Solo Hn.   
ff mp

        
1st Hn.    
ff

 
           
2nd Hn.
 
ff mp

       
1st Bar.              
ff mp

            
2nd Bar.
   
ff mp

       
    
1st Tbn.  
ff

        
2nd Tbn.     
ff

     
      
B. Tbn.
 
ff

 
Euph.                              
ff


                              
                            
Eb Bass

ff pp

Bb Bass    
            
                 

ff pp

    
    
    
Dr.
BD
p ff ppp

          
Glock.   
mp
  
43 7

Sop. Cor.      


Solo Cor.       


Rep.       


2nd Cor.       


3rd Cor.
       

     
Flug.    
 
p mf
    
Solo Hn.      
p mf
     
1st Hn.   
   
p
p mf

      
 
2nd Hn.

p
p mf

     
1st Bar.    
mp mf

 
2nd Bar.
     
 
mp
p mf

     
1st Tbn.   
mp p mf

  
2nd Tbn.      
mp p mf

  
B. Tbn.          
mp p mf

 
         

Euph.

mp p mf
 
                    
                                     
Eb Bass

mf

 
                                
              

Bb Bass

mf

   



     
Dr.
mf

T.-t.      
mf

       
Glock.    
 F
  

48
    
8

Sop. Cor.      
f p p

a4    a2
                                                      
Solo Cor.   
f p

    
Rep.      

  
f p f

 
  
2nd Cor.    
 
  
f p

     
3rd Cor.
    
   
f p

 
             

Flug.

pp f f f

     
Solo Hn.          
pp f f f

    
1st Hn.  
         
pp f f f

              
2nd Hn.
  f f
pp f

     
1st Bar.                 
pp f f f f

                
2nd Bar.
   
pp f f f f

       
1st Tbn.             
pp f f p

     
2nd Tbn.             
pp f f p

        
B. Tbn.
  
pp

  
a1
Euph.            

pp
f


Eb Bass         
pp

       
Bb Bass
  
pp

     
            
Xyl.    
f
 
G
                             
53 9

Sop. Cor.  
mf f

      
                                                      
a3 a4
Solo Cor.  
mf f

 
Rep.                                
mf f

  
2nd Cor.             
mf f

            
3rd Cor.
   
mf f

 
Flug.                              
p mf f

  
Solo Hn.       
p mf f

   
1st Hn.       
f p mf f


   
2nd Hn.
      
f p mf f

  
1st Bar.           
f p mf f

   
2nd Bar.
     
f p mf f

  
   
molto tenuto
          

1st Tbn.
f mp f f

 
molto tenuto
           
 
2nd Tbn.
f
mp f f

 
   
molto tenuto
   
B. Tbn.
     
mp f f

       

molto tenuto
Euph.               
f mf f f

  molto tenuto
Eb Bass    
 
   
 
mp f f

 
molto tenuto
Bb Bass           
   


p mp f f


Timp.        
f
  
Dr.    
    
p f

T.-t.      
mp

         
  

Xyl.
                                         
10 58

Sop. Cor.  

                                               
Solo Cor.   

Rep.                                                 

2nd Cor.       
f

3rd Cor.
      
f

Flug.

                                                

      
Solo Hn. 

  
1st Hn.     

  
2nd Hn.
    

     


1st Bar.

     
2nd Bar.


      


1st Tbn.

2nd Tbn.        

  
B. Tbn.
      

   
Euph.

         

  
Eb Bass      

Bb Bass
     
 


Timp.        
f

   
Dr.      
f
   
62
     11

Sop. Cor.    
ff


 
  
 
    
Solo Cor. 

     
Rep.    

        
2nd Cor. 
ff

    
3rd Cor.
    
ff

Flug.

         
ff

      
Solo Hn.    
ff

      
1st Hn.    
ff

      
2nd Hn.
   
ff

     
   

1st Bar.
ff

        
2nd Bar.

ff

        


1st Tbn.
ff

2nd Tbn.          
ff

   
B. Tbn.
     
ff  


                         
      
 
Euph.
ff


Eb Bass                          

     
ff  

  
Bb Bass
                           
ff  
    
Timp.            
ff

Tri   
   
      

Dr.               
ff

T.-t.      
ff
Soprano Cornet

PRAELUDIUM At the tomb of Mitrofan Belyayev Rimsky-Korsakov

arr. Geoff Colmer

 
Lento, mournfully h = 63

        
muted mp p

8
 
A
 
open 
    
mp p

16

B
 C
 D
 
     
mf

38
  
E

    
open

   
muted

f mp


             
F
 
48

       
f p p

             

G

54

   
mf f

  

58

      
61

 
ff

  
65

   

© 2014 G Colmer (geoff_colmer@hotmail.com)

Solo Cornet

PRAELUDIUM At the tomb of Mitrofan Belyayev Rimsky-Korsakov

arr. Geoff Colmer


Lento, mournfully h = 63

 
  
a2

      
muted

8

A


a2 
 open 
     
p


B
      
     
16 a2

   
p mp

23
   
C


    
p

    
D
  
32
   
a2 a4

             
p mf

      

E
   open
38
 
muted a2
            
ff p

© 2014 G Colmer (geoff_colmer@hotmail.com)

2 Solo Cornet

             a2
a4
F

48                                       

f p

                                   
51

    

             
54 a4

              
a3

mf

G
  
56    
f

                       
59

         
61

               

 
65

    
Repiano Cornet

PRAELUDIUM At the tomb of Mitrofan Belyayev Rimsky-Korsakov

arr. Geoff Colmer

 
Lento, mournfully h = 63 A
 (open)
   
     
mp p


B
        
16

      
p mp

23
   
C

     
p

D
  
32
          
      
p mf

38

E

             
ff mp

48

F
     
        
f p f

 G
                         
55

    
mf f

58

   

              
61

 

 
65

   

© 2014 G Colmer (geoff_colmer@hotmail.com)

2nd Cornet

PRAELUDIUM At the tomb of Mitrofan Belyayev Rimsky-Korsakov

arr. Geoff Colmer



Lento, mournfully h = 63 A
 HOB open

         
mp p mf

16

B

   
           
p mp

23

C

      
 
p

32

D
       
  
mf

40
 
E a1 
       
ff mp

48

F
 
   
      
f p

 
G
 
  
55


       
mf f

   
61

   
f ff

 
65

   

© 2014 G Colmer (geoff_colmer@hotmail.com)

3rd Cornet

PRAELUDIUM At the tomb of Mitrofan Belyayev

Rimsky-Korsakov
arr. Geoff Colmer

 
Lento, mournfully h = 63 A

   
HOB open

   
  
mp p mf

16

B

 

mp
    

24

C
 D

     
     
p
 mf

  
 
E F

40
   
     
  
ff f p


G

 
55

      

  
mf f

61

       
f ff

65

     
© 2014 G Colmer (geoff_colmer@hotmail.com)
Flugel

PRAELUDIUM At the tomb of Mitrofan Belyayev Rimsky-Korsakov

arr. Geoff Colmer



Lento, mournfully h = 63

   
    
mp p

8

A

            
mp p mf

16

B
 C
 molto tenuto

            
p

D
  
32

                  
mp p mf mf

E

38

                 
ff mp

F

45

  
  
          

p mf pp f f f
G
                         
53

     
p mf f

58
  
 

61
          
     
ff

65

     
© 2014 G Colmer (geoff_colmer@hotmail.com)
Solo Horn

PRAELUDIUM At the tomb of Mitrofan Belyayev Rimsky-Korsakov

arr. Geoff Colmer
Lento, mournfully h = 63

              
  
mp mp p mf

7

A
      
          
mp p mf


B
 C
 
  
15
  
molto tenuto

    
p

   
D
 
  
31
     
  
mp mf

    
E
   
39

         
ff mp p

F
     
47

    
         
mf pp f f f p

 
G

55

       
mf f

      
61

 
ff

  
65

   
© 2014 G Colmer (geoff_colmer@hotmail.com)
1st Horn
PRAELUDIUM At the tomb of Mitrofan Belyayev Rimsky-Korsakov
arr. Geoff Colmer
Lento, mournfully h = 63
    

           
   
mp p mf

8
   
A

            
mp p mf


B
 C
   
   
16
  
molto tenuto

 
p


D
   
   
32

        
mp mf

40

E

           
   
ff p
p mf

   
F
 
48

           
   
pp f f f f p


G

55

       
mf f

      
61

 
ff

  
65

   
© 2014 G Colmer (geoff_colmer@hotmail.com)
2nd Horn
PRAELUDIUM At the tomb of Mitrofan Belyayev Rimsky-Korsakov
arr. Geoff Colmer
Lento, mournfully h = 63
  
                

mp mp p mf

7

A
   

 
       
 
mp mp mf


B
 C
   
   
16
  
molto tenuto

 
p

D
  
   
   
32
  
  
mp mf

E

40

               
 
ff mp p p mf

F
       
48

       

pp f f f


G

53

 
          
f p mf f

  
61

     
ff

  
65

   
© 2014 G Colmer (geoff_colmer@hotmail.com)
1st Baritone
PRAELUDIUM At the tomb of Mitrofan Belyayev Rimsky-Korsakov
arr. Geoff Colmer



Lento, mournfully h = 63
  

          
mp p mf

8

A
    
     
mp mf

B
         
16
  
   
p

 

 
19 C
     
molto tenuto

   
mp

26
   
   
    
p

  3
32 D
 
3 3 3 3 3

   
       
p 3 3 3 3 3 3

 
36


                  
mf p

    
E
  
39


        
ff mp mp

F  

46

                
mf pp f f f

   
G
           
52


  
f f p mf f

61
       
    
ff
© 2014 G Colmer (geoff_colmer@hotmail.com)
2nd Baritone
PRAELUDIUM At the tomb of Mitrofan Belyayev Rimsky-Korsakov
arr. Geoff Colmer

 
Lento, mournfully h = 63
  

       
 
mp p mf

8

A
  
 
     
mp mf

B

16

   
          
p

  
 C

19
     
molto tenuto

    
mp

26
  

    
   
p

  
32 D
3

3 3 3 3 3 3
    
3
p 3 3 3 3

36
 

                    
mf p

E
          
39

        
ff

 
42

         
mp mp
© 2014 G Colmer (geoff_colmer@hotmail.com)
2 2nd Baritone

     
F

46

    
    

p mf pp f f

 
51

          
f f f p
G
   
55

      
mf f
61

       
ff

65

     
1st Trombone
PRAELUDIUM At the tomb of Mitrofan Belyayev Rimsky-Korsakov
arr. Geoff Colmer
Lento, mournfully h = 63


    
  
mp p mf

8

A
 
          
mp p mf


B
      
     
16

   
p mp

23
   
C

    
p

    
D
  
32

          
p mf

38
      E
 
   
    
ff mp p mf


F
    

48

              
pp f f p f

G
 
55
  
molto tenuto

          

mp f f

   
61
 
 
ff

 
65

   
© 2014 G Colmer (geoff_colmer@hotmail.com)
2nd Trombone
PRAELUDIUM At the tomb of Mitrofan Belyayev Rimsky-Korsakov
arr. Geoff Colmer


Lento, mournfully h = 63

        
mp p mf

8

A
 
         
mp p mf

16

B

              
p mp

23

C

        
p


D
   
32

             
p mf mf

38
     
E
  

       
ff mp p mf

     
F

48

              
pp f f p f

G
 
55
  
molto tenuto

         
 
mp f f

61

       
ff

65

     
© 2014 G Colmer (geoff_colmer@hotmail.com)
Bass Trombone
PRAELUDIUM At the tomb of Mitrofan Belyayev Rimsky-Korsakov
arr. Geoff Colmer
Lento, mournfully h = 63
 

        
mp
 
mf

8 A B
 
    
  
mf

20
          
     
p mp

23 C

     
   
p

32 D
       
   

mf

40 E

         
    
ff mp p mf

48 F

 
    
 
pp mp

56 G
molto tenuto

     
     

f f

61
  
     
ff

© 2014 G Colmer (geoff_colmer@hotmail.com)

65
   

 
Euphonium
PRAELUDIUM At the tomb of Mitrofan Belyayev Rimsky-Korsakov
arr. Geoff Colmer


Lento, mournfully h = 63

A

          
 
mf mp
B
    
14

                  
         
mf p
19
    C
      
molto tenuto

    
 
mp

             
           
26

     
p

      
D
  
31
    
     
mp p


36

                                     
mf p

39

E

                 

     
ff mp p

47

F
 a1

              
 
mf pp f f
 G

 
55
  
molto tenuto

            
mf f f

61
 
       
 
ff

65

      
 
© 2014 G Colmer (geoff_colmer@hotmail.com)
Eb Bass PRAELUDIUM At the tomb of Mitrofan Belyayev Rimsky-Korsakov
arr. Geoff Colmer

 
Lento, mournfully h = 63
 
     
a1

        
mp mf
8

A
   
  
 
   
mf
B

16 a2

           
p
  
19
  C

   
 

                                 
D

32 a1

   
mf p 
E

39

                          
          
pp
ff


42

                                  
 


45

                                     

mf
48

F
 
     
 
pp mp


56 G
molto tenuto

           
f f


61

      
 
ff


65

     
 
© 2014 G Colmer (geoff_colmer@hotmail.com)
Bb Bass
PRAELUDIUM At the tomb of Mitrofan Belyayev Rimsky-Korsakov
arr. Geoff Colmer



Lento, mournfully h = 63 A

   



   
p mf p mf

16

B
 C
 D

         

p


38

              
          

E

40

              
                 
ff pp


43

                      
   


45

  
                       
mf

48

F

    

  

pp p

G
 
55 molto tenuto

      
       
mp f f

61

                           

ff
© 2014 G Colmer (geoff_colmer@hotmail.com)
65

   
 
 
Percussion

PRAELUDIUM At the tomb of Mitrofan Belyayev

Rimsky-Korsakov
arr. Geoff Colmer
Lento, mournfully h = 63

 
glock

          

  
mp

6 cymb A

    
soft beaters 

  
pp mf

  
tam-tam
    
mf


          
  
mp

12 cymb

  


  
pp mf

  
tam-tam
  
mf

     
  


16 B
 C
 D



© 2014 G Colmer (geoff_colmer@hotmail.com)

2 Percussion


38 E
      
    
       
BD
p ff ppp


             

mp

46 F

   


  
mf

     


mf
  
Xylo

       

f


51

       

     

54

G

     

cymb
 f
 
  
   
p f 
  
tam-tam

mp

61
   
          
f ff
Tri  

  
   
BD

               
f ff

 
65

     


  

    

  
tam-tam

ff