srr 55 -SEPHARDI MELODIES being The Traditional Liturgical Chants of the Spanish €¢ Portuguese Jews’ Congregation London | Heshaim rs of the Congregation Published by the Soci With the sanction of the Board of OXFORD UNIVERSITY PRESS 5691-1931 “SOLE AGENTS IN U.S. Ac CARL FISCHER, Ime: COOPER SQUARE, NEW Y@RE.mynr 550 SEPHARDI MELODIES being The Traditional Liturgical Chants of the Spanish & Portuguese Jews’ Congregation London PART I ‘The Ancient Melodies’ by EMANUEL AGUILAR and The Rev. D, A. de SOLA Published by the Society of Heshaim ‘With the sanction of the Board of Elders of the Congregation OXFORD UNIVERSITY PRESS 5691-19313 10 nm 4 15 16 a 18 19 23 24 25 26 27 28 3t 32 33 34 1. DPM DSt Momus Hys Tepe one wy cabs. sped 3: INDEX 1, Ko Beavis, moe Suannax Avagwesnena 5 |]! Avonal Boxe soe Eton Neoz. Also used for Hallel Lexancanca | Abarecy, rn 11. na Samnatu Mevomes asp Hvuns, van aad, se tes emo aa by 7 ToD mab an anban 2) sn} ana ren be nye ram nav mone 9 bene ot ov ANDo ame apes enh mp oy ena Arp rin pre $2 aM romp pap ny new dpa « ‘Sp yor tes yew rbby wma be Lucia Dont (voli, page $1), Mizutox Six (i. §2) . : Lenerscus and Kavpisi (i.25) || Viepat (i. 90) . soe, Hoow... Kine (i 14) Als used for Hailel Az Yasar Mosune (i. 23). , : Mawor ueDavin (ing). |)! ‘Una Lersrvvon (i. 123) Vaast Termuan(iizg |) | Micuram a-Davin (i136). Lawwarseanit At Tasrnuet so Le-Davw Barven (137). | oe Ki Esnaenaa Suaunar (L137). Ako used for Kaddish 0) 0 SST eee we You Zen teVisearn 2) | : Mentumas Vesusian) 0) ] | Eon Yiswoavess |) ] Benotsat You Menvnzaw. ) 0] ] | Hasoranpn (igs)! Haner(irse) 2) Tt TL DRT DD New Year axp Day oF Atoniuswr, Ammor Keranxan (ii, 26) - oe Suorer Kot Haarers (ii, 7g) | : Yaat Satuicia (ik 70) . Kepusnsian for Rosit Hasnsitanan (i Norz Suaxcake Ratson (ii, 106). Aboxal Bexow Suorar (ii r20) ) |)! Sammaxc Kou (ii 12). ) Axsa Bexorene (fi,27) ) 0) ] 0D! Avonat MetcH (ii gz), ) | ‘Yan Smear (ii, 233) : Ex Noxa Noauitan (ii, 243) : é 9 20 22 23IV. bn wheb Festiva Huns INDEX 1. no. ace. a 7 a 3 San Vicpat (iv. 13) soe DS 39-43, «Son Hatten (iv. 65). Nos, 39-42 also used fur Kaddish 37-40 4 Bund ning Birkar Komamiat (3.63) teat 48 mung we? Lesuow: Bowanta (iv tg). S|) 46 wWneNs [XEN Kecouenu (iv. 86) os 43 aT Wop Kappisit for last day of Festiva's (La Despedida) (v.22), Also used for Hallel “ 43 bya inn Haran Nanci (ir. t80) oe 49 mea nony SwocHawr Bassanen |] |) V. axa mynd mop Ersotes ror raz Nin Day oF Aw, se max veh Lew Eur . 6 St my obs Acne Nosan )]]] 47 52 wonmy Novraw Na, |) : 8 53 Dura Genes. : . = 34 wy $e EuNeanan : ” 55 m7 BarTswvon 2.0) | rs 56 beso mmm Yruvpan Vevisrast Fee 37 bow wey Daveww Smear )) |) SS pm mney Kus Vesiror Tome | |) 59 NCW NTE Bore Noa Awa |) : 53 60 3? wx Esw AD. . . . . . $4 be wie Ean 2 2 2 Tl 62 wo Namo 2 2] TTS VL ny 536 py Occastowat Hymns, 63 ere TooorEL . , . . . 64 wow Teva Snows 2) 1) Tt 65 nm Yar Risson, : fo! 66-7 mh’ Yiccauen 2! lls 68 Ene 2M Berccuint Arras (i.178), Also used for Hallel when a Berith ovcurs on a day when Halleliesung., 60 69 PM Wyner munch Lawwansmaate Stininor Zor Gy 206) 6x 7e Voy sont Rawnen NANcaLav. Alsoused for Elofim nm aby me onthe Day of Atonement =... APPENDIX. Avow Nootas ‘v, 110) (The Melody by the Rev. Di AdeSolay ‘The figures in brackets refer tothe wol. and page in the Hesham eition of the Prayer HooksCOL BERUE. Lewro.(d=60) re a 5 FF = NO], T r 5 va Cole dee. bes rw of ene. a 4 Voci. v I = ~ ~ PEF RT rr -ma te yes bia[dun., yao gi - | dun.SHACHAR ABAKESHCHA, MODERATO.(¢ = 84) aoe ne neh teat — | met -—— = cele Rock os seclge weet aleket cfg och \ = — i ADONAI BOKER. ANDANTE.(d=84) me | in wh NP? 3. Ale donai[ he — ker |engee-ruch leo] cha...) gamELOHE 0Z. MODERATO i = 96) v mii cha — fu LEMANGANCHA. MODERATO. (J = pe) as me Le mangean | cha mengan 78 Ulschoches be meng a= |. rae zABARECH. anoanra.(aztn) No 6. Jshem A. do. nai Sole. a —— | ase neng- — Jan wie kel nlm ats i = | So — Vesaekasveh chasfdo kol yacmai | Als kel tub a Se ——* = t + eS 7! eater al Lah al kal tub... poLECHA DODI. 5 ARDANTE CON MOTOW(¢ = 116) Neo : Le chish do =| die a4 Voci. { yt ~ TT i ishming - | a nu ot lows. ¢ rit i Se — He — ft ft | e- I le = |ehem ul fif_pe = = SSS6 MIZMOR SHIR. ANGANTE MAESTOSO («= 120) Unis. ms - eo hy N? 8. toh Mis-| mor shir te~ a & Vovi. oe ee us Shets jee Teo sbim aha et HT Flee seta neem] au i, wetio ee eee 2A eee a = drech yu 4 nm7 LEBETECHA & KADISH rontwe SABBATH. MODERATO MAESTOS9 (s =10¥ e Fel + 0 = roche a] mim Mite do dat she oth rab ts8 | YIGDAL. ALLegro.(a =ss! a =} = NP? 10. r= = + Wig tat Be tut fehag ref phen te foes wit at Voci. [we ef ett 4 dat i|nam yesod 1 eke of rin ee HODY..KIRHY. moo" QUASI Apt? {¢ =100) * | —, om oe wb “4 main 0. dingmar _ ke -jbot Perngha ve. che 1 In £2Lo MIZMOR LEDAYID, LENTO MAazBTONO [¢=75} SSS Se MP 13, / Mialmur oe 2 da 2 byl & Voci. a at Voci wat * eat] ft SSS Sa Vim Halbe ts Loy aai ku chad yang] | hip AAR Kw a SS SSS SSS z Tee gt eg we gt et ad haw bu dw do at sui ku bad sheomo ish taceha —EL Ba - ka — bod hiengicter SSS SS fee = ——- a : eS res/rim yay. sha. ber AL daw Vee yer kiea SESS ref ayer geil ka —= = a.wee yee che fut feng . ku leo omer ka <] bud fuk) A + wee 7 aa she A. dow nei 2. a SS =14 UBA LETSION, 1 ADAGIO MOLTO TRANQUILLO(# i a eeud— baslraiuahuer {4 tle ew mi phe - feta ulmicj pi meng afene | vai. Kadush yoo aheb = toth ylersel ove ky16 VAAM! TEFILAT!, | ANDANTE SoSTEKUTO(# x78} ——MICHTAM LEDAVID. I? AMOANTE CONMOTO(e=96) NO IG. Michhiim dee de =| of themrent [EI dames a 4 Voci. l18 LAMNATSEACH AL TASCHET. MODERATO QUASI ALLEGRETTO.(¢=120) st AMEGRETTO se: a NO 17, T a Tam onatfae 2 fo. 2 fe UL] = ach | at tach a+ Yoci. eS A oS ~ | a cheemish mur 2 2 18 Yea staat 2 fehl dee LEDAVID BARUCH. movERATO (d=98) 918. Leeda -| vid ba} euch Ado |. mat... a3 Voci. - ~ oe ed me teedKI ESHMERA SHABAT. 19 ANDANTE de) Sr vera e—— Ee tet Se Kileb meme dele at gihs lhe Selo. | 1 , | = 6 i = ni ot hi le f of me ad bel. nv -} bell ni Al sur metso che. ¥ de - |. ra 5 [ehim vegam le J da_ber be diL bre me. 1 coe Eh ghe bef hort BI ut =| doa ke20 Yom ZEH LEYISRAEL. nootraro(d 100 _ some 8 oe ine te fe dla] a? ku-dim be. zy ta pee a. dim lish- sh Snatched bet ul mo ome ee dlal MENUCHA VESIMCHA, Poco ADAGIO(s=04) NO]. Solo,22 ELOWIM YISHADENU. AaRm = N22. Ee} tos hia yin hatde. mu betes. chy bi- mo. a4 Voci. = . = tt nde ne wl kL le ly yi beet ae bu tee a SS ee == SSF ‘ 5 i: tt # = s BEMOTSAE YOM MENUCHA, ALLEGRETTO mMopsRATo (d=130) Bejmut dale yum menucha amt ei longa — me— yom ekers vena suys gon ¥4 ‘ £28 Heed aot! i. viv THAMABDIL. 23 ANDANTE CON MOTO(d =uy) No 24, re Hacmab {dil ben kus deb fe b chet huntee a & Voci. . | yin chat foe. as s Bo24 HALLEL soe SABBATH, MODERATO(« = 120) a) > = A¥62 nuChasl du AP yoo Imet Ade - [nai Teco. alkeka | yahT £ | FE = ee === =a Ee st + T = h ; ee ea =SHOFET KOL HAARETZ. LENTO (SENZA TEMPO) va a - * maith ger ping a mld ceseecicsee onnnsnase cy z. Sk : i ———— # SO pe Sha = yim TT vate eee cum 8 2 ee tang amid aes ea aoe ee : = = oe oe bebe ee — a : So ' Sa te. ~~ we cher 2 = lengeu lat hate =YAH SHIMCHA. ANDANTE Quasi atcecwerro (d= 108) NE 28. a & Voci. a | ro. mim che base =e wet afsie kus te 2 che Pin lento.KEDUSHA ror ROSHASHANA & KI PUR. apacio (d= a)ET SHAARE RATSON. \ MODERATO (d= 126) le ve ¥ vi —— = 47+ : te N —— = 2 r= gasky Se che ach of ked vee he meng eked ven ha = ee t + == ——- FE When sungythin phrase is to be (akon by the Contralis. and Tenur in the Octave hetween the Soprans & Bar,apt | beaut bungelanpah te —| Bie J Fr . : f = 3s ae + eben usher no tad techs mi] Su_ rah thm |nfaake-chu by | f = re as a g-8— Ri + are Era shesex kum |hocas tesbu fi lenge lab i Lalit le KADONAI! BEKOL SHOFAR. ALLEGRO MODERATO.(¢ = tus) ( is os = = weal. a y === i= oo Ae | duemi be bt | shat “| | t v mi cang — ye |e sheng— a32 SHEMANG KOLI, mopgRaro.(d x04) No 32. = Shefmng Ho- K+ ot ther yisheming be = ake 2 doth we ba et ae me deas bet ae ted ri — toe. ANA BEKORENU. ALLEGRO(4 =79) SolSSS a sKech = sb Shesmang As dosnt web chet = bo yu Bie SS ig == Chorus. =a — L Sat 7 . Yech Adonai «| nu be-kor-« 4 e— A~ ducnai shoalmang— 034 NS 34. ( a 4 Vooi- || ADOMA! MELECH. ALLEGRETTO mMagaTose (J 2132) 7 XR leek ALde ! BR TRY oo fh MN ae ae = ee clack Aldo ld nat yim L toch tongue | | vangle | I. es ia fl aE Sh > 2. \ : mr faa YAH ‘SHEMANG. MovERATO. (d=118) --— pt Ph I A = SSS a = Ne 35. hum—cha—lim pa . Yuh shemang eb-yo4 we — cba a + Voci. a ++ i tei Tech line chs | af tynglom of ne — ches i lols ad 3 | x ‘| =——EL NORAH ALILAH. 35 ALLEGRETTO MODERATO @ = 180, H t : ] mee wim |1eeRR agin | ose - fon | wm sededio | be. ehi-te a = + f beshimgaat he_Inéngi_ith | £1 norsh | ee lideh | E1_norsh | ss I 7+ | acticte Inboeet tad | mechi-2uh | beabungat ha [nengilon, EE36 ASHKIBENU. ANDANTE cON MoTO.(#=104) x — Lm ms =~ W237. Ash. Ko] bes nb A-fbi . = mule a4Voci. - = tie —t = = ont YIGDAL ror FESTIVALS. ALLEGRETTON d= 69, - + ih - — s, « Yigejdat Eotochin | cbay-ve =| yish— ta —[buch aim_| a4 Voci. || _ : . i = = = — =— + (# —— =e “yy t te “ >" < + t) it =BIRCAT COHANIM. 4] ADAGIO MAESTOSO (0 = 78) = Fo Lee, NO44, = - | Yeefae | - | tLe 4in% at Voci. = tila IZ = —_— == T we * oa —_— TRS ae Fri f t LESHONI jBONANTA. MODERATO (® = 100, CN a was. VE 7 i vas Te ae a sori. || ee gs _# picietee tact PEE char beEN KELOHENU. 42 ADAGIO (ez 126) r ke. moshibnge = au, esa.KADISH For THE LAST DAY OF FESTIVALS. ! ALLEGRETTO(¢ = 69) NEAT, ve yitukas | Y | a4 Voci, HATAN NANG-IM, © ANOANTE GON MOTO (d= 04) — an N29 48, t Ha.tan nangim he = toch am a+ Voci. }} - — PUMP TTT Nyy gest Ke kro be —|sefer torst sa sad :ECH NAVI. 55 ANOANTE (d =75) we 61. nuvi shudud vedo Ldi af ve] Solo, = che yashe —| baad badad ke_ al be chat | sha onahie NACHAMU. MODERATO (# =76) Lo R W! 62. Solo. TODOT EL. ANDANTE Quasi (ALLI® J 266) Py No 63. 7+ v a 4 Voci. 2 i > v mat cul-ehay sol chayTSUR SHOCHEN. 37 i ANDANTE w= 84, —_— x L rN ~ N? 64. y FET / Tour hy joime nste = shed mes tof a 4 Yoo. = = ee pel = et SSS i.58 YAH RIBON. ALLEGRETTO MODERATO (@ =112) Ww? 65. a4 Voci. a yale SL, 1 nt wo | mal. ke = YIGALEH. MODERATO QUASI ANDANTE(s=9 a. ARS N? 66. 7 $ a4Voei. Wetton tsbod att | ober - a lan de aa fla Pie == ty ie! melugh me-jtech malach | livsach lve neh £> pe See a Ss Ut }YIGALEH. 59 ANDANTE. (d= 76) N? 67. [ho tte ke_bod waver = — cs 1 ' ! fmt a 1 - chut . = che al am dal 2 a .| af mee Yoch | me - | lech.60 BERUCHIM ATEM. x9 68, MODERATO e=n TENORE E BARITONO. fi mo fe | ruchim a} tem kea {hale | mu_|nui se ~ BASSO. = baruch 2 = = basruch ‘ f ase | in fpehbe ats man fob yi fal e—yM yen ° | kee f mo gan ref tub yactad te veg i tee ; SSS — nine mike — {tod | i A. donai.LAMNATSEACH...SHIMU ZOT. 62 ADAGIO a Ne 6S. 7 ZS we ft theme tte | ag Vooi = —ahiI~s & AA ‘oshe }- be ehaled ‘Sbimuxot kol be cha—led Ki yi | » RACHEM NAALAY. LENTO (¢= 0) —— cm me f Rechem naw =] lay eee eee eee im so + wo 70. a4Voci. : c= wise — date fre FE Bleee rer olan if ime chem ae yim62 THE MELODY By ADON OLAM. D.A.ve SOLA, ANDANTE (d= 50) — NO 71. a Voci. Leng} ve