Aron Maiden Zanctuary Zabbath Woady Sabbath ie TT) |HEAVY METAL MUSIC AC/DC Shoot To Thrill Page 3 Back In Black Page 8 Hells Bells Page € What Do You Do For Money Honey? Page 11 RAINBOW Since You've Been Gone Page = All Night Long Page 18 | Surrender Page 20 Wheels Of Steel Page 62 747 (Strangers In The Night) age 60 IRON MAIDEN iron Maiden Page 24 Sanctuary Page 26 Prowler Page 28 MOTORHEAD Overkill Page 36 Damage Case Page Limb From Limb age 31 BLACK SABBATH Paranoid Page 40 Never Say Die Page 46 Sabbath Bloody Sabbath ‘age : . wee v0 ca N Chains, Chains, Chains age Profession Of Violence age Lonely Heart Page 51 Ths book - copyigtit 198] ty Wike Pupxatiors, (SBN C 8600! 898.9 Order No AM78796 Exclusive Drsteiputors: Music Sales Limited mar Sean incor WIP 3LA Engiane Limited sSe DIS 2.55 2 Lr fey ere ae oaShout To Thrill Words & Music: Angus Young, Malcolm Young, Brian Johnson. Moderate rock D/A 1. All you wom-en who want a man of the street. but youdon’t know which way you wan-na_ turn. Just keep a - com- in’ and put your A DA A handout to me,— Cause l’m the one who’sgon-na makeyou — bum. gon - na take— you down; ah, down, down, down. So, don’t you fool_ a-round. [I'm gon-na_ pull it, pull it, pull the trig-ger. _ CHORUS SepTT TT Iu. play to kill: too man-y women with tic Tote. rua :tar reac-. to kill, - I cantget e-nough I] cer cist tw revere ate os ee eee ol Dg ie Pater or bere recreate Lee Car Te me eg com mere erent eres aT fee eeat will. gun at the read-y, gon-na fire play to kill;. 1 got my Shoot to thrill, at will.—’Causz | Pull the trig- ger. 2 fire E fay 2ft I’m like to kill; _ play Play two times q at + I CHORUS | | &-@ MIL | | Sie TY oe) (rhythm guitar) ch i las ie d | a5 itoo man -y wom-en- with too man-y pills. I say; Shoot to thrill, I can’t get e-nough, I can’t get my thrill... Cause J shoot to thril_— play—_._—s'to_~sE_sihkilll. Repeat as necessary, with vocal ad lib. A G D D A fan fae apo" 10ft Sft eo o oN oN ff eee rH oh i | i 2. ‘I’m like evil: I get under your skin Just like a bomb that’s ready to blow ’Cause I’m illegal; I got everything That all you women might need to know. I’m gonna take you down Down, down, down. So don’t you fool around I'm gonna pull it. pull it, pull the trigger. ChorusBack Wu Black Words & Music: Angus Young, Malcolm Young, Brian Johnson. Hard rock 4 | 1. Back in black — I hit the sack, I’ve been too long, I’m glad to be back. yes. am _.._—ilet__loose from the noose That’s kept me hang-in’ a- bout._ I keer mine ives. cat's eyes a - bus-in’ ev ry one of themandrun-nin’ wild. - aneTo Coda ® Well I’m DS. al Coda No Chord o w2~ Vegave Ne Ve ie a wv }-—— nt — fost] Pf i rr - be im back fgudiars —_— » wT Well I'm — yes, ’'m_ back in__ black. back in black,—back back. I’m ~~ back in black, in. black. (guitar) Back in the back of a Cadillac Number one with a bullet, I’m a power pack. Yes, I’m in a bang with the gang, They gotta catch me if they want me to hang. Cause I’m back on the track, and I’m beatin’ the flack Nobody’s gonna get me on another rap. So, look at me now, I’m just makin’ my play Don’t try to push your luck, just get outta my way. Chorus Guitar Solo Chorus Guitar Solo Chorus 10Brian Jonnson. Matcolm Young, % . mend z = & ob c 3 g oD cS 8 = of 6 S = Hard rock 4 A pour - in’ rain; [’'mcom-in’ on !:: I'ma rol-lin’ thun-der, 1. a - crossthe sky; My light-nin’s flash- in’ hur - ri-cane. ed Won’t take no pri-son-ers. You're on-ly young, but you’re gon - na die. a fight. No-bod- y’s put - tin’ up gon - na take you to Yr zt “© Tow he AI ERE IT FACE TS Sr er € Copyrent 1980. s feet 8 S00 hy rT el aoe me eeBells, Yeah, Hell’s _—_ Bells. ___ You got me ring- in’ Hell’s To Coda® Bells. _ My tem- p’ra-ture’s high.__._ Hell’s Bells. __ 2. tl give you black sensations up and down your spine If you’re into evil, you’re a friend of mine. See my white light flashin’ as I split the night, Cause if good’s on the left, then I’m stickin’ to the right Won’t take no prisoners, won’t spare no lives Nobody’s puttin’ up a fight I got my bell, I’m gonna take you to Hell I'm gonna get ya, Satan get ya. Cnorus suit SoloWhat Do Pow Doneyy? or Mioney De Words & Music: Angus Young, Malco! Moderate rock 4 nev - tid bars, __ he t % re work - in 3, 1. You a part - Your for free.__ gon - na give it er a - ve - nue Look - fin - est view on the a with ment n a dl = > o Gy) = a itt z be J °o = ~ ~ fy) ~~ s 5 | 2 w E S42 3 o= 8 ~ a3 £38 = =. a 285 52 oh e FS ga5 > 84 2 3 om 3 qe > =< Bq wan-ama feel you I wan-na touch you, Copyeges Seceer: 20 2iggpes See € Copyrgre 1979 Tharres laters Pucaserg. uc Harare Msn BE Qo ee SRB w De Le 6 Eee reerwith you I wan-na be long. with you all night Ab you I- wan-na_ love I wan-na be—_ seems _— FY Surrender Words & Music: Russ Ballard. I sur-ren-der (I remember) to your heart, babe, do an-y- thing_ that you wantme to do; Please be ten-der _ like a life - time ev-'ry_min-ute’s a mat-ter of days since you left me— oh,— I'm in your hands I'm near to heart - * Pl len td 7 I el ee d $b rrr df _——_—— Sd ~ girl, this is a feebing I nev-er knew. ____ You know I tried_ to break, 1 wantyou so bad don’tturn a - way, Whatdoes it take to Eb r Gm Eb Bb Eb Qo ee eee FF y 3 make it on my own,. that'snot theway it was meantto.. be, spent my time wait - ing by the ’phone,_ stay by my side__ youknow!'ll do whatyou want me. to, don’t. take a-way this feel - ing in-side, Gm/D D Dsus4 Gm Eb F Dm ie 88 G2 88 de" eee as me. I sur- ren - der, I sur-ren - der, I'm to msot 2 bee with you.___ I sur- ren - der, I sur-ren - der. giv-ing up the role -giv- ing up the role of pre - ten - ger boed me ten - der. girl be ten - der. GaX vow Sei th: love cat |! of pre - ten - der. I om-mem-ber. I re-mem- ber._ Cam’ vor feel the iove that | © Copyngnt 1960 sano biusc 2 2 & Femrs Square. London WG. interntosCappager Sener aplages teservec. 20send yer I sur-ren-der,.o Oh send yer I sur-ren-der, Dar - girl_ I sur-ren - der. stop it - I sur- ren- der. ling _ girl girl. I re-mem-ber__ aa A ae ae rt bare eee ee eee eee - De eel jt I eS SY red - der, [ sur - ren - der dar- ling now won't you be ten - der?.. I sur-ren - der, FF sur- Gm/D D ae a mh ie to as dy 3 ren - der... feel _ the love that I send yer, I sur- ren- der. T sur-Wheels Of Steel Words & Music: Byford, Quinn, Oliver, Dawson, Gill. a | 2- ais nm 5 3 s 5 oO | | 52 ” rh S& > 3 S68 7 op mt an > EBs 2s | | “4 ve 85 “2 o> wey an een . | 2.8 ' on s eS ey aE og ee Gwe " E ° 55 gf ” gy 28 “s Z& ~_ S ” = 2 ’ 23 | ao - o 22 Se ores 53 e2o * se os ‘4 2 > oS oe 68 | . 2 | | 2 8 ss “ ~ 5 % B on > 2o € és | ao S id ~ oOo 2 oe a = 7. Da oa x ee < a a9 and i - dea of beau- ty I my you know she’s youknow a did-n’t - Am Trans She’s got. drive. - way. I a that’s what blew it wheels of steel.__ wheels... Ss © Copyright 1980 Carrere Music. Administered by Heath Levy Music Co. Ltd., 184/186 Regent Street, London W1. Internationa! Copyright Secured. All Rights Reserved. 62‘of steel. Wheels wheels of steel. _ To Coda @ I don’t. steel. Talk-in’ bout my wheels of my my my-— wheels of steel, — wheels of steel __ ‘bout my wheels of steel. talk -in’ of steel,__ wheels DS. al Coda She’s got__ wheels ofsteel._ my my my. wheels of steel, Talk-in’ bout my wheels of stort __349 (Strangers Wu The Night) Words & Music: Byford, Quinn, Oliver, Dawson, Gill. We’ve got a sev -en-four - sev - en com-ing___downin the night._ there’s no pow - er, there’s no___ Scand - in- av - ian one - o-one flight from Ha - wa - ii com - ing p hould__._._—s- be in’ sight____ a ’ ue @ ' a < we out of the = sun. try to get a =mess - = age through. Tell the flight deck New York__ we can’t see___._ a:sthing:~=s here ___ in the night.____ Nav- i - gat - or says we're — has ligh' on the flight path there’s no rae - di - 0, no sign of life... This is Sev - en- for - ty - sev - en com- ing own in the night try to a —_—— Scand -in-av - i - an one - o- one for God’ssake,. get’ the ground__ © Copyright 1980 Carrere Music. Administered by Heath Levy Music Co. Ltd., 184/186 Regent Street, London WI. irsernanarat Conyngpt Seceset, igs. tererstrang-ers in the night __ both on__ sep - "rate flights __ strang-ers in the night_ e—_—_ D%&.alCoda CODA bmaj? Asus4 Bbmaj7 ist ist Fret! Fret aye a = 4 — 7 - where... C8) There’ - where. Strang - ers in the night, we were strang - ers in the night. Strang-ers in the night both on sep-’rate flights, __ strangers in the night, — go-ing no - where. Verse 3 There's a seven-four-seven going into the night. There’s no power — they don’t know why. They've no fucl, they’ve got to land soon - They can’t land by the light of the moon. They're overshooting, there's no guiding lights. Set a course into the night. Santina oncoon - for Gal's sake e¢t your gromed iphes on. 2 gee‘na show you I wan % room, mY ’tyou come. Won blood, — your want. to see I just wares_ all my gin the blood_ be - See stare. stand and to I just want— floor. th up on falls__ it As Ir - on Maid-en cam’t_be = sought._ fought, can’t— be Ir-on Maid-en © Copyright 1980 Zomba Music Publishers Lid., Basement Apartenent, & Roland Gardens, London Sif? ter he Ses, SQ Conpepesaness. Sifigps Reeve. 294ev er you are wher - cr._—__ wher - ev well, Oh mat- ter how no gon-na get. you Maid - en’s Ir -on head. up a -bove_my watch - ing it shed See the blood flow far. To Coda@ wants. you to Fine D.C. al Coda 25Sanctuary Words & Music: Steve Hans, Paul DiAnno, Dave Murray, Clive Burr, Dennis Stratton. Out of the win - ler came it war horse of steel. Met up with a singer Lest night___stto keep— me a - live. (%) Laugh at the wind,— 1 can — I’ve nev-er_ killed a wo-man be - fore — He spends all his mon-ey on gam- howl at the — rain.— Down in the can -_ yon, — obu i! know how it feel. ___ — bling and guns— w ssur- sive. 1 know_you’d have yone__ sin -—s sane, if) you saw what I saw & Copynghe 1980 Zomba Musi: Publishers Lid, Basement Apartment, 8 Roland Gardens, Landon SW? tor the tics emrenens Cappept Saceet Stage tee ~~the law. from uar-y sanct (add rkythm) —— ————— 7} D (no rhythm) i AE bd A - tu- a sanc So give me Just give me al - right. Pil_._—sbe and law, the love__ me to - night. and from__._— the law, y night. To & = i 8 x S e § os e3 $8 ~~ ss = ob & & + § ws & a | § nw & Ni ® 3 % 8ing in their look all y. ing ¢ \.s 3 = ae => & oo S| i g 5: 8 3 E : a ae: . Bs 33 my find to got r way. ° pen with it es through. the bush crawl - ing see me girl__ see - ing What you wide. © Copyright 1980 Zombe Music Publishers Lid, Basement Apartment, 8 Roland Gardens, Landon SW7 tor the Wek beerwterer Copper Sener Atges Teebe - lieve that you Can’t It’s the eyes. can’t you be-lieve your can’t you be - lieve it,_ real thing girl. ing reel - self____ and me Got To Coda @ a - round. walk ing like feel D.C. al Coda A tempo primoWords & Music: lan Kilmister, Philip Taylor. Edward Clarke. On - ly way to feel the noise is when it's good and loud. On your feet you feel the beat, it goesstraightto your spine, I can't be-lieve it,scream-in' with the crowd. t : Shake your head, youmust be dead if it don'tmakeyou fly. Don't sweat it, We'll get it back to you. O-ver-kKill — O-ver-kill-— O-ver-kKill-— © Copynght i979 Motor Music Ltd.. 15 Great western Road, London W9. Administered by ne Rear Semee Bureau Lid., 4(a) Newman Passage, London W1. international Copyright Secured. %1 2———_ To@copa 2 Cc G | | } | Know your bo-dy'smade to move, Ya D.%. at @CODA be eeeengurpenannnnnnnnnos een feel it in your guts. Rock 'n' roll ain't worth thename If it don't make a strut. CODA ti Dm/C Bb 1,2,3 {4 , ei ag finWords & Music: lan Kilmister, Philip Taylor, Edward Clarke, Mick Farren, 1. Hey babe don't act sO scared 3. Instl 2.Hey babe — wait a min - ute stop 4, Hev babe — don't turn a - way all I want is some spe - cial care — don't run a- way don't —— call ai cop I'm here to - mor- row I'm gone to - day I ain't look - ing t vic — ti - mise — you All I wants a lit - tle con - sol - a— tion Al I want t do is tan - tal - ise — you I don't ev ~- en care what your name is And I can tell by your face — I'm a And I can tell by your face — I'm all And I can tell by your face — You're all Copyright 19) Music Ltd /Acton Green Music Ltd., 15 Great Western Road, London W9. Administered by Leosong Copyright Service Bureau Ltd., 4(a) Newman Passage, London WI. ® 79 Motor Music & International Copyright Secured. All Rights Reserved. 34to - tal dis - grace — Let me in - ov - er the place — I can ov - er the place — Let me in - G Dsaus4 Em side your place — Move ov — er for a tell by your face — Got no time for a side your place — Move ov — er for a : ee fal dam-age case — dam-age case — dam-age case —Limb From Limb Words & Music: lan Kilmister, Philip Taylor, Edward Clarke. Slow Tempo Well | nev-er done 2. Instrumental That's ev-er gon-na shame my life , Well I ~~” nev-er done no— thing — That’s ev-er gon-nashamemy life an Come a-round an-y time ya like,— _hon- ey fied ay ta es There ain't no shame in mybed at night A7 G (Instrumental on repeat) Long-leg lov-er — I'm gon-na tear ya = Limb from AZ [ etl limb Lead -bee lov-er —— 2 DoONr@rT 272 Worte Mase tt 5 area deste 2cac dor WO Acronniess cy erg “CCE ager, 5 he te wea omar 8. ears Or et ese A Deere; Setar ee 33I'm gon-na tear ya limb from limb Get you smashedas.a rat in some bar Sink my claws— in-to your vel - vet Em Harsh cru - el words— babe —— They'regon-na cut me like a2 2nd time instrumental CO Se knife, Harsh cru-~ el] words— babe, —They're gon-na cut me like a knife. night That's what I wan-na know Hey Well I nev-er done no-thing — that’s ev - er gon-na shamemy life, my life, my life, my—— life,WellI nev-er done no- thing — that's ev- er gon-na shamemy life, my life my life, yeah — Come a-round an-y time ya like — Hon-ey, thereain'tno shameinmybed at night Em Repeat twice, instrumental HEH o EFPBaranvid Words & Music: Terence Butler, John Osbourne, Frank lommi, William Ward. Medium. Fin-ishedwithmywo - man 'causeshe— could-n't help me— with my— mind. Peo-plethinkI'm in - sane be-cause— I am frown-ing— all the — time Em c D Em Em All day long I think— of things but— noth-ing seemsto— sat-is - _ fy, ThinkI'lllosemy mind— if I don't— find some-thingto — pa-ci - fy. Em D Can you help me? — Are— you—— for my _ brain,- © Copyright 1970 Westminster Music Ltd., London. Intemational Copyright Secured. Al Faghes Reamr-vxt, 40Fo Pi nfl a l_| rence er dnt _|__l¢__._|_.. 3 1% Leena Aueenah and ci ee ee ee ee Fe eee eee eae ie eed bent) reper nes gee ae : I need someone to—— show me the — thingsin life that— I can't find I can't see the thinos— that make true — hap-pi- ness, 1—— must be — blind. GUITAR SOLO Em TT oo br ro CY ——— LP Free I tell you to en - joy life, I — wish I could but—— it's too — late. Em D Emno B(no3rd) z oe 2 o = be & ij a at w& 6 a ~ & E s 8 & a a Y) x 5: a g » g 3 = = 0 wn = 3 : go ~ ing sat ~- is ple day dry__ and the home Mon - day's ing's Writ - tion ing fac l wall on sil - ver ing in - side. the That they know Well-com-ing - wers ans ing for the lies_ door - step the on all_ You can save us rid no place to go Show ing us the time a Look ing for Got a rea - son in sor - row corn - er ture's on the All__— dressed up Fu Search - ing = © Copynght 1978 Essex Music International Inc., USA, Assigned to Westminster Music Lid, London for the Britsh Commonweatth lexc Canacs b Asteraienes and Ent International Copyright Secured. As! Rights Reservedn crime slow ng's fine,_ - ners Part in it ery-thi Take_ Ev wor to have__ a ev - er need 't they Don son rea why. why. - der - der have __ won won to to ver need___ 't you e There's no Don There's no you me—..._ that tells__ of part __ G A (sustain chord) a It's die say nev -er 't don 't you e Don oO say die ne - ver ver ne Ne ~ ver B(no3rd) A(no3rd) Ee 47say die, - ver e you Don't - ver e you Dmaj ver say ne D&. al Coda E(no3Srd) He 1,2,3 Play 4 times - Guitar solo y D(no3rd) @cova A(no3rd) B(no3rd) Nev-er say dieSabbath Bloody Sabbath Words & Music: Frank lommi, William Ward, Terence Butler, John Osbourne. | f¢ >B 33 22 = a ay : a 30 i ~ ov 25 Sa Be | a 2 33 3 “4 = a3 3% g 2 He af > oo ES a 3 2 gs 32 35 "3 =e ge | | Ba go 23 a es 3 3 ie oy ~ ae oe ww Y g ' SE ae 8 Be . | oD ° . H rE s- IY a ‘ ie) og@g | og ® oO v 8a Po 3F ; ° | | : show. —— way. the end be- gins read,___ is doom—._— could take your mind © Copyright 1974 Westminster Music Lid., London international Copynght Secured Al Rgrs Keseaenknow... day. to__. of want light -gain the but you don't a lies are old you don't see the if out, And you don't care The truth is er will ev bod- y___ No the rea - When you ask__ you know, let that you're — you just tell They all full of_ lies._ Fill your head_ bas - tards! YouPlay 5 times - Guitar solo improvised over figures below. What more can you do?__ what's to? can yourun__ Ev-"ry - thing a-round_ you___ com -ing to?____ it you. __ you. is kfli-ing bog - blast all of life row knows as your dog nose more to- mor - heav - en turns to hell,__ noth-ing more to do,___ bath, __ turn to night - mares,— Dreams Sab-bath, blood-y Sab 2nd line only is sung on the single record, *Yeah, — noth - ing more to tell,_— sion__ corfu - out Liv- ing just fordy - ing__ Burned dy - ing just for you. _— Guitar C/E Tacet Dm/F C/E php EES GES ES 4Chains, Chains, Chains Words & Music: Pete Way, Phil Mogg. an ae aie de ae a Ad lib. J Loon ° J lL oh og Jack of dia - monds— to - ge- ther were men, _— he play the ta- bles, play_ wam - ing____ she ~took off one night, __ Jack got so mean boy, he —___while he can._ Take some ad - vice boy, stay clean,stay out of his way_ just had to fight._ He died onthe floor, some-one else ev-ens the score.. Lit-tle Jean - ie Back round the ta - bles__. she’s roam- © Capyngtt 1980 THTH Music. Administered throughoul the World by Chrysalis Music Lid., 2 Stratford Pisoe, London WL. neernetonal Capyngee Serra. £5 figpes Renewed, abee x 8 2 : 3 2 8 a *n a E E ' & & & 3 : 5 R s = 2 t & | | 3 - 8 3 ~~ w“ Q = 2 73 | 3 g a z Somes , | ~ ° See = 7 § g ° 5 O ‘3 & 5 & fl 4 aff z 3 ' 3 So 2 % ' o as 3 8 2 s 5 3 ! = 3 < . 3 | § oo 3 s o = > 20 on : oe ! A g = ros ‘ = 3 8 s a 3 eg 5 g 2 > 9 ro) & l a > ‘ Z - os ge 2 z Z os 5 5 ‘ ° a ele Bia J | ” . 2e ° z 7 2. > 3 4° lo 2 gs g g 3 : ke Q Go 3 oe Cn S & 2 t oO . > st 3 eS a3 pseGe th) 3 Z : & tx, —_ ° s | oO >Brofession Of Violence Phil Mogg. Words & Music: Paul Chapman i Am7/G Fmaj7 _ fi. HE a a- way.- no look be-hind me _ glan- may - be move ae na do,— ces gon - - babe what we to pick upthe pie Fmaj9 Hey Try 1 a. ow o -_ da o n ~ a Oo > 2é 3 — = 3-2 o £ = wa s é p> sal al o ' 2K Es ~~ s 25 d £3 g oO it’s been Dar - ling of halls Down the age Sees A Sgr E Coqcyrgpt 1080 THT thane. Apmeneteed trregnat tre Wortd by Cnrysats Masa Uo _ 12 Seadord Pace. 13-00" @. neeenopaid.. sour. an - other debt is world — tums pulls the trig- ger and the gun Lord, the sin - ner on my notch- es locked in si- lence, wind the on Whis - per vio - lence. pro - fes-sion of vi- 0 - lence. of pro - fes - sion to FINE ‘erse and Chorus Rpt ' (Gtr. solo}Lonely Deart 8 2 E 3 3 a S £ & 5 a a % = od 5 D/A what she wants fe i for, __ to get D all plans, _— G af of heav - en was bit C/G I, A lit - tle Sar-ah has her dreams and makes_— her whenshe can the bright. and =hun- gers’ for al - right __ feel she’d find her- self. make it lé Heat 2 Face Loroce al internagona Copynert Secures Ai Rignis Reserved. : Copypegr: 1960 TRTH Music. Aarmngteres ersg7out ms Wor in Dyesaws: Muse A. 51With her young heart so gent- ly beat- ing, a sec - ret___ren- dez- And be- neath the lights and rock ’n’ roll band, el - ec- tric___. gui- tars And nowyou cry your -_ self to sleep, a-gainst the odds you vous lov - ers’ meet- ing, out in the night, — out in the n - n- n - night. one night stand are you giv- ing a - way,— giv-ing a- way— yeah, yeah, yeah. want-ed to beat you'll nev- er say no, nev-er say no, no, no, no.— A Played onthe ra- di-o, heard on the news,_ With hun-gry and oh so des- per-ate eyes, __ —— And with the pro-mis-es that you swore_ ba- by’s gone lost, they found her shoes, you can turn out the light, — you the souls who get hurt be - lieve in their lies,— you on- ly _ be-tray,— the price you pay, the love you tore — now where did it go, 52