240 Chromatic Exercises 1165 Jazz Lines Phrases For Bass Clef Instrument Players‘240 Chromatic Esercees 165 Jas Line Phrases For Bass Clef Instrument layers By Olga DiazPreface Ties cca ect mea agereeaenmeiy mean leet all musician players of moder jazz ‘We wll divide his book im scale xrcss, spegulo exercises, jaz ine phrases 25 wall 25 contemporary chord progressions. Exercises consist of jazz solos by rast musicane such Mas Davis, Bill Evans, john Colana, Freddy Hubbard, “Woody Shaw, Weyne Shorter, Joe Henderson, Chick Corea, Herbie Hancock, Joe Fare, Dave Lsbrnan. Bob Berg, Michael and Randy Brecker, Jey Berg George Garzove;Tom Harr, Chris Pot, Brad Mehldau, Jey Clderzzo, Kenny Carret, Branford Masai, Wale Weishopf, Rich Per, Seamus Blak, AlxSipisgin and many others wal known musicians the days The msjerity of thas erie should be transposed to all wah toner, 29 we can achieve perfect eordintion> Major chords, Minos chords and Dominant chords will be extended to thar highest lve in scales, arpeggios and chromatic form. There will not be ky signature canes, so we wll wrk all exercises in se entalny ‘Tass ese anc erm oye bk pea (Charles Coin Publications). There are 2 wll many improvisational lines tan a a aHistory In jars, the bans instrument fancons asthe Bridge bebicen sth and ar ony provide a strong best and the oot nots of the chor, n she early history of az, the instruments used in thi foundadonal role were the sing base, the tubs andthe bass saxophone jazz bass the use ofthe double bass or bass guitar to improvce accompaniment (*omping’) baslnes and solos in 2 jazz or jz fi slonsyle Payers began using the double bas in jac inthe 1890s to supply the lowpitched walking baslnes tat outined the chard progressions ofthe songs. From the 19205 and 19305 Sing and big band er, through 19405 Bebop and 19505 Herd Bop, to the 1aGos-era “free jaz2" movement, the resonant, woody ound ofthe double bass anchored eveything fom seal azz combos to large jettles Rigas nih tyramine peciarines tepamnellirdecies sitar place ofthe double bass. The elec bass which was essiarto amp loud volumes oxstage, gained particular promioance in the late 19805 and eatly 1a70 jazz subgenre which blended jazz wth the powerfully amplified elec in struments of rock music, costing jaz fusion. Mort jzzz bassste s = = ot of ff o a = oe not BLL LL LLLP L LDPE DPT VELL EDEL EL IPED EDP ome ow ow oo mo ue * ¥ 2 FPA * z al mo of «7 67 07 @ own ae * et . Oa ttt tt tt tts a eer ee © ae 4 * ar * & xaunt "8 * + . in 2 : z * as om o a oo 7 ve = uur om ” a E fe = eae po * Leal ey 49 san re ‘ Be. re Bette: fats cone ron nas 5 4 * « “ = = our =o + + aw “ . . af = PZ dee PPLE ae a . * ai x xa) oo on ue furs sue mf EE ae PP We Pe = oI et aa a te * pus 7 ve a ” ue “ os emer * eee TY > EE E oa a net kw a) bas “ * 4 ” bgt ous we wae = owe ue ‘ a. * we 2 ,D EEE TLE ES DLL L LL AA SAL AD: ser * . ” °SF sso musinre 3 ‘im yarsatorace mapas ts Boi nownrann 3To wspanne Ao Konya. {ihc chases soenemig pt wecateptaie enpgginde,aeianengas Sil ara eet Sips SNL Setien Memes