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Choir, 2 Piano

Snow Storm
G. SVIRIDOV
Arr.: V. Gryaznov
1. Тройка

    
Con moto ( ca. 104)

SOPRANO       
Эй, пти - ца трой - ка,


   
   
  
ALTO

Эй, пти - ца трой - ка,

 
            
TENOR         
Эй, пти - ца трой - ка, Эй, пти - ца трой - ка,

 
        
BASS
  
Эй, пти - ца трой - ка,



          


    
         

             
 
 
         
Piano 1


     
 


  
 
Piano 2

   


   
2015, V. Gryaznov
2 Choir, 2 Piano

6       
      
cresc.

S. + A.

     
     
ска - - - чет, не - - сет - - - ся меж

 
cresc.

T. + B.
 


                   
ска - - - чет, не - - сет - - - ся меж

           

non legato


                    

P-no 1 cresc.

           


     
       
   

         
    
P-no 2 cresc.

           
       


1
8        
    

S. + A.

    
   
снеж - - ных по - лей!

 
     


T. + B.

    - ных
   по -  лей!
    
          
снеж -

        

     
     
P-no 1 dim.

       


       
 
                 

             
   

P-no 2

                  
                 




Choir, 2 Piano 3


                
11

       


P-no 1

                       


      
          

 
 
P-no 2

 
 




                        
14


        
P-no 1

                       


      
       
 

 
  
P-no 2

  




                
           
17



P-no 1

               
           


         
        

 

P-no 2

    


4 Choir, 2 Piano


                
2

       
20



P-no 1

                       


          
   

 
 
P-no 2

  
 



       
   
23


 
    
P-no 1

   



                                 
       

 
                 
P-no 2

        



       
 

26

    
 

P-no 1

    


       
                          

          
P-no 2

                       
       

Choir, 2 Piano 5

 
              
29

 
 

 
P-no 1

  
   
     


 
         
                     
 
     


                           
P-no 2

                     

32   
    
3
S. + A.
  



A. (Mouth Closed)


                        

                       
                         
P-no 1


           
        
  
   

  
      
P-no 2

  
6 Choir, 2 Piano

35   

S. + A.    


 
(Mouth Closed)

 
A.

  
 


T.


                        
                       
         
P-no 1


       
    
           
 
  

    
   
P-no 2

   
 

38  
(Mouth Closed)

   
S.  

      

 


T.
 

                


                
                       
                         
P-no 1


      
         
                  
  

    
   
P-no 2

    


Choir, 2 Piano 7
4

 
       
41

S.


       


T.
 


                  

                 
                  
  
P-no 1




   
     
    
        
       
         
P-no 2

   
 
  



   
(таба-даба)

                 
                  
               
44


    
S. + A.



     
(таба-даба)

   

   
P-no 1

 


  
 
  

 
        
P-no 2

  
8 Choir, 2 Piano

46     
                                  
                                


     
S. + A.


     
     

    
P-no 1

 


   
  
    
 


        
P-no 2

 




48   
                 

S. + A.


                 
                     

T.

    
(таба-даба)

                                 
div. in 2

 


B.

 
(таба-даба)


     

 

P-no 1

               
               


         


 
P-no 2

       
 
Choir, 2 Piano 9

50       
5

                   
(A)

                
    
     
S. + A.

 
            
                      

T.

    
                                     
(A)

  


B.

          

     
     
   
     
P-no 1

                  
       


    

          
 
                   
  
 

    
 
P-no 2

         
 


53          
    
S.

 

S. + A.

(A)

    
   

T. + B.
    


        
 
(A)

 


    
P-no 1

      



                
               
               
  
P-no 2

 

10 Choir, 2 Piano

55              
   
cresc. poco a poco

S.        

    
       
cresc. poco a poco

    
div.

A.

      
cresc. poco a poco

 


  
T. + B.

    
              

  

         
cresc.


P-no 1

      



                                    
                               
    
P-no 2 cresc.

   
    

58                   
S.    

1                   

     
A.

2
       


                 
                

 
         
P-no 1

        


  

                        
                                       
     
P-no 2

  
   


6 Choir, 2 Piano 11


  
       
  
61


S.

 
        
    
unis.

 
 
     
A.

   
unis.

 
   
      
  
T. + B.
      


      
Эй, пти - ца трой - - ка,

   
     

     

P-no 1

  


   
                    

                            
        

  
P-no 2

                    
       
   
        
     
 
 

      
    
64

       
S. + A.

    -    
        
Эй, пти - ца трой - ка, вью - - ге на -

     
T. + B.
         


    
      
Эй, пти - ца трой - - ка, вью - - ге на -

        
            

non legato


       
       
P-no 1


     
    
                         
               
         
P-no 2

                       
               
12 Choir, 2 Piano

        (А)

          
 
67


S.

      
S. + A.

        (А)
        
- встре - - чу все мчит - - - ся ско - рей!

  
          
T.

T. + B.


- встре - - чу все мчит - - - ся ско - рей!

                                      
             
 



                                             
P-no 1


  
                    

           

     
P-no 2

        
                    
            

      
             
7

   
70
S.

S. + A.

      
      
     
   
T.

T. + B.



                    
                                                
     
P-no 1

   
 


            
           
       
 
     
              
P-no 2

     
   
Choir, 2 Piano 13


73          
S.

         
    
S. + A.

 
    
T.

        
  
(А)

 
T. + B.


  
   
     
(А)

        
        
    
                 
                     

P-no 1

 


    
       
          
     
    

 
           
P-no 2


         
            

76   
          

S. + A.

 
         
   

T. + B.


       
        

  

               
                   

P-no 1

 


         
        
   
           
P-no 2

             
    

14 Choir, 2 Piano

             

8


78



      
P-no 1

 
    


     
                                            

     
P-no 2

   
 


    
        
          
81



    
P-no 1

    



            
   
     

     
P-no 2

   
    




                    
84

    

     
P-no 1

  


      
  
          


        
P-no 2

 
Choir, 2 Piano

2. Вальс
  

   
Tempo di Valse (Allegro)

        
     
   
  
SOPRANO + ALTO


 
A.

 
(пам)

             


 
   
T.

TENOR + BASS

     
        


   
                
(пам)


       
  
                


  
Piano 1

     


  

   
    
     

       
Piano 2

         
 
     

6    
    
             
          
A.

 
         
S. + A.

       

T.


  
T. + B.

    
  

    
     


  
     

  


 
P-no 1

        

   
     
 

 

 

 
 
P-no 2
16 Choir, 2 Piano

12    
                
           
A.

 
S. + A.

           
         

T.

T. + B.


 
     

  

       
 

 
 
       

    
P-no 1

      

  

           
     
 

    
P-no 2



     
A.

     
1

   
18

    
S. + A.


    
        
T.

             
 
B.


T. + B.



       

              
         
     
 
                  

P-no 1

 

 



      
          

  
           

       

P-no 2

   
   
Choir, 2 Piano 17

25      
               
   

B.


T. + B.


                      
               
           
 
                      


P-no 1

   
  
      
      

        

 

   
    
       

   
 
P-no 2

   


32          
2


A.

 
S. + A.



      
    

T.

 
            
   
div.




B.


      
(M)


           
  
       
   
               
P-no 1

  



          
        
         
         
P-no 2


 
18 Choir, 2 Piano

     
 
38

 
A.

     


S. + A.


               
   
   
T.

    
          
  
    
div.


1
B.
2

         
         
 
       
P-no 1


 

  
            
 
 

              
     
P-no 2



43    
       
       
A.

S. + A.


               
      
  
T.

      
                
  
div.



1
B.
2

  
           

    
 
      
     


P-no 1


   
      

   

 
     
       
    
P-no 2

 
Choir, 2 Piano 19
3
 espress.
        
div.


48

S.

 
 
(А)

             
     

A.

 
  

      
           
  
T.

  
  
             
div.

   
  
unis.

   
1


B.

 
2


      
      
(пам)

               
 
           
P-no 1

   


 

              
     
 

    
       
      
P-no 2

    


54           
        
  
div.


S.
2


                     
              

                
    
P-no 2

     


20 Choir, 2 Piano

61     
          
    
     
div.


1
S.
2



                  
               
 
                     
P-no 2

    
  

68          
         
4


div.

1
S.
2

 espress.
   
A.
     
(А)


     
             
             
 

 
            
    
     
P-no 1 cresc.

     



                
              
            
 
               
P-no 2

 
cresc.

   
    


Choir, 2 Piano 21

            


          
75 (пам)

 
div.


1
S.
2


   
     
        


A.

   
            
           
   
(пам)

    

       

     

          
P-no 1


      
 
                   

           
      

        
P-no 2

         
         
 81
       
         
5

 
div.


unis.

S. 1.2

       
       

 espress.
A.

        
(А)


T.

    
T. + B.


 

    
   
             
 
    
 
        
              
P-no 1

  
  


      

   

           
    
    
     

   
   

P-no 2

   
       
 
22 Choir, 2 Piano

87      
   

 
T.

T. + B.



                    
                
           
                     
P-no 1

   
   


     
              

     
     
               


P-no 2

   

  
 
  
94            
        
    

T. + B.

 espress.


 
     

             
 
         
     

                   
P-no 1

   




          
 
     



         
    

    
P-no 2



Choir, 2 Piano 23
6

  
     

(А)


100

S. + A.


(А)

 
         


     

    
    
       
       
P-no 1

  


          
 

      
        
        
P-no 2



105        
S. + A.     


      
T. + B.


   
         


      

   
  
          
       
P-no 1 cresc.

  
 


           
   
   
          
      
P-no 2 cresc.
24 Choir, 2 Piano


 
110              
(пам)

    
                 
 
S. + A.


(пам)

 
   
(пам)

    

                   
     
 


 
T. + B.

  

 
           

(пам)

              

   


 
             


 

      

P-no 1


  

 
               
             
    
  
   
            
P-no 2

      
     
      



      
7

           
117

  
        
           
P-no 1


           
        
  

       
P-no 2

     

Choir, 2 Piano 25

       
 
 
   
123

  
                 
   
P-no 1


  
             
   

        
P-no 2

      



    
                  
poco rit.

  
130

 


           
         
P-no 1 dim.



    
   
   
 
  


   
    
P-no 2 dim.

   


  
       
           
   
8
  
a tempo


136

  
         
   

    
       
P-no 1




   
     
      
       


         
 
  
          
P-no 2

   
 

26 Choir, 2 Piano

       
        
        
142
poco rit. a tempo

       

    
     
 

P-no 1

     



           
             
       

               
P-no 2

    
 

 
  
       
9

  
149

  

S. + A.



           
  
T. + B.


       
             

   
    
 
   
P-no 1

   
           
  


 
            
   
    

          
P-no 2

    
  
    
Choir, 2 Piano 27


155         
   


S. + A.

    (Closed Mouth)
 
T.

         
 
B.


T. + B.

        
        

  
    

     

     
     

    
P-no 1

   

     


  
  
    
       
 
  
      
  
           
P-no 2

      
  
  


161        
 

A.

S. + A.

   (Closed Mouth)
           

B.

 (Closed Mouth)
T. + B.


 
                  
  

   
         
P-no 1

              



                  
           
  
              

P-no 2

     
28 Choir, 2 Piano

 (Closed Mouth)
  
     
10

     
167
A. S.

S. + A.



       

T.


T. + B.

   
             



   

 
 
 
 
        


       
P-no 1

 



 




             

         
         
     
           
P-no 2

   
    


             
 
T.

 
174

T. + B.



                
          
           
                 
P-no 1

   
   


     
                
 
 

  
                  
 
 
P-no 2

    

 
Choir, 2 Piano 29

 
         
180
A.

S. + A.

        
    
T.


T. + B.


                  
           
      

                   


P-no 1

  
 
         
     

 
 
        
    


   

P-no 2

 



11

     
     
  
186


S. + A.



    
       
    



T. + B.


     
(пам)

       
    
 
   
            
       
P-no 1

 



            

   

          
   
          
   
     
P-no 2

  

30 Choir, 2 Piano

192         
           
S. + A.
   
        
      
      


 
       
T. + B.

      
   
B.

 
    
      
     
    
P-no 1


  
            


        

    
   
     
     
   
P-no 2

   


197                
    
S.

 
S. + A.

          
     
 


 
T. + B.


       
(A)

    
          
   
    

         


      
P-no 1

    


  
      
            

       

      

      
        
  

    
 


P-no 2



Choir, 2 Piano 31


12

203          
S. + A.
  


(A)

  
            
         
 
              
P-no 1

  
  


   
                
 
      
    
   
  
        
 
P-no 2

  
 


208          
       
  

S. + A.



  
 

   
  
       

           
P-no 1



                 
         
  

      
P-no 2


     

32 Choir, 2 Piano

213        
      

S. + A.

     

     
(A)

  

B.



T. + B.

   
  

 
     
 


        
P-no 1

     


    
  
            
          
                
P-no 2

    


13
218              
        

S. + A.


     
        
    
 
    



T. + B.

    
          
     
           

 
  

P-no 1 cresc.

      


     
       
                     
        
 
  
    
P-no 2 cresc.

    
   
  
Choir, 2 Piano 33


223        
          
S. + A.    

            

       
 


   
T. + B.

           
     
    


      
P-no 1

           


   



  
                  
           

 
P-no 2

      
      
   
      
          
               
  
228

       
  
S. + A.

     
  
(пам)

  
                 
      


      
T. + B.

    
          
 
        
        
(пам)

 

          
          
  
    
P-no 1


       

 
                  

 
 
           
       

      
P-no 2

          
          
34 Choir, 2 Piano

  
234          
    
14

  
  
S. + A.

  
    
           
     
      
T. + B.



    

       
         
        

     
            
P-no 1

 
  


        

    

      


  
  
     

     
P-no 2

  
  


  
          
        
239

            
            
P-no 1

   


   
         


    
   
          


P-no 2

   

Choir, 2 Piano 35

              
              
       
  
244

 
  
        
       
P-no 1 cresc.

       


    
      

   
  

       
P-no 2 cresc.


    

 

 
 
15
     
   
249 (A)

S. + A.


(A)

 
       
(A)

T. + B.


(A)

    
        

 
      
                
P-no 1

  
       



       

           
   
 
   
 
   


           
      
P-no 2

     
  
36 Choir, 2 Piano

254         
          
S. + A.

   
       


  
 


T. + B.

     
           

      
  

       
      
          
  
         

P-no 1

   


      
       
  
       
 
          

P-no 2

  
  
  

258        
 
      
cresc.

S. + A.    

 
cresc.

  
        
cresc.

 
  


T. + B.

      
  
        

      
 

       
      
        
   
       
   
 
P-no 1

   


    
      
           
 
 
      
   

P-no 2

  
 
  
          
Choir, 2 Piano 37

      
   
262

S. + A.

       
     
 


T. + B.



      
  
           



 

    

     
  
             
P-no 1



        
   
   
  

  
  
 
cresc.

 
P-no 2

    
   
     
265               
            

    
S. + A.

    
       
         
    

  
    



   
T. + B.



       
    

     
  

        


  
   


     
P-no 1

 

        
       
 

 
P-no 2

     
     
    
  

Choir, 2 Piano

3. Весна и Осень
 dolce
        
Solo           
  


(A)

 
SOPRANO


gli altri       


(A)

      
div.

  
   
1
ALTO
2


(A)
div.

      
  
(A)

   
1
TENOR
2

        
BASS
 



   
6           
       
1
Solo   



S.

gli altri        


  
     
 
div.

      
1
A.


2


         
    
div.

1
T.
2


(A)
Choir, 2 Piano 39

11          
              
Solo 


S.

gli altri        


       
div.

      
1
A.
2

 
div.

     
   
1
T.
2



      
2
      
 
16

Solo

 dolce

S.

      
gli altri          

 
     
div.
1
A.
2

    
div.

T.
1
2      


      
div.

     
1
B.
2
40 Choir, 2 Piano

 

21         
   
3

S.   

  espress.
        
   
   
unis.


 
A.

    
    
unis.

 
          
div. (clothed mouth)

    

1
T.
2
(clothed mouth)


         
div.

     

1
B.
2


 (clothed mouth)
28   
      
S.
    

       
           
Solo
 

 (clothed mouth)

A.

 
      

gli altri

        
   
div.
1


T.
2
Choir, 2 Piano 41

34  espress.


  
    

   
   
     
4
Solo

    
S.

 espress. 
gli altri

 
     

   
       
Solo

A.


   
gli altri


  
div.

T.
1
      

2


div.

 
(closed mouth)

  

 

1
B.
2


(closed mouth)

38   
5

        
 
 espress.
Solo

     
 
S.

gli altri

       
     
 espress.
Solo

  
 
A.

     
gli altri

div.

   
    
 
1
T.
2

  
div.

  
  
1
B.
2
42 Choir, 2 Piano

42    
Solo   

  
S.

    

    

gli altri

     
Solo 

  
A.

    

    

gli altri


  
  
div.

1


T.
2


 
div.

  
  


1


B.
2


46   
S.        

   
Solo 


A.

     
 
 
gli altri

      
 
div.
1
T.
2

    
   
div.


1
B.
2
Choir, 2 Piano

4. Романс

      
Molto adagio

SOPRANO + ALTO  

      
TENOR + BASS
 


      
     
       
     
    
  
   
  
Piano 1

  
     
 


     
 

      

Piano 2



   
              
Adagio ma non troppo

       
5
1
Solo 1

    
(A)

S. Solo 2  

    
gli altri




          
       
       




 











       
P-no 2

       
44 Choir, 2 Piano

9                               
poco cresc.

S.   
     
 

Solo

     
 

A.


gli altri


                   
simile (clothed mouth)

     
        
          
P-no 2

       
  


2

14                 
        
dim.

 
Solo 1

         
      
S.


Solo 2

    
    
(A)
Solo

 
     
A.

       
(A)


 
gli altri

         
  
 






       
P-no 1


 
 
         
  


  


     
          
P-no 2

    
  
Choir, 2 Piano 45

19    
S.                            

  
A.           

           
Solo  

     
T. (A)

gli altri




                 
simile

       
      




 




        
P-no 1

          

24                           
    
poco cresc.

  
dim.

S.

     
A.               

  
T.            


           
Solo 

     
B. (A)

gli altri
 



   
  

 
 
        
  


 
        
           
P-no 1

    
    
46 Choir, 2 Piano


  
posissimo più animato


3

 
29
unis.

Solo 1

 
   
  

unis.

S. Solo 2

   

unis.

gli altri

 
Solo           


(та - ба - да - ба)

   
A.

gli altri         


div.

 
(та - ба - да - ба)

  
(clothed mouth)

   
 
T.

    

unis.

Solo

    
B.

 
unis.

gli altri


     
              

 
             
  
P-no 1

 



       


  





  









       
P-no 2

    
 
Choir, 2 Piano 47

32               
 
(та - ба - да - ба)

      
div.
1
S.

  
2

  
                           
(A)
div.

 
1
A.
2

  

(A)

  


 
div. 1.
1
T.
2

 
  
               

                
 
P-no 1



     
 
 
simile

    
    




          
  
P-no 2

      
 
35     
                   
div.


1
S.
2

 
(та - ба - да - ба)

                      
div.


1
A.
2


            
div.

 


1
T.
2

               
(clothed mouth)

   
            
      
P-no 1



          
 
  
   

          
P-no 2

   
    
48 Choir, 2 Piano

38        
                
div.

       
cresc.

1
S.
2

  
div. cresc.

            
cresc.


1
A.
2

  
div.

  
cresc.


1
T.
2

             
     
             
     
P-no 1



            
    
  
         

P-no 2 cresc.

    
   

4

           
   
div.
unis.
41
1
S.


2

       
    
 
div. unis.
1
A.
2

                   
T.

   
  
(A)

   
 


  

T. + B.

 
   
B.

                


     
  
        

 
  
   

P-no 1

    


    
   

       
    




       
P-no 2

   
     
 
Choir, 2 Piano 49

45                     
        
div.


S.

  
1       
     

A.

  
2       
     

                             
T.   

          
1   

B.

   
2
        



            
 
                
   
         
 

           
      
  
P-no 1

 


       
         
    
   
         
      
    
P-no 2

     
  


  
     
50 Choir, 2 Piano


50                  
  
5

         
dim.

  
div.


1
S.
2


         
   
dim.

   
unis.


A.

 
        
dim.

    
unis.


               
       
dim.


T.


         
dim.

 
unis.



B.

     
  
dim.

   
unis.


      
             
        
  
m.s.

         

             
    
  
    
     
 
P-no 1



       
   
  
        


      


        


P-no 2

     
 
        

Choir, 2 Piano 51


        
    
(clothed mouth)

    
55

T.

        


   
m.s. m.s. m.s.

       
  
m.d.


P-no 1


    
                                 
  

          
            
dim.
P-no 2

          
 



div.

    
(clothed mouth)

                
poco rit.


61


1

 (clothed mouth)
S.
2


   
       
(clothed mouth)

 
A.

 
T.          



         
(clothed mouth)

      
dim.

B.


             
                
   









  
               
P-no 1

     












           
 


  
 

    
 


  







 
P-no 2

   
   
Choir, 2 Piano

5. Военный Марш

 
 
Tempo di marcia, Allegro

        
       
  
SOPRANO + ALTO

    
T.

       
(па)

     
(трам)

         
 
TENOR + BASS


          
 
 
(пум)

  
  
B.
staccato

    
 
   
 
               
Piano 1

  


  
      
     


            
 
Piano 2

  
     

  
        
   
              
                       
                  
4
T.


     
T. + B.

  
B.

                      

    


P-no 1

 

 
  


     
P-no 2

          
           
Choir, 2 Piano 53


   
div.

   
7

             
  па -
S.

                          
  
       
T.

    
                          
     


    
T. + B.


B.

    
                       




P-no 1

      
  


         

 
  
         
P-no 2

         
            


        
1

     
           
    
11


div.


S. 1.2

   
     
- рам па па - ра - ра - рам па - рам пам пам пам пам пам пам па па - ра - ра -



T. + B.

         
B.

      
       

     




            

      
P-no 1

     
         
  



    
 
       
  
  

 

P-no 2




14     
54 Choir, 2 Piano

               
unis.

          
div.

S. 1.2

 
- ра па - рам пам пам па - - рам па па - ра - ра - рам па - рам пам пам пам пам пам

A.                    

па - - рам па па - ра - ра - рам па - рам пам пам пам пам пам

     
 
па - рам пам пам пам пам


-

     
    
T.


T. + B.

                
      
     
                   
       
P-no 1


  
   
                     
        
          
 
      
P-no 2

          

     
 2   
  
  
            
div.

       
     
17

S.


пам па па - ра - ра - ра па рам пам пам (трам)

        
            
    
A.


пам па па - ра - ра - ра па рам пам пам (трам)

  пам
T.

    
пам пам

       
   


        
T. + B.

         
                           
 
         
                  
    
P-no 1

        


 
    
                       
              

           
P-no 2

      
            
       
Choir, 2 Piano 55


21          
       
div.


S. 1.2

па - рам

 
         


    
A.

па - рам


       
1     
па - рам па па - ра - ра -


T.


2   
  

па - рам пам


      
па - рам па па - ра - ра -

    
    
div.

  
B.


па - рам пам

       
           
       
   

  
  

       
                 
       
P-no 1 cresc.

  
  
   


         
       
        


P-no 2 cresc.

     
   
     
     
56 Choir, 2 Piano

24       

1              
 
  
T. - рам па - рам пам пам пам пам пам пам па па - ра - ра - ра па рам пам пам

          

2

 па
пам пам пам пам пам пам трам трам

      
div.

 
- рам па - рам пам пам пам пам пам пам па - ра - ра - ра па рам пам пам

              
      
    
1

  
B.
2


пам пам пам пам пам пам трам трам

           
    
      


 
   
       
                      
   
P-no 1

     
  


   
    
  
  
 
P-no 2

       


        



 
                 
27
3

      
            
 
      
P-no 1

     


  
               

              
P-no 2

 

Choir, 2 Piano 57

     
         
               
  
30

          
  
   
 
  
P-no 1

      


     
   
        

    

P-no 2

                  


 

        
4

   
         
33

         
 
     
  
P-no 1

    
 


           
 



 
     
    
           
P-no 2

    
  



                  
            
 

   
36

                     
P-no 1

              


  
                 
    
       
      

    
 


P-no 2

    
      

     
58 Choir, 2 Piano

      
                

 
  
 
39


             
                   
P-no 1

  


          
    
                        
      
                       

 

P-no 2

           

  


 
5

43          
          

 



S. + A.

 
трам трам трам па - ра - рам пам пам трам трам

          
             
T. + B.
  


трам трам трам па - ра - рам пам пам трам трам

           
  
      
 
      
  
                     
 
P-no 1

     


                
 
  
  

  
         
       
   
P-no 2

      
Choir, 2 Piano 59


            
    
пам пам пам па - ра - па - рам

             


46



S. + A.

трам па - ра - рам пам пам пам пам пам пам пам пам па - ра - па-


  пам
div.
dim.

        
dim.

       
пам пам пам пам пам

T.
  

 
трам па - ра - рам пам пам пам пам пам пам пам па - ра - -

           
  
dim.


B.

   
      
         
трам па - ра - рам пам пам пам пам пам пам пам пам

            
      
     
  

   
        


          
P-no 1


     
              
    
  
  
P-no 2

   
                
 49
   
   
6



S. + A.

A.
- рам

       
div.


пам пам пам па - ра - па - рам

 
   

  
unis.
1
T.
2


- рам пам па рам
div.

      
      
пам пам пам па - ра - па - рам

   


B.
 
               
          
пам пам пам пам пам па рам

   
      
       
          
  


   
dim.

         
P-no 1

   
        
            
   
  
P-no 2

   
dim.

              

60 Choir, 2 Piano

                     
52

 
     
 
P-no 1


            
                     
        
          

P-no 2

          
     

 

7

56         
  
па - рам

S. + A.
  

па - рам па па - ра - ра -

 
    
unis.

 
T. + B.
 


па - рам пам

    
              
               

 
       

P-no 1
s.

         
glis

     




         
                        
  
           
.
iss


gl

     
P-no 2

         
         

Choir, 2 Piano 61

60       


S. + A.      
      

 
 
 
- рам па - рам пам пам пам пам пам пам па па - ра - ра -

 
 
unis.


T. + B.

   пам      пам  
        
            
пам пам пам

    
       
                   
 
P-no 1

  


         
       
    

  
P-no 2

     
     
  


 
    
unis.

     
  
62


S. + A.

      
- ра па - рам пам пам па - - рам пам

    
 
  
unis.


T. + B.






    
      
пам па - - рам па па - ра - ра -

  

  
  
           
P-no 1

      


   
    
     
   
 





  
 
    
        
P-no 2

  
   

   
62 Choir, 2 Piano

64  

         
   
unis.

S. + A.

       
               
пам пам пам пам па рам пам пам

          
T. + B.
    


           
- рам па - рам пам пам пам пам пам пам па па - ра - ра - ра па рам пам пам

             
  
  

 
       
P-no 1

      
        
  


           
          
                    
      
          
                     
 
P-no 2

         
          


8

   
     
       
67

       
S. + A.


               
пам пам пам па - ра - рам пам пам пам пам

                  


               
              
P-no 1 cresc.

      



   




   




     
           
   
 
        
P-no 2

     
cresc.

              
     
 

Choir, 2 Piano 63

           
unis.

              
70

     
S. + A.



пам па - рам па - ра па - ра - ра - рам па - рам пам пам пам пам пам

               

unis.

     
   


T. + B.
 
    
     
па - рам па - ра па - ра - ра - рам па - рам пам пам пам пам пам

      

  

  
 
 


P-no 1

            
  
     
           
         

                   
  
  

  

 
 

   






 
P-no 2

         
        
 

73  
      
       

 


unis.


 
S. + A.

        

пам па па - ра - ра - рам трам трам

        
      
unis.

 


T. + B.

  
   
пам па па - ра - ра - рам трам трам

        


 
  
P-no 1


    
 


       
      
            
       
        
      
P-no 2

   
Choir, 2 Piano
Molto lento


div.
molto espress. 6. Венчание

                   
 
(O)

SOPRANO
1
2      


(O)

  
molto espress.


ALTO       

     
      
(O)

     
TENOR + BASS
  

 

 
div.

4             
        
1

      
 
1
S.


2

  
                
A.
       


(clothed mouth)
espress.

             
   
T.

T. + B.



div.

7         
   
 
1
S.
2


       
A.

 
       
 
T.

T. + B.
Choir, 2 Piano 65
2

      
div.

    
9


1
S.
2

    
A.      


        
T.

T. + B.
 


              
  
            
molto espress.

  
    

         
               
P-no 1


3
  
   
div.

              
      
13

   
1
S.
2


  
          
   
A.

 
             
  
T.

T. + B.



     
    
     

P-no 1

 
66 Choir, 2 Piano

con passione
    
            
4 cresc.


17
unis.

S.

con passione
 
      
cresc.

   
 
A.

con passione
 
        
cresc.

T.

(O)

con passione
 
        
cresc.

   
B.

(O)


con    
    
 passione    
            

           
  
 


      
          
            
P-no 1

     
 







 
        
     








  
P-no 2


     
    
trem. ad libitum
Choir, 2 Piano 67

 
21           
 
5 6



S.

А - мен

  
    
       
          
   
A.

(clothed mouth) А - - мен

  
         
               
cresc.


T.

(clothed mouth) А - - мен


   
        
           
      
cresc.

B.
       
(clothed mouth) А - - мен



    
       
     
         
  

  
 

     possible

P-no 1

     
         
 


        
      
                 
 

 possible
      
P-no 2


 
cresc.

  
     
   
Choir, 2 Piano


7. Отзвуки вальса
     
  


       


Tempo di Valse ( ca. 80)

 

        
 
Piano 1


* Во время звучания пьесы хор изображает картину светской вечеринки:
легкий разговор, негромкий смех, звон бокалов.

 
           
Шум постепенно стихает к концу пьесы. С цифры 6 звучит только дуэт роялей.

           
          
              
      
Piano 2
simile


  
                
    
7

       

P-no 1



              
 

 
           
              
 
P-no 2

    


 
    
 
    
 

 
     
1

 
13

   

          

P-no 1


    
              
   
            
  
             
P-no 2

   


Choir, 2 Piano 69


     
 

 
      
 

 
20

               
 
       
              
P-no 1


simile


      
                     
 


        

P-no 2



                        
 
27

           
                     

P-no 1




       
           

  

        

P-no 2


     
       
2

       
 
34

 

  
               
 
  

P-no 1

   


 
           
 

 
 
 
     
     

 
              

P-no 2

   
 

70 Choir, 2 Piano

       

   
       

 
41

 

       
       

    
P-no 1

   



      


 

  
        
        
                

P-no 2

     


          
    
3
      
48

    

     
      
P-no 1

  


  
  

          
 
    
         
   
P-no 2

 
 



          
  
54

          
  
     

P-no 1





    
    
    
  
     
         
P-no 2

 

Choir, 2 Piano 71

  
            
       
59

    
      
P-no 1

          
    


     
       
  

    
     
P-no 2

    



    
    
 
4

         
    
64

 
     
P-no 1 poco cresc.

                

      


          
   
       
   
 
                  
  
      
P-no 2 poco cresc.

 


   
           
        
  
69

 
    
P-no 1

          


   
  
 
       
                
  
        
        
P-no 2

     

  
72 Choir, 2 Piano


          
  
          
74


      
    
             
P-no 1


    


             
      
        
 
 
  
  
  

            
   
P-no 2

   
   


     
    
 
             
5


79

   
      
               
  
P-no 1



 
  
    
      
  
  
  

  
    
     
  
P-no 2

  
   



       
         
84

     
 
           
P-no 1

  



    
                
 

      

P-no 2

Choir, 2 Piano 73


    
  
       
89

      


    
P-no 1

    
  
 

   
      

 

 
     
         
P-no 2

   



 
           
  

94

   
  


    
P-no 1


    
      
         

  
         
   
P-no 2

         


 
           


6

    
99

  
           





P-no 1

  

 
                                
     
   
           
P-no 2


   


74 Choir, 2 Piano

        

      



     
104


        

       

P-no 1

 




 

                          
               
   
  
           
P-no 2

 

   


   
   
      
 
109
poco rit. a tempo

 
   
   
   
P-no 1 dim.

   


    
      
      
  

 
           
P-no 2 dim.

 
  


   
  
   
114
attacca

  

     
    
P-no 1

   


  
    


     
  
P-no 2

  
  

Choir, 2 Piano

8. Зимняя дорога

    
 
Con moto


(clothed mouth)

  
SOPRANO + ALTO


    
  
A.

TENOR + BASS


   
 

    
 
Piano 1





 
 
                               

    
 
Piano 2



  
   
4

       
A.

  
S. + A.



                        
       
                         

P-no 1


     
 

 
  
P-no 2

 
76 Choir, 2 Piano


        
 
7

  
 
A.

S. + A.



                        
               
                         

P-no 1


   


 
 
P-no 2

    

        
     
10

    
A.

S. + A.


dim.


        
                   
   
                         

P-no 1


   


 
 
P-no 2

   

Choir, 2 Piano 77

13  
 
1

  
  
A.

S. + A.


    
    

T. + B.


B.

(clothed mouth)

                   
 

               
  

P-no 1


  
        
       
 

P-no 2

  
  

 
     
        

16

T. + B.

B.

 
 
    
P-no 1



                         
                        
     
P-no 2


78 Choir, 2 Piano

19 
  
      
A.


S. + A.

 
        
 


T. + B.


B.

  
      


 
P-no 1


    
  
               
                            
                        
              
P-no 2


22  
    
2
   
 
A.

S. + A.

 
   
T. (clothed mouth)

     
   
   


T. + B.


     
                 
 
        
         


P-no 1

 
  
   
   
         
               



      
         
          
P-no 2

 


Choir, 2 Piano 79

 
   
(clothed mouth)

     
25


A. S.

S. + A.

             
 
T.

 
 


T. + B.
  


                        
                       
                     
P-no 1


              
  

   
     
P-no 2

    

  
  
S.

      
 
   
28

S. + A.



    

  


T.


                        
                       
                 
P-no 1


          
    

     
  
P-no 2

  
  
80 Choir, 2 Piano


  
dim.

     
31

S.

   
dim. dim.

            
   
A.

    

   


T.
  

        
                        
                       
                         
P-no 1


       
       
    

   
   
P-no 2 dim.

     

34  
3

S.      


 
A.                   

  
(таба-даба)

  


T.


          
   

         
          
   
P-no 1


 
  
        

         
          
  
P-no 2

   
 
Choir, 2 Piano 81


   
(таба-даба)

                                                 


                                     
37

         
S. + A.


 
     
  
     

     
P-no 1

  
     


  
  
   
 



         
 
P-no 2

  



40   

                                 
 
S.

  
S. + A.
A.

                
   
      

T.

    
(таба-даба)

          
                          
div. in 2

B.
    
(таба-даба)


  

      
   
 
 
 

P-no 1

                       
                       


      
      

 
    
P-no 2

       

82 Choir, 2 Piano

43      
(A)

      
    
                       

   
S. + A.



      
(A)

       

T.

   

                   

(A)

 
   


B.

       
   
      

 
     

P-no 1

    

       
  


    
    
 
                    
                          
         

    
  
P-no 2

    
 
 

         
cresc. poco a poco

        
    
46


S.

  
     
cresc. poco a poco


  
div.


A.

T. cresc. poco a poco


         
T. + B.
   


    
        
(A)

  
B.

  


  
cresc.

    
P-no 1

     
  




                                             
                      
  
  
P-no 2 cresc.

  
   
Choir, 2 Piano 83

49    
     
          
S.     

      
       
div.

     
  
1
A.
2


         
        
        
      

  
        
P-no 1

         


  

                        
                                               
  
  
P-no 2

  
   
 



       
    
     
52


S.


 
div.

      

  

     
   
1
A.
2


  
  
      
T. + B.
    


    
      
Эй, пти - ца

      
       
 


    
P-no 1

        


   
        
                                     
                

  
P-no 2

  
              
           
84 Choir, 2 Piano

 
   

55     


    
  
    
S. + A.

      
 
Эй, пти - ца трой - - - ка,

      


      
T. + B.
        



трой - - - ка, Эй, пти - ца трой - - - ка,

   
     
     

 
     
 
P-no 1

 
    


                         
                        
 
 
P-no 2

                      
                       


        
58          
         
        
S. + A.

        
        
вью - - - ге на - встре - - - чу все мчит - - - ся ско -

          
T. + B.
          


вью - - - ге на - встре - - - чу все мчит - - - ся ско -


                    
                       
non legato




                     

P-no 1

                 


                 
                
         
    
P-no 2

                   
               
Choir, 2 Piano 85

        
       
(А)

    
    
 
61
S.

  
S. + A.

 
    
- рей!

        
(А)

 
      
T.

T. + B.


- рей!

      
      
                 
                                 

          
P-no 1

     
  
 


       
      
 
             
    

             
P-no 2

       
          
    


             
S.

  
64

   
  
S. + A.

 
     
 
T.

   
  
A. (А)

T. + B.
  


   
(А)

   
B.

       
                
            

                      
 
P-no 1

 
   


          
        

  







    

   
     
P-no 2

  

         
        
86 Choir, 2 Piano

67    
              
  
S. + A.
A.

 
          
     
   
T. + B.
B.


          
       
     
    
        
                                   
 
P-no 1


        
                
     
          
       
P-no 2

             
        


             
 
70



      
P-no 1

 
    


     
                                            

     
P-no 2

   
 

Choir, 2 Piano 87

    
 
       
         
73



   
P-no 1

    



     
   
    



      
P-no 2

   
     
 
76  
(closed mouth)

    

S. + A.


(closed mouth)


(closed mouth)

 
   


T. + B.
  

(closed mouth)

                       
  

     
P-no 1

  
 


 
         
         

 
        
P-no 2

 

79      
    

   
S. + A.

    

T. + B.
 

     
P-no 2
 

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