ADVANCE Tutorial files available at: Pe ATVurete occe Red gc oil oy 30 RETOUCHING Sd TIPS FOR PROS _s¢~ SECRETS OF ADVERTIOING, AZ Kilercommercialartevery ime ¢ Master pencilling & inking bits ¢ Compose a dynamic layout sa Design character archetypes Eee ART Pre TO PAINT.Ae Nel ey NB) teh mL LTT TTYL alts WWW.PDFMAGAZINES.ORG NVIDIA* Quadro* graphics cards are the most trusted in the world, empowering 80% of design professionals to do their best, most important work across the widest range of applications. Quadro solutions can help Mere CeCe tae et ured Pea UU ere ec Cas Sens To learn more visit www.pny.eu/quadro or www.nvidia.co.uk/procad nn oy Jigsaw eee sgh Tey ares cra i" Lad NVIDIA.WELCOME ‘APRIL MADDEN Editor INTHISISsUE: sm PHoToMANIPULATION ara pn SCRA new neous Dav NAKAYAMA FIND US ONLINE: Welcome to the latest issue of Advanced Photoshop. With comics- inspired movies going from strength to strength at the box office, we take look at the original inspiration behind them. superhero tam crested rom seratchbyihetor (avd Nakayama Fd cut more onpS2. Onp2ée deve ntothe werdolcherting and twang, looking at how competion colour and ‘ypsrapy an tip ona ewer psychologcal stings to get amessage oss. Ten we moveito the sometimes controversial area cf retouhing on 3 where a selec of professional share hae ‘0st perfectimages Job Ress tom The it ‘of Retouching flees upon plo cra an imageusing bath standard and create ecu (npé2youlear howto use Pteshp to create icons.and graphs for espns web esis acess phones, tates ard desks athe with awar-wnng designer ol Anders Jensen. there ahostofiteviews. reviews andproecs for yout exloe ad enjoy. @advancedpshop Ui /AdvancedPhotoshop SSUE 126 | CONTENTS 46 | worestor, MASTER RETOUCHING xophoany EPIC FANTASY LANDSCAPE COMPOSITE 003MISSUE 126 CONTENTS EYE ON DESIGN What! no's in and the latest art & design happenings 0G TISISSuE's PRO Pane. ur contributors share Photoshop secrets 08 tNoustey ews Introducing Corel Painter 2015, 16 18 sTugoTeRview True North hd 4G | MASTER RETOUCHINGTECHNIQUES Professional artists reveal their high-end Photoshop skills in ‘ur easy-to-follow workshops 26 | crestve aertsng ‘mworKsHo?: Epic fantasy landscape concept 3G, mnousy earune READER INTERVIEW 30 retouching tips for pros Retro fantasy 66 72 4G srorsioe 78 miowimoe 86 Master retouching Akbami 52 |mworeswor READER INTERVIEW Create comic at Photography ina digital world 5g mowimaoe Troller = Made of What You Are 62. Response design SUBSCRIBE TODAY! ‘SEE PAGE 24 OR 51 FOR THE LATEST OFFERS E 126 | CONTENTS We put the latest creative kit and apps to the test FEATURE: LUGEE Rainbow Il vs Wacom Intuos Manga REVIEW: Mischief 96 ON YOUR DISC (ea @) Free with issue 126 of Advanced Photoshop TAILOR-MADE CREATIVE CONTENT Follow along with our expert video tuition from Photoshop pro kirk Nelson Premium textures, Actions, backgrounds and many more creative resources bod LE PLus: + Tutorial project files + Exclusive wallpapers for mobile and desktop + Inspirational gallery imagesl™@ EYEON DESIGN | 006 S PRO EYE ON DESIGN THIS ISSUE’S PRO PANEL MEET THE EXPERTS BEHIND THIS ISSUE'S AMAZING ARTWORK AND DISCOVER SOME OF THEIR TRADE SECRETS JOHN ROSS wonnesrorecdingcm i ‘Thebest retouching when no be hve done 1m Macor pro retouching wth Joba Roos in is exportation pl DAVID NAKAYAMA Ripe evariartcam takepart on foveal ioe evra inocu ntl andra the Nava image ry party covered 2 aretng bode box 1 Create cree comic at frm scratch wth Marvel superhero David Nakayama on p52ADVANCED The meaner the Pasty poset Magazine team tor Ap Maden J Eaton Cet Dan Hutchinson x i Production Edtor Alea Frans ‘Senor Designo Cuts FermorDunman 6. Photogaer lames Sheppard ‘Sonor At EltorDunean Crook Publishing rector Aaron Asad Head of Design Ross Andrews i Fa ROLF ANDERS JENSEN sar ptomin vere Renportlames =m Using Svan 36134 car Oeste iconen user andpastng tem ntoyeir SSS ya eng Procropdesreite tes andimosseanierwayloceateSVeorRetnarady Seatiremmaencomtsartn arcs oryox dewoper andheywilloe euler Thea gestae ele Satan mig Bc ct hang he Gesiper sea 2c or ery cn your er ric. Spee nenn ' Discover more abou creating web assets in Photoshop inJnsers tutorial on po? oe 6G Oren ratesrenpe dct notes cS Know where you are going, and how you are ening to ept there 99 Bac tier ere? ‘ics wn eatTmeTOUGIG CO oan TONY ANDREAS RUDOLPH werner Photstaphas alot! ferent ust toa select part fa photo, ke the Lass ok Car Range ar Mage Wandtons Veryaen we plo ain otbrh To sect he part want Icanrearnend the Quack Selecon ok Ts pwr tc werk he a ‘Journey to fantacy world with Rudolph a he explain hw to use mate panting techniques Imaginative scenes on p68 —_-. 007EYE ON DESIGN | | NOUSTRY NE INTRODUCING COREL PAINTER 2015 THE LATEST ITERATION OF COREL'S PREMIUM DIGITAL PAINTING SOFTWARE IS MORE PHOTOSHOP-FRIENDLY THAN EVER ort Paner2015hithe sport both Ma ( looting hebestveruon ona of Pare yet. Many Sgt ProtohepandParter using he artatsusedto the speedol Phototap Cs a srengihs each progamte cate iterate__wwleare perormance boost pt iusraten ‘ter ne fetus chide et been Adobe fe ny, bat ely aedces bt frequent pa longterm Patra. 2015 no eet the Parc brutes tinredices are groreshn, ‘The Pinter Aor Counc corer of long be and row exactly what otal ars wat Panter 205, Toke ook at the ne fears eye inspredngither| 008PARTICLE BRUSHES 009l@ EYE ON DESIGN | ?' o10 vnaredostcam Radoxs st chotgragy snot an esy eld ase so when youtrow 30 othe ri thgs can tery complied his ommadmsson Radel lines) bales that aris should specie one area ‘ater han beng st kay at eventing that way ‘ents krow what loo However, weh experience werk for big-name cents ncn Sone & Saath and Magnum, 2a cede fa seers tohave bounds "Now Whately fascinates me about the nts thevaretyofrequecsthatcametome katnays suis me, epecily if you werk wth part rectors ard adver agers Emergea ‘lbraine the streets of Pars? No probe TELL USA LITTLE MORE ABOUT YOUR HISTORY AS AN ARTIST? Iwas aay fondot avrg ae caraors baht realy made adtferencewaswhen goa fst cease (f3Dofware— te Max hada lng summer in ‘rotofme ad an even longer sofware anual, age ate page eee the myers of DCL wae dang fa teat becare facet ayn visual was jst afieststep INTERVIEW ‘PORTFOLIO INTERVIEW 3 ADVANTAGES OF =» WORKING WITH CGI CREATIVE RETOUCHER AND 3D EXPERT RADOSLAV ZILINSKY ON CREATING IMAGES FOR BIG-NAME CLIENTS \WHAT WERE THE MOST IMPORTANT LESSONS ‘THAT YOU LEARNT OURING YOUR EARLY YEARS OF IMAGE-MAKING? When think about ve cme tte conlsion hat there are lasonsta be lear athe ie. Tse ‘maybe the ost mportant one oo the sole reaistonhateverythngheppes nore to teach Ussomting shard ge ade becaze tveryne need tol someting fren. Recently have ried mediate more =i ges me more detachment and ears my mind This eps rmetoidetty ard lea theless. YOU WORK A LOT IN CGI PHOTOGRAPHY AND (CREATIVE RETOUCHING. HOW O10 YOU 'SPECIALISE IN THAT? |slony else hatter re so many ways ot eplyigmy ler ands sometimes abit config From making 30 models for games ‘mate paengs for tims, ough to retauching for ‘atreriing agecie Rey 0 ets. Therefore nis great tospecas adic ust what you ae estat Then forces, te mach easier ory yu frm te cod ‘YOU SAY YOU'VE WORKED WITH SAATCHI 'SAATCHI BEFORE. WHAT WAS YOUR BRIEF wine THEM? nsricethatyourmasoned Saatchi & Saath becouse tis cual he agency stared calaborating with bckin2010 andnow wee corleted projects together Back hen, Cl was qutenen to cents ard they were alte t septal Sly, one poet ter nother. hey became more conten ard eer estos thebigadariages of 5. But flcoudpcka pariuar cent Sanh & Sat, would (efrtely go for 508 Bark They were happy tam Back then, CGI was new to clients and they were a little bit és sceptical. Slowty, one project after another, they became more confident and eventually understood the big advantages of CGI 93BLT aT ESET TSA TsEYE ON DESIGN | PORTFOLIO INTERVIEW ft > thes about using Ct ard 30, and wehave done many reawe pes or them TELL US ABOUT MAGNUM'S 25TH BRTHOAY IMAGE CAMPAIGN, WHAT PART DID YOU PLAY wim was quteexced when LOLA Modridcame tome toproduce avsual for Magnums 2thbrhday \wreppnga Magnum ngoden paper weha beaut bow ontop aay waned de someting sila tothe because the simple thngs are ofan the most cuts the fet te my val was testdon prope ele launching ona and tary paced sucestuly nthe enditwas used a teasing vial n dtl nd social mea forthe new ‘hve Magnum, \WHATIS THE MOST CHALLENGING PART OF [CREATING A COMMERCIAL IMAGE? Tostay ene Tere are so many ope ang ther ngut dn the cess. Mest he is tase fanart decor andclet consstenty watching rhe quay fot ol our ‘co-shers andkeping up with desdnes canbe intuence our cers with our oun personal taste. we ake them oe ter on te that helps ther ‘ante and communicate who ty are ed hia ‘they do. To make ishappen. we star. engtime ‘lore ve start ering the ype andlooing at CMYK ‘reskin about ely understate hand Thismean when we et ari. pli sear gto gree wah what he cent acy wants togetoutal hen we putt bck opt ain We tof questions we ave athe staked ‘dre get under the stint our cents Because of ths ety ard abit adap reeteach cet needs Tue Nor has ataced same wel-knounbusnessesto tose A artar standout project forthe tam was ace Commission or awarding abo Durharn ase a Nana Trustproperty onthe cts of Grater Manchester The came che bck of arcihecceatnga set of uenestor them touse ery Desger Sah Horan els us more sethe bee "Rvs language was creado hap them ph thee propostonof More rang vistors areasthey might at have presouty ted” Ferry the yea Dunham pened an meres new wstorcepbon bldg tofacate ts large number of tors. True Nort jBbwasta deg he wayinng andenvronmertl {20h the now bu Pg pope pe ‘ale bengng he sry of Ourham oe rough ‘mater terpretatenspces ade ws Langue For tenga elements reste trouproatne space lor eae ou evans >ome022 EYE ON DESIGN | STUDIO cemmporents lth wayndng system we cold toda tor, that communicate ers We hada conse seahon t erent ees bought ala ener and was rato ee peopl engaping wie space wie rd where they nesta “rue Nec aad take achaenging ed, a8 eshte rough he Durham ‘Sport Eland and Bury Cauca encourage women ard grstodomore eerie. pe of projec nee much mare han jst godde.a HL Yu Which encourage er andget moving dea su shet cargagns. and carnpai clatera nc al showed et ween of By ‘stustone ling reas ey riding the eral, ntendatg, sie 8 model magery aly usedto promote womens exercise The ‘amengn hasbeen ahuge sucess wth women WEY LLB, shag he poste stars nd benets of geting achieve ts create vos, acludng Photoshop, ust and Desig Photoshap an nse tan he suo” saps EAD. o anes rate ese and concepts. We use atl majority ou work's pias and magery Our team here is a ereat mix of experiences; we've got people here from day one who\ve been through it all a hundred times over, mixed with enthusiastic young, graduates ays an mportantpan beng concept ole, ‘rom potage sams bilbosrt: ‘Reambnation of elective imagery anda strong undesiandeg what buses eed om branding matealscertanlyarecp or andi ereure a srog hae oreo “raeNoth Forkaren Highest ‘ne who've been trough tall aude ines oe med wih enhusastic youn graduates who re loking to make thr mas is moc o ele and energy tht makes the hace Tre North realy exting and tere realyafeing hat beNational Photoshop is an intrinsic tool within the studio, Fs Portrait helping to manifest creative Ga Tat ideas and concepts TOPS PRODUCTION TIPS | \V overs) tis a op ipster ensuring nen, (aR nnn atelitia ee maar stnanenmateatcs , same nem onnerrint Po Ge ae Ro coke eee Lily Allen (detail) by Nadav Kander, 2008 © Nadav Kander 023ADVANCED by calling 01202 586200 or shop direct online at YES! | would like to subscribe to Advanced Photoshop www.imagineshop.co.uk Teaphonenaber Pease compete you emo addres to eve newsand speci fle om us Direct Debit payment UK Direct Debit payment wpe eyes SOS Instruction to your Bank or ernest using Society to pay by Dre Dab LPBTETE Payment details 13-issue subscription only UK £6230 (save 20%) Europe -£70 “1 World ~ £80, Cheque lenclose a cheque for ade payable to gine Publishing xd Credit/Debit card Visa MasterCard Amex Maestro Card number Expiry date Issue number |_||_ (Maestro) Signed Date Code: PALIA3 post bygone wana typo bytlohone” | Pease kt you OD wisha rece sch nlrmaton a eal Return this order form to: rnc Pcsoy i Depsreent owe 0 Guat ewe Ker Scene ak aoe Senge E> 3 ete petastepOsevehapie nk To manage your subscriber account, visit www.imaginesubs.co.uk and enter your subscriber IDLe \VAe a) Ve AOR Cole \ VEU lat -arel Ob Mola Kelg Molt (ec) Free postage G packaging in the UK ie O Ra ae Delivered to your door THREE EASY WAYS TO SUBSCRIBE 1. Online 3. Post or email www.imaginesubs.co.uk/aps mies mate and enter code PALIA3Q s 2. Telephone 844 848 84 +h de PALTA30 adphotoshop@servicehelpline.co.uk ind eral the form to:WE TALK TO PROFESSIONA| erie et ABVERTISING i VED Nahai eh eel NO ae so es AN GOOD ADVERTISING DESIGN, AS THEY SHARE THE TRICKS OF THE TRADE Canter Se ee eee td ee eene rt merry een eter Cee eee eet setae Se ees Ot errr ee eet Cer ead Cees Seine tate Se aed ed eaten ene aed as whether ctrl looks ght tsemethiog Se eae ecco Cet ee aed e< i See ee ees Seemed a eet Een ‘working with th ces treat bespoke ee er rae Peralta Sea ee eee goaadertng vou the mage shouldbe eet es ec Ce eee) ees Eaiiaeamaaaall™ TECHNIQUES | > COMPOSITION Brief soroanghnoy sated 2 camposton shige: yi the foundation o We think that fora really GG seod aderisne vial the image should be seamless, irespective of any number of afferent images comped in to create one imace 99 PtP, wrupielpiein CONSISTENT COMPOSITIONS Pe Mena OR A SINGLE CAMPAIGN, WHICH NEED TO LOOK MT ents ete es 028 Original PhotographyKEEP aU Tas ea Cater Ae Pa DLl Sa és Composition has the power to control the viewer and can determine how much impact an artwork has, how coherent its message is, or even haw long it holds the viewers attention 33 Emlyn Dives and Levis Willams wrabomperstuckacom rar or ete thinking about whats seo essential. fer who is tying magnificent mortgage Cig (Of cour, when werking th cents ron conten with "Lising wih marketing eas 029TECHNIQUES | > COLOUR THE IMPORTANCE OF COLOUR once a strong Se a ase aes Rent ee ea ec 19 , a R WES Tae 7a raveGET THE MESSAGE. ACROSS WITH COLOUR eee hasan IMPACT OF YOUR DESIGNS, 0 FIND OUT \WHAT MESSAGE YOU ARE SENDING WITH Ents pec terete Cn | reli TECHNIQUES | 032 > TYPOGRAPHY Typoarahys.a key component of any print oration ate al Geaing te yparaphy ight downto alancng ‘ad coosng he ht fonts to make the message exe foread "Ona nce, Noogrohy prods the design with era, Heras vial {signs ideatonto mporatinormaton an talances the design’ says rapt desaner Jonson Gat. ‘Getingceaive wih your pears canbe fective a te tam at Weta Jack kro. They teheaditerent approach eteing as they dort Lee trator ots. eteadhandurting and Caliph appedo prt ade "We coneder andverktobeamor epresse method han be usual yporapy, andourcstoers understand that sayy Glaze, ‘Calg aphy ‘ography help to reproduce the itnatin ofthe rage ~ word can shou rfl apart’ they can be 'song' or sol. Theat that wee 3 ‘ography mere atmospher diferentes us met her lager the typography asthe man ‘focus, hiehcan ech atanton when doe caret _ayees Gara. “ypographys animportant spect of ‘ariserent ana ell an fee foo or Your deg tis done welleraugh tan work as eee ‘he Sl feature he design, remain ary ned fr apap or hero image” ‘One tpeaaphc designer who does his wel is Laxren Hom as she esslansher proces:"Whentm et Ts epee determine wich worse ‘xellusrated ape ole nd ance ad worse smal Simpler and more sued ‘Thats alcoho balarce rest ana legiby: Pua agra Meno TO THE OTHER ELEMENTS IN THE ADVERTISEMENT AND THE T EMTsare ST Psat e Pane eae Note Poe The right insurance for YOU? With a full range of specialist policies for Photographers, Video-makers, Film Processing Labs and everyone involved in Image-making, Imaging makes insurance simple, effective and hassle free. Imaging strives to give you excellent cover, service, security and value for money. For a quote or more information. Call Imaging Insurance now on... 01277 243016 Or visit our website... www.imaginginsurance.co.ukTECHNIQUES | RETOL RI RETOUCHING TIPS FOR PROS IT ISN'T JUST REMOVING SPOTS AND MAKING PEOPLE THINNER. RETOUCHING HAS BECOME A PROFESSION WITH SPECIALITIES AND AN ARTISTIC ENDEAVOUR IN ITS OWN RIGHT Dana Mess aw dd-gitt-etoucing 034\a oe a= = i — Me CHARN S, BEDI TALKS THROUGH SHOOTING [AND RETOUCHING THIS MUA IMAGETECHNIQUES | 01 smo. Power aid 03610. ABOVE AND BEYONDRE {I PS FOR PROS | TECHNIQUES O2 \iitcicson 03 \rososor igor A CRACEPLANG HEVERKHEDDONTHS scape sen rg fete raliepste beh rage Te MCEFFOMPHOTTERAPEROMO WEST, mie lastocoier when te phi Q)yisrmenese wore wet rags nt sand ord lows onthe dies the eage ater ase ean up Tere bohed for example Weve aso hao create some nice itt they ‘had forte boy nthetent When the mage hanced We aso need rk abe the cet and speaker ta ale ft what the prods tyngto Keeping isin th nents sartwahthesky recona colureighing was shat hen sal rod saint: mine sso ST Ue) iia sd nc 039TECHNIQUES | ae nanetan creer any fished images ae what we ovina 2 Frankensoedokas Nae Inip/naretouchercom) produc etauchng tonatrecene gos samples, ss theprets fvlped athe poraimes gala ibe inaccompanedby 3 iy reece ewe 32 iehoxtcanbe areal (techn tan erage ing ofthe ighig sts vend as rch ling wat he tourer has one! proportion materi colours and graphic otf deaving techniques. 3 good Patenceanddscplneaeirgertart ratsfor ea oad of fre ston ost ene egiring what you avays for change or fata fax every tere, ele ing rahe a — {as hee ang lds vith ach and corps he bbw tte combinaton a rete st adic ndcricem, You ores changes very importa that you understand yur lent theatres, Te mos succeshd retouchll TECHNIQUES | 22. QUESTIONS OF COMPOSITION (0011 Never work with children or animale ‘nec he big tricks ere was capturing thefel of thet eather onthe ees elaine Gretchen Hier worg-toucom) Ore cf he mest ipartat pects f be corpses sto cean phe seas When yu fing, toning edges needs le TLC and that usa starts ath ering, acing textes and ensuing te depot feldiscorect Sometimes there ae fant nes tht cz arundthe ees of ges, nd le use several method of ig lke tue layer on Drkan or Lighten andcione the backgraund laments tote edge Bu Ink he real sae to ary camposte (0021 Three become one “Theisen of mya ten aor projects because we gett kl CarieBrovnetan and Fred tne. 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AND DESCRIBES HER GENERAL APPROACH TO COMPOSTING WORKOB. ‘Jang a Wacom able npn et bh t 90% ares and asl rid gol th background behind expla Ban Yer for expe am mask ot abet on a white background put aback hacgyound sod clu ner bedi, rhe iro itl cnanjting Some people geteauhtup alt of Potshap reser to getamask bo mea ‘maski bt how the edes lack vty whence Ts dec val ress lows eto ‘espec ever eg, and once gp und an cj kets raw ts perf Im abt obsessive shout masks 2nd wanto loon hattsrah, However nsajng al of tl dont scant sapistested wcriquesin ety masse pee is med mosh te” yond te “td how ih carara ses cies ‘ad always refi te way youd 043TECHNIQUES |BLT To TeV NHL PAT Ty TT TT Cre eT ae S OU lace eT bY a) et) fase.ING | TECHNIQUES li PHOTOMANIPULATION MASTER RETOUCHING USE PHOTOSHOP TO PRODUCE AN IMAGE THAT COMBINES STANDARD RETOUCHING TECHNIQUES WITH CREATIVE ONES = cneyar on Ne = ionnen JOHN ROSS FSS ewcingco Wirgnch one tavahirviowane SOURCE FLES l@ RETOUCH THE MODEL an START WITH ASICS UE CLNNG,COLOUR AND TONAL CHANGES 01 corireeatrtemvedscisetnes OZ |viness ona vem ae tane peeing ahanstetCowetsmat Rows Pelwer (bec Use FterCareraRawFiter‘obegindirg which illope sometace au OK changes To olrom Camera Raw to Prtoshop, = WORK IN Sat bet wl you ex on Feld don the Shit ey, wl change Open lage PROGRESS. esr worn, st when werkng wih to Open Chet You wl ow have acess to these Froustuoo 70 cargoes Name ts Lae rg Md changes ae or hares teking ane N (3 mate woos, Cesta neon ier adustments ec but sarin bestia res Fiatefecs 047TECHNIQUES | MASTER RETOUCHING. 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Use Layer Fo slct, (er Gow, rece, andi of 61, wi te rest. delat, Place Dk Glow nto anew group ler Cale Gow Gout A a ht aj acto the group usrg ablckbrush op the gow fom cro ome he mats es 048@ REFINE THE MODEL AND LIGHTING AID TEXTURE, UGG AND LAYER BLENONG 0 iret ee rw ec one re 11 | smastow no san uss ueI TECHNIQUES | MASTER RETOUCHING 050 (@ GROUNDING THE SCENE 1.4 saree Above the Tere ayer ad anes er *youwanto ten up the mage tall hese Layers berg aed heimage sts togetico dark ‘Ths shoud ey sia ating depo heimane row at youRavehad acharce to pay withthe {onalrange Remember you want io see the deta ofthe tenure telaver aes ofthe ame, 3: wel as ensure that th per boy reais the ‘ocalpont ofthe mage, 1/7 (our comer srs Selec he Curves ayer wih he geometric shapes oni anduse Grd/CitsJtedplet the layer Onthelowerverson go notte Laer Fkand «sable Outer Gow an Drop Stdon then erie ‘Soke witha Sze Postion: Out Berd Mode: ‘Saft Light and Opacty 7 Tislend ode shal ‘beNoral Toc he lwo he cedar shape ‘id the mde a you nn al rund these ‘new geomet shapes You coud use a brush or Layer Path amas or acura. 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