oe em a SUPER TRAMP gesSUrERI RA MP SCHOOL 2 AIN’T NOBODY BUT ME 5 THE LOGICAL SONG 10 BLOODY WELL RIGHT 14 “BREAKFASTINAMERICA 18 YOU STARTED LAUGHING 241 HIDE IN YOUR SHELL 24 FROM NOW ON 30 DREAMER 37 RUDY : 44 A SOAPBOX OPERA 54 ASYLUM 60 TAKE THE LONG WAY HOME 66 FOOL’S OVERTURE 71 TWO OF US. 80 CRIME OF THE CENTURY 83 Wise Publications London/New York/Sydney/Cologne Exclusive Distributors Music Salas complete catalogue lists ousands of tiles ands free from your local music book shop, or direct irom Music Sales Limited Music Sales Limited, Please send 50p in slamps for pastage to {8/9 Frith Stree, London W1V 672, England ‘Music Saos Limited, 8/9 Frith Stroot,Londan WIV STZ, Music Sales Pty. Limited ‘Unauthorised reproduction of any part ofthis publication +120 Rothschild Avenue, Rosebery, NSW2018, Australia by any means indluding photocopying san inringemant of copyright This book © Copyright 1966 by Wise Publications UK ISBN 07119 0980 3 UK Order No. H¥20052 Printedin England by Watkiss Studios Liited, Biggleswadea Words and Mate by sc HOOL RICHARD DAVIES and ROGER HODGSON (10, dnd bari ay cn __§ ea I can see you inthe morn-ing when you go to school At ter school is ov-er youre playsing inthe da May: be Tm mis - tak-en ee peeting you to fight Sub, Hurmonical| Ist time Loosely \2nd time With beat get your books you know you've got to, learn the gold en rule ut too fate NE ome tet it get too dak fi ie T™ don'tknow wrong from right ‘Teach. er llsyou, stop your play and get on with your work tell you not to hang a - round and learn what life's a - bout but while I'm still liv = Tye just got this to say ot | be ike John - nie Too goad don’t you know he ne Yer shirks he's coming t= long grow up just” like them, won't let you work out tnd you're aways upto you ie Jourwant “to “be that, want to ee that, vant i opyriant © 1974 Rondor Music London Led. and Daca Music Li om 7 E.R" ana Canada by Alm teate Corp: (ASAP! right ©7077 Randor Muse (Landon) Lid. and Deine Mule Lie ‘onal Copyright Secures Made m USA AN Rigna feseivedri “Sound fees Sound effects _ A iF _ Sound effects FR a Siourd effects Repeat ad tb Sound effects ge alo Coda® Full of —— doubt Seo it that way. en 2 A (etc) Last sime Don't do this__what are they tryin’ to do? Makea good boy of you, do they know where it's at?__ an (A bas) they're old and — wise do s& they tell_youto, don't want the dev-il to, pullout your eyes. pitt) anise 9) DS. Sa Gede © gone od.)F AIN’T NOBODY BUT ME Words and Music by ROGER HODGSON and RICHARD DAVIES Moderately slow, in 4 ET tell you a sto - ry that - "ll make you change; you where I'm way out of man who's eruel and mean,. Ccooyraht © 1976 Rondor Muse (London! Led ang Datiate Musi Lit (© 1376 Mandor Musi (Condon) Lid. ang Deheae Muse Cid Magia USA. AUTRights Reseedso promise not. to cause ‘Then heay-en help-the ones you love; there's no one needs.the stars ei No chord Well, you can run you know he'll find you; You see, T got a dowble dis-po -s - tion; it don't mat - ter now, just look be - hind you. some-times I'm mean,some-times I'm vi - cous. a bove..You had your warn ing, you knew the score; Tm Doc - “tor Je - kyl and Mis - ter Hyde: you got her so if you to. treat me_ rough; you've got to" give. Db Dbmaj7 fa” A” your ex pla-na-tion’snot e-nough. ‘and then per-haps.I'l_ let you live, ne Sao ane¢ ¢ e lie gon-na die for you. pba G Be Ain't. no fish gonna sigh foryou, Db bb gon-na lie. for you, gon-na_ die_____ for you. ae ie ae gon-na sigh for you, gon-ne try. for you,eo oe gon-na die, Four times . Gb & = (Whisper:) (Hush,) Now ba - by, stop your cry-in’. (Oh, yesJ 1 know that T've been ly -in’ Four times (Hush) Now ba - by, stop your cry-in’ Repeat and fade ET, as ea Repeat and fade wyWords and Music by “Hlectre piang solo ad Nb. RICHARD DAVIES and ROGER HODGSON cobeas) ss ascot) aisha fsbo) et ii norms cabot as aba) 9p sachs setae) ay phous) ae asiBbbu8 (thea) gy auboon) (shore str suithiew) op aches) oy sabes) oy \Canads by Alma Muse Corp (ASCAPY S077 tondor tose \Loron! Lis. and Dsksta Music Lad ‘eden US.A. All Righe HosoedInsiramentat sto aaehoem) ai agro * Pete) op ae bi a rempo aah pS sche if (shoe _ syiohtass) 1 axtahoew s aoheon abo) » aches) ms a a16 1 guess it's hard not to ag take them to. a high-er think_your school- ing’s phon-ey, inde tall, So you Write your prob-iems.down You say it all de- pends on mon: ey, You'vehad your ery no I should - n't say wall, = i at Right, right, you're blood-y well ight, (Quite) 2 snd who is in your fam- ily tree in the mean time, hush your face. —— b, know yougot a rightto say. Right, you're blood-y well right, you know you got a right to seyHa ha, you'reblood-y well right, you know you're right to say rasbeen 7 you know you're tight to sey. Yeh,yeh, you're bloody well_right, t and me 1 don't care an- y-way To tsoremental fade ad tb, = Ee You got a blood-y right to say £ £& THE LOGICA Moderate Rock LSONG Words and Music by ROGER HODGSON and RICK DAVIES hat life was so how to be ful, ble, oh, it was beau- ti oh, te-spon the And they mag a prac ti - cal Re birds in the trees, well they'd be showed me__a__world_where I could Po —— : écf play - ful = ly . BU then they oh, in-tel - lee - tu -al, Eb 2. 4 EEE” Chorus i world’s_ a sleep,— tions run Won't you please,= = eee === == = SS TS SS = + = —— = it sounds_ ab - curd please tell = me who Tam a a ra P ey oaFm cme Ab Brd Verse I said, Now watch what you say or they'll be calling you a radical, @ liberal, oh, fanatical, eri Oh, won't you sign up your name, we'd like to feel you're acceptable, respectable, oh, presentable. A vegetable! 1th Verse INSTRUMENTAL (To 2nd Chorus)Words and Music by ROGER HODGSON and RICK DAVIES shesthe only one 1 got mum-my dear, mummy dear? to get a lot sa mil-lion-aire. Take a jum- bo ‘erossthe wa -ter, ke to see A-mer-i oa mig win-ner, I'ma sin- ner, Do you want my au- to 4 ascarla Fn =A et see the girls in Cal-i- fornia, I'm hop-ingit’s going to come true, but there's not a lot. I can dev Tm_g los-er, whata jok-er. I'm play-ing my jokesup-on you while there's noth-ing bet -ter to do. oe: a itt sit? = Ba -ba- da-dow, — ba-ba-dow-ba-ba - dow -di-dow— di-dow.— babadow-baba- dow - di-dow— di- dow. Coda a Pa a DS. % al@ Coda ap (3rd verse) aoe el zo __ na nana na.5 Z es [5 “a dow-di-dow_ di-dow,— Ba - ba-da-dow ba-ba-dow-ba-ba - dow-di-dow - di - dow.— Hey_ os Z , TF ea ———7==— oh, hey Pte RY NY a = SS GST hey oh Na na ard Verse Don’t you look at my gieliriend: she’s the only one 1 Not much of a gitlft Inever seem to ge Take a jumbo “eross the water, ke 's going to come true, bib theresok ast Vea dbYOU STARTED LAUGHING vtatzant me (WHEN I HELD YOU IN MY ARMS) ROGER HODGSON and RICHARD DAVIES Easily = 100 play 4 cimes & o all oll all mn Za tempo (easy shuffle feel) a 8 at-4 e.g BA rn —— __ a en When you're in heav~ on, what you gon- na do? ea - son why you're like you are? You're gon - sit a-round a cloud and say, "Hey, Is there rea - son you'll be leav~ ing? Is my — what a love ~love out of sea -son? T would-n't mind, but You start- ed laugh-ing — when I You start- ed leav-ing— when I to me held told e arms. charms.— was in love F Fmt we're through, and then I said, Z = te Vocal ad lib: Was my tie not on straight? Was it something Tate? with that is trea - son. you, and then you said_ DS. al Fine (vocal ad lib-see addirional lyrics)@ HIDE IN YOUR SHELL Words and Music by RICHARD DAVIES and ROGER HODGSON a ES _ fa) a instr) in your shell ‘through the night ee —— ease he word Sout to, bleed you for ride What will you gain a yop lie i. wake ang hold—— joyr- self” eo) ight What do You eed —— ___ makeing your tite long - er? = en or Hell a ae ond hand mov tend you? as a boy, > Convene © 1974 Randor Music (London) Ltd. and Oaiata Muse Li eontotie nthe U.S.0 and Canaca ty Amo Mats Corp. (ASCAP) ‘Thi wranment Copyright ©7099 Rondor Mune (Lepdon! Led, and Delicate Music Lc Incenavonal Copyrant Secured” fade n USA AN Rages Resrvedae Shelt- er be-hind— paint ing_ your mind it you could see— —— was the jour - ney cold that grve____ you _eyes_of see? = “P Se- lieved” the saying the’ cure— for puin-was fove-— How would be — and play «Ing joker Too fright ; ens ing to is.» ten to the world through my eyes? Too trght fen ing the fire’s_be- com -Ing (0005 to put your pride in to think you're get - ting You're wait ng for some- one_to _un- der You're look Ing for some- one—to give anpier) stand —_ you, But you've got de - mons in your clos. et, And you're seream> answer, But “what you see is just il - Iu-sfon, You're sur» round ap oqo aa eee Teer igang oscars Ponte cmt | But vome ah SURE MOTOS BE SL RAS She ESS Bak i ing out to stop It, ed bycon- fh sion, ais El on to whalyoucan scram - ble for pon sere oe ert Teh MASE SR SSan 2G Her [Powe tet tie tenes tn - om a now, ‘cause its 20 on ~egcabaas EB sure timeyou gained con- trol, I 1 can help you, if 1 can help you,—if [can help you ust let meHiss) Well, let me show you_the near post to get your heart back and on the you—just let me (Instr, solo) ent Bina got8 ress) zis) ae a SHES 1 wan-na know 1 wanna touch you T got-ta know 1 wan na I wan-na know you — Well let me Iowans feel you~ 1 wanna 0 : 8 sing, Well Tm hop - in’ I'm dream payin’ and [know__what you're think- In’ see.28 —— what you'resee in, nev + let your + self_go, hold_your -self down, hold 7 ft f self down,why d'ya hold your- self down, and why don't you lis -ten,you can trust me__ hear me — Tove me, loveyou there's a place 1 know the way to A place there Is no need to, to 1 knowex - act -ly what you'refeel - ing use all your rou - les are with-in. you,—s0 be lov- in’ isthe way to. help me, help you, why must we be so cool oh so 1h fool that you're all to see that T'm just bleed - ing oh we're Such ”30 @ FROM NOW ON rds and Music by RICK DAVIES and ROGER HODGSON Moderately mg ete 3 ie Short cut-off Slow cl bad a Sper © 1977 Atma ae Cop. and Ona Mass LASCAP Tretertnouman Copy ‘ime ar and Belen Mave ASAP ornare! opyian Steud” Made in US.8. "Al Rane Reaot ay bass) BUF tas) come around aga Pm in the what Treal ~ ly ne —think Tl corlF bas i au be ‘ iit same old. place. the same. old faces all ~ ways wateh - ing rob a store escapethe lawand five in It al y. ell bass) Who knows. how long Flhaye—to stay; eould be a Late ly my luck) hus beens bad, —___you know the [ee . eu ass) é aul tas) ? «(hbase ff a HE — hhunedred years of sweat and tear roulette wheel, __it'sa crooked dea He = the rate that J get pa = Tm los ing all Thad.32 1 slow = ly drift x-way ikea man that’s on— the run —_— gp (ada 9) of from all the dull rou-tine and lise from day to day—__ never will come to me. rough a Bat bass satabbace gis) gg = out the week,Beas ate cor Bay HE My life is fall of ro-mance.. a int tas) ar tAb bac oxo) on ad p(D bas292 — f—- Guess PLal-ways have to “Sae* oe liv -ingin a fan-ta i's you for you ani me for liv -ingin a fan-te ae ad = 2ari bas) be From Now On, Guess I al-wayshave to iat eagiC 98) i {9 it won't he realy that’sthe way itsgol_ to liv = ingin, a fant € thatthe way itsgot to ct out baw) F bw (Pade 46h time) From Now You think Pm eca-zy 1 ean From Now — Guess Pl always have toy Fram Noss = Guess PIT always have toWords and Music by RICHARD DAVIES and ROGER HODGSON DREAMER ee so) (Insiramental) eae eed Wellyoucan put your hands fa ee be) you're noth-ing but a dream =~ at @ In your head, oh you know you area Fal A. ‘Well you can put your hhands in your head, oh no, CConyright © 1974 Pander usc London! Li ‘Stand Conaae Oy A tascam) This orangament Copvtight 1977 Ronder Name (London} Lid and Ona Mave Utd Tmaationt Copyright Secured Magen USA. RU Raph Recarowellyou know youhad it com-ingto a liteit is Gay, ayenr, ayins) # ie now there's not a lot Ten do. Dream et, you stupid lit - tle Py so now youputyour head in your hands, of 3 0 oe, in ate aepptsea 9) ‘ = whats day, a laugh itis, you had Itcoming to you, ay(C tm) ede now there'snot a Jot I can (nstrumental) Well work tout somedy,pyc bao = Teould see some thing. (Well youcan see (Choir) anv ycthingyou want boy.) accom could be some - one.(Youcan be an y-one, Teould do some - thing, (well you ean do. (Chott) some- thing) If I coulddo an. y-thing (well you cando some thing «Chottsxc tan of this world) welltake a dreamona Sun day, ict Take a lle, take a€ (Choit) (Dream) dream (dream) dream (dream) dream (dream) ¢reame long. (ces a rico aa pt) ay cn go ay ae ak com a oe = (ram err (choi) ‘Come on and dream snd dream a -long— come on and dream and dream _a - long.{comen - long) o Bic bas rice if Cbs Coe) ae come onand dream and dream a - long. come onanddream and dream a - longaieors age) you know you are 2 dream y Can you put your agiout) you're noth-ing but a inyourhead, snout) 5 nay ‘can you putyour hands inyourhead ob ‘i 5 To fade (Insinumental)Words and Music by ad lib, RICHARD DAVIES and ROGER HODGSON a ib, erpegsios pie, tee efte tte pipe tite #ft~ 70 70 10 70 Seprright, © 1974 andor Music London! Lid. and Dante Music Lt. Sontoed in hw W5.A, and Cora by Alo Mac Com, (ASCAPY roement Copyright ©4077 Randar Muss (Landen! Lid. and Oabeate Music Lia ternational Copyright Secured’ Made US-A. Al Right Reservedpoco a poco ralt. Ru + dy's on a train to nowhere, balt_way down zy #3 He don't_wan-na getthere, but he needs time. He ain't so -phls. th- ca = ted46 af - ter all the hourshe's wast ed, stil he needs time. ——_— He needs time, he needs the time.for liv = He needs time. for some one just to se him _ He ain't had nofor no tea. son or thyme, ‘And _the whole world’s a Well it's not as though he's fat no... there's more to it than that, See— he tries to play it cool, SZ bee >, = coc bs) EE would n't be no-bo-dy’s fool — a byRu-dy thought — that all good things b _ gti But re cent ly—— hhe_could see that_it may come,ae Repeat ad lib. 3. ‘All through your fe —___ througha dim the light are your fears 1 can’t hold_beck the tears >, with- out love, isnot fair?you bet ter show ‘em all now. you bet- ter make or break now, ee ive and take_ now you'll have to push and shove now, cr EF you'll have to gain con- trol nowieee Tempo aa ib, met. ee Now he's just come out the mov ~ numb of all while he'll soon be back on his rains >Words and Music by ROGER HODGSON and RICHARD DAVIES to hear, ly man, ing for, on + ly what I you tell meyou're a well, tell me what I'm some - thing, + ner, - dle: ¢ but [have to be-lieve in but al - though Tam just 2 be - gin ‘cause 1 feel ike ['mtossed inthe mid —— Fa- ther Wash-ing - ton, you're sy, Sis + ter Rob - in - son, you're one— thing. have to be-lieve just I don't see you as a win - net. 1 sy, to de - liv - er? Tsay, Fa - ther Wash-ing - ton, you're have you a ‘sonBm, i all mixed up, col- lect - ing sin -ners in an all washed up, col lect - ing tear-drops in a all mixed— up, col: lect - ing sinners in an & — Q Who'll spare a lis = ten for a If [could tell you what you You tell the chil-dren what they Bm i rest - less fool; there's some-thing miss - ing when 1 need to. know, if I could help you to get need to know,ry ic Em a er lead = your on with the But rath -er than a rea + son, P! 2 aid a)D7 Dis just wasn’t true. Well,what is he to Ep ¢ aR” ae aes = ce tet Oh, what is there to58 whoa, whoa. but will they listen when it’s time to. go? Eg & Sis - ter Rob-in- son, you're all washed. up,collect - ing tear-drops. in Can some-one tell me what to can some + one help the Repeat and fade chm7-5 Repeat and fadeWords and Music by RICHARD DAVIES and ROGER HODGSON $40 nd bor) a a iy Hii Cream was keen his. brain. was al - ways win = ain? Mon da % the one day ‘that they come here, ey a} tabs on mine, its haunt me keep they y quite joke. ‘and they taunt me in) my cage.1 see him down the road____ 1 ask if he'd___ be 1 told ‘em look! 1 Tm mot the way you're T mock them ll sinall they _goi no wll «in fo lend fr = pee I'm dy - ing fora thinkin just when Tn down Til be theelown 1 play the ‘an -swer, yeh they're play - in'dumb but’ Pan just laugh as they cptaban Don't ar+ range to have me 2.( Pleas.) 1.2. fm just as sane_____as_an- y one, its just___ a game 3. Ws on-ly a game ___‘I'mplayin’ for fun, (Sp.) yeh I've beenply—— for fun ev = "ty one nich) Will he take a 7 cic ‘ cctum£(G oa * , z(C bass ff yO ee or will he tell you he’s a - live, like = ty to \ Doeshe Well he is al -ways ty = in” to yeh_but noth ing, noth- in Does he ever opt (eb é roo ae Te Jn the mor-ing when the days be- gun pe (eas) iC bas Hello, good mom-ing, how are you" in the even- ing or thenoonday sun = “Do “you think it looks lke rain?” ——__ Aaah te 8pot (Eten “Oh what 2 love-Ty af - ter - noon! Well I've been liv. ing next you “You know near-ly missed my — train! BB s,s 2nd bor) al Coda cade Well I've been liv- ing next to. you my friend but what kind of fiend are you? ning or the sor = ry Will I ev- er see it through?And [ve nev-er been in Oh what's the game?___ Lesa (Shout) He's mad, he's mad not quite sight, Repeat tll fadea TAKE THE LONG WAY HOME Words and Music by ROGER HODGSON and RICK DAVIES emt Bye Moderately ay e fetta Fe (Play 2's) cmt Bye Fc © Soyou think you'tea Ro - me-o. playing apart ina pic - tureshow, well take the When lone-ly days tum to lone - ly nights youtake a trip to the cit - y lights, and take the r pyc takethe long way home. takethe long way home.cer ye Frc © Hg Re # = Cause you're the joke of the neigh-bor-hood, why should you care _if you're feel-ing good, well take the Youney-er see what you want to sce,—— for - ev -er play - ing tothe gal-ler-y, | you take the t ay © ie i Jong way home, way home. long way home, way home. Emz/D Am Em/G But there are times that you feel you're part And when you're up on the stage it’s so p a 3 ee 2 — is com-in’ down, how they - doreAm, al ft ofthe fun - And then your wife'seems to think you're part. > ingyour san. i But then your wife seems to think you're los t sheused to be. ‘oh is there no ad lib InstrumentalCoda ES D.S.$6(3rd Chor i al Coda: Fc & cm? et ‘well, who'sto blame ifyou'renot around? You took the So, when the day comestoset - tle down Bye awe ete E long way home, youtookthe long way home. You took the re I Bere = = long way home, youtookthe long way home, you took theFc Fee = “ ££ se Tong way home, you took the long way home. Ar: ea roy sey a Long way home, longway —home,— longway home. — * Srd Chorus Well does it feel that your life’s become ‘ catastrophe, oh it has to be for you to grow, boy. When you look through the years and see what you could have been, ‘oh what you might have been if you had had more time.Words and Music by FOOL’S OVERTURE RICK DAVIES and ROGER HODGSON Slowly toss) fe Phos cist ya : sutbrvct ee EEE 2 1977 Aina muse Crp and Delete Mae ASCE ‘ns wragamane Copp © 4877 Ame tae Gare 2d me (ASGAP| Tnternovenal Gopvgh Sacred aden USA Al Rigs Reps£ es D.C. al Coda ‘ 5 times and fade out. @ Coda aartahoas iN pytaroas) «@ tempo, Moderately (4 times) N.C mfHali Tempo (J.J ) Strong Beat {abo A cubes) 9, i ae Bp) am pats Aen eeteed a aes His - tory re-calls___ how great. the fall_can be, Called the man— a fool, — stripped him of — his pri ev - “ry-bod - y'ssleep - ing the boats put out to sea.__ Ey. ‘ry-one_was laugh - ing upun-til__ the day_— he died.borne. on the wings of itseemed_. the an- Oh, tho’ the wound went deep. —still_— he’s call - 2(Gbas9 swers weresoea - sy to find. late”, the prophets ing usout_ of our sleep. friends we're not a pe(add 9) EEE sO the is - land's sinking let's take to the sky, lone, he waits. in si-lenee to Iead us all home, So you tell me that you find it hardSS well, 1 know, hnow, FE know. 2 tell me that you've man-y seeds well, 1 know, Dre i glace 1 know, T know.zalP 8a) 4 tempo, Moderately Pm say so lw NC Can you hear So you found ing? you see the tion, willse queen = ie, : man, la yy? out, goones andl Muse by? CRIME OF THE CENTURY RICHARD DAVIES and ROGER HODGSON Now they're plan - ning —— a Tents coo by Ao Mat Wis aroneoment Comyriaht O'8 rhe fondo Cio Tetinavonst Canyraht Seered Noten USA. AlHow they've gone from badand let's But that’s not what's the stor = ryGuitar break(To fade} | crete, poco a poco& TWO OF US Moderately | {Cope It fret) eas Paro —— HE Look at me, I'm a speck of Ev - ‘ry time— that 'm feel - in* sand,— down, BTA oa com?7/pb land. round.— strang - er's spin me Tell_me, why do Tell me, where do I care, we £0, Words and Music by ROGER HODGSON and RICHARD DAVIES Fim7iA Gm7/Bb and 1'm build - ing dreams_ well, they pick me up. i Eb/Bb tell me, why do 1 tell me, where do we Soprriane © 1976 fon ‘Thc ottangement Copy Controle nthe Mysie (London! Lid. and it © 1076 Randor Muse (Lancon} tid and Galea Music Lid, ‘Canada by Aime Musi Corp, (ASCAP! td 8 U.S.A All igh Reserves te Music Lid,we gonna find out, what are we gon - na man gon na find a when are we gon - na Am? in the wil = der - ness that this lone - li - ness what the uu - ni - verse is’ just_wait - ing to —3— ele ar eee ee Finaj7 EDS SS obmajz Just as long as there's two. just as long as there's —I— —3I— 22] 4ei] Be. @ Test me = Ea poet D Flsuss TH car-1y on. Won't you hold. esDSS al Coda Er FE ARE Dyn? fe fy A FT a Bomi/r Eom? Frnai7 Angie bnz Coda rl fe eae 3 Ghajz Bbm7/F Ebm? as long as there’s two. Onaj7 Am Dm7-5]Ab D! Dbmaj7 Bbm Ebm7-9/A os, Fin7-s g