Origami Collection 2013 Copyright 2013 by OrigomiUSA. a volunteer based, not for-profit educational arts organization committed fo the elucidation and dissemination of poperfolding os « craft and art form. All rights reserved. including the right to reproduce this book or portions thereof in any forrn without prior written consent OrigamiUSAy 15 West 77" Street New York NY 10024-5192 (212) 769-5635 waworigami-usa.org Cover Illustration by Nathan Zeichner Cover based on the Jane Winchell Butterfly. courtesy of Michael LaFosse Origami Basics section by Marc Kirschenbaum_ Conversion to CreateSpace by JC Nolan. Publication Team — Managing Editors Marcio Noguchi Mare Kirschenbaum Omer Shalev JC Nolan Nathan Zeichner Daniel Scher Submissions to the Origami Collection and other OrigamiUSA publications can be sent to origamiusa pub@gmail com Please include a permission form with your submissions A form and copyright guidelines can be found at wwrmorigami-isa org/submissionsTable of Contents About the Collection Picture Index The 2013 Origami Collection Origami Basics Index by Model vi 221 227About the Origami Collection The Origami Collection was bern in 1980 from ideals, fostered by the founding members of OrigamiUSA, Michael Shall (1949-1995) launched this yearly anthology to shore ‘origemi models from around the world, His mentor, Lilian Oppenheimer (1898-1992), provided the springboard for this effort, as many of the models were drawn from her collection and connections she cultivated. Alice Groy (1914-1994) also provided inspiration by streamlining the communication of origami ideas. All of the novice-levet works in this collection ore dedicated to Alice and her love of simple, elegant pieces Throughout the years as our presentation hes grown more polished, the goal of showcasing great origami has not diminished. The editors of the Origami Collection spend many hours curating, testing and editing origami designs to produce a book that will appeal to origemi aficionados of all levels and interests. Voriety is a key criterion: you will find works here by established origami artists as well as many hidden gems from up-and-coming stars. Most of the pieces are making their debut in these pages. We hope you are as excited about discovering these diagrams as we are in presenting them.Picture Index Aharoni, Gilad Minotour Head Page I Boudlas, Christophe Cott Mask Page 3 Boudies, Christophe Deer Page 4 Chan, Kade Alien Poge 7 Chen. Sy Butterfly Card Page 13 Chen. Sy Stond-Up Pejorita Card Page 14 DiAuria, Pasquale Birdbath Page 17 D’Aurio, Pasquale Butterfly Bookmark Page 21 Defoirdt. Tom Tiepia Page 23 Gilgade, Fernando Beetle Poge 25 vi Picture IndexGross, Gay Merrill REM Star Variation Page 30 Hagiwara, Gen Lien Poge 34 Hirschberg, Jonathan Allosourus: Page 41 Hudson, Andrew Dollar Eagle Page 54 Hudson, Andrew Otter Page 57 Picture Index Katt, Linda Rocking Horse Page 62 Katt, Linda Welrus Page 65 Khoi, Do Tri Boar Page 70 Kirschenbaum, Mare Satellite Page 72 Kosuge. Akihiro Chick Page 79 vilLimet, Sebastien Crazy On Page 64 Llanque, David Koala Page 91 Lopes. Rodrigo Ornamental Fish Page 99 Lu, Dai Giant Squid Page 106 Lukyanoy, Andrey Heart with iris Page 113 Martinez, Leonardo White Reindeor Page 116 Miyajima, Noboru Unicorn Page 122 Miyashita, Yasushi Mooser, Emmanuel Mooser's Train Page 136 Mrajca, Miroslav Headset Page 153 vi Picture IndexQuyet, Hoang Tien Cockatoo Page 158 Quyet. Hoang Tien Elephant Page 161 Rosemarin, Jane Mittens Poge 163 Heber. Sara Apaza Splashing Duck Page 166 Scalambra, Federico Red Boron Page 169 Soto, Eddy Fox Page 186 Sprung. Carmen Felic Star Poge 190 Su. Jyh-Chang Tahir, Hadi I Love You Page 196 Tai. Hsi-Min Rabbit Mask Page 199 Picture IndexTan, Dong Viet Toucan Page 202 Vass, IIdiko Saiboot Heart Page 205 Weinstein, Michael Chori Dish Page 207 Welsh, Ryan Rhinoceros Beetle Poge 209 Zod, Evan Flower Page 218 __| Picture IndexMinotaur Head Giles Anaront Low Internediote | ©2013 - lowe 2, Crease angle-bisectors on top layer and collapse: 4. Start wit a square, colored sie up. Valioy-fold in hall. 3. Meuntain-fold tip. Tum over 4. Valley old sides to canter. 5. Vaeysfold sides to center. 6. Valley-folds. 7. Outside reverse-folds. Minotaur!Gilad Ahoroni10. Pleat nose, ‘tucking the tip inside top pocket, 8. Tum over. 11. Curved shaping. 42. Valley-fold mouth up. 18. Shape eyes and horns. Minotaur Head Minotaur!Gilad AharoniCat Mask Christophe Boudios Low Intermediate ©2012 - France Cot Mask/Christophe BoudiasDeer Christophe Boudias High Intermediate ©2011 - France 3. Pi eplati (Squash foi), “ON 1. Marquer les ts. 2. Pier suivant Ia diagonele. “On Retourer Plygtor © 7. Renter Se angles, ‘ 10, Pi vai. Ui. N 6. Rentterles angles. 9. Renter les angles. 11. Marquer les bissectrions, 12.Plorvors 13, Plier vers labas. la gauche. 16. Répster ies i val 14, Piper, 15, Pi vaiée, seraren ia ‘ebté gaucho. Deer/Christophe Boudias/)\ 10. emerte mode. 20.Piorvers la croite, 23, Prochaine tape: ‘Vue en coupe dola ‘pour eacher i pointe V/ “alte gauche. ‘Squash fol. [7 25. eu mertgne 1, caches Va vinterieur 30, Plier la patio ‘en couleur vars la gauche cp 34. Répéter les. 29.Pi en creille tapes 27 a 29, de tepin Deer/Christophe Boudias32, Pian orale de Lapin 35. Pi montagne ‘pour Spaula Répéter dernore, 4 Se 36. Pil inverso Itereur | 38 Piivalée pour Ja patto amre, 39. Pl orlle de fan pour ntériour ‘de la patle arnars, Répéterles ‘tapas 38-39 sur /auve pat. Basculer le cou vers fares 42, Plinvors intéiour pour los pattes. Forme la queue. Sortr ces our les paties avants, Spaissours ce papier de la tte. 0G 34. Plier Mépaule| vers Vavan, Répéter deribre. 49, Double orale ce lapin pour los patos arrigres.Pli montagne pour ia couche Ssupperioure de papier du vane, 48, Ouvrirles oreiles, PH vale sur le nez, mocelage du vertre, Ph inversé intérieur sur la pate avant, Deer/Christophe BoudiasAlien Kade Chan Complex ©2008 - Hong Kong Alien Kade Chan(Ropes bering Tg Alien/Kade ChonAlien!Kade ChanAlien/Kade ChanButterfly Card Sy Chen mediate ©2013 - Maryland [A 24 om squere makes @ 6 om x om card. 4, Start from a duc-color square with > x the butterfly color side Facing up. 8. Foid along the indicated line and Lnfola; Hide lower fap between 7 8. Two crimps. Tavocg lapeat Metin: LY 10, Reverse the left edge (ure the mountain to valley) 11. Outside reverse. 12. finished - closed and open re ¥ Butterfly Card/Sy Chen 13Stand-Up Pajarita Card syGies Intermediate ©2012 - Maryland Designed in 9/2012 and diagrammed from 10/2/2012 ta 10/5/2012. AO inch square makes a 3.5in x 2.3 in card. 4. Start from a duo-color square with the pajaita color facing up. 4. 5. Squash 6. Squash > 14 Stand-Up Pajarita Cardi/Sy ChenStend-Up Pajarita Card/Sy Chen 1525. Bring the flap behind tothe left. 24, Repeat stops 17 t0 23 for the flap behing. 16 Stand-Up Pojarite Card/Sy ChenBirdbath equcle Bihan Intermediate ©2012 - tialy Begin with an A4 rectangle. American lettersize is okay. but the bath section will be smaller. Usare un foglio a4 Brdbath/ Pasquale D'Auria i72p a 3 : Birdbath/Pasquale DAura 18Birdbath/ Pasquale D'Auria 1931 allargare gli strati esterni e schiacciare quello interno arlano solo di “cip"l! d © Birdoath/Pasquale D'Auriaa . g So ea a2 a gf x is Sa a © x i. E av E = 5 5 a ' > Ele Oo) 2 : £/2 P a5 ° : aol: i : =19 solo i (One layer} in strato. 24 tutti gli strati il colmo per una farfalla? : 22 Butterfly Bookmark/Pasquale D AuriaTilapia | Tom Deford igh in ©2012 - Belgium 4. Precrease in fourths. Valley- 2. Reverse-fold the four 3. Turnover, 4. Rabbit-ear both fold the two edges to the comers. corners centreline, S.Foldtheflap totheleft. 6. Valley-fold one flap to the 7.Reverse-fold atthe inside. left. Repeat behind. S.Pulloutsome trapped paper. Repeat 9,Rabbit-earonefiap.Repeatbehind 10. Valley-fold to the right. Repeat behing, behing,41, Fold the flap to the left. Repeat 12. Slide the tail upwards and press to 13. Reverse-fold thetipdown. ‘behind. Mountain-fold some paper flatten, Reverse-fold the corner underneath. Repeat behing. upwards. 14 Reverse-fold the tipto the right. 15, Finished tilapia, Made! Torn Defnirdt, 2008, Diagrams: Tom Defoirat, 2013 ‘Wuewrtomdefoirat tk wwwlickcom/verduiveld 24 Tlapia/Tom Defoirdtene Beetle Fernando Gilgado | ames | ©2012 - Spain COMENTARIO: | | Tene lo pass abo de is figuras que parven de una ‘cael, como los fincas esas (bao hy (stesticamento ( : Leehunaace an? oe blero, bere hy que tener Gus oferta varias pos que pueden ro verse con Civica en los Ciagramas. urease parte siperon ene! 065, Silas dos capas que lever hacia arriba en el aso Esrecomendable plegarla con pope mefalizado, para que aint ia forme! lo imensional del cuer an er despues de haber $e 55a Tas dos dagonalesBajar aplanando las solapas interiores ‘Sacar el papel dablando: por las marcas Levantar los bordes dobland lo en monte (Elias stretch) 26 Beetle/Fernando GilgadoSacar el papel del interior Abrin oplastando laesquina trasera eele/Fernando Gilgado 27Repetir 53-54 simétricamente Separar as slaps de lejando itera sobre la trasera 50 51 SED Aplastar dejando una solapa hacia arriba y dos hacia abajo arriba y una hacia aba Beelle/Fernando GilgadoLevantar Ja punta ai ando el interior Tirar de fa panta y arrastrar la otra Aplastar dejando tres iapas en la parte superior Pivotar las patas para introducirlas entre las solapas Fernando Gilgado (2012) Spain sy ickecom/phtos/etigaco “Trabar of cuerpo doblando en monte tridimensional Dr forma tridimensional evar tas solapas hacia al cuerpo el centre aplastando las esquinas jelFernando Gilgado 29REM Star Variation altel roe Simple ©2012 - New York REM Star stands for “Rachel's Easy Modular Star.” Rachel Katz’ original model can be made from either five or six units, using either squares or 2:1 rectangles. This variation adds inside reverse folds to give the star points a slender and spikey appearance. Paper: You will need six 2:1 rectangles. If you cut three 3-inch (7.5 cm) squares in half, you will have six rectangles, each 1.5 x 3-inches (3.75 x 7.5 cm). You may use one, two, three or six different colors or patterns. Japanese fail is a good cholce, as well as a lightweight, crisp kamt (origami paper), i 1. COLORED RECTANGLE side up, bookold in half, short adge to short edge, forming... 4... COLORED TRIANGLE. “Arms” up: Fold each bottom corner up to the top corner, forming a... is 2....small WHITE BQOK. Open the book and turn over tothe... 3... WHITE RECTANGLE side. Fold each side edge down to the bottom edge, forming a. 5.... small COLORED SQUARE. Lower the “arms, unfolding back toa... 6... COLORED TRIANGLE, Partially unfold a “mouth” on the right side only. Your unit is finished. Fold five mare. 30 REM Stor Variation/Gay Merrill Gross| the end of the diagrams. These creases will make the step 17 {— 7 | Note: Before you assemble, check out the optional precreases at | | reverse folds easter to do. Pe Hold units 1and2 as shown. The narrow colored corner on unit 2 will point North. Slide the narrow point on unit 2 into the mouth on unit s. (Note: The receiving unit [1] is always horizontal; the entering unit [2]is always vertical.) 8. Close the mouth on unit 4. Notes The sptianel precreases are not shown, uti you have made them you may now inside-reverse- folel the trlangutar ‘ovartagping section instead of waiting until step 1 9. Utilize the alternating mountain and valley creases to collapse the triangular section where the éwo units overlap and swing the section behind the triangle on unit 1. Gather together all of the layers except for the open mouth square on unit2, 10. insert the point on unit inte the mouth ‘onunit 2 and repeat from step 8. Continue adding units making sure you gather all overlapping sections together behind the triangle on unit +. After adding unit 6 and dosing the mouth on unit 5, slightly loosen the gathered layers so you can place the triangle from unit 1 into the mouth on unit 6, completing the circle. Star Voriation/Gay Merrill Gross 3132 11. individually inside-reverse- 12. Turn over ta the front fold each overlapping side. To shape the model, triangular section by bringing compress and release the the outer folded edges to the folds on your completed “wheel spokes.” REM Star Variation, Optional Precreases: It’s little more work, but fora neater finished model and easier assembly, after step 5 you may choose to precrease each individual unit as shown (bisect all three comers of each triangle as for a rabbit ear) and then unfold the precreases and proceed with assembly from step 6, A, After step 5, fold the upper 8. Fold each half of the section of each sloping side bottom edge to the edge to the vertical center — adjacent slanted folded creas only from the top edge, bisecting each lower corner down to the existing comer. Crease only as far as crease and unfold. the intersection of the existing creases and unfold. REM Star Voriation/Gay Merrill GrossD. Relower the points ea back to the bottom. : ¢. Rabbitear-fold, right E. Your paper is now and ieft: Using the “grained;” repeat on all 6 precreases, pinch each units. Proceed to the lower corner in half and assembly at step 6. The then raise the points to precreases you made will the top. help you with the reverse folds at step 11. Variations: The model may also be folded from five units. Vary the position of the inside reverse folds for a snowflake or flower variation, Notes on Model Design: In201, Rachel Katz was helping the Origami Peace Tree Project with an origami exhibit. She needed some stars for an origami representation of the U.S. flag, Her own modular star made from 5 or 6 joined waterbomb bases (with the 4 “arms” on each waterbomb base folded up) had too much depth so she experimented by cutting the reat sections off and that is how she discovered the unit for this mode! which is basically the front haif only of her waterbemb base unit, Rachel's original REM Star diagrams can be found on her website: www.origamiwithrachelkatz.com, as weil as OrigamiUSA's 2012 Origami Collection. My variation with the narrowed points was inspired by a modular star from a different unit that was shown to me in 2002 by Phoenix, Arizona folder Cathy Wilimzig. Stor Variation/Gay Merrill Gross 33Fold the corner ta the Cireted point and unfold. Fold the edges to the centerline and swivel the hidden layer. Lion Cavplee Fold down and show ‘the hideon layer. Gen Hagiwara ©2012 - Japan Tar 19 By Ger PAGINA Fold the edges to the center line and swivel the hidden layer. Untold. 34 LioniGen HagiwareFold in hats. Fold up the flap and squash the hidden corners. 14 Fold the flap down at the joint and untotd. Rabbit ear fold using Pull out the comers. the crease lines, 35mp} Make this side of the triangle slightly shorter. ‘Swivel fold ‘Squash the comer at 1/3 angle. 36 Lion/Gen HagiwaraFold the tio at an anale at ‘about the quarter mar. Flip the corner using Pleat and slide the corner. (Squash fold) _ Inside reverse fold at Close the flap. the existing crease lines. Repeat 22-83 on the other side.46 48 Fe ye outer *. Fold edge to edge ‘and unfotd [layers to otherside, 7 45 47 in progress, Flatten. Outside reverse fold using the crease lines, Fold the comer down at circled point and untold, (ray view) Insert the starred corer between the layers next to it. ‘The eoener ia alse indicated in 20. Fold the comer. Repeat behind 38 Lion/Gen HagiwaraFold the tip. and shape the head. ‘The head wil be thros- dimensional. ross section view of 56-57. Repeat on the other side. ies ier iorornslvlen. Grim the corer athe joint, Fold the comer. [Gen Hagiwara 3969 Shape the tall, ‘Shape the front legs into three-dimensional posture. Model Completed. Make the model in standing posture. ‘Fold the model’ 3 391 36" Make crease slong Preat and slide the comer. the edge behing, (Squash fole) Inside reverse fold. Repeat 3640" fon the amner side. 40 Lion/Gen HagiwaraAllosaurus Jonathan Hirschberg ©2012 - California Complex ‘Note: based the head (steps 109-119) on the head design of another allosaurus origami model I saw long ago, but I've forgotten precisely where, = Crease horizontally and vertically 2. Fold to the center crease and unfold, 3. Crease as shown. inbale creasing only where indicated, Tr 1 [ Yi i a L 4 ss 4. Make a crease through the 5. Fole the right edge to the & Uadslthta ciop’ intersection indicated by the ‘bolded raw edge. i Ral step 4. circle 7. Repeat steps 4-6 vertically 8, Foldtothebolderease and 9, Repeat step 8 vertically. onthe top edge. untold, ~° * zurus/Jonathan Hirschberg 41| | IN 10, Crease diagonally. 11. Fold along the intersection. 12. Fold the bottom edge up to the bolded raw edge. 13, Unfold to step 11. | - : at iy 14, Repeat steps 11-13 vertically. 15. Fold to the bold creases and unfold, 16, Fold to the bold creases and 17, Repeat steps 11-14, 18, Fold to the bold ereases and unfold. unfold. 42 Allosaurus/Jonathan Hirschbergt i f ; 19. Fold to the bold creases 20. Crease at the angle bisectors 21, Crease diagonally through and unfold. between the bolded creases, the circles. bbut only in the region indicated by the dashed line. 22,Pleat as shown, Tum over. 23. Fold along the angle bisector. 24, Fold the comer along the crease. ‘The following steps will focus ‘on the circled region. 25. Unfold to step 23. 26. Reverse-fold in and out along 27. Reverse-fold. the creases. . .28. Repeat steps 23-27 on the right. 29, Repeat steps 23-28 on the 30, Make the indicated creases. other side. 31. Collapse on the creases, 32. Step 31 in progress. 33, Fold the flap in half and unfold. The neat few steps will fucus on the circled region. i: 3 e 34, Spread-sink the flap. The 35. Pinch the point and 36, Fold the corners to the next step shows you how swing it to the right, center line and unfold, to flatten the right side. Allosaurus/Jonathan Hirschberg37. Repeat steps 23-28 on 38. Repeat steps 33-37 in the circled 39. Swivel-fold the two sic the left. region, flaps. 5 dl FI . 42, Fold and unfold. 40, Tur the model over. 41, Pleat diagonally as shown, NE 4 Z “S) i at t t 1 * y EPREPR ch 43. Rabbit-ear the corer to 44. Squash-fold the comer flap. 45, Petal-fold. the crease made in step 42 along the angle biseetors. 46. Pleat in thirds. The mountain folds are 47. Unfold to step 43.48, Make the indicated creas on existing creases and the yalley folds are at the angle bisectors between the mountain folds and the center diagonal. josaurus/ Jonathan Hirschberg52, Reverse fold through each of the three layers individually. See the next step for details, The creases already exist. $4, Squash-fold. The mountain and valley folds on the front face are on existing creases. Repeat behind. 46 a : 49, Make the indicated 50. Make the indicated valley- 51. Pleat on the indicated creases. The valley- folds. The creases go creases and fold the model folds meet at the through the circled inhalf. Rotate the model circled intersection. intersections. The left- 1/8 counterclockwise. most and right-most creases are angle bisectors of the bolded creases, 53. View of the compound reverse- fold, Collapse on the ereases, 55. Reverse-fold through all layers individually along the existing creases made in step 50. ell Allosaurus/Jonathan Hirschberg56. View of the compound reverse- fold. The bolded creases are 57 Side view of result. 58, Pull the front face out and squash from step 53 and should be fold the flap. This requires you to refolded after collapsing the rest unfold the hidden fold indicated by ofthe pattern. Note that they ‘the dotted linc. Repeat behind. may be shifted slightly to make the collapsed model lie flat. 60. View of the compound reverse- fold. Collapse on the creases. Note that the folds from steps _-1- Fold and unfold through all layers 53-54 and steps 55-56 are along the indicated crease. 59, Reverse-fold on the existing shown at the bottom. creases through all layers individually, just like steps 53- 54 and 55-56. 64, View of the sink folds in step 63, Open sink the two flaps 65. Collapse on the creases. . along the creases made in Note that the folds from steps dowa: Repeat behnad. step 61. 53-54 and steps 55-56 are shown at the bottom. 65. Unsink the left side and simultaneously unfold the left edge of the sink in the previous step. See the next step for the 67. Spread-sink the center interior flap. See the next step for the crease 66. View of the creases made in the previous step. The bold breakde crease breakdown, gray lines are creases from step wn 64 that should be unfolded. jsourus/Jonathan Hirschberg 47J 69. Open sink the small flap on “| the left along the folded edge in front of it and unfold the flap on top. Repeat behind, 71. Fold the lower edge up. Thal 72. Grab the point and valley fold the top layer in half. Simultaneously slide the point out to the right to cover the big white triangle. You will make the hidden folds indicated by the dotted lines, 74, Inside petal-fold the raw edge. 75 with the two layers behind it while incorporating the reverse-fold, 77. Repeat steps 72-76 behind. 78. The next few stops will examine the model from below. . Fold down the top edge down 70. inside reverse-fold the top flap in and out on the existing creases and inside reverse-fold the bottom flap along the angle bisector, Repeat behind, 73, Release some trapped paper at the dotted lines and squash- fold only the raw edge, 76. Fold the top edge down to close up the pocket, 79, Fold one layer down. 48 Allosaurus/Jonathan Hirschberg82. Close-up of the exposed layers. Continue folding step 81 while making a small squash fold where shown, The exact orientation of the mountain folds is not important because the next step will correct them. Repeat behind. The ‘model will not lie flat. 84, Flatten the model by outside reverse- folding the raw edge upward on the existing crease. This step must be folded behind simultaneously. 81. Swing the long point to the left, valley-folding along the fold made in step 79 (dotted line), ‘Starting from behind the layer with the bolded triangle, go behind the inside petal fold of step 74 and put your finger ‘there to make the fold. Look at the little picture of the layers for reference. Repeat behind. The model will not lie flat. . Close up the inner pocket by mountain- folding on the existing crease and bringing it up to meet the top edge. Repeat behind, then flatten the right side of the model by outside reverse-folding the right comer. Note that the outside-reverse fold is a new crease slightly offset from the existing crease. 85, Swing the long and narrow point to the right. Repeat behind. 86. View of the rest of the model. Fold and unfold the right flap at the angle bisector. The next few steps will examine the model from below. 87. View of the underside, Spread-squash the central flap. The next step will deal with flattening the right comer. urusiJonathen Hirschberg 4988, Spread-squash the right comer on the existing creases and flatten the model. 89. Close up the underside of the model. 90. View of the rest of the model. Fold two flaps down in front, Repeat behind, 92. Crimp-fold the protruding flaps in the center while sliding up the middle of the three big flaps on the left. The reference for how far to crimp- fold is to line up the bottom tip of the bolded triangle with the bolded dotted line, Look at the small picture of the underside for reference. ‘Note that the little points in the top and bottom flaps are not shown, 94, Squash-fold the front flap, The valley-fold is at the hinge between the front flap and the interior flap. Repeat behind, 91. Stick your finger in the middle of the underside and reverse-fold the left bundle of layers along the dotted line while swinging the three long flaps on the right toward the left 93, Valley-fold the small flap into the pocket. Repeat behind. 95. The next few steps will focus on the flap in the circled region. 50 Allosaurus/Jonathon Hirschberg96, Double rabbit-ear fold the point, The right image shows the distribution of layers in the crimp fold. 98. Outside reverse-fold each of the three smaller points at the tip. Note that the innermost outside-reverse-fold is slightly further back than the others. 97. Crimp-fold the point with the same distribution of layers as in step 96. 99. Spread apart the three little points 100, Completed arm. Repeat steps 101. 95-99 behind. Interior 102. Pleat the large flap on the creases. Exterior and interior views of the flap with folds are shown above. The interior view is in the pocket directly behind the bolded triangle in the exterior picture. The dotted line in the exterior picture shows the location of the valley fold in the interior. The point should end up vertical. Ihe next few steps will focus on the tlap in the oval region. 103. Double rabbit-ear fold the point to the right. Alosaurus/Jonathan Hirschberg 51104, Inside reverse-fold the point at the 105. Outside reverse-fold the 106. Spread apart the three crease above and then outside three small points. The points slightly and inside reverse-fold the point at the crease dotted line represents reverse-fold the carner at below. Both are done together to the hinges between the the top. Repeat steps avoid putting strain on the small small points. 101-106 behind. points at the tip. The dotted lines show approximately where the flap will be. 108. Pull out the hidden fish 109. Squash-fold along base in the center that the existing creases. 107. The next few steps will focus on the flap _was formed in step 45. in the oval region. 110, Inside reverse-fold 111. Mountain-fold the 112. Crimp-fold to make the tip of the flaps. top layers behind, the point lie approximately horizontal. The hinge on the crimp fold is about 1/3 of the way between the two grey creases. 52 Allosaurus/Jonathan Hirschberg113, Inside reverse-fold the 114. Inside reverse-fold the 115. Outside reverse-fold. flap as shown. lower flap in and out to the position indicated by the dotted lines. 116, Rabbit-ear fold the smal] ‘117. Inside reverse-fold the tip, 118, Valley-fold the tip inside flap. Repeat behind, into the position indicated the pocket. by the dotted lines. 120. Mountain-fold the sides on the right flap. Mountain-fold the lower layers on the chest. 121, Final shaping. Curl the tail, round the body, neck, and head, and pose the body as desired, 122, Completed Allosaurus. Alosaurus/ Jonathan Hirschberg 53Dollar Eagle Andrew Hudson Intermediate ©2012 - California 1. Fold through the midpoint, so that the corner 2. Bisect angle, then turn over. ends up just below the edge. 3. Bisect angles (don't fold all the way) 4, Bisect angles (don't fold all the way) = 5. Fold a line connecting the two points. 6. Rabbit-ear, adding the mountain crease as the model folds flat. 7, Fold a line connecting the two points. 8. Pleat the existing crease into the center. 54 Dollar Eagle/Andrew Hudson9. Unfold across the middle. 10. Precrease the angle bisector. 12. Bisect angles. 13, Unfold. 15. Fold the wing across. 16. Fold point to point. Eage/Andrew Hudson19, Tum over. 20. Precrease to center. 21. Open sink both sides. 24. Wrap these points underneath 25, Shape the head. 26. Shape the beak. the indicated layers. This Is similar to a closed sink. inished! 56 Dollar Eagle/Andrew HudsonOtter High Intermediate Andrew Hudson, ©2011 - California 1. White side up. Precrease angle bisectors. 2. Fold onto diagonal through circled point. 3. Precrease angle bisectors. 4, Fold through circled points AZESS 7. Fold onto line Unrough circled point. 5. Fold onto diagonal through circled point. 8. Symmetrical to step 7. 6. Fold in half. Otter/Andrew Hudson 5710. Precrease angle 11. Fold perpendicular 12. Repeat step 11. bisectors. Turn over, to edges, through circled 13. Fold onto diagonal 14, Fold through circled 15. Precrease angle through circled point. points, Turn over. bisectors. Turn over, Z| N 16. Fold onto diagonal 17. Precrease angle through circled point. bisectors. Turn over, 19. Fold through circled 20. Fold through circled 21, Fold over the corners. points. points. 58 Otter/Andrew Hudson24, Establish this crease 23. Reverse-fold. 22. Fold the paper in half. through all layers. 25, Reverse-fold again. 26. Complex petal fold, 27: In progress-- squash the top layer. 28. Repeat behind. 29, Pull out the head flap. 30. Complex petal fold on existing creases. 31. Wrap the shaded 32, Fold the front 33. Swivel the raw edge layer to the front. legs upward, Repeat on the front legs. Repeat Repeat behind. behind. behind Otter/Andrew Hudson 5934. Swivel to shape the torso and front legs. Repeat behind. 37. Reverse-fold the back legs. Note that 38. Compound swivel fold to thin the the upper layer does not change. tall and form the back leg. Repeat behind, Repeat behind. 41. Swivel, tucking this paper inside Repeat behind. 42. Open the head for the next few steps. 60 Otter/Andrew Hudson44, Fold behind again. 45, Fold in half to lock. 46, Outside reverse fold to taste. 47. Crimp the head symmetrically. 50, Slide the head out a little bit. 51, Shape the feet with reverse folds. Finished! Otter‘Andrew Hudsen 6162 Rocking Horse Leds en Intermediate ©2011 - Wisconsin Rocking Horse/Linda KatHorse/Linda Katt ReckngRocking Horse/Linda KatWalrus | Intermediate Linda Katt ©2011 - Wisconsin Wolrus/Linda KattWalrus/Linda Katt67 irustLinde, KesttRapaar Stars {o-is on omen Sw. 68 Walrus/Linda KetBoar Intermediate Do Tri Khai ©2012 - Vietnam Boar!Do Tri KhaiSatellite Complex | 1. Colored side up, Valley 2. Valley [ud the sides rothe 3. Mountain fold fo the fold in hal, edge, colored corner behind 5. Unfold the pleat 9, Reverse fold, nh 13. Mountain fold the 14, Open sink the top flap 15, ‘Squash fald the flap mode in half while in half (precrease fs vp. pulling out the top Mare Kirschenbaum ©2011 - New York 4, Valley fold clong the engle bisector KS A A Ax 8. Precrease along the ange bisector. 12, Repect steps 7-11 in rmirror image. 16. Swing the layers from behind back over. 72 Satellite/Mare Kirschenbaumba HA ADA Vv. fe ear the corner 18, Soha onl 19. Reverse fold the comer 20. so onli 21. Repeat steps 17-19 in 22. Mountain fold the flap 23. Mountain fold to align 24. ‘Swing the flap back mirror image. up. with the folded edge. down, 25, Swing over ene layer. 26. Precrease. 27. Swing the flap back 28, Repeat steps 25-27 in over. mirror image. Sotelite/Mare Kirschenbaum74 29. Swing the tip dove. 3 Vale fold down while swiveling the sides outwards. Note in the ‘ext step how the creases align with the folded edges 31, Lightly precrease, 32. Closed sink through the indicated intersection. 38. Lightly precrease. 33. Lightly volley fold up. 34. Turn over. 39. Precrease with a mounicin fold 40. Fold down the sides (co not crease sharply) ond coliopse the frant down, Satellite/Mare Kirschenbaum