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Annemarie Butler
237
In Treatise1.4.2, Hume argues that the belief in body does not arise direct
ly from the data of the senses or reasoning about this data (T 1.4.2.3-14,
SBN 188-93). Therefore, he concludes, it depends on the operation of the
imagination. He observes two features of our sensory impressions that
give rise to the belief in body: constancy and coherence of our impres
sions. In this paper, I focus on the vulgar belief in body that arises from
constancy. Hume divides his discussion into four parts: the idea of identity,
the influence of resemblance, the generation of the fiction of continued
existence, and how this fiction becomes a belief. In what follows, I briefly
summarize the first two parts and concentrate on the third part. In the
third section of this paper, I turn to the fourth part.
idea of some particular dog, such as Lassie, annexed to the term dog,
which also refers to otherparticular dogs, includingFido, Toto, Rin Tin
Tin, and Spot. If I hastily generalize that all dogs are collies because
the particular idea I attend to is ofLassie, I could recall the idea ofToto
as a counterexample. Thinking about generalities thus requires the use
of general ideas, which requires the use of language. However, thinking
about related particulars does not require the use of general ideas, just
particular ideas that are associated together by some relation.
cally, when we focus on the single steadfast object, we have the idea of
one and the same object, which is conjoined with different moments of
time. But ifwe focus on the different points in time at which the same
object exists, we arrive at the idea of number. The different moments of
time are numerically different, and to consider the object at each of those
moments in the same thought, Hume contends, we have tomultiply the
object "in order to be conceiv'd at once, as existent in these two different
impressions that precede and follow the blink are qualitatively alike.
Because of their resemblance, the ideas copied from these impressions
become by my mind.
associated (This association is natural and does
not require the mediation of words.) Furthermore, the feeling to the
mind in perceiving the one is just like that in perceiving the other.
When I consider the ideas
successively, there is no change in the feeling
to mind. The mind easily moves from one idea to the next.11 But this
"smooth and uninterrupted progress of the imagination" is just like the
feeling of the mind when it considers a single invariable, uninterrupted
object (T 1.4.2.34, SBN 204).12 Hume introduces a general principle:
"whatever ideas place the mind in the same disposition or in similar
ones, are very apt to be confounded" (T 1.4.2.32, SBN 203). Thus, the
Notice that this idea is an instance of one view of the idea of identity.
In the same thought, I think of two impressions, the preblink impression
and the postblink impression. I regard them as numerically the same,
but they occurred at different moments. Thus, they exemplify the idea
of identity with an emphasis on number.
To remove the tension, there must be some change in the parts of the
complex idea. Thus enters the fiction of continued existence. Instead of
distinguishing the pre- and postblink furniture, the imagination sup
poses the present impression of the furniture is a steadfast object.16
The imagination substitutes the single impression of furniture for the
succession of numerically different impressions.17 This eliminates the
interruption because the single impression is whole. The imagination
supposes that this impression endures, by conjoining this single impres
sion with the succession of previously experienced impressions, including
the impressions involved in the blink. This complex idea, then, is of the
selfsame furniture existing over time; it is a particular instance of the
idea of identity.This new complex idea differsfrom the complex idea
that induces "perplexity" because, in this case, one single impression
represents the furniture. This impression acquires duration by the
supposition that it "participates in" the succession of impressions that
the imagination conjoins with it.18Ordinarily, we fail to realize that our
idea is complex and instead suppose that the duration belongs to the
unchanging impression. Thus, the idea is fictional because it applies to
a single unchanging impression the idea of duration, which, properly
speaking, applies only to successions.19
There is a difference between the second and third parts with regard
to the idea of identity. The "contradiction" in the second part arises pre
cisely because the imagination's complex idea fits only one of the views
of the idea of identity,specifically the idea with emphasis on number. I
have different impressions of the table that occurred at different times
and are fixed to those times. I can easily think of the different moments
of the table's existence because I have different impressions for the dif
ferent moments. But this diversity of table impressions frustrates the
realization of the unitary view of identity, where there is one object that
exists over time. In the third part, with the fiction of continued existence,
II
To begin with the senses, 'tis evident these faculties are incapable
of giving rise to the notion of the continued existence of their objects,
after they no longer appear to the senses. For that is a contradiction
in terms, and supposes that the senses continue to operate, even
after they have ceas'd all manner of operation. (T 1.4.2.3, SBN 188;
cf.T 1.4.2.11, SBN 191)
tion is free to separate simple ideas from complex ideas and combine
togetherdifferentsimple ideas to formthe complex idea of something
never before experienced. The imagination has "unlimited power of
mixing, compounding, separating, and dividing these ideas, in all the
varieties of fiction and vision" (EHU 5.10, SBN 47). But the component
simple ideas are all copied from impressions. Hume adds:
The components of a relative idea would still involve ideas derived from
antecedently experienced impressions. So this is not to deny the copy
principle. But equally important for our purposes is that Hume claims
that "generally speaking" we do not employ relative ideas to think about
external objects; instead, we think of objects in terms of perceptions
and modify the "relations, connexions, and durations" of those percep
tions. So in thinking about my identical table that I presently perceive,
Imodify the duration of the present impression and suppose it to exist
even when I did not perceive it. On this account, the "fiction" of contin
ued existence is completely a combination of ideas that are copied from
previous experience.26
Ill
In the fourth part of his discussion, Hume explains how we come to be
lieve the fiction of continued existence. Given that he introduces a fiction,
one might wonder how we come to believe that the fiction is real. Again,
we are not accounting for our belief in general that bodies exist, but our
particular beliefs that particular bodies exist. So Hume aims to explain
how we come to believe in the continued existence of some particular
thing. My conclusion from the preceding section?that Hume's fiction
of continued existence does not violate the copy principle?is especially
important because, without an idea of something's continuing to exist, we
could not believe that something continues to exist?precisely because
Hume's contrast between belief arising from relation and belief aris
ing from the imaginative propensities involved in continued existence
may give rise to a question. Earlier in the Treatise, he had claimed that
all beliefs in matters of fact not present to the senses or memory arise
from cause and effect. Comparing the relation of causation to those of
resemblance and contiguity, he argues that only causation can "perswade
us of any real existence" (T 1.3.9.6, SBN 109). So does belief in continued
existence present an exception to this generalization?
Not exactly. When Hume says that only causation can "perswade us
of any real existence," he is discussing inferences from one impression
to another. The belief in continued existence is not an inference. In the
belief in continued existence, the past impressions are not regarded as
distinct entities from the continuant; rather they are supposed to be
previously observed stages of one and the same object. Furthermore, it
is not simply the resemblance between the previously observed impres
sions and the presently observed impression that generates the idea
The imagination has the command over all its ideas, and can join, and
mix, and vary them in all the ways possible. It may conceive [EHU
adds: fictitious] objects with all the circumstances of place and time.
It may set them, in a manner, before our eyes in their true colours,
just as they might have existed. But as it is impossible, that that
faculty of imagination can ever, of itself, reach belief, 'tis evident, that
belief consists not in the [EHU adds: peculiar] nature and order of
our ideas, but in the manner of their conception, and in their feeling
to the mind. (T 1.3.7.7, SBN 629, EHU 5.12, SBN 49)
IV
NOTES
Arts and Humanities. An earlier draft of this paper was presented at the 2009
meeting of the Iowa Philosophical Society at The University of Iowa. Thanks
to the audience for their questions and suggestions. The editor of this journal,
Jeffrey Tlumak, also provided me with helpful recommendations to improve
this paper. Above all, I am deeply grateful to Travis Butler for careful discus
sion and encouragement.
3. See Michael Costa, "Hume on the Very Idea ofRelation," Hume Studies
24, no. 1 (1998): 71-94, esp. 83-85; and "Hume and Belief in the Existence of an
External World," Philosophical Studies 32 (1988-90): 99-112, esp. 102ff.One
problem with doing so is that using a general idea does not provide us with the
thought of a particular. For example, when I look at my table, blink, and look
again, the continued existence that I suppose is of this particular table, not
just some table a lot like this one. Eric Steinberg emphasizes the need for the
idea of a particular in his argument against competing accounts of the belief
in continued existence arising from coherence ("Hume on Continued Existence
and the Identity of Changing Things," Hume Studies 7, no. 2 [1981]: 105-20).
4. See Martha Brandt Bolton, "Hume's Way of Ideas: Thinking of Things
without Ideas that Represent Them," presentation at the 36th Annual Hume
Conference, August 4,2009, Halifax, Nova Scotia. An example of an inadequate
idea is the idea of very large numbers, such as 1,000. Our idea need not have
exactly 1,000 parts, and so it inadequately represents 1,000. With the aid of
numerals and decimals, we are able to distinguish 999 from 1,000. See T 1.1.7.12
(SBN 22-23).
5. See Timothy M. Costelloe, "Hume's Phenomenology of the Imagination,"
The Journal ofScottish Philosophy 5, no. 1 (2007): 31-45, esp. 37-38 and 42-43;
In writing this paper, Iworried about whether animals really identify objects
after lapses in observation. Hume claims that identity is a central element of
the account of how the belief in externally existing bodies arises. It certainly
seems tome that my pet identifies his bed, but perhaps he just smells his own
scent. Much to my delight, Tyler B?rge describes a number of experimental
psychological results that provide evidence of animals' ability to identify objects,
even after long interruptions ("Perceptual Objectivity," Philosophical Review
118, no. 3 (2009): 285-324, primarily 303ff. and esp. n40).
7. As far as I can tell,Hume does not explicitly say that animals are incapable
of language. But his account of general ideas draws significantly from George
Berkeley (and Hume acknowledges Berkeley in T 1.1.7.1n4 [SBN 17nl]). In
the eleventh paragraph of the introduction to the Principles, Berkeley writes,
"The reason that is here assigned why we have no grounds to think brutes have
abstract general ideas, is that we observe in them no use ofwords or any other
general signs; which is built on this supposition, towit, that the making use of
words, implies the having general ideas" (ATreatise concerning thePrinciples of
Human Knowledge inThe Works ofGeorge Berkeley, Bishop ofCloyne, vol. 2, ed.
A. A. Luce and T. E. Jessop (London: Nelson, 1949): 19-113, quotation at 31).
8. According to Hume, abstract ideas and general ideas depend on words.
If animals are incapable of language, they are incapable of abstract ideas or
general ideas. Therefore, a proper account of belief in body cannot require us
to identify the type of object we have observed in order to invent the token
continuant. (Compare to B?rge 2009, 305ff.)
13. The principle is symmetric, so it alone does not provide a reason for the
imagination to confuse the multiplicity for identity, rather than identity for
multiplicity. Indeed, in his examination of the idea of changeless duration,
Hume relies on this principle to generate the idea ofmultiplicity ofmoments
from a single moment (T 1.2.5.29, SBN 65; cf.Baxter 2008,67). So he recognizes
the symmetry of the principle. In this case, as the "contradiction" makes clear,
the "smooth and uninterrupted passage of the imagination" is psychologically
more pleasing than the disruption to the spirits in attending to each distinct
perception.
14. Rocknak (2007,77) claims that the vulgar "realize that it is a contradiction
to think of [invariable but interrupted impressions] as both interrupted and
uninterrupted" (my emphasis). And in the invention of the fiction of continued
existence, she claims that "the vulgar are not only engaged in reflexive thought,
but reflective thought as well" (79). To support her claim, she cites a passage
from T 1.4.6.6 (SBN 254), where Hume claims that "we correct ourselves by
reflection." The trouble forher interpretation is that Hume is there describing
a philosophical position (concerning substance) rather than the vulgar belief.
Philosophers slide back into the vulgar belief, even though they realize (from
reflecting on perceptual relativity) that impressions do not have continued
existence; so to avoid it, they introduce the new idea of substance that remains
invariable and uninterrupted over time and through change.
15. Barry Stroud complains that, for all that Hume makes of the "sensitive"
nature of belief, his description of the generation of the fiction of continued
existence has too "cognitive" a flavor (Hume [London: Routledge, 1978], 108-9;
see also John Cook, "Hume's Scepticism with Regard to the Senses," American
Philosophical Quarterly 5, no. 1 (1968): 1-17, esp. 5ff). I claim that this ismerely
appearance. The "contradiction" is an opposition of two psychological tendencies'
treatment of the same impressions. The psychological discomfort that arises
from this opposition causes the imagination to introduce the fiction. Thus, I
agree with Norman Kemp Smith, The Philosophy ofDavid Hume (New York:
St. Martin's Press, 1966), 478.
16. For reasons of space, I restrict my attention to the case where I presently
observe the furniture. However, Imay also believe that my furniture continues
to exist even when I do not observe it. For example, before I enter my office, I
expect to see my table. So the steadfast idea of the continuing table would not
be a present impression, but a memory of the observed table. This would be
an inference from coherence, like Hume's inference about the existence of his
stairs after his porter appears (T 1.4.2.20; SBN 196-97).
17. Notice, pace H. H. Price (1940, 94ff; cf. 132-33), this generation of the
fiction of continued existence from constancy does not require the postulation
of unsensed sensibilia to fill in the "gaps" of a monotonous series of constant
impressions. Price explains that the postulation tacitly invokes Hume's account
of abstract ideas, because the postulation is an existential claim: 3x.(px, and (p
represents a universal. Fred Wilson follows Price as understanding this as a
"gap-filling" account drawing on abstract ideas ("Hume's Fictional Continuants,"
History ofPhilosophy Quarterly 6, no. 2 (1989): 171-88, esp. 185).
18. In describing the fiction involved in the idea of identity,Hume states,
"[T]he unchangeable object is suppos'd to participate of the changes of the co
existent objects, and in particular of that of our perceptions" (T 1.4.2.29, SBN
200-201). The content of the supposition is that the unchangeable (steadfast)
object participates in the duration of the succession.
19. See Saul Traiger, "Impressions, Ideas and Fictions," Hume Studies 13, no.
2 (1987): 381-99, esp. 389.
20. Stroud 1978, 108; Costelloe 2007, 37; Wilbanks 1968, 154; and Oliver A.
Johnson, The Mind ofDavid Hume (Urbana: University of Illinois Press, 1995),
260-62 and n26.
21. Johnson 1995,261. In contrast, Robert Fogelin contends that such concep
tual skepticism?that we cannot have any idea of external existence specifically
different from our perceptions?is not the entirety ofHume's position. Robert J.
Fogelin, Hume 'sSkepticism in theTreatise ofHuman Nature (London: Routledge,
1985), 67-68.
26. The point that Imake here is that the vulgar idea of continued existence
is not conceptually incoherent. It is a further question?and it lies outside of
the scope of this paper?whether the philosophical application of the vulgar
idea of continued existence to objects is incoherent. The answer is complicated,
depending on how philosophers conceive of objects. If objects are simply a
"new set of perceptions" (T 1.4.2.56, SBN 218)?not specifically different from
perceptions?then there would be no incoherence. If objects are conceived to be
different from perceptions in specific ways, there may be incoherence.
27. Johnson (1995, 260-62), who thinks that the idea of continued existence
violates the copy principle, concludes that Hume's account of belief therefore
cannot accommodate belief in continued existence.
28. In his summary ofbelief in continued existence, David Fate Norton points
only to the vivacity from the present impression and omits the vivacity from
impressions ofmemory. See "Editor's Introduction," inDavid Hume, A Treatise
ofHuman Nature, ed. David Fate Norton and Mary J.Norton (Oxford: Oxford
University Press, 2000), 141. In contrast, in his brief summary, Donald Baxter
(2006, 126-27) recognizes that the very formation of the idea of continued
existence enlivens it.
29. Michel Malherbe objects to Hume's account on the grounds that mere
resemblance among perceptions is insufficient to justify the change in status
from a mere conception to a real existent that continues to exist. See "Hume
on Belief in the External World," inA Companion toHume, ed. Elizabeth S.
Radcliffe (London: Blackwell, 2008): 126-39, esp. 134. From what I have said, it
is clear that it is not mere resemblance between the perceptions that grounds
Hume's psychological account. The resemblance between the feelings of the
mind in surveying an invariable succession and in perceiving a steadfast object
is also significant. In fact, it is so significant that Hume repeats the distinction
in a footnote. It is because of the combined effects of these resemblances that I
come to conceive of the object's existing even when I do not perceive it.