ALEX. A. AARONS and VINTON FREEDLEY Present QIURL CRAZY A Musical Comedy Book by GUY BOLTON and JOHN McGOWAN Lyrics by IRA GERSHWIN Music by GEORGE GERSHWIN NEW WORLD MUSIC CORP. NEW YORK, N. Y. Copyright MOMLIV by NEW WORLD MUSIC CORPORATION HARMS INO. Soe Suing Agsct cman ky vee cenea tif MERE ARTE! SEE ve nro es GTS teat of'eapylat nd Robina oe eae to heer tear = ‘he Sopra EneALEX. A. AARONS and VINTON FREEDLEY PRESENT GIRL CRAZY ‘A musical comedy in two acts by Guy Bolton and John McGowan, music by George Gershwin, lyrics by Ira Gershwin. Produced at the Alvin Theatre, New York, October 14, 1930, CAST OF CHARACTERS (nthe order of their appearance) DANNY CHURCHILL... Allen Kearns MOLLY GRAY... : Ginger Rogers PETE...... a : Clyde Veaux LANK SANDERS.......- Carlton Macy GIEBER GOLDFARB... Willie Howard FLORA JAMES. : Eunice Healy PATSY WEST.. -Peggy O'Connor KATE FOTHERGILL. 0... Ethel Merman SLICK FOTHERGILL. ..William Kent SAM MASON. ++s/Donald Foster ‘TESS PARKER... +++-Olive Brady JAKE HOWELL. Lew Parker EAGLE ROCK...... Chief Rivers HOTEL PROPRIETOR... Jack Classon LARIAT JOE... . Starr Jones SERGEANT OF POLICE. Norman Curtis ‘Marshall Sith ‘THE FOURSOME ..... ao Dwight Snyder ANTONIO & RENEE DEMARCO “RED” NICHOLS AND HIS ORCHESTRA ROGER EDENS at the Piano Nondes Wayne, Ruth OF THE ENSEMBLE~Lillisn Ostrom, Key Downer, Gertrude Lowe, Norma Butler, Gl Vivian Porter, Ruth Gordon, Mary Marcher, Virginia May, Marion Harcke, Muriel LaCount, eaumont, Kathryn Catheart, Julia Lorray, Elsie Neal, Faye Greene, immons, LaVern Evans, Betty Morton, Bobby Loyd, Vivian Keefer, Derothy Donnelly, Jane Lane, Gene Brady, Lillian Carson, Mervyn Ray, Thomasine Haye, Dorothy Gordon, Leite Laney, Paulette Winston, Rena Landeau, Kathy Schauer, (GENTLEMEN OF THE ENSEMBLE ~ Bob Gebhardt, Bob Derden, Hazard Newb Norman Curtit, John Seiortino, Jack Clanton, Kendall Northrop, Bob Burton, Hurry Grin, Jack Fafo, James Noterro, ie Forbs, Jack Barrett, Arthur Crug, Dick Nealy. EEE cee ee SYNOPSIS OF SCENES crt Scene 1— Exterior of the Cus ‘Séme2—The Dade Ranch. Seone3. ur House, Custevilte, Ariz, “Gisbere” Election Headquarters, Scene 4— Outside the Custervlle Post Office. Scene — Barroom at the Dode Ranch, act it ‘Scene !~ Hotel Los Paleas, San Lu, Mexico, ‘Scene 2—The Railroad Station, San Les. ‘Scene 3 ~ Outside the Dude Ranch.MUSICAL NUMBERS Orchestra under the direction of Earl Busby ACT I Overture... . celeste oe ' 1. Opening Number . The Lonesome Cowboy..... 9 7 The Foursome and Cowboys 2. Incidentel: Entrance of Molly (Could You Use Me?).... * 3. Bidin’ My Time,!.... The Foursome 15 4, Could You Use Me?. Danny and Molly 20 . 5. Bidin’ My Time : : «The Foursome 28 : 6, Opening Number Scene 2........+ voiesrettsrrosesessessecess+Bronoe Busters B : Dudeens and Gowboys s 7, Incidental (Change of Scene). settee wee 2 . 8 Barbary Const Paty, Tess and Enaemble...... 8 : 9. Embraceable You .. coe sDanny and Molly 54 . 1 Binaletto 6. esses Gieber, Slick, ond Chorus 62 : LL, (Reprise) Bidia’ My Time... «The Foursome 65 4 12, Incidental (Change of Seene) beseveeisccess a " 13, Reprise: Embraceable You. cesses -Danny and Molly 68 14, Saco and Delilah. . Frisco Kate and Ensemble 71 i 18, I Got Rhythm . Kate, The Foursome and Specialty Dancers \ 16, Finale T vv. Danny, Kate and Ensemble 90 : fi ACT IL 47, Bate’ Acte .... serene v/Specialty 95 i 18a. Opening Act II vecseseLond of the Gay Cabullero... 101 Chorus and Speciaity Dancers 18b, Solo Dance Specialty. series teense 108 ‘ 19, Bue Not For Me... : . Molly and Gieber 107 20, Treat Me Rough. sieves Slick and Gi 43 4 Dance by Flors, 21. Boy! What Love Has Done to Me! us” 2, Intro, Torch Song... + cee WBF 23, Incidental (Change of Seene).. . cece 129 : 24a, Entrance uf Molly and Boys. : 331 2 24%, When [ts Cactus Time ie Arizona, (Rope Number! 132 ‘ Molly and Boys 3.25, Finale I... citer teneteneteee vee Entire Company 138 .GIRL CRAZY f A MUSICAL COMEDY IN TWO ACTS OVERTURE GEORGE GERSHWIN Allegro marcato Bese PIANO SRE sempre marcato voy v Copyright MCMLIV by NEW WORLD MUSIC CORPORATION S-2129- 140 HARMS INC, Sole Selling Agent{@ Poco maestoso a v ® with abandon“4 [8 Vigoroso A Soo> > oo "ao? f2~ eS 4 Allegretto con moto =<. SE S- 2129-140=> |70¢0 @ poco ereso, yo fey SS y SHEVEER E HESS [3] Molto moderato —_——— S-2129- 140ii] animato L marcatoMotte mark | [molto ratt. ¢erese. b of v | | [2 Vivo 7 voy vvooy 8-2129-140ACT ONE 2 SCENE I: Exterior of the Custer House, Custerville, Ariz. OPENING NUMBER No.4 THE LONESOME COWBOY ee The Foursome and Cowboys Lyries by 2 Muste by IRA GERSHWIN GEORGE GERSHWIN cowsoys [i] Tempo di marcia Af If youwon-der why I am dressed up in my best, There's a Se ———s 7 SS fal that I'm a - dy-ing for to see; I have bought the [ban FF RR ring, —_ Let the preach- er do the rest, And Pil take her back to 8-2129- 14040 Back to Ran-cho Jone-some cow-boy wort be lonesome now, *Cause I'm gon-na go out and get myself a frau. Say, for sev-en years’ I've saved up all my > ki - yi, ki-yi, ki- yi, let's $-2129- 140gone and bought my-self a brand new suit, And I'm fig-ger-ing that my gal will think I'm cute,__________ Soo let's raise the deuce Till = hell breaks loose, "Cause the lone-some cow-boy won't be lone-some now, ATE oo Ir: = fp ——- Oh, the lone-some cow -boy won't be lone-some now! S-2129-14012 B) Allegro (atta marcia) FL Hee -haw! Hee -haw! Laugh, hy-e - na, laugh! Hee -haw! Hee - haw! = Got - ta stand the gaff, Hee -haw! Hee-haw! When you get a wife, ti Bf You have got a ball and chain life Oh, Pve Aish gone and bought my -self a brand new suit,18 fig-ger-ing that my gal will think loose, "Cause the A‘ ts lone-some cow - boy won't be lone-some now! Freer i Jone-some cow - boy won't be lone-some now! __ 8-2128-1404 Incidental: Enteance of Molly. No.2 Cue DANNY: ...“They must be crazy out here.” pp || tancer diatogss SSS Cspressio0 == 8-2129- 140BIDIN’ MY TIME Lyries by The Foursome Musie by. IRA GERSHWIN (Before the curtain) GEORGE GERSHWIN Moderato nf ff) Gracefully (unison or soto) Some fel-lers love to “Tip-toe ThroughThe Tu - lips,” »— a Some fel-lers go on “Sing - ing In The Rai S-2129- 140——— Some fel-lers keep on “Paint-ing Skies With Sun - shine” : Ten. 1 Some fel-lers must go “Swing - in’ Down The r [2] REFRAIN > ‘Cause that’s the kind-a guy 2. Tm bid-in? my — time; ‘Cause that’s. the kind-a guy that's the kind-a guy Ten. Ten. 11 (Lead) = the kind-a guy ‘that’s thats the kind-a guy F EET Ona7 While oth-er folks grow diz-2y Be - gin-nin’ on a Monday While other folks grow diz - zy I keep bus-y Tm Be - gin-nin’ on a Mon-day Right through Sun-day J. (whistle 2nd Some-thin's bound Glass that's full $-2129- 140tink - nap - Wink - s- 2128-110 pen; le, Je, full pin} Ie, — of tink- le; (sing) And For (sing) This Let in, bound to hap-pen; bid - he Pore and he year, me,— in____ sm bid = ed his bid = In’ my, bid - ed his, and bid = in’ my, he bid - ed his, f year, me- my bis TH just keep on Dream like Rip Van TH just keep on ‘Dream like Rip Van *Cause ‘And time, time, IY ‘i 7 time, time, —19 the kind - a There's no re - gret-tin, that Wink-le guy = I'm A= chas- in’ ‘way flies, the kind - a guy thet Wink - le guy that's the kind - a guy 9 I'm There's nore - gret- tin; Uke that Wink = le A+ chas- in’ ‘way files, that’s the kind- a guy see like thet Wink - le guy I: set -tin} day flies, set - tin’ day flles, s-2129- 140COULD YOU USE ME? ' Lyrics by Danny and Molly Music by IRA GERSHWIN GEORGE GERSHWIN DANNY . Have it ers si it thy; sone 7 ean Beet cree how alittle sympa nV fe Ft A ‘~ |? ————— ‘No one pos-si-bly could be stern-er Than you have been with me. ‘There's a job that Im ap - ply-ing for Let me put it to you f lee er Be - fore you file it ime $-2129- 140a From here [i] REFRAIN all for ENCORE atempo on the shelf Let me tell you of my - self. On, Tm the chap-pie, to ENCORE: I'd love to rough it! (Molly) Youd ——— 7 make you hap - py, T'll tie your shoes-es And chase your blues-es, _ Oh, on - ly muff it!’ You'd bet - ter track home; You're saf - er back home. (D)Oh, ta - dy would you, oh, tell me, Could you use me? la - dy would you, oh, tell me, Could you use me? out And put out; I'd clean the gar - ret ler PU put Up - on the ta - ble, As S-2128- 14022 feed the par-rot. Oh, la - dy,would you, Oh, tell me could you use me?. : wells I'ma - ble; I’ slave as few would, If on - ly you could use me! eapressivo Do you re-al-ize what a good man You're get-ting (M) You dont ev- en knowhow to gs - so A bull or a He Tm no Elk or Mas-on or Wood-man, Who gets home at (D.) When I speak to them in my bas-so They'll wor-ry, don’t = A = three. The girle who see. me Grow soft and dream-y, But Tm a gan-der who fear! Ti “be no both-er; Id make a fa - ther Like no other s-2129- 14023 won't phil-an - der, Oh, could you use— me? ’Cause I cer-tain-ly could use you're the moth-er. Oh, could you use_ me? ‘Cause I ly could use @ wouy There's a chap I know in Mex-i - co, ‘Who's as strong as he can be; sau = LE > oe ' Eating nails and drink-ing Tex-a - co, He is the type for me. re S-2129-140More ro-mantic far than you; ‘When he sings “Ha.cha-cha -chor - ni - a” 1 oft-en think he'll do. a { - f i for you, Sir, I'm a-fraid you will nev-er make the grade. tempo You're no cow - boy; You're soft, and how! Boy! I feel no mus - cle, That's t t {8 -2129- 14028 <> a fit for tus - sle. I must re-fuse you; I can-not use you.(D)’Scuse me! SCE tT? (M.) No night life for_ you; The birds would bore you; The rot t cows wort know you, A horse would throw you; You sil - ly man, you, To ask me,“Can you use me??____ ‘Though at love you may be a S-2129-140Could you warmme up in a Tm want-ing ‘to know, wiz - ard, * oF bliz-zard, Say, Your ties are freak-ish; Your Neca - 7 knees look weak-ish, Go back to flap-pers And high-ball lap - pers! Though E you canuse. me,. I most cer-tain-ly cart use 3 S-2129-14038-2128 - 14028 No.5 BIDIN’ MY TIME Lyries by he oar Musto by IRA GERSHWIN GEORGE GERSHWIN Moderato af @ Gracefully unison or soto > Some fel-lers love to “Tip-toe Through The Tu - lips;” > cS peel, Some fel-lers go on “Sing - ing In The Rain.” ii ide ae S-2129-14029 Ss Some fel-lers keep on “Paint-ing Skies With Sun - shine: > TF Some fel-lers must go “Swing- in’ Down The Lane.” i latter Seilae idler = t [2] REFRAIN p-f Solo (ad ib) Cause that's. the kind-a guy 4. I'm 2. Tm times ‘Cause that’s. the kind-a guy FOURSOME 41-2, I'm my time; that’s the kind-« guy Ten. 1 acm, Ten. (Lead) 1-2. I'm bid- tn’ my thme; ‘Case that's the kind-a guy Bar. Base Tm did-in’ my, my time; — thats the kind-a guy 8-2129- 140$-2129- 140 oth-er folks grow diz-zy I keep bus-y gin-nin’ on a Mon-day Right through Sunday oth-er folks grow diz - zy 1 keep bus-y gin-nin’ on a Mon-day Right through Sun-day Jd (whistle 2nd time) > Some-thin's bound to Glass that’s full of Some-thin's bound Glass that's fell| ; (sing) (whistle) > hap - pens. This year, this year, Pil just keep on tink = Ie, Let me, et Dream like Rip Van rn Let let Dream like just keep on Rip Van hap - pen, bound to hap-pen; tink - le, full of tink- le; (sing) = > ny ie oo EY deestey St Mesetseer © eesti C7 eecteet © paseeeeasontoney a teteceat 1 ppttememmemc "Cause Wink - Ie, For he bid - ed his time, ‘And my time, his time, and bid - in’ my, bid - ed his, time ‘Cause my his time ‘And _t nap - pin. ‘Wink - le, For he bid and bid - in’ my, my time, —_ he bid - ed his time, Se 2129-140)82 There's nore -_gret-tin, A = chas-in’ ‘way flies, the kind- a guy like that Wink-le guy thats the kind - 2 guy lke that Wink - le guy thats the kind = a guy PE Theres nore = pret tinh like that Wink - le Tm A - chas- tn’ ‘way flies, that’s the kind- a guy 1 - that Wink - le af $-2128- 140SCENE Il: The Dude Ranch 7 OPENING NUMBER No. 6 Lyries by BRONCHO BUSTERS Musie by IRA GERSHWIN Dudeens and Cowboys GEORGE GERSHWIN Moderato —— mf. A DUDEENS @ town we used to fret a-way Un - til we made our get a-way, Out won-der-ful to breeze a-round, They seem to have real trees a-round, And here, where there’s no doubt that men are . men, of the 0 - pen spac-es there's no doubt, S-2129- 140a4 We dont care if we dort go East a - This is the life that Riley told a — @ A ee week, Well get the well-known A —————_ fore were at the ranch an-oth-er > > ros-es in the cheek, We have-n't missed old . ABroad-way or the White ‘When the moon at__night, lights, on Se mont _ night tie ‘That's the best of bright lights. This is the place to tar-ry at, The chaps who throw the la - ri - at, Can sling a Tine that does a girl no cS : A Knock wood! —_ Knock wood! A A 8-2129- 140 EEE eee eee eee eee eee eee Cee ee eee Cee eee eee eee ee ee a eee eee eeeHl ccomboys merch on) They sling a line that does a girl no A f n are 8-2129- 140 bE 4] ritmato bron-cho Seep bz bust - ers, we A bust the SSS good, cCowBOYS chos; We dort fear87 On West - ern prai - ries we shoot the fair. (optional) We match all tak - ers, we shoot all fak- send them back are bron-cho bust - ers, S-2129-140we bron - chos or else bron-cho we bust the bron - chos, We dort fear pack awal - lop, we nev -39 pants have nev - ri - fle; Bang! You bite the a 4 this is some burg! We'll sing & la Rom -marcato molto, marcato[FS vempre|nercaroChange of Scene Ritmato S- 2128-140 bere Sep48 No.8 BARBARY COAST Patsy, Tess and Ensemble with Specialty Dance by Flora and Girls Lyrics by Music by IRA GERSHWIN GEORGE GERSHWIN Vigoroso PATSY If you ask me what place = Is the hot-test hot place An-y-where a - round, An- y-where a — a Step up to the wick - et, get yourself a tick - et ‘San Fran-cis - co__bound! I said Fris-co bound! 2129-140poco a poco erese. rete t tian poco & poco srese. min-ute that you strike it ‘You've got to like it: The Bar-ba-ry Coast, Where ——————— bea-bea, black sheep Baa, baa, baa, the most. 8-2129-140je'red hot, Yes, sir! I said hot! You'd bet-ter run down hunk-y do - ry honk-y tonk- y Dont talk of oth-er plac-es; Broth-er, if you don't mind; This is the one o - a-sis, Ife _heav-en and hell com - bined. Ev-ry- | a= A St. S-2129- 1406 thing is o-pen wide there, Dont need a guide there, The Dev-il’s your _host, bar-bar-bar-ba-rous Bar-Bar-Bar-ba-ry Coast! S- 2129-140S- 2129-140 Bee eee eee eee eee eee eee eee ee eee eee eee eee eee eeeeeeemarcato S- 2129-140a Cag tf UP Mpoto = poco oregon S- 2129-14050 S- 2129-140 SESE eee eee ee eee eee eee eee eee eee eee eee Cee eee eee eee ee eee eee eeeepee > — soy marcato = tea iV (AU Exit) S- 2129-44082 ENCORE $-2129- 140 ymarcato (AU Exit) b> S- 2129-140 SESE eee eee eee eee eee eee ee eee Cee eee eee eee ee eee eee eee eee54 Ne EMBRACEABLE YOU Danny id. Moll: | Lyries by fie 7. Music by TA GERSHWIN GEORGE GERSHWIN ‘Whimsically ‘ DANNY" ietourety Doz-ens of girls would storm up; Thad to lock my omay di AO Some-how Icould-n't warm up To What was it that con-trolled ‘What kept my love life lean? ——> My in - tu-i - tion tol me You'd come on S-2129- 140 Bee ee ee ee ee ee ee ee ee ee eee ee eee ee eee eee ete385 ratte dim. lis-ten to the rhy-thm of my heart-beat, And you'll get just what I mean. @ Rhythmically ———— Em-brace me, ——_ irre - place - a-ble youl Just one look at you, my heart grew tip - sy in A 8-2129- 140, SESE eee eee eee ee eee eee ee eee eee eee eee eee eee eee eee eee eee eeeS-2129- 140 fone bring out the Don't be a naugh-ty ba - by, ieee eee ‘Come to pa-pa,Cometo pe-pa, do!87 My sweet em - brace - a-ble you! : yi = Em-braceme, My sweet em- brace - a-ble youl Em-brace me, ‘You ir-re-place - a-ble youl — In your arms I find love so de- a —_~ a ied is not quite re-spect - a-ble, dear —— S- 2129-140: =, But hang it! Come on, let's glor - i-fy love Sa Ding-dang it! You'll shout “En - core!” if I love! ——~ Dorit be a maugh-ty pa- pa, Come to ba-by; come to ba-by; do! a My sweet em- brace - a-ble you! S- 2129 - 140S-2129- 1408+ 2129 - 140@ a ‘oocar & ad lib) PP Ise = S- 2129-140FINALETTO Gieber, Slick and Chorus Lyries by Masie by TRA GERSHWIN GEORGE GERSHWIN Tempo di Marcia GIESER @ They need-ed a man who was brave and strong To ALL GIEBER rid the town of crime! That's They need-ed 2 man who would not take graft Un- less it was o-ver a dime! S-2129- 140Dorit talk of Gen-er-al Cus - ter! Don't talk of Buf-fa- lo For iff Gold-farb gives a big- ger thrill! They need-ed a man who knew the game Through serv-ing a {ot of —— = ALL GIEBER ALL Gold - farbT—_ ‘That's 'm!—__ = >cc a vote for Gie - ber Gold - vote for Gie- ber Gold - farby need-ed a man who knew the game Through serv-ing a lot of time. = GIEBER Pm! That's (Curtain)REPRISE 85 No. 41 BIDIN' MY TIME Lyries by The Foursome Muste by. IRA GERSHWIN (Before the curtain) GEORGE GERSHWIN Moderato of [i] Gracefully VOICE 1 Some fel-lers love to “Tell It To The Dai-siesy > Fe SF nae P —————— VOICE I Some “Stroll Be-neathThe Hon VOICE III Some fel - ters when they've“ClimbedThe High-est Moun - tain,” >66 VOICE IV Still keep “A Crying For The Car-o ~- lines. . > r | 2nd time instrumental to > rir 5 faa rae p-n id-in” my, my time; thats the kind-a guy = Ten. 1 Ten. the kind-a guy I'm —__. While rit Tm bid-in’ my time; "Cause that’s td id Tm bid-in’my, my time; that's the kind-a guy I-'m Bar. Bass 7 ‘ bid - in’ my time. I but - ter-flies go flit- tin’, sit tin’ keep mp On, Glass that’s full of tink - te, — tink - le; full of tink- Ie, > > > let me— Dream like Rip Van Wink - le For sd 2d o ~~ ~~ 7 3+2129 - 14067 @ Sing Both Times 4. he bid-ed his, his time, like that Winkle guy I-'m A- 2. Tm bid-in my time, that's the kind-a guy I -'m, Well. 7 4. he bid-ed his time, — 2 Tm bid-in my time, Redan, he bid-ed his, his time like that Wink-le guy I-'m A- Tm bid-in my, my time that’s the kind-a guy 1 -'m, Well, ot And like that Wink-le guy For that’s the kind-a guy oe z chas - in’ way flies, How the day flies, - in my time. Stran-ger, 0 longi Yl jest go long bid in’ my : \~ (Curtain) SCENE III: Gieber Goldfart’s Election Headquarters (No musiey SCENE IV: Outside the Custerville Post Office No.2 Incidental: Change of Scene Quick march time = ————O.?. S S (Curtain rises)68 REPRISE 0.13 EMBRACEABLE YOU } Lyries by Danny and Molly Musie by : TRA GERSHWIN GEORGE GERSHWIN Rhythmically : |Background) PP muted Stegs. t { H I 4 D.C. ‘ ‘Stop at euey segue: t S-2129 - 140 :69 Lo stesso tempo DANNY Dear la - dy, my silk and lace - a-ble youy— — be my _em- brace - a-ble you, —— one I love, Yes, ver - i-ly sol. —.. But youre much too ——=< S-2129- 14070 MOLLY DANNY Til try not for - mal, my dear;— os nor-mal, my dear?— ‘There's just one way to cheer me; Come to Dan-ny come to Dan-ny, dol My sweet em - brace - able Curtain $2120 - 140SCENE V: °49 Bar room at the Dude Ranch nm No.44 SAM and DELILAH Frisco Kate and Ensemble Lyrics by Muste by IRA GERSHWIN, GEORGE GERSHWIN Molto lento (Btues” tempo), — > Sf Piano on stage), oz v vw presto + = = = = tempo 4é: : BE = 7 : — Tilt ready1 | i t — i De-li + lah— a choos - ey Till she fell for a swell Buck ; — ——— Peateseee HEELS ——_. roo whose name was elisa. ad td. Sete S- 2129 - 140———SS=> kootehs — sat is - fac - tion $-2129- 140—— His true wife he did crave, > — = De-li - lah she got jeal- ous, ” fell ’neath her spell With the aid of love and hootch. > > = % op But one day, — so they tell us, Serer 8-2128- 140 Se age gegtatatggg ee EEE ge eee gegtatatata HH Eeetracked him and hacked him And dug for Sam a Dp It’s al-ways that way with pas-sion, =. 17) So,cow-boy, learn to be -have, Or else you're li-'ble to ss 2 ee eee cash in With no tombstoneon your grave. eet 5 >= S- 2128-140768 Broad» ee De - li - lah, —_ Oh! De - li - tah, ENSEMBLE ¢ De- li - lah, __ ‘Oh! De - li = lah; [EF] Broad A =, Sf ben marcato Run, cow - boy, — Run, cow = boy;— S- 2129-140ize that kind of wo-man shell do you no that kind of | wo-man shell do you no that kind of wo-man she'll do you no —> —_> > > ENCORE: at cue ee eos Yanp DS. a ‘etter es al Fine s- are0~ 140 Neseessseseeeeaeeeeeetosaseses desu eeandtstsSaesdndsseersemsnseeeatednsseereneeseeeandsiesetendnseseecandiisetaneinssseatssniseeeranesieseiatsnieseseianinieiyNo. 45 I GOT RHYTHM Kate, The Foursome and Specialty Dancers Lyrics by Music by IRA GERSHWIN GEORGE GERSHWIN > KATE Days can be sun-ny, with nev-er a { am = _ > > eh aft tt ee eae TS eRe eer ae Dorit need what mon-ey = can buy Birds in the > Dt F ee ee epee Tena re : trees sing their day-ful of Why should-nt we sing a - ' r Fe ae TRY Pt Tian I'm chip-per all the day, Happy with my lot, ‘ 52129 - 140 SESE eee eee eee eee eee eee ee eee eee eee Cee eee eee eee eee eee eee eee ee79 How do I get that way? Look at what I've got: vf = rT REFRAIN with abandon my man, Who could ask for an-y-thing more? In__ green _pas - tures, 8-2129- 14080 Who could ask for an-y -thing Old Man Trou - ble You— won't find himsweet dreams, —== ask for an-y-thing more, Who could ask for an-y-thing more?82 > = ‘attacca bzzS ill sseela pass okuee ctosbe S-2129 - 14083 @ KaTE (with abandon) rhy - thm, FOURSOME Ten. 1 Ten. 1 (Lead) man, Who could ask for an-y-thing more? Th. got dai-sies In— green gel, Who could ask for an-y-thing more? In green gal, Who could ask for an-y-thing more? 1 got det -sies In green > HS pas - tures, man. Who could ask for an-y-thing more? pas - tures, man, Who could ask for an-y-thing more? pas - tures, my man, Who could ask for an-y-thing more? > Soe. S-2128- 140 Eee Eee eee eee eee eee eee eee eee eee eee Cee eee eee eee eee eee eee eee34 Old— Man Trou - ble, mind him, Ol4— Man Trou - ble, You— won't |K, ‘ Old— Man Trou - ble, star- light, man, Who could ster light, aweet dreams, man, Who could star light, sweet dreams, $- 2129-140 SEE EEE EEE EEE eee eee eee eee eee eee eee eeeask for an-y-thing more, Who could ask for an-y-thing more? ask for an-y-thing more, Who could ask for an-y-thing more? ——$—<—$—— ask for an-y-thing more, Who could ask for an-y-thing more? Temple blocks S- 2129-1408-2129- 140| S-2128 - 14089 8-212 - 14030 FINALE I Kate, Danny and Ensemble Lyries by (RA GERSHWIN Agitato (Crowd enters) A fn = Tepe 4, te, ‘Music by GEORGE GERSHWIN 5-2129- 140 +OL @ Ritmato bus - ter, He busts the bron - chos, He seems to And now this cave - man, This big and brave Danny: “Stop it!” [Slow ackground) PP ~\ s- 2129-14092 danay (te aot) I need you, my sweet em - brace - a-ble your—— Se eee eH ECeeeae I need you, you ir- re - place - a-ble you. — — If you should ev -er leave me Real-ly I dont know what —— ——_ My sweet em - brace - a-ble $- 2129+ t40 shen: Gear | =| Fear |Adagio (welodramay as molto rit S- 2129-14004 @ andante So, play-boy, learn to Kate (to Danny) be - have; P Its al-ways that way with pas-sion, Or else youre ti able ‘With no tomb-stone on your grave S- 2129-140 Curtain toACT TWO 95 No.i7 ENTR'ACTE Lyrics by (Specialty) Muste by: IRA GERSHWIN GEORGE _GERSHWIN Lively - pra _ >= |F F S-2129- 140 v SESE eee eee eee eee eee eee eee eee eee eee eee eee eee eee ee eee ee eee96 | S-2129- 14007 @ stowly Fy a ipo tees |e N Rubato Vibr. Z — —Moderato ‘ Famp a a & PP VOICE Put that stick down! Here, take his cor-net! oF oy iF ao a | oe a eseeee g Dont play all that pret-ty music, Youll hear us all cry-in’ yet, oe the notesthat we-play, It's a num-ber from the show, iF ;Take it eas-y, get the rhy-thm; Play that cor-net, read-y,100 oye oe Tept.t1 J $ £ Seaie = 140 a ee ee eee eee eee eee ee eee eee eee eee eee104 SCENE I: The Hotel Las Palmas, San Luz, Mexico LAND OF THE GAY CABALLERO (MEXICAN HOTEL SCENE) OPENING NUMBER Chorus and Specialty Dancers Lyrics by Music by IRA GERSHWIN GEORGE GERSHWIN Andante = os Aa —> %. : Soe aee) [i] Valse Allegro Listesso tempo 2] F1.c1. 0b. in bres. = ee Rea Pee salle 8-2129- 140102 Moderato BOYS and GIRLS 4.Ro - man - tic Roman - tic Ro - man - tic No fran - tic S-2129- 140 Land of the gay ca - bal - le Land of the gay ca - bal - le _— Land of gui-tar and som - bre country of worry and care ro. ro. ro. of108 land of the gay-ca bal-le - ro. land of the gayca bal- le - ro. (@] DANCE — $2129 440@ vance pe eee fae TE Ob Bra ob Fra i L S-2129-140105 No.18B SOLO DANCE SPECIALTY Moderato S- 2129-140 SEE EEE EEE Ee eee ee ee ee eee eee eee eee eee eee eee ee eee ee eee eee eee eee ee+ — 106 poco a poco rail S-2129- 140107 BUT NOT FOR ME Lyrice by Molly and Gieber Muste ty IRA GERSHWIN GEORGE GERSHWIN Moderato GIEBER: Well, Molly, I heard the whole thing, De cerietentere eee Pp under dialogue t — S-2129- 140108 [] MOLLY: (Seated at tabte) Moderato (pessimisticalty) Old Man Sun-shine lis- ten, you! Nev- er tell me “Dreams come true!” Just “A= AndTilstart a ri- of, __ Bea-trice Fair-fax = hee ih dont youdare Ev-er tell me —_he will care; I'm cer-tain Its the fin- al 5s —a nev-er wantto hear froman-y cheer-ful Pol-ly - an- nas, cur-tain. I 5-2129- 140109 — Who tell you Fate supplies a mate, It’s all ba- na-nas! ‘They're writ-ing —~ iit |i FY ) REFRAIN songs of love, But not for me; ‘A luck-y stars a- bove, —— < Bat not for me. With love to lead the way Tve found more Eee [eco erect Rus- sian play eco Fee F ¥ 8. 2129-14040 S- 2129+ 140 I was a fool by Nell, dis - miss to fall And get that way; Heigh-ho! A- 50, Lack-a - day! te foun oO How-ev - er, what the hell! The mem-'ry of —his_kiss, Molly breaks down, crying, ed.1h Ep backgroun 1 singing to Molly ‘He's knock-ing a door— But not for me; He'll plan a by four;— But not for : I know that —, —— s-2129- 1402 loves a games Pm puz-zled, just so ‘swell, This “Ie’s pre - tend;” so well, But what an end! so well, But what an end! a fel - ler needs a friend! 8.2129 - 140 the same, start-ed all be- It all be- This is the The cli- max ‘When ev - ryus of a plot Should be the mar- riage knot, But there's no knot hap - py plot Ends with a mar- riage knot, And there’sno_ knot He's knocking for aA To oe ie stop at for dialogue No. 20 TREAT ME ROUGH Slick and Girls Dance by Flora, Girls and Cowboys mn SLICK I was born they found a sil- ver spoon in i r a bar-ber just to curl my — hair, _______ + -140“a If win-ter came, the Ma-ter car-ried me to the South; ‘The point is that I had the best of + Wo-men and head-wait-ers fawned on me. Life was just a bore till it dawned on me S- 2129-140145 be a man a-mong men Td have to be man - handled now and Don't you dare to S-2129- 14016 Make me wool - y and — wild, feta Pinch my cheeck,— Kiss and hug and squeeze me Ti Pm weak.— Pve been pam - pered e - nough, Keep on treat - ing me rcugh. ia“7| 8-2129- 149 SESE eee eee ee eee eee ee eee eee eee eee eee eee eee eee eee eee19 No.2 BOY! WHAT LOVE HAS DONE TO ME! Kate Before the curtain Lyries by Music by IRA GERSHWIN: GEORGE GERSHWIN Moderately fast 2 hap-pened down at the — p cotta voce Gold- en Gate; A fool there was and her name was Kate;She went and found her- self a mate_ And she suf-fered ev-er af-ter. Of mil- lion-aires she # had her pick,.But she playedher-self a dir - ty trick-When she chose that guy whose mai F == s-2129- 140120 name is Slick,She's a sap to love him so; Lis-ten to her tale of Rather slow, (sorrom/uily) rit, ‘P poco a poco crese. a | I fetch his slip-pers, Fill up the pipe he smokes, T , T Toook the kip-pers, Laugh at his old-est jokes: Yet here I an-chor, I = TIT tr might have had a ban-ker,424 Andas for mon-ey Quar. His na-ture’s fun-ny, “7 I might havehad a bro-ker: He has-nit got a dime. And heresthe jo-k: 2 = uo 4" has done to Boy! what love f dra-mat-ic, em-phat-ic? Say!he gets Does he get122 r no- 8-2120-140 just want to Hes got. the gra-vy, F bod-y a-bove him. fly way, But Tm just a slave-y, poco I got a wed-ding ring; 2 Boy!whatlove has done to af attarg. if I left him Td be Life is a fun-ay thing, 3 i T poeo erese. And still I love him,There’s me! ensinite simile 8-2129 - 140124 Tempo I Allegro con brio S. Solo Va. con sord- am (Viola) ma altare. ENCORE: BOY! WHAT LOVE HAS DONE TO ME! : KATE L'istesso tempo p poco a poco crese. a His brains are mi-nus, ‘Never a thought in sight; T P, poco @ poco erese. simile aS Andyet hisHighness Lec-tures me day and night; Oh,where was my sense To | |1265 sign that wed-ding li-cense? Boy! what love has done to — me! f aT My life he’s wreck-ing, I bet youcouldfind him now ‘Out someawhere necking 2 Some-bod-y els- e's Frau. You get to know life When mar-ried to a low-life! 2 Boy! whatlovehasdone to me! On, canitkeep my head up, f TF S- 2129+ f40126 ‘The butch-er, the bak-er, Allknowhe’s a fak-er; Broth - er, I am Allegro con brio Tempo I — T left him he-'d be up a tree, Where will it wind up? 2 But if =p 4 tempo poco @ poco cresc. simite ao I don't know where Tin; Imake my mind up, But how can I leave him flat? 2 S-2129- 140127 For Thavegrownso I love the dir-ty so'n so! Boylwhat love has done to me! ae 7 No. 22 TORCH SONG = Piaf sintle ~ simile428 5 af altarg.129 SCENE II: Railroad Depot at Los Pegos, Mexico No. 23 FOR CHANGE OF SCENE Lyries by Maste by IRA GERSHWIN GEORGE GERSHWIN S-2129- 140180 | S-2129- 140481 No. 244 FOLLOWING BLACKOUT = Entrance of Molly and Boys Lyrics by Music by TRA GERSHWIN GEORGE GERSHWIN Quick march time ¥ ta S-2120- 140 SESE eee eee ee eee eee eee eee eee eee eee eee eee ee eee eee eee ee eee182 No. 24B WHEN IT’S CACTUS TIME IN ARIZONA Lystes by Molly and Cowboys Mesie by IRA GERSHWIN GEORGE GERSHWIN Lively MOLLY and BOYS — New Mex-i - co, love yous Cal- i - for - nia, I love you, too; love you; Ok-la - ho - ma,——— erry = —>S I love you, too. But of all the states in the West, S-2129-140188 Dear,for us, there's one that'sthe best: iF Ge pripe 7 [2] REFRAIN cac-tus time in| Ar - i - ing there- Iwill ser- e- nade you Be-neath sun- ny skies. S-2129- 140184 thrill, my dar-ling, when we ran-cho built__ — When its cac-tus time in185 Boys play Ukes, Guitars ete, while Molly dances tightly s-2129 +140186 SCENE III: Girls are on stage doing rop number as the curtains open. => [] Ritmato mp (Boys enterlwith erie a joi S-2129- 140187 S-2129- 140 SESE eee eee eee eee eee eee eee eee eee eee Cee eee eee eee eee eee eee eee eee eal488 SCENE II: Outside the Dude Ranch No. 25 FINALE II Lyrtes by Entire Company Musie by IRA GERSHWIN GEORGE GERSHWIN Moderato, con moto charms a-bout you; ‘Come to pa-pa,Cometo pa-pa, do! naughty ba- by,139 My sweet em- brace-a-ble by by by Fast swing KATE (with abandon) (2nd Time Tutti — For Chorus parts see page 83) I got rhy- thm,_ t_ oget om sic my manWhocouldask for an-y-thing more? pas- tures;— my man,Who could ask for an-y-thing more? S- 2128-140 SEE EEE EEE EEE EEE EEE eee eee ee eee eee eee ee eee eee eee140 Old_ Man Trou- ble, IL don't mind him,_ = = "Round my door. — [ieee I_ got my manWhocouldaskforanything more,Whocould ask for an-y-hing more?