You are on page 1of 40
Musik unserer Zeit » Music of Our Time - Musique de Notre Temps - #R{t0) 252% Gyorgy Ligeti Hamburgisches Konzert fiir Horn solo und Kammerorchester (mit zwei Bassetthérnern und vier obligaten Naturhérnern) Hamburg Concerto for Solo Horn and Chamber Orchestra (with two Basset Horns and four obligato Natural Horns) (1998/99, 2002) Studienpartitur / Study Score ED 9601 wr scot-musiccom a SCHOTT ‘Auftragswerk der ZEIT-Stiftung Ebelin und Gerd Bucerius, Hamburg ‘Commissioned by the ZEIT-Foundation Ebelin und Gerd Bucerius, Hamburg Urauffahrung (1.— 6. Satz) 20. Januar 2001 in Hamburg 50 Jahre ,das neue werk" im NDR Asko Ensemble ‘Marie Luise Neunecker, Horn Dirigent: George Benjamin First Performance (1* — 6% movement): 20 Januar 2001 in Hamburg, 50 Jahre ,das neue werk" im NDR ‘Asko Ensemble ‘Marie Luise Neunecker, Horn Conductor: George Benjamin Urauffidhrung (7. Satz) 30. September 2002 in Utrecht ‘Asko Ensemble ‘Marie Luise Neunecker, Horn Dirigent: Reinbert de Leeuw First Performance (7* movement): 30 September 2002 in Utrecht Asko Ensemble ‘Marie Luise Neunecker, Horn Conductor: Reinbert de Leeuw Orchestra 2 Flutes (2 doubling Piccolo) 1 Oboe 2 Bassett Hors (1* doubling Clarinet in 8, 2° doubling Clarin« 1 Bassoon 4/Natural Horns 1 Trumpet in C 1 Tenor Trombone Percussion (2 players): Timpani Suspended Cymbal Crotales (suspended) 4 Bongos Tambourine Snare Oram Bass Drum Tubular Bells Rin Glockenspel Xylophone Vibraphone ‘Marimbaphone 5) 2 Violins 1 Viola 1 Violoncello 1 Double Bass The score is written in C. Duration: 15 Minuten The lowering of the pitches is indicated approximately, since there is no measurement for 14, 31 or 49 cent. | just a bit lower (15%: 5® harmonic), + lower (30%: 7 harmonic), 4 quarter-tone lower (5096: 11" harmonic). ‘The four natural hors always produce non-tempered natural harmonics; therefore the right hand must not correct the pitches Exception: the last horn chord in movement VI (at MM) is to be played stopped and sounds a semitone higher. Hamburgisches Konzert 1 Praeludium Gyvegy Lig sibs = P48 E443 Adagio cspresivo 1m (ie pS we 1 Como ase *) 2 asi) ore ane) a ‘Coro mtr *) nab) Toms Peco Violoncello SSS Sac oe ee era amas ese ‘ieee lor ‘evo 2a Nar ea eee ere eee Eee gimme rte cag hd mart ree pes Ent te at rn hard ah mre BD tb Pe ee rds oy oa “Thvten ing Otsr ean i gst Tn) sno canoer) ise i Han aie ete cnn neo oe ec ced Fas) ‘crm fa cena ‘ob. Vii. 2 5 Vala er eee weet ie Vien ili? an sa ities an rr) edt fe as) ‘Tats Hae se [owt avo string. poco a poco ancore pi string. (wie verrickt “as if crazy”) Apc) crits, wo Ce mt tab ¥ ancora pi string. (wie verrickt c * “as if crazy”) ve "ya eOkr hero re ier tempo II Signale, Tanz, Choral ‘na ined come, (Re) ,o se ter ie cot a co i tna ey a) ca) Conn ra eo ent co crm ‘nab em oe pis we Ce at ar com ‘out we ve Vino Viol coma slo anal > Ill Aria, Aksak, Hoketus [11 ategro ma non troppo, with swing. «120 ‘4 Poel a 8 aero mason op ithe dn ty eg pt a Nc ich lle) ped fs et anna nel ead pe) tart suck ete a send ern dosh te ning pt) cea Cem er conn ro come aby eam the w 8 : Face Tone ie face ple. Feo 4EG2 pia mse: os vas gin com deans ay wih ving = aaa Be Secon ae “ions 4*B+2 pit mosso: poco vivac, eset com leganz, always with swing = 1 a er mse To eM” vette dir la: ot shh mtfe ntes™ ‘na se Ate De ar pnp ce ee Li ‘Mat nae. Te fr hr soa ope’ pots ta 10 crib, The u a een ea ne ove cane sips), A Cedi, Samale ‘ cont ab) crt we n 2 A ein Cn gab cet 0 em cca} t Tes IV Solo, Intermezzo, Mixtur, Kanon emo slo asi) irs) ame io (eas as) coro a ts) a [BP] vio teroce 10) Tir io te Seth ef 4 cedibass fe Fe Thee i pa [R] meno mosso «d= 120) quasi jazz, ,parlando* : ee ov 15 16 Es Tes sub, prestissimo (= 120) ty "Pasco Schmie 2 Ex} -ogzimy é fe fe fe it eofte afe fe fe fe fe “PP sleichmapig evenly ~ ~ fee te [Zl reer mnt . yom anton Airey a 7 eae oes he pie Pup. Pipe. @ on, pr nxt ‘nse "Pp teary Cr das re A Er Fe pera earn eat cig Zoey n See ge eee rallentando poco poco == eas, [v]sempre rallentando : - sempre rallentando Pa ose mit lm Klang arg, rig owning) ‘aie hard Prana oa = Eee “Fal de Posasneninme ab hess zum Ente des Sane ntberwinche Sirgen ert, Kine izle Ton (et de be) weaclasen wee, Tide women pa presen unstable diicaaer be sar ar at ee eee % “The ve “Trombone tere Vio vot, ‘Visors si) ‘crt ‘ats ve ‘nC wr Kanan wo Rad sien Fetter ash ae ie ym Ha sl Hae 2: ihe eS Har on Lr: ain gt th igs 7 Coit, (ras) crm tha Then Cae tg ape sig) Roienlocten So Tui Bet ea Sita accel, = = det came slo tras) Tes seems oer) ue wer (158) ees ‘ac afer Reo hehe VI Capriccio 3 (442) Ategromotovivace 2 g 2 8 CS?) hep 4a § B&G Pawo ' awopiceto ome oro tao 2 con te = comomnnie or Comommnnie om B (AR) Allegro motto vivace 2 a 8 FE: =120) 4 ‘ease mgs tices Vito i gach vo o ots Contin 30 g | g 68 3 é e ees en! fm 0 e — ” Gas] a ‘carn slo - Promote pif ey Emap cane eas) on Tien Viraton ee Mr mana $28 Per a 2 me oma slo asi x mt oo cm fe 0 ve + Ake qe no Buscar wer 2a hg) A dg ep oe ae Ho ap and fag 33 cesta, ‘nay ve camo soo as or ‘oan eo em bu i) Pers 36 corm stune oar | Como saute oy Vine Violoncello 5 Andante maestoso e misterioso prion VII Hymnus B Andante macstno emisterioso ice St Saale Sa ei) Frere ant co se a anos pioisescs, a ange 37 ‘oun cr te

You might also like