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Laurence Bitensky
Awake, You Sleepers!
For Trumpet & Piano Ca. 17’
Arrangement of Awake, You Sleepers! for trumpet and Wind Ensemble
Laurence Bitensky
Notes
I Tekiah
“ . . . as morning dawned, there was thunder and lightning and a dense cloud over the mountain; there
was a loud shofar blast, and all the people in the camp trembled.”
(Exodus 19:16)
II Shevarim
III Teruah
"Awake you sleepers! Awake from your sleep! You slumberers, awake from your slumber!”
(Maimonides, Hilkhot Teshuvah III. 4)
The ancient instrument known as the shofar, or ram's horn, has a special place in the Jewish tradition.
Legend recounts that its sound was heard at the giving of the Ten Commandments at Mt. Sinai, the
tumbling walls of Jericho, as a call for battle, and that its sound will be heard to herald a messianic era.
The instrument has survived through post-Biblical and contemporary times and features prominently in
the liturgy of Rosh Hashanah, the Jewish New Year. The blowing of the shofar in the Rosh Hashanah
service is a call for repentance, symbolically awakening the sleeper from a moral and spiritual slumber.
Each of the three movements of Awake, You Sleepers! is based on one of the three calls associated with
the blowing of the shofar. Tekiah is a long note rising in pitch; shevarim is three shorter notes; and
teruah is a long repeated staccato blast. Each movement is also preceded by well-known verses from
the Rosh Hashanah liturgy.
Much of the music for Awake, You Sleepers! is based on Rosh Hashanah motives and melodies that occur
in the German/East-European musical tradition.
Performance notes
Awake, You Sleepers! is based on the free and supple improvisation of traditional Jewish chant, and some
of its spirit of metrically-free improvisation should be maintained. The performers should strive for a
very fluid and flexible sense of tempo throughout, using much rubato.
The sections marked ad libitum should be played freely and unmetered by the soloist, particularly in the
third movement. The sections marked a battuta indicate a return to metered playing.
© sillyblackdogmusic/2002
Awake, You Sleepers!
Laurence Bitensky
I Tekiah
" . . . as morning dawned, there was thunder and lightning and a dense cloud over the mountain;
there was a loud Shofar blast, and all the people in the camp trembled."
q = 58
.
gliss
Trumpet in C
sffz
ff p
pp ff sffz
mf
Piano
3
sffz
S.P.
5
s.
glis
Tpt
sffz
ff p molto
mf p
Pno ff
ff
mf
3
3
p
10
Tpt
cresc. poco a poco
Pno 3 3
3 3
3
Ped. freely
fp © sillyblackdogmusic/2002
2
12
accel. poco a poco
Tpt
3 3
3
3 3 3 3
3 3
Pno
14
q = 116
Tpt
3 3 3 3
3
3 3
f 3
3 3
Pno
16
Tpt
3 3 3 3
3
3
3
Pno
18
q = 80
Tpt
3 3 3 3
Pno ff
3 3
3
3
3
20
B
Tpt
f
3
3
Pno 3
f
4
23 5
3 3
Tpt
freely 3
3
3 3 3
3 3
Pno
4
25 3 5 3
Tpt
freely
3 3 3 3
3
Pno
5
27
Tpt
3 3 3
Pno
4
29 3 3 3
3
Tpt
3 5
3
Pno
31
C ad libitum
3
Tpt
3 3
Tpt
Pno
sffz
E
3 3
34 5
Tpt
fast and freely
3
Pno
5
F
36 3
Tpt
Pno
G q = 69 a battuta
37
Tpt
3 6 3
6
3 3
Pno 9 10
6
39
Tpt
3 3 3 3 3
3 3
3
3 3
Pno 3
9 9
40
Tpt
Pno
H
42
3 3
Tpt
f
3
3 3
Pno
7
43
3
5
Tpt
3
3
3
Pno
3 6
44
6
Tpt
3 3 3
3
3
Pno
3
45
3
Tpt
3 3
sffz
3
sffz sffz
Pno
3 sffz sffz
8
3
46 3
Tpt
sffz
sffz
3
sffz
sffz
Pno
3
sffz sffz
I ad libitum
47
Tpt
3 33
3 3
3
3
Pno 3
33
3
3
3
3 3
49
3
Tpt
fast and freely 5
Pno
9
J
poco rit.
51
3 3 3
Tpt
fast and freely 5
Pno
K q = 58 Broad; sustained
3
3
53 3
3
Tpt
espr.
6
Pno a piacere
L
54 3 straight mute
3
Tpt
freely pp
p
Pno
10
55
Tpt
3 6 3 3
pp
Pno
M
56 remove mute
Tpt
3
p freely; quasi recitativo
poco
Pno
N
57
Tpt
3
3
Pno
O
58 a battuta q = 58 accel. poco a poco
Tpt
3 3 3 3
3
3
3 3
cresc. poco a poco sffz
Pno sffz 3
3 3 3 3
11
60
q = 80
Tpt
3
3
3 3
3
3
3
f 3
Pno
3
3
3
3
3
3
3
3
62
Tpt
Pno
ff
P
63 4
3 5
3
freely
Tpt
f
3 3 3 3 3 3
Pno
12
65 3 4
Tpt
3 3 5
freely
3
3
3
3
3
3
Pno
67
Tpt
3
3 3
5
Pno
69
Tpt
3 3 3
3 3
Pno
71 3 3 3 3
3 3
Tpt
Pno
13
73
Tpt
5
f 3 ff
3
3 14
Pno f
ff
75
Q q = 100 Pushing forward
Tpt
3 3 3 3 3 3 3
3
3
3
Pno f 3
3 3 3 3
77
3
3
Tpt
3 3
3 3 3 3
3
Pno
14 R
79
Tpt
3 3 3
3
ff mf
3 3 3 3 3 3 3 3
mf
3 3 3
Pno ff
3
3
3 3 3
81 3 3
3
3
Tpt
p cresc. molto
3 3
3
3
3
3 3 3 cresc. molto
Pno p
p
3 3 3 3
accel.
83 3 3
Tpt
3
3
Pno
3 3
15
S q = 138
q = 69
84
Tpt
sffz
sffz sffz
3 3 3 3
ff
3
Pno
3
3
T q = 58
86
Tpt
p
sub
p
sub
Pno
S.P. al fine
89
Tpt
3
poco 3
3
3
poco
Pno 3
3
poco
16
91
Tpt
Pno
poco
poco
rit.
93 3 3
5
Tpt
poco
3
3
poco
Pno
3
3
S.P.
II Shevarim
" The great Shofar is sounded, and a still small voice is heard."
Tpt
3
3 3 3
Pno p
Ped. freely
17
98
Tpt
3 3 3
poco
3 3
Pno
3
U freely; as if improvised
101 3
3 3
Tpt
p espr.
3
Pno
105 3
3 3 3
Tpt
poco
a piacere
poco
Pno
18
107 3
V
3 3
3
Tpt
3
3 3
Pno p
3
3
110 3
Tpt
p
3
3 3 3
3
3
Pno
3 3
3
3
3
112
Tpt
3
3 3
3
3 3
Pno
19
114
ad libitum
3
Tpt
Pno
W a battuta q = 69
115
3
Tpt
mf 3 3
3
Pno mf 3
6 6
117
Tpt
3 3
3 5
Pno
6 6
20
3
118
3
Tpt
3 3
3 3
f 3
3 3
3 3
Pno 5
f
X
120
Tpt
3
3
3
Pno 3
123 3 3
3
Tpt
3
3
Pno
5
21
3
125 3
3 3 take whisper mute
Tpt
3 3 3
mp
Pno 3
3
poco
Y q = 40 Very freely
127 whispa mute
3 3 3
Tpt
lontano pp
3 3 3
3
pp lontano
Pno
3
S.P. sempre
129
3 3 3 3
Tpt
3
3
Pno
3
3
22
131
Z
remove mute
Tpt
3 3
3
3
mp
Pno 3 3
3
mp
3
133 short
q = 69 senza sord. 3
mf
Tpt
3 3 3 short
3
3 3 3 l.v.
Pno 3
mf
3 3
135 short 3 3
3
Tpt
f
3
short
3 3 3 3
3
3
3 3
3
Pno f
3
3
S.P
23
AA
3
Tpt
3
Pno
3 3
l.v.
ad libitum
3 slowing down
140
Tpt
3 3 p
3
3
3
p
Pno
3
BB a battuta q = 56
3
142 3 3
3
Tpt
p
3
3
3 3
Pno
3
3
3 3
24 accel. poco a poco CC
145
3
Tpt
mf
3 3
3 3
3
3
Pno 3
mf
3 3
3
3
148 3
Tpt
cresc. poco a poco
3 3 3 3 3
3
3
cresc. poco a poco
3
3
Pno 3 3 3 3 3
3
3
3
150
3
Tpt
f
3
3
3
Pno f
3
25
DD
q = 69 3
3
153
Tpt
3
3
Pno
6 6
3
6 3
5
155
Tpt
6
Pno
6 6
157
3
Tpt
ff
3 3
26
EE
159
Tpt
3
Pno
3
3
3
161
Tpt
3 3
3 3
3
Pno
l.v.
163 3 3
Tpt
3 3
Pno 5
27
FF
164
3
3
Tpt
3
6 6
Pno
165 3
3 3
Tpt
Pno
166
6
Tpt
5
Pno 6
28
167
Tpt
3 3 3
168
Tpt
5 5
Pno
6 6
169 attacca
accel.
Tpt
3 3 3 3
3 3 3 3
Pno
29
III Teruah
" Awake, you sleepers, awake from your sleep! You slumberers, awake from your slumber!"
GG
170
6 3
q = 92
fast gliss.
Tpt
sffz
ff mf
ff
ff
ff
Pno
sffz
3 6
173
Tpt
sffz ff ff
mf
mf
Pno
sffz
HH
176 6
Tpt
f
6
6 6
Pno
f
30
177 6 6
Tpt
6
6
6
Pno
178
6
Tpt
6
6 6
Pno
179 6
6
Tpt
6
3
6
3
Pno
31
180 6 6
6
Tpt
3
3
f
Pno
3 3
181 6 6
Tpt
6
6
6
Pno
6
182
Tpt
6
ff
Pno
32 II q = 58 ad libitum; quasi recitativo
184
3
3
3
Tpt
very freely and improvisatory; declamando
Pno
185 q = 92 a battuta
Tpt
6
mp
Pno
JJ q = 58 ad libitum
3
186
3 3 3
3
Tpt
mf sim. p
Pno
33
187 q = 92 a battuta
Tpt
6
3
p
Pno
KK q = 58 ad libitum
188
3 3
Tpt
p espr.
Pno
LL q = 92 a battuta 6
189
Tpt
mf
6
6
6
Pno p
mf
34
6 6
190
Tpt
p f
mf
6
6
6
Pno f
p mf
191
Tpt
p mf
6
6
Pno
mf
p
6
6 6
192
Tpt
f
mf
6
3
6
mf f
Pno p subf
3
35
6 6
193
6
Tpt
3 3
ff
Pno
3 3
194 6 6
Tpt
6
6
6
Pno
195 6
Tpt
6
Pno
sffz
36 MM
ad libitum; quasi recitativo rit.
197
3
Tpt
f p
fast; freely
sffz
Pno
NN q = 58 3
198 3 3
Tpt
freely
Pno
OO 3
199
3 3
5
3
Tpt
mp
Pno
PP accel.
3 3 q = 92 37
200 5 5
3 3 3 3
Tpt
f
mp
cresc. poco a poco
Pno
QQ
q = 58 Freely
201 rit.
Tpt
Pno p
RR q = 58 ad libitum
204 3
3
Tpt
p
freely; con rubato
Pno
38
q = 92 a battuta
205
Tpt
3 3
p 3
Pno
Tpt
sim. cresc. poco a poco
Pno
TT
6 6
5 5
208
Tpt
ff
Pno
39
UU
209 q = 80 rit.
3 3
3
Tpt
mf
Pno
VV q = 58
210
5 5 accel. 3
Tpt
pp mp
depress bottom 2 octaves silently with arm and catch
Pno
with sostenuto pedal to create resonance in mm. 214-16.
(1+2 - - - - - - - - - - - - - - - - - - - - - - - -2+3)
WW Very Freely
long
211 remove 2nd valve
Tpt
fp sfffz
Pno sfffz
S.P sempre
40
XX
212
Tpt
3 3 3
p fff
sfffz
Pno
S.P sempre
replace
YY 2nd valve
213
quickly
ad lib.
Tpt
fp sfffz
Pno sfffz
S.P sempre S.P.
ZZ q = 92
214 a battuta 6
loco
Tpt
ff
6
6
6
ff
Pno
Ped. freely (ord.)
41
215 6 6
Tpt
6
6
6
Pno
216 6
AAA 6
Tpt
6
6
Pno
pressando 6
219
6
Tpt
Pno
42
221 6 6
6
Tpt
6 6
Pno
pressando BBB 6
224
6 6
Tpt
Pno
pressando
228
Tpt
Pno
A tempo q = 92
3 3 3 3 3
231 3 3 3
Tpt
gliss.
3 3 3
3 3
3 3 3
Pno 3
3 3 3 3 3 3
3
CCC 43
233
q = 69
Tpt
3
sffz
3 3 3 3 3
3 3
Pno
3
ff ff 3 3
sim. 3
3 3 3 3
sffz
235
3
Tpt
molto
3
p sffz
ff
sffz
3 3 3 3
3
3 3
Pno 3 3
3 3 3 3
3 3
sffz
237 3
Tpt
ff p molto p molto
sffz ff ff
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
44
239 5 6
3
Tpt
molto molto
p sffz ff p ff
3 3 3 3 3 3 3
3
3 3 3 3 3 3 3
3
DDD
3
241 accel. poco a poco
3
3 3
Tpt
p
molto
ff
sffz
3 3 3
3 3
3 3 3
Pno
3 3 3 3 3
3 3 3
243 3
3
3
Tpt
Pno
3 3 3 3
3 45
244 3 3 3
Tpt
sffz
sffz
3 3 3
3 3
3 3 3
Pno
3 3 3 3
3 3 3 3
EEE
q =92 6
246 6
Tpt
ff sffz ff
3
3 3 3 3 3 3 3
ff sempre
Pno
3 3
3
3 3 3 3
3
248
3
6
Tpt
sffz
3 3
3
3
3
Pno 3 3
3
46
3
249 3 3 3
gliss.
Tpt
3
3 3 3
FFF
3
250 3 3 3
Tpt
fff p molto
6
3 3 3
3
Tpt
sffz
sffz
Pno
sffz
47
Tpt
very fast and freely; quasi cadenza
Pno
HHH III
3 3 q = 92 a battuta
254 5
3
Tpt
p molto
6
mp ff
ff 6
Pno
256
sffz
Tpt
sffz
Pno
sffz
48
Tpt
sim.
mp
Pno
KKK
258 q = 92 a battuta; driving towards the end
6
Tpt
3
p
6 6
Pno
mp
3
260 6
6
Tpt
cresc. poco a poco
6 6
Pno cresc. poco a poco
49
261 6 6
Tpt
mf
6 6
Pno mf
262 6 6 6
6
Tpt
Pno
cresc. poco a poco
263 6 6 6 6
Tpt
f cresc. poco a poco
Pno cresc. poco a poco
3 6 6 6
50
264
Tpt
ff cresc. poco a poco
Pno ff cresc. poco a poco
265
6 6 6 6
Tpt
sfffz
sfffz
Pno