{Queer a| 13 Words and Music by FREDDIE MERCURY Bb Cm % AH (C Bass) . He time af - ter time. and my cur-tain calls, We e I've done my—__ sen - tence You brought me fame and for -tune and ev - ‘ry-thing that es iat (C Bass) _ ¥ but com-mit-ted no crime. And bad mis - goes with it, IT thank you ali, —.__. Butit's been no bed of ros - e The Champions - 3.1 Copyright © 1977 by Queen Music Ltd. All rights assigned for the U.S.A. and Canada to Beechwood Music Corp., 6255 Sunset Blvd., Hollywood, Calif. 90028 International Copyright Secured Made in U.S.A, All Rights Reservedecb agel Ang bn eran Gene ESE EEE Le SR 1 Ba my I ain't I've come i oe cham- pions. end, —__ face but race and till the are the cruise. ing —_ - man fight- n my—— hu We —___ sand__ chal-lenge be-fore the whole _ fu i plea - sure and on. keep on t I've made afew. no and on i share of on,and on we' nd A oO t¥ fie) a ee I've I con-sid-er it need to tAnd I through lose. friend. We Are The Champions - 3 - 2of the No time for ee Stein im ib pions. a Cisus cham cham —- pions are the pions — is Ww cham b ® he pions. t To Coda If cham are the e€ Ww D.S. al Coda I I've tak ~ en my We Are The Champions - 3 - 316 Moderate Repeat 4 times Clap Hands Words and Music by BRIAN MAY Hand clap smile throughout song 1. Bud-dyyou're a boy makea big noise play-in' in the 9, Bud-dy you're a young man, hard man shout-in'in the 3, Bud-dyyou'rean old man, poor man plead-in' with your street gon-na be a big man some day you got street gon-na take on the world some day you got eyes gon-namake yousome peace some day you got kick-in' your can— all o-verthe place sing-in! mud on yo' face you big dis-grace _ bioogd on yo' face you big dis-grace mud on your face you big dis-grace,some wav-in'your ban-ner ali o-verthe place sing-in'’ }we will we will rock you wewill we will rock you. pod-y bet-ter put you back in-to your place sing- in! We Will Rock You - 2-1 Copyright © 1977 All rights assigned for the U.S.A. and Canada to Beechwoo by Queen Music Ltd. d Music Corproation, 6255 Sunset Blvd., Holiy wood, Calif. 90028 This arrangement Copyright © 1978 by Beechwood Musie Corporation International Copyright Secured Made in U.S.A. All Rights Reserved iS LLL LLL LLE LLL LSA LSE LOLS ESTEE ERR Acide teases ea rteent ema eons sue EHIME BONS iS eek SE RISEN SSI OR LSWe will we We Will Rack You-2- 2 will rock you We will we will rock you. will we will 1731 Pa ab) | oD er -er -oth- |__| re just an You're just an -oth Words and Music by ROGER TAYLOR Ail Rights Reserved TT et You! Hollywood, Calif. 90028 p. + Beechwood Music Cor oo rights.,__ free | to ali y Queen Music Ltd. Made in U.S.A. ig — -? ho you, you, _ set things yp hey hey nada to Beechwood Music Corp., 6255 Sunset Bivd. Copyright © 1977 b Ca you you This arrangement Copyright © 1978 by in t think that think that Ou AH rights assigned for the U.S.A. and Intemational Copyright Secured Moderate Hard Rock oS You think you're gon- na You think that Fight From The Enside - 3- 1ARSE SRM MOPRESE ESTO DE Eee SEE BADD PE 02 2 f rear, the a aT er suck - - er tack from. oth at- re just an a — =a an - in- side, t a) a i COds:S | ________(grreprrrerrrenrrrrcenes eens You're just You Ee fight from the wail toal, 't win with your hands ta You can age ner You got a. teen - spin —- a ey on mon- pic - ture Fight From The Inside - 3 - 2woe ree ee ose ceammc rimntn cent naan taaH a McHRS Insti enacts PSI IS EA SORAER PARRA SORT anne in A side in - the i Rightdown the line,—_ 5 Fale a bh = Py line right down the Fight From The Inside - 3-3pment me nanesremceeeeese eee ee 46 Words and Music by BRIAN MAY a name, with-out a a - do with-out came much - SO she'd try to say, -~ ing is what ,_ through ev - noth sum ' bout - do ev - ‘ry fleet- ed a much dead, All ———— ious day, ry prec- mer rapes ee eyo epe Ail Rights Reserved 6255 Sunset Blvd., Holly wood, Calif. 90028 Beechwood Music Corp. "4 P Made in U.S.A. Copytight © 1977 by Queen Music Ltd. nada to Beechwood Music Cor Ca This arrangement Copyright © 1978 by Secured All rights assigned for the U.S.A. and International Copyright All Dead, Alf Dead - 4-1vw | 4 | J 3g ae &. bt dec "So OO 6 ™ Oo Sos — ro! oS aD 55 me et wo 8 Le a a o ao 3 2 - a & ror A < aa Se - 5 hi S83 oOo a CGD OU —= Oo a soa a tol 'o ig 2 a 3 3 325 3 8 — oOo oD L | | sod © sa 8 ara: = a o FS aot os? so 8 eos ¢ oe 5 a oS 5 ry Gq 2 gee E a 2 o a Sea wt E ! ® | Soaks e l Oo _ 7 ~ a4 * ‘a Se Dm oO ao oO eo oe 2 Tm oh a. Oe™ E ; se & ano oe cj = O ee oOo 6 Feo So aS wn £& 2 ] 2% Fi my 4 O sy m oS =i oy || Be SO og oO : b> ; GUT no OD oy & rea} ih) o o | s “4 8 o 13 aon a do Sa a nm So a a ma A oo So 8 I ao © te —— . a F é _ ome _ * : | g ado Vv _ = 83 5 ai Lt | < ee od 3 a =to Coda > “EE ot D.S (F Bass} | All Dead, All Dead - 4 - 3 :we eee eee ee ee a ED es bet pee Lee ce OR TS RATT EVD Wei he De eg te ae panevtee edhe at on Be eee ett e Saas snesmesnson menmeneetnenenee mcs On EE patna neces Beebe meee ithaueen er nace ete tte banat tna nee . Nig Mig Meh i All D.S. al Coda IT F 13 | rt dead, . on chiid a still but old gone, and dead All gone. and dead, psn All Dead, All Dead - 4-42 = poms o un) Words and Music by BRIAN MAY my oO ~ : Dy a Oo , i md 5 I 2 B am am re = cg < Eee A a <= ot a a Heed z Toh AS Loi ™ = ¢ mo a a Sa a w & TH = | A . L {A Bass) there's in the can - dle- light, say I love__ you I if And Copyright © 1977 by Queen Music Ltd. It’s Late - 6-1 ywood, Calif. 96028 Holl , 6255 Sunset Blvd., wood Music Corp. This arrangement Copyright © 1978 by Beechwood Music Corp. anada to Beech All rights assigned for the U.S.A. and C Ail Rights Reserved Made in U.S.A. International Copyright Secured__ 5 side__ that's me you Oh __ you make a “thing in- love through | {| LL 5 some ‘re 7 —— t there! oo Bu (A Bass) how I could “te me that we tell Oh 't don = : C__] es oe to blame but my - self__ a~ way. my mind one -ing no turn ater} he It's Late . & - 2o | S, o s A oY | ° - 2 | cd - « ‘ : — fal 5, g m JA os 00 2 mm n 8 > “al tn | 5 " | a gs o th A = gs on a j en I » 4 5 8 : 2, me : g : oO of) = 3 2 xg - a o ab S a oD ro > —! _— 1 4 2 o _ | ra} i c g a — + o ot . 5 7 c 2 EH 2 & a ee nm oO v od z 5 g cy “ ty E | © + ¢ O S ct | — 4 z = S “ | It’s Late - 6 - 3try'n to | | il fil ft i long, Ie Me long FZ ——7J 6 ad lib solo | fn you ain't got | " | | tt ll Hk | ml oo . J nh oe we've been so — so long, all a-~ bout. is [ain't got long, ve peen you life know ._what this ve been we've got-ta [' It’s Late . 6 . 4late, late toa Play 8 times ne | Menarini all it's it's Oh late it's much too late. late, late. _—s_—s it's Too late, it's lt’s Late - 6 - 5 54 ShHy» ge U ee | D At Oe a; 3! ryt FH a A FH (Play 8 times) fo 5 or PI p= == aaa Leo nn | oT I me “ pe | PS ,_ | a an ia H a | ae | SS ———— ——— nae Zz. The way you love me is the sweetest love around, But after all this time, the more I'm trying, The more I seem to let you down. Now you tell me you're leaving, and I just can't believe it's true, Oh you know that I can love you though you know I can't be true. Oh you make me love you, don't tell me that we're through, It's late and it's driving me so mad. It's late, but don't try to tell me that it's too late save our love you can't turn out the light, So late, I've been wrong but I'll learn to be right. It's late, it's late, it's late, but not too late. 3. You're starting at me with suspicion in your eye, You say what game you're playing, what's this that you're saying, I know that I can't reply, If I take you to-night is it making my life a lie, Oh you make me wonder, did I live my life alright. It's late, but it's time to set me free, It's late, oh yes I know but there's no way it has to he Too late, so let the fire take our bodies this night So late, so let the waters take our guilt in the tide, It’s Late - 6-6EEF ane seeespeaaipin: sir oto a nn hate eat DUE SAN SMP AN CoE A IVT DEE A RPI NER ~ | ll] ane = © afte 1h on 5 g et at] 25 e B — ZR to ae 2 “ = a Oo E aa 35 , 3 gs a | 2 § m © " oh, oO 5 : S es = = Pat ap TTR aE oo sd | a » te od - p 7 : 5 oe a m= Oo shah as S z a = 3 ah Bi | ch in 3 ab o a + i : : ; vo an i 9 a 5 Ty ; ] Ba ; ae z : Oc i = wll o = eR TE ay: we a mM 3 a “ a in a = | AS ha} {| rs <#||| - ; te le & oo ~~ | Vii 3u¢ * | y | Oo ify ae Ba 5 Ly = oe oS moo cin . 7 og an Bo a wi = fy . = 8 o @ as = SE wf on TO 5 au 5 a3 g025 I x 3 bo -) : S255 M E 7 o o ae nH a2 = wOS Po 45 | m ¢ a wo wt ~ o= so On A "op oO = wet oe ad SH @az d I | a g ww 45 1 S Geox —_ = gz i= S mos S 43 | Ga & o “ 5 S&S 5 | 0 O§ oo = n “ot = a * Sa *. uw 2 = an 7 = 1 < aD n i ft mH i € Bo 5 w oO > Ea Ps o 5 3 G a eo Fy a e ~ be 5 a = Be &¢ ~ a = A 8 § Bo 5 2 &p * “fA an wo eo. 2 Go | 2 e es 8 Ss 2 —_ an Z mn o vs | = ER @ o oh og S adi 9 = = 3 i? oy mz 2a 3g 3 E hy aT Who Needs You - 6 - 1 8485 TT Td prise __ pride. sur - fa a aS no to swal-low my Who mi7-5 Soe comes __ had _ san Hf This I de you took me - gulse - ci dis de to ne through your Oo od ny a 3 ~ wa c » i z 9 5 i 3/ a a oJ oY a f | on f | ) 7 He |p to you,_ But my knees down, S G a = a = lieved in you. But you turned __ me you, trust~ ed Who Needs You - 6 - 3 f Vs qf jf. #4reach- ing face flat on your ~ ing leaves you bleed - ing ly at race, and it r this ili Yl : —_ | 9 hand ing Where is that help- hand, for a heip- ing oe 3 ae) -ing reach Who Needs You - 6 - 4Who Needs You - 6-5 a ) - bo a 7 : -_ 4) | . Me E > 5 HB) 5 3 Py ALL? |) 2 . ot i P g | ro 3 | 3 ‘ 3 LB . ; I i) o i J jig é a ‘Heh 3 i = TF : 3 So | i ) | | 8 5 oa my 4 wo & Q 5 O D 3 } my bo [ S = 3 Py a ane o} n oI 3 5 4 o , | | E S GS on 3 ~ q t — on o = a * 5 2 a Se & B . 2 hil pat 1 EP > "| f= Hr a a J 5 y 3 td S = 2 o Prt o oS . g 2 m, 7 i : if HE a LL A ee — ‘ af rT a + I & | _ S a : , | 2 Ly a ry : S | md 2 Ss wile 5 . 2 ef 6S 2 | g 2 “ab , od o 3 ; & o 2 ; ° Al » 5 2 1 ' Oo i Bo o g th > an. oO 4 — » oO | = . . ; YD E s ; 3 ° * ry wn e Tie” g . 3 z — oa ! ~ ill @ 8 > m fT | oO abe £ rx] ot = B s RN g a) oh 2 1 i Co on™ La ae eP = wr STA e TS i ml Gey on - e | a aj : g > S o Ad g {* 4s 2 on a ws | O a oO 43 a4 2 5 all % fs a o yi LE = > S ot LE ; He! 5 3 g Z a4 _ : 2 o Oo SO o ie a o ° < 3 - 2 g 2g 5 g 8 Ao ra Samet > i g vr a u a n ~ het S & o o “— ._o— 3 z z 8 gg e ” £2 O68 a Pa ay US _ go oD Hd ~ OD C5 Dy o op i = — < 28 en ay > g a © a = s cr cc a o = 5 HerH § 1S s B my _ ° o sucsul Pp os wo *tle o a BJ o an @ o) a * = ov a oO a td 2 2 od . i o o = wo e A Oo “4 ct b s os o = & O & a ~ 3 2 aly Ss = a 5 ° = = a : ~ 3 ~ . 5 © 4 v 3 oO > a ‘ =] > ry © g 5 2 2 — — a! o o & @ = 3 > 2 a a m & : 2 : F g Ly : g - . 2 z 5 a a ~ Y g ~ Aid 5 i O E & bgPees aah a ta aaa Ganarieieer sited. = Aa Se Ute. ET eee en Late aa ascratai Tee ERB tear en ie ae a = re 3 OO Go ; x | e = | ) oe : | 8 5 ci : 2 E & : Q = . : é 3 : . & ; 5 oo m a ct E Oo fF I rE | ° 5 . 5 = 3 a & wt ® MH < *° wm nt} oO % ia g ~ f S = g a = & 2 s g ° E : Hill) g : > = pp v 2 S - > § S > = s . = 5 LE £ oS ood 5 im ° = oD ® —_ : Aas - o . “ : a 3 t ee i é 3 - oO -— o By 3 : || | z < ‘& & : 4 mass a a } : ea ; I e : — tL : Sb a 2 ; my 5 ; 7 a E E : _ 5 - FB = ql ot 5 2 oO " a124 Words and Music by FREDDIE MERCURY and {i'm left cold so - ber... My ba-by left me for some-bo- dy new. .T ot I don't want to My Melancholy Blues - 4 - 1 Copyright © 1977 by Queen Music Ltd. All rights assigned for the U.S.A. and Canada to Beechwood Music Corp., 6255 Sunset Bivd., Hollywood, Calif. 90028 This arrangement Copyright © 1978 by Beechwood Music Corp. International Copyright Secured Made in U.S.A. All Rights Reserved125 y Slowl et ec tne o I spe ca- ted with that tox - ji- in- be is that says my heart in that sink- ing feel get Ssun- ny smile—— when that And My Melancholy Blues - 4 - 2an mI — 3 (G Bass) er cast. and ov - guess is I'm my ‘cos I'm me and stop Don't try head- ing for that storm-y weathsgr soon. S | \ |S OG OC new new with this with this tion | sen- $a — ——— caus - ing a mild I'm ti I (I Oo — now move So + y mood 'or-di- nar- this ex-tr just to I'm glued news, ma-nent - ly I'm per- used to ting get ® s My Melancholy Blues - 4 - 3127 va E A 7 " a 5 re er ra a a Git, : . | A : — R a a i Fj r . 2 a : , : - D.S. and fade en- clo- sure, Eb a my F dim oe i Fa Ll ae LS 2) 4 = Pcl aa cs pa, Fri? Bo. NY Lg | My Melancholy Bhics - 4-4Words and Music by JOHN DEACON life All Rights Reserved . oo a S oS on ci | Cw ‘ a ao S oo 2 3S = © Bo mH rs z BY as} a3 a vo = = os wa? cal 3 = 2o 8 = Po Ci 8 = 8 pul Spf , o = Bae et CY Ba so | \ ei 3 cS DP mg) Zo mo es 4 mot & oi 75's Oge . a — ‘a PS pe my 2 i. as & 3s ge SE 33 a mon ae Sa ae co 4 he he watch-ing the show __ o - ver and o- ver a- no luck at all. noth -ing came eas - y to 4 oT ONPNNrnNt":--7---"-700wWwwT0On OOO ee PH a ee oo o oa - S 3 7 ial Cy | | = ) oo vo 2 "oh as oS rs ta oft So. © + +5 w _ s 8 ae 2 0 i = a we nm w a “3 a a 2 8 = = & Ee ae 7“ § Le +m < 2 [ed cs es t E a > “, LUNE * x = nat 5 o tut 7 ot a oe oA 1367 1 to you ~ gin be al~ways dream-ing,__ you'd het- ter "Boy, him,"Now lis-ten Boy! You're 3 ne him to said boss His ve boss said to His do you who my, Sam = of your head won't get ver -y far,__ out cfa-Zy no-tions right real am get those got you - bi - tion, no i | | ald — ald the Em-er — Em Up -ing You should have been sweep hap - py Why can't you be are? think that you ~er the at are? __ know who you fly | >> og es t a Spread Your Wings - 4 - 2Potts PEM PORME eS ETSI TET TEENY —— soon, __ eT ne that's Fo Bm Bm fy Blo T_T... Pe ef eve-nings a- lione__ in his way, — —— — He'd be leay- ing 4 5 ne io a Pe He spends his aso fly Pe him- self, way, a= fly 'sos you know you should do bet-ter Wi keep-ing his thoughts_to to- geth- er, lit - tle wings and room, et | “a man. Puli your-self A BD y,+.)h6hlg neal — free Spread your ho- tel Spread Your Wings - 4 - 3 ie ¥ fi NE 138.far, , LS Noth~ing in this world, noth-ing would a Way, [PT — : fe Come on hon- ey! and miles _. Stay wish-ing he was miles make him Spread Your Wings - 4-4I > o 5 o eS 2 gy @ + é 4 S : = 5 H . oD 5 : = a ay ; 3 4 ae 3 a 3 . 7 _ - 5 a : . a go ith z zg ¢ e v ae oe 3 enol aan} oS = 2 © B = oO SD = Re e a I & oe : 23 ~ 5 = - a ‘3 a os 5 : 3 2 = 5 tI = 9 g . E a 8D & = eo Z Z% : ® o Fa = ee | | © a 2 te I 3 2 = 3 2 Ze | & a2 Ad UY os o o Bn § — o* ml Tm 7 5 : ° Oo ty a ro. i —e ' Sh oS = EA . i pa Oo 2 =) 3 ea © oC | Pa ~ 3 _t “ = 5 o 64 . mn 3 aw = ow o Oo > Bb = a) N ee mo pe Oy in Dm ee i] ia sS mi toa wa > rr — Par ay | 2 3 o @€~«! = OS cd i | . z 5 a uy ° 3 4 cg = o o. 2 o a Sheer Heart Attack - 6 - 1 158down in your eyes, “no-no - thin’. it drip right 't feel no let don V you touch the T, on that way Turn that made Sheer Heart Attack - 6 - 2r just lt? fee I how know, do you know - tack. just Sheer you know do you heart at you know, do Do you’ know, do # feel? Do you know how I Sheer Heart Attack - 6 - 3 2 Oo rimi 16 Ab in- ar | Bb ar in- ac. in- ar o> di - in - ar | fal cd oO é - tack, — at Sheer Heart Attack - 6-4do you Fee = sy |__| > yd A feel? do you know i oi — how I —_— Lill || know, late, you know just you do tie -u do know, you Do you know do y~.. In - ar ar De you know, in - Sheer Heart Attack. 6-5163 Sheer Heart Attack. 6.6+ o T= = — a 2H 4 = = ae a < ae 5 a a 7 ‘5 io nn) x co oy w TS S Was I ly toy.— trum- pet was myon - My ‘but a cit - y boy.__ noth -in : i er | cL but there 3 | a - 5 re ml Qo oS H Sg 2 es 2 - Ff . Y a a = 3 5 = — = o = 5 a c oS aes — o a BO a _ az o 5 ae 2 su 2 me a Zw g wh mia ez Oy 20 8B Gre. | OO <7! ct = 5 3 ci aa 2) - mo * o> — © @ 2 2 aan snails Oa an ieee me = H 20S g mot a =o . a an oS q Ose —_ i 2S So 2 Eas ; ae — as & "Oo 2e oa Sd 0 o v & wo Zs es B 2 = YQ — ia pt All rights assigned for the U.S.A. International Copyright Secured Sleeping On The Sidewalk - 4-4165 the side - walk, on sleep - in! I've been know, to y wants bod - ain't no- in' down the road, roll - ery, but [ hun — may get ah -ion~ me that I ain't so fash Now they tell (Now I'll tell you what happened) They took me to a room with-out a spoken) "round the SO Sleeping On The Sidewalk - 4.2Tt here ion bucks a to in —- “Blow your trum- pet They said And ta- ble, 3 year mil - 1 a man the owe I ble, ac And ble a la Was as I the as weil round em where to a- played s just it! — fan- cy be stick t d tal 5S. al Coda D 4th ending I'm back to Il was a soon we had the re-cord of the year i. in A nl l ok "5 from here, me andthe road sleep- in' on the side-walk, I'm — I'm back on the game,__ 1 rh i in'_. ands lay - play ~ Sleeping On The Sidewalk. 4.3gait pa Oe Eee et a pg ee ee SH cyt pp Se roli -in' down the road. sure get hun - gry and I sure do wan-nago home,__ Sleeping On The Sidewalk - 4.4 Extra Lyrics: 50 'round the corner comes a limousine, And the biggest grin I've ever seen. "Here, Sonny, won't you sign right along the dotted line : What you sayin', are you playin’, sure you do mean me?" I was sleepin’ on the sidewalk, Rollin! down the road, IT may get hungry but I sure don't wanna go home, I was a legend all through the land, I was blowin' to a million fans. Nothin' was a missin', all the people want to listen, you'd have thought I was a happy man, And I was sleepin’ like a princess, never touch the road, I don't get hungry and I sure don't wanna go home. instrumental Instrumental To Coda