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Doctoral Dissertations in Music and Music Education
Author(s): Roderick Dean Gordon

Source: Journal of Research in Music Education , Summer, 1974, Vol. 22, No. 2
(Summer, 1974), pp. 67-111
Published by: Sage Publications, Inc. on behalf of MENC: The National Association for
Music Education
Stable URL: https://www.jstor.org/stable/3345310
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Gordon/67
DOCTORAL
DISSERTATIONS
IN MUSIC AND
MUSIC EDUCATION
Roderick Dean Gordon
This listing of Doctoral Dissertations in Music and Music Education

is the first supplement to the monograph that appeared as the
spring 1972 issue of the JRME. The foreword to the 1972 monograph
provides information on earlier MENC bibliographies.
It is recognized that not all the titles of dissertations offered for
degrees were available at press time. Those omitted will be carried
in future listings, as many earlier studies not previously reported
are carried in this compilation.
Where complete information is available, it is given in the fol-
lowing order: author's name; title of dissertation; number of pages;
degree earned; date degree was awarded; Library of Congress
number; abstract publication volume, number, and page.
Dissertation Abstracts includes the majority of completed dis-
sertations. Some institutions do not send all of their dissertations
to University Microfilms, which makes the listings incomplete.
American Doctoral Dissertations, also published by University Micro-
films, is a complete listing by field, author, title, and institution
of all doctoral dissertations completed in American and Canadian
universities. For information about dissertations not included in
Dissertation Abstracts, write to the institution conferring the degree.

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Symbols and Abbreviations
DA XXXII, 10, 5820-A Dissertation Abstracts (Published by University Microfilms,

Inc., Ann Arbor, Michigan 48106), Volume XXXII,
Number 10, page 5820-A.
LC 72-12,825 Library of Congress call number for microfilm and Xerox

of the dissertation.
Ph.D. Doctor of Philosophy

Ed.D. Doctor of Education
D.Mus.A. or
Mus.A.D. or Doctor of Musical Arts
A.Mus.D.
D.M.E. or
D.Mus.Ed. or Doctor of Music Education
Mus.Ed.D.
D.Mus. orD. Doctor of Music
D.C.M. Doctor of Church Music
D.S.M. Doctor of Sacred Music
JRME Journal of Research in Music Education
Abeles, Harold Fred. AN APPLICATION OF THE FACET-FACTORIAL APPROACH TO SCALE

CONSTRUCTION IN THE DEVELOPMENT OF A RATING SCALE FOR CLARINET MUSIC
PERFORMANCE. 115 pp. (Ph.D., Music, University of Maryland, 1971); LC 72-
12,825; DA XXXII, 10, 5820-A.
Abril, Mario S. MISED METER: THE CHANGING BEAT. 42 pp. (Ph.D., Music, The
Florida State University, 1971); LC 72-13,482; DA XXXII, 11, 6470-A.
Achter, Morton Jay. FELICIEN DAVID, AMBROISE THOMAS, AND FRENCH OPERA
LYRIQUE, 1850-1870. 346 pp. (Ph.D., Music, The University of Michigan, 1972);
LC 72-28,346; DA XXXIII, 5, 2406-A.
Adams, Harrison Leslie. PROBLEMS OF COMPOSING CHORAL MUSIC FOR HIGH SCHOOL
USE. 269 pp. (Ph.D., Music, The Ohio State University, 1973); LC 73-18,857;
DA XXXIV, 2, 803-804-A.
Adams, Nelson Falls. THE MUSICAL SOURCES FOR JOHN WESLEY'S TUNEBOOKS; THE
GENEALOGY OF 148 TUNES. 617 pp. (S.M.D., Music, Union Theological Seminary
in the City of New York, 1973); LC 73-20,041; DA XXXIV, 3, 1310-A.
Adkins, Aldrich Wendell. THE DEVELOPMENT OF THE BLACK ART SONG. 161 pp.
(D.M.A., Music, The University of Texas at Austin, 1971); LC 72-15,697; DA
XXXII, 11, 6471-A.

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Akins, John Royal. A SYMPHONY OF PRAISE. (Original Composition). 90 pp. (D.M.A.,

Music, The University of Texas at Austin, 1971); LC 72-15,697; DA XXXII,
11, 6471-A.
Allen, Steven W. A NEW INSTRUCTIONAL METHOD FOR CLARINET WITH METHODO-
LOGICAL AND IMPLEMENTORY PROCEDURES FOR TEACHERS. 204 pp. (Ed.D., Music,
Utah State University, 1972); LC 73-992; DA XXXIII, 12, 6946-A.
Alper, Clifford Daniel. THE INFLUENCE OF FROEBEL'S MOTHER-PLAY AND NURSERY
SONGS ON KINDERGARTEN SONG BOOKS, 1887-1918. 243 pp. (Ph.D., Music, Uni-
versity of Maryland, 1972); LC 72-18,880; DA XXXIII, 1, 344-A.
Alston, Charlotte LeNora. RECAPITULATION PROCEDURES IN THE MATURE SYMPHONIES
OF HAYDN AND MOZART. 252 pp. (Ph.D., Music, The University of Iowa, 1972);
LC 73-590; DA XXXIII, 7, 3690-A.
Anderson, Judith Ann. THE VIENNESE OPERAS OF STEPHEN STORACE. 282 pp. (Ph.D.,
Music, The Catholic University of America, 1972); LC 72-18,351; DA XXXII,
12, 7026-A.
Anderson, Lawrence Edmund. THE EFFECTS OF DIVERGENT MUSICAL LITERATURE USED
IN HIGH SCHOOL PERFORMANCE ORGANIZATIONS IN DEVELOPING AESTHETIC SEN-
SITIVITY TO MUSIC. 132 pp. (Ph.D., Music, University of California-Berkeley,
1972); LC 72-32,953; DA XXXIII, 7, 3691-A.
Anderson, Verlyn Dean. THE HISTORY AND ACCULTURATION OF THE ENGLISH LAN-
GUAGE HYMNALS OF THE NORWEGIAN-AMERICAN LUTHERAN CHURCHES, 1879-1958.
380 pp. (Ph.D., Music, University of Minnesota, 1972); LC 73-993; DA XXXIII,
8, 4449-A.
Ansbacher, Barbara Kimball. THE MASSES OF PAOLO ISNARDI, FERRARESE, c.1536-
1596. (Volumes I and II). 383 pp. (Ph.D., Music, University of Cincinnati, 1972);
LC 73-4092; DA XXXIII, 8, 4449-4450-A.
Arias, Enrique Alberto. THE MASSES OF SEBASTIAN DE VIVANCO (circa 1550-1622):
A STUDY OF POLYPHONIC SETTINGS OF THE ORDINARY IN LATE RENAISSANCE
SPAIN. (Volumes I and II). 541 pp. (Ph.D., Music, Northwestern University,
1971); LC 71-30,731; DA XXXII, 6, 3345-A.
Arlin, May Irene. ESQUISSE DE L'HISTORIE DE L'HARMONIE, CONSIDEREE COMME ART
ET COMME SCIENCE SYSTEMATIQUE OF FRANCOIS-JOSEPH FETIS: AN ANNOTATED
TRANSLATION. 249 pp. (Ph.D., Music, Indiana University, 1972); LC 72-30,396;
DA XXXIII, 6, 2966-A.
Ascher, Kenneth Lee. MOSAICS: A PIECE FOR GUITAR, STRING QUARTET, AND WOOD-
WIND QUARTET WITH ACCOMPANYING AESTHETIC COMMENTARY AND DESCRIPTION.
(Original Composition). (Volumes 1 and 2). 143 pp. (D.M.A., Music, Columbia
University, 1971); LC 72-15,562; DA XXXII, 11, 6472-A.
Asselin, Maxine Marie. GRAPHIC REPRESENTATION OF MUSICAL CONCEPTS: A COM-
PUTER-ASSISTED INSTRUCTIONAL SYSTEM. 99 pp. (Ph.D., Music, The University of
Connecticut, 1972); LC 72-32,200; DA XXXIII, 6, 2966-A.
Atabug, Alejandra. RATIONALE AND DESIGN FOR AN INTER-DISCIPLINARY MUSIC AND
VISUAL ARTS COURSE IN PHILIPPINE LIBERAL ARTS COLLEGES. 200 pp. (Ph.D.,
Music, The University of Michigan, 1971); LC 72-14,793; DA XXXII, 11, 6472-A.
Atlas, Allan Warren. ROME, BIBLIOTECA APOSTOLICA VATICANA, CAPPELLA GIULIA
XIII.27, AND THE DISSEMINATION OF THE FRANCO-NETHERLANDISH CHANSON IN
ITALY, c.1460-c.1530. (Volumes I and II). 675 pp. (Ph.D., Music, New York
Ator, James Donald. PIECE FOR ORCHESTRA AND PREPARED TAPE. (Original Com-
position). (Electronic tape available for consultation at North Texas State Uni-
versity Library). 61 pp. (D.M.A., Music, North Texas State University, 1971);
LC 72-4058; DA XXXII, 7, 4041-A.

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Bach, Jan Morris. AN ANALYSIS OF BRITTEN'S "A MIDSUMMER NIGHT'S DREAM."

(with Original Composition by author) SPECTRA. 424 pp. (D.Mus.A., Music,
University of Illinois at Urbana-Champaign, 1971); LC 72-6859; DA XXXII, 8,
4647-A.
Bancroft, B. Richard. THE HISTORICAL DEVELOPMENT OF THE MUSIc DEPARTMENT OF
THE STATE UNIVERSITY COLLEGE AT FREDONIA, NEW YORK. 373 pp. (Ed.D.,
Music, New York University, 1972); LC 72-26,628; DA XXXIII, 4, 1760-A.
Barkin, Elaine Radof. PITCH-TIME STRUCTURE IN ARNOLD SCHOENBERG'S OPus 23,
No. 1: A CONTRIBUTION TOWARD A THEORY OF NONTONAL MUSIC. STRING
QUARTET (1969) IN Two MOVEMENTS. (Original Composition). 130 pp. (Ph.D.,
Music, Brandeis University, 1971); LC 71-30,114; DA XXXII, 7, 4041-A.
Barksdale, Glen Edward. THE CHORUS IN FRENCH BAROQUE OPERA. 394 pp. (Ph.D.,
Music, University of Utah, 1973); LC 73-24,482; DA XXXIV, 4, 1948-1949-A.
Barndt-Webb, Miriam Wagoner. ANDREAS HOFER: HIS LIFE AND MUSIC (1629-1684).
443 pp. (Ph.D., Music, University of Illinois at Urbana-Champaign, 1972); LC
73-17,107; DA XXXIV, 2, 804-A.
Barnes, Stephen Hayden. THE HIGH SCHOOL INSTRUMENTAL MUSIC TEACHER ROLE:
AN EXPLORATION OF INTERPOSITION CONSENSUS. 205 pp. (Ph.D., Music, The Ohio
State University, 1972); LC 72-26,972; DA XXXIII, 4, 1760-A.
Barnum, Marion Phyllis. A COMPREHENSIVE PERFORMANCE PROJECT IN PIANO LITERA-
TURE AND AN ESSAY ON J. N. HUMMEL AND HIS TREATISE ON PIANO PLAYING.
167 pp. (D.M.A., Music, The University of Iowa, 1971); LC 72-8345; DA XXXII,
9, 5261-A.
Barr, Howard Franklyn. AN HISTORICAL AND CRITICAL DESCRIPTION OF TWO PIANO
RECITALS: A PROGRAM OF SONATAS AND A PROGRAM OF FANTASIAS. 123 pp.
(D.M.A., Music, University of Missouri-Kansas City, 1971); LC 72-196; DA
XXXII, 6, 3345-A.
Barron, David Milton. THE EARLY VOCAL WORKS OF ANTHONY PHILIP HEINRICH.
465 pp. (Ph.D., Music, University of Illinois at Urbana-Champaign, 1972); LC
72-19,793; DA XXXIII, 1, 344-A.
Barrow, Edward Albert. FOUR PSALMS FOR CHORUS, ORCHESTRA, SOPRANO AND
BARITONE. (Original Composition). 116 pp. (Ph.D., Music, West Virginia Uni-
versity, 1971); LC 72-14,062; DA XXXII, 11, 6472-A.
Bartner, Arthur Charles. THE CHARLES STEWART MOTT FOUNDATION: ITS CONTRI-
BUTIONS TO THE MUSICAL ENVIRONMENT OF FLINT, MICHIGAN (1935-1970). 275
pp. (Ed.D., Music, The University of Michigan, 1971); LC 72-14,773; DA XXXII,
11, 6473-A.
Bass, Claude Leroy. PHRASE STRUCTURE AND CADENCE TREATMENT IN THE MUSIC OF
STRAVINSKY. 188 pp. (Ph.D., Music, North Texas State University, 1972); LC
73-2888; DA XXXIII, 8, 4450-A.
Bastarache, Donald Joseph. THE EFFECT OF THEME ASSOCIATION AND VISUAL STIMU-
LUS UPON AURAL RETENTION AND PREFERENCE IN A MUSIC LISTENING EXPERIENCE.
103 pp. (Ed.D., Music, University of Massachusetts, 1972); LC 72-19,485; DA
XXXIII, 1, 344-A.
Bates, David Snow. FANTASY IN Two PARTS FOR PIANO AND ORCHESTRA. (Original
Composition). 72 pp. (A.Mus.D., Music, The University of Michigan, 1972); LC
73-11,024; DA XXXIII, 11, 6386-6387-A.
Bauman, Jon Ward. VOLUME I: "THE CANTATA NUMBER TWO" OF ANTON WEBERN.
VOLUME II: DISSERTATION. (Original Composition). 214 pp. (D.Mus.A., Music,

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University of Illinois at Urbana-Champaign, 1972); LC 73-17,111; DA XXXIV,

2, 804-A.
Bawel, Frederick Henry. A STUDY OF DEVELOPMENTAL TECHNIQUES IN SELECTED
HAYDN SYMPHONIES. 258 pp. (Ph.D., Music, The Ohio State University, 1972);
LC 73-1934; DA XXXIII 8, 4450-4451-A.
Beall, John Oliver. CONCERTO FOR PIANO AND WIND ORCHESTRA. (Original Com-
position). 92 pp. (Ph.D., Music, The University of Rochester, Eastman School of
Music, 1973); LC 73-22,835; DA XXXIV, 4, 1949-A.
Bean, Shirley Ann. "THE MISSOURI HARMONY," 1820-1858: THE REFINEMENT OF A
SOUTHERN TUNEBOOK. 321 pp. (D.M.A., Music, University of Missouri-Kansas
City, 1973); LC 73-25,933; DA XXXIV, 5, 2673-2674-A.
Beaver, Maxie E. AN INVESTIGATION OF PERSONALITY AND VALUE CHARACTERISTICS
OF SUCCESSFUL HIGH SCHOOL BAND DIRECTORS IN NORTH CAROLINA. 119 pp.
(Ed.D., Music, University of North Carolina at Greensboro, 1973); LC 73-26,392;
DA XXXIV, 5, 2674-A.
Becker, Judith Margaret Omans. TRADITIONAL MUSIC IN MODERN JAVA. 283 pp.
(Ph.D., Music, The University of Michigan, 1972); LC 73-6787; DA XXXIII, 9,
5219-5229-A.
Beerman, Burton. FERN HILL. 62 pp. (D.M.A., Music, The University of Michigan,
1971); LC 72-10,516; DA XXXII, 9, 5261-A.
Bell, Digby Bernard. THE "VARIATIONS FOR PIANO," Op. 27 OF ANTON WEBERN AND
THE "QUADERNO MUSICALE DI ANNALIBERA" OF LUIGI DALLAPICCOLA, A LECTURE
RECITAL, TOGETHER WITH FOUR RECITALS OF SELECTED WORKS OF J. S. BACH,
W. A. MOZART, F. SCHUBERT, R. SCHUMANN, J. BRAHMS, F. CHOPIN, A. SCHOEN-
BERG, AND M. RAVEL. 60 pp. (D.M.A., Music, North Texas State University,
1973); LC 73-22,835; DA XXXIV, 4, 1949-A.
Bellamy, Sister Laurette. THE "SONIDO TRECE" THEORETICAL WORKS OF JULIAN
CARRILLO: A TRANSLATION WITH COMMENTARY. 583 pp. (Ph.D., Music, Indiana
University, 1973); LC 73-19,731; DA XXXIV, 3, 1310-1311-A.
Bellingham, Bruce Allan. THE BICINIUM IN THE LUTHERAN LATIN SCHOOLS DURING
THE REFORMATION PERIOD. (Ph.D., Music, University of Toronto, 1971); DA
XXXIII, 1, 345-A.
Benary, Barbara Lynn. WITHIN THE KARNATIC TRADITION. 313 pp. (Ph.D., Music,
Wesleyan University, 1973); LC 73-27,621; DA XXXIV, 5, 2674-A.
Benedum, Richard Paul. ORNAMENTATION IN THE SECULAR KEYBOARD MUSIC OF THE
FAENZA CODEX. 326 pp. (D.M.A., Music, University of Oregon, 1972); LC 73-
7863; DA XXXII, 9, 5220-A.
Bengtson, Franklin Dale. ICH HOFFE DARAUFF DASS DU SO GNADIG BIST: A CANTATA
BY JOHANN THEODORE ROMHILDT (1684-1756). 125 pp. (D.M.A., Music, Univer-
sity of Missouri, 1972); LC 72-29,456; DA XXXIII, 5, 2406-A.
Bennett, Michael Donald. THE EFFECTS OF PERSUASIVE COMMUNICATION, PERSUASIVE
COMMUNICATION WITH GROUP DISCUSSION, AND PERSUASIVE COMMUNICATION WITH
ROLE-PLAYING ON CHANGING THE ATTITUDE OF FRESHMAN AND SOPHOMORE MUSIC
MAJORS TOWARD TWELVE-TONE Music. 349 pp. (Ed.D., Music, University of
Illinois at Urbana-Champaign, 1971); LC 72-12,089; DA XXXII, 10, 5821-A.
Bissell, Arthur Dart. THE ROLE OF EXPECTATION IN MUSIC. 270 pp. (Ph.D., Music,
Yale University, 1920); LC 72-10,844; DA XXXII, 10, 5821-A.
Bjurstrom, Neil Albert. AN EXPLORATORY INVESTIGATION OF ORTHODONTIC TREAT-
MENT AS A FACTOR IN THE SELECTION AND PERFORMANCE OF BRASS MUSICAL IN-
STRUMENTS. 276 pp. (Ph.D., Music, The University of Iowa, 1972); LC 72-17,540;
DA XXXII, 12, 7026-A.

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Blackburn, David Stuart. A COMPREHENSIVE PERFORMANCE PROJECT IN SOLO VOCAL

LITERATURE WITH AN ESSAY ON THE LIFE WORKS AND SONGS OF RICHARD STORRS
WILLIS. 188 pp. (D.M.A., Music, The University of Iowa, 1971); LC 71-30,399;
DA XXXII, 6, 3346-A.
Blackwell, Melbourne Dale. SUITE FOR BAND IN FIVE MOVEMENTS: AN ORIGINAL
COMPOSITION FOR JUNIOR HIGH SCHOOL OR INTERMEDIATE SCHOOL BANDS, FEA-
TURING SOLO AND ENSEMBLE PERFORMANCE. 133 pp. (Ph.D., Music, The Florida
Blocker, Robert Lewis. BRAHMS AND THE CHARACTER PIECE: EMOTION GUIDED BY
INTELLECT, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED
COMPOSITIONS BY BEETHOVEN, BRAHMS, CHOPIN, DEBUSSY, MOZART, PROKOFIEFF,
AND RAVEL. 31 pp. (D.M.A., Music, North Texas State University, 1972); LC
73-12,907; DA XXXIII, 11, 6387-A.
Bloesch, Richard John. THE EIGHTEENTH-CENTURY ITALIAN MAGNIFICAT: A SURVEY
OF REPRESENTATIVE SETTINGS (CA. I 700-CA. 1750) WITH AN ANALYSIS AND EDITION
OF SIX WORKS. 508 pp. (D.M.A., Music, University of Illinois at Urbana-Cham-
paign, 1971); LC 72-12,092; DA XXXII, 10, 5821-A.
Bloom, Peter Anthony. FRANCOIS-JOSEPH FiTIS AND THE REVUE MUSICALE (1827-1835).
484 pp. (Ph.D., Music, University of Pennsylvania, 1972); LC 72-25,546; DA
XXXIII, 4, 1760-A.
Blum, Robert Stephen. MUSICS IN CONTACT: THE CULTIVATION OF ORAL REPERTOIRES
IN MESHED, IRAN. 374 pp. (Ph.D., Music, University of Illinois at Urbana-Cham-
paign, 1972); LC 73-9883; DA XXXIII, 10, 5761-5762-A.
Bobo, Robert Pinson. SCORING FOR THE WAGNER TUBEN BY RICHARD WAGNER, ANTON
BRUCKNER, AND RICHARD STRAUSS. 59 pp. (D.M.A., Music, University of Miami,
1971); LC 72-12,901; DA XXXII, 11, 6474-A.
Bojus, Julia E. Music EDUCATION IN POLAND. 259 pp. (Ph.D., Music, University of
Miami, 1972); LC 72-31,888; DA XXXIII, 6, 2966-A.
Bonino, MaryAnn. DON SEVERO BONINI (1582-1663), His "DISCORSI E REGOLE." 651
pp. (Ph.D., Music, University of Southern California, 1971); LC 73-7244; DA
XXXII, 9, 5220-5221-A.
Boone, Dalvin Lee. THE TREATMENT OF THE TRUMPET IN Six PUBLISHED CHAMBER
WORKS COMPOSED BETWEEN 1920 AND 1929. 244 pp. (Ed.D., Music, University of
Illinois at Urbana-Champaign, 1972); LC 73-9885; DA XXXIII, 10, 5762-A.
Bottoms, Jack Spruiell. THE SINGING SCHOOL IN TEXAS: 1971. 173 pp. (Ph.D., Music,
University of Colorado, 1972); LC 72-25,142; DA XXXIII, 4, 1761-A.
Boud, Ronald Edward. A Two-PIANO TRANSCRIPTION OF GEORG FRIEDRICH HANDEL'S
"WATER MUSIC." 147 pp. (D.M.A., Music, The Southern Baptist Theological
Seminary, 1971); LC 72-30,186; DA XXXIII, 6, 2967-A.
Boury, Robert Wade. THE ALLIGATOR BRIDE, FOR CHAMBER ORCHESTRA. (Original
Composition). 42 pp. (D.M.A., Music, The University of Michigan, 1972); LC
73-6769; DA XXXIII, 9, 5221-A.
Boyce, Mary Frances. THE FRENCH SCHOOL OF VIOLIN PLAYING IN THE SPHERE OF
VIOTTI: TECHNIQUE AND STYLE. 441 pp. (Ph.D., Music, University of North Caro-
lina at Chapel Hill, 1973); LC 73-26,157; DA XXXIV, 5, 2675-A.
Boyer, Horace Clarence. AN ANALYSIS OF BLACK CHURCH MUSIC WITH EXAMPLES
DRAWN FROM SERVICES IN ROCHESTER, NEW YORK. 266 pp. (Ph.D., Music, The
University of Rochester, Eastman School of Music, 1973); LC 73-13,016; DA
XXXIV, 2, 804-805-A.
Bragg, David Alwyn. THE TEACHING OF MUSIC CONCEPTS IN THE ELEMENTARY
SCHOOLS OF PUERTO RICO. 157 pp. (Ph.D., Music, The Florida State University,
1971); LC 72-13,490; DA XXXII, 11, 6474-A.

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Branch, Ben Hal. THE TEACHING OF Music THEORY IN TEXAS HIGH SCHOOLS. 175 pp.
(D.M.A., Music, The University of Texas at Austin, 1971); LC 72-11,290; DA
XXXII, 10, 5822-A.
Brandon, Seymour. OF THE PEOPLE: A CHORAL SYMPHONY FOR SOPRANO, ALTO,
TENOR, AND BASS SOLOISTS, MIXED CHORUS BRASS, PERCUSSION, AND ORGAN.
(Original Composition). 149 pp. (A.Mus.D., Music, The University of Arizona,
1972); LC 72-25,503; DA XXXIII, 4, 1761-A.
Braud, Bert. SENSES: AN ORATORIO FOR SOLOISTS, DOUBLE CHORUS, AND ORCHESTRA.
(Original Composition). 143 pp. (D.M.A., Music, The Louisiana State University
and Agricultural and Mechanical College, 1971); LC 72-17,747; DA XXXII, 12,
7026-A.
Braumer, Charles Samuel. VINCENZO BELLINI AND THE AESTHETICS OF OPERA SERIA IN
THE FIRST THIRD OF THE NINETEENTH CENTURY. 776 pp. (Ph.D., Music, Yale
University, 1972); LC 72-29,519; DA XXXIII, 5, 2407-A.
Briscuso, Joseph James. A STUDY OF ABILITY IN SPONTANEOUS AND PREPARED JAZZ
IMPROVISATION AMONG STUDENTS WHO POSSESS DIFFERENT LEVELS OF MUSICAL
APTITUDE. 100 pp. (Ph.D., Music, The University of Iowa, 1972); LC 72-26,656;
Bromley, Arthur Barry. THE DEVELOPMENT AND TESTING OF EVALUATIVE CHECKLISTS
FOR DETERMINING THE DEGREE OF ATTAINMENT OF OBJECTIVES IN MUSIC EDUCA-
TION IN THE PUBLIC SCHOOLS. 107 pp. (D.M.A., Music, University of Oregon,
1972); LC 72-28,120; DA XXXIII, 5, 2407-A.
Brown, Greeta Elaine Knight. AN ADAPTATION IN MUSIC LISTENING: A PROGRAM DE-
SIGNED FOR ESKIMO CHILDREN IN GRADE ONE. 147 pp. (D.M.A., Music, Univer-
sity of Oregon, 1972); LC 72-20,908; DA XXXIII, 1, 345-A.
Bruce, Frank Neely. THE PIANO PIECES OF ANTHONY PHILIP HEINRICH CONTAINED IN
THE DAWNING OF MUSIC IN KENTUCKY AND THE WESTERN MISTREL. 426 pp.
(D.Mus.A., Music, University of Illinois at Urbana-Champaign, 1971); LC 72-
6875; DA XXXII, 10, 5822-A.
Buehning, Walter Pirie. CRITICAL INCIDENTS AND THEIR USE IN THE EDUCATION OF
MUSIC TEACHERS. 126 pp. (D.M.A., Music, University of Oregon, 1971); LC 72-
907; DA XXXII, 6, 3346-A.
Buf, Iva Moore. THE CHAMBER DUETS AND TRIOS OF CARISSIMI (with) VOLUME II:
APPENDIX. 415 pp. (Ph.D., Music, The University of Rochester, Eastman School
of Music, 1973); LC 73-26,528; DA XXXIV, 5, 2625-A.
Bullock, Bruce Loyd. AARON COPLAND'S "CONCERTO FOR CLARINET": A LECTURE
RECITAL, TOGETHER WITH THREE RECITALS OF MUSIC BY MOZART, ROSSINI,
SCHUMANN, BRAHMS, AND CONTEMPORARY EUROPEAN AND NORTH AMERICAN COM-
POSERS. 45 pp. (D.M.A., Music, North Texas State University, 1971); LC 72-
4067; DA XXXII, 7, 4041-A.
Bullock, William Joseph. CONSTRUCTION AND EVALUATION OF A TEST OF MUSICO-
AESTHETIC ATTITUDE. 287 pp. (Ph.D., Music, The Florida State University, 1971);
LC 72-10,016; DA XXXII, 9, 5261-A.
Bunke, Jerome Samuel. "CONCERTO IN Bb: (No. 2)" FOR CLARINET BY KARL STAMITZ:
AN ANNOTATED RECONSTRUCTED SCORE. 176 pp. (Ph.D., Music, New York Uni-
Burkart, Richard Edgar. THE TRUMPET IN ENGLAND IN THE SEVENTEENTH CENTURY
WITH EMPHASIS ON ITS TREATMENT IN THE WORKS OF HENRY PURCELL AND
BIOGRAPHY OF THE SHORE FAMILY OF TRUMPETERS. 153 pp. (Ph.D., Music, The
University of Wisconsin, 1972); LC 72-9111; DA XXXII, 10, 5822-A.
Burns, Betty Beryl Remy. AN ELECTRONIC DATA PROCESSING SYSTEM FOR THE OR-
GANIZATION AND DOCUMENTATION OF THE SIXTEENTH CENTURY MOTET. 243 pp.

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(Ph.D., Music, University of Cincinnati, 1972); LC 72-31,755; DA XXXIII, 7,

3691-A.
Busch, David Leroy. A TECHNICAL COMPARISON OF AN 1807, A 1916, AND A 1968
OBOE AND RELATED REEDMAKING AND PERFORMANCE PROBLEMS. 72 pp. (D.M.A.,
Music, The Louisiana State University and Agricultural and Mechanical College,
1972); LC 73-13,695; DA XXXIII, 12, 6946-6947-A.
Butcher, Norma Perkins. A COMPARATIVE-ANALYTICAL STUDY OF SONATA-ALLEGRO
FORM IN THE FIRST MOVEMENTS OF THE LONDON SYMPHONIES OF FRANZ JOSEPH
HAYDN. 179 pp. (Ph.D., Music, University of Southern California, 1971); LC 72-
6042; DA XXXII, 8, 4647-A.
Byrnside, Ronald Lee. DEBUSSY'S SECOND STYLE. 277 pp. (Ph.D., Music, University of
Illinois at Urbana-Champaign, 1971); LC 72-6878; DA XXXII, 8, 4647-A.
Cale, John G. FRENCH SECULAR MUSIC IN SAINT-DOMINGUE (175(-1795) VIEWED AS

A FACTOR IN AMERICA'S MUSICAL GROWTH. 199 pp. (Ph.D., Music, The Louisiana
State University and Agricultural and Mechanical College, 1971); LC 72-17,750;
DA XXXII, 12, 7027-A.
Call, William Anson. A STUDY OF THE TRANSCENDENTAL AESTHETIC THEORIES OF
JOHN S. DWIGHT AND CHARLES E. IVES AND THE RELATIONSHIP OF THESE THEO-
RIES TO THEIR RESPECTIVE WORK AS MUSIC CRITIC AND COMPOSER. (with Original
Composition). THREE PIECES FOR THE NEW ZION. 229 pp. (D.M.A., Music, Uni-
versity of Illinois at Urbana-Champaign, 1971); LC 72-6879; DA XXXII, 8,
4647-4648-A.
Callahan, James Patrick. SYMPHONY No. 2 (MARKINGS) FOR ORCHESTRA, CHORUS AND
BARITONE SOLO. (Original Composition). 107 pp. (Ph.D., Music, University of
Minnesota, 1971); LC 71-28,216; DA XXXII, 7, 4041-4042-A.
Carder, Mazie Pauline Hinson. GEORGE FREDERICK ROOT, PIONEER MUSIc EDUCATOR:
HIs CONTRIBUTIONS TO MASS INSTRUCTION IN MUSIC. 184 pp. (Ed.D., Music, Uni-
versity of Maryland, 1971); LC 72-10,066; DA XXXII, 9, 5262-A.
Carlson, James A. THE STATUS OF SUBJECT MATTER CONTENT OF HIGH SCHOOL BAND
REHEARSALS IN THE PUBLIC SCHOOLS OF THE UNITED STATES. 155 pp. (Mus.Ed.D.,
Music, Indiana University, 1972); LC 72-22,908; DA XXXIII, 1185-A.
Carr, Maureen Ann. KEYS AND MODES, FUNCTIONS AND PROGRESSIONS IN MUSSORGSKY'S
"BORIS GODOUNOV." 4104 pp. (Ph.D., Music, The University of Wisconsin, 1972);
LC 72-33,844; DA XXXIII, 10, 5762-5763-A.
Caswell, Judith Eleanor Carls. RHYTHMIC INEQUALITY AND TEMPO IN FRENCH MUSIC
BETWEEN 1650 AND 1740. 871 pp. (Ph.D., Music, University of Minnesota, 1973);
LC 73-18,105; DA XXXIV, 2, 805-A.
Caudill, David Alderton. SECTIONAL PROPORTIONALITY AS AN HISTORICAL PARAMETER
IN MUSIC. 218 pp. (Ph.D., Music, The Florida State University, 1972); LC 72-
27,906; DA XXXIII, 5, 2407-A.
Cavanagh, George Alfred. WILLIAM D. REVELLI: THE HOBART YEARS. 163 pp. (Ed.D.,
Music, The University of Michigan, 1971); LC 72-4809; DA XXXII, 7, 4042-A.
Cavanaugh, Philip Stephen. A LITURGICO-MUSICAL STUDY OF GERMAN POLYPHONIC
MASS PROPERS, 1490-1520. 381 pp. (Ph.D., Music, University of Pittsburgh,
1972); LC 73-5010, DA XXXIII, 9, 5221-5222-A.
Chamblee, James Monroe. THE CANTATAS AND ORATORIOS OF CARL PHILPP EMANUEL
BACH. VOLUME I: A STYLE ANALYSIS. VOLUME II: MUSICAL SUPPLEMENT. 543 pp.
(Ph.D., Music, University of North Carolina at Chapel Hill, 1973); LC 73-26,168;

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Chapman, Charles Wayne. A SURVEY OF ELEMENTARY CONCEPTS OF VOICE PRODUCTION

REFLECTED IN AMERICAN MONOGRAPHS ON VOCAL PEDAGOGY FROM 1875 TO 1920.
224 pp. (Ph.D., Music, The University of Texas at Austin, 1971); LC 72-19,566;
Cherlin, Norma. THE COMPLEXITY FACTOR IN MUSIC AS A BASIS FOR VALUE JUDGE-
MENT. 214 pp. (Ph.D., Music, The University of Connecticut, 1973); LC 73-
24,395; DA XXXIV, 4, 1949-1950-A.
Chorzempa, Daniel Walter. JULIUS REUBKE: LIFE AND WORKs. 429 pp. (Ph.D., Music,
University of Minnesota, 1971); LC 72-343; DA XXXII, 6, 3347-A.
Circle, David Edison. AN INVESTIGATION OF THE RELATIONSHIP BETWEEN THE MUSICAL
ACHIEVEMENT OF SIXTH GRADE STUDENTS AND TEACHERS IN KANSAS. 141 pp.
(Ph.D., Music, George Peabody College for Teachers, 1971); LC 72-25,377; DA
XXXIII, 4, 1762-A.
Citron, Marcia Judith. SCHUBERT'S SEVEN COMPLETE OPERAS: A MUSICO/DRAMATIC
STUDY. 232 pp. (Ph.D., Music, University of North Carolina at Chapel Hill,
1971); LC 72-10,699; DA XXXII, 9, 5262-A.
Clark, Linda Jane. MUSIC IN TRINITY CHURCH, BOSTON, 1890-1900: A CASE-STUDY
IN THE RELATIONSHIP BETWEEN WORSHIP AND CULTURE. 339 pp. (S.M.D., Music,
Union Theological Seminary in the City of New York, 1973); LC 73-20,062; DA
XXXIV, 3, 1311-A.
Clark, Robert Ray. THE HISTORY OF MUSIC AT MARSHALL UNIVERSITY, HUNTINGTON,
WEST VIRGINIA: 1837-1970. 233 pp. (Ph.D., Music, The University of Michigan,
1972); LC 73-11,076; DA XXXIII, 11, 6387-A.
Clark, Sondra Rae Scholder. THE EVOLVING CONCORD SONATA: A STUDY OF CHOICES
AND VARIANTS IN THE MUSIC OF CHARLES IVES. 382 pp. (Ph.D., Music, Stanford
Clay, Thomas Henry. Music EDUCATION: OPINIONS OF SCHOOL ADMINISTRATORS,
PARENTS, AND STUDENTS. 179 pp. (Ph.D., Music, Miami University, 1972); LC 73-
1313; DA XXXIII, 7, 3691-A.
Cleveland, J. Jeferson. CONTEMPORARY USES OF MUSIC IN SELECTED HOSPITALS, RE-
HABILITATION CENTERS AND STATE SCHOOLS IN THE COMMONWEALTH OF MASSA-
CHUSETTS. 339 pp. (Mus.A.D., Music, Boston University, School of Fine and Ap-
plied Arts, 1972); LC 72-25,119; DA XXXIII, 4, 1762-A.
Clinard, Jack Alspaugh. THE RELATIONSHIP OF BACKGROUND AND PERSONALITY FAC-
TORS TO CHARACTERISTICS OF SINGING TONE. 157 pp. (Ph.D., Music, West Virginia
Coller, Jerome Thomas. PART ONE: CONCERTO FOR PIANO AND WINDS. PART Two:
SCRIABIN'S PROGRESSIVE ATTENUATION OF TONAL DEFINITION: AN ANALYSIS OF
SUSPENSIVE LEVELS IN SELECTED PIANO WORKS. 141 pp. (D.M.A., Music, Cornell
Collins, Thomas William. THE INSTRUMENTAL MUSIC OF PAUL A. PISK. 207 pp.
(D.M.A., Music, University of Missouri, 1972); LC 72-29,457; DA XXXIII, 5,
2408-A.
Comella, Frank Peter. AN EXPLORATORY STUDY OF MUSICAL STIMULI AND INDUCEMENT
OF AUDITORY FATIGUE. 163 pp. (Ph.D., Music, The University of Iowa, 1972);
LC 73-13,514; DA XXXIII, 12, 6947-A.
Contine, Ned Arnold. A SURVEY OF CERTAIN ASPECTS OF THE ORGANIZATIONAL STRUC-
TURES OF TWELVE TEXAS HONOR BANDS. 370 pp. (Ed.D., Music, University of
Houston, 1971); LC 72-9562; DA XXXII, 9, 5263-A.
Cooksey, Steven Lee. IMPRESSIONISTIC ASPECTS OF TWENTIETH CENTURY FRENCH ORGAN
LITERATURE. 186 pp. (Ph.D., Music, Washington University, 1972); LC 73-5028;

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Cooper, Elneta Annette. A STUDY OF THE USE OF THE RICHARDS' "THRESHOLD TO

MUSIC" FIRST YEAR EXPERIENCE CHARTS AS AN INNOVATIVE APPROACH TO MUSIC
READING. 274 pp. (Ed.D., Music, University of Oregon, 1971); LC 72-9558; DA
XXXII, 9, 5263-A.
Cooper, Kenneth. THE CLAVICHORD IN THE EIGHTEENTH CENTURY. 289 pp. (Ph.D.,
Music, Columbia University, 1971); LC 72-1292; DA XXXII, 6, 3347-A.
Crabtree, Phillip Dean. THE VOCAL WORKS OF GIOSEFFO (ca. 1540-1611) AND FRAN-
CESCO GUAMI (ca. 1544-1602). (Volumes I and II). 612 pp. (D.M.A., Music,
University of Cincinnati, 1971); LC 72-18,314; DA XXXII, 12, 7027-A.
Craig, Walter Oakford, Jr. AN INVESTIGATION AND ANALYSIS OF PROGRAMMED IN-
STRUCTION IN THE MUSIC CURRICULUMS OF SELECTED COLLEGES AND UNIVERSITIES
IN THE UNITED STATES. 299 pp. (Mus.A.D., Music, Boston University, School of
Fine and Applied Arts, 1972); LC 72-25,127; DA XXXIII, 4, 1763-A.
Cramer, Eugene Casjen. THE OFFICIUM HEBDOMADAE SANCTAE OF TOMAS LUIS DE VIC-
TORIA: A STUDY OF SELECTED ASPECTS AND AN EDITION AND COMMENTARY. (Vol-
umes I and II). 692 pp. (Ph.D., Music, Boston University Graduate School, 1973);
LC 73-23,472; DA XXXIV, 5, 2676-A.
Crawford, Jack Reed. "MES SOUVENIRS" BY Louis VIERNE: AN ANNOTATED TRANSLA-
TION. 314 pp. (Ph.D., Music, University of Miami, 1973); LC 73-25,931; DA
XXXIV, 5, 2676-2677-A.
Crawford, James Darrell. THE RELATIONSHIP OF SOCIOECONOMIC STATUS TO ATTITUDE
TOWARD MUSIC AND HOME MUSICAL INTEREST IN INTERMEDIATE-GRADE CHIL-
DREN. (Pages 146-148, previously copyrighted material not microfilmed at request
of author. Available for consultation at University of the Pacific Library). 162 pp.
(Ed.D., Music, University of the Pacific, 1972); LC 73-9752; DA XXXIV, 1,
351-352-A.
Crouse, David Lee. THE WORK OF ALLEN D. CARDEN AND ASSOCIATES IN THE SHAPE-
NOTE TUNE-BOOKS, THE MISSOURI HARMONY, WESTERN HARMONY AND UNITED
STATES HARMONY. 204 pp. (D.M.A., Music, The Southern Baptist Theological
Seminary, 1972); LC 72-30,188; DA XXXIII, 6, 2967-A.
Crowder, Laurin Peyton. THE DEVELOPMENT OF A SELF-TUTORING PROGRAM IN THE
FUNDAMENTALS OF ORCHESTRATION. 628 pp. (Ph.D., Music, The Louisiana State
University and Agricultural and Mechanical College, 1971); LC 71-29,357; DA
XXXII, 7, 4042-A.
Crumrine, Carol Ann. THE KEYBOARD AND VOCAL SETTINGS OF GEORG BOEHM: AN
ANALYSIS OF STYLE AS DICTATED BY TEXT. 279 pp. (Ph.D., Music, Syracuse Uni-
versity, 1972); LC 73-7713; DA XXXIII, 9, 5222-A.
Culver, Anne G. Mitchell. THEODOR ADORNO'S PHILOSOPHY OF MODERN MUSIC:
EVALUATION AND COMMENTARY. 217 pp. (Ph.D., Music, University of Colorado,
1973); LC 73-23,239; DA XXXIV, 4, 1950-A.
Curf man, George Donald. THE EFFECT OF AN ELECTRONIC FEEDBACK DEVICE ON THE
IDENTIFICATION OF THEMATIC MATERIAL IN MUSIc LISTENING. 105 pp. (Ed.D.,
Music, The Pennsylvania State University, 1971); LC 72-9450; DA XXXII, 9,
5264-A.
Cushman, David Stephen. JOSEPH HAYDN'S MELODIC MATERIALS: AN EXPLORATORY

INTRODUCTION TO THE PRIMARY AND SECONDARY SOURCES TOGETHER WITH AN
ANALYTICAL CATALOGUE AND TABLES OF PROPOSED MELODIC CORRESPONDENCE
AND/OR VARIANCE. 812 pp. (Ph.D., Music, Boston University, 1973); LC 73-14,135;
DA XXXIII, 12, 6947-6948-A.
Cuttino, David William, Jr. A SURVEY-APPRAISAL OF SUMMER PROGRAMS FOR MU-
SICALLY TALENTED STUDENTS AND THE DEVELOPMENT OF A SPECIFIC PROGRAM FOR

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CHARLESTON, SOUTH CAROLINA. 131 pp. (Ph.D., Music, The Florida State Uni-
Damp, George Edward. THE APPARATUS MUSICO-ORGANISTICUS OF GEORG MUFFAT

(1653-1704): A STUDY OF STYLISTIC SYNTHESIS AND ASPECTS OF PERFORMANCE
PRACTICE. 112 pp. (D.M.A., Music, The University of Rochester, Eastman School
Danes, Robert Harold. STRAVINSKY'S "THE RAKE'S PROGRESS": PARADIGM OF NEO-
CLASSIC OPERA. 242 pp. (Ph.D., Music, Washington University, 1972); LC 73-
5031; DA XXXIII, 8, 4452-A.
Dapogny, James Elliot. STYLE AND METHOD IN THREE COMPOSITIONS OF LUIGI DAL-
LAPICCOLA. 176 pp. (D.Mus.A., Music, University of Illinois at Urbana-Cham-
paign, 1971); LC 72-6906; DA XXXII, 8, 4648-A.
Davis, Shelley George. THE KEYBOARD CONCERTOS OF JOHANN GEORG LANG (1722-
1798). 567 pp. (Ph.D., Music, New York University, 1971); LC 72-13,345; DA
XXXII, 11, 6474-A.
Dean, Jerry Mac. EVOLUTION AND UNITY IN SCHOENBERG'S "GEORGE SONGS," OP. 15.
209 pp. (Ph.D., Music, The University of Michigan, 1971); LC 72-14,839; DA
XXXII, 11, 6474-A.
Dean, Roger Alan. THE EFFECT OF AN ADJUNCT AUTOINSTRUCTIONAL DEVICE ON THE
LEARNING OF MUSIC SYMBOLS AND TERMS AND ON GENERAL MUSIC ACHIEVEMENT
OF FOURTH GRADE STUDENTS. 182 pp. (D.M.A., Music, University of Oregon,
1971); LC 72-916; DA XXXII, 6, 3348-A.
Deaton, James Wright. THE EIGHTEENTH-CENTURY SIX-KEYED CLARINET: A STUDY
OF ITS MECHANICAL AND ACOUSTICAL PROPERTIES AND THEIR RELATIONSHIP TO
PERFORMANCE OF SELECTED LITERATURE. 137 pp. (D.M.A., Music, The University
of Texas at Austin, 1971); LC 73-7683; DA XXXIII, 9, 5222-A.
DeCesare, Ruth. AN EXPERIMENTAL STUDY OF SELECTED ETHNOCENTRIC ATTITUDINAL
CHANGE AMONG AMERICAN ELEMENTARY SCHOOL CHILDREN TOWARD THE CUL-
TURE OF JAPAN. 166 pp. (Ph.D., Music, New York University, 1972); LC 72-26,589;
Decker, Jay C. A COMPARATIVE TEXTURAL ANALYSIS OF SELECTED ORCHESTRAL
WORKS OF WILLIAM WALTON AND PAUL HINDEMITH. 94 pp. (D.M.A., Music, Uni-
versity of Missouri-Kansas City, 1971); LC 72-29,458; DA XXXIII, 5, 2409-A.
DeGastyne, Serge. STRING QUARTET NO. 1. (Original Composition). 39 pp. (D.M.A.,
Music, University of Maryland, 1971); LC 72-610; DA XXXII, 6, 3348-A.
Dehning, William John. A STUDY AND PERFORMANCE OF MASS AND CANTATA BY IGOR
STRAVINSKY. 168 pp. (D.M.A., Music, University of Southern California, 1972);
LC 72-17,464; DA XXXII, 12, 7028-A.
Demand, Marian Frances. AESTHETICS AND TWENTIETH-CENTURY MUSIC IN MUSIC
EDUCATION. 469 pp. (D.M.A., Music, University of Southern California, 1971);
LC 72-17,465; DA XXXIII, 8, 4452-A.
Devick, Royce Devon. ORLANDO BLACKMAN: A STUDY OF HIS CONTRIBUTION TO MUSIC
EDUCATION IN THE CHICAGO PUBLIC SCHOOLS (1863-1899). 336 pp. (Ph.D., Music,
The University of Iowa, 1972); LC 73-13,659; DA XXXIII, 12, 6948-A.
Dieckow, Almarie. A STYLISTIC ANALYSIS OF THE SOLO KEYBOARD SONATAS OF ANTONIO
SOLER. 281. pp. (Ph.D., Music, Washington University, 1971); LC 72-17,949; DA
XXXIII, 1, 346-A.
Dillon, Robert Morris. FIVE ORIGINAL TEACHING PIECES IN CONTEMPORARY STYLES
FOR BRASS INSTRUMENTS. (VOLUME I: TEXT. VOLUME II: ORIGINAL COMPOSITIONS).

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141 pp. (D.M.E., Music, The University of Oklahoma, 1971); LC 72-3385; DA

XXXII, 7, 4043-A.
Dimond, Chester Arthur. FOURTEEN EARLY SONGS OF ANTON WEBERN. (To obtain
copies write to author at 450 E. Ridge St., Marquette, Michigan). 162 pp. (D.M.A.,
Music, University of Oregon, 1971); LC 72-14,722; DA XXXIII, 7, 3692-A.
DiPiazza, Gabriel. "THEMA MED VARIATIONER," OPUS 40, BY CARL NIELSEN, A LEC-
TURE RECITAL, Two SOLO RECITALS INCLUDING COMPOSITIONS OF W. A. MOZART,
F. SCHUBERT, F. CHOPIN, A. CASELLA AND R. MUCZYNSKI; A CHAMBER MUSIC
RECITAL FEATURING COMPOSITIONS FOR CLARINET, VIOLA AND PIANO, BY W. A.
MOZART, J. BRAHMS, F. BUSONI AND A. UHL. 44 pp. (D.M.A., Music, North Texas
State University, 1971); LC 72-4072; DA XXXII, 7, 4043-A.
Distefano, Joseph P. THE SYMPHONIES OF KARL AMADEUS HARTMANN. 222 pp. (Ph.D.,
Music, The Florida State University, 1972); LC 73-4199; DA XXXIII, 8, 4452-
4453-A.
Doerksen, David Paul. DEVELOPMENT OF INDIVIDUALIZED ELECTRONIC RHYTHMIC IN-
STRUCTION. 95 pp. (D.M.A., Music, University of Oregon, 1972); LC 73-7881;
DA XXXIII, 9, 5222-5223-A.
Doherty, Charles Robert. TWENTIETH CENTURY WOODWIND QUINTET MUSIC OF THE
UNITED STATES. 151 pp. (D.M.A., Music, University of Missouri-Kansas City,
1971); LC 72-198; DA XXXII, 6, 3349-A.
Douglas, Darrell Ramon. THE DEVELOPMENT AND EFFECTIVENESS OF THE CENTER SYS-
TEM MUSIC DEPARTMENT OF THE UNIVERSITY OF WISCONSIN, 1933-1970. 157 pp.
(D.M.A., Music, University of Southern California, 1972); LC 72-21,665; DA
XXXIII, 2, 777-A.
Douglas, Samuel Osler. "THE DEVIL'S HEIR," AN OPERA IN ONE ACT. (Original
Composition). (Sound tape available at cost upon request. Contact School of
Music, Louisiana State University, Baton Rouge, Louisiana 70803). 194 pp
(D.M.A., Music, The Louisiana State University and Agricultural and Mechani-
cal College, 1972); LC 73-13,659; DA XXXIII, 12, 6948-6949-A.
Dowdy, Robert Alvin. SELECTION OF PITCH MODELS FOR INTONATION TRAINING ON
THE B-FLAT SOPRANO CLARINET: A COMPARISON BETWEEN THE USE OF INITIALLY
ACCURATE PITCHES AND THE USE OF CONTROLLED CORRECTED EXAMPLES OF THE
PLAYER'S OWN PITCHES. 104 pp. (Ph.D., Music, The University of Mississippi,
1973); LC 73-23,648; DA XXXIV, 4, 1950-1951-A.
Drake, George Warren James. THE FIRST PRINTED BOOKS OF MOTETS, PETRUCCI'S
"MOTETTI A NUMERO TRENTATRE" A (VENICE, 1502) AND "MOTETTI DE PASSIONE,
DE CRUCE, DE SACRAMENTO, DE BEATA VIRGINE ET HUIUSMODI" B (VENICE, 1503):
A CRITICAL STUDY AND COMPLETE EDITION. (Parts One and Two). 750 pp. (Ph.D.,
Music, University of Illinois at Urbana-Champaign, 1972); LC 73-17,187; DA
XXXIV, 2, 805-806-A.
Druesedow, John Edward, Jr. THE "MISSARUM LIBER" (1703) OF JOSE DE TORRES Y
MARTINEZ BRAVO (1665-1738). (Volumes I and II). 782 pp. (Ph.D., Music,
Indiana University, 1972); LC 72-18,529; DA XXXII, 12, 7028-A.
Drushler, Paul F. A STUDY COMPARING PROGRAMMED INSTRUCTION WITH CONVEN-
TIONAL TEACHING OF INSTRUMENT FINGERINGS AND MUSIC PITCH NOTATION FOR
BEGINNING STUDENTS OF CLARINET, FLUTE, AND TRUMPET IN A FLEXIBLE SCHED-
ULED CURRICULUM. 184 pp. (Ed.D., Music, State University of New York at Buf-
falo, 1972); LC 72-23,519; DA XXXIII, 3, 1185-A.
Duckworth, William Ervin. EXPANDING NOTATIONAL PARAMETERS IN THE MUSIC OF
JOHN CAGE. 164 pp. (Ed.D., Music, University of Illinois at Urbana-Champaign,
1972); LC 72-19,820; DA XXXIII, 1, 346-A.
Duke, John Robert. TEACHING MUSICAL IMPROVISATION: A STUDY OF EIGHTEENTH

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AND TWENTIETH CENTURY METHODS. 257 pp. (Ph.D, Music, George Peabody
College for Teachers, 1972); LC 72-25,382; DA XXXIII, 4, 1763-A
Echard, Shirley Jean. HAMLIN E. COGSWELL: His LIFE AND CONTRIBUTIONS TO MUSIC
EDUCATION. 148 pp. (D.M.A., Music, The Catholic University of America, 1973);
LC 73-13,059; DA XXXIII, 12, 6949-A.
Edris, David Michael. RANKED ORCHESTRAL EXCERPTS FROM SELECTED SYMPHONIC
REPERTOIRE FOR TRUMPET. 133 pp. (D.M.A., Music, University of Missouri-
Kansas City, 1972); LC 73-19,720; DA XXXIV, 3, 1311-1312-A.
Edwards, Larry Wayne. JOHN WALTER BEATTIE, 1885-1962: PRAGMATIC MUSIC EDU-
CATOR. 240 pp. (Ph.D., Music, The University of Michigan, 1971); LC 72-4863;
Edwards, Robert Lynn. A STUDY OF SELECTED SONG TRANSCRIPTIONS BY FRANZ LISZT.
101 pp. (D.M.A., Music, University of Oregon, 1972); LC 72-28,138; DA XXXIII,
5, 2409-A.
Eickmann, Paul Edward. THE "INSTRUCTIONAL TECHNOLOGY IN ACTION" PROJECT:
IMPLICATIONS FOR THE IMPROVEMENT OF MUSIC TEACHING. 299 pp. (Ph.D., Music,
The University of Rochester, Eastman School of Music, 1971); LC 71-27,408;
Eiseman, David. CHARLES IVES AND THE EUROPEAN SYMPHONIC TRADITION: A HIS-
TORICAL REAPPRAISAL. 279 pp. (Ph.D., Music, University of Illinois at Urbana-
Champaign, 1972); LC 72-19,823; DA XXXIII, 1, 347-A.
Ekwueme, Lazarus Edward Nnanyelu. IBO CHORAL MUSIC-ITS THEORY AND PRACTICE.
464 pp. (Ph.D., Music, Yale University, 1972); LC 72-29,539; DA XXXIII, 5,
2409-A.
Elam, Robert Wayne. MECHANISM OF MUSIC AS AN EMOTIONAL INTENSIFICATION STIMU-
LUS. 132 pp. (Ph.D., Music, University of Cincinnati, 1971); LC 72-16,546; DA
XXXII, 12, 7029-A.
Elliott, Charles Arthur. THE EFFECT OF VOCALIZATION UPON THE SENSE OF PITCH OF
THE STUDENTS IN SELECTED BEGINNING BAND CLASSES. 163 pp. (Ph.D., Music, The
University of Texas at Austin, 1972); LC 73-430; DA XXXIII, 7, 3692-A.
Ellis, Sandra Dene. AN AUDIOVISUAL STUDY OF VERBAL BEHAVIOR IN SONG PERFORM-
ANCE. 335 pp. (Mus.D., Music, Indiana University, 1972); LC 72-22,907; DA
XXXIII, 3, 1185-A.
Elmore, Cenieth Catherine. SOME STYLISTIC CONSIDERATIONS IN THE PIANO SONATAS OF
NIKOLAI MEDTNER. 325 pp. (Ph.D., Music, University of North Carolina at Chapel
Hill, 1972); LC 72-24,783; DA XXXIII, 3, 1186-A.
Elrod, Elizabeth Louella. INSTANT REPLAY TELEVISION AS A TOOL FOR TEACHING
CERTAIN PHYSICAL ASPECTS OF SINGING. 66 pp. (Ed.D., Music, University of
Georgia, 1971); LC 72-10,950; DA XXXII, 10, 5823-A.
England, Gordon Alexander. A STUDY TO PROVIDE SELF-ADMINISTERING IMPROVEMENT
IN CONDUCTING SPECIFIC RHYTHMIC PROBLEMS IN Two CHORAL WORKS OF BEN-
JAMIN BRITTEN. 85 pp. (Ed.D., Music, University of Northern Colorado, 1972);
LC 73-265; DA XXXIII, 7, 3693-A.
Ennulat, Egbert Martin. JOHANN DE FOSSA AND HIS WORK. VOLUME I: COMMENTARY.
VOLUME II: TRANSCRIPTIONS. 662 pp. (Ph.D., Music, Case Western Reserve Uni-
versity, 1971); LC 72-6287; DA XXXII, 8, 4648-4649-A.
Erbes, Robert Leonard. THE DEVELOPMENT OF AN OBSERVATIONAL SYSTEM FOR THE
ANALYSIS OF INTERACTION IN THE REHEARSAL OF MUSICAL ORGANIZATIONS. 203

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pp. (Ed.D., Music, University of Illinois at Urbana-Champaign, 1972); LC 73-

17,197; DA XXXIV, 2, 806-A.
Erlenbach, Julius Edmund. THE USE OF THE PRINCIPLES OF CURRICULUM ENGINEERING
IN THE DEVELOPMENT OF THE EMERGENT JUNIOR COLLEGE MUSIC PROGRAM. 89 pp.
(Ph.D., Music, Northwestern University, 1972); LC 72-32,425; DA XXXIII, 6,
2967-A.
Eskelin, Gerald Ray. THE COGNITIVE ASPECT OF MUSICAL RHYTHM AND A METHOD
FOR ITS APPLICATION TO TEACHING. 202 pp. (Mus.Ed.D., Music, Indiana Univer-
sity, 1971); LC 72-9858; DA XXXII, 10, 5823-A.
Estock, Joseph James. A BIOGRAPHICAL DICTIONARY OF CLARINETISTS BORN BEFORE
1800. 405 pp. (Ph.D., Music, The University of Iowa, 1972); LC 73-13,528; DA
XXXIII, 12, 6949-A.
Etheridge, Jerry Haller. THE WORKS OF JOHANNES DE LYMBURGIA. VOLUME I: THE
MUSICAL STYLE. VOLUME II: TRANSCRIPTION. 636 pp. (Ph.D., Music, Indiana
University, 1972); LC 73-6493; DA XXXIII, 11, 6388-6389-A.
Evans, Arthur Lee. THE DEVELOPMENT OF THE NEGRO SPIRITUAL AS CHORAL ART
MUSIC BY AFRO-AMERICAN COMPOSERS WITH AN ANNOTATED GUIDE TO THE PER-
FORMANCE OF SELECTED SPIRITUALS. 264 pp. (Ph.D., Music, University of Miami,
1972); LC 73-5837; DA XXXIII, 9, 5223-A.
Evans, Robert Kenneth. THE EARLY SONGS OF SERGEI PROKOFIEV AND THEIR RELATION
TO THE SYNTHESIS OF THE ARTS IN RUSSIA, 1890-1922. 302 pp. (Ph.D., Music,
The Ohio State University, 1971); LC 72-4478; DA XXXII, 8, 4649-A.
Eyzaguirre, Roberto. MELCHOR TAPIA AND MUSIC IN THE LIMA CATHEDRAL. 250 pp.
(Ph.D., Music, University of Miami, 1973); LC 73-25,906; DA XXXIV, 5, 2677-
2678-A.
Falconer, Joan Ormsby. BISHOP JOHANNES HERBST (1735-1812), AN AMERICAN-MO-

RAVIAN MUSICIAN, COLLECTOR, AND COMPOSER. 564 pp. (Ph.D., Music, Columbia
Fall, Henry Cutler. THE PASSION-TIDE CANTATAS OF CHRISTOPH GRAUPNER. 262 pp.
(Ph.D., Music, University of California, Santa Barbara, 1971); LC 72-7457; DA
XXXII, 10, 5824-A.
Farmer, Virginia. AN ANALYTICAL STUDY OF THE SEVENTEEN STRING QUARTETS OF
HEITOR VILLA-LOBOS. 135 pp. (D.Mus.A., Music, University of Illinois at Urbana-
Champaign, 1973); LC 73-17,533; DA XXXIV, 1, 352-A.
Farrell, Patricia. THE MEANING OF THE RECREATION EXPERIENCE IN MUSIC AS IT IS
DEFINED BY URBAN ADULTS WHO DETERMINED TYPAL SINGER PROFILES THROUGH
Q-TECHNIQUE. 226 pp. (Ed.D., Music, The Pennsylvania State University, 1972);
LC 73-13,973; DA XXXIII, 12, 6949-6950-A.
Farren, Martin Dennis. ERDE MUSIK. 31 pp. (Ph.D., Music, The University of Iowa,
1971); LC 72-8240; DA XXXII, 9, 5265-A.
Feinberg, Saul. A CREATIVE PROBLEM-SOLVING APPROACH TO THE DEVELOPMENT OF
PERCEPTIVE MUSIC LISTENING IN THE SECONDARY SCHOOL MUSIC LITERATURE
CLASS. 265 pp. (D.M.A., Music, Temple University, 1973); LC 73-18,722; DA
XXXIV, 2, 806-807-A.
Ferguson, Thomas Clarence. AN ANALYSIS OF FOUR AMERICAN SYMPHONIES FOR BAND.
388 pp. (Ph.D., Music, The University of Rochester, Eastman School of Music,
1971); LC 72-18,224; DA XXXIII, 1, 347-A.
Fink, Philip H. THE DEVELOPMENT AND EVALUATION OF INSTRUMENTAL MATERIALS

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FOR A BEGINNING CLASS IN HETEROGENEOUS STRINGS INCLUDING GUITAR. 291 pp.

(Ph.D., Music, University of Miami, 1973); LC 73-25,907; DA XXXIV, 5,
2678-A.
Fischbach, Gerald Frederick. A COMPREHENSIVE PERFORMANCE PROJECT IN VIOLIN LIT-
ERATURE AND AN ESSAY CONSISTING OF A COMPARATIVE STUDY OF THE TEACHING
METHODS OF SAMUEL APPLEBAUM AND PAUL ROLLAND. 176 pp. (D.M.A., Music,
Fiske, Harold Eugene. JUDGE-GRouP DIFFERENCES IN THE RATING OF SECONDARY
SCHOOL TRUMPET PERFORMANCES. 73 pp. (Ph.D., Music, The University of Con-
necticut, 1972); LC 73-14,294; DA XXXIII, 12, 6950-6951-A.
Fitzsimmons, William Edward. A HISTORICAL AND INTERPRETIVE STUDY OF FOUR
WORKS FOR ORCHESTRA. 196 pp. (D.M.A., Music, University of Missouri, 1972);
LC 72-29,460; DA XXXIII, 5, 2410-A.
Flanders, Peter. THE MADRIGALS OF BENEDETTO PALLAVICINO. (Volumes I and II).
551 pp. (Ph.D., New York University, 1971); LC 72-13,353; DA XXXII, 10,
5824-A.
Fleming, James Richardson. THE PRE-SERVICE PREPARATION OF JUNIOR COLLEGE VO-
CAL MUSIC TEACHERS. 199 pp. (Ph.D., Music, University of Southern Mississippi,
1971); LC 72-9069; DA XXXII, 9, 5265-A.
Fleming, Jo Lee. JAMES D. VAUGHAN, MUSIc PUBLISHER, LAWRENCEBURG, TENNESSEE,
1912-1964. 182 pp. (S.M.D., Music, Union Theological Seminary in the City of
New York, 1972); LC 72-10,845; DA XXXII, 10, 5825-A.
Floyd, Monte Keene. CONCERTO FOR Two PIANOS AND ORCHESTRA. (Original Compo-
sition). 152 pp. (Ph.D., Music, The University of Rochester, Eastman School of
Music, 1971); LC 72-18,221; DA XXXII, 12, 7029-A.
Flummerfelt, Joseph Ross. FRIEDRICH WILHELM ZACHOW: A STUDY OF HIS PUBLISHED
CHURCH CANTATAS AND THEIR INFLUENCE UPON HANDEL. 336 pp. (D.Mus.A.,
Music, University of Illinois at Urbana-Champaign, 1971); LC 72-6927; DA
XXXII, 8, 4649-A.
Folts, Melvin Lyle. THE RELATIVE EFFECT OF Two PROCEDURES, AS FOLLOWED BY
FLUTE, CLARINET, AND TRUMPET STUDENTS WHILE PRACTICING, ON THE DEVEL-
OPMENT OF TONE QUALITY AND ON SELECTED PERFORMANCE SKILLS: AN EXPERI-
MENT IN STUDENT USE OF SOUND-RECORDED PRACTICE MATERIAL. 85 pp. (Ed.D.,
Music, New York University, 1973); LC 73-19,457; DA XXXIV, 3, 1312-A.
Forbis, Wesley Lee. THE GALIN-PARIS-CHEVEI METHOD OF RHYTHMIC INSTRUCTION:
A HISTORY. 185 pp. (Ph.D., Music, George Peabody College for Teachers, 1970);
LC 71-4259; DA XXXIII, 4, 1764-A.
Forsberg, Charles William. DISCANTUS PACEM. (Original Composition). 112 pp. (Ph.D.,
Music, University of Minnesota, 1973); LC 73-25,608; DA XXXIV, 5, 2678-
2679-A.
Forsythe, Jere Lee. THE EFFECTS OF MONETARY REINFORCEMENT ON RECOGNITION OF
MUSICAL STIMULI RECURRING IN CONTEXT. 76 pp. (Ph.D., Music, The Florida
Foss, Roger Vernon. AN INVESTIGATION OF THE EFFECT OF THE PROVISION OF THE
"IN DOUBT" RESPONSE ON THE VALIDITY OF THE IOWA TESTS OF MUSIC LITERACY.
108 pp. (Ph.D., Music, The University of Iowa, 1972); LC 72-17,558; DA XXXII,
12, 7030-A.
Fowler, Nancy Carolyn. THE EFFECTS OF INSTRUMENT ORIENTATION AND ABSTRACTION
ON MOTOR RESPONSE TIME AND ACCURACY TO SLIDE PRESENTATIONS OF OBOE
FINGERINGS. 134 pp. (Ph.D., Music, The Ohio State University, 1971);
4487, DA XXXII, 7, 4043-A.
Frank, Arthur. AESTHETIC EDUCATION: A STUDY OF SELECTED RELATED ARTS PRO-

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GRAMS IN THE HIGH SCHOOLS OF NEW JERSEY. 262 pp. (D.M.A., Music, Temple
Frank, Robert Eugene. PART I: SYMPHONY No. 1. (Original Composition). PART 1I:
QUINCY PORTER: A SURVEY OF THE MATURE STYLE AND A STUDY OF THE "SECOND
SONATA FOR VIOLIN AND PIANO." 303 pp. (D.M.A., Music, Cornell University,
1973); LC 73-16,070; DA XXXIV, 1, 352-353-A.
Fredrickson, Darwin Paul. LOWER DIVISION Music THEORY AND LITERATURE PRO-
FICIENCIES EXPECTED OF SOUTHERN CALIFORNIA STATE AND COMMUNITY COLLEGE
MUSIC MAJORS. 184 pp. (D.M.A., Music, University of Southern California,
1971); LC 72-2774; DA XXXII, 7, 4044-A.
Freedman, Albert Morton. IMPLICATIONS WITH SUGGESTED APPLICATIONS OF SELECTED
EDUCATIONAL THEORIES AND TAXONOMIC MODELS FOR THE DEVELOPMENT OF PRO-
DUCTIVE THINKING IN THE GENERAL MUSIC CLASS IN THE SECONDARY SCHOOL.
137 pp. (Mus.Ed.D., Music, Indiana University, 1972); LC 72-16,190; DA
XXXII, II, 6476-A.
Freeman, Robert Norman. THE PRACTICE OF MUSIC AT MELK MONASTERY IN THE
EIGHTEENTH CENTURY. 514 pp. (Ph.D., Music, University of California, Los
Angeles, 1971); LC 72-2814; DA XXXII, 7, 4044-A.
Freund, Donald Wayne. THREE MOVEMENTS FROM "THE WASTE LAND." 92 pp.
(D.M.A., Music, The University of Rochester, Eastman School of Music, 1972);
LC 72-31,190; DA XXXIII, 7, 3693-A.
Friesen, Jerry Homer. VOCAL MUTATION IN THE ADOLESCENT MALE: ITS CHRONOLOGY
AND A COMPARISON WITH FLUCTUATIONS IN MUSICAL INTEREST. 117 pp. (D.M.A.,
Music, University of Oregon, 1972); LC 73-7891; DA XXXIII, 9, 5223-5224-A.
Frohrip, Kenton Ronald. A VIDEOFLUOROGRAPHIC ANALYSIS OF CERTAIN PHYSIOLOGICAL
FACTORS INVOLVED IN PERFORMANCE OF SELECTED EXERCISES FOR TROMBONE. 131
pp. (Ph.D., Music, University of Minnesota, 1972); LC 73-20,555; DA XXXIII,
10, 5763-A.
Frum, Bernard. THE DRAMATIC-DUALISTIC STYLE ELEMENT IN KEYBOARD MUSIC PUB-
LISHED BEFORE 1750. 275 pp. (Ph.D., Music, Columbia University, 1969); LC
72-19,057; DA XXXIII, 1, 348-A.
Fudge, James Thompson. THE MALE CHORUS MUSIC OF FRANZ LISZT. 431 pp. (Ph.D.,
Music, The University of Iowa, 1972); LC 73-13,536; DA XXXIII, 12, 6951-A.
Garcia, Richard Oliver. AN EVALUATION OF A COMBINED VIOLIN-VOCAL APPROACH TO

TEACHING MUSIC READING WHEN COMPARED WITH AN ESSENTIALLY VOCAL AP-
PROACH. 266 pp. (Ed.D., Music, Washington University, 1971); LC 72-9336;
DA XXXII, 10, 5825-A.
Garner, Cody Alan. REPRESENTATIVE MADRIGALS OF GIOVANNI MARIA NANINO (1545-
1607): A DISCUSSION AND MODERN EDITION. 372 pp. (D.M.E., Music, The Uni-
versity of Oklahoma, 1971); LC 72-14,103; DA XXXIII, 1, 348-A.
Garrett, Lee Raymond. ADRIANO BANCHIERI'S "CONCLUSIONI NEL SUONO DELL'ORGANO"
OF 1609: A TRANSLATION AND COMMENTARY. 134 pp. (D.M.A., Music, University
of Oregon, 1972); LC 73-7895; DA XXXIII, 9, 5224-A.
Garst, Marilyn Mangold. THE EARLY TWENTIETH-CENTURY PIANO CONCERTO AS FOR-
MULATED BY STRAVINSKY AND SCHOENBERG. 257 pp. (Ph.D., Music, Michigan
State University, 1972); LC 73-5376; DA XXXIII, 9, 5224-5225-A.
Gay, John Floyd, III. THE CORRELATION OF SOUND AND COLOR: THREE MAJOR
METAPHYSICAL SOURCES. 58 pp. (D.M.A., Music, University of Missouri-Kansas
City, 1972); LC 72-29,461; DA XXXIII, 5, 2410-A.

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Gehrenbeck, David Maulsby. MOTETTI DE LA CORONA: A STUDY OF OTTAVIANO

PETRUCCI'S FOUR LAST-KNOWN MOTET PRINTS (FOSSOMBRONE, 1514, 1519), WITH
44 TRANSCRIPTIONS. (Volumes One to Four). 1933 pp. (S.M.D., Music, Union
Theological Seminary in the City of New York, 1970); LC 71-12,440; DA XXXII,
7, 4045-A.
George, William Bernard. ADOLPH WEISS. 492 pp. (Ph.D., Music, The University of
Iowa, 1971); LC 72-8248; DA XXXII, 9, 5266-A.
Georgieff, Katherine Pejkarjanz. THE INSTRUMENTAL AND VOCAL WORKS OF ERNST
THEODOR AMADEUS HOFFMANN. 260 pp. (Ph.D., Music, Washington University,
1973); LC 73-24,882; DA XXXIV, 5, 2679-A.
Germain, Anne Mildred. SCOTTISH GAELIC HEROIC BALLADS: AN HISTORICAL AND ANA-
LYTICAL STUDY. 249 pp. (Ph.D., Music, Boston University, 1973); LC 73-23,483;
Gibbs, Robert Anthony. EFFECTS OF THE MANHATTANVILLE MUSIC CURRICULUM PRO-
GRAM ON THE MUSICAL ACHIEVEMENT AND ATTITUDE OF JEFFERSON COUNTY,
COLORADO, PUBLIC SCHOOL STUDENTS. 153 pp. (Ph.D., Music, University of
Colorado, 1972); LC 72-25,168; DA XXXIII, 4, 1765-A.
Gibbs, Thomas Jordan, Jr. A STUDY OF FORM IN THE LATE MASSES OF JOSEPH HAYDN.
396 pp. (Ph.D., Music, The University of Texas at Austin, 1972); LC 73-18,430;
DA XXXIV, 2, 807-A.
Gibson, David Allen. PETER PHILIPS' KEYBOARD MUSIc. 186 pp. (Mus.A.D., Music,
Boston University, 1972); LC 72-25,120; DA XXXIII, 4, 1765-A.
Gibson, Robert Wayne. MEYERBEER'S "LE PROPHiTE": A STUDY IN OPERATIC STYLE.
233 pp. (Ph.D., Music, Northwestern University, 1972); LC 72-32,439; DA
XXXIII, 6, 2968-A.
Gigliotti, Charles Joseph. VARIATIONS IN THE EMERGING KEYBOARD STYLE. 155 pp.
(Mus.A.D., Music, Boston University, 1969); LC 72-288; DA XXXII, 6, 3350-A.
Gilmour, Forrest Matthew. SYMPHONY. (Original Composition). 176 pp. (D.M.A.,
Music, University of Missouri-Kansas City, 1972); LC 72-29,462; DA XXXIII,
5, 2410-A.
Gingrich, Donald Spencer. UNITY IN MUSIC: A COURSE OF STUDY IN MUSIc APPRECIA-
TION FOR ACADEMICALLY AND MUSICALLY TALENTED HIGH SCHOOL STUDENTS. 555
pp. (Ph.D., Music, University of Colorado, 1971); LC 72-17,262; DA XXXII,
12, 7030-A.
Godwin, Paul Milton. A STUDY OF CONCEPTS OF MELODY, WITH PARTICULAR REFER-
ENCE TO SOME MUSIC OF THE TWENTIETH CENTURY AND EXAMPLES FROM THE
COMPOSITIONS OF SCHONBERG, WEBERN, AND BERG. 238 pp. (Ph.D., Music, Th
Ohio State University, 1972); LC 73-2003; DA XXXIII, 8, 4453-A.
Goodell, Sister M. Elaine. WALTER DAMROSCH AND HIS CONTRIBUTIONS TO MUSI
EDUCATION. 590 pp. (D.M.A., Music, The Catholic University of America, 1973
LC 73-9121; DA XXXIII, 10, 5763-5764-A.
Goss, Donald Ray. IRVING W. WOLFE: HIS LIFE AND CONTRIBUTIONS TO MUSIc EDU-
CATION. 167 pp. (Ph.D., Music, George Peabody College for Teachers, 1972);
LC 72-25,387; DA XXXIII, 4, 1766-A.
Gotko, Raymond Morgan. TUTTI AND CONCERTINO IN SELECTED BAROQUE KEYBOARD
WORKS. 54 pp. (Ph.D., Music, The Florida State University, 1972); LC 72-31,398;
Grafing, Keith Gerhart. ALPHEUS BABCOCK: AMERICAN PIANOFORTE MAKER (1785-1842)
HIs LIFE, INSTRUMENTS, AND PATENTS. 132 pp. (D.M.A., Music, University of
Missouri-Kansas City, 1972); LC 73-19,723; DA XXXIV, 3, 1312-1313-A.
Graue, Jerald Curtis. MUzIo CLEMENTI AND THE DEVELOPMENT OF PIANOFORTE MUSIC

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IN INDUSTRIAL ENGLAND. 342 pp. (Ph.D., Music, University of Illinois at Urbana-

Champaign, 1971); LC 72-12,180; DA XXXII, 10, 5825-A.
Grauer, Victor Asher. MOUNT FuJI IN FINE WEATHER. 103 pp. (Ph.D., Music, State
University of New York at Buffalo, 1972); LC 72-27,248; DA XXXIII, 5, 2411-A.
Graves, Charles Douglas. THE THEORETICAL AND PRACTICAL METHOD FOR CELLO BY
MICHEL CORRETTE: TRANSLATION, COMMENTARY, AND COMPARISON WITH SEVEN
OTHER EIGHTEENTH CENTURY CELLO METHODS. (Volumes I and II). 415 pp.
(Ph.D., Music, Michigan State University, 1972); LC 72-22,221; DA XXXIII,
2, 777-A.
Greasby, Just James. A STUDY AND PERFORMANCE OF CHORAL SETTINGS OF VICTIMAE
PASCHALI LAUDES, CHRIST IST ERSTANDEN, AND CHRIST LAG IN TODESBANDEN.
202 pp. (D.M.A., Music, University of Southern California, 1972); LC 72-21,673;
Greenawalt, Terrence Lee. A STUDY OF THE SYMPHONY IN RUSSIA FROM GLINKA TO THE
EARLY TWENTIETH CENTURY. 239 pp. (Ph.D., Music, The University of Rochester,
Eastman School of Music, 1972); LC 72-24,954; DA XXXIII, 4, 1766-A.
Greene, Gordon Kay. THE SECULAR MUSIC OF CHANTILLY MANUSCRIPT MUSEE CONDEI
564 (Olim 1047). (Portions of Text in French). 675 pp. (Ph.D., Music, Indiana
University, 1971); LC 72-6781; DA XXXII, 8, 4649-4650-A.
Greenhoe, Mary Louise. PARAMETERS OF CREATIVITY IN MUSIC EDUCATION: AN Ex-
PLORATORY STUDY. 234 pp. (Ed.D., Music, The University of Tennessee, 1972);
LC 72-27,467; DA XXXIII, 4, 1766-A.
Grffin, Malcolm Joseph. STYLE AND DIMENSION IN THE CHORAL WORKS OF WILLIAM
SCHUMAN. 196 pp. (D.Mus.A., Music, University of Illinois at Urbana-Cham-
paign, 1972); LC 72-19,835; DA XXXIII, 1, 348-A.
Groom, Joan Charlene. FOUR SONGS OF THE AIR FOR TENOR AND ORCHESTRA (IN
MEMORIUM ROGER K. LOUDEN). (Original Composition). 160 pp. (Ph.D., Music,
The University of Rochester, 1973); LC 73-24,059; DA XXXIV, 5, 2679-A.
Grossman, Irene Miriam. A METHODOLOGICAL GUIDE TO THE PIANO MUSIC OF ISRAEL.
199 pp. (D.M.A., Music, University of Maryland, 1972); LC 73-11,379; DA
XXXIII, 11, 6389-A.
Groth, Clause Robert, Jr. A STUDY OF THE TECHNICAL AND INTERPRETATIVE PROBLEMS
INHERENT IN BARTOK'S VIOLIN SONATAS. 147 pp. (D.M.A., Music, University of
Oregon, 1971); LC 72-8536; DA XXXII, 9, 5266-A.
Grubbs, John Whitfield. THE SACRED VOCAL MUSIC OF THE GRAUN BROTHERS: A
BIO-BIBLIOGRAPHICAL STUDY. (Volumes I and II). 1355 pp. (Ph.D., Music, Uni-
versity of California, Los Angeles, 1972); LC 72-33,927; DA XXXIII, 7, 3694-A.
Grush, James. A GUIDE TO THE STUDY OF THE CLASSICAL OBOE. 272 pp. (Mus.A.D.,
Music, Boston University, 1972); LC 72-25,121; DA XXXIII, 4, 1767-A.
Hadley, Richard Thomas. THE PUBLISHED CHORAL MUSIC OF ULYSSES SIMPSON KAY-
1943 TO 1968. 358 pp. (Ph.D., Music, The University of Iowa, 1972); LC 73-361;
Hagan, Sister Mary Tobias. THE STRUCTURAL METHOD OF TEACHING MUSIC LISTEN-
ING, GRADES KINDERGARTEN THROUGH NINE. 914 pp. (Ed.D., Music, Washington
University, 1971); LC 72-9340; DA XXXII, 10, 5826-A.
Haigh, Morris A. CONCERTO FOR WIND QUINTET AND ORCHESTRA. (Original Com-
position). 156 pp. (Ph.D., Music, The University of Rochester, Eastman School
Hailstork, Adolphus Cunningham III. "FROM THE DARK SIDE OF THE SUN" AND "SEXTET

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FOR STRINGS." (Original Composition). 85 pp. (Ph.D., Music, Michigan State

Hale, Leslie William, Jr. VOCAL PEDAGOGY: A SUMMARY OF COURSES OFFERED IN
TWENTY-ONE SELECTED UNIVERSITIES. 206 pp. (D.M.A., Music, University of
Missouri-Kansas City, 1973); LC 73-25,938; DA XXXIV, 5, 2679-2680-A.
Hall, Anne Carothers. TEXTURE IN VIOLIN CONCERTOS OF STRAVINSKY, BERG, SCHOEN-
BERG, AND BARTOK. 367 pp. (Ph.D., Music, The University of Michigan, 1971);
LC 72-14,884; DA XXXII, 11, 6476-A.
Hammond, Frank Milton. JAMES CUNNINGHAM HARPER AND THE LENOIR, NORTH
CAROLINA HIGH SCHOOL BAND. 127 pp. (Ed.D., Music, University of North Caro-
lina at Greensboro, 1973); LC 73-26,398; DA XXXIV, 5, 2680-A.
Hanks, Sarah Elizabeth. THE GERMAN UNACCOMPANIED KEYBOARD CONCERTO IN THE
EARLY EIGHTEENTH CENTURY INCLUDING WORKS OF WALTHER, BACH AND THEIR
CONTEMPORARIES. 144 pp. (Ph.D., Music, The University of Iowa, 1972); LC
73-636; DA XXXIII, 7, 3695-A.
Hansard, Mary Ethyl Patricia. THE VOCAL POLYPHONIC STYLE OF THE LATIN CHURCH
MUSIC BY THOMAS TALLIS (C. 1505-1585). 211 pp. (D.M.A., Music, University
of Kentucky, 1971); LC 72-9396; DA XXXII, 9, 5266-A.
Hanson, John Hanford. "TIMAEUS," AN ORIGINAL QUARTERTONE COMPOSITION FOR
ORCHESTRA. 357 pp. (Ph.D., Music, The University of Wisconsin, 1973); LC 73-
20,253; DA XXXIV, 5, 2680-2681-A.
Hansuld, Arthur Marr. THE DEVELOPMENT AND EVALUATION OF TWO FILMED METH-
ODS FOR TEACHING PRINCIPLES OF SELECTED MUSICAL WIND INSTRUMENT SKILLS
ON THE COLLEGE LEVEL. 172 pp. (Ph.D., Music, University of Miami, 1971);
LC 72-12,884; DA XXXII, 10, 5826-A.
Harden, Susan Clydette. THE MUSIC FOR THE STAGE COLLABORATIONS OF WEILL AND
BRECHT. 272 pp. (Ph.D., Music, University of North Carolina at Chapel Hill,
1972); LC 72-24,795; DA XXXIII, 4, 1767-A.
Hardie, Graham Hood. LEONARDO LEO (1694-1744) AND HIS COMIC OPERAS "AMOR
VUOL SOFFERENZA" AND "ALIDORO." 296 pp. (Ph.D., Music, Cornell University,
1973); LC 73-20,162; DA XXXIV, 3, 1313-A.
Harley, Rachel Augusta Brett. ANANIAS DAVISSON: SOUTHERN TUNE-BOOK COMPILER
(1780-1857). 320 pp. (Ph.D., Music, The University of Michigan, 1972); LC 72-
29,077; DA XXXIII, 5, 2411-A.
Harris, Carl Gordon, Jr. A STUDY OF CHARACTERISTIC STYLISTIC TRENDS FOUND IN
THE CHORAL WORKS OF A SELECTED GROUP OF AFRO-AMERICAN COMPOSERS AND
ARRANGERS. (Previously copyrighted music not microfilmed at request of author.
Available for consultation at the University of Missouri, Kansas City, Library).
144 pp. (D.M.A., Music, University of Missouri-Kansas City, 1972); LC 72-29,463;
Hartway, James John. SEVEN WAYS OF LOOKING AT A BLACKBIRD FOR SOPRANO AND
ORCHESTRA. (Original Composition). 74 pp. (Ph.D., Music, Michigan State Uni-
Hayes, Laurence Melton. THE MUSIC OF ULYSSES KAY, 1939-1963. 405 pp. (Ph.D.,
Music, The University of Wisconsin, 1971); LC 71-23,306; DA XXXII, 6, 3351-A.
Hedwall, Paul Dwight. SYMPHONY: PSALM 148. 88 pp. (D.M.A., Music, University of
Southern California, 1972); LC 72-26,019; DA XXXIII, 4, 1768-A.
Hegstad, Joseph M. A STUDY OF INTERVIEWING PRACTICES AND TECHNIQUES UTILIZED
IN THE SCREENING OF PROSPECTIVE MUSIC PERSONNEL IN DEPARTMENTS OF MUSIC
IN INSTITUTIONS OF HIGHER EDUCATION. 193 pp. (D.M.A., Music, Univers

Missouri-Kansas City, 1971); LC 72-200; DA XXXII, 6, 3351-A.
Heim, Alyn Joseph. AN EXPERIMENTAL STUDY COMPARING SELF-INSTRUCTION

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CLASSROOM TEACHING OF ELEMENTARY RHYTHM READING IN MUSIc. 144 pp.

(Ed.D., Music, New York University, 1973); LC 73-19,459; DA XXXIV, 2,
807-808-A.
Hepner, Lee Alfred. AN ANALYTICAL STUDY OF SELECTED CANADIAN ORCHESTRAL
COMPOSITIONS AT THE MID-TWENTIETH CENTURY. 157 pp. (Ph.D., Music, New
York University, 1971); LC 72-20,634; DA XXXIII, 8, 4453-4454-A.
Hermetz, Robert Anthony. ATTITUDINAL CHANGE TOWARD MUSIC IN THE GENERAL
EDUCATION OF STUDENTS IN TWENTY FLORIDA PUBLIC JUNIOR COLLEGES. 133 pp.
(Ph.D., Music, The Florida State University, 1972); LC 73-9380; DA XXXIII,
10, 5764-5765-A.
Hernon, Michael A. PERUGIA MS 431 (G20): A STUDY OF THE SECULAR ITALIAN
PIECES. 535 pp. (Ph.D., Music, George Peabody College for Teachers, 1972);
LC 72-34,204; DA XXXIII, 11, 6389-A.
Hessert, Norman Dale. THE USE OF INFORMATION THEORY IN MUSICAL ANALYSIS. 94
pp. (Ph.D., Music, Indiana University, 1971); LC 72-6787; DA XXXII, 8,
4650-A.
Higgins, Jon Borthwick. THE MUSIC OF BHARATA NATYAM. VOLUME I: TEXT. VOLUME
11: NOTATED AND TAPED EXAMPLES. (Tapes 1 through 6, available for consultation
at Wesleyan University Library). 553 pp. (Ph.D., Music, Wesleyan University,
1973); LC 73-27,623; DA XXXIV, 5, 2681-A.
Hill, Jerry Randolph. AN INVESTIGATION AND EVALUATION OF THE USE OF VISUAL
AIDS FOR TEACHING MUSIC APPRECIATION AT THE COLLEGE LEVEL. 125 pp.
(D.Mus.Ed., Music, The University of Oklahoma, 1972); LC 72-29,889; DA
XXXIII, 5, 2412-A.
Hill, Marshall Austin. CONCERTINO-RIPIENO TECHNIQUES IN BAROQUE CHORAL MU-
SIc. 112 pp. (Ph.D., Music, The Florida State University, 1972); LC 72-23,004;
Hilse, Walter Bruno. FACTORS MAKING FOR COHERENCE IN THE WORKS OF PAUL
HINDEMITH, 1919-1926. 514 pp. (Ph.D., Music, Columbia University, 1971); LC
72-30,785; DA XXXIII, 5, 2412-A.
Hindman, John Joseph. CONCERT LIFE IN ANTE BELLUM CHARLESTON. 781 pp. (Ph.D.,
Music, University of North Carolina at Chapel Hill, 1971); LC 72-18,410; DA
XXXII, 12, 7030-A.
Hinds, Wayne B. LEO SOWERBY. A BIOGRAPHY AND DESCRIPTIVE LISTING OF ANTHEMS.
236 pp. (Ed.D., Music, George Peabody College for Teachers, 1972); LC 72-
25,364; DA XXXIII, 4, 1768-A.
Hiscott, Gilbert Edgar. THE EFFECT OF A PROGRAMMED COURSE OF INSTRUCTION ON
MUSIc EDUCATORS' KNOWLEDGE OF AND ATTITUDES TOWARD THE USE OF CON-
TEMPORARY YOUTH MUSIC. 174 pp. (Ed.D., Music, The Pennsylvania State Uni-
Hochheimer, Laura. A CRITICAL COMPARISON OF CERTAIN EUROPEAN AND AMERICAN
PEDAGOGICAL APPROACHES TO THE USE OF MUSIC IN THE REHABILITATION OF
PHYSICALLY HANDICAPPED CHILDREN. 259 pp. (Ph.D., Music, Indiana University,
1972); LC 73-2715; DA XXXII, 8, 4454-A.
Hofmann, John Thomas. A STUDY OF PEDAGOGICAL VALUES FOUND IN SELECTED
ORGAN WORKS OF FLOR PEETERS. 118 pp. (D.M.A., Music, The University of
Rochester, Eastman School of Music, 1973); LC 73-13,015; DA XXXIII, 12,
6952-A.
Holcomb, Dorothy Regina. PHILIP GREELEY CLAPP: HIS CONTRIBUTION TO THE MUSIC
OF AMERICA. 313 pp. (Ph.D., Music, The University of Iowa, 1972); LC 72-26,694;
Holland, Jeanne. CHOPIN'S TEACHING AND HIS STUDENTS. 338 pp. (Ph.D., Music, Uni-

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versity of North Carolina at Chapel Hill, 1973); LC 73-26,183; DA XXXIV, 5,

2681-A.
Holloway, William Wood. MARTIN AGRICOLA'S "MUSICA INSTRUMENTALIS DEUDSCH":
A TRANSLATION. 265 pp. (Ph.D., North Texas State University, 1972); LC 72-
24,188; DA XXXIII, 3, 1187-A.
Hopkins, William Thomas. THE SHORT PIANO COMPOSITIONS OF MAX REGER (1873-
1916). 259 pp. (Ph.D., Music, Indiana University, 1972); LC 72-15,914; DA
XXXII, 11, 6477-A.
Houkom, Alf Sveinung. SISOHPROMATEM. (Original Composition). 65 pp. (Ph.D., Music,
The University of Iowa, 1971); LC 72-8263; DA XXXII, 9, 5267-A.
Howard, Bertrand Edgar. MOZART'S CREATIVE AND TECHNICAL PROCESSES AS RE-
VEALED IN HIS LETTERS AND Two (Original) MUSICAL COMPOSITIONS (by author):
"SEXTET," "BARDOS." 134 pp. (D.M.A., Music, University of Washington, 1972);
LC 73-3728; DA XXXIII, 9, 5225-5226-A.
Howe, Hubert Shattuck, Jr. MULTI-DIMENSIONAL ARRAYS. 514 pp. (Music, Princeton
Howell, Thomas Stevens. THE COMPOSER'S GUIDE TO THE FLUTE. 545 pp. (D.Mus.A.,
XXXII, 10, 5827-A.
Howey, Henry Eugene. A COMPREHENSIVE PERFORMANCE PROJECT IN TROMBONE LIT-
ERATURE WITH AN ESSAY CONSISTING OF A TRANSLATION OF DANIEL SPEER'S
"VIERFACHES MUSIKALISCHES KLEEBLATT" (ULM, 1697). 296 pp. (D.M.A., Mu-
sic, The University of Iowa, 1971); LC 72-8346; DA XXXII, 9, 5267-A.
Hsu, Samuel. IMAGERY AND DICTION IN THE SONGS OF CLAUDE DEBUSSY. 218 pp.
(Ph.D., Music, University of California, Santa Barbara, 1972); LC 72-26,832;
Huenink, Kenneth J. Music APPRECIATION STUDY FOR CULTURALLY DISADVANTAGED
COLLEGE STUDENTS. 92 pp. (Ed.D. Music The Florida State University, 1972);
LC 73-4201; DA XXXIII, 8, 4454-A.
Hulbert, Howard Eugene. COLLEGE FRESHMEN ATTITUDES TOWARD PUBLIC SCHOOL
Music. 148 pp. (Ph.D., Music, West Virginia University, 1972); LC 73-12,965;
DA XXXIII, 12, 6952-6953-A.
Hume, Millard Carlyle. ADAM P. LESINSKY: A BIOGRAPHY. 237 pp. (Ed.D., Music,
The University of Michigan, 1971); LC 72-4811; DA XXXII, 8, 4650-A.
Humphrey, David Richard. A COMPOSITION OF A MUSICAL PLAY FOR MIDDLE SCHOOL:
JOHNNY TREMAIN. 198 pp. (Ph.D., Music, The Florida State University, 1972);
LC 72-27,918; DA XXXIII, 5, 2413-A.
Hutcheson, Lynn Thomas. THE CREATION AND PRODUCTION OF "SYNVIRONMENT," A
MULTIMEDIA COMPOSITION. 46 pp. (D.Mus., Music, The Florida State University,
1972); LC 73-4202; DA XXXIII, 9, 5226-A.
Hutchison, David Warner. "THE SACRILEGE OF ALAN KENT," A MONODRAMA IN NINE
SCENES FOR BARITONE SOLOIST, ORCHESTRA AND TAPE, TEXT BY ERSKINE CALD-
WELL. 198 pp. (Ph.D., Music, North Texas State University, 1971); LC 72-17,011;
lannaccone, Anthony. ANALYSIS OF "THE PRINCE OF PEACE." (Original Composition).

246 pp. (Ph.D., Music, The University of Rochester, Eastman School of Music,
1972); LC 73-982; DA XXXIII, 7, 3696-A.
Igoe, James Thomas. PERFORMANCE PRACTICES IN THE POLYPHONIC MASS OF THE

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EARLY FIFTEENTH CENTURY. 188 pp. (Ph.D., Music, University of North Carolina
at Chapel Hill, 1971); LC 72-10,733; DA XXXII, 10, 5827-A.
Inglis, Thomas John. THE EFFECTS OF UNFAMILIAR MUSIC ON- THE ELECTROENCEPHA-
LOGRAMS OF SECONDARY SCHOOL MUSIC STUDENTS AND NON-MUSIC STUDENTS. 91
pp. (Ph.D., Music, University of Minnesota, 1972); LC 73-10,579; DA XXXIII,
11, 6389-6390-A.
Isaku, Patia Myrel. AN INTRODUCTION TO JAPANESE FOLK SONG. 265 pp. (Ph.D.,
Music, Wesleyan University, 1973); LC 73-27,624; DA XXXIV, 5, 2681-2682-A.
Jarrell, James Aubrey. AN ANALYSIS OF ACHIEVEMENT, PROCEDURES, AND ACTIVITIES

OF SELECTED HIGH SCHOOL BAND PROGRAMS IN OKLAHOMA. 114 pp. (D.Mus.Ed.,
Music, The University of Oklahoma, 1971); LC 72-3400; DA XXXII, 7, 4045-A.
Jellison, Judith Anne. THE EFFECT OF MUSIC ON AUTONOMIC STRESS RESPONSES AND
VERBAL REPORTS. 86 pp. (Ph.D., Music, The Florida State University, 1972);
LC 73-4203; DA XXXIII, 9, 5226-5227-A.
Jennings, Vance Shelby. SELECTED TWENTIETH CENTURY CLARINET SOLO LITERATURE:
A STUDY IN INTERPRETATION AND PERFORMANCE. 331 pp. (D.M.E., Music, The
University of Oklahoma, 1972); LC 73-9159; DA XXXIII, 10, 5765-A.
Jensen, David E. BASIC PRINCIPLES OF ELECTRONIC SOUND SYNTHESIS. 251 pp. (Ph.D.,
Music, The Florida State University, 1972); LC 73-4204; DA XXXIII, 8, 4455-A.
.Johnson, Margaret Frishe. AGOSTINO AGAZZARI (1578-1640): THE MOTETS FOR ONE
TO FOUR VOICES. 131 pp. (Ph.D., Music, Tulane University, 1972); LC 72-24,409;
Johnston, Stephen Keith. THE CLARINET CONCERTOS OF Louis SPOHR. 164 pp. (D.M.A.,
Music, University of Maryland, 1972); LC 72-29,619; DA XXXIII, 5, 2414-A.
Jones, Anita Joyce Gilstrap. A SURVEY OF ORGAN WORKS BASED ON THE MOTIVE
B-A-C-H. 106 pp. (D.M.A., Music, The University of Texas at Austin, 1970);
LC 72-2293; DA XXXII, 7, 4045-A.
Jones, David Wilson. A COMPREHENSIVE PERFORMANCE PROJECT IN SOLO VOCAL LIT-
ERATURE WITH AN ANNOTATED CATALOGUE OF THE VOCAL WORKS OF G. ROSSINI,
WRITTEN BETWEEN 1857-1868 AS FOUND IN THE LIBRARY OF THE "FONDAZIONE
G. RossINI." 146 pp. (D.M.A., Music, The University of Iowa, 1972); LC 73-
13,608; DA XXXIII, 12, 6953-A.
Jones, Gaynor Grey. BACKGROUNDS AND THEMES OF THE OPERAS OF CARL MARIA VON
WEBER. 369 pp. (Ph.D., Music, Cornell University, 1972); LC 72-26,346; DA
XXXIII, 4, 1769-A.
Jones, George Morton. THE "FIRST" CHANSONNIER OF THE BIBLIOTECA RICCARDIANA,
CODEX 2794: A STUDY IN THE METHOD OF EDITING 15TH-CENTURY MUSIC. (Vol-
umes I and II). 677 pp. (Ph.D., Music, New York University, 1971); LC 72-31,090;
Jones, John Loren. A CINEFLUROGRAPHIC AND SPECTROGRAPHIC ANALYSIS OF THE
EFFECT OF VELUM POSITIONS ON SUNG VOWELS. 264 pp. (Mus.Ed.D., Music,
Indiana University, 1971); LC 72-8892; DA XXXII, 9, 5267-A.
Jones, Roger Parks. SYMPHONY FOR BAND. (Original Composition). 400 pp. (Ph.D.,
Music, University of Miami, 1972); LC 72-24,502; DA XXXIII, 3, 1187-A.
Jones, Russell Leroy. A SCALOGRAM ANALYSIS OF THE DEVELOPMENT OF THE METER
CONCEPT IN CHILDREN. 135 pp. (Ph.D., Music, Indiana University, 1971); LC
72-6792; DA XXXII, 8, 4650-4651-A.
Jones, Thomas Marshall. THE DEVELOPMENT AND EVALUATION OF A BLACK MUSIC

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SYLLABUS FOR ELEMENTARY MUSIc EDUCATION. 208 pp. (D.Mus.Ed., Music, The
University of Oklahoma, 1972); LC 72-29,892; DA XXXIII, 5, 2414-A.
Jones, William Isaac, Jr. A STUDY OF TONALITY IN THE SYMPHONIES OF CARL NIELSEN.
80 pp. (Ph.D., Music, The Florida State University, 1973); LC 73-25,118; DA
XXXIV, 4, 1951-1952-A.
Jones, William LaRue. THREE WIND DIVERTIMENTI (PARTITAS) BY FRANZ ASPLMAYR
IN VIENNA CIRCA 1760. 101 pp. (Ph.D., Music, The University of Wisconsin, 1972);
LC 72-23,316; DA XXXIII, 6, 2969-A.
Jones, William Mervyn. A STUDY OF VALUES IN MUSIc EDUCATION, 1950-i1970, TO
IDENTIFY CHANGES AND DIRECTIONS OF CHANGE. 222 pp. (Ed.D., Music, Univer-
sity of the Pacific, 1973); LC 73-21,064; DA XXXIV, 3, 1313-A.
Kalipolites, Marcus. A PROGRAMMED COURSE IN ACOUSTICS IN MUSIC FOR JUNIOR HIGH

SCHOOL. 213 pp. (D.M.A., Music, University of Missouri-Kansas City, 1972);
LC 73-19,726; DA XXXIV, 3, 1313-1314-A.
Karjala, Henry Eugene. A CRITICAL ANALYSIS OF "SCHOOL MUSIC MAGAZINE" 1900-
1936. 417 pp. (Ph.D., Music, University of Minnesota, 1973); LC 73-18,119; DA
XXXIV, 2, 808-A.
Karl, Harold Thomas. THE EFFECTS OF MELODIC DICTATION AND SIGHT SINGING ON
MUSIC READING ACHIEVEMENT. 158 pp. (Ph.D., Music, Michigan State Univer-
sity, 1971); LC 72-8714; DA XXXII, 9, 5268-A.
Karp, Theodore C. THE CHANSONS OF THE CHATELAIN DE COUCY. 400 pp. (Ph.D.,
Kassler, Jamie Croy. BRITISH WRITINGS ON MUSIc, 1760-1830: A SYSTEMATIC ESSAY
TOWARD A PHILOSOPHY OF SELECTED THEORETICAL WRITINGS. (Volumes I and II).
592 pp. (Ph.D., Music, Columbia University, 1971); LC 72-1337; DA XXXII,
6, 3352-A.
Keller, Charles William. THE PIANO SONATAS OF NICOLAS MEDTNER. 358 pp. (Ph.D.,
Music, The Ohio State University, 1971); LC 72-4534; DA XXXII, 7, 4046-A.
Kennemer, Hubert Clarence, Jr. THE EXPANSION OF THE KEYBOARD RANGE IN THE
SOLO PIANO SONATAS OF BEETHOVEN. 75 pp. (D.M.A., Music, The University of
Texas at Austin, 1970); LC 72-2294; DA XXXII, 7, 4046-A.
Keraus, Ruth Kathleen. AN ACHIEVEMENT STUDY OF PRIVATE AND CLASS SUZUKI VIOLIN
INSTRUCTION. 147 pp. (Ph.D., Music, University of Rochester, 1973); LC 73-
19,369; DA XXXIV, 2, 808-809-A.
Kessner, Daniel Aaron. STRATA FOR LARGE ORCHESTRA. (Volumes I-III). 209 pp.
(Ph.D., Music, University of California, Los Angeles, 1971); LC 72-2948; DA
XXXII, 7, 4046-A.
Kilgore, Edna Kellersberger. METRIC ANOMALIES IN THE WELL-TEMPERED CLAVIER.
(Music Series Number 52). 308 pp. (Ph.D., Music, The Catholic University of
America, 1973); LC 73-11,330; DA XXXIII, 11, 6390-A.
Killam, Dwight D. AESTHETIC REALIZATION: RATIONALE AND STRUCTURE OF A NEW
APPROACH IN MUSIc EDUCATION. 263 pp. (Mus.A.D., Music, Boston University,
1972); LC 72-25,122; DA XXXIII, 4, 1769-A.
Kimbell, Michael Alexander. PART ONE: "WANDRERS STURMLIED" FOR CHORUS, BARI-
TONE SOLO, AND ORCHESTRA. (Original Composition). 173 pp. (D.M.A., Music,
Cornell University, 1973); LC 73-28,295; DA XXXIV, 5, 2682-A.
Kincaid, Desmond. BALA BARTOK: OUT OF DOORS, A LECTURE RECITAL TOGETHER
WITH THREE RECITALS OF SELECTED WORKS OF L. V. BEETHOVEN, F. CHOPIN,

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J. BRAHMS, R. SCHUMANN, G. ROCHBERG, S. PROKOFIEFF, M. RAVEL AND OTHERS.

44 pp. (D.M.A., Music, North Texas State University, 1971); LC 72-4088; DA
XXXII, 7, 4046-A.
King, Carl Darlington. THE CONSERVATION OF MELODIC PITCH PATTERNS BY ELEMEN-
TARY SCHOOL CHILDREN AS DETERMINED BY ANCIENT CHINESE MUSIc. 265 pp.
(Ph.D., Music, The Ohio State University, 1972); LC 73-2039; DA XXXIII, 8,
4455-4456-A.
Kinsinger, Dan Howard. THE SEVEN SONG COLLECTIONS OF GABRIEL FAURE. 211 pp.
12,246; DA XXXII, 10, 5827-A.
Klausmeyer, Peter Ballard. ". . . PARTIAL FULFILLMENT..." FOR ORCHESTRA. (Original
Composition). 61 pp. (A.Mus.D., Music, The University of Michigan, 1973);
LC 73-24,515; DA XXXIV, 5, 2682-A.
Kleinsasser, Jerome Stewart. NINETEENTH-CENTURY TWIN CITY CHORAL ACTIVITIES.
717 pp. (Ph.D., Music, University of Minnesota, 1972); LC 72-20,116; DA
XXXIII, 2, 778-A.
Klimisch, Sister Mary Jane, O.S.B. THE MUSIC OF THE LAMENTATIONS: HISTORICAL
AND ANALYTICAL ASPECTS. 200 pp. (Ph.D., Music, Washington University, 1971);
LC 72-9349; DA XXXII, 9, 5268-A.
Koch, Franklin Wescott. THE HISTORY AND PROMOTIONAL ACTIVITIES OF THE NATIONAL
BUREAU FOR THE ADVANCEMENT OF MUSIc. 563 pp. (Ph.D., Music, The University
of Michigan, 1973); LC 73-24,697; DA XXXIV, 4, 1952-A.
Koenig, Arthur William. THE ORCHESTRAL TECHNIQUES OF THE MAHLER SYMPHONIES
WITH EMPHASIS ON THE SECOND AND NINTH SYMPHONIES. 225 pp. (Ph.d., Music,
Michigan State University, 1971); LC 72-16,457; DA XXXII, 11, 6478-A.
Koper, Robert Peter. A STYLISTIC AND PERFORMANCE ANALYSIS OF THE BASSOON MUSIC
OF PAUL HINDEMITH. 364 pp. (Ed.D., Music, University of Illinois at Urbana-
Champaign, 1972); LC 72-19,863; DA XXXIII, 1, 349-A.
Kraczek, Stanley Julian. THE DEGREES OF GLORY, A SACRED CANTATA FOR TENOR,
BARITONE, CHORUS AND ORCHESTRA. (Original Composition) 188 pp. (Ph.D.,
Music, University of Utah, 1972); LC 73-1288; DA XXXIII, 10, 5765-A.
Kravitt, Edward F. THE LATE ROMANTIC LIED: PERFORMANCE, THE LITERARY AP-
PROACH, AND THE NATURALISTIC MOVEMENT. 179 pp. (Ph.D., Music, New York
Kuhn, Terry Lee. THE EFFECT OF TEACHER APPROVAL AND DISAPPROVAL ON ATTEN-
TIVENESS, MUSICAL ACHIEVEMENT, AND ATTITUDE OF FIFTH GRADE STUDENTS. 67
pp. (Ph.D., Music, The Florida State University, 1972); LC 72-23,006; DA
XXXIII, 3, 1188-A.
Kurtz, Saul James. A STUDY AND CATALOG OF ENSEMBLE MUSIC FOR WOODWINDS
ALONE OR WITH BRASS FROM CA. 1700 TO CA. 1825. 250 pp. (Ph.D., Music, The
University of Iowa, 1971); LC 72-8273; DA XXXII, 9, 5269-A.
Kurtzman, Jeffrey Gordon. THE MONTEVERDI VESPERS OF 1610 AND THEIR RELATION-
SHIP WITH ITALIAN SACRED MUSIC OF THE EARLY SEVENTEENTH CENTURY. 113
pp. (Ph.D., Music, University of Illinois at Urbana-Champaign, 1972); LC 73-
9975; DA XXXIII, 10, 5766-A.
Lammers, Joseph Edward. PATTERNS OF CHANGE UNDER IDENTITY IN SHORTER PIANO

WORKS BY BALA BARTOK. 237 pp. (Ph.D., Music, The Florida State University,
1971); LC 72-13,528; DA XXXII, 11, 6478-A.

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Large, John W. SOME SPECTRAL CORRELATES OF PERCEIVED DIFFERENCES IN FEMALE

CHEST AND MIDDLE REGISTERS IN SINGING. 136 pp. (Ph.D., Music, Stanford Uni-
Largent, Edward James, Jr. AN INVESTIGATION INTO THE PERCEPTIBILITY OF TWELVE-
TONE Rows. 162 pp. (Ph.D., Music, The Ohio State University, 1972); LC 73-
2043; DA XXXIII, 8, 4456-A.
Larsen, Ronald Lee. LEVELS OF CONCEPTUAL DEVELOPMENT IN MELODIC PERMUTATION
CONCEPTS BASED ON PIAGET'S THEORY. 165 pp. (Ph.D., Music, University of Min-
nesota, 1972); LC 72-20,122; DA XXXIII, 1, 350-A.
Lasko, Richard. A HISTORY OF THE COLLEGE BAND DIRECTORS NATIONAL ASSOCIATION.
266 pp. (Ed.D., Music, University of Cincinnati, 1971); LC 72-2956; DA XXXII,
7, 4047-A.
Lau, Cheryl Ann. AN INQUIRY INTO THE TRADITIONAL MUSIC OF TAHITI AND ITS
PEDAGOGY. 128 pp. (D.M.A., Music, University of Oregon, 1971); LC 72-8564;
Lavore, Roman U. INSTRUMENTAL RECITATIVE IN CLASSIC, ROMANTIC, AND TWENTIETH
CENTURY MUSIC. 102 pp. (Ph.D., Music, The Florida State University, 1973);
LC 73-24,290; DA XXXIV, 4, 1952-1953-A.
Lawes, William Frederick. THE DETECTION OF INVARIANT PITCH PATTERNS OVER
RHYTHMIC TRANSFORMATION BY ELEMENTARY SCHOOL CHILDREN: A PRELIMINARY
STUDY OF THE APPLICATION OF DIFFERENTIATION THEORY TO MUSICAL PERCEPTION.
132 pp. (Ph.D., Music, The University of Iowa, 1971); LC 72-8280; DA XXXII,
9, 5270-A.
Lawhon, Gladys Louise. THE POETIC IDEAL IN THE PIANO MUSIC OF FRANZ LISZT: A
LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF MUSIC BY MOZART,
BEETHOVEN, SCHUBERT, CHOPIN, BRAHMS, AND CONTEMPORARY EUROPEAN AND
NORTH AMERICAN COMPOSERS. 36 pp. (D.M.A., Music, North Texas State Uni-
versity, 1972); LC 73-12,919; DA XXXIII, 11, 6390-A.
Lazarevich, Gordana. THE ROLE OF THE NEAPOLITAN INTERMEZZO IN THE EVOLUTION
OF EIGHTEENTH-CENTURY MUSICAL STYLE: LITERARY, SYMPHONIC AND DRAMATIC
ASPECTS, 1685-1735. 418 pp. (Ph.D., Music, Columbia University, 1970); LC 73-
8965; DA XXXIV, 3, 1314-A.
LeClercq, Leila Sarah. DERIDRE OF THE SORROWS: AN OPERA. (Original Composition).
208 pp. (Ph.D., Music, The University of Wisconsin, 1972); LC 73-9278; DA
XXXIV, 1, 353-A.
Lecoat, Gerard George. MUSIC AND THE RHETORIC OF THE ARTS DURING THE AGE OF
MONTEVERDI. 313 pp. (Ph.D., Music, University of Washington, 1973); LC 73-
22,584; DA XXXIV, 4, 1953-A.
Ledbetter, Steven John. LUCA MARENZIO: NEW BIOGRAPHICAL FINDINGS. 265 pp. (Ph.D.,
Lee, John Madison. HARMONIC STRUCTURES IN THE "QUATRE ETUDES RHYTHMIQUES"
OF OLIVER MESSIAEN. 77 pp. (Ph.D., Music, The Florida State University, 1972);
LC 72-18,619; DA XXXIII, 1, 350-A.
Leeds, Frederic Michael. DIDEROT: THE PHILOSOPHER AS MUSICIAN. 148 pp. (Ph.D.,
Music, The Pennsylvania State University, 1971); LC 72-19,339; DA XXXIII,
1, 351-A.
Lehman, Earl Wade. A STUDY OF THE EFFECTIVENESS OF THE MUSIC CURRICULA OF
THE LIBERAL ARTS COLLEGES AFFILIATED WITH THE MENNONITE CHURCH. 114 pp.
(Ph.D., Music, The Ohio State University, 1973); LC 73-26,858; DA XXXIV,
5, 2682-2683-A.
Levis, William Henry. A COMPARISON OF THE ORCHESTRATION OF THE SUBORDINATE
THEMES IN THE FIRST MOVEMENTS OF THE SYMPHONIES OF BEETHOVEN, SCHUBERT,

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MENDELSSOHN AND SCHUMANN. 244 pp. (D.M.A., Music, University of Missouri-

Kansas City, 1973); LC 73-19,727; DA XXXIV, 3, 1314-1315-A.
Levy, Burt Jerome. VOLUME I: ASPECTS OF A SYSTEMS APPROACH TO MUSICAL ANALY-
SIS. VOLUME II: TRYONYM FOR ORCHESTRA. (Original Composition). 306 pp.
9981; DA XXXIII, 10, 5766-A.
Li, Chau-Yuan M. A SPIROMETRIC MENSURATION OF FORCED INHALATION EMPLOYED
IN THREE METHODS OF VOICE INSTRUCTION. 140 pp. (Ph.D., Education, Southern
Illinois University at Carbondale, 1970); LC 71-10,025; DA XXXI, 10, 6220-B.
Lilley, John Mark. NEW PRINCIPLES OF WORSHIP BASED ON MULTI-MEDIA EXPERI-
ENCES IN CORPORATE WORSHIP. 127 pp. (D.M.A., Music, University of Southern
California, 1971); LC 72-11,937; DA XXXII, 10, 5828-A.
Lindner, Richard John. A CATALOGING TECHNIQUE AND A COMPUTER-AIDED SYSTEM
FOR RETRIEVING INFORMATION ABOUT BRASS MUSIC. (Volumes I and II). 462 pp.
(Ph.D., Music, The University of Iowa, 1971); LC 72-8281; DA XXXII, 9,
5270-A.
Linscome, Sanford Abel. A HISTORY OF MUSICAL DEVELOPMENT IN DENVER, COLORADO,
1858-1908. 658 pp. (D.M.A., Music, The University of Texas at Austin, 1970);
LC 72-2295; DA XXXII, 7, 4047-A.
Linthicum, David Howell. PENDERECKI'S NOTATION: A CRITICAL EVALUATION. 158 pp.
17,301; DA XXXIV, 2, 809-A.
Little, Jean. ARCHITECTONIC LEVELS OF RHYTHMIC ORGANIZATION IN SELECTED
TWENTIETH-CENTURY MUSIC. 419 pp. (Ph.D., Music, Indiana University, 1971);
LC 72-6802; DA XXXII, 8, 4651-A.
Liu, Johannes. SUITE FOR ORCHESTRA. (Original Composition). 106 pp. (D.M.A.,
Music, University of Miami, 1971); LC 72-2200; DA XXXII, 7, 4048-A.
Livingston, David Warren. SYMPHONY No. 1. (Original Composition). 129 pp. (Ph.D.,
Music, The Ohio State University, 1971); LC 72-15,243; DA XXXII, 11, 6479-A.
Lock, William Rowland. ONTARIO CHURCH CHOIRS AND CHORAL SOCIETIES, 1819-
1918. 261 pp. (D.M.A., Music, University of Southern California, 1972); LC 73-
9316; DA XXXIII, 10, 5767-A.
Lohuis, Ardyth June. DELPHIN STRUNCK: THE ORGAN COMPOSITIONS FOUND IN LijNE-
BURG TABLATURE KN209 (with) PART II: TRANSCRIPTIONS. 194 pp. (D.M.A., Mu-
sic, University of Cincinnati, 1970); LC 73-4093; DA XXXIII, 8, 4457-A.
Lombardi, Carlo. A REVISION OF THE INSTRUMENTAL CATALOGUE AND AN EXAMINATION
OF THE FORM-TYPES OF THE "SIX SONATAS FOR CEMBALO," OPUS X, OF GIOVANNI
MARCO PLACIDO RUTINI (1723-97). 252 pp. (Ph.D., Music, New York University,
1972); LC 72-20,648; DA XXXIII, 1, 351-A.
Long, Joan Anne. THE MOTETS, PSALMS AND HYMNS OF ADRIAN WILLAERT-A LITUR-
GICO-MUSICAL STUDY. 263 pp. (Ph.D., Music, Columbia University, 1971); LC
72-1353; DA XXXII, 6, 3352-A.
Looser, Donald William. SIGNIFICANT FACTORS IN THE MUSICAL DEVELOPMENT OF THE
CULTURAL LIFE IN HOUSTON, TEXAS, 1930-1971. 401 pp. (Ph.D., Music, The
Florida State University, 1972); LC 72-31,408; DA XXXIII, 6, 2970-A.
Lora, Doris Liechty. THE PERCEPTION OF THE MOTIVE IN THE BACH CHORALE PRE-
LUDES. 270 pp. (Ph.D., Music, The Ohio State University, 1971); LC 72-4551;
Lowe, Donald Robert. SIR CARL BUSCH: His LIFE AND WORK AS A TEACHER, CON-
DUCTOR, AND COMPOSER. 456 pp. (D.M.A., Music, University of Missouri-Kansas
City, 1972); LC 73-25,941; DA XXXIV, 5, 2683-A.
Lowry, Alaire Howard. "SEMELE," MUSIC DRAMA BY GEORGE FRIDERIC HANDEL-

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CONTEMPORARY PERFORMANCE CONSIDERATIONS. 184 pp. (D.M.A., Music, The

University of Texas at Austin, 1972); LC 73-18,391; DA XXXIV, 2, 809-810-A.
Lund, Darrell Roy. A COMPARATIVE STUDY OF THREE THERAPEUTIC TECHNIQUES IN
THE MODIFICATION OF ANXIETY BEHAVIOR IN INSTRUMENTAL MUSIC PERFORMANCE.
120 pp. (Ph.D., Music, University of Utah, 1972); LC 72-23,026; DA XXXIII,
3, 1189-A.
Lyons, John A. Music EDUCATION IN PUBLIC FOUR-YEAR HIGH SCHOOLS IN SOUTH
DAKOTA, 1971-71. 139 pp. (Ed.D., Music, University of South Dakota, 1972);
LC 72-32,713; DA XXXIII, 6, 2970-A.
MacCombie, Bruce Franklin. "CANTO: MARMERIM" FOR SOPRANO AND INSTRUMENTAL

ENSEMBLE BASED ON THE POEM MARMERIM BY JONATHON ALBERT. 37 pp. (Ph.D.,
Music, The University of Iowa, 1971); LC 72-8283; DA XXXII, 9, 5270-A.
MacDonald, Mildred Ann. MUSIC AT BOYS TOWN, 1917-1970. 237 pp. (Ph.D., Music,
University of Colorado, 1972); LC 73-1805; DA XXXIII, 8, 4457-A.
Maddox, Eric R. THE DEVELOPMENT AND VALIDATION OF AN ACHIEVEMENT TEST OF
COGNITIVE ASPECTS OF ELEMENTARY STRING CLASS INSTRUCTION. 106 pp. (Ph.D.,
Music, The Florida State University, 1972); LC 73-4206; DA XXXIII, 8, 4457-
4458-A.
Maddox, Robert Lee, III. THE CONSTRUCTION AND VALIDATION OF AN INSTRUMENT TO
MEASURE RELEVANCE PERCEPTION IN BAND STUDENTS. 146 pp. (Ph.D., Music,
New York University, 1973); LC 73-19,435; DA XXXIV, 2, 810-A.
Magliocco, Hugo A. THE RICERCARI A TRE OF PIETRO VINCI AND ANTONIO IL VERSO:
A DISCUSSION AND MODERN EDITION. 150 pp. (D.Mus.Ed., Music, The University
of Oklahoma, 1972); LC 73-4949; DA XXXIII, 8, 4458-A.
Mamminga, Michael Arthur. BRITISH BRASS BANDS. 117 pp. (Ph.D., Music, The Florida
State University, 1973); LC 73-25,122; DA XXXIV, 4, 1953-A.
Marchesseault, Sister Anita. Music EDUCATION IN THE SCHOOLS OF MANCHESTER, NEW
HAMPSHIRE FROM 1850 To 1970. 737 pp. (Mus.A.D., Music, Boston University,
1972); LC 72-25,123; DA XXXIII, 4, 1770-A.
Marciniak, Francis Marion. AN INVESTIGATION OF THE RELATIONSHIPS BETWEEN MU-
SIC PERCEPTION AND MUSIC PERFORMANCE OF STUDENTS IN SELECTED HIGH SCHOOL
BANDS. 154 pp. (Ph.D., Music, Northwestern University, 1972); LC 72-32,503;
Martin, Earl Hubert. THE CONSTRUCTION AND VALIDATION OF AN ACHIEVEMENT TEST
IN THE BEGINNING BAND. 176 pp. (Ph.D., Music, The Florida State University,
1971); LC 72-274; DA XXXII, 6, 3352-A.
Martin, James Gautier. AN APPLICATION OF BRUNER'S THEORY OF INSTRUCTION TO
SELECTED FEATURES OF RENAISSANCE CHORAL MUSIC. 145 pp. (D.M.A., Music,
The University of Texas at Austin, 1973); LC 73-25,964; DA XXXIV, 5, 2684-A.
Martin, Raymond Eldridge, Jr. ELEVEN SELECTED WOODWIND CONCERTOS OF JOHANN
MELCHIOR MOLTER IN TWO VOLUMES. VOLUME I: HISTORY AND ANALYSIS. VOL-
UME II: AN EDITION OF SEVEN CONCERTOS. 489 pp. (D.M.A., Music, University
of Missouri-Kansas City, 1973); LC 73-25,942; DA XXXIV, 5, 2684-A.
Marvin, Jameson Neil. FERRARESE MASSES OF THE LATE RENAISSANCE. 459 pp.
12,286; DA XXXII, 10, 5828-A.
Maslanka, David Henry. SHIBUI SYMPHONY AND STRING QUARTET. 179 pp. (Ph.D.,
Music, Michigan State University, 1971); LC 72-8739; DA XXXII, 9, 5271-A.

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Massmann, Richard Lee. LILLIAN BALDWIN AND THE CLEVELAND PLAN FOR EDUCA-
TIONAL CONCERTS. 236 pp. (Ph.D., Music, The University of Michigan, 1972);
LC 73-6870; DA XXXIII, 9, 5227-A.
Mather, Christine Kyle. CADENTIAL STRUCTURE IN THE LIEDER OF HEINRICH ISAAC.
144 pp. (Ph.D., The University of Michigan, 1971); LC 72-4929; DA XXXII,
7, 4048-A.
Matthews, Justus Frederick. HDORYUT. (Music Composed with Musical Instruction
Composition Oriented Language, MUSICOL). 185 pp. (Ph.D., Music, State Uni-
versity of New York at Buffalo, 1973); LC 73-19,213; DA XXXIV, 2, 810-811-A.
Maust, Wilbur Richard. THE SYMPHONIES OF ANTHONY PHILIP HEINRICH BASED ON
AMERICAN THEMES. 374 pp. (Ph.D., Music, Indiana University, 1973); LC 73-
19,743; DA XXXIV, 3, 1315-A.
Maves, David Walter. CONCERTO FOR PERCUSSION AND ORCHESTRA. (Original Com-
position). 57 pp. (A.Mus.D., Music, The University of Michigan, 1971); LC 72-
10,517; DA XXXII, 9, 5271-A.
Maxwell, William LeGrand. REVISION OF MUSIc STUDY PROGRAM OF THE CHURCH OF
JESUS CHRIST OF LATTER-DAY SAINTS: A REPORT OF A TYPE B PROJECT. 214 pp.
(Ed.D., Music, Columbia University, 1952); LC 72-1462; DA XXXII, 6, 3353-A.
Mbabi-Katana, Solomon. PROPOSED MUSIC CURRICULUM FOR FIRST EIGHT YEARS OF
SCHOOLING IN UGANDA. 877 pp. (Ph.D., Music, Northwestern University, 1972);
LC 72-32,508; DA XXXIII, 10, 5767-A.
McAfee, Carlton Frederick, Jr. DIAPHONIA. (Original Composition). 11 pp. (Ph.D.,
Music, The University of Iowa, 1972); LC 73-660; DA XXXIII, 7, 3696-A.
McCarrell, Lamar Keith. A HISTORICAL REVIEW OF THE COLLEGE BAND MOVEMENT
FROM 1875 TO 1969. 330 pp. (Ph.D., Music, The Florida State University, 1971);
LC 72-10,037; DA XXXII, 9, 5272-A.
McCarthy, James Francis. THE EFFECTS OF SELECTED FACTORS AND INDIVIDUAL IN-
STRUCTION WITHIN THE MUSIC CLASSROOM ON THE PERFORMANCE ACHIEVEMENT OF
SEVENTH GRADE BEGINNING INSTRUMENTALISTS. 142 pp. (Ph.D., Music, Michigan
State University, 1972); LC 73-12,776; DA XXXIII, 11, 6390-6391-A.
McCarthy, Peter Joseph. THE SONATAS OF DARIUS MILHAUD. (Studies in Music Num-
ber 50). 147 pp. (Ph.D., Music, The Catholic University of America, 1972); LC
73-4353; DA XXXIII, 8, 4458-4459-A.
McCrickard, Eleanor Fowler. ALESSANDRO STRADELLA'S INSTRUMENTAL MUSIc: A CRITI-
CAL EDITION WITH HISTORICAL AND ANALYTICAL COMMENTARY. VOLUME I: HIS-
TORICAL AND ANALYTICAL COMMENTARY. VOLUME II: AN EDITION OF THE INSTRU-
MENTAL WORKS. 528 pp. (Ph.D., Music, University of North Carolina at Chapel
Hill, 1971); LC 72-10,749; DA XXXII, 9, 5272-A.
McGary, Thomas Joseph. CODEX ESCORIAL MS V. 111.24: AN HISTORICAL-ANALYTICAL
EVALUATION AND TRANSCRIPTION. VOLUME I: TEXT. VOLUME II: TRANSCRIPTIONS.
415 pp. (Ph.D., Music, University of Cincinnati, 1973); LC 73-23,846; DA
XXXIV, 5, 2684-2685-A.
McMurtry, Barbara Hughes. THE MUSIC OF PRINCE Louis FERDINAND. 365 pp. (Ph.D.,
XXXIII, 1, 352-A.
McNitt, Harriet Harbeson. A SELF-INSTRUCTIONAL PROGRAM FOR UNCERTAIN SINGERS.
179 pp. (Ed.D., Music, The Pennsylvania State University, 1971); LC 72-13,896;
DA XXXII, 11, 6479-A.
Medlin, Douglas Sam. A CRITICAL REVIEW AND SYNTHESIS OF DOCTORAL RESEARCH
IN THE METHODOLOGY OF MUSIC TEACHING. 639 pp. (Ed.D., Music, University of
Illinois at Urbana-Champaign, 1972); LC 73-10,001; DA XXXIII, 10, 5768-A.
Mehling, Gordon Raymond. AN ANALYSIS OF COLLEGE UNDERGRADUATES AND MUSIC

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TEACHERS IN RELATION TO STUDENT ATTITUDES TOWARD MUSIc. 133 pp. (Ph.D.,

Music, Michigan State University, 1972); LC 72-30,012; DA XXXIII, 5, 2414-A.
Melby, John Bethune, Jr. VOLUME I: A METHOD OF CONTROLLING LOCAL AND LARGE-
SCALE RHYTHMIC RELATIONSHIPS IN TWELVE-TONE AND OTHER SERIAL COMPO-
SITIONS. VOLUME II: "91 PLUS 5." (Original Composition). 160 pp. (Ph.D., Music,
Princeton University, 1972); LC 73-19,359; DA XXXIV, 2, 811-A.
Mercer, James Ronald. JOHN CLARK KENDEL: HIS VIEW OF AND CONTRIBUTIONS TO
MUSIc EDUCATION. 181 pp. (Ph.D., Music, University of Colorado, 1972); LC
72-25,201; DA XXXIII, 4, 1770-A.
Merino, Luis Felix. THE MASSES OF FRANCISCO GUERRERO (1528-1599). (Volumes
I-III). 841 pp. (Ph.D., Music, University of California, Los Angeles, 1972); LC
72-23,786; DA XXXIII, 3, 1189-A.
Messenger, Joseph Charles. A COMPREHENSIVE PERFORMANCE PROJECT IN CLARINET
LITERATURE WITH AN ANNOTATED BIBLIOGRAPHY OF SELECTED BOOKS AND PERI-
ODICAL MATERIAL ABOUT THE HISTORY, REPERTOIRE, AND ACOUSTICS OF THE
CLARINET. 106 pp. (D.M.A., Music, The University of Iowa, 1971); LC 71-30,467;
Meyer, W. Frederick. OBOE QUARTETS FROM CA. 1750-CA. 1825. 155 pp. (D.M.A.,
Music, The University of Rochester, Eastman School of Music, 1973); LC 73-
24,058; DA XXXIV, 4, 1953-1954-A.
Meyers, Joseph Kenneth. THE SONGS OF JOSEPH MARX. 186 pp. (D.M.A., Music, Uni-
Miller, Michael Richard. STROPHE, ANTISTROPHE: A SYMPHONY IN THREE MOVE-
MENTS. (Original Composition). 226 pp. (Ph.D., Music, The University of Roches-
ter, Eastman School of Music, 1971); LC 72-18,225; DA XXXII, 12, 7031-A.
Miller, Philip Hall. AN EXPERIMENTAL ANALYSIS OF THE DEVELOPMENT OF TONAL
CAPABILITIES OF FIRST GRADE CHILDREN. 72 pp. (Ph.D., Music, The University
of Iowa, 1972); LC 73-665; DA XXXIII, 7, 3697-A.
Miller, Thomas Andrew. AN INVESTIGATION OF JOHANN SEBASTIAN BACH'S CANTATA
118 "O JESU CHRIST, MEINS LEBENS LICHT." 68 pp. (D.M.A., Music, University
of Missouri-Kansas City, 1971); LC 72-202; DA XXXII, 6, 3354-A.
Michels, Walter Joseph. A VISUAL-AURAL SELF-INSTRUCTIONAL PROGRAM IN PITCH-
ERROR DETECTION FOR STUDENT CHORAL CONDUCTORS. 166 pp. (Ph.D., Music,
North Texas State University, 1972); LC 73-2920; DA XXXIII, 8, 4459-A.
Minniear, John Mohr. MARIONETTE OPERA: ITS HISTORY AND LITERATURE. 525 pp.
(Ph.D., Music, North Texas State University, 1971); LC 72-4094; DA XXXII,
7, 4048-A.
Mizell, John. TRENDS, ANALYSIS AND STYLE OF SPECIFIC COMPOSITIONS BY TWEN-
TIETH CENTURY COMPOSERS. 83 pp. (D.M.A., Music, University of Missouri-
Kansas City, 1972); LC 72-29,466; DA XXXIII, 5, 2415-A.
Moerk, Alice Anne. THE SEVILLE CHANSONNIER: AN EDITION OF SEVILLA 5-I-43 &
PARIS N.A. FR. 4379 (PT. 1) (Parts One and Two). 614 pp. (Ph.D., Music, West
Virginia University, 1971); LC 72-5158; DA XXXII, 8, 4651-A.
Molison, Robert William. THE SACRED CHORAL LIEDER OF LEONHARD LECHNER. 279
pp. (D.Mus.A., Music, University of Illinois at Urbana-Champaign, 1971); LC
72-12,301; DA XXXII, 10, 5828-A.
Monk, Dennis Craig. STYLE CHANGE IN THE SLOW MOVEMENT OF THE VIENNESE
SYMPHONY: 1740-1770. (Volumes I and II). 441 pp. (Ph.D., Music, University of
California, Los Angeles, 1971); LC 72-2870; DA XXXII, 7, 4049-A.
Montague, Stephen Rowley. "VOUssoIRS" FOR LARGE ORCHESTRA AND ELECTRONIC
TAPES. (Orchestral Score and Electronic Tapes not microfilmed at request of
author. Available for consultation at The Ohio State University Library). 63 pp.

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(D.M.A., Music, The Ohio State University, 1972); LC 73-1922; DA XXXIII,

8, 4459-A.
Moody, Michael Finlinson. CONTEMPORARY HYMNODY IN THE CHURCH OF JESUS CHRIST
OF LATTER-DAY SAINTS. 169 pp. (D.M.A., Music, University of Southern Califor-
nia, 1972); LC 72-26,038; DA XXXIII, 7, 3697-A.
Mordenti, Daniel Joseph. THE ORGANIZATION OF GRADUATE MUSIC STUDIES IN SE-
LECTED MIDWESTERN INSTITUTIONS. 129 pp. (Ph.D., Music, Indiana University,
1971); LC 72-12,967; DA XXXII, 10, 5829-A.
Morrison, Watson Wilbur. THE PIANO SONATAS OF ARNOLD FRANCHETTI. 239 pp.
(Mus.A.D., Music, Boston University, 1972); LC 72-25,124; DA XXXIII, 4,
1770-A.
Moss, William A. A STUDY IN THE USE OF BONE CONDUCTION HEARING AS AN AID
TO IMPROVING OUT-OF-TUNE SINGERS. 107 pp. (Ph.D., Music, University of Miami,
1973); LC 73-16,862; DA XXXIV, 1, 353-A.
Mueller, John Storm. GIROLAMO FRESCOBALDI (1583-1643): FANTASIE, RECERCARE,
CAPRICCI, AND CANZONE. 229 pp. (Mus.A.D., Music, Boston University, 1969);
LC 72-289; DA XXXII, 6, 3354-A.
Murray, Kenneth Carl. THE EFFECT OF TEACHER APPROVAL/DISAPPROVAL ON MUSI-
CAL PERFORMANCE, ATTENTIVENESS, AND ATTITUDE OF HIGH SCHOOL CHORUSES.
77 pp. (Ph.D., Music, The Florida State University, 1972); LC 73-4207; DA
XXXIII, 8, 4459-4460-A.
Murray, Robert Alan. THE GERMAN CHURCH CANTATAS OF JOHANN SCHELLE (1648-
1701). 369 pp. (Ph.D., Music, The University of Michigan, 1971); LC 72-14,950;
DA XXXII, 11, 6479-A.
Myers, Patricia Ann. AN ANALYTICAL STUDY OF THE ITALIAN CYCLIC MADRIGALS
PUBLISHED BY COMPOSERS WORKING IN ROME CA. 1540-1614. 428 pp. (Ph.D.,
XXXII, 10, 5829-A.
Nagle, Sister Mary Ellen. THE STRUCTURAL ROLE OF THE CANTUS FIRMUS IN THE
MOTETS OF JACOB OBRECHT. 226 pp. (Ph.D., Music, The University of Michigan,
1972); LC 73-6889; DA XXXIII, 9, 5227-A.
Naumann, Joel Edmond. EXPOSITIONS AND SONGS OF PASSING. (Original Composition).
142 pp. (Ph.D., Music, University of Utah, 1972); LC 73-1603, DA XXXIII,
7, 3698-A.
Nelson, Douglas R. THE LIFE AND WORKS OF LAMAR STRINGFIELD (1897-1959). 267
pp. (Ph.D., Music, University of North Carolina at Chapel Hill, 1971); LC 72-
18,434; DA XXXII, 12, 7031-A.
Nelson, Edward Warren. PROBLEMS OF COMPILING A HYMNAL FOR SPANISH-SPEAKING
EVANGELICAL CHURCHES. 205 pp. (Ed.D., Music, New Orleans Baptist Theologi-
cal Seminary, 1972); LC 72-24,926; DA XXXIII, 4, 1770-A.
Nelson, Gerald Owen. A CHRONOMETRIC APPROACH TO THE STUDY OF FORM IN SEV-
ENTH GRADE GENERAL MUSIC CLASSES. 197 pp. (Ph.D., Music, University of Min-
nesota, 1973); LC 73-18,135; DA XXXIV, 2, 811-A.
Newton, William Jackson. THE ACTIVITY OF CERTAIN FACIAL MUSCLES IN THE B-FLAT
SOPRANO CLARINET EMBOUCHURE: AN EXPLORATORY STUDY UTILIZING ELECTRO-
MYOGRAPHY. 98 pp. (Ed.D., Music, North Texas State University, 1972); LC 73-
2921; DA XXXIII, 8, 4460-A.
Nicholas, Mary Jean. THE EFFECT OF MUSICAL STIMULI ON NONARTISTS AS SHOWN
THROUGH SEMANTIC DIFFERENTIAL RATINGS OF THEIR PASTEL DRAWINGS. 119 pp.

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(Ph.D., Music, University of Kansas, 1972); LC 72-32,912; DA XXXIII, 6,

2971-A.
Nichols, Robert Shelton. FRANCOIS-JOSEPH FETIS AND THE THEORY OF TONALITi. 214
pp. (Ph.D., Music, The University of Michigan, 1971); LC 72-14,956; DA XXXII,
11, 6480-A.
Nicholson, Diana Long. MUSIC AS AN AID TO LEARNING. 148 pp. (Ph.D., Music, New
York University, 1972); LC 72-20,653; DA XXXIII, 1, 352-A.
Nicholson, Jon Seymour. PATRICK GILMORE'S BOSTON PEACE JUBILEES. 273 pp. (Ed.D.,
Music, The University of Michigan, 1971); LC 72-4812; DA XXXII, 11, 6480-A.
Nicolosi, Robert Joseph. FORMAL ASPECTS OF THE MINUET AND TEMPO DI MINUETTO
FINALE IN INSTRUMENTAL MUSIC OF THE EIGHTEENTH CENTURY. 202 pp. (Ph.D.,
Music, Washington University, 1971); LC 72-9360; DA XXXII, 9, 5273-A.
Norton, Mary Ann. THE DEVELOPMENT OF SELECTED MUSICAL CONCEPTS THROUGH
THE USE OF INDIVIDUALIZED FIXED-PACE INSTRUCTIONAL PROGRAMS. 189 pp.
(Mus.A.D., Music, Boston University, 1973); LC 73-23,640; DA XXXIV, 4,
1954-A.
Norwood, Earl. THE DESIGN, CONSTRUCTION, AND VALIDATION OF A TEST OF MELODIC
PITCH DISCRIMINATION ABILITY. 139 pp. (D.M.A., Music, University of Oregon,
1972); LC 73-13,760; DA XXXIII, 12, 6953-6954-A.
Oakley, David Lamar. THE CUMULATIVE ATTAINMENT BY MISSOURI HIGH SCHOOL

SENIORS OF THE MUSICAL LEARNINGS STATED IN THE MUSIC CURRICULUM GUIDES
PUBLISHED BY THE MISSOURI STATE DEPARTMENT OF EDUCATION. 229 pp.
(Mus.Ed.D., Music, Indiana University, 1972); LC 72-19,756; DA XXXIII, 1,
352-A.
Oberacker, Betty. THE PRELUDES OF THE "WELL-TEMPERED CLAVIER, VOLUME I," OF
JOHANN SEBASTIAN BACH: A COMMENTARY AND ANALYSIS. 63 pp. (D.M.A., Music,
The Ohio State University, 1972); LC 72-26,962; DA XXXIII, 4, 1771-A.
Oliver, Harold Silas. VOLUME I: A NON-TONAL GENERATIVE COMPOSITIONAL SYSTEM
EMPLOYING REGISTRAL LINES. VOLUME II: APPENDIX IV, SONATA FOR VIOLIN AND
PIANO (copyright by Carl Fischer, Inc., published separately in the Carl Fischer
Facsimile Edition; for a copy of this score write to Carl Fischer, Inc., 62 Cooper
Square, New York, New York 10003). VOLUME III: CONCERTO FOR ORCHESTRA
AND CHAMBER ENSEMBLE. (Original Composition). 137 pp. (Ph.D., Music, Prince-
ton University, 1972); LC 73-19,360; DA XXXIV, 3, 1315-A.
Olson, Robert Wallace. A COMPARATIVE STUDY OF SELECTED NORWEGIAN ROMANCES
BY HALFDAN KJERULF, EDVARD GRIEG, AND EYVIND ALNAES. 328 pp. (D.Mus.A.,
XXXIV, 2, 812-A.
Ornstein, Ruby Sue. GAMELAN GONG KEBJAR-THE DEVELOPMENT OF A BALINESE
MUSICAL TRADITION. 479 pp. (Ph.D., Music, University of California, Los Angeles,
1971); LC 72-2950; DA XXXII, 7, 4049-A.
Ostrander, Linda Woodaman. VISIONS. (Original Composition). 115 pp. (Mus.A.D.,
Music, Boston University, 1972); LC 72-25,125; DA XXXIII, 4, 1771-A.
Ottley, Jerold Don. AN EVALUATION OF GRAPHIC CHARTS DESIGNED TO PORTRAY
VISUAL CONCEPTS OF VOWEL SOUNDS IN CHORAL SINGING. 159 pp. (D.M.A.,
Music, University of Oregon, 1972); LC 73-7939; DA XXXIII, 10, 5768-5769-A.
Owen, Harold Joh. THE PASSION OF OUR LORD JESUS CHRIST ACCORDING TO SAINT
MARK. 189 pp. (D.M.A., Music, University of Southern California, 1973); LC
73-18,833; DA XXXIV, 2, 812-A.

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Owyand, Lily Siao. THE SOLO PIANOFORTE WORKS OF GABRIEL FAURi. 95 pp.
(Mus.A.D., Music, Boston University, 1973); LC 73-23,641; DA XXXIV, 4,
1954-1955-A.
Palmer, Robert Glenn, Jr. THREE NIGHT PIECES FOR ORCHESTRA. 69 pp. (D.Mus.,
Music, The Florida State University, 1971); LC 72-9211; DA XXXII, 9, 5273-A.
Pantaleoni, Hewitt. THE RHYTHM OF ATsIA DANCE DRUMMING AMONG THE ANLO
(EVE) OF ANYAKO. (Ph.D., Music, Wesleyan University, 1972); DA XXXIII, 3,
1190-A.
Parker, Jane Jones. DISCRIMINATIVE LISTENING AS A BASIS FOR PROBLEM SOLVING
AMONG FOUR YEAR OLDS. 117 pp. (Ph.D., Music, The Florida State University,
1972); LC 73-4208; DA XXXIII, 8, 4460-4461-A.
Patrick, Robert Lee. A COMPUTER-BASED THEMATIC INDEX TO THE WORKS OF HEIN-
RICH SCHOjTZ. 367 pp. (D.M.A., Music, University of Kentucky, 1971); LC 72-
21,475; DA XXXIII, 2, 778-A.
Patrick, Susan Bess. HANS VON BiLOW AS MUSIC CRITIC. 162 pp. (Ph.D., Music, Univer-
sity of North Carolina at Chapel Hill, 1973); LC 73-26,224; DA XXXIV, 5,
2685-A.
Pauls, Eugene Arthur. UNTITLED COMPOSITION FOR Two PIANOS. (Original Composi-
tion). 18 pp. (Ph.D., Music, The University of Iowa, 1972); LC 73-13,582; DA
XXXIII, 12, 6954-A.
Peake, Luise Eitel. THE SONG CYCLE: A PRELIMINARY INQUIRY INTO THE BEGINNINGS
OF THE ROMANTIC SONG CYCLE AND THE NATURE OF AN ART FORM. 349 pp.
(Ph.D., Music, Columbia University, 1968); LC 72-10,453; DA XXXII, 10,
5830-A.
Peckham, Mary Adelaide. THE OPERAS OF GEORG PHILIPP TELEMANN. 309 pp. (Ph.D.,
Music, Columbia University, 1972); LC 72-28,078; DA XXXIII, 5, 2415-A.
Pedersen, Paul Richard. THE PERCEPTION OF MUSICAL PITCH STRUCTURE. (Ph.D., Uni-
versity of Toronto, 1970); DA XXXII, 10, 5830-A.
Penn, William Albert. SYMPHONY NO. 1 FOR ORCHESTRA. (Original Composition). 82
pp. (Ph.D., Music, Michigan State University, 1971); LC 72-8758; DA XXXII,
9, 5273-A.
Pepin, Sister M. Natalie. DANCE AND JAZZ ELEMENTS IN THE PIANO MUSIC OF MAURICE
RAVEL. 299 pp. (Mus.A.D., Music, Boston University, 1972); LC 72-25,126; DA
XXXIII, 4, 1772-A.
Perry, Richard Kent. THE VIOLIN AND PIANO SONATAS OF BOHUSLAV MARTINU. 126
pp. (D.Mus.A., Music, University of Illinois at Urbana-Champaign, 1973); LC
73-17,621; DA XXXIV, 2, 812-813-A.
Perryman, William Ray. WALTER DAMROSCH: AN EDUCATIONAL FORCE IN AMERICAN
MUSIC. 281 pp. (Ph.D., Music, Indiana University, 1972); LC 73-16,553; DA
XXXIV, 1, 353-354-A.
Peter, Philip Henry. THE LIFE AND WORK OF CIPRIANI POTTER (1792-1871). (Volumes
I and II). 639 pp. (Ph.D., Music, Northwestern University, 1972); LC 72-32,539;
Peterson, Douglas Robert. THE TE DEUMS OF MICHAEL HAYDN: PART I, COMMENTARY;
PART II, AN EDITION OF FOUR TE DEUMS. 456 pp. (D.M.A., Music, The Univer-
sity of Iowa, 1972); LC 73-711; DA XXXIII, 7, 3699-A.
Petty, Fred Curtis. ITALIAN OPERA IN LONDON, 1760-1800. 457 pp. (Ph.D., Music,
Yale University, 1971); LC 72-17,155; DA XXXII, 12, 7032-A.
Pfeil, Clifford Irvin. CREATIVITY AS AN INSTRUCTIONAL MODE FOR INTRODUCING MU-

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SIC TO NON-MUSIC MAJORS AT THE COLLEGE LEVEL. 214 pp. (Ph.D., Music,
Michigan State University, 1972); LC 72-30,028; DA XXXIII, 5, 2416-A.
Pierce, Jane Gail PIlingworth. HANS GERLE: SIXTEENTH-CENTURY LUTENIST AND PEDA-
GOGUE. 712 pp. (Ph.D., Music, Uriversity of North Carolina at Chapel Hill,
1973); LC 73-26,235; DA XXXIV, 5, 2685-2686-A.
Piersall, Paul Richard. THE BASS CANTATAS OF ALESSANDRO SCARLATTI. 228 pp.
(D.M.A., Music, University of Oregon, 1971); LC 72-964; DA XXXII, 6, 3354-A.
Piersol, Jon Ross. THE OETTINGEN-WALLERSTEIN HOFKAPELLE AND ITS WIND MUSIC.
(Volumes I and II). 853 pp. (Ph.D., Music, The University of Iowa, 1972); LC
73-13,583; DA XXXIII, 12, 6954-A.
Piper, Robert Neil. AN EVALUATION OF THE ACDA CHORAL JOURNAL. 249 pp. (Ed.D.,
XXXIII, 10, 5769-A.
Pitman, Grover Allen. THE LENTEN OFFERTORIES OF THE AQUITANIAN MANUSCRIPTS.
(Studies in Music, No. 53). 392 pp. (Ph.D., Music, The Catholic University of
Placek, Robert Walter. DESIGN AND TRIAL OF A COMPUTER-ASSISTED LESSON IN RHYTHM.
320 pp. (Ed.D., Music, University of Illinois at Urbana-Champaign, 1972); LC
73-17,362; DA XXXIV, 2, 813-A.
Platt, Melvin Carlos, Jr. OSBOURNE MCCONATHY, AMERICAN MUSIc EDUCATOR. 555
pp. (Ph.D., Music, The University of Michigan, 1971); LC 72-4952; DA XXXII,
7, 4050-A.
Potter, Gary Morton. THE ROLE OF CHANCE IN CONTEMPORARY MUSIC. 185 pp. (Ph.D.,
Music, Indiana University, 1971); LC 71-29,585; DA XXXII, 9, 5274-A.
Prachyathammavong, Prach. A CONCERTO FOR CELLO AND ORCHESTRA AND A PIANO
TRIO. (Volumes I and II). (Two Original Compositions). 139 pp. (Ph.D., Music,
Brigham Young University, 1973); LC 73-21,902; DA XXXIV, 5, 2686-A.
Price, Charles Gower. THE CODIFICATION AND PERSEVERANCE OF A FRENCH NATIONAL
STYLE OF INSTRUMENTAL COMPOSITION BETWEEN 1687 and 1737: MONTECLAIR'S
"SERENADE OU CONCERT" (1697). 174 pp. (Ph.D., Music, Stanford University,
1973); LC 73-14,961; DA XXXIV, 5, 2686-A.
Punke, William James. A COMPARISON OF ATTITUDES BETWEEN COLORADO SCHOOL
ADMINISTRATORS AND COLORADO MUSIC TEACHERS CONCERNING MUSIc EDUCATION.
97 pp. (Ed.D., Music, University of Northern Colorado, 1972); LC 73-10,991;
DA XXXIII, 11, 6391-6392-A.
Ramsier, Paul. AN ANALYSIS AND COMPARISON OF THE MOTIVIC STRUCTURE OF "Oc-

TANDRE" AND "INTEGRALES," Two INSTRUMENTAL WORKS BY EDGARD VARhSE.
206 pp. (Ph.D., Music, New York University, 1972); LC 72-26,609; DA XXXIII,
4, 1772-A.
Raridon, Charles Wade. A COMPREHENSIVE PERFORMANCE PROJECT IN SOLO VOCAL
LITERATURE WITH AN ESSAY ON SOPRANO-TENOR CHAMBER DUETS OF AGOSTINO
STEFFANI AND A PREPARED PERFORMANCE EDITION OF STEFFANI'S CHAMBER DUET,
"E CosI MI COMPATITE." 129 pp. (D.M.A., Music, The University of Iowa, 1972);
LC 72-17,597; DA XXXII, 12, 7032-A.
Ratner, Sabina Teller. THE PIANO WORKS OF CAMILLE SAINT-SAENS. 382 pp. (Ph.D.,
Music, The University of Michigan, 1972); LC 73-24,728; DA XXXIV, 4, 1955-A.
Rave, Wallace John. SOME MANUSCRIPTS OF FRENCH LUTE MUSIC 1630-1700: AN
INTRODUCTORY STUDY. 459 pp. (Ph.D., Music, University of Illinois at Urbana-
Champaign, 1972); LC 73-10,031; DA XXXIII, 10, 5769-5770-A.

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Rawlins, Joseph Thomas. THE SONGS OF CHARLES WILFRED ORR WITH SPECIAL EM-
PHASIS ON HIS HOUSMAN SETTINGS. 144 pp. (D.M.A., Music, The Louisiana State
University and Agricultural and Mechanical College, 1972); LC 73-2979; DA
XXXIII, 8, 4461-A.
Reagan, Donald Joseph. DOUGLAS MOORE AND HIS ORCHESTRAL WORKS. 299 pp.
(Ph.D., Music, The Catholic University of America, 1972); LC 72-18,349; DA
XXXII, 12, 7032-A.
Regener, Eric Hamilton. PITCH NOTATION AND EQUAL TEMPERAMENT: A FORMAL
STUDY. (Volume I). STRING QUARTET. (Volume II). 299 pp. (Ph.D., Music,
Princeton University, 1972); LC 72-18,784; DA XXXIII, 1, 353-A.
Reich, Nancy Bassen. A COMMENTARY ON AND A TRANSLATION OF SELECTED PORTIONS
OF "VERTRAUTE BRIEFE GESCHRIEBEN AUF EINER REISE NACH WIEN UND DEN
OESTERREICHISCHEN STAATEN ZU ENDE DES JAHRES 1808 UND ZU ANFANG 1809,"
BY JOHANN FRIEDRICH REICHARDT, 1752-1814. 564 pp. (Ph.D., Music, New York
Rhea, Thomas LaMar. THE EVOLUTION OF ELECTRONIC MUSICAL INSTRUMENTS IN THE
UNITED STATES. 255 pp. (Ph.D., Music, George Peabody College for Teachers,
1972); LC 72-34,209; DA XXXIII, 7, 3700-A.
Rhoades, Larry Lynn. THEME AND VARIATION IN TWENTIETH-CENTURY ORGAN LITERA-
TURE: ANALYSES OF VARIATIONS BY ALAIN, BARBER, DISTLER, DUPRE, DURUFLE,
AND SOWERBY. 297 pp. (Ph.D., Music, The Ohio State University, 1973); LC
73-26,894; DA XXXIV, 5, 2686-A.
Rhodes, Robert William. SELECTED HOPI SECULAR MUSIC: TRANSCRIPTION AND AN-
ALYSIS. 123 pp. (Ed.D., Music, Arizona State University, 1973); LC 73-394; DA
XXXIII, 7, 3700-A.
Richardson, Helen Virginia. AN EXPERIMENTAL STUDY UTILIZING TWO PROCEDURES
FOR TEACHING MUSIC READING TO CHILDREN IN SECOND GRADE. 238 pp. (Ph.D.,
Music, The University of Wisconsin, 1971); LC 71-28,363; DA XXXII, 6, 3354-A.
Riddle, Pauline Peck. THE DEVELOPMENT OF A BASIC FOUNDATION IN CHURCH ORGAN
TECHNIQUE FOR THE BEGINNING ORGANIST. 266 pp. (D.Mus.Ed., Music, The Uni-
versity of Oklahoma, 1972); LC 72-29,907; DA XXXIII, 5, 2416-A.
Ridell, Janese Kathleen. AN EVALUATION OF SELECTED HUMANISTIC ART CONCEPTS AND
ART VALUES. 364 pp. (Ed.D., Music, University of Northern Colorado, 1972);
LC 73-10,992; DA XXXIII, 11, 6392-6393-A.
Riepe, Russell Casper, II. ANALYSIS OF SYMPHONIC FANTASY IN THREE MOVEMENTS
FOR LARGE ORCHESTRA. 102 pp. (Ph.D., Music, The University of Rochester,
Eastman School of Music, 1972); LC 72-24,952; DA XXXIII, 4, 1773-A.
Ringgold, John Robert. THE LINEARITY OF DEBUSSY'S MUSIC AND ITS CORRESPONDENCES
WITH THE SYMBOLIST ESTHETIC: DEVELOPMENTS BEFORE 1908. 436 pp. (Ph.D.,
Music, University of Southern California, 1972); LC 73-762; DA XXXIII, 7,
3700-A.
Ritsema, Robert Allen. A HISTORY OF THE AMERICAN STRING TEACHERS ASSOCIATION:
THE FIRST TWENTY-FIVE YEARS. 242 pp. (Ed.D., Music, The University of Michi-
gan, 1971); LC 72-14,777; DA XXXII, 11, 6481-A.
Roberts, Ronald Ralph. THE CANTATES FRANCAISES OF ANDREI CAMPRA. 236 pp.
(D.M.A., Music, The Louisiana State University and Agricultural and Mechani-
cal College, 1972); LC 72-28,371; DA XXXIII, 5, 2416-A.
Robinson, Schuyler Watrous. THE B-A-C-H MOTIVE IN GERMAN KEYBOARD COMPOSI-
TIONS FROM THE TIME OF J. S. BACH TO THE PRESENT. 158 pp. (D.Mus.A., Music,
2, 814-A.
Rodeheaver, Reuben Ellis. AN INVESTIGATION OF THE VOCAL SIGHT-READING ABILITY

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OF COLLEGE FRESHMEN MUSIC MAJORS. 198 pp. (D.Mus.Ed., Music, The Univer-
sity of Oklahoma, 1972); LC 72-22,448; DA XXXIII, 3, 1190-A.
Rodgers, Julane. EARLY KEYBOARD FINGERING, CA. 1520-1620. 338 pp. (D.M.A.,
Music, University of Oregon, 1971); LC 72-8592; DA XXXII, 9, 8274-A.
Roe, Orville Wayne. AN ANALYSIS OF TEXT, STYLE, AND PROBLEMS OF PERFORMANCE
IN A SPECIFIC CONDUCTING EXPERIENCE. 139 pp. (D.M.A., Music, University of
Missouri-Kansas City, 1970); LC 72-204; DA XXXII, 6, 3355-A.
Roeder, Michael Thomas. SONATAS, CONCERTOS, AND SYMPHONIES OF MICHELE
STRATICO. 450 pp. (Ph.D., Music, University of California, Santa Barbara, 1971);
LC 72-7466; DA XXXII, 8, 4651-4652-A.
Roman, Zoltan. MAHLER'S SONGS AND THEIR INFLUENCE ON HIs SYMPHONIC THOUGHT.
(Music, University of Toronto, 1970); DA XXXII, 6, 3355-A.
Roper, Cecil Mizelle. THE STRASBOURG FRENCH PSALTERS, 1539-1553. 437 pp.
XXXIV, 1, 354-A.
Rosand, Ellen. ARIA: IN THE EARLY OPERAS OF THE FRANCESCO CAVALLI. 400 pp.
(Ph.D., Music, New York University, 1971); LC 72-3120; DA XXXII, 7, 4050-A.
Rose, Michael Paul. STRUCTURAL INTEGRATION IN SELECTED MIXED A CAPPELLA CHO-
RAL WORKS OF BRAHMS. 280 pp. (Ph.D., Music, The University of Michigan,
1971); LC 72-4964; DA XXXII, 7, 4051-A.
Rosner, Arnold. AN ANALYTICAL SURVEY OF THE MUSIC OF ALAN HOVHANESS. 377 pp.
(Ph.D., Music, State University of New York at Buffalo, 1972); LC 72-20,845;
Ross, Sylvia Lucy. A COMPARISON OF SIX MISERERE SETTINGS FROM THE EIGHTEENTH
CENTURY VENETIAN CONSERVATORIES. 599 pp. (D.Mus.A., Music, University of
Illinois at Urbana-Champaign, 1972); LC 73-17,391; DA XXXIV, 2, 814-A.
Rowley, Vivienne Wilda. THE SOLO PIANO MUSIC OF THE CANADIAN COMPOSER JEAN
COULTHARD. 174 pp. (Mus.A.D., Music, Boston University, 1973); LC 73-23,642;
Royster, Don Lee. PIERRE GUODRON AND THE AIR DE COUR 1600-1620. 385 pp.
(Ph.D., Music, Yale University, 1973); LC 73-16,385; DA XXXIV, 1, 354-355-A.
daRoza, Natalia. LUDWIG VAN BEETHOVEN: "33 VARIATIONS ON A WALTZ BY
DIABELLI," Op. 120, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF
SELECTED WORKS OF J. S. BACH, L. VAN BEETHOVEN, R. SCHUMANN, F. CHOPIN,
F. LISZT, S. PROKOFIEV, AND E. GRANADOS. 35 pp. (D.M.A., Music, North Texas
Salicco, Betty Lou Everett. "JOHNNY, I HARDLY KNEW YE," FOR CHORUS AND OR-
CHESTRA BASED UPON A POEM BY RICHARD SALE. 70 pp. (D.M.A., Music, North
Texas State University, 1971); LC 72-17,024; DA XXXIII, 1, 353-A.
Saloman, Ora Frishberg. ASPECTS OF "GLUCKIAN" OPERATIC THOUGHT AND PRACTICE
IN FRANCE: THE MUSICO-DRAMATIC VISION OF LE SUEUR AND LA CEPEDE (1785-
1809) IN RELATION TO THE AESTHETIC AND CRITICAL TRADITION. 255 pp. (Ph.D.,
Music, Columbia University, 1970); LC 73-26,447; DA XXXIV, 5, 2687-A.
Sand, William Eugene. THE LIFE AND WORKS OF FERDINAND RIES. 165 pp. (D.M.A.,
Music, The University of Wisconsin, 1973); LC 73-15,990; DA XXXIV, 2, 814-A.
Sandlin, William P. A COMPARATIVE STUDY OF DIFFERENTIAL PERCEPTIONS OF THE
FUNCTIONALITY OF THE COMPETITION FESTIVAL AMONG HIGH SCHOOL PRINCIPALS
AND MUSIC TEACHERS IN THE SECONDARY SCHOOLS DURING THE ACADEMIC YEAR

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1969-1970. 177 pp. (Ph.D., Music, University of Minnesota, 1972); LC 72-20,174;

DA XXXIII, 9, 5227-5228-A.
Santos, Ramon Pagayon. "ANG PUTING WALING-WALING": A MUSICO-DANCE DRAMA
IN THREE ACTS. STORY, LIBRETTO AND MUSIC. (Original Musical). (Volumes I
and II). 208 pp. (Ph.D., Music, State University of New York at Buffalo, 1972);
LC 73-5172; DA XXXIII, 8, 4461-4462-A.
Saucedo, Victor. ISOCENTONIZATION FOR FOUR ORCHESTRA. VOLUME 1: THE TEXT.
VOLUME II: ORIGINAL COMPOSITION. 98 pp. (Ph.D., Music, University of Califor-
nia, Los Angeles, 1972); LC 73-1728; DA XXXIII, 8, 4462-A.
Savage, Newell Gene. STRUCTURE AND CADENCE IN THE MUSIC OF WALLINGFORD
RIEGGER. 306 pp. (Ph.D., Music, Stanford University, 1972); LC 72-16,788; DA
XXXII, 12, 7032-A.
Schmalz, Robert Frederick, II. SELECTED FIFTEENTH CENTURY POLYPHONIC MASS ORDI-
NARIES BASED UPON PRE-EXISTENT GERMAN MATERIAL. 292 pp. (Ph.D., Music,
University of Pittsburgh, 1971); LC 72-16,134; DA XXXII, 12, 7033-A.
Schmid, William Roger. INTRODUCTION TO TRIBAL, ORIENTAL, AND FOLK MUSIc: A
RATIONALE AND SYLLABUS FOR A NEW COURSE FOR UNDERGRADUATE MUSIC EDU-
CATION CURRICULA. 134 pp. (Ph.D., Music, The University of Rochester, Eastman
School of Music, 1971); LC 71-27,409; DA XXXII, 6, 3356-A.
Schnitzler, Rudolf. THE SACRED DRAMATIC MUSIC OF ANTONIO DRAGHI. 434 pp.
(Ph.D., Music, University of North Carolina at Chapel Hill, 1971); LC 72-10,770;
DA XXXII, 10, 5830-A.
Schoenof, Arthur William. AN INVESTIGATION OF THE COMPARABILITY OF AMERICAN
AND GERMAN NORMS FOR THE MUSICAL APTITUDE PROFILE. 127 pp. (Ph.D., Music,
Scholten, James William. THE CHAPINS: A STUDY OF MEN AND SACRED MUSIc WEST
OF THE ALLEGHENIES, 1795-1842. 167 pp. (Ed.D., Music, The University of
Michigan, 1972); LC 72-28,984; DA XXXIII, 5, 2416-A.
Schramm, Carol Schwortz. AN ANALYSIS OF LISTENING EXPERIENCES. 423 pp. (Ed.D.,
XXXII, 10, 5831-A.
Schudel, Thomas Michael. SYMPHONY No. 1. (Original Composition). 125 pp.
(A.Mus.D., Music, The University of Michigan, 1971); LC 72-14,780; DA
XXXII, 12, 7033-A.
Schwartz, Judith Leah. PHRASE MORPHOLOGY IN THE EARLY CLASSIC SYMPHONY,
(c.1720-c.1765). 377 pp. (Ph.D., Music, New York University, 1973); LC 73-
19,967; DA XXXIV, 3, 1316-A.
Schwarz, John Irvin, Jr. THE ORCHESTRAL MUSIC OF SAMUEL WESLEY. VOLUME I.
A STYLE-CRITICAL ANALYSIS. VOLUME II. THE CONCERTOS: A FACSIMILE EDITION.
VOLUME III. THE SYMPHONIES AND OVERTURES: A FACSIMILE EDITION. 1,194 pp.
(Ph.D., Music, University of Maryland, 1971); LC 73-13,634; DA XXXIII, 12,
6955-6956-A.
Scott, Richard Dean. CONTEMPORARY SOLO LITERATURE FOR THE BASSOON: AN AN-
ALYSIS OF REPRESENTATIVE COMPOSITIONS AND A SURVEY OF COMPOSITIONS SUIT-
ABLE FOR THE COLLEGE STUDENT. 206 pp. (Ed.D., Music, University of Illinois at
Urbana-Champaign, 1971); LC 72-7053; DA XXXII, 8, 4652-A.
Scriven, Marianne Sjoren. THE ART SONGS OF WILHELM PETERSON-BERGER. 140 pp.
(D.M.A., Music, University of Missouri-Kansas City, 1973); LC 73-25,944; DA
XXXIV, 5, 2687-2688-A.
Seale, Bradford Carl. PITAHAYA: STAGE MUSIC IN ONE ACT. 171 pp. (D.M.A., Music,
North Texas State University, 1971); LC 72-4105; DA XXXII, 7, 4051-A.

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Shackelford, Rudolph Owens. PROBLEMS OF EDITIONS AND TRANSCRIPTIONS IN ORGAN

MUSIC OF THE TWENTIETH CENTURY. 249 pp. (D.M.A., Music, University of Illi-
nois at Urbana-Champaign, 1971); LC 72-7055; DA XXXII, 8, 4652-4653-A.
Shapiro, Martin Lewis. THE TREATMENT OF FORM IN THE VIOLIN CONCERTOS OF
TOMASO ALBINONI. 309 pp. (Ph.D., Music, University of California); LC 72-18,248;
DA XXXII, 12, 7033-A.
Shaw, Thomas. A PROGRAM TO IMPROVE CHORAL CONDUCTING STUDENTS' ABILITY TO
DETECT RHYTHMIC ERRORS IN CHORAL REHEARSAL. 241 pp. (Ed.D., Music, North
Texas State University, 1971); LC 72-17,026; DA XXXII, 12, 7034-A.
Sherman, Mildred Mozelle. THE SINGING ACTOR: AN ANALYSIS OF PROFESSIONAL CON-
CEPTS AND PRACTICES. 536 pp. (Ph.D., Music, The University of Wisconsin, 1971);
LC 71-24,486; DA XXXII, 6, 3356-A.
Sidoti, Raymond Benjamin. THE VIOLIN SONATAS OF BiLA BARTOK: AN EPITOME OF
THE COMPOSER'S DEVELOPMENT. 55 pp. (D.M.A., Music, The Ohio State Univer-
sity, 1972); LC 72-26,963; DA XXXIII, 4, 1773-A.
Siebers, William Francis. CONTEMPORARY VIOLIN FINGERING. 93 pp. (D.M.A., Music,
University of Missouri-Kansas City, 1971); LC 72-206; DA XXXII, 6, 3356-A.
Sigurdson, Gary Allen. THE EFFECT OF A LIVE SYMPHONIC CONCERT EXPERIENCE ON
LISTENING SKILLS AND INTEREST IN MUSIC. 130 pp. (Ph.D., Music, Michigan State
Simms, Bryan Randolph. ALEXANDRE CHORON (1771-1834) AS A HISTORIAN AND THE-
ORIST OF MUSIC. 354 pp. (Ph.D., Music, Yale University, 1971); LC 72-17,175;
DA XXXII, 12, 7034-A.
Simons, Virginia Mary. GHETTO. (Original Composition). 33 pp. (Ph.D., Music, Uni-
versity of Utah, 1973); LC 73-23,122; DA XXXIV, 4, 1956-A.
Sirman, Mitchel Neil. THE WIND SONATAS IN DANIEL SPEER'S "MUSICALISH-TUiRKISCHER
EULEN-SPIEGEL" OF 1688. 183 pp. (Ph.D., Music, The University of Wisconsin,
1972); LC 72-29,512; DA XXXIII, 8, 4462-A.
Sivils, Arnold. THE EVOLUTION OF FINAL CADENCES IN SELECTED PIANO MUSIC FROM
MOZART THROUGH GRIEG. 207 pp. (D.M.A., Music, University of Missouri-
Kansas City, 1973); LC 73-25,946; DA XXXIV, 5, 2618-A.
Sledge, Larry Joe. THE APPLICATION OF SELECTED WRITINGS BY GAGNE, BRUNER, AND
AUSUBEL TO MUSIC THEORY PEDAGOGY. 97 pp. (Ph.D., Music, The Florida State
Sloan, David Walter. HISTORY OF TEXAS PUBLIC SCHOOL MUSIC. 198 pp. (D.M.A.,
Music, The University of Texas at Austin, 1970); LC 72-2296; DA XXXII, 7,
4052-A.
Sistrunk, George Willis. A COMPARISON OF THE TWO ORCHESTRATIONS OF "KING
DAVID" BY ARTHUR HONEGGER. 124 pp. (D.M.A., Music, University of Miami,
1972); LC 72-31,921; DA XXXIII, 6, 2971-A.
Smith, Henry H. A COMPARATIVE STUDY OF AN AURAL IDENTIFICATION SYSTEM WITH
A TYPICAL METHOD TO DEVELOP MUSIC LISTENING SKILLS. 69 pp. (Ed.D., Music,
University of Northern Colorado, 1972); LC 73-313; DA XXXIII, 7, 3701-A.
Smith, Kenyard Earl. THE CHORAL MUSIC OF JEAN BERGER. 256 pp. (Ph.D., Music,
Smith, Robert Ludwig. A STUDY OF INSTRUMENTAL RELATIONS: THE PIANO TRIOS OF
BEETHOVEN. 78 pp. (Ph.D., Music, The Florida State University, 1971); LC 72-
21,331; DA XXXIII, 2, 779-A.
Smith, Walter Powell. A STUDY AND ANALYSIS OF SELECTED JUNIOR HIGH SCHOOL
PROGRAMS IN GENERAL MUSIC. 265 pp. (D.M.A., Music, University of Oregon,
1972); LC 72-20,931; DA XXXIII, 1, 354-A.

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Snavely, Luther Meeker, Jr. JUDGING PERFORMANCE AND PROFESSIONAL QUALIFICATIONS

OF CONCERT BAND-CONTEST ADJUDICATORS. 150 pp. (Ph.D., Music, The Univer-
sity of Texas at Austin, 1971); LC 72-11,421; DA XXXII, 10, 5831-A.
Snyder, Robert Charles. THE TWELVE QUARTETS OF OPUS XII AND XVII BY Louis
GABRIEL GUILLEMAIN IN HISTORICAL AND STYLISTIC ANALYSIS. (Volumes I and II).
519 pp. (D.M.A., Music, University of Missouri-Kansas City, 1973); LC 73-25,947;
Solomon, Larry Joseph. SYMMETRY AS A DETERMINANT OF MUSICAL COMPOSITION. 227
pp. (Ph.D., Music, West Virginia University, 1973); LC 73-23,894; DA XXXIV,
4, 1956-A.
Somerville, Thomas Charles. A STUDY AND PERFORMANCE OF SACRED CHORAL MUSIC
BY CONTEMPORARY SCOTTISH COMPOSERS, 1950-1970. 216 pp. (D.M.A., Music,
University of Southern California, 1972); LC 73-18,844; DA XXXIV, 2, 815-A.
Soomil, Lewis Stephan. CONCERTO FOR ORCHESTRA. (Volumes I and II). 66 pp. (Ph.D.,
Music, University of California, Los Angeles, 1971); LC 72-2949; DA XXXII,
7, 4052-A.
Sorensen, James Merlin. THE EFFECTS OF SMALL ENSEMBLE EXPERIENCE ON ACHIEVE-
MENT AND ATTITUDE OF SELECTED JUNIOR HIGH SCHOOL INSTRUMENTAL MUSIC
STUDENTS. 161 pp. (Ed.D., Music, University of Illinois at Urbana-Champaign,
1971); LC 72-12,393; DA XXXII, 10, 5832-A.
Sorenson, Richard Allen. TUBA PEDAGOGY: A STUDY OF SELECTED METHOD BOOKS,
1840-1911. 367 pp. (Ph.D., Music, University of Colorado, 1972); LC 73-1832;
DA XXXIII, 8, 4462-4463-A.
Southern, Eileen Jackson. THE BUXHEIM ORGAN BOOK. (Volumes I and II). 360 pp.
(Ph.D., Music, New York University, 1961); LC 72-24,546; DA XXXIII, 3,
1190-A.
Spring, Glenn Ernest, Jr. DETERMINANTS OF PHRASE STRUCTURE IN SELECTED WORKS
OF SCHOENBERG, BERG, AND WEBERN; AND Two MUSICAL COMPOSITIONS, MISSA
BREVIS, TRIO. 120 pp. (D.M.A., Music, University of Washington, 1972); LC
72-28,670; DA XXXIII, 5, 2417-A.
Stackpole, Terrell Upton. AN INVESTIGATION OF THE EFFECTIVENESS OF PROGRAMMED
MUSIC THEORY INSTRUCTION AND AN ANCILLARY ANALYSIS OF SELECTED VARI-
ABLES AS PREDICTIVE OF ACHIEVEMENT. 148 pp. (Ph.D., Music, The University of
Michigan, 1972); LC 72-29,215; DA XXXIII, 5, 2417-A.
Stacy, William Barney. JOHN PHILIP SOUSA AND HIS BAND SUITES: AN ANALYTIC AND
CULTURAL STUDY. 168 pp. (D.M.A., Music, University of Colorado, 1972); LC
73-18,596; DA XXXIV, 3, 1316-A.
Staples, James Gwynn III. Six LESSER-KNOWN PIANO QUINTETS OF THE TWENTIETH
CENTURY. 295 pp. (D.M.A., Music, The University of Rochester, Eastman School
of Music, 1972); LC 73-984; DA XXXIII, 7, 3701-3702-A.
Steinohrt, William John. CONCERTO FOR PIANO AND ORCHESTRA. (Original Composi-
tion). 150 pp. (D.M.A., Music, North Texas State University, 1971); LC 72-4106;
Steinquest, Eugene Waldo. ROYAL PRUSSIAN WIND-BAND MUSIC, 1740-1797. 424 pp.
(Ed.D., Music, George Peabody College for Teachers, 1971); LC 72-3817; DA
XXXII, 7, 4052-A.
Stephenson, Robert A. A COMPARISON OF JUDGMENTS OF THE LOUDNESS OF CERTAIN
MUSICAL TEXTURES AND THEIR RELATIONSHIP TO INTENSITY. 117 pp. (Ph.D.,
Music, Indiana University, 1971); LC 72-13,135; DA XXXII, 10, 5832-A.
Stevens, Charles Edgar. THE MUSICAL WORKS OF CHRISTIAN IGNATIUS LATROBE. 384
pp. (Ph.D., Music, University of North Carolina at Chapel Hill, 1971); LC 71-
30,603; DA XXXII, 9, 5274-A.

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Stevenson, Benjamin Howard. EVERYMAN: A CREATIVE EXPERIMENT IN CHURCH MUSIC

DRAMA. 271 pp. (D.M.A., Music, University of Southern California, 1971); LC
72-582; DA XXXII, 6, 3357-A.
Stewart, Frank Graham. To LET THE CAPTIVE Go: THREE SCENES FOR EIGHT VO-
CALISTS, A CHAMBER ENSEMBLE OF TWENTY-ONE INSTRUMENTALISTS, AND A CROWD
OF TEN PEOPLE. 136 pp. (Ph.D., Music, Michigan State University, 1971); LC
72-8785; DA XXXII, 9, 5275-A.
Stewart, John Dean. METRICAL AND TONAL STABILITY IN THE DANCE MUSIC OF THE
FITZWILLIAM VIRGINAL BOOK. 188 pp. (Ph.D., Music, Indiana University, 1973);
LC 73-23,035; DA XXXIV, 4, 1956-A.
Stewart, Milton Lee. STRUCTURAL DEVELOPMENT IN THE JAZZ IMPROVISATIONAL TECH-
NIQUE OF CLIFFORD BROWN. 225 pp. (Ph.D., Music, The University of Michigan,
1973); LC 73-24,692; DA XXXIV, 4, 1957-A.
Stewart, Robert John. THE TROJAN WOMEN. (Original Composition). 120 pp. (Ph.D.,
Music, The University of Iowa, 1972); LC 73-696; DA XXXIII, 7, 3702-A.
Stivers, James Daniel. A RELIABILITY AND VALIDITY STUDY OF THE WATKINS-FARNUM
PERFORMANCE SCALE. 142 pp. (Ed.D., Music, University of Illinois at Urbana-
Champaign, 1972); LC 73-17,440; DA XXXIV, 2, 815-816-A.
Stocker, Leonard L. THE TREATMENT OF THE ROMANTIC LITERARY HERO IN VERDI'S
"ERNANI" AND IN MASSENET'S "WERTHER." 188 pp. (Ph.D., Music, The Florida
State University, 1969); LC 72-282; DA XXXII, 6, 3358-A.
Stokke, Velda Deane. THE IMPLEMENTATION AND REALIZATION OF OBJECTIVES OF MU-
SIC EDUCATION IN SELECTED SECONDARY SCHOOLS OF THE UNITED STATES. 207 pp.
(Ed.D., Music, The University of Nebraska, 1971); LC 72-179; DA XXXII, 6,
3358-A.
Stonequist, Martha Elisabeth. THE MUSICAL ENTENTE CORDIALE: 1905-1916. 384 pp.
(Ph.D., Music, University of Colorado, 1972); LC 73-18,597; DA XXXIV, 3,
1317-A.
Stoner, Thomas Alan. MENDELSSOHN'S PUBLISHED SONGS. 440 pp. (Ph.D., Music, Uni-
versity of Maryland, 1972); LC 73-13,636; DA XXXIII, 12, 6956-A.
Sudano, Gary Reynolds. AESTHETIC THEORY: ITS USES IN MUSIc EDUCATION. 115 pp.
(Ed.D., Music, University of Illinois at Urbana-Champaign, 1973); LC 73-17,650;
DA XXXIV, 2, 816-A.
Suskin, Sylvan. THE MUSIC OF CHARLES-SIMON CATEL FOR THE PARIS OPERA. 384 pp.
(Ph.D., Music, Yale University, 1972); LC 73-19; DA XXXIII, 7, 3702-A.
Swafield, William Robert. THE EFFECT OF CERTAIN MELODIC PARAMETERS UPON THE
ABILITY TO MAKE FINE-TUNING RESPONSES IN CONTEXT. 138 pp. (Ph.D., Music,
University of Washington, 1972); LC 73-13,886; DA XXXIII, 12, 6956-6957-A.
Swan, John D. A COMPOSITIONAL PROCEDURE IN "COLORS." 139 pp. (D.M.A., Music,
University of Miami, 1971); LC 72-2201; DA XXXII, 7, 4052-A.
Sweeney, Cecily Pauline. THE MUSICAL TREATISE FORMERLY ATTRIBUTED TO JOHN
WYLDE AND THE CISTERCIAN CHANT REFORM. VOLUME I: COMMENTARY. VOLUME
II: THE TREATISE. 633 pp. (Ph.D., Music, University of California, Los Angeles,
1972); LC 73-10,484; DA XXXIII, 10, 5770-A.
Swensen, Adolph LeRoy. SYMPHONY NO. 1 IN THREE MOVEMENTS. (Original Compo-
sition). 244 pp. (Ph.D., Music, University of Utah, 1973); LC 73-24,466; DA
XXXIV, 5, 2689-A.
Swickard, John Harper. A COMPARATIVE STUDY OF MUSIC ACHIEVEMENT OF STUDENTS
IN GRADES FOUR, FIVE AND SIX. 139 pp. (Ed.D., Music, University of Illinois at
Urbana-Champaign, 1971); LC 72-7082; DA XXXII, 8, 4653-A.
Syverud, Stephen Luther. VECTORS. (Original Composition). 27 pp. (Ph.D., Music, The
University of Iowa, 1972); LC 73-13,597; DA XXXIII, 12, 6957-A.

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Taebel, Donald Kenneth. THE EFFECT OF VARIOUS INSTRUCTIONAL MODES ON CHIL-

DREN'S PERFORMANCE OF MUSIC CONCEPT TASKS. 193 pp. (D.M.A., Music, Uni-
versity of Southern California, 1972); LC 73-14,449; DA XXXIII, 12, 6957-
6958-A.
Tallarico, P. Thomas. THE UTILIZATION OF THE "TAXONOMY OF IMAGE PROVOCATION
PROFILE" AS A MEASURE OF TEACHING EFFECTIVENESS IN GENERAL MUSIC CLASSES.
139 pp. (Ph.D., Music, West Virginia University, 1972); LC 72-26,897; DA
XXXIII, 4, 1774-A.
Tavener, Thomas Theodore. I. AN ACOUSTICAL ANALYSIS OF STRESSED AND UNSTRESSED
CONSONANT-VOWEL SYLLABLES SUNG AND SPOKEN IN DISYLLABIC PAIRS BY TRAINED
SINGERS. II. A RECITAL OF CONTEMPORARY BRITISH MUSIC: PROGRAM NOTES FOR
A DOCTORAL RECITAL (UNIVERSITY OF WASHINGTON, 1968). III. ROMANZEN AUS
TIECK'S MAGELONE: PROGRAM NOTES FOR A DOCTORAL RECITAL (UNIVERSITY OF
WASHINGTON, 1971). 177 pp. (D.M.A., Music, University of Washington, 1972);
LC 72-28,673; DA XXXIII, 5, 2418-A.
Taylor, Jack Arthur. PERCEPTION OF MELODIC INTERVALS WITHIN MELODIC CONTEXT.
257 pp. (Ph.D., Music, University of Washington, 1971); LC 72-15,149; DA
XXXII, 11, 6482-A.
Taylor, Ralph McDowell, Jr. GEORG FALCK'S "IDEA BONI CANTORIS...": TRANSLA-
TION AND COMMENTARY. 362 pp. (Ph.D., Music, The Louisiana State University
and Agricultural and Mechanical College, 1971); LC 72-17,814; DA XXXII,
12, 7034-A.
Temko, Peter Michael. THE PERCEPTION OF PITCH PREDOMINANCE IN SELECTED MUSI-
CAL EXAMPLES OF AVANTE-GARDE COMPOSERS: 1945-1961. 107 pp. (Ph.D., Music,
The Florida State University, 1971); LC 72-9218; DA XXXII, 9, 5275-5276-A.
Tirey-Smith, Mary. JEAN-PHILIPPE RAMEAU: ABARIS OU LES BOREADES; A CRITICAL
EDITION. 586 pp. (Ph.D., Music, The University of Rochester, Eastman School of
Music, 1971); LC 72-18,222; DA XXXII, 12, 7035-A.
Testa, Robert Francis. THE EFFECT OF JAW-THRUST INSTRUCTION ON FOUR SELECTED
ASPECTS OF TRUMPET PERFORMANCE AND OVERJET OF YOUNG PLAYERS. 117 pp.
(Ph.D., Music, University of Miami, 1972); LC 72-31,904; DA XXXIII, 6,
2972-A.
Thiebe, Edward Henry. DIFFERENTIAL EFFECTS OF INTERVAL PRESENTATION ORDERS
UPON DEVELOPMENTAL SIGHT SINGING BEHAVIOR. 165 pp. (Ph.D., Music, The
University of Connecticut, 1973); LC 73-24,443; DA XXXIV, 4, 1957-1958-A.
Thompson, Keith Putney. RELATIVE EFFECTIVENESS ON AURAL PERCEPTION OF TELE-
VISED VERBAL DESCRIPTIONS AND VISUAL REPRESENTATIONS OF SELECTED MUSICAL
EVENTS. 219 pp. (Ph.D., Music, Case Western Reserve University, 1971); LC 72-
6344; DA XXXII, 8, 4653-A.
Thurston, Richard Elliott. MUSICAL REPRESENTATION IN THE SYMPHONIC POEMS OF
RICHARD STRAUSS. 384 pp. (Ph.D., Music, The University of Texas at Austin,
1971); LC 72-11,427; DA XXXII, 10, 5832-A.
Tiede, Russell Louis. A STUDY OF THE EFFECTS OF EXPERIENCE IN EVALUATING UN-
IDENTIFIED INSTRUMENTAL PERFORMANCES ON THE STUDENT CONDUCTOR'S CRITICAL
PERCEPTION OF PERFORMANCE. 249 pp. (Ed.D., Music, University of Illinois at
Urbana-Champaign, 1971); LC 72-7088; DA XXXII, 8, 4653-4654-A.
Tipton, Julius Robinson, III. JUDAS: A Music DRAMA. (Original Composition). 171
pp. (Ed.D., Music, New Orleans Baptist Theological Seminary, 1972); LC 72-
30,731; DA XXXIII, 7, 3703-A.
Titon, Jeff Todd. ETHNOMUSICOLOGY OF DOWNHOME BLUES PHONOGRAPH RECORDS,

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1926-1930. 314 pp. (Ph.D., Music, University of Minnesota, 1971); LC 72-14,451;

Trimillos, Ricardo Diosdado. TRADITION AND REPERTOIRE IN THE CULTIVATED MUSIC
OF THE TAUSUG OF SULU, PHILIPPINES. 646 pp. (Ph.D., Music, University of Cali-
fornia, Los Angeles, 1972); LC 72-18,144; DA XXXII, 12, 7035-A.
Triplett, William Mahaffey. CHORAL DEVELOPMENT: TECHNICAL AND MUSICAL IMPLI-
CATIONS FOR TRAINING CHORAL CONDUCTORS. (Pages 300-339, previously copy-
righted material not microfilmed at request of author. Available for consultation
at University of Southern California Library). 307 pp. (D.M.A., Music, Univer-
sity of Southern California, 1972); LC 73-780; DA XXXIII, 7, 3704-A.
Tromblee, Maxell Ray. AN INVESTIGATION OF THE EFFECTIVENESS OF PROGRAMMED
DRILL TRAINING IN TEACHING INTONATION DISCRIMINATION SKILLS. 167 pp. (Ed.D.,
XXXIII, 10, 5770-5771-A.
Truax, Bennie Statham. DEVELOPMENT OF A VERBAL TECHNIQUE FOR IDENTIFYING
CHILDREN'S MUSICAL CONCEPTS OF INSTRUMENTAL TIMBRE. 140 pp. (Ed.D., Music,
The Pennsylvania State University, 1971); LC 72-13,945; DA XXXII, 11, 6482-A.
Truluck, Arley Benjamin. ROLE IMPLICATIONS FOR THE SOUTH GEORGIA COLLEGE MU-
SIC PROGRAM. 104 pp. (Ph.D., Music, The Florida State University, 1971); LC
72-16,598; DA XXXIII, 2, 780-A.
Tuozzolo, James Michael. TRUMPET TECHNIQUES IN SELECTED WORKS OF FOUR CON-
TEMPORARY AMERICAN COMPOSERS: GUNTHER SCHULLER, MEYER KUPFERMAN,
WILLIAM SYDEMAN, AND WILLIAM FRABIZIO. 63 pp. (D.M.A., Music, University
of Miami, 1972); LC 72-31,896; DA XXXIII, 6, 2973-A.
Turkson, Adolphus Acquah Robertson. EFFUTU ASAFO MUSIC: A STUDY OF A TRADITIONAL
MUSIC STYLE OF GHANA WITH SPECIAL REFERENCE TO THE ROLE OF TONAL LAN-
GUAGE IN CHORAL MUSIC INVOLVING STRUCTURAL AND HARMONIC ANALYSIS. 383
pp. (Ph.D., Music, Northwestern University, 1972); LC 73-10,307; DA XXXIV,
2, 816-A.
Turpin, Douglas Leonard. THE TWENTIETH CENTURY: A SECONDARY TEACHER'S GUIDE
FOR THE INTRODUCTION OF TWENTIETH CENTURY MUSIC WITH EMPHASIS UPON
AMERICAN COMPOSERS. 395 pp. (Ed.D., Music, Washington University, 1972);
LC 73-5067; DA XXXIII, 8, 4463-A.
Tuttle, T. Temple. AN ANALYSIS AND COMPARISON OF TWO MODES OF MUSIC SUPER-
VISION IN THE COUNTY PUBLIC SCHOOLS OF MARYLAND. 243 pp. (Ed.D., Music,
University of Maryland, 1971); LC 72-10,090; DA XXXII, 9, 5276-A.
Urbinato, Joseph Mario. A CRITICAL EDITION AND ANALYSIS OF NINE SONATAS FOR
BASSOON AND CONTINUO BY GIOVANNI ANTONIO BERTOLI. 400 pp. (Mus.A.D., Mu-
sic, Boston University, 1969); LC 71-30,020; DA XXXII, 7, 4053-A
Vagramian, Violet. REPRESENTATIVE SECULAR CHORAL WORKS OF GOMIDAS: AN ANA-

LYTICAL STUDY AND EVALUATION OF His MUSICAL STYLE. (Portions of text in
Armenian). 232 pp. (Ph.D., Music, University of Miami, 1973); LC 73-25,916,
Van Deusen, Nancy M. AN HISTORICAL AND STYLISTIC COMPARISON OF THE GRADUALS
OF GREGORIAN AND OLD ROMAN CHANT. 418 pp. (Ph.D., Music, Indiana Univer-
sity, 1972); LC 73-9783; DA XXXIII, 11, 6393-6394-A.

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Vaughan, Margery Mae. MusIC AS MODEL AND METAPHOR IN THE CULTIVATION AND
MEASUREMENT OF CREATIVE BEHAVIOR IN CHILDREN. 136 pp. (Ed.D., Music, Uni-
versity of Georgia, 1971); LC 72-11,056; DA XXXII, 10, 5833-A.
Venables, Eleanor Caluori. THE CANTATAS OF LUIGI RossI. (Volumes One and Two,
with Appendices). 566 pp. (Ph.D., Music, Brandeis University, 1972); LC 72-
32,123; DA XXXIII, 7, 3704-3705-A.
Venhaus, Sister Dorothy. A BASIC METHOD OF GROUP INSTRUCTION FOR BEGINNING
CHURCH ORGANISTS. 264 pp. (S.S.N.D., Ed.D., Music, Washington University,
1971); LC 71-27,357; DA XXXII, 7, 4053-A.
Von Feldt, James Ronald. COMPUTER-ASSISTED INSTRUCTION IN THE PUBLIC SCHOOL
GENERAL MUSIC CLASS: A COMPARATIVE STUDY. 107 pp. (D.M.A., Music, Uni-
Von Gruenigen, Robert John. PROGRAMMED INSTRUCTION IN CLARINET PEDAGOGY: A
FEASIBILITY STUDY. 93 pp. (Ph.D., Music, The Ohio State University, 1972);
LC 72-27,123; DA XXXIII, 4, 1774-A.
Voorhees, Jerry Lee. THE DEVELOPMENT OF WOODWIND FINGERING SYSTEMS: A LEC-
TURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED SOLO AND EN-
SEMBLE WORKS FOR BASSOON. 47 pp. (D.M.A., Music, North Texas State Univer-
sity, 1971); LC 72-4110; DA XXXII, 7, 4053-A.
Wade, Bonnie Claire. KHYAL: A STUDY IN HINDUSTANI CLASSICAL VOCAL MUSIC.

VOLUME I: TEXT. VOLUME II: MUSICAL TRANSCRIPTIONS. 756 pp. (Ph.D., Music,
University of California, Los Angeles, 1971); LC 72-3195; DA XXXII, 7, 4054-A.
Waggoner, Robert Benjamin. FACTORS RELATING TO PARTICIPATION AND NON-PARTICI-
PATION IN COMMUNITY PERFORMANCE GROUPS AT THE ADULT LEVEL IN ATLANTA,
GEORGIA. 102 pp. (Ph.D., Music, The Florida State University, 1971); LC 72-
13,576; DA XXXII, 11, 6482-A.
Walker, Alvah Joh. THE A CAPPELLA CHORAL MUSIC OF PAUL HINDEMITH. 416 pp.
(Ph.D., Music, The University of Rochester, Eastman School of Music, 1971);
LC 72-18,223; DA XXXII, 12, 7036-A.
Waln, Ronald Lee. A COMPREHENSIVE PERFORMANCE PROJECT IN FLUTE LITERATURE
WITH AN ESSAY ON CHAMBER MUSIC FOR SOLO VOICE, FLUTE, AND KEYBOARD OF
CONTINUO, AND INCLUDING AN ANNOTATED BIBLIOGRAPHY OF SELECTED LITERA-
TURE. 182 pp. (Ph.D., Music, The University of Iowa, 1971); LC 72-22,105; DA
XXXII, 6, 3359-A.
Walsh, Anne. THE LIFE AND WORKS OF CLAUDE ADONAI CHAMPAGNE. 197 pp.
(S.N.J.M., Ph.D., Music, The Catholic University of America, 1972); LC 72-
24,581; DA XXXIII, 3, 1191-A.
Walter, Elaine Raftery. SELECTED MASSES OF ANTONIO CALDARA (1670-1736). (Studies
in Music, Number 51). 239 pp. (Ph.D., Music, The Catholic University of
Walters, Michael J. ASPECTS OF APPLIED INSTRUMENTAL CONDUCTING: 1969-1971. 85
pp. (D.M.A., Music, University of Miami, 1971); LC 72-2202; DA XXXII, 7,
4054-A.
Wannamaker, John Samuel. THE MUSICAL SETTINGS OF THE POETRY OF WALT WHIT-
MAN: A STUDY OF THEME, STRUCTURE, AND PROSODY. 644 pp. (Ph.D., University
of Minnesota, 1972); LC 72-20,174; DA XXXIII, 9, 5228-A.
Ward, Ronald David. THE LIFE AND WORKS OF JOHN POWELL. (1882-1963). (Studies
in Music, No. 55). 314 pp. (Ph.D., Music, The Catholic University of America,
1973); LC 73-22,766; DA XXXIV, 4, 1958-A.

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Waschek, Brownlee. VOLUME I: CZECH AND SLOVAK FOLK MUSIC IN MASARYKTOWN

AND SLOVENSKA ZAHRADA, FLORIDA. VOLUME II: ARRANGEMENTS OF REPRESENTA-
TIVE EXAMPLES OF FOLK SONGS ILLUSTRATING THEIR ADAPTABILITY TO SCHOOL
USE. 370 pp. (Ph.D., Music, The Florida State University, 1969); LC 72-21,335;
Wash, Nathaniel Hubert. THE FORMANT BEHAVIOR OF THE VOWELS "A," "cI," AND ccU"
IN BARITONE VOICES IN RELATION TO DIFFERENT VOICE RANGES. 80 pp. (Ph.D.,
Music, Michigan State University, 1971); LC 72-8801; DA XXXII, 9, 5276-A.
Weaver, Robert Lee. THE MOTETS OF HUBERT WAELRANT (c. 1517-1595). 1044 pp.
(Ph.D., Music, Syracuse University, 1971); LC 72-6640; DA XXXII, 9, 5277-A.
Webb, Guy Bedford. TIMOTHY SWAN: YANKEE TUNESMITH. 210 pp. (D.Mus.A., Music,
2, 816-817-A.
Wehr, David A. JOHN FINLEY WILLIAMSON (1887-1964): HIS LIFE AND CONTRIBUTION
TO CHORAL MUSIC. 345 pp. (Ph.D., Music, University of Miami, 1971); LC 72-
12,878; DA XXXII, 10, 5833-A.
Weiner, Lawrence. THIRD SYMPHONY. (Original Composition). 151 pp. (D.M.A.,
Music, University of Miami, 1972); LC 73-5833; DA XXXIII, 9, 5228-5229-A.
Welch, David Baillie. ASPECTS OF VOCAL PERFORMANCE IN S'ANGO PRAISE-POETRY AND
SONG. 312 pp. (Ph.D., Music, Northwestern University, 1972); LC 72-32,610;
Wermuth, Robert Fred. RELATIONSHIP OF MUSICAL APTITUDE TO FAMILY AND STUDENT
ACTIVITY IN Music, STUDENT INTEREST IN MUSIc, SOCIOECONOMIC STATUS, AND
INTELLIGENCE AMONG CAUCASIAN AND NEGRO MIDDLE SCHOOL STUDENTS. 177 pp.
(Ph.D., Music, The Ohio State University, 1971); LC 72-4689; DA XXXII, 7,
4054-A.
West, George Addison. AN EXPERIMENTAL STUDY OF PROFICIENCY IN SIGHT SINGING A
SERIES OF ATONAL INTERVALS WITH ACCOMPANYING SONORITIES. 248 pp. (Michigan
State University, 1971); LC 72-16,535; DA XXXII, 12, 7036-A.
Whaley, George Boyd. THE EFFECTS OF SPECIFIC TRAINING IN THREE DIMENSIONS OF
CONTEMPORARY MUSIC ON PERFORMANCE ABILITY BY IOWA HIGH-SCHOOL BANDS.
124 pp. (Ed.D., Music, University of Wyoming, 1971); LC 72-13,054; DA
XXXIII, 3, 1191-A.
Wheat, Margaret Anne. THE EUMENIDES. 114 pp. (Ph.D., Music, North Texas State
Wiehe, Douglas Dean. A STUDY OF THE USE OF A TAPE RECORDER IN THE TEACHING
OF SOLO TRUMPET LITERATURE TO SECONDARY SCHOOL STUDENTS. 278 pp.
(D.Mus.Ed., Music, The University of Oklahoma, 1971); LC 72-3452; DA
XXXII, 7, 4055-A.
Wilkins, Leona Belle. Music EDUCATION IN FRANCE AND THE UNITED STATES: A COM-
PARATIVE STUDY OF CONTEMPORARY REFORMS. 327 pp. (Ph.D., Music, The Uni-
versity of Michigan, 1971); LC 72-5011; DA XXXII, 7, 4055-A.
Willey, James Henry. VIOLIN CONCERTO: AN ANALYSIS. 122 pp. (Ph.D., Music, The
University of Rochester, Eastman School of Music, 1972); LC 72-24,953; DA
XXXIII, 7, 3705-A.
Williams, Michael Day. THE VIOLIN CONCERTOS OF RODOLPHE KREUTZER. 374 pp.
(Ph.D., Music, Indiana University, 1973); LC 73-23,046; DA XXXIV, 4, 1958-A.
Williams, Nyal Zeno. THE MASSES OF GIOVANNI FRANCESO ANERIO: A HISTORICAL
AND ANALYTICAL STUDY WITH A SUPPLEMENTARY CRITICAL EDITION. (Volumes I
and II). 639 pp. (Ph.D., Music, University of North Carolina at Chapel Hill,
1971); LC 72-10,782; DA XXXII, 10, 5834-A.
Williams, Robert. PRESERVATION OF THE ORAL TRADITION OF SINGING HYMNS IN

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NEGRO RELIGIOUS MUSIc. 123 pp. (Ph.D., Music, The Florida State University,
1973); LC 73-24,275; DA XXXIV, 4, 1958-1959-A.
Williams, Robert Fortson. MARIN MERSENNE: AN EDITED TRANSLATION OF THE FOURTH
TREATISE OF THE "HARMONIE UNIVERSELLE." (Volumes I-III). 982 pp. (Ph.D.,
Music, The University of Rochester, Eastman School of Music, 1972); LC 73-983;
DA XXXIII, 7, 3705-3706-A.
Willis, James D. A STUDY OF PAUL HINDEMITH'S USE OF THE TROMBONE AS SEEN IN
SELECTED CHAMBER COMPOSITIONS. 139 pp. (D.M.A., Music, University of Mis-
souri-Kansas City, 1973); LC 73-25,951; DA XXXIV, 5, 2689-A.
Willoughby, Dale Edward. PERFORMANCE PREPARATION OF VARIOUS CHORAL WORKS
REPRESENTING SELECTED PERIODS OF MUSIC HISTORY. 170 pp. (D.M.A., Music,
University of Miami, 1971); LC 72-2203; DA XXXII, 7, 4056-A.
Wilmington, Edwin Michael. LET ALL THAT BREATHE-A PAEAN OF PRAYER AND
PRAISE: A COMPOSITION FOR MEDIUM VOICE SOLO, MIXED CHORUS, TIMPANI,
CYMBAL, HARP, AND STRING ORCHESTRA. (Original Composition). 103 pp.
(A.Mus.D., Music, The University of Arizona, 1973); LC 73-20,675; DA XXXIV,
3, 1317-A.
Wilson, Bruce Dunbar. A DOCUMENTARY HISTORY OF MUSIC IN THE PUBLIC SCHOOLS
OF THE CITY OF BOSTON, 1830-1850. (Volumes I and II). 547 pp. (Ph.D., Music,
The University of Michigan, 1973); LC 73-24,719; DA XXXIV, 4, 1959-A.
Wilson, J. Harrison. A STUDY AND PERFORMANCE OF THE ORDERING OF MOSES BY
ROBERT NATHANIEL DETT. 112 pp. (D.M.A., Music, University of Southern Cali-
fornia, 1970); LC 72-584; DA XXXII, 6, 3359-A.
Wilson, James Edward. A STUDY OF THE CONFORMATION OF THE LARYNGO-PHARYNX
IN SINGING DURING ALTERATION OF INTENSITY, FREQUENCY, AND VOWEL. 148 pp.
(Mus.D., Music, Indiana University, 1972); LC 72-23,514; DA XXXIII, 3,
1191-A.
Wilson, Kenneth Adrian. SPECIAL PROBLEMS IN CLARINET TECHNIQUE: A GUIDE FOR
TEACHERS AND STUDENTS. 256 pp. (Mus.Ed.D., Music, Indiana University, 1971);
LC 72-19,757; DA XXXIII, 1, 354-A.
Winden, William Craig. THE LIFE AND MUSIC THEATER WORKS OF JOHN HILL HEWITT.
153 pp. (D.Mus.A., Music, University of Illinois at Urbana-Champaign, 1972);
LC 72-19,959; DA XXXIII, 1, 354-A.
Windh, John Ernfrid. EARLY LUTHERAN MASSES. 379 pp. (D.Mus.A., Music, Univer-
sity of Illinois at Urbana-Champaign, 1971); LC 72-7110; DA XXXII, 8, 4654-A.
Winslow, Robert Adair. A STUDY AND APPRAISAL OF STUDENT POTENTIALITIES FOR
SUCCESS IN MUSIC AT THE UNIVERSITY OF NORTHERN COLORADO. 67 pp. (Ed.D.,
Music, University of Northern Colorado, 1972); LC 73-321; DA XXXIII, 7,
3706-A.
Wolf, Eugene K. THE SYMPHONIES OF JOHANN STAMITZ: AUTHENTICITY, CHRONOLOGY,
AND STYLE. 992 pp. (Ph.D., Music, New York University, 1972); LC 72-31,145;
Wolfe, Curtis Scott. AN INVESTIGATION INTO THE USE OF COMPOSITION AS A MEANS OF
ACHIEVING MUSICAL COMPREHENSION IN THE ELEMENTARY SCHOOL GENERAL MU-
sic CLASS. 200 pp. (D.M.A., Music, University of Oregon, 1971); LC 72-981; DA
XXXII, 6, 3360-A.
JWollman, William A. THE EFFECT OF A CONTEMPORARY COMPOSITIONAL PROCESS
DERIVED FROM ALEATORY TECHNIQUES ON THE MUSICALITY OF COLLEGE LEVEL
NON-MUSIC MAJORS. 90 pp. (Ed.D., Music, New York University, 1972); LC 72-
26,644; DA XXXIII, 4, 1775-A.
Wood, Charles Henry. AN EXPERIMENTAL STUDY OF PROMPTING IN MUSIC READING.
(Previously copyrighted material on several pages not microfilmed at request of

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author. Available for consultation at the Library at University of California, Los

Angeles). 72 pp. (Ph.D., Music, University of California, Los Angeles, 1972);
LC 73-6406; DA XXXIII, 12, 6958-6959-A.
Woodward, Francis Lewis. THE SOLO SONGS OF FELIX MENDELSSOHN. 233 pp. (D.M.A.,
Music, The University of Texas at Austin, 1972); LC 73-7499; DA XXXIII, 9,
5229-A.
Worthen, Ellis C. THE MELODY-BASS RELATIONSHIP IN REPRESENTATIVE WORKS FROM
THE CLASSIC THROUGH THE CONTEMPORARY PERIODS. 91 pp. (Ph.D., Music, Brig-
ham Young University, 1972); LC 72-23,195; DA XXXIII, 3, 1192-A.
Woskowiak, Leona Frances. PROGRAMMED MUSIC READING GAMES FOR FIRST GRADE
UTILIZING CERTAIN PRINCIPLES OF DALCROZE, KODALY, AND ORFF. 215 pp.
(E.Ed., Music, The Pennsylvania State University, 1973); LC 73-24,051; DA
XXXIV, 4, 1959-1960-A.
Wright, Ben Ernest. THE THREE QUINTETS FOR FLUTE, OBOE, VIOLIN, VIOLA AND
VIOLONCELLO BY IGNAZ J. PLEYEL: EDITION AND COMMENTARY. 299 pp. (Ed.D.,
Music, University of Northern Colorado, 1971); LC 72-3322; DA XXXII, 7,
4056-A.
Wyman, Frederick Stearns. AN ACOUSTICAL STUDY OF ALTO SAXOPHONE MOUTHPIECE
CHAMBER DESIGN. 196 pp. (Ph.D., Music, The University of Rochester, Eastman
School of Music, 1972); LC 72-24,955; DA XXXIII, 4, 1775-A.
Yarbrough, Martha Cornelia. THE EFFECT OF MAGNITUDE OF CONDUCTOR BEHAVIOR

ON PERFORMANCE, ATTENTIVENESS, AND ATTITUDE OF STUDENTS IN SELECTED
MIXED CHORUSES. 125 pp. (Ph.D., Music, The Florida State University, 1973);
LC 73-24,302; DA XXXIV, 4, 1960-A.
Young, Leonora Jeanne. A STUDY OF THE EYE-MOVEMENTS AND EYE-HAND TEMPORAL
RELATIONSHIPS OF SUCCESSFUL AND UNSUCCESSFUL PIANO SIGHT-READERS WHILE
PIANO SIGHT-READING. 663 pp. (Ph.D., Music, Indiana University, 1971); LC
72-13,141; DA XXXII, 10, 5834-A.
Zack, George J. THE MUSIC DRAMAS OF MANOLIS KALOMIRIS. 99 pp. (Ph.D., Music,
The Florida State University, 1971); LC 72-21,338; DA XXXIII, 2, 780-A.
Zaslaw, Neal Alexander. MATERIALS FOR THE LIFE AND WORKS OF JEAN-MARIE
LECLAIR L'AINE. (Portions of Text in French). 529 pp. (Ph.D., Music, Columbia
University, 1970); LC 73-8995; DA XXXIII, 10, 5771-A.
Zemke, Sister Lorna. THE KODALY METHOD AND A COMPARISON OF THE EFFECTS OF A
KODALY-ADAPTED MUSIC INSTRUCTION SEQUENCE AND A MORE TYPICAL SEQUENCE
ON AUDITORY MUSICAL ACHIEVEMENT IN FOURTH-GRADE STUDENTS. 342 pp.
XXXIII, 12, 6959-A.
Zlotnik, Asher George. ORCHESTRATION REVISIONS IN THE SYMPHONIES OF ROBERT
SCHUMANN. 882 pp. (Ph.D., Music, Indiana University, 1972); LC 73-2770; DA
XXXIII, 8, 4464-A.
Zwissler, Ruth Naomi. AN INVESTIGATION OF THE PITCH DISCRIMINATION SKILLS OF
FIRST-GRADE CHILDREN IDENTIFIED AS ACCURATE SINGERS AND THOSE IDENTIFIED
AS INACCURATE SINGERS. 104 pp. (Ed.D., Music, University of California, Los
Angeles, 1971); LC 72-2947; DA XXXII, 7, 4056-A.

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Doctoral Dissertations in Music and Music Education

Author(s): Roderick Dean Gordon

Stable URL: https://www.jstor.org/stable/3345310

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Roderick Dean Gordon

This listing of Doctoral Dissertations in Music and Music Education

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Symbols and Abbreviations

DA XXXII, 10, 5820-A Dissertation Abstracts (Published by University Microfilms,

LC 72-12,825 Library of Congress call number for microfilm and Xerox

Ph.D. Doctor of Philosophy

D.Mus. orD. Doctor of Music

D.C.M. Doctor of Church Music

D.S.M. Doctor of Sacred Music

JRME Journal of Research in Music Education

Abeles, Harold Fred. AN APPLICATION OF THE FACET-FACTORIAL APPROACH TO SCALE

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Akins, John Royal. A SYMPHONY OF PRAISE. (Original Composition). 90 pp. (D.M.A.,

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Bach, Jan Morris. AN ANALYSIS OF BRITTEN'S "A MIDSUMMER NIGHT'S DREAM."

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University of Illinois at Urbana-Champaign, 1972); LC 73-17,111; DA XXXIV,

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Blackburn, David Stuart. A COMPREHENSIVE PERFORMANCE PROJECT IN SOLO VOCAL

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(Ph.D., Music, University of Cincinnati, 1972); LC 72-31,755; DA XXXIII, 7,

Cale, John G. FRENCH SECULAR MUSIC IN SAINT-DOMINGUE (175(-1795) VIEWED AS

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Chapman, Charles Wayne. A SURVEY OF ELEMENTARY CONCEPTS OF VOICE PRODUCTION

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Cooper, Elneta Annette. A STUDY OF THE USE OF THE RICHARDS' "THRESHOLD TO

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Damp, George Edward. THE APPARATUS MUSICO-ORGANISTICUS OF GEORG MUFFAT

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141 pp. (D.M.E., Music, The University of Oklahoma, 1971); LC 72-3385; DA

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pp. (Ed.D., Music, University of Illinois at Urbana-Champaign, 1972); LC 73-

Falconer, Joan Ormsby. BISHOP JOHANNES HERBST (1735-1812), AN AMERICAN-MO-

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FOR A BEGINNING CLASS IN HETEROGENEOUS STRINGS INCLUDING GUITAR. 291 pp.

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Garcia, Richard Oliver. AN EVALUATION OF A COMBINED VIOLIN-VOCAL APPROACH TO

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Gehrenbeck, David Maulsby. MOTETTI DE LA CORONA: A STUDY OF OTTAVIANO

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IN INDUSTRIAL ENGLAND. 342 pp. (Ph.D., Music, University of Illinois at Urbana-

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FOR STRINGS." (Original Composition). 85 pp. (Ph.D., Music, Michigan State

IN INSTITUTIONS OF HIGHER EDUCATION. 193 pp. (D.M.A., Music, Univers

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CLASSROOM TEACHING OF ELEMENTARY RHYTHM READING IN MUSIc. 144 pp.

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versity of North Carolina at Chapel Hill, 1973); LC 73-26,183; DA XXXIV, 5,

lannaccone, Anthony. ANALYSIS OF "THE PRINCE OF PEACE." (Original Composition).

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Jarrell, James Aubrey. AN ANALYSIS OF ACHIEVEMENT, PROCEDURES, AND ACTIVITIES

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Kalipolites, Marcus. A PROGRAMMED COURSE IN ACOUSTICS IN MUSIC FOR JUNIOR HIGH

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J. BRAHMS, R. SCHUMANN, G. ROCHBERG, S. PROKOFIEFF, M. RAVEL AND OTHERS.