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Ishtar Publishing
Vancouver
 TABLE OF CO NTENTS
THE FORBIDDEN GRIMOIRE OF HARUT AND MARUT
AN ISHTAR PUBLISHING BOOK:
9 7 8 -1 -9 2 6 6 6 7 -1 4 -0
C hapters P ages
PRINTING HISTORY
Ishtar Publishing edition published 2010 How It All Began... 1
1 3 5 7 9 10 8 6 4 2
Chant for Recognition of Suryani Language 2

Copyright (c) Ishtar Publishing, 2010 Surat al-Iinn Spell for Love & Arousal & Attraction 3
Text Design and Layout (c) Ishtar Publishing, 2010 Spell for the Destruction of Enemies 7
Translation By: Hotan Kheyrandish
Illustrations By: Asterion E viction S pell of S urat Al-Taheq 9
Talisman for Attracting Customers, Gain and 10
This Book Has Been Made Possible Thanks To
Acquisitions
Holger Jaenisch
Applications of the C onjuration of the Master M etatron 13
This book is copyright under the Berne Convention. T he A mulet of Tamtam the Indian 23
No reproduction without permission.
A mulet of the Locks 40
Tausman for S ympathy Love R eceptivity D uring Meeting W ith 46
G overnors and O thers
CONDITION OF SALE S pell for Love and Harmony B etween Husband and W ife 48
This book is sold subject to the condition that it shall not, by way
S pell for D eprivation of S leep 51
of trade or otherwise, be lent, re-sold, hired out or otherwise cir­
culated in any form of binding or cover other than that in which it S pell for Hypnophobia 52
is published and without a similar condition including this condi­ S pell for the A rousal of the S pawrrow 53
tion being imposed on the subsequent purchaser.
O n Arousal through S afa B ent Iblis 54
Ishtar Publishing Love S pell 55
141 -6 2 0 0 McKay Ave
S pell for Love and Attraction 57
Suite 716
Burnaby, BC S pell for Love and Attraction 57
Canada V5H 4M 9 S pell for D eprivation of S leep 58

www.ishtarpublishing.com S pell for Love and Attraction 59

Printed and bound in the United States.

C harm for the P rotection of B abies 61
C hapters P ages C hapters Pages
S pell to Improve S ales and P urchases 63 P ersonal M andal for the A ngel W asael 99

S pell for Attraction 65 P ersonal Mandal for Faqtish the S age of the J inn 101

C harm for Wailing C hildren 66 C harm for R eleasing the B ound 103

68 S ection on the E vocation of Al-Hahes for F etching 104

C harm for Headaches, P inkeye, F ever, and M igraine
M ethod on Utilization of Zawilah 105
S pell for Attracting Hearts 69
S pell for Attracting S exual C ongress 70 S pell for A nimation of O bjects 110

S pell for Love 70 Love S pell 111

spell for Love 72 Love S pell of the F ire W orshiper 111

C harm to M ake A S leeping P erson Talk 73 S pell for D ispatching and F etching 113

S pell to Make a S leeping P erson Talk 74 Love S pell 114

S pell on A rousal Using the Palm 74 Love S pell 114

Love S pell 75 Love and Attraction S pell 115

S piritual Medicine for S olace 76 Love S pell 116

S pell for Arousal Love and D esire 77 Attraction S pell 116

Love S pell 78 A rousal S pell 117

S exual B inding S pell 79 T ested M ethod for P ossession B y I bus 119
Love S pell 80 S pell for S exual B inding 121
Hex to Induce Insomnia 82 B anishing the P ossessing W inds 121
S pell to Induce Amiability 83 122
Love S pell
Love S pell 84 B inding Hex 123

Love S pell 85 L ove S pell 125

S pell for Attracting C ustomers 125
Love S pell 86
Using the S ervant of the S urah of the E lephant 127
Love S pell 87
Love S pell 89 Love S pell 128

S pell for Love and Attraction Using King J alban 91 L ove S pell 129

S pell for Love and Arousal 92 S pell for Arousal 129

Amulet Against the E vil E ye 92 O il for F evers 130

Attraction S pell 95 130
P owerful Love S pell
Inducing E pileptic S eeores B y P ointing T hrough Zanqta 97
C hapters P ages C hapters P ages
S pell for Increasing C ustomers 132 S pell for Attracting C ustomers 156

Love S pell Using S cience of the L etters 132 Love S pell 157

Love S pell 134 S pell for Love 160

S habshaba S orcery 134 E gg S pell for L ove 161

S ummoning T errestrial Jinn 135 E gg S pell for Arousal 161

E vocation of Maymun 136 162
E gg S pell for Arousal
J inn S ummoning M ethod 137
Love S pell 163
Love S pell 139
L ove S pell 164
Love S pell 140
S pell for S eparation 165
B anishing of the R ed W ind 141
B inding the Married 165
Love S pell Using C andle Magic 142
Hex to Induce Hemorrhage 166
Love S pell 144
Love S pell 144 Love S pell 167

Love S pell 145 Love S pell 169

L ove S pell 146 S pell for L ove and S ex 171

S ending a J inn to S omeone 147 Talisman and S pell for Attraction 172

Tausman for S tepping O ver 148 Talisman and S pell for Attraction 173
Love S pell 148 174
S pell for Love and Arousal
S pell for Inflamming Passions 149 Hex for S eparation Hatred R epulsion and D estruction 179
D ispatch and P rotection 150 183
Love S pell
A R emedy for Headaches 151 P ossession and T ransformation B y Kharbat 183
Love SPEa for B aduh 152 187
S pell for D riving Away C orrupt Neighbors
R emedy for Headache 153 189
Love S pell
R emedy for Headache 153
O n B inding W homever Y ou W ish 189
B aduh's S uccess S pell 154
How to C ause Hemorrhage 191
R emedy for Absent M enstrual B lood 155
S odomy S pell Using M aymun 193
C harm to S top B leeding 155
C hapters P ages Concerning Arabic Grimoires
G eneral S pell for FuLFiLLMHir of Needs 195

Attraction and Arousal S pells from Harut and M arut 196 T h e p u b lic a t io n o f R e d M a g ic b y a l- T o u k h i m a r k e d a n im p o r ­
t a n t h a l l m a r k i n W e s t e r n o c c u l t i s m , a s i t w a s t h e f i r s t r e le a s e
S crying 199
o f a s ta n d a rd A r a b ic o c c u lt te x t in t o th e E n g lis h la n g u a g e .
S crying M aster M ehediel 202 W e s te rn re a d e rs h a v e b e e n in tr o d u c e d to v e r y u n iq u e A ra ­
b ic H e r m e t ic te x ts s u c h a s G h a y a t a l- H a k im ( P ic a t r ix ) in th e
p a s t. H o w e v e r , r a r e ly h a s a n a c tu a l s t r a ig h t tr a n s la t io n o f a
b a s ic b o o k o n A r a b ic s o r c e r y b e e n m a d e a v a ila b le t o W e s t e r n
p r a c titio n e r s .

W it h a n y n e w c u ltu r a l in fu s io n , a n u m b e r o f im p o r ta n t q u e s ­
t io n s , c r i t i c i s m s , a n d i n q u i r i e s a r e b o u n d t o a r is e . T h e r e le a s e
o f R e d M a g ic is n o e x c e p tio n .

L e t u s s ta rt b y r e s ta tin g th e o b v io u s . W e a re d e a lin g A v ith

a u t h e n tic J in n M a g ic s o r c e r y b o o k s . T h is is an e x a m p le o f
th e lit e r a t u r e o f b o o k s t h a t h a v e in s p ir e d th e v a r io u s le g e n d s
in th e W e s te rn w o r ld a n d sp a w n e d th e ir o w n c la s s o f f i c t i ­
tio u s lite r a tu r e lik e th e N e c r o n o m ic o n . F ic t io n is m o r e fu n
o r a p p e a lin g a t t im e s t h a n t h e r e a l M c C o y , b u t f o r th e s e r io u s
p r a c t it io n e r o f th e c r a f t n o t h in g c a n ta k e th e p la c e o f t h e r e a l
d e a l.

T h e f ir s t t h in g t h a t p o p s u p a f t e r a c u r s o r y b r o w s e o f t h e ta b le
o f c o n te n t s is th e e x is te n c e o f s o m a n y lo v e s p e lls i n b o o ks
lik e t h is o n e a n d R e d M a g ic , b y a l- T o u k h i. T h e a n s w e r to th is
is i n tw o p a rts . T h e fir s t h a s to d o w it h th e c o n c e p t o f “ r e d ”
m a g ic its e lf. R e d m a g ic ta k e s it s n a m e f r o m M a rs . I n A r a b ic
s o rc e ry . M a r s is th e r u le r o f th e d o m a in o f s e x , d o m in a tio n ,
a n d v io le n c e . M a r s a n d S a tu r n a re th e tw o m o s t c o m m o n ly
u se d fo rc e s in s o r c e r y a s e v id e n c e d b y th e re p e a te d o c c u r­
r e n c e o f th e n a m e s o f th e c o r r e s p o n d in g j i n n k in g s th r o u g h ­
o u t th e lite r a tu r e .
T h e s e c o n d p a r t r e q u ir e s a b it o f c u lt u r a l u n d e r s ta n d in g . T h e W e r e a liz e th a t th is is a s k in g o u r re a d e rs to s tre tc h th e ir
r e a lit y th a t m a y e s c a p e n e w c o m e r s is t h a t 8 0 % o f lo v e s p e lls im a g in a t io n s w h e n lo o k in g a t th e te x t s . H o w e v e r , i t is a s m a ll
i n A r a b ic b o o k s a re n o t a b o u t lo v e a t a ll. D o e s t h is m e a n t h a t p r ic e t o p a y w h e n y o u c o n s id e r th e tr e a s u r e tr o v e o f m a g ic a l
m o s t o f th e s e lo v e s p e lls c a n b e u s e d f o r a n y p u r p o s e a m a g i­ te c h n iq u e s a n d p o w e r f u l m e th o d s th a t lie in t h e ir p a g e s .
c ia n d e s ir e s ? A b s o lu t e ly ! M o s t o f t h o s e s p e lls a r e n o t d e s ig n e d
o r w r i t t e n i n t h e f a m i l i a r s t r u c t u r e o f lo v e s p e lls t h a t p o p u la t e T h e se co n d q u e s tio n t h a t a r is e s h a s to d o w ith th e v a r ie d
W e s te r n W ic c a b o o k s . L it e r a lly , a ll y o u h a v e t o d o is c h a n g e n u m b e r o f w o r d s th a t a p p e a r in A r a b ic . M a n y r e a d e rs w i l l b e
th e e n d lin e o f th e s p e ll f r o m “ m a k e s o a n d s o fa ll m a d ly in s u r p r is e d to k n o w th a t i f a w o r d h a s A r a b ic in b r a c k e t a fte r
lo v e w it h s o a n d s o ” t o w h a t e v e r y o u w a n t , in c lu d in g , “ c o m e i t , i t is m o s t l ik e ly n o t A r a b ic a t a ll! V e r y r a r e ly is A r a b ic it s e lf
a n d a p p e a r h e re b e fo re m e v is ib ly ” . u se d to c o n s tr u c t m a g ic a l w o r d s o f p o w e r . I t i s n ’t s u r p r i s ­
in g w h e n y o u c o n s id e r th a t A r a b ic m a g ic w o r k s w i t h a n o n -
T h e lo v e s p e lls t u r n w i t h a s w itc h o f a fe w w o rd s to a s p ir it A r a b ic , n o n - h u m a n r a c e o f m a g ic a l b e in g s . T h e w o r d s u s e d
e v o c a tio n n o t th a t d is s im ila r f r o m w h a t a p p e a rs in W e s te rn a re m e a n t to re s o n a te to th e m to e n s u re th e ir re s p o n s e to th e
g r im o ir e s . W h e n th e s p e ll s t ip u la t e s th e u s e o f a n o b je c t b e ­ m a g ic ia n . W e h a v e a d d e d th e s e w o r d s , i n t h e o r ig in a l A r a b ic
lo n g in g to th e ta r g e t f o r th e s p e ll, a c la s s ic a l m a g ic ia n k n o w s s c r ip t in w h ic h th e y a p p e a re d , to h e lp s c h o la r s o f W e s te r n
th a t th is can o fte n b e r e p la c e d b y th e e ffig y o r s e a l o f th e o c c u ltis m s t u d y t h e m , a n a ly z e t h e m , a n d p o s s ib ly f in d th e ir
s p ir it f o r g e n e r a l e v o c a tio n a l p u r p o s e s . lin g u is t ic r o o t s . I t is w e ll- n ig h im p o s s ib le t o d o t h a t i f a ll t h a t
is b a s e d o n E n g lis h p h o n e tic s .
T h is b e g s th e q u e s tio n . W h y h id e m a g ic a l te c h n iq u e s u n d e r
su ch a c r a s s v e il? H e r e in re s ts th e n ee d fo r c u ltu r a l u n d e r ­ T h e th ir d q u e s tio n th a t o fte n c o m e s u p h a s to d o w ith la c k
s ta n d in g . A r a b ic s o rc e ry b o o k s a re o fte n b a n n e d in I s la m ic o f c o m p le te e d ito r ia l c o m m e n ta r y o n th e te x t. T h is re q u e s t
c o u n t r ie s w i t h s e v e re p e n a litie s , in c lu d in g b e h e a d in g , f o r a n y u n d e r s ta n d a b ly s te m s f r o m th e e m e r g e n c e o f s o lid s c h o la r ly
o n e th a t o w n s th e m . T h e y a re s o ta b o o th a t m o s t p e o p le w i l l a n a ly s is o f t r a d it io n a l W e s t e r n g r im o ir e s i n th e r e c e n t d e c a d e .
h id e th e m fro m fa m ily a n d f r ie n d s . P e o p le b u y in g th e m in W e w o u ld lik e to s e e th is a s w e ll in d u e tim e . O u r re a d e rs
th e f ir s t p la c e d o s o f o r e x tr e m e r e a s o n s a s i t c a n b r in g a b o u t n e e d to k e e p in m in d t h a t th e s e W e s t e r n t e x t s n u m b e r le s s
m a jo r le g a l a n d s o c ia l c o n s e q u e n c e s . U n le s s t h e b o o k s s ta y in th a n fifty a t b e s t a n d th a t th e y h a v e b e e n in p r in t fo r h u n d re d s
p r i n t , t h e r e is a m a s s iv e r is k t h a t t h e k n o w le d g e w i l l b e lo s t o f y e a rs fo r W e s te rn re a d e rs to c o n s u m e . E v e n w ith th a t in
th ro u g h th e g e n e r a tio n s . T h is m e a n s t h a t e a c h A r a b ic b o o k m in d , it w a s o n ly in th e la s t c o u p le o f d e c a d e s th a t th e re a l
h a s to a p p e a l to th e m o s t p r im a l a n d c o n s is te n t o f h u m a n s c h o la r ly e x p o s it io n s b e g a n to a p p e a r. I t is a n e v o lu t io n a r y
n e e d s t o g u a r a n te e t h a t p e o p le w i l l ta k e h u g e r is k s to a c q u ir e p ro c e s s t h a t o c c u r s a s th e s e b o o k s b e c o m e p a r t o f th e p s y c h e
t h e m . T h e r e is n o m o r e p o w e r f u l a p o s it iv e u r g e o t h e r t h a n o f th e s c h o la r ly c o m m u n it y a n d f a m ilia r it y in c r e a s e s .
lo v e a n d s e x u a lit y . C o u c h in g m a g ic a l te c h n iq u e s in th e ve ­
n e e r o f a lo v e s p e ll e n s u r e s t h e ir s u r v iv a b iU t y d u e to d e m a n d I n c o n tr a s t, w e a s a p u b lis h in g f ir m , a re s t ill a t s ta g e o n e . W e
a n d th is a p p r o a c h h a s w o r k e d ! a re tr y in g to m a ke a v a ila b le a n e v e r-b e fo re tr a n s la te d b o d y
o f m a g ic a l c o r p u s th a t s tr e tc h e s o v e r h u n d r e d s o f b o o k s a n d

11 111
m a n u s c r ip t s . I t is a h e r c u le a n ta s k , a s i t is , a n d t h e r e a re fe w
r e s o u r c e s t o s e e i t h a p p e n a t a p a c e w e w o u ld lik e , le t a lo n e
s p e n d y e a rs in te x tu a l a n d c o n te x tu a l s tu d y . A lo n e R o m a n iz a tio n

W e fe e l th e b o o ks th e m s e lv e s a re s e lf - e x p la n a t o r y fo r th e
p r a c t is in g m a g ic ia n f a m ilia r w i t h t h e b a s ic s o f t h e t r a d it io n . A a , s h o rt a s in a t

T h e r e f o r e , i t w o u l d m a k e m o r e s e n s e t o p r o v id e th e s e b a s ic s
1 A a , lo n g a s in c a tc h

in a s in g le a v a ila b le s o u rc e a n d d iv e r t o u r re s o u rc e s to th e
t r a n s la t io n o f a s m a n y o f th e s e b o o k s a s p o s s ib le . T h e r e fo r e , В b , a s in b e ll
w e r e c o m m e n d th a t r e a d e rs o f th e s e g r im o ir e s p ic k u p b o o k s
b y a u th o rs su ch a s N in e v e h S h a d ra c h a n d jo in c o m m u n i­
ty g ro u p s w h e re d is c u s s io n s o f th e s e te c h n iq u e s a re ta k in g
J j , a s in ja m
p la c e . T h is is a n e m e r g in g n e w r e a lm o f s tu d y a n d in d ue
5 :
tim e th e a v a ila b le re s o u rc e s w ill b e e n o u g h f o r s c h o la r s o f
a ll ty p e s to b e g in to fle s h o u t th e te x ts a n d t r u ly p o lis h t h e ir
je w e ls . D d , a s in d iv in e

W e w o u ld lik e to ta k e th is o p p o r tu n it y to th a n k o u r re a d e rs
f o r t h e ir s u p p o r t , f o r i t is y o u r a c q u is it io n o f th e s e p u b lic a ­
0 H h , a s in h e a v e n
t io n s t h a t is m a k in g i t p o s s ib le f o r u s t o c o n t in u e o u r t r a n s la ­
tio n e ffo rts o f fu tu r e b o o k s .

W w , a s in w is d o m ,
Is h ta r P u b lis h in g 3 s o m e tim e s a s a n o o s o u n d .

Z z , a s in z e a l
j

H h , a s in h o t, o r a s i f y o u
w e r e b lo w in g o n y o u r c o ld
z
hands

T t, h a r d , g u t t u r a l, s t r o n g ly
u tte re d ( T u h )

IV
 Y y , a s in y a m
a n d fo r ee R r - t r i l l o r r o ll th e r
( / J
I i , a s in s e e r

d K k , a s in k itte n S h s h , a s in s h in e

j
L 1, a s in la m b o T t, a s in ta il

M m , a s in m o th e r T h th , a s in th in
1“

N n , a s in n o o n K h k h , a s in lo c h N e s s
6 t

S s, a s in s e v e n D h d h , a s in th e , th is
u * '

p ro n o u n c e d lik e a v e r y P d , v e r y d e e p , g u ttu r a l,
s o ft a , lik e th e s o u n d th e h a rd s o u n d
t d o c to r a s k s y o u to m a k e in
th e b a c k o f y o u r th r o a t
Z z , lik e th e d h , b u t d e e p e r
a n d s tro n g e r
(J F f , a s in fe a th e r

S s , p r o n o u n c e d b y m a k in g G h g h , l i k e a b a b y 's g u r g le
t
th e v o w e ls b e fo r e o r a fte r i t
lo w e r p itc h e d , d e e p e r, lik e a
b a r b a r ia n m ig h t s p e a k

Q q , p ro n o u n c e d lik e a
k , b u t m o re g u ttu ra l a n d
( i
fu r th e r b a c k in th e th r o a t
 'Che forbidden (Brimoire o f ifta n it and iU a m t

H©w It a l l B eg a h ...

T n th e y e a r 1 9 5 7 a r o u n d e ig h t o ’ c lo c k a t n ig h t,

o n e o f th e v is ito r s c a m e to see m e . H e w a s a

b la c k A fr ic a n . H e g re e te d m e a n d I m e t h im w ith

w e lc o m e , h o n o r e d h im a n d h o s te d h im . I t w a s

a b le s s e d n ig h t. F ro m a m o n g h is d is c o u r s e , h e

s a id , “ I c o m e n o w fro m th e la n d o f B a b e l, f r o m

th e p re s e n c e o f th e tw o a n g e ls H a r u t a n d M a r u t .

M y fin d in g th e m w a s b y c h a n c e , a s I w a s lo s t in

th e w ild e r n e s s . I c a m e a c ro s s th e ir w e ll in th e

e m p ty d e s e rt. F r o m it, I h e a rd a d ro n e lik e th e

b u z z o f b e e s . I t g ro a n e d lik e th e m o a n in g o f th e

i l l o r t h a t o f th e s a d r e p e n ta n t . W h e n I c a m e c lo s e

to th e m , th e y c a lle d m e b y n a m e a n d ta u g h t m e

a ll k in d s o f s o r c e r y , e x c e p t a s tr o lo g ic a l e le c tio n .

T h e y s a id to m e , “ M a k e u se o f th e p o le o f h is

tim e , g u id e o f m a n k in d , w h o w o r k s in C a ir o a n d

r e s id e s in G iz z a h . T h e b e g in n in g o f k n o w le d g e

is h is b e g in n in g a n d th e s e a l o f s u c c e s s is h is e n d .

T r a v e l to h im b y n ig h t a n d g a v e h im y o u r re g a rd ,

fo r in h is g u id a n c e is a tta in m e n t o f a im s .” A f t e r

r e c itin g m y e v o c a tio n , I c a m e a t o n c e to s h o w

y o u m y w a r e s , s h o u ld m y p ro p h e c y b e c o rre c t.

T h e b e g in n in g o f y o u r n a m e is f r o m k n o w le d g e

1
 'H it jportidden 6rimoirt of iian it and M arat in it jPorbidden Grimoirt of IHarat and M arat

Y o u s h o u ld h a v e a p o t w ith w a te r u p o n w h ic h

y o u h a v e r e c ite d S u r a t a l- J in n tw ic e a n d th e tw o
3^“ S e a l
re fu g e v e rs e s . W a s h h im w ith th is w a te r a n d h is

m in d w ill b e re s to re d a n d h e w ill b e lik e h e w a s.

T h e s e a r e t h e a f o r e m e n t io n e d s e a ls :
A s h h a r ls h ) H o s h h a re s h 3A )

h u r r y w it h th e b r in g in g o f N . to N . b y th e h o n o r
P ‘ S e a l
o f H a re s h a n d b y th e h o n o r M a s te r

S e n d ia il ( J . J U J lU u ) , p e a c e b e u p o n h im .

H a s h ) H a s h ) h u rry w ith th e

b r in g in g o f N . to N . b y th e h o n o r o f th e M a s te r

S e n d ia il ( J i^ L jL L y j) , p e a c e b e u p o n h im .

4 * S e a l

S a ra ‘ S a rd a * e x c ite N . to w a r d
2 "“ S e a l
N . b y th e h o n o r o f th e a n g e l th a t h a s d o m in io n

o v e r y o u S e n d ia il ( p e a ce b e u p o n

h im .
B a te s h ) T a le s h ) H a m s h

h u rry w ith th e b r in g in g o f N . to N . b y

th e h o n o r o f K a m a (Ui") H a s a ( L j L > ) T a ‘a r

( jU i a ) a n d b y th e h o n o r o f th e M a s te r S e n d ia il

( J . ^ L J lL - j ) , p e a c e b e u p o n h im .
 ID ie JForbiddtn 0 rimoirE of i ^ r u t and M arut iOiE forbidden 0 rimoirE of îHarut and H aru t

7 * S e a l

5 * S e a l

M a k ta b ( v _ ,j5 L o ) ‘ta h a h a h e x c ite N .

to w a rd N . b y th e h o n o r o f th e a n g e l th a t h a s
B a h lh o o y a h M a h m a h ( ¿ u ^ )
d o m in io n o v e r y o u S e n d ia il ( p e a ce
M a h m a h ) M a h ta h ( a J a ^ ) e x c ite N .
b e u p o n h im .
to w a rd N . b y th e h o n o r o f th e a n g e l th a t h a s

d o m in io n o v e r y o u S e n d ia il ( p e a c e

b e u p o n h im .

Spell for^I-he
6**' S e a l
DEStRyCtiori OFEriEIIliES

T a m a ( U J s ? ) T a m ‘ a m a ( U u u e J U ) L a m im a la h m a
H e w h o h a s a n e n e m y s h o u ld r e a d S u r a t a l-

M u z e m il o n S u n d a y . H e s h o u ld d ra w th e ta rg e t
( L > ^ U ^ ) h u r r y w it h th e b r in g in g o f N . to N .
o n th e g r o u n d a n d s ta b its h e a r t tw ic e . H e w i l l b e
b y th e h o n o r o f th e M a s te r S e n d ia il ( J ^ L J lI* * » ),
d e s tr o y e d b y p e r m is s io n o f A lla h , th e E x a lt e d . I f
p e a c e b e u p o n h im .
h e s tr ik e s h im in th e e y e s , h e w i l l g o b lin d .

T h is is its c o n ju r a tio n th a t is r e c ite d th r e e tim e s :

 'Che Jporbidden 0 rim o irt o f tta n it and M a n it U ie jPorbiddtn Orimoire o f Ifta n it and M a ru t

“ In th e n a m e o f A lla h , m o s t c o m p a s s io n a te , a n d a n d s u b je c t th e s e r v a n ts o f th e r e is n o g o d e x c e p t

m o s t m e r c if u l: O D iv in e O n e , I a s k y o u b y th e A lla h to m e , th a t th e y b e a n a id to m e u p o n th e

r ig h t o f S u r a t a l- M u z z a m m il, it s le tte r s , it s w o r d s , c o m p le t io n o f m y n e e d s , w h ic h a re [s ta te y o u r

a n d w h o r e v e a le d i t a n d w it h w h a t Y o u r e v e a le d n e e d s ]. T h e b le s s in g s o f A lla h b e u p o n o u r m a s ­

u p o n th e h e a rt o f Y o u r p ro p h e t M o h a m m e d , A l­ te r M o h a m m e d a n d h is f a m ily a n d a p o s tle s a n d

la h ’ s b le s s in g a n d p e a c e b e u p o n h im . p e a c e .”

I a s k y o u O D iv in e O n e th a t y o u s u b je c t th e s e r ­

v a n ts o f th is n o b le S u ra h to m e , th a t th e y b e a n

a id to m e in th e b r in g in g o f p r o s p e r it y , a ttra c ­ Eviction Spell of

t io n o f h e a r ts , a ttr a c t io n o f c lo t h in g , a n d p u s h in g

a w a y o f a ll th a t is in ju r io u s b y p e r m is s io n o f A l ­
SURiit AL-diiREQ
la h , th e e x a lte d .

A ls o , f o r th e fe tc h in g o f N . s o n o f N , b y th e r e is
it o n a p la te a n d w a s h it o ff w ith
n o g o d e x c e p t A lla h , b y th e g ra c e o f th e re is n o
g a r lic w a te r a n d th r o w th e w a te r o n th e ta rg e t’s
g o d e x c e p t A lla h , b y t h e m a g n if ic e n c e o f t h e r e is

n o g o d e x c e p t A lla h , b y t h e v e n e r a t io n o f th e r e is
r e s id e n c e a fte r r e c itin g th e S u ra h 292 tim e s , its

n u m e r o lo g ic a l v a lu e . A f t e r e v e r y te n r e c ita tio n s ,
n o g o d e x c e p t A lla h , b y th e p o w e r o f th e r e is n o
c h a rg e th e w a te r w ith th e d e p a rtu re o f N . s o n o f
g o d e x c e p t A lla h , b y th e k in g s h ip o f th e r e is n o
N . fro m t h a t r e s id e n c e b y th e r ig h t o f t h is S u ra h
g o d e x c e p t A lla h , b y th e o m n ip o te n c e o f th e re
u p o n y o u , n o w , q u ic k ly , th is tim e . H e w i l l d e p a r t
is n o g o d e x c e p t A lla h , b y th e g lo r y o f th e re is
a n d w ill n o t re tu rn .
n o g o d e x c e p t A lla h , b y th e w ill o f th e re is n o

g o d e x c e p t A lla h , b y th e d o m in io n o f th e re is

n o g o d e x c e p t A lla h , b y th e v e rs e s o f th e re is

n o g o d e x c e p t A lla h , b y th e fa ith o f th e r e is g o d

e x c e p t A lla h , O D iv in e O n e I a sk y o u to m a k e

m e fro m th e h o s t o f th e r e is n o g o d e x c e p t A lla h

8
 IP ie jforbidden (Srimoire o f fta n it and M a n it 1 3 it jForbidden (Srim oirt o f H a ru t and M a ru t

th e s e v e r s e s th a t a re a r b itr a to r s o v e r y o u a n d t h e ir

TALiSrimri FOR.AliRaCi’illG s a n c tity a m o n g y o u a n d b y th e r ig h t o f w h ic h w e

CU8tOr[IER3, GAiriS, h a v e b e s to w e d

tio n a lly , A lla h

a g re a t v ic to r y

w ill s u p p o rt y o u
u p o n

w ith
y o u . A d d i­

u n w a v e r­

in g s u p p o rt. A b r a h a m s a id , “ M y L o rd , s h o w m e
Arid AcQui8i+iOri8
h o w Y o u r e v iv e th e d e a d .” H e s a id , “ D o y o u n o t

b e lie v e ? ” H e s a id , “ Y e s , b u t I w is h to re a s s u re

D
lo w , w ith
w in g a b e n e fic h o u r , w r it e

th e fo llo w in g
th e s e a l to f o l­

te x t a r o u n d i t a s s e p a ra te
m y h e a rt.” H e s a id , “ T a k e f o u r b ir d s , s t u d y t h e ir

m a r k s , p la c e a p ie c e o f e a c h b ir d o n to p o f a h ill,

th e n c a ll th e m to y o u . T h e y w ill c o m e to y o u in a
le tte r s . In c e n s e it w ith s w e e t s m e llin g s c e n t a n d
h u r r y , h u r r y , h u r r y . ” T h u s h u r r ie s a ll o f c r e a tio n
c a r r y it . T h is is w h a t y o u w r it e ;
a n d p e o p le , f r o m e v e r y m a le a n d fe m a le , t o th is

“ G o d h a s b o u g h t fro m th e b e lie v e r s ” till “ a n d p la c e , b y th e g lo r y o f A lla h a n d w ith w h a t th e

th is is th e g re a te s t tr iu m p h ” . T h u s th e c u s to m e r p e n h a s flo w e d fro m A lla h to th e b e s t o f th e c r e ­

c o m e s to th is lo c a tio n . B y th e s e p e rfe c t v e rs e s a tio n o f A lla h , M o h a m m e d B in A b d u a lla h , A lla h

a n d b y th e d a y . H e g a th e rs y o u to th e d a y o f b le s s e d h i m a n d g ra n te d h im p e a c e . B y th e h o n o r

g a t h e r in g ; th u s a ll th e c u s to m e r s g a th e r in t o th is o f th e s e le tte r s F a q e j (^^), M a k h e t b y

p la c e . T h is is a d a y f o r w h ic h p e o p le a re g a th e r e d F a je s h T h a z a k h r ( y k J a i), b y L a m q -

a n d i t is a fo r tu n a t e d a y . “ A n d p r o c la im th a t th e fa n ja l ( J j j t l f li o J ) , b y L ia k h e m L ia l-

p e o p le s h a ll o b s e r v e H a jj p ilg r im a g e ” t i l l “ th e y g h o ( > iJ U ) , L ia fo r L ia r o th

m a y s e e k c o m m e r c ia l b e n e f it s . ” L ia r o g h L ia r o s h L ia s h le s h

( ^ jtJ L i> L J ) ; th u s c o m e s a ll o f c r e a t io n a n d p e o p le

“ In th e n a m e o f A lla h , th e m o s t G r a c io u s , a n d fro m e v e r y d is ta n t lo c a tio n .

m o s t M e r c if u l. W h e n tr iu m p h a n d v ic t o r y c o m e s
T h e n y o u w r ite a l- F a te h a a n d S u r a t a l- Q a r e d a h .
fro m A lla h , y o u w i l l s e e p e o p le e m b r a c in g A l­
T h o s e w h o r e c ite th e b o o k o f A lla h s e e k a b u s i­
la h ’ s r e lig io n in th r o n g s .” R e p e a t t h is th r e e tim e s .
n e ss th a t d o e s n ’t s ta g n a te , d o e s n ’t s ta g n a te .
T h u s s u s te n a n c e e n te rs u p o n N , so n o f N ., b y

10 11
 l i l t ^forbidden 0rimoirE o f i^ n it and M a n it
r W k io rb id d tn 0 h m o irt o f H a ro t and M a ra t

d o e s n ’t s ta g n a te , th e b u s in e s s o f N ., th e so n o f

N ., b y r ig h t o f th o s e a r b itr a to r v e rs e s , a n d b y a
APPLiCAfiOriS 0F tHE
th o u s a n d , th o u s a n d , ‘ th e re is n o a b ility a n d n o
Conit/RAfiOn OF +HE
p o w e r e x c e p t b y A lla h th e m o s t h ig h a n d m a g ­

n ific e n t’ . A lla h b le s s e d o u r m a s te r M o h a m m e d IllASfER.IllEtAl’

ROri
a n d h is fa m ily a n d fr ie n d s a n d g ra n te d th e m

p e a ce .

T f y o u w a n t to u s e i t w it h o u t e x e r c is e a n d fa s t -

in g , th e n a rra n g e it b e fo re w o r k in g w ith i t a lo n g

T h is is th e s e a l th a t w a s a llu d e d to , a s y o u ca n th e tim e s , so th a t a fte r e a c h p ra y e r y o u re a d it

see: se ve n tim e s fo r th e d u r a tio n o f a w e e k . I f y o u

w a n t to fe tc h s o m e o n e o r to a ro u s e th e m , w r ite

th e b e n e fic se a l a n d th e c o n ju r a tio n a ro u n d it.

B u m in c e n s e a n d r e c ite th e c o n ju r a tio n 41 tim e s .

H a n g it in th e a ir a n d th e ta rg e t w ill c o m e , e v e n
y
i f c h a in e d . A ls o , f r o m its s p e c ia ltie s in lo v e a n d

p o s itiv e r e c e p t io n , w r it e th e b e n e fic s e a l a n d r e ­

c ite th e c o n ju r a tio n s e v e n tim e s o v e r it . I t s h o u ld

% y •fc b e h u n g o n th e h e a d b e tw e e n th e e y e s . T h e R o u -

h a n ia h w i l l a n s w e r h im in w h a t h e w a n ts .

■ i y
F ro m its s p e c ia ltie s in c a u s in g b le e d in g , w r ite

th e m a le fic s e a l w ith th e w o rd s o f H im w h o is

E x a lt e d : “ H e s a id r id e i n i t . . . y o u a r e d r o w n e d . ”
y
T h e y a re to b e w r itte n a ro u n d e a ch s id e o f th e
n
t«
À m a g ic a l s q u a re . D u r in g th e p e r io d o f w r it in g , in ­

ce n se w ith m a le f ic in c e n s e a n d r e c ite th e c o n -

12 13
 ID ie forbidden 0rim oire o f Ifta n it and îU am t
r forbidden 0nm oire o f ifa ru t and îffllam t
ju r a tio n se ve n tim e s . T h e n , a fte r t y in g i t w ith a

s t r in g m a d e fro m re d s ilk , p la c e it o n th e h o rn

o f a g o a t. L e t o n e c o m e r o f th e s t r in g b e o u ts id e

a n d s e a l it w ith ta r o r w a x a n d p la c e it n e a r a
B e n e fic S e a l
s o u rc e o f r u n n in g w a te r. T h e ta r g e t o f th e s p e ll

w i l l b le e d .

I f y o u w a n t to fe tc h a s o rc e ry fr o m a p la c e th a t is
ùU» Jiÿj
fa r o r n e a r, th e n ta k e tw o d is h e s a n d p la c e th e m
t
o n

a te
to p o f e a c h

b ra n c h e s : “ A lla h
o th e r . W r it e

is H e
o n

w h o
tw o p o m e g ra n ­

b r in g s fo rth th e I 88 109 286 20

h id d e n th in g fro m th e h e a v e n s a n d th e e a rth a n d
285 21 87 n o I
k n o w s w h a t y o u h id e a n d w h a t y o u p u b lic ly d e ­

% 22 288 107 86
c la r e .” T h e n

e r. S tr ik e
y o u

w ith
c h a rg e D a h m o s

b r in g in g th e s o r c e r y a g a in s t N . in t o

th e m a b o v e th e c o n ta in e r w h ile
w ith

th is c o n ta in ­

108 85 23 287
{
y o u r e c ite th e c o n ju r a tio n a n d c h a rg e th e s e r­
t.
v a n ts a n d th e y w i l l b r in g it, e v e n i f i t is in th e
r r n r
e n d s o f th e c o u n tr y .

T h o s e a r e t h e i l l u s t r a t i o n s o f t h e S e a ls

14
15
 f
'O t forbidden (Srimoirt of îia ru t and ÎHarut 131E forbidden 0rimoirE of Iftamt and îllarut

Malefic Seal

Ü 1
d^lnU Ü ) ♦

C
♦

590 95 490 903 ot ♦ J j

489 904 589 96
«>
to z t 3
«> 905 492 93 588
94 587 906 491 iS A Ù

f t ; r n r f * “ «»rtf? f 11^ ’
With this the example is complete, so preserve it
like the preservation of the soul to the body.

This is the conjuration: In the name of Allah, the

If it is for divorce then write around it: “As if
they are Zebras fleeing from a lion.”
This is its natural alphabetical state and the pro­
gression in it is with the addition of one.
most compassionate, and the most merciful: I
evoke you O spiritual spirits and terrestrial kings
that are clean and pure, who are in charge of ev­
ery jinn, ifreet, mared, and shitan, with Allah’s
majestic names that no creature can disobey nor
can any that has spirit due to them fail to ap­
pear.

16 17
 f
C h t forbidden (Srimoire o f ifta n it and M a n it 'ChE fo rb id itn 0rim oirE o f IHarut and M a ru t

(I e v o k e y o u ) B y th e s a c re d w r itin g r e v e a le d B y th e r ig h t o f M e ta tr o n , th e in tim a te a n g e l o f

u n t o th e p r o p h e ts a n d m e s s e n g e r s a n d w h a t is in G o d s ittin g o n th e n in th o r b it, f o r fe a r o f w h o m

th e m fro m m y s te r ie s to w h ic h y o u h a v e o b e d i­ th e o r b its q u a k e a n d th e h e a rts o f b o th jin n a n d

e n c e . B y th e lu m in o u s le tte r s a n d S y r ia n i n a m e s d e m o n s p u ls a te — b e c a u s e o f th e o b e d ie n c e y o u

r e v e a le d u n to o u r fa th e r A d a m , p e a c e b e u p o n o w e h im . B y th e r ig h t o f th e p r o p h e t S o lo m o n

h im . B y th e s c r o lls o f A b ra h a m a n d M o s e s a n d th e s o n o f D a v id (u p o n w h o m b e p e a c e ). B y th e

a ll th e m e s s e n g e rs , p ro p h e ts , r ig h te o u s o n e s, r ig h t o f H im w h o s a id , “ A n ‘ifr it o f th e jin n s a id ,

m a rty rs , a n d th e u p r ig h t o n e s. B y th e T o ra h ‘I w ill b r in g it u n to y o u b e fo re y o u r is e fro m

a n d th e G o s p e ls b y th e P s a lm s ; b y th e g lo r io u s y o u r p la c e . A n d m o s t s u r e ly I a m s tro n g a n d

F u r q a n ; b y th e T h r o n e ; b y th e tr e m e n d o u s F o o t­ tr u s tw o r th y fo r s u c h w o r k .’ O n e w h o h a d k n o w l­

s t o o l; b y th e s e v e n o r b it s , th e a id o f t h e ir p la n e ts , e d g e o f th e B o o k s a id , ‘ I w i l l b r in g i t u n to y o u in

a n d th e a u t h o r ity o f t h e ir s p ir it s , b y ‘th e h e a v ­ th e b lin k o f a n e y e ,’” a n d “ I t is fro m S o lo m o n ,

e n , w h ic h h o ld s th e z o d ia c a l c o n s te lla tio n s , a n d a n d is (a s fo llo w s ) : ‘In th e n a m e o f G o d , M o s t

th e P r o m is e d D a y a n d th e b e a r e r o f w itn e s s a n d M e r c ifu l a n d G r a c io u s . B e n o t a r r o g a n t a g a in s t

th o s e a g a in s t w h o m th e w itn e s s is b o m , c u rs e d m e , b u t c o m e u n to m e in s u b m is s io n ,’ ” q u ic k ly

b e th e m a k e rs o f th e p it ’ ; b y G a b r ie l, th e T m t h f u l a n d o b e d ie n t ly , b y th e r ig h t o f G o d , L o r d o f th e

S p ir it; b y M ic h a e l, th e m ig h ty a n d e x a lte d a n ­ W o r ld s . A n s w e r a n d m a k e h a s te . T h r o w d o w n

g e l; b y Is r a fe l, th e a n g e l in c h a r g e o f b lo w in g th e a n y o n e w h o d is o b e y s m e a n d r e m a in s b e h in d

T m m p e t; b y A z r a e l, th e t e r r if y in g a n g e l fo r fe a r fro m a m o n g s t th e tr ib e s o f th e jin n , "ifrits, d e v ils ,

o f w h o m h e a r ts t r e m b le ; a n d b y a ll th e b e a re rs a n d r e b e l s p ir it s , b y th e r ig h t w h ic h th e s e n a m e s

o f th e T h ro n e , to c o m m a n d , fro m a m o n g s t th e p o sse ss o v e r y o u . A n d if y o u re fu s e a n d fa il to

r e b e ls o f th e jin n , d e m o n s , ‘ifr its , a n d m u tin e e r s , s h o w u p , th e n I s h a ll th r e a te n y o u w it h th e s u b d ­

o n e w h o c a n fu lfill m y n e e d a n d w h o m I c a n d is ­ u a l o f G a b r ie l, th e m ig h t o f M ic h a e l, th e b lo w in g

p o s e o f a s I p le a s e . o f Is r a fe l, th e g ra s p o f A z r a e l, th e e x h a la tio n o f

H e ll, a n d th e in te n s it y o f its f ir e . A n s w e r , lis te n ,

a n d o b e y , b e fo re a n g e ls w ith b u rn e rs d e s ce n d

u p o n y o u w h o w ill re n d y o u r v e ils , s e v e r y o u r

18 19
 f
IDit forbidden 0 rin io irt o f H u n it and M a n it W m forbidden G rim oirt o f V iarut and M a ru t

lim b s , s la u g h te r y o u r c h ild r e n , in c in e r a te y o u r
B u rq a n jj), b y E h ie h A s h e r E h ie h , E h ie h
in s id e s , a n d s c o rc h y o u w ith th e in te n s e ly h o t
A s h e r E h ie h ; a n d y o u , O S h a m h u re s h
fir e , ‘a fir e w h o s e w a lls w ill e n c o m p a s s th e m .
b y D a r d a m is h D a r d a m is h
A n d i f th e y a p p e a l f o r h e lp , th e y w ill b e g iv e n
a n d y o u , O A b y a d b y S u b u h
w a te r lik e m o lte n c o p p e r, w h ic h w i l l r o a s t th e ir
( ^ 3 . ^ ) , S u b u h ( ^ 3 ^ ) ; Q u d u s (^ ^ *^ 3 ^ 3 ), Q u d u s
fa c e s . W h a t a t e r r ib le d r in k a n d e v il a b o d e .’
( ^ 3 ^ 3 ) , L o rd o f th e a n g e ls a n d th e S p ir it; a n d

y o u , O M a y m u n ( ¿ ^ 3 ,0 .^ ) , b y A z a li A z a -
T h o s e a re th e a n g e ls o f a n g e r a n d w ra th . S o if

y o u re fu s e a n d d is o b e y th e n a m e s o f m y L o rd
li A z ra r (jlj j I), A z r a r {j\jj I). ‘ I t w ill b e

n o m o re th a n a s in g le c r y , w h e n lo ! th e y w ill a ll
a n d y o u r L o r d , a n d f u lf ill n o t m y n e e d , th e n y o u
b e b ro u g h t u p b e fo re U s !’
w ill b e a m o n g th e lo s e r s . I f , h o w e v e r , y o u o b e y

th e n a m e s o f m y L o r d a n d y o u r L o rd , a n d fu lfill
A n s w e r, O n o b le a n g e ls , a n d b e m y a id e s , b y th e
m y n e e d , y o u w i l l b e a m o n g th e b e lie v e r s . ‘ S u r e ­
r ig h t o f th e w o rd s I h a v e s p o k e n a n d a m s p e a k in g ,
ly th o s e w h o b e lie v e a n d d o r ig h te o u s d e e d s w i l l
fro m th e p e a k s o f th e h e a v e n , d e s c e n d in g , a n d
h a v e g a rd e n s b e n e a th w h ic h r iv e r s f lo w : T h a t is
fro m th e q u a rte rs o f th e e a r th , o b e d ie n t. C o m e ,
th e g r e a t tr iu m p h . S u r e ly th e m ig h t o f y o u r L o r d
w ith y o u r h o r s e s , m e n , s la v e s , a n d fr e e m e n , a n d
is g r e a t. S u r e ly i t is H e w h o b e g in s a n d re p e a ts .
fu lfill m y n e e d , b y th e r ig h t o f w h a t I h a v e c o n ­
A n d H e is th e F o r g iv in g , th e L o v in g , th e o w n e r
ju r e d y o u b y , a n d b y th e r ig h t o f th e s e n a m e s,
o f th e n o b le T h ro n e , w h o d o e s as H e w ills . H a s
w h ic h y o u d re a d a n d b y w h ic h y o u a re th u n d e r­
th e s to r y o f th e h o s ts re a c h e d y o u ? O f P h a ra o h
s tru c k a n d to w h ic h y o u re s p o n d : S a r [x 4],
a n d T h a m u d ? N a y , b u t th o s e w h o d is b e lie v e liv e
Q a r ( j3) [x 4] , D a r (jJ s ) [x 2] , J a m h a r S a r
in d e n ia l. A n d G o d e n c o m p a s s e s th e m fro m b e ­
[x 2] , J a h a r ( j^ ) , N u z a h (0 3 3 3 ), W a h lm
h in d . N a y , b u t i t is a g lo r io u s Q u r a n o n a g u a r d e d
( f t > ^ 3 ) , a n d a lig h t th a t illu m in a te s , a n d S a ‘sa ‘a
ta b le t .’ A n s w e r , O M a d h h a b J u j) , b y Y a h
t h e r e a f t e r i t fla s h e s . I t f la s h e s a n d t h e r e a f t e r i t is
(o L ), Y a h (o U ); a n d y o u , O M a ra h (e>j a ), b y S a m
lig h t n in g a n d i t b u r n s a ll th o s e w h o d is o b e y , o p ­
( ( ftL j) , S a m ((» L *> ); a n d y o u , O A h m a r ( b y
p o s e , a n d re s p o n d n o t u n to G o d a n d H is n a m e s.
D a m llk h D a m lik h a n d y o u , O
‘W h e re v e r y o u a re , G o d w i l l b r in g y o u a ll to -

20 21
 lÎ iE jforbjdiiEn (Brim oirt o f îw n it and îïla ru t 'Che forbidden Grim oire o f lia r u t and M a m t

g e th e r ; s u r e ly G o d h a s p o w e r o v e r a ll th in g s .’ ‘I f

th e re b e (b u t) th e w e ig h t o f a m u s ta r d se e d a n d T he AiiuLEt gf Tmrri'Aiii
it w e re ( h id d e n ) in a r o c k , o r (a n y w h e r e ) in th e
fHE IpdiATl
h e a ve n s o r u p o n e a rth , G o d w i l l b r in g it fo rth :

fo r G o d u n d e rs ta n d s th e f in e s t m y s te r ie s , ( a n d )

is w e ll- a c q u a in t e d

sh a ke y o u . T h e
( w ith

w in d
th e m ).’ T h e

w ill b lo w y o u
e a rth w ill

a w a y . T h e
T n th e n a m e o f G o d , M o s t M e r c ifu l a n d C o m -

p a s s io n a te
s e a w i l l h u r l y o u . F ir e a n d s p a rk s w i l l r a in d o w n

u p o n y o u fro m th e h e a v e n a b o v e y o u . T h e n a m e s G o d b le s s o u r lie g e lo r d M u h a m m a d , th e U n le t­

o f G o d w ill e n c o m p a s s y o u , a n d y o u w ill fin d n o te r e d P r o p h e t, a n d h is f o l k a n d C o m p a n io n s , a n d

re s t fro m th e m u n til y o u a c c o m p lis h m y n e e d , g ra n t th e m p e a ce .

w h ic h is [s ta te y o u r n e e d ]. H u r r y ! Q u ic k ly ! A t
T o c o m m e n c e : T h is is “ T h e A m u le t o f T a m ta m
o n c e !”
th e I n d ia n , ” a n d c o m p r is e s “ T h e C o m p r e h e n s iv e

T h is c o n c lu d e s “ T h e C o n ju r a tio n o f L o rd M e ta - In v o c a tio n s .” I t c a n b e e m p lo y e d f o r a ll p u r p o s ­

tro n ” e s , e s p e c ia lly th o s e in v o lv in g jin n a n d a n y th in g

c o n n e c te d w ith th e m , s u c h as aryah. B o th m a n

a n d jin n y ie ld u n to it. I t c a n d e a c t iv a te a n y ta l­

is m a n a n d u n d o its e ffe c ts . M o re o v e r , it c a n b e

u se d to w a rd o ff a r m ie s , re m o v e o b s tr u c tio n s

fro m tr o v e s , o p e n tr e a s u re c h e s ts , c o n q u e r c itie s ,

a n d d e m o lis h th e m .

B y r e c itin g it , n e it h e r jin n i n o r d e m o n n o r m u ­

t in e e r n o r p o s s e s s in g s p ir it n o r c o n s p ir a to r n o r

p r o f lig a t e c a n d o h a r m . I t a c ts a s a c h a r m fo r o n e

w h o c a r r ie s a w r itte n c o p y o f it a n d r e c ite s it.

I f i t is p la c e d in s id e a h o m e , it w ill n e v e r b u m

22 23
 'Che forbidden (Srimoire o f iia ru t and illa m t Che forbidden (Srimoire o f I ^ r u t and M a m t

o r b e ro b b e d ; o n a s h ip , i t w i l l n e v e r s in k ; w it h d e a th . W h o e v e r c a r r ie s i t w i l l r e m a in u n d e r th e

a n a r m y , th e y w i l l n e v e r b e d e fe a te d . I t h o ld s a n p r o te c tio n o f G o d M o s t H ig h . T h e r e fo r e g u a r d i t

u n t o ld a m o u n t o f b le s s in g s a n d a u t h o r ity . I t c o n ­ n ig h t a n d d a y , d o n o t p a r t w it h it , a n d d o n o t ta k e

ta in s th e S u p re m e N a m e o f G o d , s o u n d e rs ta n d i t t o a n u n h o ly p la c e , f o r i t c o n ta in s th e S u p r e m e

th e v a lu e o f w h a t h a s r e a c h e d y o u , a n d d o n o t u n ­ N a m e .

d e r e s t im a t e it s p o w e r . W h a t e v e r G o d b e s to w s o n
T h e fo llo w in g is th e h o n o r a b le in v o c a t io n : “ O
y o u o f n o b le k n o w le d g e b y w h ic h H e g r a n ts y o u
G o d , I a s k Y o u b y th e n a m e w r it t e n u p o n th e le g
v ic t o r y a n d w h ic h h e r e v e a ls u n t o y o u , g u a r d , f o r
o f th e T h ro n e , w h o s e lig h t e n v e lo p e s a ll lig h t s ;
th e r e b y e le v e n tr e a s u r e c h e s ts a re o p e n e d .
I t is th e lig h t o f M u h a m m a d , th e C h o s e n O n e ; b y

I t is s a id t h a t i t u s e d to b e in th e s to re h o u s e s o f th e n a m e b y w h ic h A b r a h a m , th e F r ie n d o f G o d ,

th e k in g s , th e C a lip h H a ru n a l- R a s h id , a n d h is in v o k e d Y o u , w h e re u p o n Y o u sa ve d H im fro m

s o n a l - M u ‘ t a s im , a n d t h a t i t w a s s u c c e s s iv e ly i n ­ N im r o d ; b y th e n a m e b y w h ic h E lia s , E lis h a ,

h e r ite d b y f o llo w in g g e n e r a tio n s u n t il i t r e a c h e d a n d E z e k ie l c a lle d u p o n Y o u , a t w h ic h Y o u a d ­

a l- Z a h ir Y a b r a s . W h e n h e c a r r ie d it, a ll o f c re ­ m itte d th e m in to th e c o m p a n y o f th e r ig h te o u s ;

a tio n w o u ld o b e y h im . T h u s , h e b e g a n to v e n e r­ b y th e n a m e b y w h ic h a ll th e p ro p h e ts , m e s s e n ­

a te i t b e c a u s e o f th e b le s s in g s h e s a w th e r e in . S o g e r s , s a in ts , a n d th e G o d - f e a r in g b e s e e c h e d Y o u ,

m a k e e v e ry c o n c e iv a b le e ffo r t to g u a rd it, fo r it w h e re a t Y o u a n s w e re d th e ir p ra y e rs ; b y th e n a m e

is a g r e a t c o p y th a t is u n e q u a lle d . T h e r e is a ls o a b y w h ic h th e h e a v e n s ro s e a n d th e e a rth g re w

le n g th y c o m m e n t a r y o n it , b u t w e h a v e a b r id g e d s te a d y ; b y th e n a m e b y w h ic h w o r s h ip p e r s a n d

it , a s th e r e is n o r o o m f o r i t in th is b o o k . a s c e tic s s u p p lic a te d Y o u ; b y th e r ig h t o f Y o u r

m a g n ific e n c e , h o n o r , a n d a ttr ib u te s ; b y th e n a m e
T h e c a lip h s a n d s o v e r e ig n s w o u ld c a rry i t w ith
w r i t t e n i n t h e T o r a h , t h e G o s p e ls , t h e P s a lm s , a n d
th e m d u e to its p o w e r to re n d e r o th e rs o b e d i­
th e g lo r io u s F u r q a n ; b y th e r ig h t o f Y o u r m e r c y
e n t, a n d its p o s s e s s o r a c c e p ta b le , a w e - in s p ir in g ,
a n d Y o u r p a r d o n w h ic h e m b ra c e s a ll Y o u r r ig h ­
e s te e m e d , p o w e r fu l, o b e y e d , tr iu m p h a n t o v e r
te o u s s la v e s ; b y th e r ig h t o f Y o u r n o b le c o u n ­
w h a te v e r h e w is h e s o f g o o d , a n d s a fe fro m a ll
te n a n c e a n d Y o u r p u re a n d c o n s u m m a te w o rd s ;
c re a tu re s , a c h e s , s y m p to m s , a n d illn e s s e s , s a v e

24 25
 “Che forbidden (Srim oirt o f lia ru t and H a n it Ith e Jforbiddtn G rim oirt o f fta ru t and M a ra t

b y U ie r i g h t o f t h e s e c re ts in th e h e a rts o f Y o u r w a rd a n d fe a r n o t ; s u r e ly y o u a re o f th o s e w h o

r ig h te o u s s la v e s ; b y th e r ig h t o f e v e r y n a m e Y o u a re s e c u re ’ ; ‘F e a r n o t; y o u h a v e e s c a p e d fr o m th e

h a v e g iv e n Y o u r s e lf, h a v e ta u g h t o n e o f Y o u r u n ju s t p e o p le ’ ; ‘ F e a r n o t ; v e r ily I a m w ith y o u

c re a tu re s , o r p o s s e s s a lo n e in th e k n o w le d g e o f b o th , h e a r in g a n d s e e in g ’ ; ‘ F e a r n o t ; s u r e ly th e

th e u n s e e n , th a t y o u p la c e h im w h o c a r r ie s th is m e s s e n g e rs fe a r n o t b e fo re m e ’; ‘ A s s a u lt th e m

a m u le t in th e s a n c tu a r y o f Y o u r p r o t e c tio n a n d in th ro u g h th e g a te , fo r w h e n y o u a re in , v ic to r y

th e c o n c e a lm e n t o f Y o u r p r o v id e n c e , a n d g ra n t w ill b e y o u rs . A n d p u t y o u r tm s t in G o d if y o u

h im g r e a t p r o s p e r it y , a p r o lo n g e d lif e , in tim a c y , a re in d e e d b e lie v e r s . ’

tr iu m p h , a w e , a n d a c c e p ta n c e in th e e ye s o f a ll
O G o d , I a s k Y o u b y G o d , O Y o u w h o , in th e
p e o p le a n d o n lo o k e r s : in t h e ir e y e s a s a g e m , a n d
fo u rth h e a v e n , c re a te d a n a n g e l w h o is h a lf f ir e
in th e ir h e a rts a s s u g a r, w it h th e s u n o n h is r ig h t ,
a n d h a lf ic e , a n d y e t n e it h e r th e fir e m e lts th e
th e m o o n o n h is le f t , V e n u s b e fo r e h is e y e s , S a t­
ic e , n o r d o e s th e ic e p u t o u t th e fir e . A n d th is
u r n b e h in d h im . M a r s in f r o n t o f h im , J u p ite r b e ­
a n g e l, i n th e to n g u e o f p o w e r , c a lls o u t, “ O G o d ,
h o ld in g h im , a n d M e r c u r y u n d e r h is fe e t.
O H e w h o h a s u n it e d ic e a n d fir e , u n ite Y o u r

H e w i l l b e n e ith e r b e a te n n o r k ille d n o r c o n fin e d r ig h te o u s s e rv a n ts a n d a ll o f Y o u r c re a tu re s in

n o r im p r is o n e d n o r d e fe a te d n o r o p p re s s e d n o r lo v e f o r h im w h o c a r r ie s th is a m u le t; g r a n t h im

d e s titu te , a n d h is h o m e w i l l n e ith e r b e b u r g la r ­ lo v e , a c c e p ta n c e , in tim a c y , a ffe c tio n , a n d v a s t

iz e d n o r b u m d o w n n o r s u ffe r d a m a g e o r c a ­ a n d la w fu l s u s te n a n c e ; a n d re n d e r h im b e lo v e d

la m it y . A n d m a k e h im b e c h e r is h e d , v e n e r a te d , u n to a ll c re a tu re s a n d h u m a n k in d , e v e r y fe m a le

o b e y e d , h o n o re d , p r e s t ig io u s , s u c c e s s f u l, g u id ­ a n d m a le .

in g , p ro s p e r o u s , a n d c h a r m in g a m o n g s t a ll th e
O G o d , e le v a te h im in r a n k , a n d m a k e h is w o r d s
s c h o la r s , le a d e r s , v iz ie r s , r a le r s , a n d s e r v a n ts .
s u p e r io r a n d h is e n e m ie s ’ w o r d s in f e r io r . O G o d ,

B y th e r ig h t o f th e n a m e th a t s ta rts w ith “ E l” re m o v e a n y h a tre d o r a n g e r Y o u m a y h a v e to ­

a n d e n d s in “ E l.” B y a m illio n th e r e is n o m ig h t w a rd s h im , a id h im w ith a p o w e r f u l a id , g r a n t

o r p o w e r e x c e p t w ith G o d , th e E x a lte d a n d h im a m a n if e s t v ic to r y , g iv e h im a n a s s is t iv e

M a g n ific e n t. G o d M o s t H ig h sa ys: ‘C o m e fo r­ a u th o r ity f r o m Y o u , g ra n t h im a c c e p ta n c e o f h is

26 27
 W tiz jforbiddEn (Brimoirt of iiarut and Marat
r "ChE dforbiddEn (SritnoitE of Ifarat and Marat

re p e n ta n c e , f o r g iv e n e s s , a p p r o v a l, s u s te n a n c e ,
A b r a s im ( j ^ l ^ 1) , A b r a s im ( j ^ l ^ 1) ,
f o r tu n e , a n d p r e s t ig e a m o n g s t s o v e r e ig n s , r u le r s ,
A b r a s im ( ^ 1^ 1) ; H a M im ( ^ ) , H a M Im
le a d e r s , v iz ie r s , I s la m ic ju d g e s , a n d a ll c r e a tu r e s ,
H a M im ( j ^ ) , H a M im ( ^ ) , H a M im
b y th e r ig h t o f M u h a m m a d (G o d b le s s h im a n d
( ^ ) , H a M im ( ^ ) , H a M im ( ^ ) , H a M im
g iv e h im p e a c e ), th e c o n s u m m a te f u ll m o o n , a n d
th e m a tte r h a s b e e n d e c re e d , a n d v ic to r y h a s
h is n o b le f o lk a n d s u b lim e C o m p a n io n s .
c o m e , a n d s o th e y w i l l n o t b e g iv e n v ic t o r y o v e r

u s ; D a m im u m ( ,0 3 -0 .^ ,^ ) , D a m im u m ( ^ 3 ^ ^ :» ) ,
O G o d , re p e l fro m h im th e e v il o f th e w ic k e d ,
D a m im u m ( ^ ^ ^ 0 ) ; ‘ A lu m ( , « 3 J L i: ) , ‘ A lu m
th e p lo t o f th e p r o f lig a t e s , a n d th e e v il o f e v e n ts
( ja ^ U ) , ‘ A lu m ( |ft3 jU ) ; S a lu m ( ^ 3 J L * > ) , S a lu m
th a t h a p p e n in th e n ig h t a n d d a y , e x c e p t o n e th a t
( ,ft3 J L > ) , S a lu m (,c » 3 J L * )); S h a m k h it h a
b r in g s g o o d . O In v in c ib le O n e , O F o r g iv in g O n e ,
S h a m k h ith a ( lJ L p t< i- i» ) , S h a m k h it h a
O J u d g e , O M o s t M e r c ifu l O n e .
S h a m a k h ( ¿ U - i) , S h a m a k h ( ¿ U - i. ) , S h a m a k h

O G o d , r e s tr a in th e to n g u e s o f c re a tu re s a n d ( ¿ U - i» ) , w h o is e x a lte d o v e r e v e ry B a ra k h

m a n k in d , e v e ry fe m a le a n d m a le , so th a t th e y Q u d u s ( ^ 3 jJ ) , Q u d u s ( ^ 3 jJ ) , Q u d u s

s p e a k o n ly g o o d o f h im . D e a f , d u m b , a n d b lin d , ( ^ 3 j J ) . T h a t is G o d , y o u r L o r d , th e In v in c ib le ,

n o n e o f th e m w ill s p e a k e x c e p t h e w h o m th e th e O v e r p o w e r in g , th e K in g , th e B e s to w e r, a n d

M o s t M e r c if u l p e r m its , a n d h e w ill s p e a k w h a t th e T r iu m p h a n t.

is r ig h t . ‘ T h e y a re d e a f, d u m b , a n d b lin d , s o th e y
M a y th e ir fa c e s b e d e fo r m e d .‘T h e ir fa c e s w ill
re tu rn n o t.’ T h e y a re d e a f, d u m b , a n d b lin d , s o
b e h u m b le d b e fo re th e L iv in g , th e E v e r S e lf-
th e y k n o w n o t.
s u b s is tin g th ro u g h W h o m a l l s u b s is ts . A n d h e

O G o d , r e s tr a in th e to n g u e s o f w h ite s , b la c k s , w h o b e a rs in iq u it y is in d e e d a fa ilu r e .’ H is w o rd

y e llo w s , b lo n d s , b lu e s , re d s , th e e ld e r ly , is tr u th . A b s o lu te s o v e r e ig n ty is H is . G o d a lo n e

y o u n g s te rs , a d u lts , a n d a ll c re a tu re s fro m s u ffic e s m e . ‘Is n o t G o d s u f f ic ie n t f o r H is s e r v a n t? ’

( s p e a k in g ill o f) h im , b y th e r ig h t o f S a w s im B a d u h (^ 3 J u ), B a d u h (^ 3 0 0 ), B a d u h (^ 3 0 ^ ).

( jfr * * > ^ ) , S a w s im ( f> * * > 3 -* » ), S a w s im ( j^ - ^ ^ ) ; H u b W u d (v 5 3 ('^3 y u b

H a w s im ((v -» > ^ )» H a w s im ( jv ^ ^ ) , H a w s im W u d (^ ^ 3 (--o ) 1111 ^ III 0 aIji Ait jxxft £ 2 ^ n .

28 29
 'C h t Jfortidden 0 rim o irt o f ito ru t and M a ra t i:h e Jforbiddtn (Srimoire o f Iftara t and M a ra t

0 G o d , r e n d e r a ll Y o u r r ig h te o u s s e rv a n ts a n d T t is lik e th e r a in w e se n d d o w n fro m th e s k ie s :

a ll Y o u r c re a tu re s h u m b le , s u b s e r v ie n t , s e r v ile , th e e a rth ’s v e g e t a t io n a b s o rb s it, b u t s o o n it

a b s e n tm in d e d , b e w ild e r e d , o b e d ie n t, s h o c k e d , b e c o m e s d ry s tu b b le , w h ic h th e w in d s s c a tte r.’

c o n fu s e d , a n d s t u p e fie d b y h im w h o c a r r ie s t h is ‘H e is G o d , th e re is n o G o d b u t H im , k n o w e r

a m u le t. T h e to n g u e s o f a ll p e o p le , e v e r y so n o f o f th e u n s e e n a n d th e se e n . H e is th e M e r c if u l,

A d a m a n d d a u g h te r o f E v e w h o c a n s p e a k , w ill th e M e r c y - G iv in g ’ . ‘ T h e d a y o f th e a p p r o a c h in g

b e r e s t r a in e d fro m ( s p e a k in g ill o f) h im . T h e y (d o o m ), w h e n th e h e a rts w ill b e c h o k in g th e

w ill n o t s p e a k u n til th e c a m e l g o e s th ro u g h th e th ro a ts , (w h e n ) th e re w ill b e n o fr ie n d fo r th e

n e e d le ’ s e y e . w ro n g -d o e rs , n o r a n y in te r c e s s o r w h o w ill b e

h e a rd .’ ‘E v e r y s o u l w ill k n o w w h a t it h a s b ro u g h t.
1 p ra y th a t Y o u , b y Y o u r in fin it e p o w e r, p ro te c t
B u t n a y , I s w e a r b y th e s ta rs th a t r u n th e ir c o u rs e
h im fro m e v e r y e v il a n d c a la m it y , a n d f r o m th e ir
a n d h id e th e m s e lv e s , th e n ig h t w h e n i t d e p a rts ,
ly in g to n g u e s a n d tr e m b lin g h e a rts , s o th a t th e y
a n d th e m o r n in g w h e n i t b r ig h te n s .’ ‘ S a d . B y th e
w i l l n e it h e r b e a b le to d e v is e a p la n n o r b e s h o w n
Q u ra n fu ll o f a d m o n itio n . N a y , b u t th o s e w h o
a w a y , a n d a b a r r ie r w i l l b e p la c e d b e tw e e n th e m
d is b e lie v e a re in fa ls e p r id e a n d o p p o s itio n .’ ”
a n d w h a t t h e y d e s ir e . Y o u w i l l s e iz e t h e m , s u b d u e

th e m , a n d d r iv e th e m a w a y , b y th e r ig h t o f th e s e
H a M im ( j ^ ) , H a M im ( ^ ) , H a M im ( ^ ) , H a
h o n o r a b le n a m e s : M a ld e k ( v * ) jJ U ) W a y a ‘ (¿ ¿ 5 )
M im ( ^ ) , H a M im H a M im ( ^ ) , H a
L a o ( K a m a ( U i^ ) .
M im ( ^ ) . A lif L a m M im (p J I). A li f L a m M im

S a d ( ^ jii. J l) . A lif L a m R a ( ^ 1) . T a H a ( a L ).

T a S y in M im T a S y in ( ^ j- i^ ) . T a S y in

M im ( f t ^ - J ^ ) . Y a S y in S a d ( ^ ) . Q a f ( J ) .

N u n ( ^ j) .

‘ A l l p r a is e b e to G o d , L o rd o f th e W o r ld s , M o s t

M e r c i f u l a n d C o m p a s s io n a t e , M a s t e r o f t h e D a y

o f R e c k o n in g . Y o u a lo n e w e w o r s h ip , in Y o u

a lo n e w e s e e k h e lp . G u id e u s in th e s t r a ig h t w a y ,

30 31
 f
U ic dforbiddcn (Brimoiit of Iftanit and Marat inie iorbjddtn 0rimoire of iHarat and Marat

th e w a y o f th o s e Y o u h a v e b le s s e d , n o t o f th o s e

u p o n w h o is w ra th o r o f th o s e w h o a re lo s t.’

A m e n .

is iS c
6 c is
6 J
c is iS
6 J
C is
J 6
I c o n ju r e y o u , O p u re k in g s a n d s p ir it s w h o

J 6 L m o v e w ith r o ta tin g

o b e d ie n t u n to th e L o r d

h im w h o c a r r ie s t h is
a n d s e ttin g o r b its

o f th e W o r ld s , to
a n d

a m u le t a g a in s t m is g iv in g s ,
a re

p ro te c t

c a la m it ie s , a n d t h e in h a b it a n t s o f t h e a ir , d e s e r ts ,

sea, is la n d s , r u in s , c e m e te r ie s , c o u n t r ie s , a n d

c a s t le s , b y th e r ig h t o f ‘B y th e M o u n ta in ; b y

a S c r ip t u r e in s c r ib e d o n an o u ts tre tc h e d fin e

p a rc h m e n t; b y th e H o u s e th a t is v is ite d ; b y th e

e le v a te d c a n o p y ; a n d b y th e s w o lle n s e a .’ B y th e

32 33
 l i l t forbidden 0 rim o irt o f fia ru t and M a ru t lliE forbidden G rim oirc o f fta ra t and M a ra t

fo r g iv in g , tr u th fu l, p r a is e w o r th y L o rd , w h o e v e r h im b y th e c o m m a n d o f G o d .’ ‘ M o s t s u r e ly th e r e

is w ith in th e e a s te rn m o s t a n d w e s te rn m o s t a r e g u a r d ia n s o v e r y o u . ’ ‘N a y , b u t i t is a g lo r io u s

re a c h e s o f th e e a rth (c o m e ). B y th e r ig h t o f th e Q u r a n o n a g u a r d e d ta b le t.’ O G o d , p re s e rv e h im

lig h t th r o u g h w h ic h H e m a n if e s te d H im s e lf to w h o c a r r ie s th is a m u le t b y th a t b y w h ic h Y o u

th e m o u n t a in , c a u s in g it to c r u m b le , w h e r e u p o n p r e s e r v e d th e R e m e m b r a n c e . F o r Y o u h a v e s a id -

M o s e s f e l l u n c o n s c io u s , a n s w e r o u t o f o b e d ie n c e -a n d Y o u r w o rd is tr u th — in Y o u r B o o k , w h ic h

u n to th e L o rd o f th e W o r ld s . B y th e r ig h t o f Y o u r e v e a le d u n t o Y o u r P r o p h e t w h o m Y o u s e n t,

D a ‘u j M a ‘u j F a y ‘u j ‘ S u r e ly , W e h a v e r e v e a le d th e R e m e m b ra n c e ;

D a y ‘u j A k h a y u k h ( ¿ ^ ^ 1) , B ik h a y u k h a n d W e s h a ll s u r e ly p re s e rv e it.’ B is m illa h i is

K h a k h u k h H a y a lu la k h o u r d o o r, ta b a ra k a is o u r w a ll, Y a S y in is

H a ly a s a ‘ ( ^ - . a ^ ) , Q u d u s , L o r d o f th e o u r c e ilin g , k a f h a y a 'a in s a d is o u r

a n g e ls a n d th e S p ir it , c a s t lo v e f o r h im w h o c a r r ie s s u ffic ie n c y , a n d h a m im ‘a in s in is

th is a m u le t in t o th e h e a rts o f a ll c re a tu re s . G o d o u r p r o t e c tio n . T h e v e il o f th e T h r o n e is d r o p p e d

b le s s y o u . B y t h e n a m e o f G o d , b y th e k in d n e s s o v e r u s . T h e e y e o f G o d w a tc h e s u s .

o f G o d , b y th e g e n e r o s it y o f G o d ’s tre a tm e n t;
B y th e m ig h t o f G o d th e y w ill n o t b e g iv e n
b y th e m a g n ific e n c e o f G o d ’s re m e m b ra n c e ,
p o w e r o v e r u s. ‘G o d e n c o m p a sse s th e m fro m
b y a th o u s a n d r e p e tit io n s o f th e r e is n o m ig h t
b e h in d . N a y , b u t it is a g lo r io u s Q u ra n o n a
o r p o w e r e x c e p t w ith G o d , th e E x a lte d a n d
g u a rd e d ta b le t .’ ‘H e p o sse sse s a ll th a t is in th e
M a g n ific e n t.
h e a ve n s a n d u p o n th e e a rth .’ ‘T h e A ll- M e r c ifu l

L e t h im w h o c a r r ie s th is a m u le t b e a c c e p te d b y is e s t a b lis h e d u p o n th e T h ro n e .’ H e is o f v a s t

a ll c re a tu re s a n d h u m a n k in d , e v e r y fe m a le a n d b le s s in g s , u n c e a s in g ly g r a c io u s , th e s u b d u e r o f

m a le , p o s s e s s in g a m o o n - lik e fa c e , s u n - lik e a d v e r s a r ie s , c o m p a s s io n a te w it h H is s u s te n a n c e ,

c o u n te n a n c e , a n d p o w e r f u l s p le n d o r , p ro te c te d re n o w n e d f o r H is g e n e r o s it y , ju s t i n H is r u lin g ,

b y Y o u r in f in it e m ig h t fr o m e v il e y e s a n d e v e ry th e L o rd o f lo r d s , th e p ro d u c e r o f e ffe c ts , th e

e n c h a n tm e n t a n d h a rm . ‘F o r h im a re a n g e ls , g iv e r o f s u s te n a n c e , la v is h in g if t g iv in g . ‘T h e re

ra n g e d b e fo re h im a n d b e h in d h im , w h o g u a rd is n o t h in g w h a ts o e v e r lik e u n to H im , a n d H e is

34 35
 'Che forbidden (5rimoire o f ilia ru t and M a m t 'Che forbidflen G rim o irt o f i^ r u t and H a ru t

th e A ll- H e a r in g , th e A ll- S e e in g .’ I c o m m e n d m y a n d i t th ic k e n s a n d r is e s s t r a ig h t u p o n its s ta lk ,

s e lf, h a ir , s k in , f a it h , lif e , f a m ily , w e a lt h , s o n , a n d p le a s in g th e s o w e rs , th a t th ro u g h th e m H e m a y

o ffs p r in g u n to G o d ’ s p r o te c tio n a g a in s t th e e v il e n ra g e th e u n b e lie v e r s . G o d p r o m is e s th o s e

o f a ll th in g s h a rm fu l u n to m e . O m y G o d , a n d a m o n g th e m w h o b e lie v e a n d d o g o o d w o rk s

G o d o f A b r a h a m , Is h m a e l, Is a a c , J a c o b a n d h is f o r g iv e n e s s a n d a n im m e n s e re w a rd .’ ‘H a d W e

g r a n d c h ild r e n , M o s e s , a n d A a r o n . O M ig h ty O n e se n t d o w n th is Q u ra n u p o n a m o u n ta in y o u

o f e v e r y in t im a t e d is c o u r s e . O H e w h o a lle v ia te s w o u ld h a v e s e e n i t h u m b le d , r e n t a s u n d e r b y th e

e v e r y a d v e r s it y . fe a r o f G o d . A n d W e s e t f o r t h th e s e e x a m p le s f o r

p e o p le s o th a t th e y m a y r e f le c t . H e is G o d , th e r e
O G o d , a n s w e r o u r p ra y e r, b y th e r ig h t o f Y o u r
is n o G o d b u t H im , k n o w e r o f th e u n s e e n a n d th e
e x a lte d n a m e , b y th e s a n c tity o f Y o u r r ig h te o u s
se e n . H e is th e M e r c if u l, th e M e r c y - G iv in g . H e
s e r v a n ts , a n d b y Y o u r g r a c e , b o u n t y , g e n e r o s it y ,
is G o d , b e s id e s w h o m th e r e is n o g o d , th e K in g ,
a n d m e rc y . O H e o f m a je s ty a n d h o n o r. ‘O u r
th e H o ly , th e C o m p le te , th e S o u rc e o f S e c u r ity ,
L o rd , ca u se n o t o u r h e a rts to d e v ia te a fte r Y o u
th e G u a r d ia n , th e O v e r p o w e r in g , th e A u g u s t , a n d
h a v e g u id e d u s, a n d b e s to w m e rc y fro m Y o u
th e P ro u d . T r a n s c e n d e n t is G o d o v e r w h a t th e y
u p o n u s . T r u ly Y o u a re th e B e s to w e r. O u r L o r d ,
a s s o c ia te ( w it h H im ) . H e is G o d , th e C r e a to r , th e
s u r e ly Y o u w ill b r in g m a n k in d to g e th e r o n a
M a k e r , th e F a s h io n e r . H is a r e th e m o s t e x c e lle n t
d a y a b o u t w h ic h th e re is n o d o u b t. C e r t a in ly
n a m e s . A ll th a t a re in th e h e a v e n s a n d th e e a rth
G o d n e v e r b re a k s H is p r o m is e .’ ‘M u h a m m a d is
g lo r ify H im . A n d H e is th e O v e r p o w e r in g , th e
th e m e s s e n g e r o f G o d , a n d th o s e w ith h im a re
A ll- W is e .’
s te m to w a rd s th e d is b e lie v e r s , c o m p a s s io n a te

to w a rd s o n e a n o th e r. Y o u s e e th e m b o w in g a n d B y th e m a n s io n s o f th e s ta r s , b y w h a t lie s b e lo w

p r o s t r a t in g , s e e k in g b o u n ty fro m G o d a n d H is th e d e p th s ( o f th e e a rth ), a n d b y th e m a je s ty o f

g o o d p le a s u r e . T h e m a r k is u p o n t h e ir fa c e s f r o m th e m a g n ific e n c e o f th e L iv in g a n d E v e r S e lf-

th e e f f e c t o f p r o s t r a t io n — th a t is t h e ir lik e n e s s in S u b s is tin g th ro u g h W h o m a ll s u b s is t. ‘ T h a t is

th e T o r a h ; a n d t h e ir lik e n e s s in th e G o s p e l is as in d e e d a tre m e n d o u s o a th — i f y o u o n ly k n e w ’.

a g r a in th a t s e n d s fo r th its s h o o t, s tre n g th e n s it. Y o u w i l l s h ie ld a n d p r o t e c t h im w h o c a r r ie s th e s e

36 37
 f
Toc forbidden (Srimoirc o f lia ru t and M a m t iChe forbidden 0rim oirc o f Ito ru t and H a ru t

w o r d s I w r it e . P r o te c t h is s o u l, a ll h is s e n s e s , h is fro m t h e ir e v il, m a c h in a tio n , a n d tr a n s g r e s s io n ,

h a ir , h is s k in , a n d h is b o d y , b y S h a k u s h ^ S Ü ), b u t s h ie ld h im n o t fro m th o s e th in g s h e d e s ir e s

S h a k u s h M a k u s h M a k u s h a n d lo v e s , b y th e r ig h t o f T a lm a k h ( ¿ .J L i? ) ,

a n d b y th e r ig h t o f th e H is a u g u s t, T a lm a k h (¿ .o J -Is ); T u m a k h T u m a k h

h o n o r a b le n a m e . A l l h u m a n s , jin n , r e b e l s p ir it s , ‘A tfie l ( J L iia i: ) . B y K a f H a Y a ‘A in

d e m o n s , a n d a r m ie s o f I b lis w i l l b e a v e r te d f r o m S a d h e w h o c a r r ie s t h is a m u le t w i l l b e

h im w h o c a r r ie s th e s e w o rd s I w r ite , b y H a lta f p ro te c te d ; b y H a M im ‘ A in S in Q a f ( h e

( i- û J a J U b ) , H a lta f (u û J a J L » ); S h a liti* ( ^ - ¡ - L a J L i» ) , w ill b e s h ie ld e d . F a q a j M a k h m a t 2 ^ ) »

S a m a ‘u n ( ^ j^ U - y j) , L a y a h k a b a s h F a q a j M a k h m a t 2 ^ ) - H is w o r d is tr u th ,

L a y a h k a b a s h N a h k a b a s h a n d a b s o lu te s o v e r e ig n ty is H is . ‘ G o d w i l l s u ff ic e

N a h k a b a s h Y u q a s h Q a f a y il y o u a g a in s t th e m . A n d H e is th e A ll- H e a r in g ,

Y u q a s h Q a f a y il th e A ll- K n o w in g . ’ ‘ M o s t s u r e ly m y p r o t e c to r is

W a rs a f (ü u a j^ ), W a rs a f N a ra y u q a d G o d , w h o r e v e a le d th e B o o k , a n d H e p r o te c ts th e

N a ra y u q a d Q a n is r ig h te o u s .’ T h e re is n o m ig h t o r p o w e r e x c e p t

Q a n is H a m d a ra s h K a m u ra s h w ith G o d th e E x a lt e d a n d M a g n if ic e n t . A n d m a y

H a m d a ra s h K a m u ra s h G o d b le s s o u r lie g e lo r d M u h a m m a d .”

a n d L a y ta g h ta m a r is h ( ^ j U J a x lJ ) .

D e s c e n d , O y o u tw o p u re , s p ir it u a l, m a je s tic

a n g e ls : y o u , O S e d e q y a il ( J j L i j u ^ ) , a n d y o u ,

O S a rfa y a ïl j* o ).

S h ie ld h im w h o c a r r ie s th e s e w o r d s I w r it e a g a in s t

fe a r , p a n ic , a n x ie t y , e v e n ts th a t h a p p e n in d a y a n d

n ig h t, e x c e p t a n y th a t b r in g s g o o d — O In v in c ib le

O n e , O O ft- F o r g iv in g O n e , O A ll- M e r c if u l O n e -

- a n d a g a in s t e v e r y r e b e llio u s d e v il a n d s t u b b o r n

ty r a n t. S h ie ld h im w h o c a r r ie s th e s e w o r d s I w r it e

38 39
 l i l t J'orbiddtn 0 rim o irt Df Ifta ru t and iU a ru t
r 'Che JforbiddEn (Srim oirt o f Iw ru t and ifta ru t

w r it in g , e ith e r d u r in g th e n ig h t, th e d a y , w a k in g ,

s le e p , s it t in g , w a lk in g , o r r is in g . W h o o p p o se s

c3 «
\l *
2
th e r e m e m b ra n c e o f H is lo r d

t o r m e n t in s e r t e d in t o h im

o u r o rd e r, w e w ill m a k e h im
w i l l h a v e m o u n t in g

a n d w h o d e v ia te s f r o m

ta s te th e to r m e n t o f

th e in fe r n o . R e fr a in fro m th e c a r r ie r o f th is , m y

iil ^ w r it in g . T h e y s a id , “ O o u r p e o p le , r e s p o n d to th e

c a ll o f A lla h , a n d b e lie v e in H im . H e w ill th e n

f o r g iv e y o u r s in s , a n d s p a re y o u a p a in fu l r e t r i­

b u t io n .” T h o s e w h o f a il to r e s p o n d to A lla h ’ s c a ll

•* c a n n o t e s c a p e , a n d w ill h a v e n o L o rd o th e r th a n

H im ; th e y h a v e g o n e f a r a s tra y .

^ n
I e n jo in y o u , O h o s t o f s p ir it u a l s p ir it s fro m th e

A D a n a h is h a , b y H e

L ig h t th a t m a n ife s te d t o
w h o is u n b e a r a b le

th e m o u n t a in
a n d b y th e

a n d le ft it

f la t t e n e d a n d M o s e s f e l l u n c o n s c io u s , a n d b y th e

L ig h t o f th e h o n o re d fa c e o f A lla h th a t d o e s n ’t

AifiuLEi- OFtHE Lockes fa d e a n d H is d w e llin g th a t d o e s n ’t c h a n g e a n d

H is th r o n e th a t d o e s n ’t m o v e , a n d H e is th e e v e r

liv in g a n d th e s e lf- s u b s is tin g . I e n jo in y o u b y

T n th e n a m e o f A lla h , th e M o s t G r a c io u s , M o s t h o n o r o f th e s e n a m e s th a t w h e n e v e r y o u

c a r r ie r o f th is , m y w r itin g , th e n d o n ’t
s e e th e

g e t n e a r
M e r c ifu l: T h e b le s s in g s o f A lla h b e u p o n o u r
h im o r in s u lt h im , a n d d o n ’t c h a n g e h is s itu a tio n .
m a s te r M o h a m m e d , h is fa m ily a n d h is a p o s tle s
I e n jo in y o u O h o s t o f th e J in n a n d th e S h ia te e n
a n d so is H is p e a ce . I e n jo in y o u b y A lla h th e
a n d th e s o ld ie r s o f Ib lis c o lle c tiv e ly b y A lla h ,
M a je s tic , O h o s t o f J in n , S h ia te e n , a n d A fa re e t,
th e m a je s tic , to w h o m th e n e c k s o f th e p ro u d ty -
th a t y o u d o n ’t in te r f e r e w it h th e c a r r ie r o f th is , m y

40 41
 T
'JCht jforbiddtn (Brimoire of ttarat and Marut l i l t jforbiddtn brimoire of Iftarut and Hilarat

ra n ts w e re s u b m itte d , a n d th e e a r th a n d th e h ig h r u le r o f S u n d a y , to p r o te c t th e c a r r ie r o f th is ,

m o u n ta in s w e r e fla tte n e d b y H is a b ility , a n d a ll m y w r itin g , a s lo n g as it is y o u r d a y fro m th e

o f c r e a t io n a c k n o w le d g e d H is L o r d s h ip . H e is a n y o f th e fo llo w e r s o f M a z h a b (> -,■ w h o

e le v a te d in H is e x a lta tio n , w h o c re a te d h u m a n ­ s e e k s to in ju r e , p o s s e s s , o r a f f l i c t th e c a r r ie r o f

k in d fro m c la y , fro m s h a rp e n e d m u d , th e jin n th is , m y w r itin g , b x k s tg a I e n jo in y o u O J ib r a il

fro m th e fla m e t ip o f s m o k e le s s f ir e , a n d H e c r e ­ th e r u le r o f M o n d a y , b y A le f - L a m -
a te d th e T h r o n e a n d th e fo o ts to o l. W h e n e v e r y o u
M y m ( ( ^ ) ) , th e r e is n o G o d b u t H e th e E v e r L i v ­
s e e th e c a r r ie r o f th is , m y w r it in g , th e n d o n ’t in ­
in g a n d S e lf - S u b s is t in g , t h a t y o u p r o t e c t th e c a r ­
ju r e h im o r h u m ilia te h im o r c h a n g e a n y o f h is
r ie r o f th is , m y w r it in g , a s lo n g a s i t is y o u r d a y
c ir c u m s ta n c e s .
fro m a n y o f th e fo llo w e r s o f M a ra h w h o

R e fr a in fro m th e c a r r ie r o f th is , m y w r it in g , a n d s e e k s to in ju r e , p o s s e s s , o r a f f l i c t th e c a r r ie r o f

I c a ll o n y o u to d e s is t, O h o s t o f th e jin n , th e th is , m y w r itin g . I e n jo in y o u O

S h ia te e n , r e s id e n ts o f th e a ir , r e s id e n ts o f h o u s e ­ S h a m s h a m a ll ( J ^ t q - u i q j k ) , th e r u le r o f T u e s ­

h o ld s , r e s id e n ts o f e n c lo s u r e s , th e m o u n t a in s , th e d a y , b y A lla h w h o th e re is n o G o d b u t H e , th a t

b a d la n d s , th e c h u rc h e s , th e b e a s ts o f th e e a rth , is n ’ t o v e r c o m e b y s lu m b e r o r s le e p , t h a t y o u p r o ­

a n d th e n ig h t v is ito r s , e x c e p t f o r a n ig h t v is it o r te c t th e c a r r ie r o f th is , m y w r it in g , a s lo n g as it

w h o s e v is it is b e n ig n . W ith th e v e rs e s o f A lla h , I is y o u r d a y f r o m th e fo llo w e r s o f A h m a r (

p r o te c t th e c a r r ie r o f th is , m y w r it in g , f r o m e v e ry w h o s e e k s to in ju r e , p o s s e s s , o r a f f l i c t th e c a r r ie r

m a le a n d fe m a le S h ita n , m a le a n d fe m a le jin n , o f th is , m y w r it in g . W ^ G ^ H M IF T I e n jo in y o u

m a le a n d fe m a le h u m a n , s o rc e re r a n d s o rc e re s s , O M ik a ll ( J j l 5^ ) , th e r u le r o f W e d n e s d a y , b y

m a le a n d fe m a le s ta lk e r , a n d m a le a n d fe m a le A lla h w h o h a s a ll th a t is in th e h e a v e n s a n d e a r th ,

M a re d , b y H is w o rd A lla h u A k b a r , A lla h u A k - th a t y o u p r o te c t th e c a r r ie r o f th is , m y w r it in g , a s

b a r , A lla h u A k b a r. O y o u h o s t o f th e jin n , th e lo n g a s i t is y o u r d a y f r o m th e fo llo w e r s o f B u r q a n

S h ia te e n , th e fo llo w e r s o f N im r o d , th e s ta lk e r s , (¿ ^ l 3j i ) , w h o s e e k s to in ju r e , p o s s e s s , o r a f f lic t

th e fo llo w e r s o f Ib lis , th e fo llo w e r s o f D a n h a s h th e c a r r ie r o f th is , m y w r itin g . T W ^ G ^ W H ^ I

I e n jo in y o u O R o q y a ll th e e n jo in y o u 0 S a r fia ll d ie r u le r o f

T h u rs d a y th a t y o u p r o te c t th e c a r r ie r o f th is , m y

42 43
 'C lit forbidden (Srimoirc o f IHarut and H a ru t
f iChe JForbiddtn (Srim oirt o f tva ru t and M anit

w r itin g , a s lo n g a s i t is y o u r d a y fro m th e fo l­ s h ip p e d L o rd w h o b r o u g h t th in g s fro m o b liv io n

lo w e r s o f S h e m h u re s h ( j “ j j ^ 'i “ •), w h o se e ks in to e x is te n c e , a n d H e is th e w o r s h ip e d L o r d . I

to in ju r e , p o s s e s s , o r a f f lic t th e c a r r ie r o f th is , m y e n jo in y o u O s e rv a n ts o f th e s e n a m e s, yo u a n d

w r itin g . I e n jo in y o u O ‘ a n y a il y o u r s e rv a n ts , th a t y o u p re s e rv e th e c a r r ie r o f

( J ^ L u L c .), th e r u le r o f F r id a y th a t y o u p ro te c t th is , m y w r itin g , fr o m th e jin n a n d th e h u m a n s

th e c a r r ie r o f th is , m y w r itin g , as lo n g as it is a n d th e S h ia te e n . T ie th e in ju r io u s to n g u e s t h a t

y o u r d a y fro m th e fo llo w e r s o f Z a w b ‘a h ( iju g } ) , sp e a k e v il fo r h im . L o o s e n th e to n g u e s th a t

w h o se e ks to in ju r e , p o s s e s s , o r a f f lic t th e c a r­ s p e a k g o o d f o r h im . S n a r l a ll w e a p o n s fo r h im

r ie r o f th is , m y w r itin g . I e n jo in a n d b lo c k t h e s t a r in g e y e s , s p e a k in g to n g u e s , a s ­

y o u O K is fy a il ( < ? >» ^ ) , th e r u le r o f S a tu r­ s a u ltin g h a n d s , w a lk in g f e e t , f e a r f u l h e a rts f r o m

d a y th a t y o u p r o t e c t th e c a r r ie r o f th is , m y w r it ­ h im , b y h o n o r o f A lla h o n y o u a n d b y M o h a m ­

in g , a s lo n g a s i t is y o u r d a y f r o m th e fo llo w e r s m e d , b le s s in g s o f A lla h b e u p o n h im and p e a ce .

o f M a y m o n A b a N u k h ( ¿ j J LI w h o I t w a s b u t a s in g le s c r e a m a n d th e y w e r e a ll g a t h ­

se e ks to in ju r e , p o s s e s s , o r a f f lic t th e c a r r ie r o f e re d b e fo re u s. A s lo n g a s A lla h is w o r s h ip e d ,

th is , m y w r itin g . I e n jo in y o u O th e w a te r flo w s th ro u g h w a t e r in g p la c e s , th e

‘ a n y a il ( J . ^ L jl c ), th e r u le r o f th e s a c re d m o n th , c ro w is b la c k , th e ro c k is h a r d y , a n d th e p e o p le

b y “ T h e y c o n s u lt y o u a b o u t th e s p o ils o f w a r. b le s s M o h a m m e d , th e b le s s in g o f A lla h b e u p o n

S a y , ‘T h e s p o ils o f w a r b e lo n g to A lla h a n d th e a n d h im a n d p e a ce .

m e s s e n g e r ,’ ” th a t y o u p r e s e r v e th e c a r r ie r o f th is ,
In th e n a m e o f A lla h , M o s t G r a c io u s , M o s t M e r ­
m y w r itin g , a s lo n g as i t is y o u r m o n th a n d as
c if u l. P r o c la im , “ H e is th e O n e a n d o n ly A lla h .
lo n g a s th e r e is h e a v e n a n d e a r th . I e n jo in y o u O
T h e A b s o lu te A lla h . N e v e r d id H e b e g e t. N o r
J ib r a il th e r u le r o f th e K a a b a . I e n jo in
w a s H e b e g o tte n . N o n e e q u a ls H im . B e c h a r g e d
y o u O M ik a il ( t h e r u le r o f th e E a s t.
O ‘b e d a l- R a h m a n j l ix ), a nd y o u ‘b e d
I e n jo in y o u O K is f y a il ( J ^ L u L m iT ) , th e r u le r
a l- W a h e d J b iX ) , a n d y o u ‘ b e d a l- S a m e d
o f th e W e s t. I e n jo in y o u O R o q y a il ( J ^ L i g ^ ) ,
K a - ^ ) , s e r v a n ts o f th is n o b le s u ra h , w it h
th e r u le r o f th e S o u th . I e n jo in y o u O M e to tro n
th e p r o te c tio n o f th e c a r r ie r o f th is , m y w r it in g .
^ ^ t h e r u le r o f m o r n in g , b y th e w o r­

44 45
 i: h t fo itid iltn 6rintoire o f iia r u t and illa n it Wilt forbidden 0rjm oire o f Ifta m t and M a ru t

fro m th e jin n , th e h u m a n s , th e M a r a d a h , th e S h i-

a te e n , a n d f r o m e v e r y th in g t h a t in ju r e s h im , w it h

a th o u s a n d th o u s a n d ‘th e r e is n o c a p a c it y a n d n o

p o w e r e x c e p t b y A lla h , th e E x a lt e d a n d M a g n if i­

c e n t.’ A lla h b le s s e d o u r m a s te r M o h a m m e d , th e

h u m a n p r o p h e t, a n d h is f a m ily a n d a p o s tle s , a n d

fille d th e m w ith p e a c e . A m e n .”

T A L iS I W F O R . S V W A i’H Y ,

L o ve , Rf:cEPfivii’Y
DURihG IIlEEfiriG WifH
GOVERTlOR? Arid GtHER?

I h e se a re th e n a m e s th a t w e re w r itte n u p o n

th e g a rm e n t o f Jo se p h th e r ig h te o u s , p e a ce b e

u p o n h im , w h e n h e e n te re d in to th e p re s e n c e o f
s
th e n o b le s in E g y p t , a n d t h e y h a v e im m e a s u r a b le *
p r o p e r tie s . T h e y a re w r it t e n w ith m u s k , s a ffro n ,

a n d r o s e w a t e r a n d th e n c a r r ie d . T h e y a re th u s ;
1

46 47
 W Sit Jforbidiitn (Srimoirt of Inanit and Marat
r W k forbidden 0rimoirt of fiarat and Marat

in a lle y s ? I c o n ju r e y o u b y G o d a n d H is a n g e ls t o
Spell F or. L ove atiô in c lin e th e h e a r t o f N . u n to th e lo v e o f N ..

HiiRjioriY B e +w eeli In c lin e it, in c lin e it, in c lin e it s t r o n g ly , b y th e

HVSBATlô Allô W iFE r ig h t o f th e n a m e w h ic h Y o u r L o rd p la c e d u p o n

th e h e a v e n s , a t w h ic h th e y w e re r is e n ; u p o n th e

e a r th , a t w h ic h it w a s le v e le d ; u p o n th e m o u n ­

ta in s , a t w h ic h th e y w e re e re c te d ; u p o n th e
A th e fir s t h o u r o f M o n d a y , th e f o llo w in g
s p r in g s , a t w h ic h th e y g u s h e d fo rth ; u p o n th e
s h o u ld b e w r itte n , r e c ite d s e ve n tim e s , a n d th e n
s e a s , a t w h ic h th e y flo w e d ; u p o n th e w in d s , a t
h u n g e ith e r u p o n o n e o f th e m o r in a n e n tra n c e
w h ic h th e y s p re a d ; u p o n P a r a d is e , a t w h ic h it
th ro u g h w h ic h o n e o f th e m p a sse s o r in a p a th
w a s o rn a m e n te d ; u p o n th e fir e , a t w h ic h it w a s
a lo n g w h ic h o n e o f th e m tr a v e ls . F o r in c e n s e ,
ig n ite d ; u p o n th e n ig h t, a t w h ic h it g re w d a rk ;
b u m fr a n k in c e n s e .
u p o n th e d a y , a t w h ic h it g re w b r ig h t; u p o n th e

I t is a s fo llo w s : “ T h e fe m a le b e a re r, d is b e lie v ­ s u n , a t w h ic h i t s h in e d ; u p o n th e m o o n , a t w h ic h

e r, m a g ic ia n , c o n v u ls e r , b e w ild e r e r , h a s te n e r, i t w a s illu m in a te d ; u p o n th e lig h t n in g , a t w h ic h it

a n d d e la y e r . ‘G o d w i l l s u ffic e y o u a g a in s t th e m . fla s h e d ; u p o n th e r a in , a t w h ic h it fe ll, s tre a m e d

A n d H e is th e A ll- H e a r in g , th e A ll- K n o w in g .’ in to th e v a lle y s , a n d th e n ro s e ; u p o n th e m o u n ­

»
W h e r e is a l- A s f a r ( j À ...î î V I ) a n d h i s h o s t s ? W h e r e ta in , a t w h ic h i t s p lit a n d c m m b le d - a n d it b ro k e

is a l- A b y a d a n d h is h o s ts ? W h e re in to p ie c e s o u t o f fe a r a n d d is m a y w h e n G o d ,

is a l- A h m a r ( a n d h is h o s ts ? W h e re is L o rd o f th e W o r ld s , m a n ife s te d H im s e lf ( t o it ) .

a l- A z r a q ^ ^ d h is h o s ts ? W h e re is a l-
In c lin e th e h e a r t o f N . u n to th e lo v e o f N .. In c lin e
.1
A k h d a r a n d h is h o s ts ? W h e r e is a l- A b -
it , in c lin e it , in c lin e i t s t r o n g ly . I c o n ju r e y o u b y
b a q ( p L V l) a n d h is h o s ts ? W h e re is a l- A s w a d
th e n a m e s w r itte n o n th e r in g o f th e s u n ; b y th e
( v i^ - y jV I) a n d h is h o s ts ? W h e re is M a y m u n a l-
n a m e s w r itte n o n th e r in g o f th e m o o n ; a n d b y
G h a m a m i ( ^ ^ U j L II w h o r e s id e s in th e
th e n a m e s w h ic h w e re w r itte n u p o n th e le a v e s
s u m its ? W h e r e is a l- D u q a q ( ^ l i j J I ) w h o r e s id e s
o f th e o liv e tre e th a t w e re c a s t in to fir e a n d d id

48 49
 r
■ChE JPortidilEn (Srim oirt o f H a ru t and M a ru t U iE JforbiddEii Grim oire o f Ita n it and M a ra t

n o t b u m . G o d is g re a te r, G o d is g re a te r, G o d is H u b ( v ^ ) . H u b ( v o ) . W u d d (^ 3 ), W u d d (^ 3 ),

g re a te r, G o d is g re a te r, th a n w h a t I fe a r a n d a m W u d d (0 3 ), W u d d (^ > 3 ). T h e re is n o m ig h t o r

c a u tio u s o f. S h a ra s h S h a ra s h p o w e r e x c e p t w ith G o d , th e E x a lt e d a n d M a g ­

S h a ra s h S h a ra s h S h a ra s h n ific e n t .”

f S h a r a s h S h a ra s h f G

G o d , in c lin e th e h e a rt o f N . to lo v e N . w ith a r­

d e n t a ffe c t io n . I c o n ju r e y o u b y th e n a m e w h ic h

Y o u r L o rd s p o k e u n to th e h e a v e n s a n d th e e a rth . Spell FOR^DEPRiVAfion

‘ ‘ C o m e w i l l in g l y o r u n w i l l i n g l y . ’ T h e y s a id , ‘ W e

c o m e w illin g ly . ’ ‘ G o d is g r e a te s t.’ ‘ G o d is g r e a t­ OF Sleep

e s t.’ ‘G o d is g re a te s t.’ ‘G o d is g re a te s t.’ ‘H a v e

W e n o t o p e n e d y o u r b re a s t fo r y o u ,’ O N ., O so n

o f N ., ‘a n d re m o v e d fro m y o u y o u r b u rd e n ,’ O N , th e f o llo w in g a ro u n d th e n a m e s o f b o th

O s o n o f N ., ‘ w h ic h w e ig h e d d o w n y o u r b a c k ,’ O th e p e rs o n y o u w is h [to a ffe c t] a n d h is m o th e r,

N ., O s o n o f N . , ‘ a n d e x a lte d y o u r fa m e ’ O N ., O in c e n s e it w ith fr a n k in c e n s e a n d c o r ia n d e r ,

s o n o f N .? ‘ S u r e ly w it h d iffic u lty is e a s e ,’ O N ., a n d th e n b u ry i t u n d e r h is d o o rs te p : “ B a lk h u k h

O so n o f N .. ‘W ith d iffic u lty is s u r e ly e a s e ,’ O ( ¿ ^ ^ ) , B a lk h u k h ( ¿ 3 ^ ) . A n u k h (¿ 3 ^ !),

N ., O s o n o f N .. ‘S o w h e n y o u a re r e lie v e d , s t ill A n u k h ( ¿ ^ 1) . S a la m u k h (¿ 3 ,0 -L )), S a la m u k h

to il, a n d s tr iv e to p le a s e y o u r L o r d ,’0 N ., O so n (¿ 3-oJLj). D a y l u k h ( ¿ 3 J L ti) , D a y lu k h (¿ 3 !^ .^ ).

o f N ., b y lo v in g N . th e d a u g h te r o f N .. B a d u k h ( ¿ 3 « ilj) , B a d u k h ( ¿ 3 < ^ Ij ) . S h u sh a n

( ¿ jL i^ ) , S h u sh a n A h ( o l) , A h ( o l) .
In c lin e h im , in c lin e h im , in c lin e h im , s t r o n g ly .
D e p r iv e N . o f s le e p , O s e rv a n ts o f th e s e n a m e s,
G a b r ie l. M ic h a e l. Is r a fe l. R a ’u f R a ’u f
b y th e r ig h t w h ic h th e y p o s s e s s o v e r y o u . H u r r y ,
R a ’u f R a ’u f ( '- S jj) . R a h im
h u r r y ! Q u ic k ly , q u ic k ly ! A t o n c e , a t o n c e !”
((« -■ > j), R a h im R a h im ( ft J t p - j) , R a h im

W a d u d ( > i3 » 5 3 ) , W a d u d (> ^ 3 ^ 3 ), W a d u d

(^ ^ 3 *^ 3 ), W a d u d (> ^ 3 0 3 ). H u b H u b (< -* :> ).

50 51
 r
liiE forbidden 6rim oire o f ifta ru t and M a ru t 13iE forbiddEn GrimoirE o f fia rn t and M a ra t

S pell F0R.HYPri0PH0BiA Spell FOR^tHE Arpusal gf

tHE SPARR0W
I h e f o llo w in g s h o u ld b e w r itte n , in c e n s e d

w ith fr a n k in c e n s e a n d c o r ia n d e r , a n d th e n g iv ­ ' I h is h a s b e e n te s te d a n d p ro v e n e ffe c tiv e .

e n to th e h y p n o p h o b ic p e rs o n to c a rry : “ In th e Y o u ta k e tw o s p a rro w s a n d s la u g h te r o n e o f

n a m e o f G o d , M o s t M e r c ifu l a n d C o m p a s s io n ­ th e m . T h e n , u s in g its b lo o d , y o u w r ite th e fo l­

a te . ‘ O c o m p a n y o f jin n a n d m e n , if y o u a r e a b le lo w in g ta lis m a n s , in c e n s e th e m w ith a lo e s w o o d ,

to p a s s b e y o n d th e z o n e s o f th e h e a v e n s a n d th e b d e lliu m , a n d m a s tic , a n d th e n a f f ix th e m to th e

e a rth , th e n p a ss. B u t y o u w ill n e v e r b e a b le to w in g o f th e se co n d s p a rro w . W h e n i t flie s , th e

p a s s th e m b u t w ith a u th o r ity . T h e n w h ic h o f th e s u b je c t w i l l lo s e h is m in d . W r it e th e f o llo w in g

b le s s in g s o f y o u r L o r d w i l l y o u b o t h d e n y ? ’ H a m c o n u n is s io n a r o u n d th e ta lis m a n s , a n d u tte r th e m

M im (,v > ). H a m M im ( ^ ) , H a m M im ( ^ ) . H a a s w e ll: “ B e c o m m is s io n e d , O s e rv a n ts o f th e s e

M im ‘A in S in Q a f. H a m M im ( ^ ) , H a m M im n a m e s , w ith a t t r a c t in g a n d a r o u s in g N . w ith th e

H a m M im ( ( ^ ) .Q a f ( J ) . N u n (J). A h m a lo v e o f N . ” T h is is th e ta lis m a n :

(Uj>I) H a m ith a ( L L j..o j > ) A t m a ( U J ^ I ) T a m ith a

( iL j- o J a ) .

h im , O
‘G o d

S a ta n . B e
is s tro n g , m ig h ty .’ D e p a r t fr o m

c o m m is s io n e d , O s e rv a n ts o f
A\
th e s e n a m e s , a n d g u a rd h im a g a in s t th e g u ile o f b6h \ \ \ ^ \ \ \ tU ^
S a ta n a n d h is h o s ts , b y th e r ig h t o f t h is h o n o r a b le

Q u r a n ic v e rs e a n d th e s e n a m e s. H u rry , h u rry !
X ^b b t r A l i a t r i l
Q u ic k ly , q u ic k ly ! A t o n c e , a t o n c e !” V A A b U ^ m-f IVIII
W \tc . u t X r i r i f i - t b t m r

t ij iilC l^ S iC b lc -^

52 53
;w?«
'C h t forbidden (Srim oirr o f Iw ru t and Iflla m t 131E forbidden 0rim oire o f H a m t and M a m t

“ T a ra s h J i) , T a ra s h J i) , T a ra s h J i) ,
T a ra s h J i) , T a ra s h J i) , T a ra s h ( jjiy ) ;
Spell fgr ^Lg ve Arid
T a ra y u s h T a ra y u s h T a r- AtiRACfiGri
a y u s h T a ra y u s h T a ra y u s h

T a ra y u s h Q a y u s h

Q a y u s h Q a y u s h Q a y u s h ^ ^ u t a p a p e r in to tw e n ty - n in e p ie c e s , a n d

Q a y u s h Q a y u s h ( ^ 5 * 3 ) ; w r ite o n o n e s id e o f e a c h a le tte r o f th e A r a b ic

M a s h a lu s h M a s h a lu s h a lp h a b e t, a n d o n th e o p p o s ite s id e th e c o m m is ­

M a s h a lu s h (^ ^ J L t-o ), M a s h a lu s h s io n . T h e le tte r s s h o u ld b e in o r d e r , b e g in n in g

M a s h a lu s h M a s h a lu s h w ith a lif , th e n b a ’, a n d so o n . W r it e th e n a m e

W a s h ( ^ 1) , W a s h ( ^ 1) , W a s h ( ^ 1) , W a s h o f th e le tte r ’s s e rv a n t w it h th e c o m m is s io n a n d

( J il) , W a s h W a s h ( ^ 1) ; B a ra s h y ), th e F ie r y L e tte rs . Y o u th e n r e c ite S u ra a l- J in n

B a ra s h { J jy ), B a ra s h y ), B a ra s h y ), (Q u ra n 72 ) th r e e tim e s o v e r e a c h o n e a n d c a s t i t

B a ra s h { J ijy ), B a ra s h y )\ S h a la s h ( ^ jiJ L i) , in to a fir e . T h e n y o u s p re a d th e ir a s h e s o n a p a th

S h a la s h S h a la s h S h a la s h a lo n g w h ic h th e ta r g e t tr a v e ls . U p o n d o in g s o , h e

S h a la s h S h a la s h H u r~ w ill f a ll in lo v e w it h th e s e e k e r . F o r in c e n s e , u s e

r y ! Q u ic k ly ! A t o n c e ! B e c o m m is s io n e d , O s p ir ­ fr a n k in c e n s e .

its o f th e s e n a m e s , a n d e x c ite th e h e a rt o f N . th e

d a u g h te r o f N . a n d a ttra c t it u n to th e lo v e o f N .

th e so n o f N ., b y th e r ig h t w h ic h th e s e n a m e s
Spell fg r .Lgve nrib
p o s s e s s o v e r y o u .” AffRACfiGrt
In c e n s e is th e u s u a l. Y o u w r ite th e f o llo w in g ta lis m a n s o n th re e

p ie c e s o f p a p e r , a n d w r a p e a c h o n e a r o u n d a te a r

o f fr a n k in c e n s e w it h a lik e a m o u n t o f w h ite p e p ­

p e r c o r ia n d e r . Y o u th e n b u m o n e in th e m o r n in g .

■V,
56 57
 T
'Che Jforbiddtn (Brimoire o f Ifto n it and flla n it Che forbidden 0rim oire o f IHam t and M a m t

o n e a t n o o n , a n d o n e a t s u n d o w n . T h e s e a re th e ‘T h e y u se d to s le e p b u t little in th e n ig h t.’ B e

ta lis m a n s ; c o m m is s io n e d , O o w n e rs o f th e s e n a m e s , w ith

a tt r a c t in g N . , s u c h t h a t s h e c a n n o t f in d r e s t e x c e p t

nv AV V > • »«H t w ft» in h is p r e s e n c e , b y th e r ig h t o f t h is Q u r a n ic v e r s e ,

a n d w h ic h th e s e n a m e s p o s s e s s o v e r y o u . H u r r y !

Q u ic k ly ! N o w ! ”

“ A ro u s e th e h e a rt o f N . a n d a ttr a c t it u n to th e

lo v e o f N .. H u r r y , h u r r y ! Q u ic k ly , q u ic k ly ! A t
Spell for^Lgve And
o n c e , a t o n c e !” AttRACtiori

Spell FOR^DEPRiVAfiori th e fo llo w in g s q u a re , a s w e ll a s th e

c o m m is s io n a n d in v o c a t io n a r o u n d i t , o n a p ie c e

OF Sleep o f p a p e r, a n d th e n r e c itin g th e fo llo w in g fo u rte e n

tim e s w h ile b u r n in g fr a n k in c e n s e , s a n d a r a c , a n d

o n

h o u r, y o u
T h u rs d a y

w r ite th e
n ig h t,

le tte r
a t

^
th e

o n
fifth

th re e
p la n e ta r y

te a rs o f
s to ra x : “ A n s w e r, O a id e S h e m k h ia l ( J L it o J l» ) ,

a n g e l o f th e w in d . A n s w e r a n d a ro u s e in th e h e a r t

o f N . lo v e f o r N ., b y th e r ig h t o f h e th a t is Y a je e l

fr a n k in c e n s e , a n d th e n r e c ite th e f o llo w in g w o r d s ( Ya j e e l ( J a r ja t e e J a r-

o v e r e a c h o n e tw e n ty -o n e tim e s : ja te e J a ro o j jL > ) , J a ro o j jl> ).

T h e r e b y S o lo m o n th e s o n o f D a v id (u p o n w h o m

“ L a y la t o o s h L a y la to o s h b e p e a c e ) c o n ju r e d y o u . ‘It is fro m S o lo m o n ,

H a la y la to o s h H a la y la t o o s h a n d is (a s fo llo w s ) : ‘In th e n a m e o f G o d , M o s t

K a la y la to o s h ( ^ jii^ . la L . lS ') , M e r c ifu l a n d G r a c io u s . B e n o t a r r o g a n t a g a in s t

K a la y la to o s h m e , b u t c o m e u n to m e in s u b m is s io n ,’ q u ic k ly

58 59
 W m JForbidden 6rim oirc o f l^ r o t and IflUarot
T 'Che Jforbidden (5rim oirt o f H a ru t and flla ru t

a n d o b e d ie n t ly u n to th e n a m e s o f G o d , L o rd o f

th e W o r ld s . A n s w e r b y th e r ig h t o f B e a ik ia s h

Q a ro o s h W a ro o s h

Y a ro o s h H a ro o s h M a r is h

( jjijL o ) , K a fta ( l l i S ' ) , K a f t a ( L l a S ”) ; R a b b a ( L j ) ,

R a b b a ( L j) , a D iv in e th a t is s a n c tifie d a n d re ­

v e r e d , H is a w e h a s lig h t . H is a w e h a s lig h t , th e

d ir e c to r o f a ffa ir s , w h o illu m in a te s e v e ry lig h t ,

th e d e s tro y e r o f ty ra n ts ; a n d b y th e S u p re m e

N a m e , th e h id d e n tru th c ro w n e d w ith lig h t , th e

S u p re m e N a m e u n to w h o s e a w e a n d m a g n ifi­

c e n c e a ll c re a tu re s y ie ld a n d b y w h o s e p o w e r a ll

th in g s a re illu m in a te d , th e G u id e , Z a r ie l ( J l j j j ) »

B is a ‘ e e K a ‘e e M a m ie l ( J L - o - o ) .

O b e d ie n t u n to Y o u , O E l. M a k e h a s te a n d in ­

fla m e th e h e a rt o f N . a n d a ttra c t it u n to th e lo v e

o f N .. H u r r y , h u r r y ! Q u ic k ly , q u ic k ly ! A t o n c e ,

a t o n c e !” A fte r th a t y o u s u s p e n d i t in th e w in d .

Y o u m u s t a ls o w r it e th e s q u a r e a n d a f f ix i t t o th e
CHARHI FOIk+HE
fro n t p a rt o f y o u r h e a d . T h e ta rg e t w ill b e c o m e
PR0+ECtiOq 0F BABiES
a ttra c te d w ith in th re e d a y s , d e p e n d in g o n y o u r

e a g e rn e s s .
T f th a t is w h a t y o u w is h , th e n w r ite th e s e

Q u r a n ic v e r s e s a r o u n d th e f o llo w in g s e a l: “ ‘ A n d
T h e s a id s q u a r e is a s y o u s e e i t o n th e f o llo w in g th e y r e m a in e d in th e ir c a v e th re e h u n d re d y e a rs
p a g e . a n d a d d n in e .’ ‘ D o y o u th e n w o n d e r a t th is re ­

c ita l? A n d y o u la u g h a t i t a n d w e e p n o t, w a s tin g

y o u r tim e in v a n itie s .’ B y a m illio n th e r e is n o

60 61
 ZV 1
,,

'Cht forbiddtn 0rimoire of Itianit and Marat 'Che Jforbidden (Srimoirt of tia ra t and Marat

m ig h t o r p o w e r e x c e p t w ith G o d , th e E x a lte d
a n d M a g n ific e n t, b e c o m m is s io n e d , O s e rv a n ts

o f th e s e h o n o r a b le Q u r a n ic v e rs e s a n d n a m e s,

to g u a rd h im w h o c a r r ie s th e s e w o rd s I w r ite Spell to I l^pkove Sales

a g a in s t a ll jin n , d e m o n s , o c c u r r e n ts o f th e n ig h t

a n d d a y — sa ve o n e th a t b r in g s g o o d — a n d th e
Arid P urchases
c h ild r e n o f A d a m a n d th e d a u g h te rs o f E v e . O

A lla h [x 6 6 ]! M a y G o d b le s s o u r lie g e lo r d M u ­
Y o u w r ite th e fo llo w in g :
h a m m a d , h is f o lk , a n d h is c o m p a n io n s a n d g r a n t

th e m p e a c e .” 9 9 9 9 9 9 9 9 9 9 5 9 9 9 9 9 9 9 9 9 S J 9 9 9 9 9 9 9 9 9 9 9 9 9 S

9. ‘A n d p r o c la im th e p ilg r im a g e u n to m a n k in d .

T h e y w ill c o m e to y o u o n fo o t a n d o n e v e ry

le a n c a m e l; th e y w ill c o m e fro m e v e ry d e e p

r a v in e ’ [x 3] . B e c o m m is s io n e d , O s e rv a n ts o f
♦
th e s e n o b le le tte r s a n d Q u r a n ic v e rs e s , to a ttra c t

a ll c re a tu re s a n d h u m a n k in d , e v e r y fe m a le a n d

c A j m a le , to th e s to re

I w r it e . B e c o m m is s io n e d , O
o f h e w h o c a r r ie s

A h m a r (
th e s e w o rd s

a n d

d o as y o u h a v e b e e n c o m m a n d e d , b y th e r ig h t

o f th e r a d ia n t a n d f ie r y p la n e t M a r s , b y th e r ig h t

c 1 3 o f y o u r s u p e r io r S a m s a m a il ( J

th e r ig h t o f th e p la n e t M a r s . D a m lik h
j L o - m« - « - * » ) , a n d b y

D a m lik h [x 2] ”
" ^ ’* j ^ ~

Giiiii#I*i-A-
62 1»
63

'^ 1
 IThe JPorbiddtn & m m o f l^ r u t and flla ru t
I U ie forbidden (5rimoire o f fia m t and M a m t

2^ Spell FOR.AtisACl’ion
i n
4451 4456 4448
u .t g e t’s c lo th in g :
th e fo llo w in g

“ ‘W o e to
o n a n a r tic le

e v e ry
o f th e ta r ­

s la n d e r e r , o r d e -

fa m e r, w h o a m a sse s w e a lt h a n d c o n s id e r s it a

4449 4452 4454 p r o v is io n . H e th in k s th a t h is w e a lth w ill m a k e

Vi h im im m o r t a l. N a y ! H e s h a ll m o s t c e r ta in ly b e

h u r le d in to c r u s h in g d is a s te r . A n d w h a t w ill

m a k e y o u r e a liz e w h a t c r u s h in g d is a s te r is ? I t is
i i 4455 4447 4453 th e fir e k in d le d b y A lla h , w h ic h r is e s a b o v e th e
o b h e a r ts . S u r e ly i t s h a ll b e c lo s e d o v e r u p o n th e m ,
•r" in e x te n d e d c o lu m n s .’ R e s p o n d , O s e rv a n ts o f
>nrfQ th e s e n o b le Q u r a n ic v e rs e s , a n d e x te n d th e lo v e

o f N . u n to th e h e a rt o f N . . ”

M a k e th e s a id a r t ic le o f c lo th in g lik e a w ic k , p u t
i W r it e th e fo llo w in g s e a l a ro u n d it fro m e a c h i t in s id e a re d o n io n , p u t th e r e d o n io n in a c e n ­

d ir e c tio n : s o r, a lo n g w it h b e n z o in a n d c o r ia n d e r , a n d th e n
% ^
★<5e«11#rin r e c ite th e f o llo w in g in v o c a tio n

o n e tim e s : “ B y th e h e a v e n , h o ld in g

th e s ta rs , a n d b y th e P r o m is e d
o v e r it tw e n ty -

m a n s io n s o f

D a y , a n d b y th e

w itn e s s a n d th a t w h e r e u n to h e b e a rs te s t im o n y ,

d e s tro y e d w e re th e o w n e rs o f th e d itc h o f th e

fu e l- fe d fir e , w h e n th e y s a t b y it, a n d w e re th e m -

65
64
 lO it iorbiddcn 0rimoire of lia n it and Hlanit
r 'Che jForbidden Grimoirt of iftarut and iHlarut

s e lv e s t h e w itn e s s e s o f w h a t th e y d id to d ie b e ­ H is e q u a l.” “ S a y : ‘I s e e k re fu g e in th e L o rd o f

lie v e r s . T h e y h a d n a u g h t a g a in s t th e m s a v e th a t th e d a y b r e a k fr o m th e e v il o f w h a t H e h a s c re a t­

th e y b e lie v e d in A lla h , th e M ig h t y , th e P r a is e d , e d , fro m th e e v il o f th e u tte r ly d a r k n ig h t w h e n i t

H im u n to w h o m th e s o v e r e ig n ty o f th e h e a v e n s c o m e s , fro m th e e v il o f th o s e w h o b lo w o n k n o ts ,

a n d th e e a rth b e lo n g s , a n d A lla h is w itn e s s to a n d fro m th e e v il o f th e e n v ie r w h e n h e e n v ie s .”

a ll th in g s . S u r e ly th o s e w h o p e rs e c u te b e lie v in g “ S a y : ‘I s e e k re fu g e in th e L o r d o f m a n k in d , th e

m e n a n d b e lie v in g w o m e n a n d re p e n t n o t w ill K in g o f m a n k in d , th e G o d o f m a n k in d , f r o m th e

h a v e th e d o o m o f h e ll, a n d th e y w ill h a v e th e e v il o f th e s n e a k in g w h is p e r e r w h o w h is p e r s in

d o o m o f b u r n in g .” th e h e a rts o f m a n k in d , o f th e jin n a n d o f m a n ­

k in d .” B a k h a m B a k h a m B e s i­

O G o d , m a k e th e h e a rt o f N . b u m w ith th e lo v e le n t . B a k h a m B a k h a m ( ( « ^ ) . B e s ile n t.
o f N ., b y th e r ig h t o f “ A n 'ifr it o f th e jin n s a id , T C e r t a in ly a M e s s e n g e r h a s c o m e u n to y o u fro m
w ill b r in g it u n to y o u b e fo re y o u r is e fro m y o u r a m o n g y o u r s e lv e s . I t g r ie v e s h im th a t y o u s h o u ld
p la c e . A n d m o s t s u r e ly I a m s tro n g a n d tm s tw o r- fa ll in to d is tr e s s . H e is a r d e n tly a n x io u s o v e r
th y fo r s u c h w o rk .’” y o u . T o th e b e lie v e r s h e is m o s t k in d a n d m e r­

c ifu l. B u t i f th e y tu rn a w a y , sa y: “ G o d s u ff ic e s

m e . T h e r e is n o g o d b u t H im ; o n H im d o I r e ly ,

CHARiil FOR^U/AiLihG a n d H e is th e m a g n ific e n t L o r d o f th e th ro n e .”

“ A l l p r a is e b e t o G o d , L o rd o f th e W o r ld s , M o s t

CHiLdREIl M e r c i f u l a n d C o m p a s s io n a t e , M a s t e r o f t h e D a y

o f R e c k o n in g . Y o u a lo n e w e w o r s h ip , in Y o u

a lo n e w e s e e k h e lp . G u id e u s in th e s t r a ig h t w a y ,

fo r h im a n a m u le t c o n s is tin g o f th e th e w a y o f th o s e Y o u h a v e b le s s e d , n o t o f th o s e

fo llo w in g : “ I n th e n a m e o f A lla h , M o s t M e r c if u l u p o n w h o m is w r a th o r o f th o s e w h o a re lo s t.”

a n d G r a c io u s . ‘S a y : ‘H e is A lla h , th e O n e . A l­

la h , th e e te r n a lly B e s o u g h t o f a ll. H e d id n o t g iv e

b ir t h , n o r w a s H e b o m , a n d th e r e is n o n e w h o is

66 67
 T
'Che forbidden 0rim aire o f i^ r u t and M a ra t ■Che forbidden O rim oirt o f Itta ra t and M a ra t

n o t— lig h t u p o n lig h t . A lla h g u id e s to H is lig h t

CHi^pl F0R.HEAdACHE, w h o m H e p le a s e s . A n d A lla h s p e a k s to m a n k in d

i n a lle g o r ie s , a n d A lla h is C o g n iz a n t o f a ll t h in g s . ’

PiriKEYE, F ever , Arid O p in k e y e , le a v e th e e ye s o f h im w h o c a r r ie s

riliGRAiriE th e s e w o r d s I w r ite . ‘W e h a v e r e m o v e d fr o m

y o u r v e il, s o y o u r s ig h t to d a y is s h a r p .’ ‘T a k e th is
y o u

s h ir t o f m in e a n d c a s t it o n m y fa th e r ’s fa c e , h e
“ T n th e n a m e o f G o d , M o s t M e r c ifu l a n d
w ill b e a b le to s e e .’ T h e r e is n o m ig h t o r p o w e r
G r a c io u s . ‘ U n t o H im b e lo n g s w h a ts o e v e r r e s ts in
e x c e p t w ith G o d , th e E x a lt e d a n d M a g n ific e n t.”
th e n ig h t a n d d a y . H e is th e H e a r e r , th e K n o w e r . ’

‘H a v e y o u n o t c o n s id e r e d y o u r L o rd , h o w H e

e x te n d s th e sh a d e ? A n d if H e h a d p le a s e d , H e

w o u ld c e r ta in ly h a v e m a d e i t s ta tio n a r y ; f lie n W e Spell FOR.AtfRACtiriG

h a v e m a d e th e su n a n in d ic a tio n o f it. T h e n W e

ta k e i t t o O u r s e lv e s , t a k in g l i t t l e b y l i t t l e . ’ O P a in ,
HEARÍ8
le a v e h im w h o c a r r ie s th e s e Q u r a n ic v e rs e s I
T f y o u w is h to a ttra c t s o m e o n e to y o u r s e lf ,
w r ite . ‘F o r th e p re s e n t, A lla h h a s m a d e lig h t y o u r
s a y th e fo llo w in g s e v e n tim e s w h ile s t a r in g
b u rd e n , a n d H e k n o w s th a t th e re is w e a k n e s s in
a t h im : “ H a lh a la H a lh a la
y o u .’ ‘T h is is a n a lle v ia tio n fro m y o u r L o rd a n d
A h íla A h í la S h a m U d i
a m e rc y .’ ‘ A lla h d e s ir e s th a t H e s h o u ld m a k e
S h a m ik h ( ¿ ^ ) ; W a lih (2 3 -^ 5 ), W a llh ( ¿ ^ 3 ) ;
lig h t y o u r b u rd e n s , fo r m a n w a s c re a te d w e a k .’
K a l ( J T ) , K a l ( J T ) ; W a - a ila ( ^ j) , W a - a ila
‘A lla h is th e lig h t o f th e h e a v e n s a n d th e e a rth .

T h e lik e n e s s o f H is lig h t is a s a n ic h e in w h ic h
( ^ 1) ; H a la k (d L L fc ), H a la k ( d ilA ) ; H a n t a la k

( d iia J L a ) , H a n t a la k ( d J U a J jb ) ; M e e la ( * ^ ) ,
is a la m p , th e la m p is in a g la s s , t h e g la s s is as
M e e la ( ' ^ ) ; A r h ila A r h ila
it w e re a b r ig h tly s h in in g s ta r, l it fr o m a b le s s e d
B e c o m m is s io n e d , O s e rv a n ts o f th e s e n a m e s,
o liv e tre e , n e it h e r e a s te rn n o r w e s te rn , th e o il
to a ttra c t th e h e a rt o f th e p e rs o n I a m s t a r in g a t.
w h e r e o f a lm o s t g iv e s lig h t , th o u g h fir e to u c h it
H u r r y ! Q u ic k ly ! A t o n c e !”

68 69
 'Che forbidden (Srimoire o f lia ru t and M a m t 13ie forbidden (Brimoire o f fia m t and M a m t

o v e r it tw e n ty -o n e tim e s a n d su sp e n d it in th e

a ir . It is o n e o f th e in c is iv e s e c re ts o f m a k in g

S pell FOR.Ai+RactiriG p e o p le fa ll in lo v e . T h e s e a re th e w o rd s y o u

w r ite a n d r e c ite : “ T a r a s h y ), T a ra s h y ) ;
Sexual C oligress T a ra y o s h T a ra y o s h Q a y o s h

Q a y o s h ( ^ 3 : ^ ) ; S h a lo s h (J J 3 J U .),

S h a lo s h ( ^ ji3 J L ii) ; M o s h M o s h
T f th e fo llo w in g w o rd s a re r e c ite d in th e fa c e
B a ra s h B a ra s h ^ ) ; S h a la s h ( J l L j ),
o f a w o m a n , sh e w ill q u ic k ly s u r re n d e r h e r s e lf
S h a la s h ( ^ jS J L i) . M a k e h a s te , O s p ir it s o f th e s e
to y o u : “ G h a fa la G h a fa la A g h ifila
n a m e s , a n d a ttra c t N . s u c h th a t s h e c o m e s to N ..
A g h ifila S h a m e k h ( ¿ ^ ) ,
H u r r y , h u r r y ! Q u ic k ly , q u ic k ly ! A t o n c e , a t o n c e !
S h a m e k h ( ¿ A - i ) ; W a la k h ( ¿ ^ 3 ) , W a la k h (¿ 1 3 );
M a s h k a s h M a s h k a s h T h e
W a b il (Jjl 3), W a b il (J jI3); ‘ A n a k (t*lic), ‘ A n a k
fo llo \|^ n ^ s e a l^ w r it1 j^ a s w e ll: ^ X
(d b L c ); S a 'k a la h S a 'k a la h ( i l 5U - u j) ;

S a b a la ( ^ L — d ), S a b a la A r b a la

A r b a la A ttr a c t to m e th e m in d , h e a r t, a n d
m i r s s\ ss
rrr 1
v a g in a o f th is w o m a n , a n d le t m e h a v e s e x u a l

c o n g re s s w ith h e r.”
yvv
03 0- Ip
*1
r r r m v v v iu
Spell for^Love
'0 AAA
1
^ ^ ^ r i t e it b e fo re s u n r is e o n S u n d a y w h ile
*1
b u r n in g a m ix tu r e o f fr a n k in c e n s e , o r a n y th in g

fra g ra n t, a n d c o r ia n d e r . T h e n r e c ite th e n a m e s

70 71
 T
lO it forbidden (Brimoire o f fia ru t and M a m t 'Che forbidden 0rim oire o f fia m t and M a m t

Spell f 0 r .Love
11 329 75 173 A T O U A A V f “ r“ ^

74 174 10 330 n & *rr 8 A

i t d u r in g th e fir s t h o u r o f T h u rs d a y

a n d su sp e n d it in th e a ir w h ile b u r n in g b e n ig n 175 77 327 9

in c e n s e s . A f t e r w r it in g i t , y o u r e c it e th e f o llo w in g
328 8 176 76 J rfS jili j
o v e r i t : ‘“ H a s t h e r e c o m e o v e r m a n a t i m e w h e n h e

w a s n o t e v e n m e n tio n e d ? W e c re a te d m a n fro m

a s p e rm d r o p m ix e d in o rd e r to tr y h im ’ [x 21 ] . O

G o d , try th e lo v e o f N . in th e h e a rt o f N ..” A n d

th is is w h a t y o u w r ite : “ S a y d a ‘ S a y d a ‘

H a s h H a s h B a h a s h CHARill To IjlAKE A
(^ J Ц J ), B a h a s h H a lia ( L ^ ) , H a lia
SLEEPiriG PERgOri TALIQ
( l ^ ) ; N a m o o d ( o ^ ) , N a m o o d (O 3 -0 J ). ‘H a s

th e re c o m e o v e r m a n a tim e w h e n h e w a s n o t

e v e n m e n tio n e d ?

d ro p m ix e d in
W e

o rd e r to
c re a te d m a n fr o m

t r y h im . ’ L ik e w is e
a s p e rm

try N .
T f y o u w r ite th e fo llo w in g w o rd s o f G o d M o s t

H ig h o n p a r c h m e n t m a d e o f d e e r s k in a n d p la c e i t
w ith th e lo v e o f N ..” T h e s e s e a ls y o u s e e b e fo re
o n th e c h e s t o f a s le e p in g p e r s o n , h e w i l l in f o r m
y o u a re a ls o w r it t e n .
y o u o f w h a t h e h as d o n e o f b o th g o o d a n d e v il:

“ T h e E x a lt e r o f R a n k s , th e L o rd o f th e T h ro n e .

B y H is c o m m a n d H e s e n d s th e S p ir it u n to a n y o f

H is s e r v a n t s h e p le a s e s , t h a t h e m a y w a r n o f th e

D a y o f M u tu a l M e e tin g , th e d a y w h e n th e y w ill

c o m e o u t, n o t h in g o f th e m b e in g h id d e n fro m

72 73

IIIIUULiUii
 T
'Cht jfortiddm 0rimoiit of Iwnit and fUarot 13iE forbidden 0rim oirE o f Ifia ru t and M a n it

Allah.”

Spell to IiIake a
SLEEPiriG PER^On TALK^
/. A

T f you recite the following statement of God •• • • ••

Most High three times over a sheep’s horn and
then place it under the head of a sleeping person
without him noticing, you can ask him anything
you wish and he will answer and hardly hide
anything he has done, be it good or evil: “On the L ove Spell
Day when every soul will be confronted with all
the good it has done, and all the evil it has done,
it will wish there were a great distance between Y o u write the following on a freshly
it and its evil.” laid egg, incense it with aloes wood and
frankincense, wrap it up with oakum, and then
place it in a lit fire;

Spell on Arousal
V — A (_J — A S->JJ i i o » J J J
USiriG fHE PALtlT
“By the right which these names possess over
T f you write the following seal on your palm, you, and the obedience you owe them, arouse,
and then show it to the person you wish, he will disturb, and bum the heart of N. with the love of
yield to you. N.. Hurry, hurry! Quickly, quickly! A t once, at

74 75
 Vnt forbidden 0rimoirE of IH anit and M a m t
f 'Che forbidden 0rim oire of lia ru t and iH lam t

o n c e !”

Spell for,Arousal,
SPiRitUAL IflEdiCinE
Love AT[dDesIre
FGR^SOLACE
‘ I 'a k e a n A le x a n d r ia n c a n d le a n d w r ite

o n it th e s e n a m e s : B a q e s h (J iS l), J a m -
J ^ e fo r e s u n r is e o n T u e s d a y , y o u w r ite th e
ja m e s h H u s h M e h ra q e s h
n a m e s o f b o th th e s e e k e r a n d h is m o th e r a ro u n d
( ( j t i l j ^ ) , S h e m h u rq e s h h u rry
th e fo llo w in g s q u a re , w a s h i t a ll o f f w ith w a te r.
O k in g J a m u s h w ith th e a ro u s a l a n d
11\1 ^

5 2
th e s y m p a th y o f th e h e a rt o f N . fo r th e lo v e o f

8 T
4 ' N ., b y h o n o r o f th e s e n a m e s a m o n g y o u . B y

h o n o r o f w h o s a id : T h e n H e tu rn e d to th e
th e

s k y ,

7 9 4 2 4 [w h e n it w a s s t ill g a s , a n d s a id

e a r th , “ C o m e in t o e x is te n c e , w i l l in g l y

in g ly .” T h e y s a id , “ W e c o m e
to it, a n d

w illin g ly .” ]
to

o r u n w ill­
th e

n o w ,

5 4 6 4 7 n o w , q u ic k ly , q u ic k ly , th is h o u r , th is h o u r . A f t e r

th e in s c r ip t io n , y o u tie it a n d s a y o n it w h a t y o u

w ro te t ill it b u m s d o w n .

4 2 4 7 9
2 4 7 9 4
76 77
 'Che forbidden 6rim oire o f fia ru t and M a m t "Che forbidden 0 riin o ire o f H a n it and M a m t

Sekual BindinG Spell 1

IIK L ove S pell U
T t is w r itte n o n a re d a n d b la c k p a p e r. P la c e

th e F ir e le tte r s , in te r m ix e d w ith th e it in th e h o rn o f a b la c k g o a t. P la c e it w h e re

n a m e o f th e

p e r . I t is

le tte r s a n d
ta rg e t, o n

r e q u ir e d

e n d w ith
tw e n ty -o n e

th a t y o u

th e m . O n
b e g in

e a c h
p ie c e s o f p a ­

w ith th e F ir e

p a p e r, y o u
th e ta rg e t m a y

W e d n e s d a y , in
w a lk

a
o v e r it . I t s h o u ld

m a le fic
b e

h o u r. A fte rw a rd , y o u

ta k e i t a n d p la c e i t a t a c r o s s r o a d s . L e a v e i t th e r e
d u r in g

u
p la c e a p e r s o n a l ite m o f th e ta rg e t a n d a p ie c e a n d n o n e b u t y o u c a n r e le a s e th e b in d in g . T h is is

o f F r a n k in c e n s e a n d a b i t o f c ila n t r o . R e a d S u r a t w h a t y o u w r ite :

a l- F a t e h a o v e r i t t i l l th e s m o k e s to p s . C h a rg e b y

s a y in g : O s e r v a n ts o f th e le tte r s o f f ir e , I c h a rg e

y o u w ith th e b r in g in g a n d a ro u s a l a n d k in d lin g
rfUffUf
o f th e h e a rt o f N w ith th e lo v e o f N , b y h o n o r o f

y o u r s e rv a n t N . a n d y o u r d a y N . a n d y o u r o r b it

N ., th a t y o u b r in g a n d a ro u s e N w ith th e lo v e O s e rv a n ts o f th e s e n a m e s , b e c h a rg e d , a n d b in d

o f N , b y its h o n o r a m o n g y o u a n d its s a n c tity th e p e n is o f N . f r o m th e v a g in a o f N ., b y its h o n ­

♦ b e fo re y o u . N o w , n o w ! Q u ic k ly , q u ic k ly ! T h is o r a m o n g y o u a n d it s s a n c tity t o y o u . N o w , n o w !

h o u r , th is h o u r ! T h e b le s s in g s o f A lla h b e a m o n g Q u ic k ly , q u ic k ly ! T h is h o u r , th is h o u r! T h e in ­

y o u a n d o n y o u . c e n s e is a s a fe tid a , a lo e s , a n d m y r r h . I f y o u w a n t N
to r e le a s e h im , r e m o v e it fro m its p la c e a n d in ­

c e n s e it w ith

a n d i t is :
th e s e n a m e s a n d i t w i l l b e r e le a s e d
1
78 79

j
 %\\t forbidden (5rimoire o f t o t and M a ru t 'Che forbidden (Brimoire o f Ita ru t and M a ru t

U Jt Jt Jt Jl W V H U H U l( W tt
O s e rv a n ts o f th e s e n a m e s, b e c h a rg e d w ith re ­

le a s in g th e b in d in g o f th e p e n is o f N . fro m th e

v a g in a o f N . N o w , n o w ! Q u ic k ly , q u ic k ly ! T h is

h o u r , t h is h o u r ! T h e b le s s in g s o f A lla h b e a m o n g

y o u a n d o n y o u . T h e in c e n s e is m a s t ic b e f o r e th e
A h y a S h e ra h y a A s h e r E h ie h A d o n a i A s b a o t A 1
b u r n in g a n d i t s h o u ld b e in a b e n e fic h o u r . I t is
S h e d a l, b y h o n o r o f Y a h , Y a h , h u rry w ith N . in
fin is h e d a n d A lla h k n o w s b e s t.
lo v in g N ., b y h o n o r o f th e s e n a m e s a m o n g y o u

a n d y o u r o b e d ie n c e t o th e m . N o w , n o w ! Q u ic k ­

ly , q u ic k ly ! T h is h o u r , th is h o u r! T h e b le s s in g s

L ove Spell o f A lla h b e in y o u a n d o n y o u . T h e in c e n s e is

F r a n k in c e n s e a n d M a s tic a n d th e p e r s o n a l ite m

o f th e ta r g e t. I t is w r it t e n o n T h u r s d a y d u r in g th e

d a y , d u r in g th e in c r e a s e o f th e m o o n . F in is h e d
T t is t o b e w r it t e n o n th r e e p a p e r s a n d in c e n s e d
a n d G o d k n o w s b e s t.
w ith th r e e le a v e s o f H e n n a . H a n g i t in a p la c e o f

a ir ( b lo w in g ) fr o m th e d ir e c tio n o f th e ta r g e t a n d

h e w i l l c o m e q u ic k ly , b y p e r m is s io n o f A lla h th e
1 i
E x a lt e d .

T h is is w h a t y o u w r ite :

80 81
 I
C he forbidden 0rhnoire o f tw ru t and M a ra t Che jPorbiddtn 0rim oirc o f tia ra t and M a ra t

c h a rg e d w ith h im n o w , n o w , q u ic k ly , q u ic k ly ,
HEH iOIridUCE InSOriiriiA th is h o u r , th is h o u r. T h e b le s s in g s o f A lla h b e

u p o n y o u a n d in y o u . ” T h e in c e n s e is th e p e r s o n ­

a l ite m o f th e p e rs o n w ith p e p p e r s . I t is fin is h e d

I a k e tw e n ty -s e v e n se e d s o f In d ia n p e p p e r. a n d G o d k n o w s b e s t.

R e c ite th e in c a n t a t io n o v e r e a c h s e e d s e v e n tim e s .

T h ro w it in to th e fir e w h ile y o u sa y: “ I ca u se N .

in s o m n ia t ill N .. B e c h a rg e d w ith it, O D a n h a s h

a l- S a g h lr l ( O D a n h a s h a l- K a b ir

( y ou, O K h a n d a s h a n d
S pell to inaucE
y o u , O N ik a l ( a n d c a u s e N . in s o m n ia o u t

o f lo v e f o r N . . I f h e is a s le e p , t h e n w a k e h im u p AllMBiLifY
a n d la y h im u p o n th e b e d o f e x h a u s tio n . C a u s e

h im w o r r y o u t o f lo v e o f N . , a n d ta k e th e b e g in ­

n in g o f h is s le e p , h is n e x t s le e p , h is th ir d s le e p , T f y o u w a n t a m ia b ility to b e f a ll t w o s e e k e rs ,

h is f o u r t h s le e p a n d h is f i f t h s le e p . P u t th e f o r k o f ta k e th e n a m e o f th e s e e k e r a n d th e ta rg e t. T h e n

A m G h ila n 1
|» ) a n d t h e c o m b s o f a l- K a - w r ite th e n a m e a l- W a d o o d y i) s ix h u n d r e d

ta n ( ^ jb 5 J l) in to h is lim b s . L e a v e h im w ith o u t tim e s . C o m b in e th e tw o n a m e s w ith th is n a m e .

r e s t a n d w it h o u t s le e p d a y a n d n ig h t , b y t h e n a m e T h e w r itin g is o n a b lu e p a p e r . Y o u in c e n s e w it h

o f th e C o m p e lle r . B y th e s e s e v e n b e c h a rg e d , O m a s tic . T h e o p e r a tio n is d u r in g th e a s c e n d a n t in

D a n h a s h a l- K a b Ir O K h a n d a s h L e o a n d th e h o u r o f V e n u s . T h e s e e k e r s h o u ld

(^ J Í» O N ik e l ( b y N a h ^ h ( ^ jL ia ^ ) , c a rry it a n d g re a t c o r d ia lity w i l l a r is e b e tw e e n

L a k h ( ¿ 1) , K o ln k h K a n k h ( ¿ i S ”) , S a l i f h im a n d h is b e lo v e d . F in is h e d , a n d G o d k n o w s

( < - flJ L o ) , S a n k h ( ¿ j u j ), A y n k h B e c h a rg e d th e m o s t c o r re c t w a y .

w ith th e s e p u re n a m e s . B y th e g r a n d io s e o n e

w h o h a s th e c r o w n B a z ‘ a q A n q ir ( o n

h is h e a d , O h o s t o f th e jin n a n d th e s h ia te e n , b e

82 83
 T
ID ie io rb id iltn ©rim oire o f IHarut and M a ru t H ie forbidden Grimoire o f iH anit and M a m t

L o ve Spell L ove Spell

th e s e n a m e s o n F r id a y n ig h t o n o n e

o f th e ta r g e t’ s p e r s o n a l ite m s . Y o u s h o u ld b e in
T t is to b e w r itte n o n a c h ic k e n ’ s e g g o n a
a n e m p ty lo c a tio n , in c o m p le te p u r ity . T u rn it
W e d n e s d a y . P la c e it in s c o r c h in g w a te r. I f
in to a w ic k a n d lig h t it w ith p u re o il in a n e w
th e w o rk is fo r a fe m a le o r m a le o r jin n i, th e y
g r e e n la n te r n . T h is is w h a t y o u w r ite :
w ill c o m e q u ic k ly . T h is is w h a t y o u w r ite : “ B e

c h a rg e d , O s e rv a n ts o f th e s e n a m e s , a n d b u m “ B e ta m ta m ls h B e ta m ta m is h

th e h e a rt o f N . in lo v e o f N ., b y h o n o r o f th e s e ix o J a j) ; T a tm is h ( ia j) , T a tm is h

n a m e s : ( ^ j » > -0 .. k 7) ; M a ttlo s h ( ^ ji^ J L ia iio ) , M a ttlo s h

U a ); M a lk o s h (^ ^ S J L o ), M a l-

k o s h H a y o s h l H a y o s h i

( 5 * * ) ; H a ly o s h (^J:> H a ly o s h ( ^
B e c h a rg e d , O ‘b e d a l- R a h m a n jJ I

O ‘b e d a l- W a h e d J u .c ), a n d O ‘b e d a l-

S a m e d ( j u > -a JI J l ^ ) , w i t h b r in g in g a n d a r o u s in g

N . w it h lo v e o f N .. N o w , n o w ! Q u ic k ly , q u ic k ly !

T h is h o u r , th is h o u r! G o d ’ s b le s s in g b e in y o u

a n d o n y o u .”
P r o c la im , “ H e is th e O n e a n d o n ly A lla h , ” e tc .

N o w , n o w , q u ic k ly , q u ic k ly , th is h o u r , th is h o u r ,
T h e c o n ju r a tio n : P r o c la im , “ H e is th e O n e a n d
G o d ’ s b le s s in g in y o u a n d o n y o u .
o n ly A lla h , ” e tc ., o n e th o u s a n d a n d tw o tim e s .
'i
E a c h tim e , y o u sa y: “ B e c h a rg e d O ‘b e d a l-

R a h m a n ( ¿ j- o - s - jJ i A ^ ) , O ‘ b e d a l- W a h e d (J k > —

1^1 J u x ), a n d O ‘b e d a l- S a m e d (J k « --< a J I

w ith b r in g in g a n d a r o u s in g N . w ith lo v e o f N .,

84 85
 '® it fo itid d c n 0 rim o irt of ita ru t and H la n it
T 'Che Jforbidden Grimoire o f fia ru t and M a n it

b y its r ig h t o v e r y o u a n d its s a n c tity a m o n g y o u . b y th e e te rn a l a b ility . A n s w e r , y o u

N o w , n o w ! Q u ic k ly , q u ic k ly ! T h is h o u r, th is a n d y o u r s o ld ie r s , A m q a s h A m q a s h
h o u r! G o d ’s b le s s in g b e in y o u a n d o n y o u .” A h q a s h (^ j L o a I), A h q a s h
C o m p le te .
Q a s h m a s h ( i ) , Q a s h m a s h

H a s h (^JLsbX H a s h ( ^ J lA ) ; H a llt e s h

H a llt e s h ( ( j« « T a m e s h 'T a m e s h

L o ve Spell ( ( jt - o J s ) ; 'T a ls h y o s h T a ls h y o s h

th e M o s t H ig h , th e H ig h e s t, th e A l l

H e a r in g , th e A l l S e e in g , w h o s e p r o m is e is t r u t h ­

fu l, L o r d E te r n a l, S e lf - E x is t e n t, w h o e r a d ic a te s
w h a t fo llo w s o n a fre s h c lo th a n d
te r m in a tio n a n d d o e s n ’t d is a p p e a r . A n s w e r, O
p la c e i t in th e f ir e . R e c ite w h a t w a s w r itte n s e v ­
'T a q t a q o s h ( ^ ^ J a l l s ) , b y t h e g r a n d i o s i t y o f A l ­
e n ty -tw o tim e s w h ile in c e n s in g w ith F r a n k in ­
la h a n d H is m a je s ty . A n s w e r a n d b r in g N . in lo v e
c e n s e a n d y o u w i l l s e e w o n d e r s . T h is is w h a t y o u
o f N .. N o w , n o w ! Q u ic k ly , q u ic k ly ! T h is h o u r,
w r ite a n d c o n ju r e w ith : “ A n s w e r, O T a q ta q o s h
th is h o u r! T h e b le s s in g s o f A lla h b e in y o u a n d
( ^ ji> jJ a .a i? ) , b y th e g lo r y o f th e c o n c e a le d s in ­
o n y o u .”
g u la r ity w h o su b d u e s th e c r e a t io n w ith d e a th ,

a n d W h o is a liv e a n d d o e s n ’t d ie . H e is fro m

w h o m o u r s ig h ts h a v e b e e n v e ile d , th e K in g a n d

th e S u b d u e r, A n u k h a ( U - y l) , to w h o m y ie ld e d L ove Spell
th e n e c k s o f ty ra n ts a n d th e C a e s a rs s u b m itte d .

H e is A lla h , th e re is n o g o d b u t H e , th e M o s t

H ig h , th e M o s t E x a lt e d p o s s e s s o r o f M a je s ty
th e n a m e B a d u h tw e n ty tim e s , a lo n g
a n d H o n o r, A h y a S h e ra h y a , th e O w n e r o f th e
w ith th e c o m m is s io n , o n s o m e th in g s w e e t, r e c ite
K in g d o m . G o d is M o s t E x a lt e d , th e K in g a n d
th e f o llo w in g in v o c a tio n o v e r it fo rty -o n e tim e s ,
th e T ru th . T h e re is n o g o d e x c e p t H e , L o rd o f
a n d th e n g iv e it to th e ta r g e t to d r in k : “ O p e o p le
th e H o n o re d T h ro n e . A n s w e r, O T a q te q o s h
o f p r o v id e n c e , O fie r y b e in g s , m a k e th e h e a r t o f

86 87
 T
'JThe forbidden (Brimoire of fia ru t and H la n it IChc forbidden Grim oire o f tta ru t and M a n it

N . b u m w ith th e lo v e o f N .. I f h e r e fr a in s , a f ir e

w ill b u m w it h in h is h e a r t, a n d u p o n h is fa c e w i l l
L o ve Spell
b e a b o lt, s u c h th a t h e c a n n e ith e r e a t n o r d r in k

n o r fin d s o la c e . H e w ill d o w h a te v e r h e w ills .

W ith a h e a r t a b la z e h e w ill w e e p . T h u s w ill th e th e fo llo w in g o n a p ie c e o f p a p e r

h e a rt o f N . b e a b la z e w ith th e lo v e o f N .. ‘O r u s in g a m ix t u r e o f m u s k , s a ffro n , a n d ro s e w a te r,

th e b ir d s w i l l s n a tc h h im a w a y , o r th e w in d w ill a n d th e n su sp e n d it in th e a ir : “ ‘In th e n a m e o f

c a rry h im u n to a p la c e fa ra w a y .’ T h u s w ill th e A lla h , M o s t M e r c i f u l a n d G r a c io u s . P r a is e b e t o

h e a r t o f N . b e s w e p t a w a y b y N .. ‘I f th e r e b e th e A lla h , L o r d o f th e W o r ld s . ’ N . w i l l p r a is e b y th e

w e ig h t o f a m u s ta r d s e e d a n d i t w e r e in a ro c k o r lo v e o f N .. ‘T h e M o s t M e r c ifu l a n d G r a c io u s .’

in th e h e a ve n s o r u p o n e a rth , G o d w i l l b r in g it N . w i l l b e m e r c if u l to w a r d s N . o u t o f o b e d ie n c e

fo rth : fo r G o d u n d e rs ta n d s th e f in e s t m y s te r ie s , to A lla h M o s t H ig h a n d th e n o b le O p e n in g o f

( a n d ) is w e ll- a c q u a in t e d ( w ith th e m ) .’ ‘I f th e re th e B o o k . ‘M a s te r o f th e D a y o f R e c k o n in g .’

b e th e w e ig h t o f a m u s ta r d s e e d . W e w ill b r in g it: N . w ill b e th e m a s te r o f N . o u t o f o b e d ie n c e to

a n d e n o u g h a re W e to ta k e a c c o u n t.’ ‘ D o y o u n o t A lla h M o s t H ig h a n d th e n o b le O p e n in g o f th e

s e e th a t th e y w a n d e r a b o u t b e w ild e r e d in e v e ry B o o k . ‘Y o u a lo n e w e w o r s h ip .’ N . w i l l w o r s h ip

v a lle y ? ’ T h u s w i l l th e h e a r t o f N . b e b e w ild e r e d b y th e lo v e o f N . o u t o f o b e d ie n c e t o A lla h M o s t

b y h is lo v e f o r N . . H u r r y , h u r r y ! Q u ic k ly , q u ic k ly ! H ig h a n d th e n o b le O p e n in g o f th e B o o k . ‘In

A t o n c e , a t o n c e ! G o d b le s s y o u . ” Y o u a lo n e w e s e e k h e lp . ’ N . s e e k s h e lp in A lla h

a n d th e n o b le O p e n in g o f th e B o o k th a t h e w ill
F o r in c e n s e , b u m fr a n k in c e n s e , m a s tic , a n d a n
o b e y h im a n d d o as h e w ills , b e it in sp e e c h o r
a r t ic le o f th e ta r g e t’ s c lo t h in g . T h e o p e r a tio n m u s t
a c tio n s . ‘G u id e u s in th e s tr a ig h t w a y . ’ N . w ill
b e d o n e b e fo re s u n r is e o n M o n d a y , in a n e m p ty
b e g u id e d to th e lo v e o f N . o u t o f o b e d ie n c e to
p la c e r e m o t e f r o m o th e r s , a n d in a c o m p le te s ta te
A lla h M o s t H ig h a n d th e n o b le O p e n in g o f th e
o f p u r ity . Y o u w i l l w itn e s s w o n d e r s .
B o o k . ‘T h e w a y o f th o s e Y o u h a v e b le s s e d .’ N .

w i l l g r a n t e v e r y th in g N . re q u e s ts a n d w is h e s o f

h im o u t o f o b e d ie n c e to A lla h M o s t H ig h a n d

88 89
 T
■Che forbidden 6rim oire o f ll^arut and M a ra t TOiE forbidden (Shmoire o f fia ra t and M a ra t

th e n o b le O p e n in g o f th e B o o k . ‘N o t o f th o s e

u p o n w h o m is w ra th o r th o s e w h o a re lo s t.’ N . Spell for^Lo ve Arid

w i l l b e lo s t in th e lo v e o f N . o u t o f o b e d ie n c e to
AtfRiiCtiori UsiriG Kinc
A lla h M o s t H ig h a n d th e n o b le O p e n in g o f th e

B o o k . A m e n . ‘A n d W e re m o v e w h a te v e r ra n c o r J albati
m a y b e in th e ir b re a s ts . A s b re th r e n , fa c e to fa c e ,

o n c o u c h e s r a is e d .’ ‘ A n d I c a s t d o w n u p o n y o u

lo v e fro m M e , a n d th a t y o u m ig h t b e b r o u g h t u p T f y o u w a n t h im t o b r in g y o u a p o s s e s s in g j i n n i

b e fo re M y e y e s .’ ‘H a d y o u s p e n t a ll th a t is in th e q u ic k ly , s a y : “ I c o n ju r e y o u , O K in g T a r is h , a n d

e a r th , y o u c o u ld n o t h a v e u n ite d th e ir h e a r ts , b u t y o u , O J a lb a n th e so n o f H a m a n ; w h e re is h e

A lla h u n it e d th e m ; s u r e ly H e is M ig h t y , W is e . ’ ” w h o a s c e n d s t o th e T h r o n e ? W h e r e a re th e lio n s ?

B y th e r ig h t o f H im w h o c re a te d m a n a n d s p o ke
T h e n , a fte r w r itin g it, y o u in c e n s e it w ith a lo e s
th e Q u r a n . W h e r e is y o u r m a n if e s ta tio n ? P re s e n t
w o o d a n d b e n z o in . T h e w o r d s s h o u ld b e s e p a r a te d
y o u r e v id e n c e b e fo re y o u r s m o k e a s c e n d s to th e
in to s in g le le tte r s , n o t h in g b e in g b lo tte d o u t.
T h ro n e , a n d s e a rc h fo r N . a n d m a k e h im fa ll
T h is m u s t b e d o n e in a s ta te o f c o m p le t e p u r it y ,
in lo v e w ith N ., o r fo r th e r e b e l s p ir it s a n d J in n
s e c lu d e d fro m o th e rs . T h e r e a fte r , y o u fo ld th e
in th e h o u se s. O h e w h o d r iv e s o u t th e v ir g in s
p a p e r a n d p in it o n to a n a r tic le o f th e ta rg e t’s
fro m th e c a s t le s , d r iv e o u t th e m in d o f N . w ith
c lo th in g o r a tr e e o r a w a ll fa c in g th e ta r g e t. T h is
th e lo v e o f N ., o r d r iv e o u t th e p o s s e s s in g j i n n i
h a s b e e n te s te d a n d w o r k s .
c o m m is s io n e d to h a rm N ., th e o w n e r o f th is

b o d y , r e g a r d le s s o f w h a t tr ib e h e is fro m . T h e

e a rth c o n s tr a in s y o u , a n d n o n e b u t m e w ill

in c in e r a te y o u . H u rry , h u rry ! Q u ic k , q u ic k ! A t

o n c e , a t o n c e !”

90 91

If '
 IChE fo rtid itn (Brim oirt o f tta ru t and M a n it I B t forbidden Grim oire o f iia m t and H a ru t

in d e e d h a s a p p o in te d a m e a s u r e f o r e v e r y th in g .’
Spell for^Love Arid ‘W h o c re a te d th e s e ve n h e a ve n s o n e a b o ve

AR0V8AL a n o th e r; y o u see n o in c o n g r u ity in

o f th e A ll - M e r c i f u l ; th e n lo o k a g a in , c a n y o u s e e
th e c r e a tio n

a n y d is o r d e r ? T h e n tu rn b a c k th e e ye a g a in a nd

a g a in ; y o u r lo o k w i l l c o m e b a c k to y o u c o n fu s e d
Y o u w r ite i t o n a p ie c e o f b r e a d a lo n g w it h
w h ile i t is fa t ig u e d . ’ ‘ A lla h is th e b e s t p r o te c to r ,
th e n a m e s o f b o th th e p e r s o n y o u w is h a n d h is
a n d H e is th e m o s t m e r c if u l o f th o s e w h o sh o w
m o th e r . T h e n , i f th e ta r g e t is m a le , y o u fe e d th e
m e rc y .’
b r e a d to a m a le d o g , o r fe m a le , y o u fe e d i t to a

fe m a le d o g . T h is is w h a t y o u w r it e ;

*)))))))
AtllSVloH A . lllw r

O A lla h , g u a rd h im w h o c a r r ie s th is a g a in s t

th e e v il e y e a n d e v e ry s t r id in g e y e , b y th e r ig h t

o f th e s e h o n o r a b le Q u r a n ic v e rs e s a n d th is

ArimLEt AGAiriSf ta lis m a n , a n d b y a m illio n tim e s ,

m ig h t o r p o w e r e x c e p t w ith A lla h , th e E x a lte d

th e r e is no

fHE Evil Eye a n d M a g n ific e n t” B y G o d ’s g ra c e ,

s u c c e s s , t h is is c o m p le te d . G o d k n o w s b e s t w h a t
a id e , a n d
I

% is c o r r e c t , a n d u n t o h im w e re s o rt.

I 'h e f o llo w in g is w r itte n o n a p ie c e o f p a p e r : I1

“ I n th e n a m e o f G o d , M o s t M e r c if u l a n d G r a c io u s .

‘A n d w h o e v e r tru s ts in A lla h , H e is s u ffic ie n t

f o r h im . S u r e ly A lla h a tta in s H is p u r p o s e . A lla h

92 93
 'C h t forbidden (Srim oirt o f îia ru t and M a ru t i:h c forbidden (Srimoire o f fia m t and M a m t

‘G lo r ifie d b e y o u r L o r d , th e L o r d o f M a je s ty ,
ConiW t i o n OF tHE fro m th a t w h ic h th e y a ttr ib u te . A n d p e a ce b e

CoriSORÎ Jiriri u n t o th e m e s s e n g e r s . A n d p r a is e b e to A lla h ,

L o rd o f th e W o r ld s .’ R e s p o n d , O S a m a d g h ia e l

( a n d c o m m is s io n A b a a l- Q u r a n a ’

T f y o u w is h to o p e ra te w it h h im , y o u m u s t fa s t
(U jiJ I U ) to d e liv e r N . c o n s o r t jin n

h u r r y ! Q u ic k ly , q u ic k ly ! A t o n c e , a t o n c e !”
to N . H u rr y ,

th re e d a y s fo r th e sa ke o f G o d , a b s ta in in g fro m

a ll m e a t p ro d u c ts a n d b y -p ro d u c ts . A fte r e a c h F o r in c e n s e , u s e b e n z o in a n d m a s tic .

p r e s c r ib e d p ra y e r, y o u r e c ite th e c o n ju r a tio n

t w e n t y - o n e tim e s . A n d i f y o u w a n t th e a t tr a c t io n

to b e a c c o m p lis h e d , y o u r e c ite th e c o n ju r a tio n

th r e e h u n d r e d th ir te e n tim e s , c o m m is s io n in g th e
AÜRACtiori Spell
s p ir it a fte r e v e r y h u n d r e d r e p e tit io n s . T h is is th e

c o n ju r a tio n :

J R a k e a p ie m a d e o f b r a n flo u r , w r ite a ro u n d i t
“ S it ir o o s h S it lr o o s h
th e f o llo w in g c ir c le a lo n g w it h a c o m m is s io n , a n d
M e m itir o o s h M e m itir o o s h
fe e d i t to a m a le b la c k d o g i f th e ta r g e t is m a le , o r
B e 'b e b e t e b e b o o s h
a fe m a le b la c k d o g i f th e ta r g e t is fe m a le . T h e n
B e ‘b e b e te b e b o o s h S h a h a sh
y o u r e c ite th e f o llo w in g in c a n t a t io n t w o h u n d r e d
S h a h a sh S h a h a lls h
a n d fiv e tim e s , c o m m is s io n in g th e s p ir it a fte r
S h a h a lls h ( q ^ J L ^ ) ; H a ita la m a s h (
e v e ry h u n d re d r e p e tit io n s to a ttra c t a n d a ro u s e
H a ita la m a s h H a ilo o s h
th e ta rg e t: “ It is fro m S o lo m o n , a n d is (a s fo l­
H a ilo o s h H a ih it is h a
lo w s ) : ‘In th e n a m e o f G o d , M o s t M e r c ifu l a n d
H a ih it is h a E l (J l), E l (J l); H a l
G r a c io u s , b e n o t a r r o g a n t a g a in s t m e , b u t c o m e
( J U ) , H a l ( J U ) .
u n to m e in s u b m is s io n .’ A h a y o o s h

A h a y o o s h H a la m o o s h

H a la m o o s h ‘A to o s h

94 95
 HOie forbidden (grimoire of îia ru t and M a ru t
T 'Che forbidden 0rim oire o f ïia ru t and M a m t

‘A to o s h R a m a s h ( jjt w o j) , R a m a s h

A h y a w a ((J 5 -A I), A h y a w a

H a lh a lo o s h H a lh a lo o s h ( ^ ^ J L ^ I a );
y > --------------^ f ,
H a m a s h ((j L - s a ), H a m a s h ( , j ¿ u <sA ) ; H a ir o o s h

( ^ 3 ^ ^ ) , H a ir o o s h ( j j Í 3 3 ^ ) ; H a r is h ( ^ j Ia ),

H a r is h (^ j ^ j Ia ); A y o o h (c>^\), A y o o h
- T / o jio n s m one v
H a lh a lo o h ( ó ^ J L ^ Ía ) , H a lh a lo o h ( o ^ J L ^ Ia ) ; H a la h
m Anvul
( ¿ l La ) , H a la h ( 4Í & ); K a m s h a lo o s h

K a m s h a lo o s h R a h a s h ( ( jL a j) ,

R a h a s h (^ j I A j ); K h a lo o s h ( ^ ji> 3 J b > - ) , K h a l o o s h

( ^ ji» 3 L > ) ; H a k a s h (^ j Í Í a ), H a k a s h ljU OM 0

L a 't a lo o s h L a ‘ ta lo o s h

M a ‘ ta lo o s h ( ^ ^ L L a j u a ) , M a 't a lo o s h ( jj^ ^ J U a ju j)
. f / 7 — dS wí íi i - -
H a ir e s h H a ir e s h j^ )\ A h ( o l) , A h

( d l) ; W a h (0 3 ), W a h (o 3 ); A m o o h (o 3 ^ !), A m o o h

^03^1^9 S h a tiia s h ( ^ S h a iiia s h f ^

T a ‘ ta le e s h ( ■ U « .Io ), T a 't a le e s h

A y a fta la m o o s h

( ^ 3 - o J ü a ¿ j|) . B e
( ^ jí> 3 - o J L la ft¿ l) ,

c o m m is s io n e d ,
A y a fta la m o o s h

O S a m a r th e
lT|ôUCir(G EPilEPtiC
F ly e r , A b a Y a ‘q o o b ( c j 3 ¿ ju U ), y o u a n d y o u r Seizure by PoiritiriG
a id e s a n d th e s e r v a n ts o f th e s e n a m e s , to a ttra c t

N . to N .. H u r r y ! Q u ic k ly ! A t o n c e !
tHRpUGH ZhTiQfA
B u m b e n z o in a n d m a s tic f o r in c e n s e . T h is is th e

c ir c le : th e in c a n ta tio n o n a g re e n le a f w e ig h ­

in g fo u r c a re ts , ta k e n fro m a v ir g in p a lm tre e .

R e a d th e in c a n t a t io n o n e th o u s a n d tim e s fo r

96 97

IÉII III iiiimiHi

 T
IChE forbidden 6 rim o irt o f fia ru t and M a m t lirhE forbidden (5rimoire of lUarut and Manit

th re e n ig h ts . O n th e th ir d n ig h t, e n te r th e h e r­

m ita g e w h ile y o u a re r e c itin g it th e a fo re m e n ­ PO^SOIIAL IJlATldAL FOR,

tio n e d n u m b e r. T h e in c e n s e is s a n d a ra c . I f y o u
tHE iil[GEL WA8AEL
w a n t to in d u c e a n e p ile p tic s e iz u r e in a n y o n e ,

th e n re m o v e th e le a f fr o m y o u r p o c k e t a n d re ­

c ite th e in c a n t a t io n o n c e . P o in t a t w h o m e v e r y o u
‘ I 'a k e a m ir r o r a n d w r ite th e fo llo w in g se a l o n
w is h w ith th e fro n d a n d h e w ill h a v e a s e iz u r e .
it. T h e in c e n s e is o lib a n u m a n d jin n a p p le . T h e n
T h is is th e in c a n t a t io n : B a s h * a t ( C o u I j ) , B a s h 'a t
r e c ite th e in c a n t a t io n a n d i t is th is : “ I n th e n a m e
T a m e s h T a m e s h H o s h
o f A lla h , th e G r a c io u s , a n d M e r c if u l, I a d ju r e
H o s h M a rm a h o s h y> ),
y o u O s p ir it u a l s p ir it s w it h lu m in o u s e s s e n c e th a t
M a rm a h o s h j- o ) ; S e lh a t ( C » I^ J L j ) , S e lh a t
b e a m s w ith g r a c io u s g r a n ts a n d D iv in e la w s .
(C j L ^ J L w j) ; H a t ( C > U ) , H a t ( C » I a ) ; H o t ( O y ^ ) ,

H o t ( C jy fc ) ; A s ‘o d A s ‘o d T i- B y A h ty o h ( 0 5 - J a A l) , A h ty o h

h o b a h T ih o b a h a n s w e r O B a h ty o h B a h ty o h J a h ty o h

Z a n q ta ( ¿ d a ju j ) th e J e w b y th e r ig h t o f, ‘W ith ( e ^ J a ^ ) , J a h ty o h (o ^ -_ L a ^ ); D a h ty o h

o n e s h o u t th e y w i l l a s s e m b le b e fo re u s .’ H u r r y ( o ^ - J a A ti) , D a h ty o h H a h ty o h

w ith w h a t I h a v e a s k e d y o u b e fo re a b la z e fro m H a h ty o h ( d ^ J a ^ ) ; W a h ty o h

fir e a n d c o p p e r is s e n t a g a in s t y o u , a n d y o u w ill W a h ty o h Z a h ty o h

n o t b e v ic t o r io u s . N o w , n o w ! H u r r y , h u r r y ! T h is ( o ^ - J a A j) , Z a h ty o h ( o ^ ^ J a A j) ; H a h ty o h

h o u r , th is h o u r ! ( 6 3 - J a ^ ) , H a h ty o h T a h ty o h

( o ^ -J a ^ J a ) , T a h ty o h ( o ^ - J a ^ J a ) , I a d ju r e y o u to

d e s c e n d in th is m ir r o r a n d s h o w y o u r s e lf to th is

se e r a n d to p e n e tra te th e v e ils f o r h im a n d e x ­

p a n d h is v is io n a n d r e v e a l to h im in th e b e s t fo r m

a n d re s p o n d to h is q u e s tio n w ith a v o ic e th a t h e

h e a rs s p o k e n . F u lfill m y n e e d in th is h o u r b y a

D iv in e th a t is th e L o v in g O n e , th e G u id e , a n d th e

98 99
 131? Jforbiditn (Srimoire of fianit and Marut
r Whz forbidden G rim oirc o f Ifta n it and M a ru t

W is e a n d b y H a n in N o w , n o w ! H u rry ,

h u r r y ! T h is h o u r , th is h o u r ! th e r e s p o n s e . “ W ith
PER^SOnilLIJlATldAL
o n e s h o u t t h e y w i l l a s s e m b le b e f o r e u s . T h e r e is

n o e ffo rt, o r p o w e r, e x c e p t fr o m A lla h , th e M o s t

FOKFAQfiSH
H ig h th e M o s t G re a t.”
tHE Sage of 1-he Jinn
T h is M a n d a l is u se d as a p e rs o n a l M a n d a l a n d

th a t is a fte r a p e r io d o f s p ir it u a l e x e r c is e fo r 21

d a y s . Y o u r e c ite th e in c a n t a t io n a fte r e a c h p r a y e r
p a s t n in e d a y s w ith e x e r c is e . R e c ite th e fo l-
43 tim e s . T h is s e a l is w r itte n o n th e m ir r o r a n d
lo w in g n a m e s tw e n ty - o n e tim e s a fte r e a c h o b lig ­
a r o u n d i t is th e v e r s e o f r e v e la tio n .
a to ry p ra y e r. A fte r th e n in e d a y s , th e s e rv a n t

w ill c o m e to y o u e ith e r in d re a m o r w a k in g . H e

w ill e n te r in to a c o v e n a n t w ith y o u f o r w h a t is

p e r m is s ib le . I f y o u w a n t th is , w r ite th e se a l o n

th e b a c k o f th e m ir r o r . B u m th e in c e n s e , w h ic h

is B e n z o in a n d A lo e s , w h ile y o u a re s t a r in g in

th e m ir r o r . R e c ite th e in c a n ta tio n th re e tim e s . I t

is : “ S h a le s h S h a le s h S h a lo s h

( ^ 3 J L i) , S h a lo s h ( ^ 3 !-^ » ); S h a h io s h ( 3 - . ^ ) ,

S h a h io s h ( , j^ 3 * ^ ) ; S h a m o s h ( ^ 3 ^ L w ) ,

S h a m o s h ( ^ 3 - o L ^ ) ; S h a h o s h S h a -

h o s h ( ^ 3 ^ 1 ! ) ; S h a lo s h ( ^ jij3 J L l) , S h a lo s h

3 J L i) ; a n d H a lo s h H a lo s h 3 J L a ).

G lo r y b e to H e w h o is c a p a b le o f a ll th in g s . A n ­

s w e r O F a q te s h O s a g e o f th e jin n , a n d

b e c h a rg e d q u ic k ly w ith m y s e r v ic e . B y H e w h o

g re w y o u r h e a r in g a n d v is io n a n d c re a te d y o u

100 101
 liie forbidden 0rimoire of fiarut and Marut ■Che forbidden (Srimoire of iHamt and Mamt

fro m s m o k e le s s f ir e , n o w , n o w , q u ic k ly , q u ic k ly ,

th is h o u r , th is h o u r
CHilRi)! FGR^RfLEASiriG
T h e s e a l is a s y o u s e e fo llo w in g : tHE B0UT|d

T t is to b e w r it t e n o n a g r e e n c o n ta in e r a n d th e n

lii A li
e ra s e d w it h v ir g in o il a n d s o a p fla k e s w it h o u t w a ­

te r . T h is is w h a t y o u w r ite : “ Y a ‘ o j Y a 'o j
tJihiA L
M a n o j ( ^ ^ ) , M a n o j

( ^ ^ ) , M a n o j (^ ^ ) ; ‘o j ( ^ y : ) , ‘o j (^ ^ ),
‘o j (^ ^ ). O n th a t d a y . W e w i l l le a v e s o m e o f

th e m s u r g in g o v e r o th e rs . T h e T r u m p e t s h a ll b e

b lo w n , a n d W e w ill g a th e r th e m a ll to g e th e r.

A L ik e w is e th e p e n is o f N . w ill b e r e le a s e d in th e

v a g in a o f N . N o w , n o w ! H u r r y , h u r r y I T h is h o u r ,

th is h o u r ! ”

102 103
 13it forbidden Grimoire of îliarut and Marat
r i:hc forbidden 0rimoirt of îtarat and Marat

n a m e s: “ Y a h ( ô lj) Y a s h o th a H o rth a
SECtiOn on tHE ( U jy i» ) H o r ith a ( Id jj^ A ) w a - Y a jir o h

EVOCAtiOn OF AL-HARf:8 U 3 ) T o m W a s q e r T a k h ( ¿ L io )

F ila r o s h B im r g h o t h
FO№+CHiriG H a t e h a f ( < _ i^ - L a A > ) L a t e h a s h A z k e ra h

(0 Ij 5* j l ) Q a te z a rh a s h ( ^ J ^ jJ à J a 3) N a V ( ¿ - - a i)

A ra ( ^ 5 jl) A n a ( U l) Q a lio s h Ash

T f y o u w a n t to w o rk w ith it, th e n fa s t th re e
A n o s h ( ( ji^ l) L o s h H y a s h
d a y s fo r G o d w ith c o n d it io n o f e x e r c is e . R e c ite F a re th ( d > jli) N a m o s h 3 -0 J ) H ia l ( J L ^ ) B a -
th e e v o c a tio n th re e h u n d re d a n d th ir te e n tim e s h ia l (J ^ U ) , c o m e a n d the b le s s in g s o f G o d b e
e a c h n ig h t. T h is is w h a t I b lis s p o k e w it h a n d w a s in y o u a n d u p o n y o u .”
o b e y e d b y th r e e th o u s a n d S h ita n s a n d th r e e th o u ­

sa n d fro m th e J in n a n d th re e th o u s a n d Ifre e ts .

T h e y w ill o b e y y o u w ith th is c o n ju r a tio n .

rilEtHOd Op UtiLiZAfiOri
Y o u s a y : “ Y a jr jo n J a r jo n

M a te h a y o th S h e m y a y o th
0F ZAWilAH
c o m e a n d th e b le s s in g s o f G o d b e in y o u a n d

T
u p o n y o u .” F in is . U p o n th e ir a r r iv a l, c h a rg e

th e m w ith w h a t y o u w a n t. f y o u w a n t to u s e it, s e e k a d e s e r te d p la c e f a r

fro m p e o p le a n d d ra w th e f o llo w in g c ir c le . Y o u
T h e s e a re th e n a m e s th a t w e re r e v e a le d to Ib lis
s h o u ld h a ve a lr e a d y w r itte n th e s e a l a n d s u r­
b e fo r e th e r e v e la tio n d e s c e n d e d u p o n th e p ro p h ­
ro u n d e d it w ith th e in c a n ta tio n a n d th e v e rs e o f
e ts , a n d th e r e a re n o n e u p o n th e e a r th w h o k n o w
th e T h ro n e a n d th e e n d o f S u r a t a l- H a s h e r a s a
m o re a b o u t it th a n th e p ro p h e ts . T h e s e a re th e
p r o te c tio n to y o u fro m it. S it in th e p o s itio n o f
n a m e s b y w h ic h h e s p o k e ; g u a rd y o u r s e lf th a t
p r a y e r a n d b e g in w it h th e B is m a lla h . A fte r w a r d ,
y o u c a ll w it h th is s ile n tly a n d d o n ’t re v e a l it to
h a n g th e s e a l o n th e tr ip o d w h ile y o u a re s e a te d
a n ig n o r a m u s fro m th e u n le a r n e d . T h e s e a re th e

104 105
 T
ID c Jforbidiltn tôrimoirE of l^ n it and ÎHarut 'Cht dforbidden (Srimoirt of Iftarot and Marat

in s id e th e c ir c le . R e c ite th e in c a n t a t io n th r e e h u n ­ fo rth O Z a w ila h ( a L ^ j ) , o b e d ie n t t o G o d a n d H is

d re d a n d th ir ty - th r e e tim e s , th e n d is c h a r g e a n d n a m e s .” S h e w ill c o m e to y o u a n d fu lfill w h a t
r is e . O n th e s e c o n d d a y , d o a s y o u d id o n th e f ir s t y o u a s k fro m h e r b o th g o o d a n d b a d .
d a y , b u t r e c ite th e in c a n t a t io n s ix h u n d re d a n d
T h is is th e ta lis m a n th a t y o u w r ite o n a p ie c e o f
s ix ty - s ix tim e s . D is c h a r g e a n d r is e . O n th e t h ir d
lin e n :
d a y , y o u r r e c ita tio n o f th e in c a n ta tio n s h o u ld b e

n in e h u n d re d a n d n in e ty - n in e tim e s . D is c h a r g e

a n d r is e . O n th e fo u rth d a y , w r ite th e ta lis m a n

o n a p ie c e o f re d lin e n . L ig h t i t w it h v ir g in o il

in a g r e e n la n t e r n . P la c e i t b e h in d y o u a n d r e c ite

th e in c a n t a t io n o n e th o u s a n d , th r e e h u n d r e d a n d

th ir ty - tw o tim e s .

R e p e a t th is till th e c o m p le t io n o f th e s e v e n th T h is is th e in c a n t a t io n : H o r e s h H o re s h

n ig h t. Y o u w i l l h e a r c lu n k in g in th e lo c a tio n , b u t W a rh a s h W a rh a s h ^ 3 );

d o n ’t b e a fr a id . D o n ’ t lo o k b e h in d y o u , so th a t R a h o s h R a h o s h W a h re s h

y o u d o n ’t ca u se in ju r y to y o u r s e lf. W h e n y o u jA 3 ), W a h re s h K a n d a s h

fin is h th e c o u n t, y o u w ill h e a r fro m b e h in d y o u K a n d a s h J ll T ) ; K a n d o s h ( ( ji» 3 K a n d o s h

a v o ic e th a t c a lls y o u . S tr e tc h o u t y o u r h a n d a n d Z a ro s h Z a ro s h

e n te r a c o v e n a n t w ith h e r u p o n th e r e q u ir e m e n ts H a lq o s h ( ^ ji» 3 Â L > ) , H a lq o s h ( ^ j^ 3 il> ) ; A z ro s h

th a t s h e d e m a n d s . I f y o u d is a g r e e w ith h e r o n A z ro s h I), a n s w e r O Z a w ila h

a n y o f th e r e q u ir e m e n ts , s h e w i l l n o t b a c k d o w n ( 4 ij3 j) , w ith c o m in g h e re b y th e a b ility o f H e

a s s h e is s tu b b o r n . I f i t is f in is h e d , s h e w i l l g iv e w h o fo rm e d y o u a n d c re a te d y o u fro m s m o k e ­

y o u a y e llo w c o p p e r r in g . le s s f i r e . ”

I f y o u w a n t to s u m m o n h e r , in c e n s e w it h th e in ­

ce n se y o u u s e d d u r in g th e r e c ita tio n . R e c ite th e

in c a n t a t io n tw e n ty -o n e tim e s . T h e n sa y: “ C o m e

106 107
 "ChE forbWiJEn 0rimoirE of i^ r u t and Marut
T
l i l t JForbiddtn (SrimoitE of fia ro t and Marut

T h is is th e s e a l to r e fe r r e d : T h is is th e c ir c le th a t y o u d ra w f o r s ittin g in a n d

i t is a f o r m o f th e le tte r W a w :

( H

T h e d is c h a r g e y o u s a y : H a d ( v ia ) , H a d ( a a ) ;

D a h ( o . i) , D a h ( o » i) ; L a b o h ( 6 3 J ) , L a b o h

( 0^ ) .

T h e in c e n s e is B e n z o in , L iq u id S to r a x , O lib a ­

n u m , a n d C ila n tr o .

108 109
 'Che J’orbiddtn 0rimoirt of Itianit and Marat
T H ie forbidden 0rimoirt of îtarat and Marat

Spell FoiL.AriiiiiAi-ion L o ve Spell

OF Ob Jec + s
th e F ir e le tte r s t w e n t y - e ig h t tim e s -

th e y a re : i ^ ,» i» a 1 a n d p la c e a te a r o f

T t h a s g re a t e ffe c t in p u llin g m a te r ia l o b je c ts . fr a n k in c e n s e a n d a c o r ia n d e r s e e d , n o n e o f w h ic h

I f y o u w a n t to w o rk w ith it, th e n in c e n s e w ith s h o u ld h a v e c r a c k s , in s id e e a c h p ie c e o f p a p e r.

S a n d a ra c a n d S to ra x . C h a rg e th e a id s w it h p u ll­ T h e n r e c ite S u ra h a l- J in n (Q u ra n 72 ) o v e r e a ch

in g a n y m a t e r ia l o b je c t to w a r d y o u . R e a d th e in ­ p a p e r, r o ll th e m u p in a n a r tic le o f th e ta r g e t’s

c a n ta tio n . Y o u sa y: c lo t h in g , a n d c o m m is s io n th e s p ir it s , s a y in g : “ B e

c o m m is s io n e d , O s e r v a n ts o f th e s e n o b le n a m e s
‘to s h ‘to s h (^ 3 .Ia Æ ); K a m ta lo s h
a n d th is s u ra h , to a ttra c t, a ro u s e , a n d b r in g N ..
K a m t a lo s h ( ^ ^ J L U a Î ) ; H a s h lo s h
H u r r y ! Q u ic k ly I A t o n c e ! ” T h e s u b je c t w i l l c o m e
( ^ 3 JL L ô> ), H a s h lo s h (^ j Î î ^ J L I a ) ; Y a m ‘( 2 ^ ,
to y o u o b e d ie n t a n d s u b m is s iv e . A n d G o d k n o w s
Y a m ‘( 2 i^ ; A k lo h A k lo h
b e s t.
w h e re v e r y o u a re ... c a p a b le . N o w c o m e re ­

s p o n d a n d o b e y th is a d ju r a tio n . N o w , Q u ic k ly ,

T h is H o u r , O Q a m q o ‘ a n s w e r O H a s h ­

lo s h ( ^ ^ J L L a ), a n s w e r O K a s h lo ‘ a n ­ L ove Spell of tHE

s w e r O H a le s h lo h ( o ^JL l U ) ,a n d p u ll th is d is h

o r o b je c t to th e p la c e o f th e b u r ie d ite m . T h is is FiRF WOKSHiPEK

w h a t y o u w r ite o n a n y o b je c t th a t y o u w a n t fo r

a ta lis m a n :

T f y o u w is h to fo r n ic a t e , w r it e th e f o llo w in g

^A < \ r A Y A s e a l o n a p ie c e o f d ry g o u rd . T h e n p la c e it in

a fir e a n d r e c ite Q u ra n S u ra 85 v e rs e s o n e till

110 111
 TCht forbidden 6riinoirt of Viarut and itlamt
T
H ie forbidden 6rimoire of Harut and Mamt

te n o v e r it , c o m m is s io n in g th e s p ir it s a fte r e a c h

r e c ita l, u n t il i t b e c o m e s a sh . Y o u r n e e d w ill b e Spell FGR^DisPAtCHiriG

fu lfille d , e v e n i f th e y a re lo c k e d u p in c h a in s o f
AT|d FEtCHillG
ir o n . T h is is t h e s e a l;

J t is o f g r e a t s ig n if ic a n c e , a n d tw o k in g s a re

in c h a rg e o f it: M a y m u n a n d D a n h a s h

T h e y w ill a n s w e r y o u w ith in th re e d a y s .

It is a m o m e n to u s o p e r a tio n , a n d tim e - te s te d .

Y o u r e c ite th e in v o c a tio n a th o u s a n d tim e s e a c h

n ig h t, a n d e m p lo y th e m in b r in g in g th in g s . F o r
4JL4tiil L*
in c e n s e , u se fr a n k in c e n s e a n d d a te h e a d s. T h e
tjd ja k l AiAutil {a in v o c a t io n is a s fo llo w s ; “ A n is h A n ls h

^ K a m is h K a m ls h

^ L .1 1 U jll ‘lio n ‘lio n (¿ > 3 :^ ); H a y o o s h ( ^ ^ ) ,

H ayoosh((ji»3^);Laim oosh(^ji> 3 ^ ),L a im o o s h

F o o k a s h { J lS ^ ) , F o o k a s h i^ J :S ^ ) ;
T a h o o s h T a h o o s h A fte r

e v e ry h u n d r e d , c o m m is s io n th e m , s a y in g th re e

tim e s : “ R e s p o n d , O M a y m u n a n d y o u ,

O D a n h a s h a n d (s ta te y o u r p u rp o s e ),

b y th e r ig h t o f ‘W o e to e v e ry s in fu l lia r .’ H u r r y ! 1 i
Q u ic k ly ! N o w ! ”

112 113

iJkJ!AjlJijL.IUir
 T
TChE Jporbiddtn (Brimoiit of Iftanit and Marat 'Che Jforbidden ^rimoire of liarat and Marat

L o ve Spell

r it e th e f o llo w in g ta lis m a n u p o n s ix p ie c e s

o f p a p e r. H a n g o n e , c a rry o n e , b u ry o n e a n d

b u m th e r e m a in in g th re e . R e c ite th e fo llo w in g

in c a n t a t io n o v e r th e m fiv e h u n d re d tim e s w h ile

b u r n in g fr a n k in c e n s e a n d c o r ia n d e r : “ S h a r S h e e b

S h a h a b . T h is is th e ta lis m a n : L o ve AT|b AtfRACfiori

Spell

T f th a t is w h a t y o u w is h to d o , th e n w r ite

th e fo llo w in g ta lis m a n o n a r e d p ie c e o f p a p e r

w h e n th e m o o n is in th e c o n s te lla t io n o f th e

ta rg e t. T h e n a f f ix it to y o u r r ig h t u p p e r a rm

a n d th e ta r g e t w ill fo llo w y o u . F o r in c e n s e , u s e

L o ve Spell fr a n k in c e n s e , b e n z o in , a n d s a n d a r a c . T h is is th e

ta lis m a n :

i t o n y o u r r ig h t p a lm a n d s t r ik e th e

p e r s o n y o u w is h o n h is c h e s t. E v e n a d o n k e y

w o u ld fo llo w y o u i f y o u h it it . T h is is w h a t y o u

w r ite :

114 115
 ■f
'C h t Jforbidden 6 rim o iit of l^ n it and ISlarut 'Che i'orbidden (Srimoire o f l^ a n it and M a ra t

L ove Spell

the following on a loaf of bread and

feed it to a male dog if it is for a man, and a Be commissioned, O servants of these names, to
female dog if is for a woman; attract N. to N.. Hurry! Quickly! At once!

o o m iY tm AR0U8AL Spell

And by the right of these names, arouse the love
of N. in the heart of N.. Hurry! Quickly! At
once!
Y o u write the following on a piece of paper
fashioned into a man-shaped form representing
the person sought after, and put the names of
the seeker, the sought, and their mothers on the
head:

Atl«iiC+iori Spell
-L ia -L

the following on three pieces of

paper, put some pepper and frankincense in each
one and bum one each day:

116 117

' M I; .lull
 'Clic JForbidien (Brimoire of tianit and Marat
!
Wm Jforbjddtn (Brimoirt of Ifiarat and Marat

B e c o m m is s io n e d , O s e rv a n ts o f th e s e n a m e s . I f re s p o n d s n o t to A lla h ’s c a lle r c a n n o t e s c a p e in

s h e is a s le e p , th e n a w a k e n h e r a n d b r in g h e r h e r e . th e e a rth , n o r w ill h e h a v e g u a r d ia n s b e s id e s

B u m h e r w it h a v io le n t fla m e o f lo v e . E lic it in h e r H im . S u c h a re in m a n ife s t e r r o r . ’ ”

a p a s s io n f o r N . a n d b r in g h e r t o t h is p la c e , b y th e
F o r in c e n s e , u s e F r a n k in c e n s e .
r ig h t o f th e s e n a m e s , th e r ig h t th e y p o s s e s s o v e r

y o u a n d th e ir s e c re t w ith y o u . G o d b le s s y o u .

T h e re a fte r, y o u s u s p e n d th e fig u r e b y a h a ir o f a

m a le h o rs e i f th e ta r g e t is m a le , o r b y a h a ir o f
TESfEd IjlEtHOd FOR.
a fe m a le h o rs e i f s h e is fe m a le . T h e n y o u r e c ite
P088E88i0n BY lBLi8
S u r a h a l- J in n ( Q u r a n 72 ) t h ir t y - f iv e t im e s , r e c it in g

a fte r e a c h tim e th e fo llo w in g c o n ju r a tio n :

“ I c o n ju r e y o u , O s e rv a n ts o f th e s e s p ir it u a l th e fo llo w in g ta lis m a n o n th e h a n d o f

n a m e s , b y th e r ig h t th e y p o sse ss o v e r y o u a n d w h o y o u w a n t. I t is th u s :

th e ir s e c re t w it h y o u , to o b e d ie n t ly r e s p o n d a n d

a ro u s e N . a n d b r in g h im to th is p la c e . B y th e

r ig h t o f H im w h o c re a te d y o u a n d o p e n e d y o u r

e a rs a n d e y e s , a n d b y H is S u p re m e N a m e . H u r r y ,

h u r r y ! Q u ic k ly , q u ic k ly ! A t o n c e , a t o n c e ! E h ie h

A s h e r E h ie h , A d o n a i T z a b a o t h , E l S h a d d i. M a k e

h a s te . G o d b le s s y o u . “ S h e s a id , ‘ O c h ie fs , s u r e ly

a n h o n o r a b le le tte r h a s b e e n d e liv e r e d u n to m e .

I t is fro m S o lo m o n , a n d is in th e n a m e o f G o d , A n s w e r, O e n e m y o f A lla h , O A b b i M a ra h

M o s t M e r c ifu l a n d G r a c io u s .’ ” ‘O o u r p e o p le ,
c ^l)-
re s p o n d to A lla h ’s c a lle r a n d b e lie v e in H im .

H e w i l l f o r g iv e y o u o f y o u r fa u lts a n d p ro te c t

y o u fro m a p a in f u l p u n is h m e n t. A n d w h o e v e r

118 119

II l! ii li iluiiJUUM i
 T
I3ic forbidden 0rimoire of ftanit and Marut Wk forbidden (Srimoire of Harut and Wamt

T h e n y o u lig h t th e in c e n s e o f F r a n k in c e n s e a n d

C ila n t r o . R e c ite th e in c a n t a t io n a n d s a y : “ A h ( o l) ,
Spell f g k S ekual BindiriG
A h (0 I); K a m a h ( o U i ”) , K a m a h (o U f"); ‘y o s h

p o sse ss

o r y o u
‘y o s h

th e h a n d a n d

w i l l b e p r o s t r a t in g
A n s w e r,

s e p a ra te

to
th e

A d a m
O

fiv e

th e
Ib lis , a n d

fin g e r s

fa th e r o f
o
w r ite
n

th e
a n e g g la id

f o llo w in g
o n S a tu r d a y d u r in g

n a m e s. T h e n b u ry
th e

it in
d a y ,

th e

h u m a n ity . A n s w e r, O e n e m y o f A lla h , O A b b i p a th o f th e p e rs o n , so th a t h e c ro s s e s o v e r it.

M a ra h ^ ^ 1) . N o w , n o w ! Q u ic k ly , q u ic k ly ! T h is is w h a t y o u w r ite : Y a ‘k o j ( ^ ^ S o u ) , Y a ‘k o j

T h is h o u r , th is h o u r! T h e r e le a s e is “ W ith th e L a to k h L a to k h A n ­

G lo r io u s N a m e o f A lla h , th e I n s t a n t a n d S u s ta in ­ s w e r O ‘tfo t a n d b in d N . fr o m th e v u l­

in g S o u r c e o f a ll M e r c y a n d K in d n e s s . W h e n th e v a o f N . N o w , n o w ! Q u ic k ly , q u ic k ly ! T h is h o u r ,

e a r th is s h a k e n w it h h e r m ig h t y q u a k in g ; A n d th e th is h o u r !

e a rth y ie ld s u p h e r b u rd e n s ; A n d m a n k in d c r ie s

o u t, ‘W h a t h a s h a p p e n e d to h e r? ’ A t th a t tim e

sh e w i l l r e la te h e r s to r ie s . F o r , y o u r L o r d w ill
BATliSHiriG fHE
h a v e s e n t H is C o m m a n d to h e r . O n th a t D a y w ill

a ll p e o p le c o m e fo rth a s s e p a ra te e n t itie s , to b e P088E88iT[G U/ihd8

s h o w n th e ir d e e d s . T h e n w h o e v e r h a s d o n e a n

a to m ’ s w e ig h t o f g o o d , w i l l s e e it. A n d w h o e v e r

h a s d o n e a n a to m ’ s w e ig h t o f e v il, w i l l s e e it . ”
a n d in c e n s e w ith th is . T h is is w h a t

y o u w r ite :

jJ a j Jo a I

1k.XAQ ft»j

120 121
 ID it jporbiddm 6rimoirt of Iw nit and illanit
T Ю е iorbiddtn (Srimoirt of Harut and ïïiarüt
D e p a rt, O F a re s fro m th is e a r t h ly b o d y .

I t is c a r r ie d fo r th e w in d , th e L a m ia , th e to u c h
BiiiôiiiG Нек
o f th e e a r t h ly , th e e v il e y e , a n d th e s ig h t. D e p a r t

w ith th e m a n d d o n ’t r e tu rn to it, b y th e r ig h t o f
th re e le a v e s fro m a v ir g in p a lm tre e
th e s e n a m e s a n d th e le tte r s . N o w , n o w ! Q u ic k ly ,
p ic k e d o n S a tu rd a y d u r in g th e d a y , w r ite th e
q u ic k ly ! T h is h o u r , th is h o u r !
n a m e o f th e o n e y o u w is h to b in d . O n e a c h le a f ,

t ie s e v e n k n o ts a n d r e c ite a n in c a n t a t io n o v e r e a c h

L o ve Spell k n o t se ve n tim e s . A fte rw a rd , th e ta r g e t s h o u ld

o
it o n
n T h u r s d a y o r F r id a y , d u r in g th e d a y , w r ite

y o u r le f t p a lm a n d s h o w it to th e ta rg e t o r
w a lk o v e r th e m ; th e n

c la y

a n d
v a s e . I t s h o u ld

b u r ie d in a n
b e
th e y s h o u ld

s e a le d

a b a n d o n e d g ra v e
b e p la c e d

tig h t w ith
in

a s p h a lt

th a t d o e s n t
a

h it h im o n th e h e a d , a n d h e w ill fo llo w y o u in ­ g e t v is ito r s . I t s h o u ld n ’t g e t u n b o u n d u n til y o u

s t a n tly . I f y o u w a n t it to te s t it, th e n s tr ik e e v e n u n b u ry th e le a v e s a n d b u rn th e m . T h is is w h a t

a n a n im a l w it h it . T h is is w h a t y o u w r ite : y o u w r ite :

O n th e fir s t :

S e c o n d T a lis m a n :

122 123
 f
"Che forbidden CSrimoire of îia ru t and M arot 'dOiE forbidden Grimoirt of IHamt and Mamt

T h ir d T a lis m a n ;

L ove S pell

T t is to b e w r itte n o n F r id a y o r S u n d a y d u r-

in g th e d a y . T h e in c e n s e is S a n d a ra c a n d A n is e .

T h e n to u c h w ith it w h o m e v e r y o u w is h , a n d th a t
T h is is th e in c a n ta tio n : B a rk s h ïl ( ^ ) ,
o n e w ill w a lk b e h in d y o u a n d w i l l b e o u t o f h is
B a r k s h il ( ^ ) ; D e m ia k îl ( J ^ L - o ^ ) ,
m in d . T h is is w h a t y o u w r ite , fo llo w e d w ith th e
D e m ia k ïl H a s h ( ^ jS » U ) , H a s h
c h a rg e :
G h o s h ( ^ ^ ) , G h o s h H îk th o l

H îk th o l B a k îs h o l

B a k îs h o l T a s h k îo l
^ J C s c rf
T a s h k îo l b in d th e

p e n is o f N . f r o m th e v u lv a o f N ., b y th e r ig h t o f

th e s e n a m e s a n d ta lis m a n s a n d b y th e r ig h t o f If c r J J J
T a s h ( ( jt J a ) , T a s h ( jjiJ a ) ; M a s h ( ,jiL o ) , M a s h

B a rg h a s h ^ ) , B a rg h a s h (^J L £ .J J У ,
Q a s h Q a s h ( j ji i ) ; K a s h (¡J iS ), K a s h

( ( jlf ) ; N a s h ( J L Î) , N a s h H a s h
Spell FO^AtfRiictiriG
H a s h ( ( jt J b ) .

CU8tOrilEIL8
N o w , n o w ! Q u ic k ly , q u ic k ly ! T h is h o u r, th is

h o u r ! T h e o p e r a tio n , a fte r th e c u tt in g o f th e p a lm

le a v e s , is d o n e o n S a tu rd a y o r T u e s d a y , d u r in g
\ A / r i t e it o n F r id a y , T h u rs d a y o r M o n d a y
th e d a y , in a m a le fic h o u r , o r a t th e e n d o f th e
d u r in g th e d a y , a n d th e n h a n g it in th e a ir . T h e
m o n th . T h e in c e n s e is a lo e s , m y rrh , a s a fe tid a ,
in c e n s e is F r a n k in c e n s e a n d G ila n t r o . T h is is
a n d s u lfu r .

124 125
 7
W \t forbidden (Srimoire of inarut and fllarut 'Che forbidden (5rimoire of ftarut and Marut

w h a t y o u w r ite ;
UsiriG tHE SERYAITi’
OF tHE SUR^iH OF tHE
U ^ V iW i^ A A .b ELEPHATlt

th is o n e th o u s a n d tim e s w ith o u t B a s -

m a lla h : “ S e e s t t h o u n o t h o w th y L o rd d e a lt w it h

iv r A ? : j th e C o m p a n io n s o f th e E le p h a n t? D id H e n o t

m a k e th e ir tre a c h e ro u s p la n g o a s tra y ? A n d H e

A n s w e r, O s e rv a n ts o f th e s e n a m e s , K a m la s s e n t a g a in s t th e m F lig h t s o f B ir d s , S t r ik in g th e m

( ^ jJ U i ’) , K a m l a s ( j j J L o i ' ) ; R a h a s h j), R ^ " w ith s to n e s o f b a k e d c la y . T h e n d id H e m a k e

h a s h ( Ia j); T u t u s h u tu s h ( y) ; th e m lik e a n e m p ty fie ld o f s t a lk s a n d s tra w , ( o f

‘d ra s h ( ^ I j J a ), ‘d ra s h ( ^ I ^ J a ); ‘ r 'r o a s h w h ic h th e w h e a t) h a s b e e n e a te n u p .” A fte r e a c h

jc ), ‘ r 'r o a s h ( ( jt ly i jC '); H ra s h ( ^ jil y > ), h u n d re d tim e s , c h a rg e b y s a y in g : “ O S e rv a n ts

H ra s h ( ( j^ ljA > ) ; B ra s h ^ ) , B ra s h
o f th is n o b le S u ra h , b e c h a rg e d w ith (s ta te y o u r
M ta m a s ( ^ jM - o J a x ^ o ) , M ‘ta m a s ( ^ j* * - o » L a jc o ) ;
p u r p o s e ) , f o r I h a v e s e t y o u o n N . ” T h e o p e r a tio n
K a n a ‘o sh K a n a ‘o s h ( ^ ^ ^ » ^ c L S ') ;
s h o u ld b e T h u r s d a y n ig h t o r S a tu r d a y .
A lm ‘r e s h ( ^ A lm V e s h f ^ ^ : ) ^ ^ l ) ; K y a k h

K y a k h ( ¿ 1^ ) ; H e m y a k h ( ¿ L - oA ) , H e -

m y a k h ( ¿ L ^ ) ; B a ro k h ( ¿ 3 ^ ) , B a ro k h ( ¿ 3 ^ j) ;

a n s w e r a n d (s ta te y o u r p u rp o s e ). u i
*

126 127
 1
'Che forbidden (Brimoire o f i^ r u t and H a m t 'Che forbidden 0rim oire o f fia m t and M a m t

L o ve Spell L o ve Spell
it a n d p la c e it in s to rm y w in d s . T h is

is w h a t y o u w r it e :
it o n a fre s h e g g la id th a t d a y a n d

D id it c o m e to th e h u m a n t i l l w e a f f lic t h im ? A s p la c e i t in th e fir e . T h is is w h a t y o u w r ite :

su c h , w e a fflic t N . w ith th e lo v e o f N ., s o th a t

h e h a s n o m in d o r s o u l n e it h e r in th e d a y n o r th e

n ig h t. B y th e h o n o r o f w h o s a id : T h e n H e tu r n e d ^ jAiT'Vnr
to th e s k y , [w h e n i t w a s s t ill g a s , a n d s a id t o it,

a n d to th e e a rth , “ C o m e in to e x is te n c e , w i l l in g l y

o r u n w illin g ly .” T h e y s a id , “ W e c o m e w illin g ­

l y . ” ] T h is is t h e s e a l:
Spell for. Arousal

th e s e n a m e s o n s e v e n p a p e r s . I n e a c h

p a p e r, y o u p la c e a c h u n k o f A n d a r a n i s a lt a n d a

p ie c e o f fr a n k in c e n s e . B u m o n e a fte r th e o th e r.

T h e ta r g e t w i l l o n ly b e a b s e n t th e d is ta n c e o f th e

tr ip . T h is is w h a t y o u w r ite : “ A n to s h

A n to s h m o v e , O s e rv a n ts o f th e s e

n a m e s , w ith b r in g in g N . to N . ”

128 129
 T iD it iorbiddEn (BrimoirE o f fiarut and lHanit
ID e fortiddtn (BrimoirE of lia ru t and illa ru t

Oil For^Fevef^s

j F a k e S a n d a ra c a n d s w e e t o il a n d b o il it in th e

fir e t ill it tu rn s in to a n o in t m e n t. A n o in t w it h it

a n d h e w i l l b e c u r e d . F in is

JoU o ji ^ J

Powerful Love Spell

th e fo llo w in g se a l a n d p la c e it o n
U I t.
y o u r r ig h t a rm a n d th e y w ill flo c k to y o u w ith

lo v e a n d fr ie n d lin e s s , e v e n i f th e y w e r e y o u r e n ­

e m ie s .

I f y o u w a n t to m a k e s o m e o n e c o m e to y o u , g e t a n
B e c o m m is s io n e d , O s e r v a n ts o f th e s e n a m e s ,
a r t ic le o f th e p e r s o n ’ s c lo t h in g , w r it e th e ta lis m a n
w ith (s ta te y o u r p u rp o s e ).
o n it, tw is t it to g e th e r, d ip it in ta r, a n d ig n ite

it. T h e p e rs o n w ill b e th e re b e fo re i t is fin is h e d i I

b u r n in g . T h is is th e ta lis m a n :

130 131
 "Cht forbidden 6rimoírt of îHarut and Mamt H ie forbidden (Srimoirt of îHamt and Mamt

of the person sought after followed by the name

of the seeker. Then you arrange them into one
Spell FoR,IriCREA8iriG row and permútate them. Take the first and last
letters of each row and arrange them into one row.
CusforiiERa Next, you permútate this row seven times. Then
take the first and last letters of the seven rows
and write them on the back of the page. Finally,
Y o u write the following names while in a you take the total of their numerical values - i.e.
state of purity: “La‘al ( M a‘al ( J ju »), Ja‘al of both rows - and construct a sixteen-cell magic
(Jju> ), Ja'sas La‘al ( J jJ), S a‘ee‘al square with it at the bottom of the page. If the
(Jjujjutf), L am a'fas Tamsamla number is too large, then recalculate their values
If you write them in a shop, it will using the small range.
neither be stolen from nor bum. If you hang them
in a home or store, commerce will increase. If If you do as I tell you and then carry it, you will
you write them and place them inside a business, see wondrous effects and reactions. Also, know
it will not fail. And if they are written and hung on that there are numerous ways you can perform
oneself, they are profitable against hemorrhage permutation, among them the well-known way,
and other ailments. which is taking one letter from the end and one
from the beginning until there are no letters left.
Another way you can do it is to take the first letter,
the third, the third of the third, and so on until
L o ve Spell UsiriG there is nothing left. Likewise, you can take the
SciEhCE OF tHE LEÍ+ER8 fifth, the fifth of the fifth, and so forth. You can
even take the seventh, the seventh of the seventh,
and so forth. They are all sound methods. God
knows best what is correct.
J f n o w that if you want to generate love between
two people, you must first write down the name

132 133
 f
laie Jporbidden (Brimoire of îftarut and Hanit "Che JForbiddtn 6riinoirE of Hanit and Manit

T h is is th e in c a n ta tio n . Y o u s a y : It is b u t th e

L ove Spell d a u g h te r o f th e r e s id e n t. S h e is th e fe m a le jin n i

t h a t w o n ’ t s le e p a n d n o n e a ro u n d h e r w i l l s le e p

u n t il s h e h a s e s c o rte d to N . s o n o f N . o n e th o u s a n d

Y o u w r ite th e fo llo w in g , in c e n s e it w ith s h ita n w h o s e h a n d s a re fib r o u s a n d th e ir fin g e r s

o lib a n u m , a lo e s w o o d , a n d b e n z o in , a n d th e n b a t- h k e . T h e y s n a tc h th e h e a r t o f N . w it h s e iz u r e

h a n g it: “ M a t la m is h L a la m is h a n d p a lp ita tio n a n d w ith d ry m o u th b y th e r ig h t

A b la ta s h ( ^ jtJ a J L I) . C a s t th e lo v e o f N . o f H ïjo j ff ijo j .

in to th e h e a rt o f N . I c o n ju r e y o u , O s e rv a n ts

o f th e s e n a m e s: D o n o t le a v e h e r a lo n e , o r b e

h e e d le s s , n e it h e r a t n ig h t n o r i n t h e d a y n o r w h e n

s h e is a w a k e n o r w h e n s h e is a s le e p - n e v e r . S h e
SUIIÏÏlIOnirïG TERRESfRiAL
w ill n o t th in k

th a n h e r lo v e
a b o u t a n y th in g

f o r , a n d b e in g
in h e r

th e g ir lfr ie n d
life o th e r

o f, N .
Jirin
u n t il J u d g m e n t D a y . H u r r y ! Q u ic k ly ! A t o n c e !”

^ ^ ie c ite it in th e b a th ro o m o n e th o u s a n d a n d

t w o tim e s f o r th r e e n ig h ts . T h e in c e n s e a n y s c e n t.

SHAB8HABA (USiriG T h is is w h a t y o u sa y: “ S h o r ( j^ ) S o r

a n s w e r O J im ” . T h e s ig n o f r e s p o n s e is th a t y o u
SLiPPERB) So r c e r y h e a r d e e p b r e a th in g fro m w ith in th e w a lls a fte r

w h ic h th e in te n t w i l l c o m e to p a s s .

j P la c e a c u p o v e r a f ir e a n d p o u r h o t o il

in to it . T h e n ta k e t w e n t y - s ix la r g e c lo v e s o f

g a r lic a n d r e c ite th e f o llo w in g in c a n t a t io n o v e r

e a c h o n e th r e e tim e s w h ile b u r n in g f r o m th e

c o lle c tio n o f th e p e rfu m e r.

134 135
 'Che forbidden 0rimoire of iaarat and Hlamt ChE forbidden Grimoire of tianit and Mamt

o f w o e u n t o e a c h s la n d e r e r . . . th e l i t f ir e s o f G o d
EVOCAtiOri GF rflAYIIlUri in th e h e a rt o f N .

o
o n e
n M o n d a y

th o u s a n d tim e s
n ig h t,

a n d
y o u

th e
r e c ite

in c e n s e
L a m

is
H a F a

a lo e s .
T h is is th e d is m is s a l. Y o u s a y : “ B a k h ( ¿ o ) . D e p a r t

in

( ^ jio j) .
p e a ce a n d

A lla h
s e c u r ity ,

c a lls
b y

o u t fro m
R is h

a b o v e
(,j L j j ), R is h

th e T h r o n e :

‘O G a b r ie l, d e s c e n d u n to th e e a r th .’ A n d th e r e in
T h is is th e in c a n ta tio n . Y o u s a y : “ Y a m s h ta la k h
H e c a lls o u t in th e n a m e o f S a y o o t
( ¿ L k - 'T a le k h ( ^ I k ) B e m tla k h ( ¿ L k o j)
S a y o o t S o G a b r ie l d e s ce n d s to th e
B e t e lm o o k h ‘ a le k h (¿ J U ) ‘ e jr e e k h
e a rth , a n d th e jin n fle e e a s tw a rd a n d w e s tw a rd .
B y th e g lo r y o f B a k h ( ¿ j) a n s w e r
D e p a r t t o th e ta s k I a s s ig n e d t o y o u , b y th e r ig h t
O M a y m u n . B y th e in t e n s it y o f th u n d e r, b y th e
o f t h is h o n o r a b le Q u r a n ic v e r s e . H u r r y ! Q u ic k ly !
p o w e r o f G a b r ie l, b y th e b lo w o f Is r a fe l, b y th e
A t o n c e !”
s e v e r ity o f M ic h a e l, a n d b y th e g r ip o f A z r a e l,

a n s w e r O M a y m u n a n d g e t N . a n d b r in g h im

h e re h u m ilia te d a n d w re tc h e d a n d s t r ik e h im

w ith s w o rd s a n d s p e a rs . Y o u in fo r m h im o f h is
Jirin 8miHlT0r[ir[G IflEtHOd
n a m e , n a tu r e , a n d lo c a tio n . B y th e r ig h t o f R a s te r

( T a t b a h b r in g h im h u m ilia te d

a n d w re tc h e d . Y a h (o L ), Y a h (o L ). It w a s b u t
T f th a t is w h a t y o u w is h to d o , th e n w r ite th e
a s in g le s h o u t a n d th e y w e re a ll g a th e re d h e re
s e a l o n y o u r p a lm . F o r in c e n s e , u s e p a lm a C h r is t
b e fo re u s. A n s w e r O M a y m u n , th e b le s s in g s o f
se e ds a n d s a n d a lw o o d . T h is is th e in c a n t a t io n :
G o d b e in y o u a n d u p o n y o u .
“ ‘Y o u s e e th e m o u n t a in s a n d th in k th e m fir m ly

A q e s h A q e s h A q e s h a m o s h fix e d : b u t th e y s h a ll p a s s a w a y as th e c lo u d s

A q e s h a m o s h A k s re e k h p a ss a w a y : (s u c h is ) th e a r tis tr y o f A lla h , w h o

A k s re e k h ( ¿ jj- w w i'l) ; A n u k h (¿ ^ 1 ), d is p o s e s o f a ll th in g s in p e rfe c t o rd e r.’ R e s p o n d ,

A n u k h ( ¿ y l ), a n s w e r O M a y m u n , b y th e r ig h t O H in d ( a j l a ), b y th e r ig h t o f ‘T h e A ll- m e r c if u l

ta u g h t th e Q u ra n ’ a n d ‘B y th e s ta r w h e n it g o e s

136 137
 la it jForbidtltn (Brimoire of i^ ru t and Manit H ie forbidden 0rim oire o f H a m t and M a m t

d o w n , Y o u r c o m p a n io n d o e s n o t e r r n o r d o e s h e

g o a s tra y n o r d o e s h e s p e a k o u t o f d e s ir e . I t is L o ve S pell ■!|J

n a u g h t b u t r e v e la tio n

O H in d , fr o m
th a t is r e v e a le d .’ A n s w e r ,

w h a te v e r p a r t o f th e w o r ld y o u m a y
I
I
b e in , b y th e r ig h t o f th e g lo r io u s Q u ra n ; b y th e th e fo llo w in g o n a w h ite p ie c e o f p a ­

r ig h t o f ‘B y th e e m is s a r y w in d s , s e n t o n e a fte r p e r: “ B it a L a la h ls h ( ( jt .^ ( ^ U l.U . i) , B it a l‘ a la h is h

a n o th e r. B y th e r a g in g h u r r ic a n e s ’ ; b y th e r ig h t h i ) ; H a lta h is h H a lta h ls h

o f G a b r ie l; b y th e r ig h t o f ‘A n y a e l, th e a n g e l w h o d H a lim Q a h ir ( y b ls ) ; Q a w y

d o m in a te s y o u . H u r r y ! Q u ic k ly I A t o n c e ! ‘I t w i l l ( c 55 ^ ) ; S h a d id ( J u J u i) ; ‘A lim K h a b ir

b e n o m o re th a n a s in g le c ry , w h e n lo ! th e y w ill

a l l b e b r o u g h t u p b e f o r e U s ! ’ ” T h is is th e s e a l: o m o n , a n d is

M o s t
B it a lt a h ls h

M e r c ifu l
(a s fo llo w s ) : ‘In

a n d G r a c io u s .
th e

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n a m e

n o t
S o l­

o f G o d ,

a rro g a n t
C
a g a in s t m e , b u t c o m e u n to m e in s u b m is s io n ’ ;

A lla h ; H a lk a fa f ((- o a SU a ); Ja sh a h a l

J a h la fa f ( c a a J ^ : > ) ; H a lm a s h ( ( jiL o J U ) . A n s w e r ,

O a n g e l G a b r ie l, a n d in c lu d e y o u r r u h a n iy y a h
a m o n g th e s e rv a n ts o f th e s e n a m e s , to m a k e N .

f a ll in lo v e w it h N . ” T h e n in c e n s e i t w it h d ry c o ­

r ia n d e r a n d a f f ix it to y o u r r ig h t a rm .

139
 'Che forbidden 0rim oire o f tia ru t and iflla n it
T ID ie forbidden (Srimoire o f ita ru t and M a m t

L o ve Spell BATliSHinG OF tHE

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th e f o llo w in g o n a n a r tic le o f th e ta r ­

g e t’ s c lo th in g a n d th e n ig n it e it w ith s w e e t o il

a n d liq u id s to ra x : Y o u w r ite th e f o llo w in g o n a p la te , w a s h i t o f f

w ith o il, a n d th e n r e c ite it s e ve n tim e s : “ S h a k -

ta s h K a s h k a s h T a 'I lo o s h

( ^ ji» 3 J L o J 3 ) K a ilo o s h ( j j i ^ l ^ ) T a h ta lo o s h

( ^ jj LLi ^ ) ) A b a d a ( ( 5 > iU ) S h a m a d o o s h

( ^ ji> 3 > iL > I i) T a h ia ( L ^ ) T a h ia s h 2

( , j » L ^ )

T a h e e s h ( j ji « . ^ ) N a b a s h ( ^ I j ) . ‘A n d w h e n

y o u r e c it e th e Q u r a n , W e p la c e b e tw e e n y o u a n d

th o s e w h o d o n o t b e lie v e in th e h e r e a fte r a h id d e n

b a r r ie r . W e h a v e p la c e d c o v e r in g s o n t h e ir h e a r ts

a n d a h e a v in e s s i n t h e ir e a rs le s t th e y u n d e r s ta n d
“ M a h la t K a la lk u m ( jt> 51L L S ') , H ia (La ) it , a n d w h e n y o u m e n t io n y o u r L o rd a lo n e in th e
S h a r a h ia ( L a ) j J») H i a ( L ^ ) H i a ( L ^ ) H i a (La ) Q u ra n th e y tu rn th e ir b a c k s in a v e r s io n .’ H a -
H ia (La ) L a m a le b lo o (3IJUJ), M a la lm a n ia h a n i
h ia s h ( ^ j i t L ^ ) H a d a h ia s h ( ^ L a Ja ) B a ro o s h
( ^ , o liU ) , E l( J l) , A H ( J d l) Y a l( J L j A h ia
( ^ ji» 3 jL ) B a ro o s h (^ _ P з з L ). B y th e L o rd M o s t
(La I) S h a r a h ia (La I ^ ) H ia (l^ ) H ia (La ) H ia
H ig h w h o is e s ta b lis h e d u p o n th e T h ro n e . A ta t
(I a ). H u r r y ! Q u ic k ly ! A t o n c e ! ”
( J a J ijl) M a ta t ( ia ix o ) N iq (^ 3- j) Q a w lh (A j ^S )

S h a ‘id ( j a L ^ ). A n s w e r , a n d m a k e h a s te , b y th e

m ig h t o f A lla h , b y w h a t th e p e n w ro te fro m A l­

la h u n t o th e b e s t o f A lla h ’ s c r e a tio n , M u h a m m a d

( A lla h b le s s h im a n d g iv e h im p e a c e )— ‘A n d m o s t

140 141
 W n Jforbiddni 0rim oirE o f tia ru t and M a ra t
r ID it JForbiddoi 0 rin io jrt o f îfta ra t and M a ra t

s u r e ly i t is a v e ry g re a t o a th if y o u o n ly k n e w ’, iz e w h a t th e c r u s h in g d is a s te r is ? It is th e fir e

a n d b y th e g re a t S u p re m e N a m e . R e s p o n d , O k in d le d b y A lla h , w h ic h r is e s a b o v e th e h e a rts .

tu r b u le n t w in d a n d th r o b b in g p a in , a n d e x it th is S u r e ly i t s h a ll b e c lo s e d o v e r u p o n th e m , in e x ­

b o d y , b y th e r ig h t o f th e s e n a m e s . H u r r y , h u r r y ! te n d e d c o lu m n s .’ ”

Q u ic k ly , q u ic k ly ! A t o n c e , a t o n c e !”

L ove Spell W riG

CAT1ÔLEiTlAGiC n
24 18 12 6
Y o u w r ite th e f o llo w in g o n a c a n d le a n d th e n
t
6 12 18 24
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% 18 24 6 12
v a lu e o f th e ta r g e t’ s n a m e , w h ile b u r n in g a n y ­

th in g o f s w e e t o d o r: “ J a lja m e e s h

J a lja m e e s h B ija lja m e e s h o

is h ( ^ jL o ) ,
B ija lja m e e s h

M a r is h Q a r is h
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ig> 12
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Q a r is h ( j j i j l i ) ; A q a s h A q a s h

A n s w e r, O K in g J a r ja y o o s h a n d b e

c o m m is s io n e d w ith (s ta te y o u r p u rp o s e ), b y th e

r ig h t o f: ‘W o e to e v e ry s la n d e r e r , d e f a m e r , w h o

a m a s s e s w e a lt h a n d c o n s id e r s i t a p r o v is io n . H e

th in k s th a t h is w e a lt h w ill m a k e h im im m o r ta l.

N a y ! H e s h a ll m o s t c e r ta in ly b e h u r le d in to th e

c r u s h in g d is a s te r . A n d w h a t w i l l m a k e y o u r e a l-

J
142 143

jlJ
 IP iE forbidden (Brimoire o f tia n it and illa ru t liiE forbidden (Brimoire of iia ru t and M a ra t

p a lm . T h e r e a fte r y o u w i l l s e e th e s a lt in f ir e . T h is
L o v e Spell is w h a t y o u r e c ite : “ In th e n a m e o f G o d , M o s t

M e r c if u l a n d G r a c io u s . “ S a y : ‘H e is A lla h , th e

O n e , A lla h , th e E te r n a lly B e s o u g h t o f A ll. H e

Y o u w r ite th e f o llo w in g o n a p la te , w a s h i t o f f d id n o t g iv e b ir t h , n o r w a s H e b o r n , a n d th e r e is

w it h w a te r , a n d g iv e i t to th e ta r g e t to d r in k : “ H u d - n o n e w h o is H is e q u a l. ” B y th e r ig h t o f H a y o o s h

n a (U j l a ) H u d a y n a ( L o J J i» ) A n a t is h M a h to o s h A ra s h

A m a m t ( J a ^ l) ‘ m e tu a ( l3 .U 0 .c l) o n th e h e a r t o f O b o o s h ( ( jij3 l) A r y a lo o s h N a y , b u t

N ., b y th e r ig h t o f: ‘H a s th e re c o m e o v e r m a n th e H o u r w ill c o m e to th e m a ll o f a s u d d e n a n d

a tim e w h e n h e w a s n o t h in g re m e m b e re d ? W e c o n fo u n d th e m : th e y w i l l h a v e n o p o w e r th e n to

c re a te d m a n fr o m a s p e rm d r o p m ix e d in o rd e r to a v e r t it , n e ith e r w i l l th e y g e t r e s p it e .”

t r y h im . ’ N . w i l l lik e w is e b e tr ie d .”

Y o u w r ite th e fo llo w in g , w a s h i t o f f w it h w a te r,

a n d th e n w a s h th e p e r s o n ’s h a n d s , fe e t, a n d a rm - L o ve Spell
p its w it h it: “ K o o m a h 7523. M a k e N . fa ll

in lo v e w ith N ., s u c h th a t h e ta k e s n o p le a s u r e

in e a t in g a n d h a s n o p la c e to w h ic h h e ca n fle e .
e fo re s u n r is e o n W e d n e s d a y , y o u w r ite th e
I lu r r y ! Q u ic k ly ! A t o n c e !”
f o llo w in g o n tw e n ty -s e v e n p ie c e s o f p a p e r a n d

p u t a c o r ia n d e r s e e d in e a c h o n e . E v e r y n ig h t y o u

b u m th r e e o f th e m . T h is is w h a t y o u w r it e : “ B is a l-

L ove Spell s a l e e m ( ^ a a L u A ja u ) Y a k a l k a l l m B if a lf a lim

( ^ x iia ia j) H a la t (- ^1 ) B it a lt a llm ( ^ a a lk lia j)

o u r s o m e s a lt in t o y o u r p a lm a n d r e c ite th e B i‘a r a llm ( ^ a a lx ix j) B ik a lk a llm B e

f o llo w in g o v e r i t a n u m b e r o f tim e s e q u a l to th e c o m m is s io n e d , O s e r v a n ts o f th e s e n a m e s a n d O

n u m e r ic a l v a lu e o f th e ta rg e t’s n a m e . A fte r e v ­ S la v e o f F ir e , t o m a k e N . a b la z e w it h th e lo v e o f

e ry h u n d re d tim e s , y o u b lo w o n th e s a lt in y o u r N ., b y th e r ig h t o f A h a tm a fa s h a d h a

144 14 5
 W ilt forbidden 0rim oire o f i^ n it and M a m t 1 3 ir forbidden (Brimoirc o f llia ru t and IMlarut

‘B y th e h e a v e n , h o ld in g m a n s io n s o f th e s ta rs , S a k r ia le s h K a rk a ra s h

a n d b y th e P r o m is e d D a y , a n d b y th e w itn e s s a n d ( ¿ jil jS ) , K a rk a ra s h ( ( jll jS jS ) ; H a la y o o s h

th a t w h e re u n to h e b e a rs te s t im o n y , d e s tro y e d ( ¿ jijjiA ) , H a la y o o s h ( ( jS j^ ) . B e c o m m is ­

w e re th e o w n e r s o f th e d itc h o f th e fu e l- fe d fir e , s io n e d , O s e rv a n ts o f th e s e n a m e s , to m a k e N .

w h e n th e y s a t b y it , a n d w e r e th e m s e lv e s th e w i t ­ f a ll in lo v e w ith N .”
n e s s e s o f w h a t th e y d id to th e b e lie v e r s . T h e y h a d

n a u g h t a g a in s t th e m sa ve th a t th e y b e lie v e d in

A lla h , th e M ig h t y , th e P r a is e d , H i m u n to w h o m

b e lo n g s th e s o v e r e ig n ty o f th e h e a v e n s a n d SEhdiriG A Jinn
th e e a rth ; A lla h is w itn e s s to a ll th in g s . S u r e ly

th o s e w h o p e rs e c u te b e lie v in g m e n a n d b e lie v ­ To SorHEOnE

in g w o m e n a n d r e p e n t n o t w i l l h a v e th e d o o m o f

h e ll, a n d th e y w i l l h a v e th e d o o m o f b u r n in g .’ ”

O n W e d n e s d a y n ig h t y o u r e c ite th e s e n a m e s

th r e e th o u s a n d tim e s w h ile b u r n in g fr a n k in c e n s e ,

b e n z o in , m a s tic , c o r ia n d e r , a n d d a te h e a d s:
L o ve Spell “ A h o o s h ( ( jjjjA ) ) M a h o o s h L a h a y o o s h

o n th re e o liv e le a v e s th e n p la c e

th e m in th e p la s te r . R e c ite o n th e m th e in c a n t a ­

tio n fo r tw e n ty -o n e d a y s . T h is is w h a t y o u w r ite

M a h ta k h th e n o n th e se c o n d T a s h ta s h

( ¿ jjÜ a ju ila ) a n d o n th e t h ir d H a la y o o s h

T h e n w r ite o n th e ir b a c k th e n a m e s o f b o th th e

s e e k e r a n d th e s o u g h t. T h is is th e c o n ju r a tio n :

“ K a ir a s ( < jJ o l j J ^ ) , K a ir a s J J ^ ); S a k r ia le s h

146 147
 ï
IC ht forbidden (Brim oirt o f Iw ra t and M a m t 13iE forbidden (Brim oirr o f tia ro t and M a ru t

T A L is r iiA T i F o r . Spell FoR.IriFLAriiriiiriG

StEPPiriG Over . PA88iOri8

th e fo llo w in g in c a n t a t io n in s e p a ra te
Y o u w r ite th e fo llo w in g , w a s h i t o f f w it h w a ­
le tte r s o n a n a r t ic le o f th e p e r s o n ’ s c lo th in g . T h e n
te r, a n d th e n s p r in k le i t o n th e ta r g e t ’ s d o o r s te p :
r e c ite th e in c a n t a t io n o v e r i t a th o u s a n d tim e s a n d

b u m i t u s in g s w e e t o il. F o r in c e n s e , y o u u s e m a s ­

t ic , fr a n k in c e n s e , a n d c o r ia n d e r . T h is is th e in c a n ­

ta tio n : “ N a m o o s h N a m o o s h ( ( jijA j) ;

‘ A lo o s h ‘A lo o s h A a b ta s h

( ( jî J a jl) , A a b ta s h ( ( j i l L j l ) ; H a le e s h ( ( jî u U ) , th e

m a s te r ‘ A k r e e s h (p e a c e b e u p o n h im ) .
L o ve Spell I c o n ju r e y o u , O A b d u l R a h m a n j î l

a n d O A b d u l S a m a d ( J - iu - a J t û æ ) a n d O A b d u l

W a h id (^ 1 j l l .iÆ ) , to g o u n to N . a t th is h o u r ,

th e fo llo w in g o n s e v e n p ie c e s o f p a ­ p o in t , a n d m in u t e , b y th e r ig h t o f ‘ A m ir S h a la k h

p e r; p u t s o m e p e p p e r , fr a n k in c e n s e , a n d m a s tic - ‘ A n d m o s t s u r e ly i t is a v e r y g r e a t

in e a c h o n e ; th e n b u m th e m , o n e a fte r th e o th ­ o a th i f y o u o n ly k n e w .’ ”

e r: A lo o s h A lo o s h H a lo o s h
“ A n H frit o f th e jin n s a id , ‘ I w i l l b r in g i t u n t o y o u
( ^ j U ) , H a lo o s h H o o q a s h ( u ^ jA ) ,
b e fo r e y o u r is e fro m y o u r p la c e . A n d m o s t s u re ­
H o o q a s h ( o ^ jA ) ; K a ik a m o o s h K a i-
ly I a m s tro n g a n d tm s tw o rth y fo r s u c h w o rk ”
k a m o o s h A n s w e r, O K a ik a m o o s h
(Q u ra n )
a n d m a k e N .’s h e a rt b u m fo r N .

Y o u w r ite th e p r e v io u s v e rs e o n a r in g c o n ta in -

148 149
1
........ .... IM u .,... ......
 T
'Che jforbiddtn 0 rim o iit o f Iw n it and M a ra t W\t Torbiddtn 0 rim o irt o f fia ra t and M a ra t

in g a f o u r b y f o u r s q u a r e a lo n g w ith th e n a m e o f

th e s e e k e r a n d th e s o u g h t. T h e n y o u r e c ite i t th e

k n o w n n u m b e r o f tim e s

a fte r e v e ry h u n d re d :
a n d s a y th e fo llo w in g
9 8 0 1173 7 90
“ Y a m llk h a ( L a a L iu ) M a k th a lm a M a r-

n o o s h (

S h a d h a lo o s h
l P j ^ D a b a m o o s h

a n d th e ir d o g Q a tm ir ( J
K a f a 't a t a y o o s h

jI a I jS ).”
791 981 1171
1172 789 9 8 2
DiSPAtCH Arid I^ tE C fiO ri

a n d r e c ite a th o u s a n d tim e s in th e A RflllEdY FOR^HEAdACHES

d a rk : “ L a y la to o s h ( ¿ jijla L J ) [x 43] . T a lto o s h

( ( jijla lla ) [x 43] . ‘T h e y u s e d to s le e p b u t l i t t l e in

th e n ig h t” [x 43] . ” F o r in c e n s e , y o u u s e fr a n k in ­ j F o r th e p u rp o s e o f s n if f in g , ( ta k e ) f o u r s e e d s

c e n s e , a lo e s w o o d , s e a r o c k e t , a n d b e n z o in . o f L e b b e k T re e , fo u r se e d s o f n a r c is s u s , fo u r

m y r r h , f o u r a lo e , a n d f o u r w h it e h e lle b o r e p la n ts
T h is is t h e s e a l:
a n d g r in d th e m fin e ly , th e n m ix th e m .

150 151
 ID it JForbiddtn (B rim oirt o f Iw n it and flla ru t W nt dforbidden 0 rim o irE o f fia r u t and M a n it

L ove S pell FOR^BAdUH RfrflEdY FOKHEAdACHE

^ ^ h a n t th e n a m e a th o u s a n d

te r e v e r y h u n d r e d : “ B e c o m m is s io n e d , O
tim e s , s a y in g a f -

B a d u h ,
Y o u w r ite th e f o llo w in g a n d h a n g it:

b y th e r ig h t o f y o u r p r a is e d n a m e , b y th e r ig h t

o f A d a m , N o a h , th e P e n , th e T a b le t , a n d th e

K n o w le d g e e x p o u n d e d , b y th e r ig h t o f o u r m a s ­

te r M u h a m m a d ( A lla h b le s s h im a n d g iv e h im
cccc
p e a c e ), th e p o s s e s s o r o f v ic t o r y , g lo r y , a n d c o n ­ B y a th o u s a n d r e p e t it io n s o f t h e r e is n o m i g h t

q u e s ts , to m a k e th e m in d , h e a r t, a n d s o u l o f N ., o r p o w e r e x c e p t w ith A l l a h , t h e E x a l t e d a n d

th e s o n /d a u g h te r o f N ., b e o v e rc o m e w ith lo v e M a g n if ic e n t.

f o r N ., th e s o n /d a u g h te r o f N .. B y th e r ig h t o f:

‘H a s th e re c o m e o v e r m a n a tim e w h e n h e w a s L 4 S L a p

n o t h in g re m e m b e re d ? W e c re a te d m a n fro m a

s p e rm d ro p m ix e d in o rd e r to try h im , so W e

m a d e h im h e a r in g , s e e in g . S u r e ly W e h a v e s h o w n

h im th e w a y : h e m a y b e t h a n k fu l o r u n th a n k fu l.

S u r e ly W e h a v e p re p a re d c h a in s a n d s h a c k le s
RlEIllEdY FOR^HEAdACHE
a n d a b u r n in g f ir e f o r th e u n b e lie v e r s . S u r e ly th e

r ig h te o u s s h a ll d r in k o f a c u p th e a d m ix tu r e o f
^ ^ ^ ^ r it e o n th e r ig h t te m p le T ir ( ^ ) a n d o n
w h ic h is c a m p h o r .’ ”
th e le ft T o n ( 0 ^ ) a n d i t w i l l g o a w a y b y p e r m is ­

s io n o f G o d , th e E x a lt e d .

152 153

ik i J
 I t h t JPorbiddtn (Srimoire of H a ra t and H la ru t
r ID ie iorbidden (S rim oirt o f i^a ru t and M a ra t

BAdUH’8 Success Spell RfitflEdY FOICflBSErit

IfteriStRyAL PERiOd
T f y o u w is h to e m p lo y h im , th e n a r is e a t d a w n

a n d p ra y th e d a w n p ra y e r w ith th e im a m . T h e r e ­
' I 'a k e s o m e s a ffr o n , g re e n c lo v e r , n a tr o n ,
a fte r , s it fa c in g th e q ib la b e s id e a n e a s te rn w a ll,
m y r r h , a lo e , la v e n d e r , a n d d r a g o n ’ s b lo o d , g r in d
c h a n t th e n a m e B a d u h a th o u s a n d tim e s , a n d th e n
th e m , s o a k th e m in e g g w h ite , a n d m a k e a s u p ­
r e c ite th e f o llo w in g th r e e tim e s : “ O A lla h , M a s ­
p o s ito r y fr o m it.
te r o f th e K in g d o m , Y o u g iv e th e k in g d o m to

w h o m e v e r Y o u w ill; Y o u ta k e a w a y th e k in g d o m

fro m w h o m e v e r Y o u w ill. Y o u e x a lt w h o m e v e r

Y o u w ill; Y o u d e b a se w h o m e v e r Y o u w ill. In CHARDI t o Stop BLEEdiriG

Y o u r H a n d is a ll g o o d . In d e e d , Y o u h a v e p o w e r

o v e r a ll th in g s .’ O A lla h , f o r g iv e m e , h a v e m e r c y

u p o n m e , g u id e m e , a n d p r o v id e a g o o d ly p r o v i­
th e f o llo w in g a n d c a rry it: “ In th e
s io n fo r m e .” A fte r th a t, tu r n to y o u r r ig h t a n d
n a m e o f A lla h , M o s t M e r c if u l a n d G r a c io u s . O
s a y tw o tim e s : “ O B a d u h , g iv e m e s u c c e s s .”
B lo o d , fe e l e m b a rra s s e d b e fo re y o u r F a th e r. O

B lo o d , fe e l e m b a rra s s e d b e fo re H im w h o has
D o th e sa m e th in g o n y o u r le ft, in fro n t o f y o u ,
m a d e th e Q u r a n b in d in g u p o n y o u a n d w i l l b r in g
a n d b e h in d y o u . T h e n r e c it e th e in v o c a t io n a g a in
y o u b a c k to th e d e s tin a t io n . T h e m o u n ta in s e n ­
th r e e tim e s a n d g r e e t h im .
c o m p a s s th e s a n c tu a ry . A lla h e n c o m p a sse s a ll

th in g s . O B lo o d , b y th e r ig h t o f th e G o d o f M a r y ,

a n d b y th e r ig h t o f J e s u s th e s o n o f M a ry . H a li‘

B a li‘ ( ¿ J Ij ) H o o la ‘ ( ¿ J H o o n a '

‘ F o r e v e r y p r o p h e c y is a te r m , a n d y o u w i l l c o m e

to k n o w .’ A b r o t h e r fo r n ic a t e d w ith h is s is t e r .

154 155
 'Che i'o rliid d tn (S rim oirt o f H a ru t and M a ra t
] ICIiE jporbiddEn (Brim oirt o f fia ra t and M a ra t

A s is te r fo r n ic a t e d w ith h e r b ro th e r. T h e fr ie n d

h e a rd it. B y A lla h th e s to n e h e a rd H ‘ a d ‘ (£ ■ !-« -< » ) L o ve Spell

a n d s o d id h e a r th e b lo o d a n d i t c e a s e d . O B lo o d ,

w ith d r a w fro m h im w h o c a r r ie s th e s e n a m e s,

ju s t a s m e r c y w a s w ith d r a w n fro m h im w h o h a d
T f y o u w r ite th e s e ta lis m a n s o n a n u n f ir e d c la y
s e x w ith h is s is te r a n d m o th e r. F a q ta s h
tile , u s in g a c o p p e r p e n , a n d th e n c a s t th e tile
F a q ta s h (Jii u i ¿ ), F a q t a s h (Jii h a » ). M u h a m m a d
in to a fie r c e fir e a n d r e c ite th e in c a n t a t io n o v e r
p ro s tra te d , a n d th e L o r d w a tc h e d fr o m a b o v e th e
it tw e n ty -o n e tim e s , th e ta r g e t w i l l b e b r o u g h t to
b lo o d . C e a s e , O B lo o d , b e f o r e y o u r e g r e t it. T h e
y o u . Y o u s h o u ld a ls o h a v e w ith y o u a b o w l in
L o rd s p o k e to M o s e s . H u rry , h u rry ! Q u ic k ly ,
w h ic h y o u h a v e w r itte n th e V e r s e o f th e T h r o n e ,
q u ic k ly ! A t o n c e , a t o n c e !”
“ I n th e n a m e o f A lla h , th e B e n e fic e n t, th e M e r c i­

fu l, A lla h ! T h e re is n o d e it y e x c e p t H e , th e E v e r

L iv in g , th e O n e W h o s u s ta in s a n d p ro te c ts a ll

Spell FGR^AtiSiictiriG t h a t e x is t s . N e it h e r s lu m b e r , n o r s le e p o v e rta k e

H im . T o H im b e lo n g s w h a t e v e r is in th e h e a v ­

CukloriiER^ e n s a n d w h a t e v e r is o n e a r th . W h o is h e th a t c a n

in te r c e d e w it h H im e x c e p t w ith H is P e r m is s io n ?

H e k n o w s w h a t h a p p e n s to th e m ( H is c re a tu re s )

th e f o llo w in g ta lis m a n , a lo n g w it h in th is w o r ld , a n d w h a t w ill h a p p e n to th e m in

th e c o m m is s io n , w h e n th e m o o n is w a x in g , in ­ th e H e r e a fte r . A n d th e y w ill n e v e r c o m p a s s a n y ­

c e n s e it w ith liq u id s to r a x a n d fr a n k in c e n s e , a n d th in g o f H is K n o w le d g e e x c e p t th a t w h ic h H e

th e n b u r y i t w h e r e th e s to r e is : w ills . H is th ro n e e x te n d s o v e r th e h e a v e n s a n d

th e e a r th , a n d H e fe e ls n o fa tig u e in g u a r d in g a n d

p r e s e r v in g th e m . A n d H e is th e M o s t H ig h , th e

M o s t G re a t.” a n d th e S a m a d iy y a , “ H e is A lla h ,

th e O n e a n d O n ly ! A lla h , th e E te r n a l, A b s o lu te ;

H e b e g e tte th n o t n o r is H e b e g o tte n . A n d th e re

156 157
 W\t forbidden (Srimoire o f H a n it and M a n it
T lli e forbidden 0rim oirE o f tia n it and M a ru t

is n o n e lik e u n to H im .” S a y : I f y o u e ra s e th e s e y o u b y A s m a k h S h a m a k h w h o
v e rs e s w ith w a te r a n d s p r in k le it o n th e ta rg e t’s
is e x a lte d o v e r e v e ry B a ra k h ( ¿ i J J ), S h a h llk h a
fa c e h e w i l l im m e d ia te ly r e g a in c o n s c io u s n e s s . (Ual^),Shahlikha(LЦíI^);Layookha(Li. jil),
T h e s e a re th e ta lis m a n s :
L a y o o k h a T h e s e a re th e n a m e s th a t a re

in th e G o s p e l. I c o n ju r e th e M a g ia n s a m o n g y o u

AAf b y th e fir e , th e lig h t , th e d a r k , a n d th e h o t w in d ,

to a ro u s e a n d p e rtu rb N . th e d a u g h te r o f N ., a n d

d ra w h e r to th is p la c e . I f y o u a re o f th e M u s lim
_/V-tAA s p e c te rs , th e n I c o n ju r e y o u b y H e w h o s e r ig h t
|m m n j
y o u k n o w , to w h o m e v e r c a lls y o u b y H im .

lS W > A Y J - J J t*

H e is : ‘ A lla h b e a rs w itn e s s th a t th e re is n o g o d

b u t H e , a n d (s o d o ) th e a n g e ls a n d th o s e p o s ­

se sse d o f k n o w le d g e , m a in ta in in g H is c r e a t io n
T h is is th e in c a n t a t io n : “ I c o n ju r e y o u , O c o m p a n y
w it h ju s t ic e ; th e r e is n o g o d b u t H e , th e M ig h ty ,
o f jin n a n d d e m o n s a n d a ll h o s ts o f Ib lis . W h e r e
th e W is e .’ B 'a r o o s h ((J ^ J J * J ), B ‘a ro o s h
a re th e T e m p te rs ? W h e re a re th e S a ta n s ? W h e r e
K a y o o s h ( c H j:} ^ ) , K a y o o s h ( u - jJ ^ ) ;
a re th e P h a r a o h s ? I c o n ju r e th e J e w s a m o n g y o u K a n a k a y o o s h ( ¿ jij^ U S i) , K a n a k a y o o s h
b y S h a m ( ^ ^ ) , S h a m ( ^ ^ ) , S h a m ( ^ ^ ) , S h a m
‘ A la la y o o s h ( ^ jJ V lx i) , ‘A la ­
a l- S h a m a l- S h a m E lo h im
la y o o s h ( ( jijJ V lc . ) . B y th e r ig h t o f B a h a y o o s h
E lo h im jib ; ‘ A q e d w im B a h a y o o s h ( ( j i j ^ ) ; K a ik a y e lm o o s h
‘ A q e d w im ( ^ j l l ) ; T a la w a h T m ( ^ I j l L ) , ( ^ j a L £ j £ ) , K a ik a y e lm o o s h ( ( ji j a L ^ ^ ) . B y
T a la w a h lm ‘A b d a w im
th e r ig h t th e s e n a m e s p o sse ss o v e r y o u , a n d th e
‘A b d a w im E h ie h A s h e r E h ie h , A d o n a i
o b e d ie n c e y o u o w e th e m , a ro u s e N . a n d b r in g
T z a b a o t h , E l S h a d d i: T h e s e a re th e n a m e s th a t
h e r to th is p la c e o b e d ie n t, s u b s e r v ie n t , b e w il­
a re in th e T o r a h . I c o n ju r e th e C h r is tia n s a m o n g d e re d , a n d m a d ly in lo v e . T h e h e a v e n w ill s h a k e

158 159
 I
IChE Jforbiddtn (S rim o iit o f IH arut and M a ra t 13ie Jforbidden 0 rim o irt o f H a ru t and M a ra t

y o u , th e e a rth w ill s w a llo w y o u , a n d th e n a m e s

o f A lla h w ill e n c o m p a s s y o u . Y o u w ill fin d n e i­

th e r re fu g e n o r re s t u n til y o u b r in g h e r to th is
E gg Spell for.
p la c e . H u r r y , h u r r y ! Q u i c k ly , q u ic k ly ! A t o n c e , AtfRACtion
a t o n c e !”

S pell FOk_LovE
o n T u e s d a y , g e t a fr e s h ly la id

th e f o llo w in g o n it , in c e n s e i t w it h
e g g , w r ite

b d e lliu m a n d

fr a n k in c e n s e , a n d th e n p u t i t in a fie r c e fir e :

o
it w ith
n S u n d a y , g e t a fr e s h ly

fr a n k in c e n s e , w r it e th e
la id e g g , in c e n s e

f o llo w in g o v e r it,

a n d th e n p la c e i t in a s m a ll f ir e : j »3 J j j j U j J S j j .

| jQ - s * * * r * ^

E gg Spell for.
AR.OU8hL

O s e rv a n ts o f th e s e n a m e s , m a k e N . f a ll in lo v e ^ ^ n W e d n e s d a y , g e t a fr e s h ly la id e g g ,
w ith N ., b y th e r ig h t o f th e s e n a m e s . H u rry , h u r­
w r ite th e f o llo w in g o n it , in c e n s e i t w it h fra n k ­
r y ! Q u ic k ly , q u ic k ly ! A t o n c e , a t o n c e !
in c e n s e a n d b d e lliu m , a n d p la c e i t in th e h e a t o f

160 161

.A Iff
 laie forhidilEn (6rimoirt of Iwnit and Hlarut "Che forbidden 0rimoire of Iftarut and Шапи

a fir e ; (H e re y o u c o m m is s io n th e s p ir it s w it h th e ta s k )

L o ve S pell
^ n ^ i L ^ U M

\ in I m I m ^ pii pin J ijo III p

th e f o llo w in g o n a p ie c e o f p a p e r ; “ I n
in tin 1 111
th e n a m e o f A lla h , b y A lla h , fr o m A lla h , to A l­

^ An n ^ H i m 11 ^ 11 ‘I I M m >o la h . T h e re is n o c o n q u e ro r th a t c a n d e fe a t A l­

I I I I I I Ijl nil la h . I c o n ju r e y o u , O y o u e ig h t ty r a n n ic a l, d e s ­

p o tic ‘ifr its a n d a ll y o u c h ild r e n o f Ib lis . W h e r e

B y H im w h o m a d e th e s k y a v a p o r. ‘I t w ill b e
is M a y m u n a l- G h a m a m i? W h e re is M a y m u n
n o m o r e th a n a s in g le c r y , w h e n lo ! t h e y w i l l a ll
a l- S a h a b i? W h e r e is M a y m u n a l- S a y y a f? W h e r e
b e b ro u g h t u p b e fo re U s !’ A ro u s e in N . lo v e f o r
is M a y m u n a l- T a y y a r ? W h e re is M a y m o o n a l-
N ..
A s w a d ? W h e r e is M a y m o o n a l- A b y a d ? W h e r e is

E gg Spell for. M a y m o o n a l- A z r a q ? W h e r e is M a y m o o n a l- A h -

m a r? A n s w e r a n d b r in g a n d a ro u s e a n d in c lin e
AR0U8AL th e m in d o f N . u n to th e lo v e o f N . B e c o m m is ­

s io n e d , O s e r v a n ts o f th e s e n a m e s , a n d c a s t in to

th e v a g in a o f N . a fir e th a t n o n e o th e r th a n th e

9 In F r id a y , w r ite

a n dT p u t i t i n a fie r c e
th e f o llo w in g o n a n e g g

f ir e . F o r in c e n s e , y o u u s e

fr a n k in c e n s e . T h is is w h a t y o u w r it e ;
p e n is

o n c e !
o f N . w i l l e x tin g u is h . H u r r y ! Q u ic k ly ! A t

R e c ite i t s e v e n tim e s w h ile b u r n in g a lo e s w o o d ,

_ A I I j > n \ n n » r A L n . n £ nil i \ o i b e n z o in , a n d s a n d a ra c , a n d th e n a ffix it to y o u r

h e a d .
^ _ llll ^ j ^ V l nV jl I j > X A L L I L

JU A a J a ^ ju o i a J ta J a J a i a

162 163
 i : i i t Jporbidden (Brimoire o f fia ru t and îlla ru t
! Wt\t jForbidden (Brimoire o f îia ru t and M a ra t

Spell FOKSEPARAtiori
L ove Spell

J L 3u w r ite th e fo llo w in g o n a p ie c e o f p a p e r:
Y
d o g ;
o u w r ite th e fo llo w in g o n a b o n e fro m a

“ B y th e n a m e o f A lla h u n s h a k e a b le m o u n ta in s
J IIM ^ n n H im 1 1 ^ 1
s h o o k a n d u n b e n d in g h e a r ts b e n t. B y th e n a m e o f
Y IIM ^ ^n ^
A lla h d is o b e d ie n t in d iv id u a ls o b e y e d y o u r z e a l,

O N ., fo r th e lo v e o f N . , y o u r p a r a d is e . O f th e B u m it , th e n s p r in k le th e a s h e s o n th e d o o r s te p

w a te r o f th e r iv e r a n d tim e I g iv e y o u to d r in k . o f th e p e rs o n y o u w is h , a n d y o u r n e e d w i l l b e

Y o u r h u n g e r f o r N . w i l l n e ith e r c h a n g e n o r c e a s e a c c o m p lis h e d b y th e le a v e o f A lla h M o s t H ig h .

u n til it flo w s a n d c ir c u la te s . I h a v e o p e n e d u p

y o u r h a n d in th e lo v e o f N . b y in s in u a tio n , a n d

c o m m is s io n e d a th o u s a n d ‘ if r it s fro m a b o v e y o u ,

a th o u s a n d fro m b e n e a th y o u , a n d th o u s a n d to
BiiibinG T he rilARgiEd
le a d y o u to N . H u r r y ! Q u ic k ly ! A t o n c e !” T h e n

r e c ite it s ix te e n tim e s , w h ile b u r n in g o lib a n u m

n r a k e se v e n s tr ip s o f w ir e n e t, tw is t th e m to -
a n d s a n d a ra c .
g e th e r , a n d tie s e v e n k n o ts in th is . R e c ite th e in ­

c a n ta tio n s e v e n tim e s o v e r e a c h k n o t w h ile b u rn ­

in g a s a fe tid a , s u lf u r , a n d g a r lic r in d s , a n d th e n p u t

i t in a d a m p d r in k in g v e s s e l: “ S a m a y l ( cJ j L a * jo) ,

S a m a y l ( L a il ( J r lî ) , L a il ( J : J ) [x 2].
T h e v e in s w ill b e p o u n d e d u n til th e y b e c o m e

lik e la c e r a tio n s , b y th e m ig h t o f H im w h o is p o s -

164 16 5
 1
■Oe fo rb id d tn (5 rim oirt o f tia ru t and H a n it Iinit forbidden 0rimoire of ifiamt and Mamt

s e s s e d o f a b s o lu te p o w e r a n d fo rc e . Y o u w ill b e

s tr ip p e d

c lu d in g

fro m
o f th re e h u n d re d

th e o n e b e tw e e n
s ix ty v e in s , O

y o u r e y e s , w h ic h

b e tw e e n y o u r th ig h s . I f i t fu n c tio n s , i t w i l l
N ., in ­

s te m s c^CCCCCC':-
tw is t ; i f i t tw is ts , i t w i l l b e c o m e c r o o k e d ; i f i t b e ­

c o m e s c r o o k e d , i t w i l l s h r in k ; i f i t s h r in k s , i t w i l l

b e c o m e id le ; i f it b e c o m e s id le , i t w i l l b e c o m e

la z y ; i f i t b e c o m e s la z y , i t w i l l b e c o m e n o n f u n c ­

tio n a l; i f it b e c o m e s n o n f u n c t io n a l, it w i l l d ie ,

a n d y o u r p e n is , O N ., w ill b e b o u n d fro m N . b y a

d e s tr u c tiv e b in d in g th a t n e ith e r m a n n o r w o m a n

n o r m a le j i n n n o r fe m a le jin n c a n u n d o , u n til m y S a y : “ B y th e r ig h t w h ic h th e y p o s s e s s o v e r y o u .

tw o h a n d s a n d th e m ig h t y H a n d o f A lla h u n d o A n s w e r, O A h m a r Ch m -O » y o u a n d y o u r s e rv a n ts

it . ” I f y o u w is h to u n b in d h im , r e m o v e th e s tr ip s a n d a id e s , a n d m a k e th e g e n ita lia o f N . h e m o r­

a n d b u m th e m , a n d th e b in d in g w ill u n d o n e . r h a g e . H u r r y ! Q u ic k ly ! A t o n c e !”

HEK t o IndUCE L ove Spell

HErilGRfiiiAGE
I 'h is is c a lle d “ T h e A ttr a c tio n o f th e E a rth e n

o n T u e s d a y , w r ite

p ie c e o f p a p e r , p la c e
th e f o llo w in g

it in
o n a re d

a P e r s ia n ju g , s e a l i t
J u g .” I f y o u w is h to d o it , ta k e a n e w

w r ite th e h o n o r a b le

i t , a n d p la c e se v e n
s u ra a n d th e

s e e d s in
e a rth e n ju g ,

ta lis m a n s u p o n

it: a fe n u g re e k s e e d ,

a c h ic k p e a , a le n t il, a fa v a b e a n , a p e p p e r c o r n , a
w ith A le x a n d r ia n w a x , a n d th e n th r o w i t in a
w h e a t b e r r y , a n d g r a in o f b a r le y . W r it e th e n a m e
c a n a l flo w in g e a s tw a rd :

166 167

muirii
 i:h E forbitldEn (Brimoire o f Ita ru t and iH a n it
1 W nt forbidden 0rim oirE o f H a ru t and M a ra t

o f th e ta r g e t o n a p ie c e o f p a p e r a n d p u t i t in th e

ju g a s w e ll. T h e n f i l l i t u p to its n e c k w it h w a te r,
z re
p o u r s o m e s w e e t o i l in it , p la c e i t o v e r a f ir e , a n d

r e c ite th e s u r a o v e r i t o n e tim e . T h e r e a fte r , g iv e i t

to th e s e e k e r to h e a t u n t il i t b o ils o v e r a n d e v a p o ­

ra te s , w h e r e u p o n

T h e fo llo w in g is
th e p u rp o s e

w h a t y o u
w ill b e

w r ite w ith
a c h ie v e d .

th e ta lis ­
JPnn^ 0°fJJJ
m a n s a n d r e c it e : ‘“ B y th e h e a v e n , h o ld in g m a n ­

s io n s o f th e s ta r s , a n d b y th e P r o m is e d D a y , a n d

b y th e w itn e s s a n d th a t w h e r e u n t o h e b e a r s te s ­
D a rm a s o O s e rv a n ts o f th e s e n a m e s
tim o n y , d e s tro y e d w e re th e o w n e rs o f th e d itc h
a n d Q u r a n ic v e r s e s , a n d s e t t h e h e a r t o f N . a b la z e
o f th e fu e l- fe d fir e .’ T h u s w ill th e fir e a n d lo v e
w ith th e lo v e o f N ., b y th e r ig h t w h ic h th e s e
o f N . b e k in d le d in th e h e a rt o f N .. ‘W h e n th e y
n a m e s a n d Q u r a n ic v e rs e s h a v e o v e r y o u , a n d
sa t b y it, a n d w e re th e m s e lv e s th e w itn e s s e s o f
th e ir e s te e m a m o n g y o u . H u r r y , h u r r y ! Q u ic k ly ,
w h a t th e y d id to th e b e lie v e r s . T h e y h a d n a u g h t
q u ic k ly ! A t o n c e , a t o n c e ! G o d b le s s y o u . ”
a g a in s t th e m s a v e th a t th e y b e lie v e d in A lla h , th e

M ig h t y , th e P r a is e d , H im u n to w h o m b e lo n g s th e

s o v e r e ig n ty o f th e h e a v e n s a n d th e e a r th ; a n d A l ­

la h is w itn e s s t o a ll th in g s . S u r e ly th o s e w h o p e r ­ L0VE S pell

s e c u te b e lie v in g m e n a n d b e lie v in g w o m e n a n d
th e f o llo w in g o n a n u n fir e d c la y tile ,
re p e n t n o t w ill h a v e th e d o o m o f h e ll, a n d th e y
p u t i t in a f ir e , a n d th e n e n u n c ia te w h a t y o u w r o t e
w ill h a v e th e d o o m o f b u r n in g .’ T h u s y o u w ill s e t
s e v e n t y - t w o t im e s w h ile b u r n in g o lib a n u m : “ R e ­
h is b o d y a fla m e w it h th e lo v e o f N ., b y th e r ig h t
s p o n d , O T a q ta q o o s h b y th e h o n o r
o f th is h o n o r a b le s u ra a n d th e s e m ig h ty v e rs e s .
o f th e U n iq u e , th e H id d e n , w h o s u b d u e s th e s e r­

v a n ts b y d e a th , w h o is liv in g a n d w i l l n e v e r d ie ,

w h o is h id d e n f r o m e y e s ig h t, th e K in g , th e T r iu m -

168 169
 'Che forb id d tn (5rim oirt o f tia ru t and M a ru t
1 ICIiE Jporbiddtn (Srim oirt o f IFiarut and M a ra t

p h a n t, A n o o k h a ( l i j j l ) , to w h o m ty ra n ts y ie ld ,

b e fo re w h o m m ig h ty s o v e r e ig n s g r o v e l, A lla h ,
Spell fg r .Lo ve Arid 8 ek
b e s id e s w h o m th e re is n o g o d , th e E x a lt e d , th e

T ra n s c e n d e n t, w h o is p o sse sse d o f m a je s ty a n d
Y o u c a n e m p lo y it fo r tw e n ty -o n e p u rp o s e s ,
h o n o r , E h ie h A s h e r E h ie h , L o r d o f P o w e r . ‘ E x a lt ­
b o th g o o d a n d e v il. W h e n s o m e th in g c o m e s to
e d is A lla h , th e K in g , th e T r u t h . T h e r e is n o G o d
y o u r m in d , d o it, fo r y o u w ill s e e s tra n g e th in g s
b u t H im , L o rd o f th e N o b le T h ro n e .’ A n s w e r,
th e r e f r o m , a n d th e y w i l l n o t d is o b e y y o u in a n y ­
O T a q ta q o o s h b y th e r ig h t o f th e
th in g . Y o u c a n u s e i t f r o m S u n d a y to W e d n e s d a y .
P re -e te rn a l P o w e r. A n s w e r , y o u a n d y o u r h o s ts .
F o r in c e n s e , y o u u s e o lib a n u m a n d liq u id s to ra x .
A m q a s h ( ( jif i- a l) , A h q a s h ( ( jia A l) , F a s h a m is h
Y o u r e c ite it o n e h u n d re d t w e n t y - f o u r tim e s . I t
( ¿ jliA iia ) , H is h H a lit a s h
is a s fo llo w s : “ H a s h -h a s h H a s h -h a s h
T a m a s h ((j I a L ), T a ls h a y o o s h ( ( jija jiils ) , th e
Q a t is h ( ( jia la a ) , Q a tls h ( ¿ jS a la a ) ;
E x a lt e d , th e M o s t H ig h , th e A ll- H e a r in g , th e
Q a to o s h ( ( jiijla a ) , Q a to o s h ( ( jiljia S ) ; A k a y o o s h
A ll- S e e in g , w h o is tr u e to w h a t H e p r o m is e s , th e
A k a y o o s h M u k h lt ( J c o a ^ ) ,
p re - e te r n a l L o r d , th e U ltim a te , th e E n r ic h e r , th e
M u k h lt S h a ile e k h S h a ilik h
E te r n a l. R e s p o n d , O T a q ta q o o s h ( ( jijila A la ) ,
Y a k h ik h Y a k h ik h B e
b y th e m a g n ific e n c e o f A lla h a n d H is m a je s ty .
c o m m is s io n e d , O S h a q a lit ( J a a lL i) , a n d y o u , O
R e s p o n d a n d a ttra c t N . to N .. H u rry ! Q u ic k ly !
D a n h a s h a n d y o u , O Ib lis , a n d y o u r
N o w ! G o d b le s s y o u . ”
c o m p a n io n s , a n d g o to N . in th e im a g e o f N .

a n d d is tu r b h im , fr ig h t e n h im , a n d b e a t h im w ith

(s ta te y o u r p u rp o s e ); o r c a s t in to th e h e a rt o f N .

lo v e o r h a tre d fo r N . s u c h th a t it w ill b e u n b e a r­

a b le a n d h e w ill fin d n o r e s t, n e it h e r in th e d a y

n o r a t n ig h t, u n t il h e re s p o n d s to m y d e m a n d s .

H u r r y , h u r r y ! Q u ic k ly , q u ic k ly ! N o w , n o w ! G o d

b le s s y o u . ”

170 171
 IChe fo rb id d tn 6rim oirE o f ÎHarut and H a ru t 'Che ^forbidden (SrimoirE o f fia ro t and M a n it

w h ic h th e y p o s s e s s o v e r y o u , a n d b y th e r ig h t o f
TALisrimri AT[ô Spell th e ir s a n c tity w ith y o u . H u rry , h u rry ! Q u ic k ly ,

q u ic k ly ! A t o n c e , a t o n c e !” Y o u u se b e n e v o le n t

FOR.Atl’RACtiOri in c e n s e s . T h is is w h a t y o u w r ite o n a p ie c e o f

p a p e r:

o
a ffix
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T u e s d a y , w r ite

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th e

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• • o "(9 e °o 0 *0 0 *0

ta r g e t’s c lo th in g , a n d r e c ite th e f o llo w in g in ­

MAVA^elTlirn A
c a n ta tio n s e v e n ty -o n e tim e s ; “ I c o n ju r e y o u , O

c o m p a n y o f jin n , d e v ils , a n d c h ild r e n o f Ib lis .

I f th e re is a C h r is tia n a m o n g y o u , th e n I c o n ­

ju r e h im b y th e G o s p e l, w o r d f o r w o r d . I f th e re
TALisriiAri AT1Ô Spell
is a M u s lim a m o n g y o u , th e n I c o n ju r e h im b y

th e g lo r io u s Q u ra n , w o rd fo r w o rd , a n d b y th e
FOR^AftRACtiGn
r ig h t o f H im w h o r e v e a le d it , b y th e r ig h t o f h im

th ro u g h w h o m H e r e v e a le d it , a n d b y th e r ig h t o f

H im u n to w h o m i t w a s r e v e a le d . A n s w e r , lis te n ,
th e s e n a m e s o n f o u r p ie c e s o f p a p e r
o b e y , a n d s e t th e h e a r t o f N . a fla m e w it h th e lo v e
a n d , s ta r tin g o n T h u rs d a y , b u m o n e e a c h n ig h t
o f N ., a n d c a s t fir e in to h e r h e a rt, to h e r r ig h t, to
fo r th re e n ig h ts w h ile r e c itin g w h a t y o u w ro te
h e r le f t , b e fo r e h e r , a n d b e h in d h e r u n t il s h e g o e s
o n e h u n d r e d f o r t y - f o u r tim e s a n d c o m m is s io n in g
to N .. U n to N . , I h a v e a ls o se n t se ve n 'ifr its th a t
th e s p ir it s w it h th e ta s k . A s f o r th e f o u r t h o n e , th e
w ill fo llo w h e r, s e v e n th a t w ill a n s w e r h e r, a n d
s e e k e r w ill c a rry it . T h is is w h a t y o u w r ite a n d
s e v e n th a t w ill n o t v a c a te h e r h e a rt. M o r e o v e r , a
r e c ite : “ T a r a s h ( ¿ j i j i a ) , T a r a s h ( < j i j ^)\ Q a ra s h
fir e w i l l r e m a in in h e r v a g in a th a t w ill n o t c o o l
Q a ra s h ( ( j^ jS ) ; T a ra y o o s h
u n le s s s h e c o p u la te s w it h N . th e s o n o f N . B y th e
T a ra y o o s h ( c P jJ J J ) ; Q a y o o s h Q a y o o s h
r ig h t o f th e s e n a m e s a n d ta lis m a n s , b y th e r ig h t

172 173
 1
W k Jforbiildtn (Brim oirt o f îHarut and M a ra t l i l t fo rb id d tn (Brim oirt o f fia ra t and M a ra t

M a s h a lo o s h ( ¿ jijlijl- a ) , M a s h a lo o s h A h m a tîs h K a h la m o o s a ( U - a

( q j o j L uI ^ ) ; M o o s h M o o s h ( ( jjjj- a ) ; B a ­ K a h la m o o s a H ïr ( J J A ), H îr ( J J A );

ra s h ( ( jiJ J ) , B a ra s h ( ( jiJ J ) ; S h a k a s h ((JuSJu) K a h a r ( ^ > ^ ), K a h a r ( j ^ ) . B e c o n u n is s io n e d ,

S h a k a s h ( ( jiS u u i) . B e c o m m is s io n e d , O s p ir it s o f O s e rv a n ts o f th e s e n a m e s , a n d m a k e N . f a ll in

th e s e n a m e s , b y th e r ig h t th e y p o s s e s s o v e r y o u lo v e w ith N .” T h is is th e in c a n ta tio n y o u re ­

a n d th e ir s a n c tity w ith y o u , to a ttra c t N . to N . c ite : “ P e a c e b e u p o n y o u , O N . W h e th e r y o u a re

fo r m e . B y th e r ig h t o f ‘I t w ill b e n o m o re th a n a a s le e p o r a w a k e , I w ill a ttra c t y o u a t th is h o u r.

s in g le c ry , w h e n lo ! th e y w ill a ll b e b ro u g h t u p B y s e v e n n a m e s I w i l l s e iz e y o u , b e w ild e r y o u ,

b e fo re U s !’ H u rry , h u rry ! Q u ic k ly , q u ic k ly ! A t b o g g le y o u r m in d , a n d e n te r y o u . B y th e m a g ic

o n c e , a t o n c e !” o f H a ru t ( d ijjlA ) a n d M a ru t ( c lijjL « ) , I s h a ll

p re o c c u p y y o u , d ra w th e e a rth fr o m b e n e a th y o u

a n d th e k n o t o f th e jin n fro m b e h in d y o u , a n d

w i t h it s b la d e I s h a ll s la u g h te r y o u a n d w e a r y o u r
S pell for ^Lg ve b o d y .

AndAR0U8AL T h e lo v e o f N . w ill d a s h in to y o u r h e a r t, m in d ,

b lo o d , a n d fle s h . Y o u r h e a r t w i l l b e p r e o c c u p ie d

w ith e x c ite m e n t, y o u r m in d w ith flig h t. I s h a ll

th e s e s ile n t n a m e s o n s e v e n p ie c e s d re s s y o u w ith th e fo n d n e s s o f th e jin n . I s h a ll

o f p a p e r a n d in e a c h o n e p u t s e v e n p e p p e rc o rn s , b u m y o u w ith fir e - fir e u p o n fir e . Y o u r h e a rt

se v e n te a rs o f fr a n k in c e n s e , a n d a p ie c e o f th e w i l l b e p r e o c c u p ie d a n d w i l l ta k e f lig h t . T h e s e r­

ta r g e t’s c lo th in g . T h e r e a fte r y o u r e c ite th e in c a n ­ v a n ts a n d r e s id e n t jin n w i l l e n v e lo p y o u w it h th e

fir e o f lo v e .
ta tio n o v e r e a c h o n e , s m e a r th e m w ith h o n e y , a n d

c a s t th e m in to a fir e . T h e n y o u ta k e th e ir a s h e s
B u rn ! Y o u w ill s w e a t, a n d y o u w ill b o il lik e w a ­
a n d s p r in k le th e m o n th e ta rg e t’s d o o rs te p o r in
te r in a k e ttle . ‘W h e n th e y a re flu n g th e r e in th e y
h is h o m e . T h e s e a re th e n a m e s y o u w r ite : “ A h o o n
h e a r its r o a r in g a s i t b o ils .’ D w in d le a w a y , O N .,
1
( ¿ jja . ), A h o o n A h m a tîs h ( ( jia L L a a - l) ,
in th e lo v e o f N ., ju s t a s c o r p s e s d w in d le a w a y in

174 175

HÜilhi' '
 13ie forbidden 6 rim o itt o f Ifta ru t and M a ru t lliE forbidden Grim oire o f lH arut and M a m t

th e g ra v e . T h is s p e ll o f m in e w ill n o t b e b ro k e n c e r ta in ly e x p e l th e m th e re fro m in a b a s e m e n t,

u n t il Is r a fe l b lo w s th e tr u m p e t a n d th e d e a d r is e a n d th e y s h a ll b e in a s ta te o f ig n o m in y .’

fro m th e ir g ra v e s . V e r ily m y L o rd is fo r g iv in g
H e s a id , ‘ O c h ie fs , w h ic h o f y o u c a n b r in g to m e
a n d g r a t e f u l.
h e r th ro n e b e fo re th e y c o m e to m e in s u b m is ­

I tr a n s la te m y c o n ju r a tio n , h u m b y m y s e lf, tr u s t s io n ? ’ A n ‘ijr it a m o n g th e jin n s a id , ‘ I w i l l b r in g

in m y L o rd , a n d s a y : “ I t is fro m S o lo m o n , a n d i t t o y o u b e f o r e y o u r is e u p f r o m y o u r p la c e ; a n d

is (a s fo llo w s ) : T n th e n a m e o f G o d , M o s t M e r­ m o s t s u r e ly I a m s tro n g (a n d ) tru s ty fo r it . ’

c ifu l a n d G r a c io u s . B e n o t a r r o g a n t a g a in s t m e ,
O n e w h o h a d th e k n o w le d g e o f th e B o o k s a id , ‘ I
b u t c o m e u n to m e in s u b m is s io n .” ‘ S h e s a id , ‘ O
w i l l b r in g it to y o u in th e tw in k lin g o f a n e y e .’
c h ie fs , g iv e m e a d v ic e r e s p e c tin g m y a ffa ir : I
T h e n w h e n h e s a w i t s e ttle d b e s id e h im , h e s a id ,
n e v e r d e c id e a n a ffa ir u n t il y o u a re in m y p re s ­
‘ T h is is o f th e g ra c e o f m y L o r d th a t H e m a y try
e n c e .’ T h e y s a id , ‘W e a re p o s s e s s o rs o f s tre n g th
m e w h e th e r I a m g r a te fu l o r u n g r a te fu l; a n d w h o ­
a n d p o s s e s s o rs o f m ig h ty p ro w e s s , a n d th e c o m ­
e v e r is g r a t e f u l, is g r a t e f u l o n ly f o r h is o w n s o u l,
m a n d is y o u r s , t h e r e f o r e se e w h a t y o u w ill c o m ­
a n d w h o e v e r is u n g r a te fu l, th e n s u r e ly m y L o rd
m a n d .’ S h e s a id , ‘ S u r e ly th e k in g s , w h e n th e y
is S e lf- s u ffic ie n t, H o n o r e d .’ H e s a id . ‘ A lt e r h e r
e n te r a to w n , r u in it a n d m a k e th e n o b le s t o f its
th ro n e fo r h e r, w e w ill se e w h e th e r s h e fo llo w s
p e o p le to b e lo w , a n d th u s t h e y ( a lw a y s ) d o . A n d
th e r ig h t w a y o r is o f th o s e w h o d o n o t g o a r ig h t . ’
s u r e ly I a m g o in g to s e n d a p re s e n t to th e m , a n d
S o w h e n sh e c a m e , it w a s s a id , ‘ I s y o u r th ro n e
s h a ll w a it to se e w h a t (a n s w e r) th e m e s s e n g e rs
lik e th is ? ’ S h e s a id , ‘I t is as it w e re th e s a m e ,
b r in g b a c k .’ S o w h e n h e c a m e to S o lo m o n , h e
a n d w e w e re g iv e n th e k n o w le d g e b e fo re it, a n d
s a id . W h a t ! W ill y o u h e lp m e w ith w e a lt h ? B u t
w e w e re s u b m is s iv e .’ A n d w h a t s h e w o r s h ip p e d
w h a t A lla h h a s g iv e n m e is b e tte r th a n w h a t H e
b e s id e s A lla h p re v e n te d h e r ; s u r e ly sh e w a s o f
h a s g iv e n y o u . N a y , y o u a re e x u lta n t b e c a u s e o f
a n u n b e lie v in g p e o p le . I t w a s s a id t o h e r, ‘E n te r
y o u r p re s e n t. G o b a c k to th e m , s o w e w ill m o s t
th e p a la c e .’ B u t w h e n s h e s a w it s h e d e e m e d it to
c e r ta in ly c o m e to th e m w ith h o s ts w h ic h th e y
b e a g re a t e x p a n s e o f w a te r, a n d b a r e d h e r le g s .
s h a ll h a v e n o p o w e r t o o p p o s e , a n d w e w ill m o s t
H e s a id , ‘ S u r e ly i t is a p a la c e m a d e s m o o th w ith

176 177
 I J it Jforbiddtn (Brimoire o f i^ r u t and M a n it
1 H ie jForbidden (Brimoire o f H a rn t and M a ra t

g la s s .’ S h e s a id , ‘ M y L o rd , s u r e ly I h a v e b e e n o v e r y o u , a n d th e b y th e r ig h t s o m e o f y o u h a v e

u n ju s t to m y s e lf, a n d I s u b m it w it h S o lo m o n to o v e r o th e r s . G o d b le s s y o u . H u r r y ! Q u ic k ly ! T h is

A lla h , th e L o r d o f th e W o r ld s .” in s ta n t!”

R e s p o n d ! D is tu r b a n d a ro u s e a n d s e t a b la z e th e

h e a rt o f N ., b y th e r ig h t o f w h a t I c o n ju r e d y o u

b y , b y th e r ig h t w h ic h th e y p o sse ss o v e r y o u , He x FOR.SEPilRiti’iGri,
a n d b y th e r ig h t o f E h ie h A s h e r E h ie h , A d o n a i

T z a b a o th , E l S h a d d i. ‘A n d m o s t s u r e ly it is a
HA+REd, REPULSiGh,
v e ry

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j I); A h

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A ); M a h lll
A 1
AndDESiRyCfiGri
M a h lll S h a la h ib (<■

S h a la h I b ( < - _ ia ^ i* i) ; T a r a h it h a ( b j^ j j ) , T a r a h ith a 0 n W e d n e s d a y o r S a tu r d a y , w r ite th e fo l­

( I j ^ j j ) . M a k e h a s te , O p o s s e s s o rs o f sp e e c h ! lo w in g o n a n u n fir e d c la y tile , p u lv e r iz e it, a n d

2
T a la s h ( ( j iila ) , T a la s h ( ¿ jM J a ) ; T a lo o s h jlia ) , th e n s p r in k le it in th e h o u s e o f th e ta rg e t. T h e n

T a lo o s h ( ( jijU a ) ; B a h a ( ^ ) , B a h a ( ^ ) ; B a h u w r ite th e f o llo w in g o n th e s h o u ld e r b la d e o f a

( j ^ ) , B a h u ( j ^ ) ; B a t ( J a J ) , B a t ( J a j) ; B a h a - ila h d e a d d o g a n d b u ry it in th e g ra v e o f a n u n b e ­

B a h a - ila h M a h o o la h lie v e r th a t is n o t v is ite d . F o r in c e n s e , y o u u se

M a h o o la h B i‘ a tifa h ( A a la U j) , B i‘ a tifa h m y rrh , a lo e , a s a fe tid a , a n d th e h a ir s o f b o th a

( A iL lx j) ; ‘A to o fa h jia c . ) , ‘A to o fa h ( ^ jJ a C .) ; b la c k c a t a n d a b la c k d o g . T h e n y o u ta k e th e

B a k h a tif a h ( A a J a L k ji) , B a k h a tifa h ( A a la lA i) ; a s h e s fro m th e in c e n s e a n d s p r in k le th e m in th e

K h a to o fa K h a to o fa t a r g e t ’s h o m e . Y o u w i l l s e e a m a z in g th in g s . A n d

1 s w e a r b y H im b e s id e s w h o m th e re is n o g o d
S e iz e h e r h e a r t, m in d , a n d s o u l w i t h th e lo v e o f
th a t i f y o u u se it o n so m e o n e w h o d o e s n o t d e ­
N . to s u c h a n e x te n t th a t s h e w i l l b e u n a b le t o e a t,
s e r v e it , I w i l l b e in n o c e n t o f it ; G o d is w a tc h in g .
d r in k , r e s t, o r s le e p u n t i l s h e g o e s t o N . o b e d ie n t
T h is is w h a t y o u w r ite : “ A f ja A fja ( la jl) ;
a n d s u b s e r v ie n t , b y th e r ig h t th e s e n a m e s h a v e

178 179
 ■)
W\t jForbiddtn (B rim oirt o f tia ru t and M a n it "ChE iorbidden (Brim oirt o f îfia ru t and M a ru t

A fja m e e A fja m e e A fjo o s h a tre d a n d s e p a r a tio n b e tw e e n N . a n d N . B y th e

A fjo o s A fja s A f- r ig h t o f th e se ve n a n g e ls , th e se v e n s p ir it s , a n d

ja s ( ( jiia jl) ; T o o s ( ( jjj^ la ) , T o o s ( ( _ > « jia ) ; L o o s th e s e v e n k in g s , r e s p o n d , O O m a r a n d S a -

ro o s e e t a n d D a fiq ((J â b ) a n d Q a i-
L oos L a h o o s a h ( e l- u ijA V ) A g h la

( ! > l£ . l) K a la y o o s ((_ _ > « j ^ ) , L a h o o m a h (L o j A V ) d a r a n d S a m ‘a n e e n (¿Jin-Aut) a n d T a lib

A g h la T a y o o s B e c o m m is ­ ( L a iU a ) a n d y o u n g s te r s a n d a d u lts , d o w h a t y o u

s io n e d to c a u s e s e p a r a tio n b e tw e e n N . a n d N .. a re c o m m a n d e d a n d c a u s e h a tr e d , s e p a r a tio n , r e ­

H u r r y , h u r r y ! Q u ic k ly , q u ic k ly ! T h is in s ta n t, th is p u ls io n , a n d e n m it y b e tw e e n N . a n d N . R e s p o n d ,

in s ta n t!” O y o u se v e n k in g s : y o u , O R u q ie l, a n d y o u , O

G a b r ie l, a n d y o u , O S a m s a m a e l, a n d y o u , O M i­

c h a e l, a n d y o u , O S a r fie l, a n d y o u , O A n ie l, a n d

y o u , O K a s f ie l. R e s p o n d a n d b e c o m m is s io n e d
T h is is w h a t y o u w r ite o n th e s h o u ld e r b la d e o f
to ca u se d iv o r c e , e n d u r in g h a tre d , a n d e v e r la s t­
th e d o g : B e c o m ­
in g s e p a r a tio n b e tw e e n N . a n d N ., b y th e r ig h t
m is s io n e d to c a u s e s e p a r a tio n b e tw e e n N . a n d
o f th e s e n a m e s , th e c o n ju r a tio n , a n d th e in c a n t a ­
N . H u rry , h u rry ! M a k e h a s te , m a k e h a s te ! T h is
tio n . B y th e r ig h t o f th e se ve n a n g e ls , a n s w e r ,
in s ta n t, th is in s ta n t!”
O M a d h h a b ( c ^ L o ) , a n d y o u , O M a rra h (S j a ),
a n d y o u , O A h m a r ( a n d y o u , O B u rq a n

( Ù ^ J J ), a n d y o u , O S h a m h o o ra s h ( ( ji
Y o u a ls o r e c ite th is in c a n ta tio n tw e n ty - f iv e
a n d y o u , O A b y a d a n d y o u , O M a y m u n
tim e s : “ I c o n ju r e y o u , O y o u s e v e n jin n tr ib e s ,
A n s w e r a n d b e c o m m is s io n e d , y o u a n d
b y th e s e m p ite r n a l P o w e r , th e e n d u r in g M ig h t,
y o u r a id e s a n d y o u r b r e t h r e n , a n d c a u s e e v e r la s t ­
th e T h ro n e a n d H im w h o is u p o n it , th e F o o ts t o o l
in g h a tr e d a n d s e p a r a tio n b e tw e e n N . a n d N . th is
a n d th o s e e n c o m p a s s in g it , th e s e a a n d H im w h o
in s ta n t. H u r r y , O a id e s . T t w i l l b e n o m o re th a n
c a u s e s it to ru n , m a n a n d H im w h o c re a te d H im ,
a s in g le c r y , w h e n lo ! th e y w i l l a ll b e b r o u g h t u p
th e h e a v e n a n d H im w h o b u ilt it, a n d th e e a rth
b e fo re U s .’ B y th e r ig h t o f H im w h o m th e th u n ­
a n d H im w h o e x te n d e d it, to ca u se e v e r la s t in g
d e r g lo r if ie s w i t h p r a is e s , a n d th e a n g e ls , to o , f o r

180 181
 'Che io rb id d tn (Srim oirt o f fia ru t and flla n it W k Jforbiddtn (Srim oirt o f H a ru t and M a ru t

fe a r a n d a w e o f H im a n d h is a u th o r ity . H e d o e s

as H e w ills . H e se n d s a p o u n d in g a n d s m ite s L o ve S pell

th e r e w ith w h o m e v e r H e p le a s e s , a n d is m ig h ty

in w ra th a g a in s t th o s e w h o d is o b e y H im . I c o n ­

ju r e y o u , O y o u s e v e n jin n tr ib e s s c a tte r e d a b o u t th e in c a n t a t io n o n s e v e n p ie c e s o f p a ­

in th e a ir , to c a u s e s e p a r a tio n b e t w e e n N . a n d N . p e r a n d p u t a te a r o f fr a n k in c e n s e a n d a p ie c e o f

ju s t a s A lla h h a s s e p a r a te d P a r a d is e a n d H e l l ; t o th e ta r g e t’s c lo th in g in e a c h o n e . T h e re a fte r, re ­

d e fo rm th e ir fa c e s b y in d ig n a t io n a n d w r a th ; a n d c ite th e in c a n t a t io n o n e a c h o n e s e v e n tim e s a n d

th a t th e y r e m a in th u s u n t il J u d g m e n t D a y . A b a r­ th e n c a s t th e m in to a f ir e . T h is is w h a t y o u w r ite

r ie r w i l l b e p la c e d b e tw e e n th e m a n d w h a t th e y a n d r e c ite : B a d a h B a d a h Q a ra s h

d e s ir e . I f o n e o f t h e m e n t e r s , t h e o t h e r le a v e s . I f ((-H jA ), Q a ra s h jS ) ; H a la s h H a la s h

o n e o f th e m s a y s , ‘ y e s ,’ th e o th e r w ill s a y , ‘n o .’ ( ¿ jiU ) ; B a q a s h ( o ^ ) » B a q a s h (o ^)- B e c o m ­

T h e y w ill n e v e r a g re e w ith , o r lik e , o n e o th e r u n ­ m is s io n e d , O s e rv a n ts o f th e s e n a m e s , to m a k e

til th e D a y o f R e s u r r e c t io n a n d G a t h e r in g . A l ­ N . f a ll in lo v e w ith N . T a lo o n ( ( jjiia ) , T a lo o n

la h w i l l s e p a ra te th e m ju s t a s H e h a s s e p a ra te d ( ^ jila ) ; M a lo o n ( ù ji- » ) , M a lo o n H a -

h e a v e n a n d e a rth , n ig h t a n d d a y , lig h t a n d d a r k ­ la y o o j j j U ) , H a la y o o j j ^ ) . H u rry , h u rry !

n e ss, a n d la n d a n d s e a . K in d le a fir e o f w a r a n d Q u ic k ly , q u ic k ly ! T h is in s ta n t, th is in s ta n t!

d is u n io n b e tw e e n th e m u n t il th e D a y o f A p p o in t­

m e n t. T h e y w i l l n o t u n it e o r m e e t to g e th e r u n til

th e c a m e l e n te rs th e e y e o f th e n e e d le . H u r r y !

Q u ic k ly ! T h is in s ta n t!”
P088E88iOri AT[ô TRitTl8-
EGRillAfiOri BY KjIARJAi’

^ ^ e c it e th e c o n ju r a tio n a th o u s a n d tim e s . I f i t is

fo r g o o d , b u m fr a n k in c e n s e , c o r ia n d e r , a n d p e p -

p e rg ra s s se e d s; a n d i f i t is f o r e v il, b u m m y rrh ,

182 183
 'Che JForbídden 6rímoírt of íterut and ÍUanit
1 Che Jforbidien 0rinioirE of Itarut and Marat

a s a fe tid a , a n d p e p p e rg ra s s se e ds. T h e in c a n ta ­ fo rm p a p e r, y o u w r ite th e f o llo w in g ta lis m a n o n

tio n is as fo llo w s : I c o n ju r e , b y th e m ig h t a n d tw e n ty -o n e p ie c e s o f p a p e r, s m e a r th e m w ith

p o w e r o f A lla h , O K in g K h a rb a t y o u h e d g e h o g fa t, a n d th e n s u s p e n d th e m fro m a tr i­

a n d th e d e m o n s a m o n g y o u r tr ib e , to a tte n d m y p o d . In th e m o r n in g , y o u ta k e f r o m th e b le s s in g s

s ittin g , h e a r m y c o n ju r a tio n , s m e ll m y in c e n s e s , o f A lla h a n d o f m y tim e th e tr a n s fo r m a tio n fo r

a n d a c c o m p lis h m y n e e d . A n s w e r , O K in g K h a r ­ t h ir t y - s ix h o u r s , th o u g h , a c c o r d in g to th e e x p e r i­

b a t a n d d o as y o u a re to ld , b y th e r ig h t e n c e s o f s o m e o f th e b re th re n , it h a s b e e n k n o w n

o f ‘ A it o o s h ( ( jijla jc . ) , ‘A it o o s h to la s t lo n g e r . B e w a ry o f e rro r a n d c o n n e c tio n .

L a to o s h ( ( jijla i) , L a to o s h ( ( jijU ) ; a n d b y th e M o r e o v e r , th e s e c r e t m u s t b e c o n c e a le d , a n d y o u

r ig h t o f A z r a s h ( o ^ J jb M a q a rta s h jL a ) . s h o u ld n o t u s e i t u n le s s i t is n e c e s s a ry . A n d A l­

A n s w e r b y th e r ig h t o f S a h lo o b la h k n o w s b e s t. T h is is t h e c r o s s f o r p o s s e s s io n :

M a h lo o b a n d b y th e r ig h t o f th e c ro s s

a n d w h a t is c r u c if ie d . M a y th e L o r d s u b d u e a n d

o v e rp o w e r y o u . R e s p o n d , O K h a rb a t (J a jjà . ) , O

s o n o f Q u e e n Z a k h a b e e la h

te r o f K in g A h m a r (
( A iu i. j ) , th e d a u g h ­

o r e ls e “ th e fla m e s
c
o f fir e

y o u

y o u
a n d s m o k e w ill b e s e n t o n

w i l l n o t b e a b le t o d e f e n d y o u r s e lv e s u n le s s

h u rry r u n n in g w ith w h a t I
y o u

c o m m a n d
tw o , th e n

y o u ”
Ù
a n d “ b e n o t a s th o s e w h o s a y , ‘w e h e a r ,’ a n d th e y

h e a r n o t.” H u r r y , h u r r y ! Q u ic k ly , q u ic k ly ! T h is
J J c t Ja
J
in s ta n t, th is in s ta n t!

I f y o u w a n t s o m e o n e ’s h a n d to b e c o m e p o s s e s s e d ,

y o u w r ite th e f o llo w in g c ro s s o n h is p a lm . I f y o u

w is h to p e rfo rm s c r y in g , y o u w r ite th e V e rs e o f

R e v e la t io n o n th e fo r e h e a d . I f y o u w a n t t o tr a n s -

184 18 5
 •1 liie forbidden (Srimoire of Harat and Marat
lile Jportídilen 6rtm oirt of fta n it and Marat

T h is is w h a t y o u w r it e o n th e p a p e r:

X 10
J5 — — — w
^ 1 IIII X JL
r
II

n il

Spell F or^Drívílig A u /ay

CORpyPt r|EiGHB0I^8

N e x t y o u w i l l f in d , b y th e le a v e o f G o d , th e t a lis ­
J f y o u h a v e a n e n e m y , a n d h e h a s tra n s g re s s e d
m a n y o u w r ite o n th e b a g .
a g a in s t y o u , th e n w r ite o n b la c k p a p e r th e fo l­

lo w in g s e a l, w it h S u ra a l- ‘A s r , “ B y A l - 'A s r (th e

tim e ) . V e r ily ! M a n is in lo s s , e x c e p t th o s e w h o

b e lie v e a n d d o r ig h te o u s g o o d d e e d s , a n d r e c o m ­

m e n d o n e a n o th e r to th e tru th a n d re c o m m e n d

o n e a n o th e r to p a tie n c e .” a ro u n d it in s e p a ra te

le tte r s . T h e n in c e n s e it w ith a s p h a lt, ta r, a lo e ,

186 187
 'C h t JFortiddtn 0 rim o itt o f ifta ru t and IH lanit u n it forbidden (S rim oirt o f îia n it and M a m t

a n d a s a fe tid a , r e c ite th e s a id s u ra o v e r it o n e

th o u s a n d o n e h u n d re d tim e s , a n d sa y: “ B e c o m ­ L o ve Spell
m is s io n e d , O s e r v a n ts o f th is h o n o r a b le s u ra , to

d r iv e a w a y N . fr o m t h is p la c e , b y th e r ig h t o f th is

h o n o r a b le s u r a .” A f t e r th a t, y o u b u r y i t u n d e r th e ^ J e c it e th e fo llo w in g o n e th o u s a n d tim e s

t a r g e t ’ s d o o r s t e p . T h is is t h e s e a l: w h ile b u r n in g a n y th in g a r o m a tic : “ S e n d i A L u i) ,

M e n d i ( ( ^ ^ ) , B e n d i B e c o m m is s io n e d ,

O S e n d i a n d y o u , O M e n d i ((^ .. 11« ) , a n d

Vj Û6re It y o u , O

K in g
B e n d i

Z a lz o o l ( J j j i j ) ,
b y th e

a n d
r ig h t o f th e

b r in g m e
In d ia n

m y b e ­

11 Ma Vj ÛO re
lo v e d N . ”

r z It Vj Do Orj BiridiriG W H O r i E V E K
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'

Vj DO re It ‘lit
I a k e s e v e n s ilk th r e a d s o f v a r y in g c o lo r s , tie

th e m in t o s e v e n k n o ts , a n d th e n r e c ite th e f o llo w ­

in g in c a n ta tio n s e v e n tim e s o n e a c h k n o t: A n e e f

A n e e f B is a b s a b (< — lu u ju u ) , B is -

a b s a b ( ( - jjo k iu ü ) ; K a t a m t a m K a ta m ta m

T a la f la f a t ( C a à là Îj) , T a la f la f a t ( c J l U jLj ) ;

M a j a n j a f a t ( ^ ** W «0 ) , M a ja n ja fa t( tlià ^ i^ ) .

T h e s p e a k e rs s p o k e b y S a it a k h (^ )n u n ). I b in d

y o u , O N., O so n o f N., fro m th e so n s o f A d a m

188 189
 •1
'Che forbidden (Srimoire o f Iw n it and illa n it "Cht forbidden (Srim oirt o f tia ru t and H la m t

a n d th e d a u g h te rs o f E v e (o r fro m N .) w ith a n (C Iiia a V I). T h e s e a re th e c h ild r e n o f th e ‘ifr e e ts

A r a b - M a g ia n - J e w is h - C h r is t ia n b in d th a t n e it h e r w h o e n th r a ll. I ta k e f r o m y o u , O N ., O s o n o f N .,
m a n n o r w o m a n n o r M a g ia n m a n n o r M a g ia n th re e h u n d re d s ix ty - s ix v e in s , in c lu d in g th e o n e
w o m a n n o r J e w is h m a n n o r J e w is h w o m a n n o r b e tw e e n y o u r th ig h s , w h ic h s te m s fr o m b e tw e e n
C h r is tia n m a n n o r C h r is tia n w o m a n n o r n o n - A r ­ y o u r e y e s . I f it s ta n d s , i t w ill b e n d ; i f it b e n d s ,
a b m a n n o r n o n -A ra b w o m a n c a n b re a k , e x c e p t it w ill b e c o m e c ro o k e d ; i f it b e c o m e s c ro o k e d ,
m e , b y m y tw o h a n d s , a n d th e m ig h ty H a n d o f
it w ill fa il; i f it fa ils , i t w ill b e c o m e la z y ; i f it
A lla h . H is s a y in g h a s c o m e . T h e y w i l l n o t s p e a k .
b e c o m e s la z y , i t w i l l d ie d o w n ; i f i t d ie s d o w n , i t
*

W h e re is M a d h h a b th e c o m m a n d e r o f w ill fa d e a w a y ; i f i t fa d e s a w a y , i t w i l l w o r r y ; i f
th e a rm y , th e jin n , a n d th e s o ld ie r s ? W h e re is i t w o r r ie s , i t w i l l b e c o m e s a d ; i f it b e c o m e s sa d ,
J a m a ‘a h th e C h r is tia n ? W h e re is A n ­ i t w i l l d ie ; i f i t d ie s , i t w i l l v a n is h . ‘ S u r e ly y o u
g ry A b d u lla h ( < - j J j >> A « a iil - i^ ) ? W h e re is
s h a ll d ie a n d th e y s h a ll s u r e ly d ie . T h e n s u r e ly o n
S h a q s h a q ( jU jo L i) th e J e w ? W h e r e is S a ­ th e d a y o f r e s u r r e c tio n y o u w i l l c o n te n d o n e w it h
lih (^^1 J J L - a i l l ib n ( ( jjl) ‘ A t a t ( ia U a C .)
a n o th e r b e fo re y o u r L o r d .’
th e C h r is tia n ? W h e re is a l- H a y a je e ( ^ ^ U ^ l) ?

W h e re is h e w h o p o sse sse s w e a p o n s a n d r id in g

a n im a ls ? W h e re a re th e W in d s ? W h e re is B a n i

R u q a h ( ^ j j ( ^ ) ? W h e r e a re th o s e w h o s o u g h t Hek t 0 Cause
s h e lte r a n d th e n to o k th e ir h o rs e s a n d w e re ta k ­
Не щ о ш а о е
e n b y a l- L a ti w a a l- U z z a h (S I f

y o u d o n o t d o w h a t I h a v e c o m m a n d e d y o u , I

w ill e x p o s e y o u b e fo re th e a r m ie s , th e jin n , th e th e f o llo w in g o n a p ie c e o f re d p a ­

s o ld ie r s , a n d th e c h ild r e n o f th e "ifreets: H a - p e r d u r in g th e h o u r o f M a rs o n T u e s d a y - th e

m a l H a m a l A q s h a ta n fir s t h o u r o f it: ‘W h e n th e h e a v e n b u rs ts a s u n ­

A q s h a ta n ( ¿ jL k jJ o S l) ; A ta ro o s h (L p J w > ^ b . d e r . . .a n d c a s ts o u t a ll th a t is in h e r a n d b e c o m e s

A ta ro o s h H a m e e t H a m e e t e m p ty .’ T h u s w ill liq u id b lo o d a n d in te n s e p a in

a n d A la h a m e e t ( d i y ^ V t ) , A la h a m e e t s tre a m fro m th e v a g in a o f N . S e iz e h e r b y th e

190 191
 T
131C jForbiildni (Srimoire o f iia n it and fflto ro t W m forbidden 0 rim o irt o f fta m t and illa m t

w o r d s o f A lla h M o s t H ig h , ‘T h a t W e p o u r fo rth S e iz e h e r b y th e w o r d s o f A lla h M o s t H ig h . T h u s

w a te r in a b u n d a n c e , th e n W e s p lit th e e a rth in w i l l s t r e a m in g b lo o d a n d in te n s e p a in b r e a k f o r t h

fra g m e n ts .’ fro m th e v a g in a o f N . S e iz e h e r b y t h e w o rd s o f

A lla h M o s t H ig h . D e sce n d , O B lo o d , fro m th e

T h u s w ill th e v a g in a o f N . s p lit w ith flo w in g
v a g in a o f N . H u rry , h u rry ! Q u ic k ly , q u ic k ly !
b lo o d a n d in te n s e p a in . S e iz e h e r b y th e w o rd s
T h is in s ta n t, th is in s ta n t!”
o f A lla h M o s t H ig h , ‘S o W e o p e n e d th e g a te s

o f h e a v e n , w ith w a te r p o u r in g fo rth . A n d W e

c a u s e d th e e a rth to g u s h fo r th w ith s p r in g s .’

T h u s w i l l s tr e a m in g b lo o d a n d in te n s e p a in f lo w
SodoniY Spell
fro m th e v a g in a o f N . ‘ S o th e w a te rs m e t to th e

e x te n t d e c re e d . A n d W e c a r r ie d h im u p o n a th in g
l78iT[G rilAYiiiuri
o f p la n k s a n d n a ils th a t r a n in O u r s ig h t.’

T h u s w i l l s tr e a m in g b lo o d a n d in te n s e p a in f lo w t h e in c a n t a t io n i n a g la s s c u p u s in g a

fro m t h e v a g in a o f N . S e iz e h e r b y t h e w o r d s o f m ix tu r e o f s a ffro n , ro s e w a te r, a n d m u s k , le a v e

A lla h M o s t H ig h , ‘W h e n th e s k y is r e n t a s u n d e r , i t o u td o o r s s u c h th a t th e s ta r lig h t s u ffu s e s it , a n d

a n d it b e c o m e s re d lik e o in tm e n t.’ th e n r e c ite th e in c a n t a t io n o v e r it tw e n ty -o n e

tim e s . I f y o u w is h to in v e s t a s p ir it w it h a u th o r ity
T h u s w ill th e v a g in a o f N . b e r e n t a s u n d e r w ith
o v e r s o m e o n e , y o u w a s h th e in c a n t a t io n o f f th e
s tr e a m in g b lo o d a n d in te n s e p a in . S e iz e h e r b y
c u p w ith w a te r a n d th e n s p r in k le su ch w a te r o n
th e w o rd s o f A lla h M o s t H ig h , ‘W h e n O u r c o m ­
h is d o o r . B u t d o n o t le t i t c o n tin u e f o r m o r e th a n
m a n d is g iv e n a n d th e v a lle y o v e r f lo w s .’
a n h o u r le s t h e is k ille d a n d y o u w ill b e a n s w e r-

T h u s w i l l th e v a g in a o f N . o v e r f lo w w ith s tre a m ­ a b le f o r i t o n J u d g m e n t D a y . T h is is p la c e d as a

in g b lo o d a n d in te n s e p a in . S e iz e h e r b y th e w o r d s tr u s t w ith y o u .

o f A lla h M o s t H ig h , ‘U n t il G o g a n d M a g o g a re le t

lo o s e a n d th e y s h a ll b r e a k f o r t h fro m e v e ry h ill.’

192 193
 13iE JforbWden (Srimoirc o f tia ru t and îîla n it
1 TD it forbidden 0 rim o irt o f fia ru t and M a m t

T h is is th e in c a n ta tio n : A lq a t ( < - liü l) Y a t a m ( ^ )

S h a im a t ( cI lû ^ ) H a ta h A y o o ra m j j ^ b
GEPiERiiL Spell fgk
to N . in m y im a g e a n d h â v e se x w it ii h im , b y FULEiLLrilErTi’ OF ffEEdS
th e r ig h t o f S h a m a lk h a y o o s h ( ( jija â ix u i)

W a ta s h ta s h ( ( jliu lla j) Q a to o s h

A lk h a y o o s h R e e J) K h o o s h
T f y o u w r ite th e s e n a m e s a n d th e n a ffix th e m
M a rq a y o o s h J ^). C o p u la te w ith
t o y o u r r ig h t u p p e r a r m , a ll o f c r e a tio n w i l l y ie ld
N . th e so n o f N . a il n ig h t, a n d d o n o t p a r t w ith
to y o u :
h im , b y th e r ig h t o f T e la q is h ( ^ jlïiÜ a ) , T e la q -

is h ( ¿ j l ï i Ü a ) , T e la q is h ( ¿ jS iÜ iU a ) ; S h a is h ’ e e s h a h

(A S h a is h ’e e s h a h S h a is h ’e e s h a h

( A jü jjj^ ) ; K a ila ta k h K a ila ta k h

( ^ la jî ^ ) , K a ila ta k h W a h e e to lo o s

W a h e e ta lo o s

W a h e e ta lo o s ( ¿ jjjjî J a a A j ) .

194 195
 •1
ID it forbidden 6rim oire of l^ r u t and H lam t lli e forbidden (Srimoire o f îia ru t and M a m t

T h is is th e in c a n ta tio n : H u r r y , h u r r y , O Z a w b a ‘a h

( A * jjj ) o f th e Z a w a b i* j a n d y o u F o u r

AffRâC+iGri AT1ÔAR0U8AL K in g s : M a z ir ( j j ^ ) , K a m ta m (^ J a -a S ), T a ik a l

jy ^ ).
Spells frgiii Hiwi’at[ô lig h t a re
a n d Q a s w a ra h

a b la z e . T h e
(S

h o t w in d h a s
T h e fir e

in t e n s if ie d .
a n d

rjlAPyt T h e e a rth a n d e v e r y th in g u p o n it h a s sh a ke n .

T h e m o u n ta in s lik e w is e h a v e sh a k e n w ith th e ir

u n s h a k e a b le m o u n ta in s . T h e fir e h a s b e e n lit

I a k e a n e a r th e n b o w l a n d , u s in g a n ir o n p e n ,
o v e r th e h e a d o f N . a n d b e n e a th h im a n d to h is

r ig h t a n d to h is le ft a n d b e h in d h im a n d b e fo re
d ra w a h e p ta g o n m a d e u p o f th e F ie r y L e tte rs
h im . H e w ill n o t fin d re fu g e u n til h e g o e s to N .
a n d a ro u n d w h ic h a re th e n a m e s o f th e s e e ke r
q u ic k e r th a n fla s h in g lig h t n in g a n d tu r b u le n t
a n d th e ta r g e t in s e p a r a te le tte r s , in s id e it. T h e n *

w in d . W h e re a re y o u , O M a d h h a b (4 - j A A a )?
y o u m e rg e th e ta r g e t’s n a m e w ith th e F ie r y L e t­
A n d y o u , O M a rra (ft j- o ) ? A n d y o u , O A h m a r
te r s , b e g in n in g a n d e n d in g w it h th e la tte r , in o n e
A n d y o u , O B u rq a n ( ¿ jli^ ) ? A n d
lin e . T h e n w r ite th a t lin e o n fo r ty - n in e p ie c e s
y o u , O S h a m h o o ra s h ( ( j S i A n d y o u ,
o f p a p e r. N e x t, ta k e fo r ty - n in e te a rs o f fr a n k in ­
O Z a w b a ‘a h ( A * jjj) ? A n d y o u , O M a y m u n
c e n s e a n d w r ite o n e v e r y s e v e n th e F ie r y L e tte r s ,
A n d y o u , O A b a N o o k h ( ¿ j j W b ?
in v ie w o f th e f a c t th a t e a c h te a r w i l l c o n ta in o n e
A n d y o u , O S h a m a rd a l ( th e F lie r ? A n d
le tte r . T h e n f o ld o n e o f th e s e te a r s in e a c h p ie c e
y o u , O S a h sa h w h o r id e s a b o a r d th e
o f p a p e r, a n d a rra n g e th e m in o rd e r fro m th e f ir s t
w in d ? A n d y o u , O A b a R iy a h W b> w h o
te a r to th e fo r ty - n in th . N o w in c e n s e th e b o w l
s n a tc h e s s p ir it s ? A n d y o u , O S h a m ra j
w it h c a m p h o r a n d k in d le a lig h t f ir e th e r e in . C a s t
O p o s s e s s o r o f th e g a r la n d a n d c r o w n ? A n d y o u
th e f i r s t p ie c e o f p a p e r in to th e fir e a n d r e c ite
w h o w o r s h ip s th e fir e b e tw e e n th e is la n d s a n d
th e in c a n t a t io n u n t il i t b u m s . D o th is w it h a ll th e
th e lig h t s ? A n d y o u , th e m a s te r o f th e m a ll, w h o
p ie c e s o f p a p e r u n t il th e y a r e f in is h e d , a t w h ic h
c o n tr o ls th e m a n d c a n c o m m a n d a ll o f th e m to
th e ta r g e t w ill b r o u g h t in th e m a n n e r y o u w is h .
re s p o n d a n d c a n w a rn th e m ? W h e re a re th e F li-
A n d fe a r G o d i f y o u a re tm ly g o d - fe a r in g .

196 197
 *1
"Che forbidden (Srim oirt o f i^ r u t and M a ru t 1310 forbidden (Brimoire o f fia ru t and fU am t

e rs ? W h e r e a re th e D iv e r s ? W h e r e a re th o s e w h o
M o o n : L a y a k h e e m a n d o th e rs . H u r r y !
h a v e h e a d s w it h o u t b o d ie s a n d b o d ie s w ith o u t Q u ic k ly ! T h is in s ta n t!
h e a d s? W h e re a re th o s e w h o s e e y e s a re b e n e a th
T h e re a fte r, w r ite th e in c a n ta tio n o n a p ie c e o f
th e ir w in g s a n d w h o fill th e h o r iz o n s a n d th e
p a p e r a n d s u s p e n d it fro m a tre e . T h e ta r g e t w ill
q u a rte rs o f th e e a rth w h e n th e y fly ? W h e re a re
c o m e q u ic k ly w ith in a c o u p le o f h o u r s .
th o s e w h o s h o o t fla m e s o u t o f t h e ir m o u th s w h e n

th e y sp e a k? A n s w e r, O c o m p a n y o f k in g s a n d

d e v ils a n d U frits a n d r e b e ls , a n d d e s c e n d u p o n

th e h e a d o f N ., a n d a b d u c t h is m in d , ta k e a w a y
SCRyipG
h is r e a s o n , a n d w e a k e n h is in t e lle c t w it h th e lo v e

o f N . A ro u s e h is s p ir it u a lity a n d d r iv e h im m a d

u n til h e

th e m a tte r
g o e s to

o f th e
N . d e s ir o u s a n d d e lir io u s . “ A n d

h o u r is b u t as th e tw in k lin g
G
lo w in g
e t a r o u n d c r y s ta l m ir r o r a n d w r ite

s e a l o n th e b a c k o f it a n d th e
th e f o l­

V e rs e s o f
o f a n e y e o r it is h ig h e r s t ill; s u r e ly A lla h h as
R e v e la t io n o n th e fo r e h e a d o f th e s e e r. T h e n b u m
p o w e r o v e r a ll th in g s .” “ T h e n th e b ir d s s n a tc h
fr a n k in c e n s e a n d c o r ia n d e r , c o m m a n d th e s e e r to
h im a w a y o r th e w in d c a r r ie s h im o f f to a d is ta n t
g a z e a t th e m ir r o r , a n d r e c ite th e fo llo w in g in ­
p la c e .” “ D o y o u n o t s e e th a t th e y w a n d e r a b o u t
c a n ta tio n u n t il th e se e r sees th e m ir r o r e x p a n d
b e w ild e r e d in e v e r y v a lle y ? ” T h u s w i l l N . w a n ­
b e fo re h im . W h e n h e d o e s so , c o m m a n d h im to
d e r a b o u t b e w ild e r e d in th e lo v e o f N . “ W h e r e v e r
te ll th e s e rv a n t to s w e e p a n d tid y u p th e a re a ;
y o u a re , A lla h w i l l b r in g y o u a ll to g e th e r ; s u r e ly
b r in g s o m e c h a ir s a n d c o m m a n d th e k in g s , v i ­
A lla h h a s p o w e r o v e r a ll th in g s .” “ A n d H e h a s
z ie r s , a n d e m ir s t o ta k e a s e a t; a n d b r in g f o r th e m
p o w e r to g a th e r th e m to g e th e r w h e n H e w ills .”
fo o d , d r in k s , a n d c o ffe e . T h e r e a fte r y o u m a y r e ­
“ T h e tr u m p e t w i l l b e b lo w n , a n d W e s h a ll c o lle c t
q u e s t fro m th e m y o u r n e e d . A f t e r d o in g so , se n d
th e m a ll to g e th e r .” B r in g h im to m e , O a id e s , b y
th e m a w a y b y r e c itin g th e fo llo w in g d is m is s a l:
H im w h o s a id to h e a ve n s a n d th e e a rth , “ C o m e
D e p a r t in p e a ce . M a y G o d a c c e p t y o u r e n d e a v o r
w illin g ly o r u n w illin g ly .” T h e y s a id , “ W e c o m e
a n d f o r g iv e y o u y o u r fa u lts . Y o u h a v e fu lfille d
in w illin g o b e d ie n c e .” B y th e n a m e s o f th e h o ly

198 199
 lii e jforbitlden © rim oirc o f M arat and M a ra t
1 1 3 it forbidden (Srimoire o f M arat and M a ra t

th e n e e d a n d c o n v e y e d th e m e ssa g e . “ B u t w h e n A ll- W is e . H u rry , h u rry ! Q u ic k ly , q u ic k ly ! T h is

th e p r a y e r is e n d e d , th e n d is p e r s e a b ro a d in th e in s ta n t, t h is in s ta n t! “ I t w ill b e n o m o re th a n a

la n d a n d s e e k o f A lla h ’ s g ra c e .” H u r r y ! Q u ic k ly ! s in g le c ry , w h e n lo ! th e y w ill a ll b e b ro u g h t u p

T h is in s ta n t! b e fo re U s !”

T h is is th e in c a n ta tio n ; I c o n ju r e y o u , O s p ir i­ T h e f o llo w in g , a s y o u s e e i t , is t h e s e a l:

tu a l s p ir it s p o s s e s s in g lu m in o u s e sse n ce s th a t

b e a m th e fa v o r s o f th e A ll- M e r c if u l a n d e m it d i­

v in e w in d s , b y th e r ig h t o f A h to y o o h (*

A h ta y o o h (* B a h ta y o o h (*
«
B a h ta y o o h J a h ta y o o h (a > ),

J a h to y o o h ( a D a h t a y o o h

D a h ta y o o h (a H a h ta y o o h (a ♦ 0 .

H a h ta y o o h (a jjln ^ A ); W a h ta y o o h ( a jjia A j) ,
3 A
t J
W a h to y o o h (a Z a h ta y o o h (a
n >
Z a h ta y o o h (a H a h te y o o h (a jjln g

H a h te y o o h

T a h te y o o h
(a jjln ^

(a jjln g
< );
k ).
T a h ta y o o h

D e s c e n d

th is s e e r. E n la r g e th e m ir r o r a n d r e m o v e th e v e il
a n d
( a jjla ^ ) ,

re v e a l to c 1 s

th a t s ta n d s b e tw e e n y o u , h im , a n d a ll w h o g a ze

a t y o u , a d u lts a n d y o u n g s te r s a lik e . P r o v id e h im

w it h a s o u n d r e v e la t io n a n d a n s w e r h is q u e s tio n s

w ith a v o ic e h e c a n h e a r a u d ib ly . R e s p o n d , O T h e s e a re th e V e rs e s o f R e v e la t io n : “ N o w W e

R a s a e l j) , y o u a n d y o u r s e rv a n ts , a n d b e h a v e re m o v e d y o u r v e il, a n d s h a r p is y o u r s ig h t

c o m m is s io n e d to f u l f i l l m y n e e d a n d a n s w e r m y th is d a y .” “ S o a ls o d id W e s h o w A b ra h a m th e

c a ll fo r th w ith , b y th e r ig h t o f th e n a m e s o f A l­ p o w e r a n d th e la w s o f th e h e a v e n s a n d th e e a r th ,

la h M o s t H ig h , th e G o d o f D a v id , th e G u id e , th e th a t h e m ig h t h a v e c e r titu d e .”

200 201
 'Che forbidden (Brimoirc o f iia ru t and M a ru t
*1 'C h t forbidden 6 rin io ire o f iiia m t and M a n it

W h e n th e s e rv a n t a p p e a rs , c o m m a n d h im to

s w e e p a n d tid y u p th e a re a ; b r in g c h a ir s a n d

c o u c h e s ; h a v e a b la c k b u ll s la u g h te r e d a n d g iv e n

to th e m to e a t; a n d th e n g iv e th e m c o ffe e to d r in k .

A fte r th a t, y o u m a y m a k e y o u r re q u e s t. O n c e y o u

h a v e m a d e y o u r re q u e s t, y o u se n d th e m a w a y ,

s a y in g : D e p a rt re w a rd e d , in p e a ce . G o d b le s s

y o u . A s h ta ta n A s h ta ta n A m e n .

H u r r y ! Q u ic k ly ! T h is in s ta n t!

T h is c o n c lu d e s th e b o o k T h e M a g ic o f
H a r u t a n d M a r u t.
SCRyiriG lylAStER.
P r a is e b e to A lla h in th e b e g in n in g a n d
rilEHEdiEL in th e e n d .

T u k h i th e A s tr o lo g e r

T t is o n e o f th e g r e a te s t o p e r a tio n s . T h e se e r

m u s t b e a p re p u b e s c e n t c h ild . Y o u w r ite th e f o l­

lo w in g fiv e le tte r s o n th e n a ils o f th e c h ild ; ^ ^

( j T h e n r e c ite th e fo llo w in g a h u n d re d

tim e s w h ile b u r n in g fr a n k in c e n s e a n d c o r ia n ­

d e r: T a s h T a s h ( o ^ ) i T a s h a m (p u ),

T a s h a m ( ftM ln la ) ; T a l a b o o s h T a la b o o s h

( ¿ j i jiU a ) . R e s p o n d , O L o r d M e h e d ie l (

d e s c e n d , a n d r e m o v e th e v e il ly in g b e tw e e n y o u

a n d th e s e e r.

202 203
M agick / Grimoires $55

nfamous Egyptian sorcerer al-Toukhi wrote

I more than 30 books on magick, astrology,

geomancy, and spirit evocation. He compiled
many power-house methods of sorcery from the
archives of his manuscript collection and from
the manuscripts preserved in Egyptian libraries.
Harut and Marut by al-Toukhi is one of two known
existing grimoires paying homeage to the story
of the two angels who were sent down to test the
people at Babel or Babylon by performing deeds
of magic. The authentic grimoire of Harut and
Marut is said to possess immense supernatural
power and remains lost to this day. Contained in
this book are magical techniques, incantations,
and spells of the jinn worthy of the name Harut
and Marut.

ISBN 17A-l-15bbb7-m-0
90000

9 /'819/'6