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Acknowledgments

This is a welcome opportunity for me to thank a great number Jodie Bernard and her team for their excellent work on color-
of people who supported the completion of this text in many izing numerous figures within this text.
different ways. I would like to acknowledge my “compatriot in arms,”
Anyone who has undertaken a project of this magnitude Kathy Tomczyk Born, for her continuous assistance and guid-
knows that it cannot be done without the support of family, ance in running the physical therapist assistant program at
and for that I will be forever grateful. I would like to give a very Milwaukee Area Technical College.
special “thanks” to my beautiful wife, Heather, who was forced To Jim Sewald, who can still throw a “frozen rope” from
on many occasions to suffer the load of raising five children left field to home plate. Thanks for staying up late numerous
while her husband disappeared into “the cave” to write. nights to discuss the nuances of the perfect pitching motion.
Thanks for helping make this dream come true. We’ll try to get to the “perfect jump shot” on the next edition.
A huge “thanks” to my co-author and mentor Dr. Donald To my fabulous editors: Megan Fennell, Rachel McMullen,
Neumann for his endless support and guidance through this and Jolynn Gower. Thank you so much for your hard work and
process. His never-ending quest for educational excellence is strong commitment to making this book a great one. You have
as contagious as it is inspirational. Don, you are the best made a potentially complicated process easy and enjoyable.
teacher I have ever known—and now I know why. A final thanks goes out to Mike Adler, Matt Mulder, Bart
I would also like to thank my children: Rachael, Daniel, Bohne, Jeff Druley, and Spencer Mayhew. Thanks for serving
Megan, Hannah, and Beckett. Your continuous flow of hugs, as my own personal think-tank and for your continuous
smiles, and laughs keeps the sparkle in my eyes. support throughout this project.
My parents, Jack and Betty Mansfield, whom I credit for
my love and respect for education, also deserve a great deal of Paul Jackson Mansfield
thanks for pulling “grandma and grandpa duty” whenever it
was needed. Dad, I guess your constant analysis of the I thank my wife, Brenda, for her kind understanding of my
“running motion” rubbed off on me. I’d also like to send a commitment to writing. I also wish to thank Paul Mansfield
“shout out” to my brother Dan, who taught me the importance for his extraordinary perseverance throughout the arduous
of pushing yourself mentally and physically; and to my sister process of completing this text. And finally, I thank Elisabeth
Julie, who taught me how to read and write. Rowan-Kelly for her fantastic art, much of which continues
Brian Axtell, who is responsible for many of the illustra- to live on in this text.
tions, including the front cover and the detailed muscular ren-
derings within this text, played a significant role by developing Donald A. Neumann
the art that truly drove the writing. I would also like to thank

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