10 DESERT SONG Intro: x x xxx Words and Music by Gtr. 1 (distortion) ee » ee §. CLARK, J. ELLIOTT, R. SAVAGE N.C. E5 134 134 134 N.C. ES Play 4 times (end Rhy. Fig. 1) 4 — = c ° oo J —— } . > “~ yo oT Tes oe = =F = = =| Yeah, oh, _ Gtr. 1 and 2 Rhy. Fig. 3 ae (end Rhy. Fig. 3) SS ae ra vies T t se Ha E 2-2-2. ne 2-2-2 2222 Gtr.3 t — = (=e oe Se eS oe ’ i Tr ra bah Lay e268 B 1 ee i: ‘oe € ~~ £ a F5 A(2) equ es Gtr. 1 and 2 = ———————— in + = Gtr. 5 t 2 8) Rpm 8 ——— a aa ee \ é j — = = : | : — (continue from slashes) —, Ea =F = i tB- —6 2 tf *Gtr. 5 is doubled Desert Song - 8-5 by Gtr. 41D Bridge: Gtr. 4 tacet a e —— Gtrs. 1 and 2 tacet 15 measures —=—— Gtrs. 4 and 5 * Rhy. Fig. 3 ib. ib. ib, vib. w/bar vib. w/bar. vib, w/bar 2: =: 4- 2 sy 4 2 = 2 2—— 5 2 2 3 3—3——_-- 3 6—16 *Gtr. 4 non-distorted w/Delay and compression. *Gtr. 5 semi-distorted w/Delay and compression. Gtr. 4 and 5 (end Rhy. Fig. 3 AQ) AS Gia) A(2) AS CA) eeeeeeenee Ont RNY Fle 3) vib. w/bar vib. w/bar FiO OT a ewwewenen vib. wibar vib, wibar w/bar vib. wibar gy hold eee tees NNN 8 2 5 —6— 3 ¢—8—_— *1st time. only. wiRhy. Fig. 3 (Gtrs. 4 & 5) 2nd time sustain chord. A(2) AS G(4) A(2) AS C(4) oe] SS = -— a ~ VY I’ve beenhere be - fore, __ but not as I stand__ here to - day.. A(2) AS G(4) A(2) AS c(4) ~—— 4 4 = SSS ~ n> —__ Pll wait for the dawn.__ Read-y to walk— Guitar Solo: E5 __W/Rhy. Figs. 1 (Gir. 1) & 1A (Gtr. 2) —_—_——— N.C. ES . o—m~ . “~~ in - to the light. - wanes VS I trem. bar trem. bar ;, eer Desert Song - -8-6NC. ES wee Derg rg 80-2222, woman be tee eTeeeet ce eeftiEb EAA = = f — {— — —— — Ww 1 ~ = emt 44 + 401435452 sats LF 55 = 42-42-+42-43 42. 424243 LA Sot cB N.C. E5 (8va)____.----------------- 22 2-2 -=- == 2 eee “ee < o be. te ee Fert ree 1 ~—— SE oo pit —9—42—9 rg —tH4— 44 NC. ; Ja Am w/Rhy. Fig. 2 (all Gtrs.) Fmaj9 (hi) lan Am Fmaj9(#11) “No ZN an aaereeeerereernnne cee ue — i?» : “§ £ f _¢ a — = a oS Fe a | eal =~ seeennnennee we paste eee ae w/Rhy. Figs. 1 (Gtr. 1) &1A (Gtr. 2) 4 times we we TN. = . ES NC. ES eS z =f € 6 — § £fe ‘ee __ t Se x = | 1 1 * wee ee _— WL F e2— = 543-4212} [A 9) 5-7 ern {Bs +f *Increased delay Desert Sone - 8-717 Gtr. 5 N.C. E5 - toy pn w/Rhy. Fig. 4 (Gurs. 1 & 2) till fade FS Outro: Gtrs. 1 and 2 ; Rhy. Fig.4 (end Rhy. Fig. 4) G5 FS — yy | —~d ? , ° Repeat and fade into drum segue ——— ——eewrere Aone —~a po: oe . — + * ' Ah! Desert Song - 8-816 Gtr.1 Moderately = 106 (Dmms only) FRACTURED LOVE Csus2/G Asus2/E DIG CIF xx oo iss 3411 12 32 31 Words and Music by S. CLARK, J. ELLIOTT and R. SAVAGE mf w/E-bow eereeereseeneweesteeeensee aeweeeeaeeeeteneeetesenenee TSO Fractured Love - 14-1 (All rights controlled neater, Copyright © 1993 BLUDGEON RIFFOLA LTD. |DGEON RIFFOLA LTD. / ZOMBA ENTERPRISES INC. for the U.S. and Canada.) Adeda in TTOA AIL Dimhte Dacerved ee eee19 naweeeeeeteeee nets aaeweeeeseeseeseeensensees aeeereeseneeeenen aareeeeeeeeeseseeseneeees aeeeeeeeeesensensees, aaneeeeeeeeeeeennennenente — Verse 1: — ~~ — I’m caught in a dream, _ some -times it ain’t_. what it seems. __ ARANETA AAA RATA AAA AAA AA AAA REAR REE ER EERE TEER AERA AAA VOOR WHA AO Oy, tacet 20 measures tacet 20 measures tacet 20 measures Fractured Love - 14-220 SS SSS SS ee — ~— I’m all in a_ daze, — can’t fight my way out____ of_ this maze. _ I’m look-in’ for clues and want- ing a change in the rules. — Gtr. 4* *w/distortion SS 23) rye! I’m locked in a cage, Act -ing out on_____ the wrong _ stage. — 1 i = = u Seesssc2 g2i3.323 33232223 23332337 (PM,) oon eee ee ne eee eee en ee ne ne ne nen ener tnee nsec J | BiH) o | 9990962 0 99-09-0006 | 00-00-00 6-8 8—0—8—_8—8—_ 88-8 Bridge: Gtr. 4 tacet Gsus Esus : if ——— SS ————— Don’t want your sym - pa - thy, (Don’t need the third_ Gtr. 5* No, no, no. —__ ——EE = oe = SSS ee 3 i ; fA 3 4 (B — — *w/o distortion Fractured Love - 14-321 DIG > — —————— == ee Hi}. oo + — o. = yi itt —— de - gree,___.) ( Just got - ta break__ a - way and scream. no, no, no, —___ Just got -ta break__ a way — and scream. LCractured Inve . 14-4 Interlude: C/F N.C. ——— = f — SS Gtr. 4 I’mcaught in a dream. _ Gtr. 4 tacet = ———— —— 755 ———— = Fz 3 — tf [A——"5 — — 4 Gtr. 1 aaneeeeeseeeeeneene, aaeeeeeers ee _ xY e = SS SS SS SS CF ts 7 5 Ts 75 Gtr. 2 $— — = = SS SSS J He - t 5-4 ‘B— Gtr. 3 tr SS fr naneeenee weeeeenteeenteee settee eeeeeeee z Sl22 Verse 2: (Gtr. 5) E5 N.C. ° _ I'm stood at the edge and I’mlook - ing down. Gtr. 1 Fv ereeeenwvennnnnsneeneewerwweenennnnnnnuneueneensnnennnnuneyennnnnna eee CCCce OO Hel Gtrs. 1 - 3 tacet ; SS SS SS SS Caughtin the dan - ger zone, I feel like a king that has lost _— his crown. — Gtr. 423 Gsus a LE 7 t d : Z oy _——— A —s ae t t And now I stand here__ a - lone. (Don’t want your sym - — od Gtr. 4 tacet &—_0—_4 Esus “Neo ° oT d i : 4 — a= == Oo pa - thy, ) (Don’t need the third__-—s_ de - ‘gree,___.) No. — no. DIG C/F ° Tg ° mS) d ~ : : : i-: z SS it ot * ( Just got - ta break__ a - way __— and scream.) —_——_ Just got-ta break__ a - way__ and scream. I’m caught in a dream._ Chorus: Gtr. 5 tacet E5 Cc AS DS E5 i t yf f —- —— « —____—‘ Frac-tured love, frac-tured love, iron fist ina Gtr. 4 Rhy. Fig. 1 a = 3 3 Z 7 v v 2 cs _ P.M. .----------------- P.M. ..----------------- J F 4 2——_—- —2-2 2—2--|-2 6 —— 2 3 3 8—6- —__—_—_——3 —§—_—_0—__6----6—__6—_6 8—--9—_0-—_—6- 824 vel - vet glove. Frac - tured love, ____ DS AS BS \ © —— AS frac-tured love, ——— ase a ~ P.M. P.M. ----------------- J P.M. __..------------- a 2—2- — —§—_9—_2—2 2 2 —2—-2 —__|9 3—_ 3 cB {gt o* §—_—+- §—_9—__9—_0—-® §—9—__0__0—__6 oe DS E5 DS AS E5 Cc 2 @ » o # ft ft eo 3 : SS — cracks in the mir-ror of this frac-tured love. I don’t care if you (end Rhy. Fig. 1) 3 3 33 + = o SP 2 3 92222 % P.M, ...-------------- J F (A? z ! (Be @—_$— 90 000 DS AS ES 27 pte _f- et AN =e — = pap to f = pull down the = sky, — an- gry pas-sion is a friend of mine. ++— == —«- 7 Ey SSS aa P.M.__..------------- 1 P.M. Ce 2— 2—2 5 = Ri @—6—6 —@—0 ate @ Cc ~ AS DS ES ft hdl @. # = 2S SS SS Reach out for the sky bove. it’s just a frac-tured love. __ -— SN on25 DS AS ES = Cc Oe AS 7 __ — Frac-tured love, frac-tured love, J P.M,...---------------- J 2 2-2 —-6—_8—__0__® ——S vel - vet glove. Frac-tured love, AS DS ES DS AS E5 cracks in the mir-ror of your frac-tured love. # 33 P.M. oN oN on Pry on a LL26 N.C. ° LR cc = — I’m caught — Gtr. 4 + e e — e ot el 7 US 2 P.M. P.M. a ; 3 LB —§—_—_2-_3 2 8 53 3 oF §— Gtr.6 (Electric) — . ——==== = Ss == 3 Ce —}, |— 3 == —— £ hte te 2 eee —— er ——_27 Guitar Solo: w/Rhy. Fig. 1 (A trem. bares Dn eee DS 2 —_ fh2 oF —T , See = oe : i U5 3 Li5_) W—-3—4 1641 1 4 1 LA —F—5-F-5 4-5 —-F#-5 #5 4-5 F-54754 7 44—14-44- (4427 —— 12-14 LB —_ ie Pre-Chorus 2: want your sym - - . Don’t want the third _ tacet 5 measures —_—~—s« de gree, just got - ta break, break a - way and Gtr. 4 ——t i —_—__— eS. o———— — oe eoa in a dream. Why don’t you set me free? Chorus 3: w/Rhy. Fig. 1 Cc AS DS ES AE — VS — Frac-tured love, frac-tured love, iron fist in a DS AS ES Cc AS A 7 “~"" vel - vet glove. __ Frac-tured love, frac-tured love, Fractured Love - 14 - 1230 Cc I] 7 w/Rhy. Fig. 1 (first 7 bars) DS E5 D5 = AS ES a d 2 | cracks in the mir-ror of your frac-tured love. _ Frac - tured love, frac -tured ( Frac-tured love, _— ) rye Ida . AS DS ES DS AS E5 $2 ee ee <= love, ) iron fist in a vel- vet glove. (frac-tured love, Frac-tured c a 2 2 I Pape _ wptt pepe $= SSS = SSS oy tor (frac-tured love, — ) (frac-tured love, love, frac-tured love, __ don’t give me your frac-tured love!_ ~D5 AS DS AS CS ES cS AS Fractured Love - 14-13DS ES DS AS ES cs AS D5 D5 AS DS A5 ~D5 AS ge ES ™~ — = =————= — fe Oh! Oh! Oh! > > > 1 J\ wewenewenees trem, bar = 3.1/2 trem. bar _ trem. bar + 12-42 — — 3 ia ° < g/ 45 I Fractured Love - 14-1432 ACTION D5 Bb/D Bm/D Bb/D" AS, GS D5 a Fe a * Moderately fast @ =170 Words and Music by Intro: A. SCOTT, B. CONNOLLY, S. PRIEST and M. TUCKER Riff A ._.-..---------------- + ® we wIRiff A (Gtr, 1) 27 times (*Gtr. »! J T 1 J J J } Riff B (both guitars) *Cello sample arranged for guitar. E-bow is suggested. CZ eo weer eee eee eee eee ene ep ne tn 27 (end Riff B) Gtr. 7 (trem. pick) s 2 S 9 26 —— A TS 7 rs *8va Gtr. 2 only Gtr. 4 ————— = e o a a is OOOO cresc. gradually 12 measures PPP a +79 w/Riff B (Gtrs. 2 & 3) 2 times Rhy. Fig. 1 . Ds. 5 Bb/D Bn/D Bb/bD" (end Rhy. Fig. 1) (Gtr. 5*) *Gtr. 5 is panned around mix. Copyright © 1975 SWEET PUBLISHING LTD. All rights for the United States & Canada controlled by Action - 12-1 WB MUSIC CORP. & SWEET PUBLISHING LTD. ceenncpmnnanumcertntstntimaggre oun etn TRE RT TET IT Ger 35 w/Rhy. Fig. 1 (Gtr. 5) 3 times DS Bb/D Bm/D Bb/D" a re SSS Ww OP nf (continue cresc.) Sf Band enters (Gtr. 4 tacet) Gtr. 5 is doubled by semi-distorted Gtr. 7 DS § Rhy.Fig. 2 BD BnyD Bb/D (end Rhy. Fig. 2) Jara ae w/Rhy. Fig. 2 (Gtr. 6) sim. Gtr.8 D5 Bb/D Bm/D Bb/D" So you think. you'll take an - oth - er AS en 4 SSS SS SS SS SSS 7 piece_ of me__ to sat-is - fy your in - tel-lec - tu - al__34 _—_ p—). PS)? - > i P43 i I —— i st Do you want - tion? - tion, (Do you want...) Delay ® 5 fr. ao Ooo = Rhy. Fig. 3 | BM. ..-.----- 2 ee en ee een nnn nnn ne nn nn nn nnn ne nn ee eee == === =H = [ - tion, ac - tion)Gon-na_ bring you down cause you’re push - in’ me you got - ta | AS (end Rhy. Fig. 3) | ' I i t Pre-Chorus: i w/Rhy. Fig. 1 (Gtr. 5) 2 times t /, w/Riff A (Gtr. 8 instead of Gtr. 1) 8 times : ”® DS BbS G5/B cs (Li-ar, li - ar, i i-ar. You know you be lieved Gtr.7_ w/Rhy. Fig. 4 (end Rhy. Fig. 4) | Cause I’m the main. — man, — And that’s why ev - "ry bod - y wants __—————— CB- Action - 12-4 masterGS N.C.(D5) Se —————— Sa i = == $$, *Gtr. 7 is doubled by Gtr. 6 To Coda o> continue as Rhy. Fig 1 (Gtr. 7) G5 > N.C.(D5) GS AS >? d47?? MoH ° = ppp pet ty fac - tion guar-an - teed... Ev - ’ry - bod-y wants a piece _ of the ac - w/Riff B (Gtrs. 2 & 3) 8 measures w/Rhy. Fig. 1 (Gtrs. 5 & 7) 8 measures w/Rhy. Fig. 2 (Gtr. 6) 8 measures ~ mel pe - tion. *harm. Gtr. 3 only37 w/Rhy. Fig. 3 (Gtr. 7) 2 times ® 5 fr. D an — a ——s. ——————— — ; = —" —_ su-i- ci - dal ’cause she was__ my i -_ dol. Ba -_ by, ba - by, ba - - by bring it to your knees! Now there Gtr, 2 f > L344 -+8-—9-—F- +48 —8 —F—-_______________ SF ————_— (B Gtr. 3 e + = : @ re = 3 U3 ft 9—?—9-—-"1"— ® 5 fr. = af So was. a_time___—s: Y_-~wouldhave walked_ the line __ “——— with Actinn . 17-6AS D.S. % al Coda > * maa = SS Set ———= your ___ in - sa - tia - ble greed. “2. 2 TO 2 i i — == e 4 == (8va) _-..--.--------- 2-2-2 ee een eee eee a y = = = = — = (fdbk. ¥ {44} {44} is co ——S Bridge: Bridge: Coda Half time feel Half time feel AS NC. EbS N.C. piece _ of the ac - tion! (cont. from slashes) A Set eeeereeeenenenennennennes (cont. from slashes) eeeeeeeeeeeee ee eeeeeeeeeee,EbS NC. EbS N.C. DHS N.C. ft want ac - tion, ac - tion? == 3: i= ~newwens C — §——— 86868 $ ‘A$$ . 8 6—6- t 6 & 6——6 sn. ee ete @. spe oe ; o— oe 6—8—_6—_8_6—& {8)>~ — : 3 6—6 6 -| 6—s—__] = 5 Ss ——[————— —" ww Ev - "ry - bo - dy wants, ev - _ ry - bo - dy needs, ev - Gtr. 3 tacet eeeeeeeeneeeee, a Ca oe Sad fT) z er = = te JES I i t BO 340 Guitar Solo: EbS Cb5 F ft = = S| - ry - bo - dy wants, ev - ‘ry - bo - dy needs.AH. AH. (8va) (Bvaq) BVA Lenn nn nen Gtr. 7h Chorus: D5 D#5 E5 F5 FHS G5 Gtr.6 4 bo - dy wants __ (continue in slashes) Action - 12-1043 sat- is - fac - tion guar-an - teed. M._.- P.M. --4 --4 i a - tion! - tion! Ist time only, tacet during repeats. — == = gradual dive *Gradual rit. using Delay control.“ TWO STEPS BEHIND (Acoustic Version) Words and Music by JOE ELLIOTT AS . Asus2 eD Dsus2 G E Fim wal 12 12 132 13 21 34 231 134111 123 Intro: Moderately slow ballad J=78 Rhy. Fig. 1 (end Rhy. Fig. 1) Gtr. 1 (Acoustic) *AsuS Dsus2 Gsus2(6) Dsus2 Rhy. Fig. 1A Gtr, 2 (Acoustic) *Chord names derived from guitar and bass. Asus Dsus2 Gsus2(6) Dsus2 7 1, Walk a - way. let ring ~~ 4 Copyright © 1992 BLUDGEON RIFFOLA LTD. (All rights controlled by BLUDGEON RIFFOLA LTD. / Twa Stens Behind 5 —1 ZOMBA ENTERPRISES INC. for the U.S. and Canada.)Verse: AS Asus2 D Dsus2 G D Dsus2 | oReRe? my) mom) to think a-bout__§ it__ Just walk the line, _ AS Asus2 D Dsus2 G Dsus2 1 - FIFT) F Fd} Tm i K. if you need__—s=—s to Well,you can - — you know you just _ can’t fight it. Andtake a look a-round,_ AS Asus2 Dsus2 Dsus2 / THT) 1 7) THT) TT hide from the __ you'll = see what you can’t __ find, like the fire _ run, but you can nev - er {end Rhy. Fig. 2) AS Asus2 Dsus2 E D Dsus2 / Tem Pm) oem oo shad-ow that’s creep - in’ up__ be - side —___ you. — — that’s bum - in’ up__ in - side —___ me. __ Pre-Chorus: 3rd time w/Fill 1 Fim Dsus2 1,2. And there’s a mag - ic tun - nin’ __ through your __ soul, but 3. And there’s. a mag - ic ron - nin’ __ through your soul, Fill 1 (end of solo) =—_ _ Two Steps Behind - 5-2you can't — have it all. _ (2.No.) What - ev - er you do, __ you, you can’t have it ale Dsus2 E G ) TTA | TT) FEV TMT) FT) on - ly takes a min - ute of your pre-cious time to tum a-round._ — Tll be two — steps_ be-hind. ______ Yeah, yeah._ 2. | w/Rhy. Figs. 1 & 1A (2 times) AS Asus2 D_ Dsus2 GS D_ Dsus2 Asus Dsus2. —_ Gsus2(6) Dsus2 it (Fi) TT) 1 TIN) TP Take the time. ______ Yeah, yeah._ Two Steps Behind - 5-3 PIO37GTXAsus Dsus2 Gsus2(6) Dsus2 ~ oh, Gtr. 3 (Acoustic) Guitar Solo: w/Rhy. Fig. 2 AS Asus2 D Dsus2 G D Dsus2 i i 6 SSS SS fF ——— Ee +e * CA B *Slap face of guitar. AS Asus2 Dsus2 D Dsus2 G 4 a of L E r fost ff fy f ts 4 fps 5. + > eat — eee ee t—— t4—14—_ 14-44-44 4 _— a Dsus2 G D Dsus2 AS Asus2 D ‘eit b€BS a o cS == a= — im 40-—46 LA D.S. % al Coda AS Asus2 D Dsus2 G D Dsus2 Two Steps Behind ~ 5-4 DINWOTYon - ly takes a min - ute of your pre-cious time___ to tum a-round._ Yll be two steps. be-hind.___ Yeah, ba - by, two steps _ be-hind._ poco rit. Two Steps Behind - 5-553 FROM THE INSIDE Em | Fmaj7 Asus2 of Asus Dm Am E Gu HAE SS a Ee Eg my Slow folk-rock d. = 57 Words and Music by Intro: Rhy. Fig. 1 JOE ELLIOTT Fmaj7 Gtr, 1 (Acous.) / THT?) 7H??? THe} 7H??? 77??? Th}? 7h??? Vii? Rhy. Fig. 1A Gtr. 2 (Acous.) IN 7 ; BEE BS BSE A = ) ) ) Asus2 A Asus2 Asus Asus2 (end Rhy. Fig. 1) TIT TET ATT TT TORT TTI 1.1 am (end Rhy. Fig. 1A) = 5 ——— PH He = z eas a ee J | $$$ 3 3 §—_0—8—--8--3— 3-3 3—-8—_8—-6 7 8 sy 7 222-2 222322 222-2 7 9 8 on -@- 2— 2-2-2 222-2 222-2 222-2 4 6 4 8 @ : 6—8-— 9—8- 6—8—_0-6- 8—-8-—_B—6- 2 2 2 2 2 Verses 1 & 2: w/Rhy. Figs. 1 (Gtr. 1) & 2 (Gtr.2) Em Fmaj7 Asus2 A Asus2 Asus Asus2 bad, I am e- vil, I am win - ter, I am 2. rise, I will take you, I will break you, nev-er let you pain. Pll mess up your life, I'll beat up your wife, T’'ll lose all your go. Pll shoot through your veins, I'll drive you in - sane, Pll poi-son your Copyright © 1992 BLUDGEON RIFFOLA LTD. (All rights controlled by BLUDGEON RIFFOLA LTD. / From The Inside - 5-1 ZOMBA ENTERPRISES INC. for the U.S. and Canada.)Asus2. A Asus2 Asus Asus2 G friends, and I'll win in the end. So breath, and I'll love you to death, _____ So Chorus I: Rhy. Fig. 2 (end Rhy. Fig. 2) Dm Am G F cit) 222??? DPPP) PAPDS FPP? £927?) DPP?DT PAOD? DOP? = ze : a op ee He — = you play the jo-ker, and Pll play the clown, and Til you be the jo-ker, and [ll be the clown, and you'll Gtr. 2 Rhy. Fig. 2A SS == S$ SSS — = —— laugh while you’re up there, and [ll laugh when you're down. Though your laugh when you’re up there, but you’ll cry when you're down, Though your — — 7 ane = < = 7 | ee == a | screams break the _ si-lence, oh, they won’t make a screams break the _ si-lence, oh, they won’t make a (end Rhy. Fig. 2A) From The Inside - 5 - 2 PIMICTYJ Rhy. Fig. 3.0.2. 022-2 200-2 ----2e cence eens ee eeee cere ceeceeeeneeeeeeseea a ob oO an 23” Be Fo r a eH ' pod chiep i @ 2 @ ° a) ee =: tN = at ad xt ch . S r CN a} Or NN @ ig ! S gt ae | * = me uu aL : DN a pea tae : 3 Sanu gsi! ey g8 225 dk ee i ga Hil} = # ee da ' PON: NON ' DN rae DN ENN sg * re HCN bs 22: eH A ( gs POoONCH Le ae Tadie q] ge: at cue \ ZZ | qtrt Tad : ‘ ecu Oeeu ‘ joa) f| ND ‘ Ota a 3 ' Ce) CN & I : : iD ao a ; x ‘ oH S s i ch ~ ob || o udu a 3 Bi g EES ame, 2 B z $5 2 € . 8 i s 928 c & ue SE < ty! § Sow a Oo og _ oC From The Inside - 5 - 3Guitar Solo 2: w/Rhy. Fig. 3 (Gtr. 1) 4 times let ring Chorus 3: wiRhy. Fig. 2 (Gtr. 1) 2 1/2 times w/Rhy. Fig. 2A (Gtr. 2) Dm Am G F f- = = ¥ - ¥ = = SS you play the jo - ker, and Vl play the clown, — and Pll From The Inside - 5 - 437 Dm Am G F z # | & e ——— t = Leena! laugh while you’re up there, and [ll laugh when you’re down. Though your Dm Am G — — 4 a © +t ee — == zi f f screams break the _ si-lence, oh, they won’t make a w/Rhy. Fig. 3 (Gtr. 1) & 3A (Gtr. 2) 3 times Am G Am G Am G =| — SS : : 5 za z a ze: oa = | sound. _ Na, na, na, na, na, na, na, na. Na, na, na, na, na, na, na na. Na, na, na, na, na, na, na, | — 9. --—_9— 99-8 —# —-9-——9 e 9—9 TT. e—8——9 6-6 6—9—_6 0-0 4 6—+4 tA 44 4+ 4 4+ —_4 4-44 +4 2 4+—2 2 9-2-9 9 2 3 2-22 2-2 39 3 —2——2 3 5 5 3 3 2-53 a3 6 2—§ 6 6-96 o-6—4 656 88 Denam The Incide £.ONLY AFTER DARK . MICK RONSON 58 Moderate rock J = 138 *fdbk. Gtrs. 1, 2 and 3 eecctetce ~ Deere n ny ho- “27 ~ 6 + KE = | = = SS a a BC . 8 Ger 1 only fabk. wrt tse - 7 7 ~e- AH. (8va) (Gtr. 2 out) AH. Pitch: D (Gtr. 3 out) harm. ———— —_ —=—===—" —e ——" —=—* w. vib/bar harm. AS — it eat f= =e = fly, ____—59 ES FES a —— 4 ———— = a2 is = SEE ot ——— SS =S—S— on - ly af - ter dark. Ah. (end Rhy. Fig. 1) Rhy. Fig. 2 ES FHS oe —— — SS ee) (Ah. es (end Rhy. Fig. 2) fad a a ee ay P.M. -.---4 PM. ...-4 P.M..---- J —2 2-2 4 2 4 -4— a 2 24 3 4 —4 §——_0—-9_6 8 8 ¢——| 46 8 @——_2—______3._ 3» —__ w/Rhy. Fig. 1 (Gtr. 1) AS —<— # ~N mr I kiss the world good - bye, w/Rhy. Fig. 2 (Gtr. 1) ES FHS ES (iS SS on - ly af - ter dark. Ah. me. am m OA1iA 460 w/Rhy. Fig. 1 (Gtr. J) With the cit - y lights, __ (Ah, —____ ss”) Gtr. 4 (Acoustic) Rhy. Fig. 3 w/ Rhy. Fig. 2 (Ger. /) ES on - ly af - ter dark. (Gtr. 4 out) (end Rhy. Fig. 3) w/Rhy. Fig. 1(Getr. 1) and 3 (Gtr. 4) FHS ES FES AS Only After Dark - 14 -361 w/Rhy. Fig. 2 (Gtr. 1) —_ # ES (Gtr. 4 out) £ —- et — SS SS SS = like a run-a - way, on-ly af-ter dark. (Gtr. out) FHS ES FHS a eee — fe # = = =a ——— = — > Ah, (Ah. — Gtr. 5 dD S eee eee! — =— — = pt SS f — f 1 t Dee erect + g—} a LA eat 164) CN =} — % Bridge: —~\ ps5 ee you dis - ap - pear Won't —) Gtr. 1 and 4 Rhy. Fig. 4 P.M... J (Gtr. 5 out) Onlv After Dark - 14-4in - to mid- night a - gain. _ Why don’t you come?__ Why won’tyou come?_ (end Rhy. Fig. 4) 2 2 ses a == P.M. - 4 P.M. -.4 P.M, ----J P.M. -.-J P.M. --.4 P.M. ---4 F- 3 3—3-—5 —2—__— 2—_2— 4 2 —2—_ 2_ 4 2 24 8—-@- 2 ————2— 24 2 2—4 | +B —1-§—_ 9—_6—__8-_—____0-—-4 8—_0—_6 8 8—@ — Why won’t you fly, 3 zs P.M. ..--J P.M. ----J P.M. _.--J P.M. ----4 F } —2— 22-4 2 224 | 53g —|3- 3.2 4 §—-o—__9—_6—8 -6—@- 6 — 0-06 —_6 a _|——_=_— 4 . in - no- cent fate, w/Rhy. Fig. 1 (Gers. 1 and 4) AS our t com - pa - ny. __ To Coda Oy (Gtr. 4 out)63 wiRhy. Fig. 2 (Ger. 1) 2 times ES FHS ES F#5 falbk. Ah, Ah, ALDH, ToT T trot ccc nrc esse ec ce secs sess 1 {8va) CGr.20 2 _ __d_"L_OOEEL eT eer ttt le : mf AH. AGH. Pitch: E harm, ..--- Gtr. 3 ‘1 (8va) ..--- 1 y harm. __._- 7 harm.....--------- 1ES Verse 2: reny, Fig. 1 (Ger. D F#S ES FHS (Ah. (Gtr. 2 out) a, ~ w/hwah-wah (Gtr. 3 out) 7 (Gtr. 5 out) (Gtr. 6 out) w/echo trail AS —— i = = eS We —) Dhak, Afene Mark 14.7 at the plant re - main,OD w/Rhy. Fig. 2 (Gtr. 1) een += ——= == = = SSS on - ly af - ter dark. Ah. *Gtr. 7 (distorted vibes arranged for guitar) Rhy. Fig. 5 oo . Fig. — 2 ee SSS | f hold -------------------------------------------------- 3 +12— 42} LA ———2— rB *wiecho wiRhy. Fig. 1 (Gir. 1) ES FHS AS er (Gtr. 5 out) (end Rhy. Fig. 5) (Gtr. 7 out) w/Rhy. Fig.’s 2 (Gtr./) and 5 (Gtr.7) E. 5 sim-ple as can _ be, on - ly af - ter dark, __ ES —_ —— i _ — = = = = J ri a = : ! Oh yeah. Gtr. 5 (Ah. ) D Tee _—_———— ee f 1 7 = 5 = ——— cB Only After Dark - 14 - 8w/Rhy. Fig.’s 1 (Ger./) and 3 (Gtr. 4) F#S AS (Gtr. 7 out) so t : = SSS SESS to feel so free_ TT 1 w/Rhy. Fig. 2 (Gtr. 7) ES (Gtr. 4 out) FHS E5 re aa SSS a No. __— On-ly you, — Ah (Ah ‘f2. fo = =e == = Trost sece ssn neesnsesseseseeeeneeeeeeense 7 12) ee grad. bend a SS E == Only After Dark - 14 -9w/Rhy. Fig. 1 (Gtr. /) and 3 (Gir. 4) 67 | (Gtr. 5 out) SSS SSS = wRhy. Fig. 2 (Gtr. 1) (Gtr. 4 out) on-ly af - ter oo oo Gtr. 5 Q . (Gtr. 5 out) ott a 2 rt eS Po I Lees | —— em = al Te ee f AH. trem. bar [yy gy S 4— — Gtr.7 A.H. Pitch: E (Gtr. 7 out) ret * a —~e YY es 4 1] Lees ———— H Hees ee ee hold _...-.-.-.---- wane eee eee ere eeee 1 1 a 7 Only After Dark - 14 - 10 P1037GTX68 w/Rhy. Fig. 2, Gtr. 7 Coda ES F#5 ~S f w/wah-wah Only After Mark - 14-11 ES F#5 YO trem bar vib. w/bar harm. anaaee eee seen eeeeneneees, (Gtr. 5 out) *P.M. applies to®© onlyES loco Gtr.2 4 he (e) FHS ES FHS Ah. Ah. yee 7 eS, oe ne 2) grad. dive w/bar enennesee sete tet eeeeeetteesteete 1 w/Rhy. Fig. 6, Gtr. 3 (3 times) 1 *P.M. applies to@) only FHS ES Ah. LF} 7-9 —+9-+4-—44 {44} | oS Ww SS e o = —= 0S zee 2 7 P.M. *P.M,___---------- J P.M. .-4 P.M. P.M. 9 —9-9-9-9-9 9 9 9—9 9 3 5-9-5 5-5 5 — 3 3—44#—__9-— 7 7-37 77 -F 7 e @—e—o—8-8 o—e o 6 Only After Dark - 14 - 12 *P.M. applies to@® onlyFHS ES FHS (SS SSS Ah, Ah. Be (un) loco Oe —=—=—=r sas = A.H. Pitches: F#,E — A.H. Pitch: D# Only After Dark - 14 - 13at ES F#S ES FHS Fade a -: = = = = ee] ——_ Ah. AH! (15ma) I loco @. e 2 — eS SS AH._._-- 4 LE 43-—-—_+4—1"_+183— 42—\_ 44 4442. +4 42—_—_-+1+4 72 44+ AH, Pitches: G P.M. 4 P.M._.--- J P.M. 3 8 a — 9 3 — 3 3 rE 7 7#— ? # @— @—0 3 Only After Dark - 14 - 14" SHE’S TOO TOUGH Words and Music by JOE ELLIOTT Moderate rock J = 135 Intro: (ea Gtr. 1* 1, 2.3. C2 G/B G2/A G5 N.C.(D/F#) (Em) AS. w/ad lib. vocal iy — a | SS SS ee + hold .__--- 3 hold__...- Jd hold .....- J hold ...--- J hold _3 a Se oT , . i l *"Clean" w/compression, stereo chorus and delay. Gtr.2 (distortion) ee He — SSS SS SS Y 2. ——“‘e ——— “rr ae ] A | 5 5 oi 5 Ht-3 2 6 e 6) H 3 2 4, Verses 1-4: AS BS y ES BS f) # + Pe oo re) | 1. Black stock - ings and a 2. 3. 4. See additional lyrics ¥ x : : a ; He % 4—— 4— B— 23 — She’s Too Tough - 8 - 1 P1037GTX Copyright © 1987 BLUDGEON RIFFOLA LTD. (All rights controlled by BLUDGEON RIFFOLA LTD. fe ZOMBA ENTERPRISES INC. for the U.S, and Canada.) a Tete ee.73 ES BS ES BS ~_o— high-heeled — dress. Good look-ing but her face is a mess. She’s Gtr.174 Asus Bb oe Asus AS Chorus 1 & 2: C5 G5 cs GS | a a ge t e —~f. — +r — x HD . —— 7 £ LD She’s __. too ____ tough. Can’t help it, she just can’t help it. She’s __ too _ Gtr. 1Rhy. Fig, 1 (end Rhy. Fig. 1) Rhy. Fig. 2 Qo —_+¥___ Dapp ot — 22-5 S43 eS 33 3 F i DP OR “te cep eh 9 | ol aC) > bid coed ood pepe a : aK Gtr.2 Rhy. Fig. 1A (end Rhy. Fig. 1A) Rhy. Fig. 2A A | — t= A = is es = Ht = z oe = az = : ae es oe = _ LA 2 3 13 33 5S 213 3 13 3-33 3 3 |3 3 5 3 3 5 3 33} 4G ; o—4 eG 3 4 Gtr. 3 Rhy. Fig. 1B 1 whe (end Rhy. Fig. 1B) Ist the only, 2nd tneshe just can’t help it. just can’t help it. (end Rhy. Fig. 2) Chorus 3: w/Rhy. Figs. 1 (Gtr. 1), 1A (Gtr. 2) & 1B (Grr. 3) She’s too . Can’t help it, she just can’t help it. She’s too tough. _ Can’t help it, she just can’t help it. Guitar Solo. BS eee TTT) FTF) pit? P77) FTF) TTT? sg te of ~ Assga 2s Atte ba 4 Jet 6 Ft $$ (——— 1 1 1 1Chorus 4: w/Rhy. Figs. 1 (Gtr. gee 1A (Gtr. 2) & 1B (Gtr. a 27 times oC iS too tough. _ Can’t help it, she just can’t help it. She’s ze e x f _ 12 gradual po pick sl. —19—__ F % * cs G3 ———. FS ——————~ |. — . > a She’s too ____ tough. — Can’t help it, she just can’t help it. C5 ——__, GS . FS — ¥ 4 She’s too ___ tough. _ Can’t help it, she just can’t help it. Gtr. 3 tacet 2 measures cs GS F2 C/E Gsus C2 G78 w/Rhy. Figs. 1 (Gtr. 1) & 1A (Gtr. 2) till Fade tough. _ Can’t help it, she AAR eee teen eeeeeenneeees settee ss = = <8 4988 8 49 g—8 10 _8—__* 7 8 4-43 8 == —— Can’t help it, she just can’t help it.can’t help Ze Verse 2: Love loaded, she’s got plenty to spare. She’ll pull your trigger if only you dare. She’s no angel... Oh no. (To Chorus 1:} Verse 3: Hand off, well, it’s Catch 22. You can’t touch if she can’t have you. She’s no angel... Oh no. Verse 4: Whiplash! Give you six of the best. Lay back let her mind do the rest. She’s no angel... Oh no. Che’s Tan Tanch . 2.2 Tr. 7h my80 Words and Music by RIDE INTO THE SUN J. ELLIOTT and R. SAVAGE Intro: Moderate rock d = 138 Piano intro. N.C.(E5) ES D5 9 Gtr. 1 > I f S i — 4 A- 3 7 5 +# N.C(G) (E5) ES DS N.C(G) (E5) DS N.C..(G) (ES) E5 G5 | = SS ee ee gS Ee P.M. P.M... J P.M. ¥ 9—— 5 # —S LB {8}—8 6—e— 8 3 (end Rhy. Fig. 1) . (Gtr. 1 out) > N.cC(G) (A) (G) (A) ©) (A) ES Ride Into The Sun - 6 - 1 P1037GTX Copyright © 1987 DEF LEPP MUSIC (All rights controlled by DEF LEPP MUSIC / ZOMBA ENTERPRISES INC. for the U.S. and Canada.)*Both notes vib. (B5) DS (Gtr. 2 out) trem. bar {0} | Gtr.1 N.C.(G) (ES) ES (end Rhy. Fig. 2) DS N.C.(G) (E5) (E5) ES DS ES DS N.C.(G) fA 4 os 2 — x Hy e Hest ee ———— 1. Rev-vin’ up — 2. (See additional lyrics) hun - dred and four. _ Ham-mer down, ___ |_| | || — o ——— = > > + I e— > > Vv J 2 _# 7 # > PM..-.J PM. PM. ..-J PM. i] te 2 z— 1H z g—______9 7 | 7 z 5 3 + Hd HA ——3 3 on 9—9 Q 3 Ride Into The Sun - 6 - 2AS N.C.(G) (E5) = —#—@—» “= £ = Se foot to the floor. Such a hard__ ride, rid-in’ in - to___ the sun._ 8 3 8 ES DS N.C.(G) (E5) E5 DS Shoot-in’ in, got - ta Rhy. Fig. 3 N.C.(G) (E5) ES DS —— —_—~ oe —= f E — ee —— tick-et to Mov - in’ out, this is no place to hide __ when you’re rid - > > g 7— F t— = : ——— ——— 3— 0 176) 8 -0-—_6 —§- A5 N.C.(G) (E5) E5 DS Ride Into The Sun - 6 - 3 DpINtIATY(Gtr. 2 out) a so if we make it bab - (in - to the sun._) Noe.N.C.(G) (ES) DS N.C.(G) (E5) E5 D5 — 1 = pe = 4 Just ride in- to the sun.____. n ee “TT — ————— a oe eo Les — 1 —— a FS ee a > > Zz gL S- ¥g Z > > ev z= PM.J PM. ~ PM, PM. mf Cr? 5 9 a zo = [A 2 3 2 2 = U8 5 3 3 z fas [Be e 0-88 ° 3 3 2. Guitar Solo: w/Rhy. Fig. 2 (Gtr. 1) loco W2 = «We «11/2 (E5) w/Rhy. Fig. 3 (Gtr. 1) ES N.C.(G) (E5) E5 DS = 6 6 1 1 J wislight P.M, ......--------------- 42 42-4245. 444547 N.C.(G) (E5) AS e eo ~~ -s~ 6 3 wee nee eee eee eee ee eee eee J — F 5 F-——8- 8 7—8—-7#-5 Ride Into The Sun - 6-5DS. % al Coda N.C.(G) (E5) E5 DS GS AH. A.H.’s.. 1 (8va) (8va) -- 1 wee < loco a oS AH? w/bar 2 Soa wibar -2112 he ear oe a 21 V2 73 =a = + 7—_4—_-F {9}—{9} AH. Pitches:F#, Fx A-H. Pitches:Fx ,G# *Flutter w/bar *w/ bar depressed 1/2 step Coda B is know we're gon - na... SSS > > grad.dive w/bar 4 a a 4— 4 4—\_—_4 4 4 4 2—_—_2. 2-2 2 2 2- Outro (Chorus): w/Rhy. Fig. 1 (Grr. 1) N.C.(E5) ES DS N.C.(G) _ ————— == a Ride, in - to in, N.C.(G) (ES) DS N.C.(G) (E5) ——— _~ — Yeah, ride in - to the sun,__.__ Just ride in - to” the sun._ E5 GS N.C.(G) (A) , _————— - == 2 —— = (hun) ___ Yeah! Verse 2: Burn it up, we're gonna cruise. Kick down, nothin’ to lose When you're ridin’, ridin’ into the sun. A hot shot, hooked on the street. I’m in love, got the fire in me. When I’m ridin’, ridin’ into the sun. (To Bridge:)MISS YOU IN A HEARTBEAT Slowly ¢ = 66 z (Electric Version) G5 £59) Gu? CO) Am? Bh 3473 14 21 34 2 1 12341 Words and Music by PHIL COLLEN me 1 4 14 43 4g 3 = 42 tg 42 *Gtr.3 Rhy. Fig. 1A (end Rhy. Fig. 1A) ee eo 2 CO Rhy. Fig. 1B (end Rhy. Fig. 1B) PP ———_—___ P Pp——_ P pp——_ Ppp Gtr.7 ep $< $< nf 5 7 40- *Gtrs. 1-7 utilize E-bow throughout to achieve sustain Miss You In A Heartbeat - 15-1 P1037GTX Copyright © 1991 BLUDGEON RIFFOLA LTD. {All rights controlled by BLUDGEON RIFFOLA LTD./ ZOMBA ENTERPRISES INC. for the U.S. and Canada.) International Convright Secured Madein tl S.A. AI Riehts Reservedw/Rhy. Figs. 1A (Gtr. 3) and 1B (Gtr. 2) (2 times) of ——— Gtr. 1 fab d J a dee” Z 3 = = —- +— or — mf Gtr. 2 =) ee ip —t rs — 7 I — Gtr. 6 f & | SSS Verse I: w/Rhy. Figs. 1A (Gtr. 3) and 1B (Gtr. 4) c(9) G5 (Gtrs. 3 and 4 out) N.C.(F5 (6)) c9) GS lieve (a)that there’s.some-thing_ deep in - side. that should -n’t be_. from_ time to time _ Gtr. 1 Ne ~~ (Gtr. 1 out) Gtr. 2 (Gtr. 2 out) (Gtr. 6 out) (Gtr. 7 out) *compressed clean w/chorus and delay N iiss You In A Heartbeat - 15 - 288 though love __ was_sucha crime. I sure _ found_out, oi SS SS = hold ....-------------------- 4 3 3 3 = 3 : ——? [As 2 8 3 3 +B 3 —— cg) Am7 SSS SSS SSS —— = The more you care, the more — you fall... Z d (Gtr. 8 to slashes) ie 7— g — : 3 $3 3 —3 Le : —2- §—— 3— % Pre-Chorus I and 2: G5 FS(9) Gm7 F5(9) Gtr.8 J ) d ? ao — “——~ oN — 2 . = oe No need to wor - ry, ——_ no need to turn_ a - way,- ‘cause it don’t_ mat - Gtr. 6 ooo === mf Gi 5 eB Mics You [In A Heartbeat - 15 - 389 Cc) G5 (Gtr. 6 out) trem, bar oo —__OET_._ = —_—s ee eee -—“— —— —_—e ee trem. bar 2-12 12-12 1/2 Vv VY VV VY Chorus: Rhy. Fig. 2B Cc) G5 Am7 F5(9) c(9) GS ) ) ) ) ) Gtr. 8 ~~ 4 / a —_ 7 - OS = n—_“=> Ooh, —————— miss_ you_ in a heart - beat. Ba - by, Rhy. Fig. 2A (Ooh. Gtr. 1 mp Gtr. 9 Rhy. Fig. 2C Gtr. 10 Rhy. Fig. 2D Miss You In A Heartbeat - 15 - 490 Am7 c(9) GS Am7 F5(9) aN aw ~ ~— 7 miss you right.a-way. ——— . *cause it ain’t miss. you_ in a heart _ beat.) Aine Van In A Heartheat. 15.5oO —_ To Coda 6 (end Rhy. Fig. 2B) c(9) GS Cc) GS Cc) G/B Am7 (Gtr. 8 to notation) = —————————————— 5 Les Fs eh = = —e et Xo rr U love ___ if it don’t_ feel_ that way._ 2. When we (Oh. ) . Gtr.1 (end Rhy. Fig. 2A) (Gtr. 1 out) — = — ; = S| —— PT Sa SS (NU GR | LA 40 So H Ss U Gtr. 9 (end Rhy. Fig. 2C) (Gtr. 9 out) a =| _.U 2 "<0 FF OOOO 0 es OT a Dp rf {3} n Ha Ha H Ae Ne my i B—3 x— 3 % H 3 3 (end Rhy. Fig. 2D) Gtr. 10 —_—— . 2 sc —~e e (Gtr. 10 out) SSeS SSS EG y hold ....-..---------------- J hold _____..-.----------- 2 20eee eee ee ene J s * 46 ar et 8 8 8 8 8 | 7 rh B a | Gtr. 11 (Gtr. 11 out) f) a P| Ty = SS a ee | ya Pye es 6 6p ee eT o = oO ~ f hold _.... 4 ~ i oe 55-5 7. ————— - og ee — u a —Verse 2: C9) GS N.C.(F5(6)) = == SS ES = touch “ just lose __ my —— self con - trol. —___ — Gtr. 8 a ee | vib. w/bar —— 4. - _— - ; a I sense-sen - sa- tion Ican’t hide. ‘fabk. fabk. rm *phrase repeated w/digital delay while Jevel in mix fluctuates.93 D.S. % al Coda N.C.(F5(6)) cg) GS Am7 . a: > SN roa ee A eS or te ete el eas - y to walk a- way. __ I keep the faith_ and there’sa rea-son why.___ Yeah. fdbk. fdbk. fabk. fdbk. Sdbk. fdbk. (Gtr. 1 out) f fF fee i ff yf PE s2¢ta) 96g 1 8 ———43—{43) 45 43 {43} -45— H 5 H (Gtr. 2 out) p (Gtr. 3 out) ¥ LA—f ne 5 (Gtr. 4 out) Hess. e a H ms To ry 0 U le oe (Gtr. 7 out) OO [As BE bes Ltt =e hold 2.2.2 J 3 3 3 s/s 7 LA 3 6 5 xX ——_—_—3— Batme Vee Ten A Uenwthinnse 120094 Coda Am7 G5 F5(9) GS Gtr. 8¢- Fp} J. Fp mf = —™ — p=] 4 SS << Ain't. big on_ prom-is - es, —______ but Pll be true____ to. you Gtr.1 — — = +4 40 | Gtr. 6 é Q—— of CE 7S A +4 ——{t4) 40-4240 HB: Gtr. 995 Am7 GS FS(9) GS ar a os t — J = — — = *cause I’d do ’bout an - y - thing for some - one like... _ TY’mread-y for you. _ (Gtr. 1 out) SSS Tt} T. 1 CA 44 42. HB (Gtr. 6 out) | ta nh | me dxoddd aq we dbxogdds Hel 1] % ¢ — ———$2.—______ (Gtr. 12 out) a > — > > > > P.M.__ 4 P.M. --4 P.M. --4 P.M. P.M._ 4 5—F 5—F 5 5 Miss You In A Heartbeat - 15 - 1096 Guitar Solo: c(i) G5 Am7 Gtr. 8) Q ; trem. bar AH. Pitch: Ft A.H. Pitch: D 12 12 v2 12 V vVoev Vv -—3—T Tg NN nd ONE NT trem. bar 1/2 -1/2 VV cg) G5 Am7 AH. (8va).-- --- 4 grad. dive w/bar 4 AH. Pitch: E O_O ES trem. bar W212 VV Miss You In A Heartbeat - 15-11*this portion of phrase repeated w/echo device and heard displaced by one beat. (Gtr. 13 out) xx (8Va)___.-...--------------------- loco % Miss You In A Heartbeat - 15 - 12 **rapidly tap strings w/pick over neck pickup and move toward nut.98 Chorus: w/Rhy. Figs. 2A-D, Grrs. 1, 8, 9 and 10 (2 times) C9) G5 Am7 F5(9) c(9) G5 — -_ —~ £. * = _ i 2 __ = 7 Ne SS 7 t = I said ba - by, — I 1 miss. you. in a heart - beat.) Ooh. (Ooh, ___ Gtr. 11 miss you right a - way. Mt | 8 ee 799-107-9187 9 F5(9) Cc) GS = = — = —— Ss To f——4 It ain’t love ___ if it don't miss_ you— in a heart - beat.) (Ooh. —________ ) __ omen eS ——> f g. z £ = £ fe £ 1 1 ; een )-+2-4— ——\—_— CA F942. eB Cc) G5 c(9) -— GS ES = feel _ that way. Yeah, __ Miss You In A Heartbeat - 15 - 13—_43— 8 8 2 Aen > en a eee BS — [_ *Both notes vib. miss you fight_ a - way. H AH. 15vb _.-.4 A.H. Pitch:G “N— Am7 FS(9) C9) GS =< 1 _~ , — — a | l\ ¥ Cr | | 2 ee SS 7 — ——s— = Don’t you know it ain’t love, ____) it ain’t love _ “till it miss_ you_. in a heart - beat. ) (Ooh, +? AH. A.H.’s ...---------- a4 (8va), loco (80a) ~ —~ : : 3 1 1 pe z a Bp ee AH. Pitch: A A.H. Pitch: E A.H. Pitch: D Miss You In A Heartbeat - 15 - 14 na naar100 w/Rhy. Figs. 2A-D, Girs. 1, 8, 9 and 10 (Ist 4 bars only) cg) GS SSS SS SSS ———___ feels that — No. No. Oh, (Ooh, a a rd eo <= ze 2E £ ~ et = — ss a 1 ~~ = py, a a faa +5— (15)}—{15}-— Am7 F5(9) beat.) c G5 Am7 — 7 —_—™ —~ ——___ _Fade SS SS SS aa ¢ r SESS — heart beat? Yeah ___ it’s some - thin’ deep — in - side ba - by. — (8va) (Ooh ) VA) .--------------- loco. 2 eo ex le 6 = ZX ’ oe =e SSS = grad. bend grad. bend aaweeeeee s88 1 Ve 1 | i -20-— 28> —48 5 = a 8 3Z— > 8 7A 57 —5— —5 5—F Mice Yan In A Heartheat- 15-15101 I WANNA BE YOUR HERO G es Words and Music by Slowly J =91 S. CLARK, P. COLLEN, J. Intro: Ee RILANGE and R SAVAGE. Gtr. 1 (J2 string) Rhy. Fig. 1 Bb play 3 times (end Rhy. Fig. 1) (end Rhy. Fig. 1A) = SSS SSS SS Gtr. *w/o distortion. w/Delay, compression and chorus. 3 (12 string) Rhy. Fig. 1B (end Rhy. Fig. 1B) w/Rhy. Figs. 1 (Gtr./), 1A (Gtr. 2) & 1B (Gtr. 3) (5 times) Dm Cc Bb Dm I wan-na be your he - ro. Til be a ri be your heat in the night. T Wanna Be Your Hero - 11 - | P1037GTX Copyright © 1987 BLUDGEON RIFFOLA LTD. / OUT OF POCKET PRODUCTIONS LTD. / ZOMBA MUSIC PUBLISHERS LTD. (All rights controlled by BLUDGEON RIFFOLA LTD. / ZOMBA ENTERPRISES INC. for the U.S. and Canada.)102 Faster ¢ = 130 Verse 1: Gtr. 4* Dm Bb5 Dm Bb5S ; = e “ow > Qa a > > > P.M..__-------------------- J P.M. ..------------------------------ J 7 3 z 3-3 = [55 5 5-5 55 15 5 5 FF *Double tracked w/distortion tight, cause] like what I see. Youex - Rhy. Fig. 2 (end Rhy. Fig. 2) 3 —2— © zee -3———_—-3 —}—__--} 33 ——2—_ 2 & 3 Gtr. 4 . Rhy. Fig. 2A (end Rhy. Fig. 2A) I Wanna Be Your Hero - 11-2103 w/Rhy. Figs. 2 (Gtr. 2) & 2A (Gtr. 4) 3 times » cs BbS Rm o—* te cite, you put your fin- ger on me. You’re not___— too shy,_ DS aD Se == er you put a sting in my A mag - ic ride,_ DS <=. c BbS “eo : ~ pe £ == 1 —— and I'm a- hot on your _ trail. You know, —__ Pre-Chorus 1: DS E5 C#5 DS ES _ oe e —-e 4 — — == = you got some - thing I want, __ you got some - thing I need,_ Gtr. 4 Rhy. Fig. 3A SSS === = SS hold .....-------------------------- 4 8 CE t -—3—— 3 3 CA 2=9—_9— 9 1 2 2— ==9—9—_ 9 =<9— 98919} r Gtr. 2 Rhy. Fig. 3 2 > x 2 $$ Pay 49-10 - 48—_18—16—16- 3 9 4——7—}—————________—___—__9— F 4-5 7 J Wanna Be Your Hero - 11 -3CHS DS ES = =e = I’ve got some-thing to say. ___ eee eee eee eee een ene hold ._....---------------4 & 3 3 ——+>~9_9—9 2-——___—_2- ™ ———_# = 7? 498—\_16>-— 48 9 = Verse 2: Eb5 D5 C5 Bb5S (G) D5 w/Rhy. Figs. 2 (Gir. 2) & 2A f f. f ~~. “ (Gtr. 4) on my way. —__. Hot licks, (end Rhy. Fig. 3) on the tip of my tongue. E-lec - tric, T Wanna Re Your Hero - 11-4105 ce you turn your head - light know, Pre-Chorus 2: w/Rhy. Figs. 3 (Gtr. 2) & 3A (Gtr. 4) DS ES CHS DS ES C#5 DS — — - = ] you got some-thing I want,__ you got some-thingI need, __ yeah. _ ES Eb5 DS C5 Bb5(G) ro ve got some-thing to say. ___ I'm on my way. __ Ooo yeah, _ ®) —___ get up and go.___ I wan-na be your he ~-_ 10, Rhy. Fig. 4 Gtr. 4 f : aa ‘= { -— Rhy. Fig. 3A (var.)....-...-.------- Gtr. 2 1 Rhy. Fig. 44 I Wanna Be Your Hero - 11-5106 (®) (Eb) G (F) (Eb) ° - > +» FR. Se sess light. _ I'll be yourtrick of the wan-na be your (F) G ) (Eb) (F) == == - 10, (in) the heat of the night, — WW __. Gtr.4 (end Rhy. Fig. 4A) 3 —3 ——8- —7_}—____#—_# 5 (end Rhy. Fig. 4) Titre Da Vane Uern 11.46107 Guitar Solo: Gtr. 4 BbS DS BbS 1] Wanna Be Your Hero - 11-7*Doubled by Gtr. 2 Interlude: Gtr. 4* Gtr.4 D5 Am Gm i => SS _-= - PM. .--------eeee eee e eee e ee eee ee eee eee J > T + — —3$ a 1-3 ? ? HB-—s 5—_5—_5—__5- 5 5—_5-__5 + A fe ¢ e on . 2 So tacet till en t Tt — — —13-43 —42-42- 46-40 8—-8- 6—6- 5 ——8, 8} F- 45-45, 43 4444 49—|—_——_8-8 {t ee — Gtr.7 e ~ b = + at = Ff gs == FE = $s i §8—10—_8—7 8—_?#—_&- Fr 40-4811 40 —§ 8 8 TA = 9—-4-9— F t 8 +Verse 3: DS Gtr. 7 tacet till end F DS Bb5 te » SSS — Uh, hold tight, I like what I see, Oh! aeneeeeeeseeeneeereeeeeee “™~ aa SS as =e eeeereereeeeseeseneeeeee 48 —F— F 48 7— 3 7 7 z 40 iF 7 3 s- 5— 8 5— 5- + G DS F “™, e — —~ a oo = —— = : Just___ one night, __ that’s all I'm ask - ing for. = SSS F- J Wanna Be Your Hero - 11-9 HU = ‘ —# g —110 Pre-Chorus 3: DS G DS ES a _ [SS SS eS You, you, — you got some-thing I want, _ you got some-thing I need. _ I’ve got some-thing to say. Yeah! | | EbS5 DS C5 Bb5G oo ™ =I ™~ 2 —~ @ ee I'm on my way, —_ Ooo yeah, ____.__ get up and = go._ TWenna Re Vane Yern . 11.19111 Chorus 2: w/Rhy. Fig. 4 (Gtr. 2) & 4A (Gtr. 4) G ® (Eb) ®) ) (Eb) (F) G G . ~ 9A. ~ 2987 SS Ss Se — I wan-na be your he - ro, I'll be your trick of the light. __ 1. (F) (Eb) () G () (Eb) I wan-na be your he - ro, in the heat of the night. _ 12, (F) (G) ®) (Eb) ) _ 2 Y } ; ° - Gtr. 5 tacet in the heat of the night. (I wan-na be your Outro: (lead vocal tacet on repeat) G5 FS Eb5 FS G5 Repeat and fade (I wan-na_ be your I Wanna Be Your Hero - 11 - 11112 RING OF FIRE « D5 . cs 23 134 _ Words and Music by Fast rock ¢ = 160 S. CLARK, P. COLLEN, J. ELLIOTT, RJ. LANG . «ee. 1 NC.(5) «Bbs) E and R. SAVAGE = ————S——e———eeeee aoe GH et Q = 7 ny 3 13} i oe 7 tf -——————— 3 13) 23 =f te 3 an | a | *crescendo w/volume knob D5(9) Bb5(9) pee ee ee eee ee ee eee ee eee J semi harm. .....----.-.--- J 8 §—_—_-——- 2—0 2—4 uy 2—3 —_——3— 3—2—3 3 3—2—3 44—___ (Gtr. 2 to slashes) ctr.3 4 3 a = TE ————SSS SS ——— oP divisi pick sl. i 3 BEX 4—_____ | 33% % * Ring of Fire - 13-1 P1037GTX Copyright © 1988 BLUDGEON RIFFOLA LTD. / OUT OF POCKET PRODUCTIONS LTD. / ZOMBA MUSIC PUBLISHERS LTD. (All rights controlled by BLUDGEON RIFFOLA LTD. / ZOMBA ENTERPRISES INC. for the U.S. and Canada.)