MY REAL BOOK

STANDARDS

(Volume V)
 Índice
Take The “A” Train
Tangerine
Teach Me Tonight
Tenderly
Teach Old Feeling
That’s All
The End Of A Love Affair
The Lady is a tramp
The Shadow Of Your Smile
The Way You Look Tonight
There Will Never Be Another You
These Foolish Things
They Can’t That Away Frow Me
Till There Was You
Time After Time
Too Close For Comfort
Unforgettable
What’s New
Witchcraft
Yesterdays
You Go To My Head
C INSTRUMENTS
TAKE THE "A" TRAIN 82
D. ELLINGTON

D7(b5) D7(b5)
     
      
  



A C^ D7(b5)
     
5
    


 
9 Dm7 G7 C6 1.
Dm7 G7

              

2.
Gm C7 B F^
     
13
  
   

F^ D9 Dm7
     
17
 
    

Dm7 G7(b9) C C^ D7(b5)

  
21

        

25 D7(b5) Dm7 G7 C6 [ Dm7 G13 ]

 
            
  
C INSTRUMENTS TANGERINE 83
V. SCHERTZINGER

D7(b9) A Gm9 C9 F^ Bb^ Am7 D7(b9)

   
      
   

5 Gm7 C7 Gm7 C7 F^ AØ D7(b9)

           


9 B Gm9 C9 F^ BØ E7(#9)
       
  

13 A^ Bm7 E7 A6 D7(b9)

            

17 C Gm9 C9 F^ Bb^ Am7 D7(b9)

         


21 Gm7 C7 Gm7 C7 Eb9(#11) D7(b9)

           

D Gm7 EØ A7(#9) Dm7 G9
      
25

        
3 3


29 Gm7 C9 F6 [ F6 D7(b9) ]
    
      [ ]
C INSTRUMENTS
TEACH ME TONIGHT 84
G. DE PAUL

Dm7 G7 G&7 A C6 F9 Em7 A7 Dm7 G7

                      

5 EØ A7(b9) Dm7 Dm7/G G7 C^ A7

               

Dm7 G7 G&7 B C6 F9 Em7 A7 Dm7 G7

                    
9

13 EØ A7(b9) Dm7 Dm7/G G7 C6 F9

               

C6 Em7 Ebm7 C Dm7 G9 C^ A7(b9) Dm7 G7


17
 
      
         

21 C^ F#Ø B7(b9) Em7 A7 Am7 D9

                  

Dm7 G7 G&7 D C6 F9 Em7 A7 Dm7 G7

                    
25

29 EØ A7(b9) Dm7 Dm7/G G7 C6 [Dm7 G7 G&7 ]

              [      ]

C INSTRUMENTS
TENDERLY 85
W. GROSS
J. LAWRENCE

   
A Eb^ Ab9(#11) Ebm9 Ab13
   

       

Fm9 Db9(#11) Eb^ Gm7 C7

    
5
  
      

FØ Bb13 FØ DØ G7
 
9


     
 


13 Cm7 F13 Fm7 Bb7
        
    


17 Eb^
B Ab9(#11) Ebm9 Ab13
          
     

Fm9 Db9(#11) Eb^ Gm7 C7

    
21

  
    

FØ DØ G7 Cm7 F13 F#º

  
25


         

29 GØ C7(b9) Fm9 Bb7 Eb6 [ Fm7 Bb7 ]

     
        
C INSTRUMENTS THAT OLD FEELING 86
L. BROWN
S. FAIN
A Eb% Eb/D Eb/C Eb/Bb Abm7 Db7 GØ C7(b9)
  
   
  
       

5 Fm7 C&7 Fm7 F#m7 B7 Bb7 G7

      
        


9 B Cm7 G7/B Eb/Bb A7 Ab^

         
        

13 Cm7 F7 Fm7 B9(#11) Bb7

               


C Eb% Eb/D Eb/C Eb/Bb Abm7 Db7 GØ C7(b9)

 
17
    

        

 
21 Fm7 C&7 Fm7 AØ D7(b9)
       
       

D GØ

25 C7(b9) Fm7 Abm7 Db9
              
        
3

Eb/Bb G7/B Cm7 Gb7(b5) Fm7 Bbsus4 Bb7 Eb%

 
29

    
    
C INSTRUMENTS
THE END OF A LOVE AFFAIR 88
E. REDDING


A Gm7 C7 F^ Fm7 Bb7 Eb^
 
 
   
       
      



    
5 Ebm7 Ab9 Ebm9 Ab9 Gm7 C7 1.
F^ Dm7
             
     
 

9
2.
F^ B Dm7 G9 Dm7 G9 Dm7 G9
 
  
 
     
 




13 Dm7 G9 C^ Am7 D9 Dm7 G9
        
        

Gm7 C7 C Gm7 C7 F^ Fm7 Bb7


17
  
          
      

21 Eb^ Ebm7 Ab9 Ebm9 Ab9 Gm7 C7

        
            


25 Cm7 F7 D Bb^ Bbm7 Eb9 F^


                 
 


29 Abº Gm7 F#º Gm7
C9 F6
     
          
C INSTRUMENTS
THAT´S ALL 87
A. BRANDT
B. HAYMES


A Bb^ Cm7 Dm7 Cm7 Bb^ Eb^(#11) Dm7 G7
                             
 

 
EØ Ebm7 Bb/D Dbº 1.
Dm7 G7 Cm7 F7
              
5
  
 

 

9
2.
Cm7 F7 Bb% B Fm7 Bb7(b9) Eb^ C7(b9)

 


        
    

13 Fm7 Bb7(b9) Eb^ Ab7 Gm7 C7(b9) F^ D7(b9)

       
     
     

17 Gm7 C7(b9) Cm7 F7 C Bb^ Cm7 Dm7 Cm7

     

         

Bb^ Eb^(#11) Dm7 G7 EØ Ebm7 Bb/D Dbº

                        
21
  

25 Cm7 F7 Bb% [ F7sus4 ]

 
   [   ]
C INSTRUMENTS THE LADY IS A TRAMP 89
L. HART
R. RODGERS

 
A C^ A7(b9) Dm7 G7
         
      

C^ A7(b9) Dm7 G7

5

           


B C7sus4 Gm7 C9 F^ Bb7sus4 Bb7

   
9


     
  

 
13 Em7 A7 Dm7 G7 C% A&7 Dm7 G7
1.

    
      


2.
C% C Dm7 G7 Em7

17
  
     
  

A7 Dm7 G7 Bb9(#11) A7 Dm7 G7

  
22

      
  
D C^ A7(b9) Dm7 BØ E7

27

           


31 Am7 Dm7 G7 C% [ Dm7 G7 ]

           

C INSTRUMENTS THE SHADOW OF YOUR SMILE 90
J. MANDEL


A F#m7 B9 B7(b9) Em7 A9
       


         
   

5 Am7 D7 G^ C^

    
     

B F#Ø B7 Em7 Em7 Em/D

 
9

    

 


C#Ø F#7 F#m7 B7

 
13

 
        

17 C F#m7 B9 B7(b9) Em7 A9


           
  

Am7 D9 BØ E7(b9)

21
    
   
 

D Am7 Cm7 F9 Bm7 E7(b9)

      
25
        
  


29 A7 Eb7 Am7 D7(b9) G6 [ B7 ]


          [      ]
  
C INSTRUMENTS THE WAY YOU LOOK TONIGHT 91
D. FIELDS
J. KERN

   
A Eb6 Cm7 Fm7 Bb7 GØ C7(b9)
   

          

7 Fm7 Bb7 Eb9 Eb9 A7(b5) Ab6 Gm6 Gb9

  
           
    


1.
Fm7 Bb7 Eb6 C&7 Fm7 Bb&7 Eb6 B7(b5) Bb13
           

12
   
 

        


17 Bb13
2. B Gb^9 Gb Gb^ G Abm7 Db7(b9)
       
    



22 Bbm7 F7/A Aº Abm7 Db9 Bbm7 A7(b9)
 
              

Abm7 Db9 Gb9 Gb^7(#4) Gb6 Fm7

        
28 3
   
     

33 Bb13 C Eb6 Cm7 Fm7 Bb7 GØ


              

39 C7(b9) Fm7 Bb7 Eb9 Eb9 A7(b5)

           
   

Ab6 Gm6 Gb9 Fm7 Bb7 Eb6 [ Fm7 Bb7 ]


44

         

C INSTRUMENTS
THERE WILL NEVER BE ANOTHER YOU 92
H. WARREN
M. GORDON
A Eb^ DØ G7
 

 
   
   
   


Cm7 F9 Bbm9 Eb13


5
        
    

Ab^ Db9(#11) Eb^ Cm7

  
9
      
          

F9 Fm7 Bb7

13
      
     

17 B Eb^ DØ G7

       
   


Cm7 F9 Bbm9 Eb13


21
    
      




Ab^ Db9(#11) Eb^ AØ D7(b9)
  
25
     
        

29 Eb6 Ab9(#11) Gm7 C7 Fm7 Bb13 Eb6 [ Bb7 ]

           
   
C INSTRUMENTS THESE FOOLISH THINGS 93
J. STRACHEY
H. LINK
Eb^
A Cm7 Fm9 Bb7 Eb^ Cm7
         
               

F9 Bb7 Eb9sus4 Eb9 A9(#11) Ab^ G&7 C&7
  
4
          
3
      

7 F9 Fm7 Bb7 Eb^ Cm7 Fm9 Bb7

   3
          
     
  
Eb^ Cm7 F9 Bb7 Eb9sus4 Eb9 A9(#11)
   
11
       
           

14 Ab^ G&7 C&7 F9 Bb7 Eb6 AØ D7
 
3 3
      
   
17 BGm EØ AØ D7 Gm Gm^ Gm7 C9 F13
           
 

Bb^ Gm7 Cm7 F7 Bb7 Eº Fm7 Bb7

         
21

        

Eb^ Cm7
C Fm9 Bb7 Eb^ Cm7 F9 Bb7
                           
25
 

29 Eb9sus4 Eb9 A9(#11) Ab^ G&7 3C&7 F9 Bb7 3 Eb6 [ Fm7 Bb7 ]
    
               

3 
 THEY CAN´T TAKE THAT AWAY FROM ME 94
C INSTRUMENTS
G. GERSHWIN


Bb7sus4 A Eb6 Eb6 Gbº Fm7 Bb7sus4
         
                

 


Bbm7 Eb7 Ab^
1.
C7 [F7] Bb7sus4


6
  
  
        


10 Ab^
2.
Db9 Eb6 B Gm7 C7 Gm7 C7
     
               

14 Gm7 A&7 Am7 D7 Gm7 C7 Gm7 GØ C7

   

            

18 F7 Bb7sus4 C Eb6 Eb6 Gbº

              
  


22 Fm7 Bb7sus4 Bbm7 Eb7

         
     

26 Ab^ Bb7 Cm Db9 Eb6 Eº Fm7 Bb13

 
                

30 Eb Bb7sus4


   
     
C INSTRUMENTS
TILL THERE WAS YOU 95
M. WILLSON

 
A Eb Eº Fm7 Abm6
       
      
        

    
5 Eb F#º Fm7 Bb7(b9) 1.
Eb^ Eº Fm7 Bb7

        
3
 
3
  

9
2.
Eb Db9 Eb Eb^ B Ab Aº
         

      3

13 Eb/Bb C7 C&7 Fm7 F9

    
         

Fm7 Bb7 Bb&7 Bb7 C Eb Eº

     
17

 
 
   

21 Fm7 Abm6 Eb F#º Fm7 Bb7(b9)

         3
           
3

25 Eb6 [ Fm7 Bb7 ]

  [   ]
 
C INSTRUMENTS
TIME AFTER TIME 96
J. STYNE

A C^ Dm7 G7 C^ Dm7 G7
 
         


5 C^ Am7 BØ E7(#9)

    
    

BAm7 Am7/G F#Ø B7(#9) Em7 A7(b9)

  
9

         

13 Dm7 EØ A&7 Ab9(#11) G7

      
    

17 C C^ Dm7 G7 C^ Dm7 G7
 
        


21 C^ Gm7 C7 F^ Bb9
  

    
 

25 D C^ Gbº Fm6 Em7 Am7/G Gbº Fm


          

29 Em7 A7(#9) Dm7/G G7 C6 [ Dm7 G7 ]


        
C INSTRUMENTS TOO CLOSE FOR COMFORT 97
J. BOCK
L. HOLOFCENER


A C^ B&7 EØ A7 G. WEISS

     

      
 

 
1.
DØ G7 C^ Dm7 G7
  
5

 
   
    
C^ B F7
   
2.
9 Gm7 C7 F#º
       
    

   
13 C/G Gm7 C7 F7 F#º
           
 

Ab7 Dm7 G7 C C^ B&7

 
17

         

EØ A7 DØ G7
    
21

   
   
C^ D F7
   
25 Gm7 C7 F#º
       
    

                 
29 AØ D7(b9) Ab7 G7
      

33 C6 [ Dm7 G7 ]
   [  ]
C INSTRUMENTS
UNFORGETTABLE 98
I. GORDON

AG G^ Gº


3
    
        

C C^ A9 F

5
    3
   
         

10 B Fm C EØ/Bb A7 D9
      
              

14 D9 Dº D7 C G G^

         
3
    
     

19 Gº C C^ A9
   

3
     
    

D F
                    
A9 Fm C EØ/Bb A7
 
24

29 D7 Dm7 G13 C6 F9 C6 [ D7 ]


  
         
C INSTRUMENTS
WHAT´S NEW 99
B. HAGGART

 
G7(b9) C6 F13 Bbm9 Eb9 Ab^ Db^

             
3

5 DØ G9(#11)
Cm AØ DØ G&7(b9) C^ Am7
           
       

  
9 Dm7
1.
G7(b9) 2.
Gm7 C7(b9) F6 Bb13 Ebm9 Ab9
     
       
3

13 Db^ Gb^ GØ C9(#11) Fm DØ GØ C&7(b9)

               


17 F^ F6 DØ G7(b9) C6 F13 Bbm9 Eb9

                
   
3

21 Ab^ Db^ DØ G9(#11) Cm AØ DØ G& G7(b9)

               


25 C^ Am7 Dm7 G7(b9)

       
C INSTRUMENTS
WITCHCRAFT 100
CY COLEMAN
A F6 C. LEIGH
G#º
         
            
5 Gm7 C9sus4 F^ F7

 
         

  
9 Bb^ Eb9
                      
13 Ab6 G&7 C7
                
  
17 B F^9 Bb13
 
       
  
     
  
F^9 BØ E7
 
21
 3
 
     
  


25 Am Am(#5) Am6 Am(#5) Am

                     
Gm Gm(#5) Gm7 C7
    
29
         

33 C F6 G#º
   
          
      
37 Gm7 C9sus C7 F6 [ Gm7 C7 ]

     
       
C INSTRUMENTS
YESTERDAYS 101
J. KERN
O. HARBACH

 
A Dm EØ A7 Dm EØ A7
    
     

5 Dm Dm^/C# Dm7/C BØ E7

  
      
 

A&7

9 D9 G13 C9
  
   


13 F13 Bb^9 Gm7 EØ A7
       
 

B Dm EØ A7 Dm EØ A7
  
17

   

21 Dm Dm^/C# Dm7/C BØ E7

  
        

A&7

25 D9 G13 C9
  
   

 
F13 Bb^9 Gm7 EØ A7 Dm
 
29
        
   
C INSTRUMENTS
YOU GO TO MY HEAD 102
J. F. COOTS

   
Eb^ 1
Abm7 Db7 Gb^ F7 Bb& Bb7
   
          


 
5 Ebm7 F7 Bb& Bb7 Eb^ 1.
Fm7 Bb7(b9)

 
       
         
 

9 Bbm7 Eb7
2. 10
Ab^ D7(b9) Eb^ Fm7 Bb7
       
         

Eb^ Am7 D7(b9) G^ G#º Am7 D7(#9)3

  
13

        
   

17 Gm7 Gbm7 Fm7 Bb7 18 Eb^ Abm7 Db7 Gb^


 
     



21 Fm7 Bb& Bb7 Ebm7 F7 Bb& Bb7 Eb^

              
            

Bbm7 Eb7(b9) Ab^ Db7 Eb^ 3

  
26
25
   
         
    
3

29 Cm7 Gbº Fm7 Bb13 Eb^ [ Fm7 Bb13 ]


                
3 3 3
B FLAT
INSTRUMENTS
TAKE THE "A" TRAIN 82
D. ELLINGTON

E7(b5) E7(b5)
     
          

   
A D^ E7(b5)
     
5
    



Em7 A7 D6 Em7 A7
1.



9
   
           

B G^
  
Am D7
2.
  
13
   
   

  
G^ E9 Em7
  
17
    
  


Em7 A7(b9) C D^ E7(b5)
  
21
      
  

25 E7(b5) Em7 A7 D6 [ Em7 A13 ]

   
 
          

B FLAT
INSTRUMENTS
TANGERINE 83
V. SCHERTZINGER

E7(b9) A Am9 D9 G^ C^ Bm7 E7(b9)

      
       

5 Am7 D7 Am7 D7 G^ BØ E7(b9)

    
        

9 B Am9 D9 G^ C#Ø F#7(#9)

 
         

13 B^ C#m7 F#7 B6 E7(b9)

 
           

17 C Am9 D9 G^ C^ Bm7 E7(b9)

 
         

21 Am7 D7 Am7 D7 F9(#11) E7(b9)

    
        

D Am7 F#Ø B7(#9) Em7 A9

   
25
 
        
3
 
3

29 Am7 D9 G6 [ G6 E7(b9) ]
    
       [ ]
B FLAT
INSTRUMENTS
TEACH ME TONIGHT 84
G. DE PAUL

Em7 A7 A&7 A D6 G9 F#m7 B7 Em7 A7

                     
 

5 F#Ø B7(b9) Em7 Em7/A A7 D^ B7

     
         

Em7 A7 A&7 B D6 G9 F#m7 B7 Em7 A7

                    
9


13 F#Ø B7(b9) Em7 Em7/A A7 D6 G9

     
         

D6 F#m7 Fm7 C Em7A9 D^ B7(b9) Em7 A7

   
17
   
           

D^ G#Ø C#7(b9) F#m7 B7 Bm7 E9

       
21

           

Em7 A7 A&7 D D6 G9 F#m7 B7 Em7 A7

                    
25


29 F#Ø B7(b9) Em7 Em7/A A7 D6 [Em7 A7 A&7 ]

      
        [       ]

B FLAT
INSTRUMENTS
TENDERLY 85
W. GROSS
J. LAWRENCE

    
A F^ Bb9(#11) Fm9 Bb13
            
  

Gm9 Eb9(#11) F^ Am7 D7


5

         
 

GØ C13 GØ EØ A7
 
9

       
 


13 Dm7 
G13 Gm7 C7
         


    
17 BF^ Bb9(#11) Fm9 Bb13
       
 

Gm9 Eb9(#11) F^ Am7 D7


21

         
 

GØ EØ A7 Dm7  G13 G#º


25
    
       

29 AØ D7(b9) Gm9 C7 F6 [ Gm7 C7 ]

            
B FLAT
INSTRUMENTS
THAT OLD FEELING 86
L. BROWN
S. FAIN
A F% F/E F/D F/C Bbm7 Eb7 AØ D7(b9)

      
    
  

Gm7 D&7 Gm7 G#m7 C#7 C7 A7

  
5

        

  

9 B Dm7 A7/C# F/C B7 Bb^

                

13 Dm7 G7 Gm7 C#9(#11) C7

 
            

C F% F/E F/D F/C Bbm7 Eb7 AØ D7(b9)

 
17
  
         

 
21 Gm7 D&7 Gm7 BØ E7(b9)

        

 

25 D AØ D7(b9) Gm7 Bbm7 Eb9

           
          
3


29 F/C A7/C# Dm7 Ab7(b5) Gm7 Csus4 C7 F%
          
B FLAT
INSTRUMENTS
THAT´S ALL 87
A. BRANDT
B. HAYMES


A C^ Dm7 Em7 Dm7 C^ F^(#11) Em7 A7
                             


 
F#Ø Fm7 C/E Ebº 1.
Em7 A7 Dm7 G7
            
5
   
     

2.
Dm7 G7 C% B Gm7 C7(b9) F^ D7(b9)
 
9
        
     

13 Gm7 C7(b9) F^ Bb7 Am7 D7(b9) G^ E7(b9)

              
     

17 Am7 D7(b9) Dm7 G7 C C^ Dm7 Em7 Dm7

         

C^ F^(#11) Em7 A7 F#Ø Fm7 C/E Ebº


21
               

    

Dm7 G7 C% [ G7sus4 ]
 
25

  [   ]
B FLAT
INSTRUMENTS
THE END OF A LOVE AFFAIR 88
E. REDDING

 
A Am7 D7 G^ Gm7 C7 F^
          
 
        
 


Fm7 Bb9 Fm9 Bb9 Am7 D7 1.
G^ Em7


5


      
              


9
2.
G^ B Em7 A9 Em7 A9 Em7 A9

            

13 Em7 A9 D^ Bm7 E9 Em7 A9

           
        

Am7 D7 C Am7 D7 G^ Gm7 C7

        
17
 
       
 

21 F^ Fm7 Bb9 Fm9 Bb9 Am7 D7

          
             

25 Dm7 G7 D C^ Cm7 F9 G^

           


29 Bbº Am7 G#º Am7 D9 G6

      
           
B FLAT
INSTRUMENTS
THE LADY IS A TRAMP 89
L. HART
R. RODGERS

  
A D^ B7(b9) Em7 A7
     
  
       

D^ B7(b9) Em7 A7
    
5
        
 

9 B D7sus4 Am7 D9 G^ C7sus4 C7


    
    

   

 
13 F#m7 B7 Em7 A7 D% B&7 Em7 A7
1.
  

        
 

17
2.
D% C Em7 A7 F#m7
     
 
    

B7 Em7 A7 C9(#11) B7 Em7 A7

    
22
     
   

D D^ B7(b9) Em7 C#Ø F#7

   
27
   
       


31 Bm7 Em7 A7 D% [ Em7 A7 ]
          
 
B FLAT
INSTRUMENTS
THE SHADOW OF YOUR SMILE 90
J. MANDEL


A G#m7 C#9 C#7(b9) F#m7 B9

   
       
 
        
 


Bm7 E7 A^ D^

5

  

     

B G#Ø C#7 F#m7 F#m7 F#m/E

 
9
   

  
  


D#Ø G#7 G#m7 C#7
 
13

  
        

C G#m7 C#9 C#7(b9) F#m7 B9


17

         
    

Bm7 E9 C#Ø F#7(b9)

 
21
     
   

D Bm7
    
25 Dm7 G9 C#m7 F#7(b9)
            
  

B7 F7 Bm7 E7(b9) A6 [C#7 ]

   
29

       [       ]
  
B FLAT
INSTRUMENTS
THE WAY YOU LOOK TONIGHT 91
D. FIELDS
J. KERN

  
A F6 Dm7 Gm7 C7 AØ D7(b9)
  
           

7 Gm7 C7 F9 F9 B7(b5) Bb6 Am6 Ab9

  

              


1.
Gm7 C7 F6 D&7 Gm7 C&7 F6 C#7(b5) C13
     

12
     
   
 
      

17
2.
C13 B Ab^9 Ab Ab^ A Bbm7 Eb7(b9)
          



Cm7 G7/B Bº Bbm7 Eb9 Cm7 B7(b9)

22
         
     

Bbm7 Eb9 Ab9 Ab^7(#4) Ab6 Gm7

   
28
        
 
3

33 C13 C F6 Dm7 Gm7 C7 AØ

             

39 D7(b9) Gm7 C7 F9 F9 B7(b5)

 
           

Bb6 Am6 Ab9 Gm7 C7 F6 [ Gm7 C7 ]


44

         
B FLAT THERE WILL NEVER BE ANOTHER YOU 92
INSTRUMENTS
H. WARREN
M. GORDON
A F^ EØ A7
          
   


 
5 Dm7 G9 Cm9 F13
     
    

Bb^ Eb9(#11) F^ Dm7

       
9
   
      


G9 Gm7 C7

13

         

B F^ EØ A7
 
17
 
        

 
21 Dm7 G9 Cm9 F13
     
    


25 Bb^ Eb9(#11) F^ BØ E7(b9)
   
          


29 F6 Bb9(#11) Am7 D7 Gm7 C13 F6 [ C7 ]

   
  
     
B FLAT
INSTRUMENTS
THESE FOOLISH THINGS 93
J. STRACHEY
H. LINK
F^A Dm7 Gm9 C7 F^ Dm7

          
           
 
4 G9 C7 F9sus4 F9 B9(#11) Bb^ A&7 D&7
    3
    
       


G9 Gm7 C7 F^ Dm7 Gm9 C7
           
7
3 
 
      
11 F^ Dm7 G9 C7 F9sus4 F9 B9(#11)
                    

A&7 D&7

14 Bb^ G9 C7 F6 BØ E7
 3 3
     
    

17 Am
B F#Ø BØ E7 Am Am^ Am7 D9 G13
           

C^ Am7 Dm7 G7 C7 F#º Gm7 C7

       
21
     
  

F^
C Dm7 Gm9 C7 F^ Dm7 G9 C7
                    
25
      


F9 B9(#11) Bb^ A&7 3D&7 G9


29 F9sus4 C7 3 F6 [ Gm7 C7 ]
   
            
  
3
 THEY CAN´T TAKE THAT AWAY FROM ME 94
B FLAT
G. GERSHWIN
INSTRUMENTS


C7sus4 A F6 F6 Abº Gm7 C7sus4
     
                 
 


Cm7 F7 1.
Bb^ D7 [G7] C7sus4
          
6
      
  

10 Bb^
2.
Eb9 F6 B Am7 D7 Am7 D7
   
                

14 Am7 B&7 Bm7 E7 Am7 D7 Am7 AØ D7

     
          

18 G7 C7sus4 C F6 F6 Abº
               


22 Gm7 C7sus4 Cm7 F7

           
 

26 Bb^ C7 Dm Eb9 F6 F#º Gm7 C13

   
            

30 F C7sus4
         
B FLAT
INSTRUMENTS
TILL THERE WAS YOU 95
M. WILLSON

       
A F F#º Gm7 Bbm6
  
  

          

    
5 F G#º Gm7 C7(b9) 1.
F^ F#º Gm7 C7
    3
 
     
3

2.
F Eb9 F F^ B Bb Bº
9
         
     
3

13 F/C D7 D&7 Gm7 G9

            

Gm7 C7 C&7 C7 C F F#º

         
17
  

21 Gm7
   Bbm6 F G#º Gm7
   
C7(b9)
3
            
3

25 F6 [ Gm7 C7 ]
   [   ]
B FLAT
INSTRUMENTS
TIME AFTER TIME 96
J. STYNE

D^
A Em7 A7 D^ Em7 A7
 
           

5 D^ Bm7 C#Ø F#7(#9)


   
   
  

B Bm7 Bm7/A G#Ø C#7(#9) F#m7 B7(b9)

  
9
        
 

13 Em7 F#Ø B&7 Bb9(#11) A7

 
          

17 CD^ Em7 A7 D^ Em7 A7


           

21 D^ Am7 D7 G^ C9


       
 

 
25 D D^ Abº Gm6 F#m7 Bm7/A Abº Gm
          


29 F#m7 B7(#9) Em7/A A7 D6 [ Em7 A7 ]

         

B FLAT
INSTRUMENTS
TOO CLOSE FOR COMFORT 97
J. BOCK
L. HOLOFCENER
G. WEISS


A D^ C#&7 F#Ø B7
          
 
   

 
1.
EØ A7 D^ Em7 A7
  
5


      
   

 
9
2.
D^ Am7 D7 B G7 G#º
      
        

 
13 D/A Am7 D7 G7 G#º
       
        

Bb7 Em7 A7 C D^ C#&7

  
17
        


F#Ø B7 EØ A7
     
21

   
   

 
25 D^ Am7 D7 D G7 G#º
        
      

29

BØ
   E7(b9)
  
Bb7
       A7
     
     

33 D6 [ Em7 A7 ]
  
 [  ]
B FLAT
INSTRUMENTS
UNFORGETTABLE 98
I. GORDON

AA A^ Aº


    3
           

D D^ B9 G
      
5
   
3
       


B Gm D F#Ø/C B7 E9
      
10

          

E9 Eº E7 C A A^

       
14

     
3
    


Aº D D^ B9

19
 3
            



B9 DG Gm D F#Ø/C B7
  
24
               


E7 Em7 A13 D6 G9 D6 [ E7 ]

29



           
B FLAT
INSTRUMENTS
WHAT´S NEW 99
B. HAGGART


A7(b9) D6 G13 Cm9 F9 Bb^ Eb^
 
                
3

5 EØ A9(#11) Dm BØ EØ A&7(b9) D^ Bm7

      
            

  
9
1.
Em7 A7(b9) 2.
Am7 D7(b9) G6
 C13 Fm9  Bb9
      

     
3

13 Eb^ Ab^ AØ D9(#11) Gm EØ AØ D&7(b9)

 
               

17 G^ G6 EØ A7(b9) D6 G13 Cm9 F9

             
   
3

21 Bb^ Eb^ EØ A9(#11) Dm BØ EØ A& A7(b9)

  
             

25 D^ Bm7 Em7 A7(b9)

       

B FLAT
INSTRUMENTS
WITCHCRAFT 100
CY COLEMAN
A G6 C. LEIGH
A#º
   
      
 
          
5 Am7 D9sus4 G^ G7
    

 
       
C^ F9
               
9

     

Bb6 A&7 D7
          
13
 
     
B G^9
   
17 C13
      
    
     

 
21 G^9 C#Ø F#7
    3
  
     

                    
25 Bm Bm(#5) Bm6 Bm(#5) Bm
  

Am Am(#5) Am7 D7
   
29

          

33 C G6 A#º
  
    
 
           
Am7 D9sus D7 G6 [ Am7 D7 ]

37
  

 
       
B FLAT
INSTRUMENTS
YESTERDAYS 101
J. KERN
O. HARBACH

   
A Em F#Ø B7 Em F#Ø B7
        


5 Em Em^/D# Em7/D C#Ø F#7
    
      

 
9 B&7 E9 A13 D9
  
  

 
13 G13 C^9 Am7 F#Ø B7
     
  

B Em F#Ø B7 Em F#Ø B7
 

17

     

21

Em Em^/D# Em7/D
 
C#Ø F#7

        

 
25 B&7 E9 A13 D9
  
  

  
G13 C^9 Am7 F#Ø B7 Em
 
29
     

   
B FLAT
INSTRUMENTS
YOU GO TO MY HEAD 102
J. F. COOTS

       
F^ 1
Bbm7 Eb7 Ab^ G7 C& C7
  
          


 
5 Fm7 G7 C& C7 F^ 1.
Gm7 C7(b9)
       
             

9 Cm7 F7
2. 10
Bb^ E7(b9) F^ Gm7 C7
      
        


13 F^ Bm7 E7(b9) A^ A#º Bm7 E7(#9)3
               
     

17 Am7 Abm7 Gm7 C7 18 F^ Bbm7 Eb7 Ab^

  
   

21 Gm7 C& C7 Fm7 G7 C& C7 F^

                       

Cm7 F7(b9) Bb^ Eb7 F^ 3

 
26
25
   
      
      
3

29 Dm7 Abº Gm7 C13 F^ [ Gm7 C13 ]

 
             
3 3 3
E FLAT
INSTRUMENTS
TAKE THE "A" TRAIN 82
D. ELLINGTON

  
B7(b5)    
B7(b5) 
      
     

 B7(b5)
   
A A^
  
 
 
5
  

 
Bm7 E7     A6 Bm7 E7
1.

 
9

      

 

    
Em A7
2. B D^  
13
   
  

B9   
 
D^  Bm7

17

    
  

C A^  B7(b5)
  
Bm7 E7(b9)  
 
21
   


B7(b5) Bm7 E7     A6 [ Bm7 E13 ]

 
25
       
 
E FLAT
INSTRUMENTS
TANGERINE 83
V. SCHERTZINGER

B7(b9) A Em9 A9
        D^ G^
  
F#m7 B7(b9)
    

5 Em7 A7 Em7 A7 D^ F#Ø B7(b9)

 
         
 

B Em9 A9 D^ G#Ø C#7(#9)

9
      
    

F#^ G#m7 C#7 F#6 B7(b9) 

     
13
     


C Em9 A9 D^ G^ F#m7 B7(b9)

17
         
 

21 Em7 A7 Em7 A7 C9(#11) B7(b9)  

         
 

       
D Em7 C#Ø F#7(#9) Bm7 E9
        
25

 
3 3

29 Em7 
A9
 D6 [ D6 B7(b9) ]
    
   [ ]
E FLAT
INSTRUMENTS
TEACH ME TONIGHT 84
G. DE PAUL

A A6 D9 C#m7 F#7
                    
 Bm7 E7 E&7 Bm7 E7
   

C#Ø  F#7(b9) Bm7 Bm7/E E7 A^ F#7

     
5
      


B A6 D9 C#m7 F#7
                 
9
 Bm7 E7 E&7 Bm7 E7

  

C#Ø  F#7(b9) Bm7 Bm7/E E7 A6 D9

     
13
     
 

   
A6 C#m7 Cm7 C Bm7 E9 A^ F#7(b9) Bm7 E7
  
17
       
     

       
A^ D#Ø G#7(b9) C#m7 F#7 F#m7 B9
           
21

D A6 D9 C#m7 F#7
                    
25 Bm7 E7 E&7 Bm7 E7
 

C#Ø F#7(b9) Bm7 Bm7/E E7 A6 [Bm7 E7 E&7 ]

           
29


    [       ]
E FLAT
INSTRUMENTS
TENDERLY 85
W. GROSS
J. LAWRENCE

  C^ 
    F9(#11)    Cm9 F13
A
  
    


5 Dm9 Bb9(#11) C^ Em7 A7
         
 

 
DØ  G13 DØ  BØ E7
  
9

   

13 Am7  
D13 Dm7

G7
   
 
   

17 B C^ 
    F9(#11)   Cm9 F13

   



21 Dm9 Bb9(#11) C^ Em7 A7
         
 

 D13 D#º

25 DØ  BØ E7 Am7     
   
 

29 EØ

A7(b9) Dm9
    
G7 C6 [ Dm7 G7 ]
     

E FLAT
INSTRUMENTS
THAT´S ALL 87
A. BRANDT
B. HAYMES

           
A G^ Am7
       
Bm7 Am7 G^ C^(#11) Bm7 E7
           

     
C#Ø Cm7 G/B Bbº 1.
Bm7 E7 Am7 D7
            
5

    

B Dm7
 
2.
9 Am7 D7 G%    G7(b9)  C^ A7(b9) 
    
     

13 Dm7  G7(b9)  C^ F7  Em7  A7(b9)  D^ B7(b9) 

        
     

17 Em7 A7(b9) Am7 D7 C G^ Am7 Bm7 Am7

        
  

                        
21 G^ C^(#11) Bm7 E7 C#Ø Cm7 G/B Bbº
  

 
Am7 D7 G% [ D7sus4 ]
 [   ]
25

 
E FLAT
INSTRUMENTS
THAT OLD FEELING 86
L. BROWN
S. FAIN
A C% C/B C/A C/G  Fm7
 Bb7 EØ

 A7(b9)
        
  

D#m7 G#7 G7
  
5 Dm7  A&7  Dm7  
E7
     
  

B Am7 E7/G# C/G F#7 F^

9
        
        

13 Am7    D7
    Dm7    G#9(#11) G7
 
  

C C%
17
 
C/B
 
C/A C/G
     Fm7
 Bb7 EØ

 A7(b9)
  

21 Dm7  A&7  Dm7  F#Ø

  
B7(b9)
     
  

      Dm7      
25 D EØ
    A7(b9)
Fm7 Bb9
    
3

29 C/G E7/G# Am7   Eb7(b5) Dm7 Gsus4 G7 C%

        

E FLAT
INSTRUMENTS
THE END OF A LOVE AFFAIR 88
E. REDDING


           
A Em7 A7 D^ Dm7 G7 C^
             

  
5 Cm7 F9  Cm9 F9 Em7 A7 1.
D^ Bm7
              

       

9
2.
D^ B Bm7 E9 Bm7 E9 Bm7 E9
            
        

13 Bm7 E9 A^  
F#m7  B9
  Bm7
 E9
           



Em7 A7 C Em7 A7 D^ Dm7 G7
17
      
             

21 C^ Cm7 F9  Cm9 F9 Em7 A7

               
       

Am7
 D7  D G^ Gm7 C9 D^
    
25
     
     

29 Fº Em7 D#º Em7  A9

 D6
              
 
E FLAT
INSTRUMENTS
THE LADY IS A TRAMP 89
L. HART
R. RODGERS
Bm7
 
A A^
 F#7(b9) E7
 
 
           


   

A^    F#7(b9) Bm7 E7
    
5
 
 

B A7sus4 Em7 A9 D^ G7sus4 G7

9
  
    
      


 
13

C#m7 F#7 Bm7 E7 A% F#&7 Bm7 E7
1.
   

        

2.
A% C Bm7 E7 C#m7
   
17
 
       

F#7 Bm7 E7 G9(#11) F#7 Bm7  E7

  
22
         
 

    
D A^
    F#7(b9) Bm7 G#Ø C#7
   
27

  

31 F#m7
     Bm7
  E7
  A%
 [ Bm7 E7 ]
  
E FLAT
INSTRUMENTS
THE SHADOW OF YOUR SMILE 90
J. MANDEL

        
A D#m7 G#9 G#7(b9) C#m7 F#9
 
        
   
    


F#m7 B7 E^ A^
   
      
5
 


  
B D#Ø G#7 C#m7 C#m7 C#m/B
   

9
  
 

   

A#Ø D#7 D#m7 G#7
      
  
13
 
 

C D#m7 G#9 G#7(b9) C#m7 F#9

 
     
   
17
   

F#m7 B9  G#Ø
 C#7(b9)    
   
21
 


    
D F#m7 Am7 D9
25
     G#m7
  C#7(b9)
    
  


    
F#7 C7 F#m7 B7(b9) E6 [G#7 ]
         ]
29
  
   [ 
E FLAT
INSTRUMENTS
THE WAY YOU LOOK TONIGHT 91
D. FIELDS
J. KERN

  
A C6 Am7 Dm7 G7 EØ A7(b9)
    
         

Dm7    G7     C9
 C9 F#7(b5) F6 Em6 Eb9
 
7
      


       
1.

    
12 Dm7 G7 C6 A&7
  
Dm7 G&7 C6 G#7(b5) G13

      
 
 
2.
G13 B Eb^9 Eb Eb^ E  Fm7 Bb7(b9)
17
       
 

D7/F# F#º Fm7 

Bb9
Gm7 F#7(b9)

22Gm7      
     
  

   
Fm7      Bb9

Eb9

Eb^7(#4) Eb6  Dm7
   
28

 
3

G13 C C6 Am7 Dm7 G7 EØ

33
           
  

39 A7(b9) Dm7    G7     C9
 C9 F#7(b5)
    



44 F6 Em6

Eb9 Dm7 G7 C6 [ Dm7 G7 ]
       

E FLAT THERE WILL NEVER BE ANOTHER YOU 92
INSTRUMENTS
H. WARREN
M. GORDON

   
A C^ BØ E7

        


5 Am7
 
D9
   
Gm9
 
C13

   

F^
     
9     Bb9(#11) C^
 Am7
    
  

13 D9
   
Dm7 G7
     
 

 
17 B C^  BØ E7
     
   

 
Am7 D9  Gm9 C13
21
     
   

     
25 F^
    Bb9(#11) C^ F#Ø B7(b9)
  
 

C6  F9(#11)
  Em7 A7 Dm7 G13 C6 [ G7 ]
     
29
  

E FLAT
INSTRUMENTS
THESE FOOLISH THINGS 93
J. STRACHEY
H. LINK

            
C^A Am7 Dm9 G7 C^ Am7
          


D9 C9 F#9(#11) F^ E&7 A&7

4
  G7
  C9sus4
         
   
3


            
7 D9 Dm7 G7 C^ Am7 Dm9 G7
 3
 
   

C^ Am7 D9 G7 C9sus4 C9 F#9(#11)

         
11
      
     


F^
 E&7 A&7 D9 G7 C6 F#Ø B7
  
14
 
    
3 3
17 BEm  C#Ø F#Ø  B7 Em  Em^
 Em7
 A9
 D13
    


       
21G^  Em7
  Am7
   D7 G7 C#º Dm7 G7
  


25 CC^ Am7 Dm9 G7 C^ Am7 D9
  G7
 
                
       

C9sus4 C9 F#9(#11) F^ E&7 A&7 D9 G7 C6 [ Dm7 G7 ]

         
29
  
       
3 3 3
E FLAT
INSTRUMENTS
TILL THERE WAS YOU 95
M. WILLSON

  Fm6
         
A C C#º Dm7 
     
 

 

    
C D#º Dm7 G7(b9) 1.
C^ C#º Dm7 G7
      
5

   
3 3

2.
C Bb9 C C^ B F  F#º   
9
  
   

  
3

13 C/G
   A7
  A&7  Dm7
   D9
  


     
C C
  
17 Dm7 G7  G&7 G7 C#º
  


  
Dm7  Fm6 C D#º
    Dm7
 G7(b9)
21
 
        
3 3

25 C6 [ Dm7 G7 ]
 
   [  ]
 THEY CAN´T TAKE THAT AWAY FROM ME 94
E FLAT
INSTRUMENTS G. GERSHWIN

          
G7sus4 A C6 C6 Ebº Dm7 G7sus4 
                

          
6 Gm7

C7
    F^  A7
1.

[D7] G7sus4


  


F^
    Bb9
2.
C6 B Em7 A7 Em7 A7
   
 
10
        


Em7 F#&7 F#m7 B7 Em7 A7

 Em7 EØ A7
      
14
      


18 D7 G7sus4 C C6 C6 Ebº

               

22 Dm7 G7sus4  Gm7

 C7
   
       


F^
    G7 Am  Bb9 C6 C#º Dm7 G13
26
        
  

C G7sus4
 
30
       

E FLAT
INSTRUMENTS
TIME AFTER TIME 96
J. STYNE

 A^A Bm7 E7 A^ Bm7 E7

   
     
    

A^  F#m7 G#Ø C#7(#9)



5
       
 

9 B
 F#m7 F#m7/E
  D#Ø G#7(#9) C#m7 F#7(b9) 
        


13

Bm7 C#Ø F#&7 F9(#11) E7
          
 

C A^ Bm7 E7 A^ Bm7 E7
 
 
17

        

A^ Em7 A7 D^ G9

21
      
   

D A^
  Ebº Dm6  C#m7
  F#m7/E Ebº Dm 
25
     


C#m7
  F#7(#9)
  Bm7/E
 E7 A6
 [ Bm7 E7 ]
 
29
 

E FLAT
INSTRUMENTS
TOO CLOSE FOR COMFORT 97
J. BOCK
L. HOLOFCENER

         
A A^ G. WEISS
 
G#&7 C#Ø F#7

     

    
1.
5 BØ E7 A^ Bm7 E7
   

      

A^
2.
Em7 A7 B D7   
9
       D#º    
   


A/E Em7 A7 D7      D#º    

     
13

    

C A^
  
F7    Bm7 E7 G#&7
 
17
   


  
21

C#Ø F#7 BØ E7
    
    

A^ Em7 A7 D D7   
25

       D#º    
   


F#Ø     B7(b9)     F7      E7     

29

        

A6 [ Bm7 E7 ]
 
33

 [  ]
E FLAT
INSTRUMENTS
UNFORGETTABLE 98
I. GORDON

AE

 E^ Eº
  
            
3

5 A A^
          F#9
  D   
  
3

B Dm    A C#Ø/G F#7   B9
   
10
          


C E
 
B9 Bº B7  E^
      
14

        
3


19

Eº A  
A^
  F#9

         

3

          A C#Ø/G

F#9 DD
24
    Dm 
F#7  
   
 

B7 Bm7 E13 A6 D9 A6 [ B7 ]
          

29

  
E FLAT
INSTRUMENTS
WHAT´S NEW 99
B. HAGGART

 
E7(b9)  A6 D13 Gm9   C9 F^ Bb^
 

     
   
3

BØ E9(#11) Am F#Ø BØ E&7(b9) A^ F#m7

    
5

              

Em7 A7(b9) D6 G13 Cm9    F9


1. 2.
Bm7 E7(b9)        
 
9
 
   
3

Bb^ Eb^ EØ A9(#11) Dm

 BØ EØ   A&7(b9)
 
13
       
  

D^ D6 BØ E7(b9) A6
 D13 Gm9   C9
          
17
     

3

F^ Bb^ BØ E9(#11) Am F#Ø BØ E&

  E7(b9)
21
     
       
 

A^
 F#m7 Bm7 E7(b9)
25
     
 
E FLAT
INSTRUMENTS
WITCHCRAFT 100
CY COLEMAN
A D6 C. LEIGH
E#º
                  
     
Em7 A9sus4 D^ D7
   
5

           
  

    
   
9 G^ C9
            
 

            
13 F6 E&7 A7
  
   

       
17 B D^9 G13
            

  
21 D^9     G#Ø
 C#7

    
 
3

                    
25 F#m F#m(#5) F#m6 F#m(#5) F#m


   
29 Em 
Em(#5) Em7

A7

      

C D6 E#º
        
33
        
   


Em7 A9sus   A7 D6 [ Em7 A7 ]
   
37

        

E FLAT
INSTRUMENTS
YESTERDAYS 101
J. KERN
O. HARBACH

    
A Bm C#Ø F#7 Bm C#Ø F#7
       

Bm Bm^/A# Bm7/A  
G#Ø C#7

        
5

9 
F#&7 B9
 
E13 A9

  


  
13 D13 G^9  Em7 C#Ø F#7
     


  
17 B Bm C#Ø F#7 Bm C#Ø F#7
    


21 Bm Bm^/A# Bm7/A   
G#Ø

C#7

      


25 
F#&7 B9
 
E13 A9

  


  
Bm

D13 G^9 Em7 C#Ø F#7
       
29
  
 
E FLAT
INSTRUMENTS
YOU GO TO MY HEAD 102
J. F. COOTS

   C^   
1
Fm7  Bb7   Eb^ D7 G& G7

           

    
5 Cm7 D7 G& G7 C^ 1.
Dm7 G7(b9)
            
 

9 Gm7 C7
2. 10
F^     B7(b9)     C^

Dm7 G7 
     
    

13

C^   F#m7
   B7(b9)
   E^
   E#º
   F#m7 B7(#9)
      
3

Em7 Ebm7 Dm7 G7 18 C^    Fm7  Bb7   Eb^

 
17
  


21 Dm7 G& G7 Cm7 D7 G& G7 C^ 

                     



Gm7 C7(b9) F^ Bb7 C^
26
25
          
      
3 3

29 Am7
   Ebº
   Dm7

G13     C^

[ Dm7 G13 ]
  
3 3 3
BASS CLEF
INSTRUMENTS
TAKE THE "A" TRAIN
D. ELLINGTON

  
D7(b5)      
D7(b5)   
    



   
A C^ D7(b5)
  
5
 
 



 
Dm7 G7     C6 Dm7 G7
1.

 
9

      



     
Gm C7
2. B F^ 
13
     

D9   
 
F^  Dm7

17

     

C C^  D7(b5)
  
21 Dm7 G7(b9)  
     

D7(b5) Dm7 G7     C6 [ Dm7 G13 ]

 
25
        

BASS CLEF
INSTRUMENTS
TANGERINE
V. SCHERTZINGER

D7(b9) A Gm9 C9
      F^ Bb^
  
Am7 D7(b9)
    


5 Gm7 C7 Gm7 C7 F^ AØ D7(b9)

 
          


B Gm9 C9 F^ BØ E7(#9)
9

         

A^ Bm7 E7 A6 D7(b9) 
    
13
      


C Gm9 C9 F^ Bb^ Am7 D7(b9)

17
         
 

21 Gm7 C7 Gm7 C7 Eb9(#11) D7(b9)  

          


D Gm7
     EØ A7(#9) Dm7 G9
 
25
        
 
3 3

Gm7 C9
 F6 [ F6 D7(b9)
  ]

29
      
 [ ]
BASS CLEF
INSTRUMENTS
TEACH ME TONIGHT
G. DE PAUL

Dm7 G7 G&7 A C6 F9
                   
Em7 A7 Dm7 G7
 

EØ   A7(b9)  Dm7 Dm7/G G7 C^ A7

  
5
        

G7 G&7 B C6 F9
             
9 Dm7 Em7 A7 Dm7 G7
      

EØ   A7(b9)  Dm7 Dm7/G G7 C6 F9

  
13
        

C6 Em7 Ebm7 C Dm7 G9 C^ A7(b9) Dm7 G7

  
17
           
   

21 C^ F#Ø B7(b9)
 
Em7 A7 Am7
    D9 
  
         

G7 G&7 D C6 F9
                   
25 Dm7 Em7 A7 Dm7 G7


EØ   A7(b9) Dm7 Dm7/G G7 C6 [Dm7 G7 G&7 ]

   
29
        [      ]
BASS CLEF
INSTRUMENTS
TENDERLY
W. GROSS
J. LAWRENCE

 
Eb^     Ab9(#11)    Ebm9 Ab13
A
       
 


5 Fm9 Db9(#11) Eb^ Gm7 C7
        
   

 
FØ  Bb13 FØ  DØ G7
    
9

   


13 Cm7

 
F13 Fm7
 Bb7
   
    


Eb^ 
    Ab9(#11) Ebm9 Ab13
B
  
17


    



21 Fm9 Db9(#11) Eb^ Gm7 C7
           
 

 F13 F#º

FØ DØ G7 Cm7     
 
25
     


GØ C7(b9) Fm9
    
Bb7 Eb6 [ Fm7 Bb7 ]
 
29
     

BASS CLEF
INSTRUMENTS
THAT OLD FEELING
L. BROWN
S. FAIN

Abm7
 Db7
A Eb% Eb/D GØ

Eb/C Eb/Bb   C7(b9)
          



  
5 Fm7  C&7  Fm7 
F#m7 B7

Bb7 G7
  

  




B Cm7 G7/B Eb/Bb A7

9
        Ab^

         


13 Cm7    F7
    Fm7    B9(#11) Bb7
    


Abm7
 Db7 GØ
C Eb% Eb/D

Eb/C Eb/Bb  C7(b9)
         
17

  

21 Fm7  C&7  Fm7 

AØ
  
D7(b9)
   

  




25 D GØ
    C7(b9)   Db9
      Fm7      Abm7
    

3

29 Eb/Bb G7/B Cm7  Gb7(b5) Fm7 Bbsus4 Bb7 Eb%

         

BASS CLEF
INSTRUMENTS
THAT´S ALL
A. BRANDT
B. HAYMES

                               
A Bb^ Cm7 Dm7 Cm7 Bb^ Eb^(#11) Dm7 G7
 

     
5 EØ
   Ebm7

Bb/D
   Dbº
 
1.
Dm7 G7 Cm7 F7
 

    

B Fm7
   
2.
9 Cm7 F7 Bb%    Bb7(b9)  Eb^ C7(b9) 
     
   

13 Fm7  Bb7(b9)  Eb^ Ab7  Gm7  C7(b9)  F^ D7(b9) 

      
       

17 Gm7 C7(b9) Cm7 F7 C Bb^ Cm7 Dm7 Cm7


      
        

         
Bb^ Eb^(#11) Dm7 G7 EØ
   Ebm7
 Bb/D
   Dbº
  
21
    
  

  
Cm7 F7 Bb% [ F7sus4 ]
  [   ]
25


BASS CLEF
INSTRUMENTS
THE END OF A LOVE AFFAIR
E. REDDING


            
A Gm7 C7 F^ Fm7 Bb7 Eb^
             


Ebm7 Ab9  Ebm9 Ab9 Gm7 C7 1.
F^ Dm7
    
5
     
            
 

9 F^
2. B Dm7 G9 Dm7 G9 Dm7 G9
             

13 Dm7 G9 C^
    
Am7
  
D9
  G9
 Dm7
      



17 Gm7
 C7  Gm7
C C7 F^ Fm7 Bb7
               
 

21 Eb^ Ebm7 Ab9  Ebm9 Ab9 Gm7 C7

                      

Cm7 F7 D Bb^ Bbm7 Eb9 F^

25
            
       

29 Abº Gm7 F#º Gm7  C9

 F6
              
 
BASS CLEF
INSTRUMENTS
THE LADY IS A TRAMP
L. HART
R. RODGERS

       
A C^
    A7(b9)  Dm7 G7


  

  
5 C^     A7(b9) 
Dm7 
G7

  


B C7sus4 Gm7 C9 F^ Bb7sus4 Bb7

9
 
          
 

 
13 Em7 A7 Dm7 G7 C% A&7 Dm7 G7
1.

   

       

2.
C% C Dm7 G7 Em7
 
17
         


22 A7 Dm7 G7 Bb9(#11) A7 Dm7  G7


           


  
D C^
  A7(b9) Dm7 BØ
 E7
     
27



31 Am7 
    Dm7
  G7
  C%
 [ Dm7 G7 ]
 
BASS CLEF
INSTRUMENTS
THE SHADOW OF YOUR SMILE
J. MANDEL

        
A F#m7 B9 B7(b9) Em7 A9
       
   
 


Am7 D7 G^ C^
        
5



  
B F#Ø B7 Em7 Em7 Em/D
   

9
  


  
C#Ø F#7 F#m7 B7
      
 
13
 
 

C F#m7 B9 B7(b9) Em7 A9

     
    
17
   

Am7 D9 BØ
 E7(b9)    
  
21
  


D Am7 Cm7 F9
    Bm7 E7(b9)
           
25

 


A7 Eb7 Am7 D7(b9) G6 B7

     
29
  
 
      
BASS CLEF
INSTRUMENTS
THE WAY YOU LOOK TONIGHT
D. FIELDS
J. KERN

  
A Eb6 Cm7 Fm7 Bb7 GØ  C7(b9)
           



Fm7    Bb7     Eb9 Eb9 A7(b5) Ab6 Gm6 Gb9

 
7
    
  



       
1.

      
12 Fm7 Bb7 Eb6
 C&7
  
Fm7 Bb&7

Eb6 B7(b5) Bb13

      
  
Bb13 B Gb^9 Gb Gb^ G  Abm7   Db7(b9)
2.
17
         



F7/A Aº  Abm7 Db9
Bbm7 A7(b9)
        
22 Bbm7      
 

       
28 Abm7      Db9

Gb9

Gb^7(#4) Gb6 Fm7
   

3

Bb13 C Eb6 Cm7 Fm7 Bb7 GØ 

   
33
         


39 C7(b9) Fm7    Bb7     Eb9

 Eb9 A7(b5)
      



44 Ab6 Gm6
 Gb9 Fm7 Bb7 Eb6 [ Fm7 Bb7 ]
        

BASS CLEF THERE WILL NEVER BE ANOTHER YOU
INSTRUMENTS
H. WARREN
M. GORDON

   
A Eb^ DØ G7
    
      


5 Cm7
    
F9
   
Bbm9
 
Eb13 
 

       
9 Ab^
   Db9(#11) Eb^ Cm7
      
  

13 F9
    Fm7 Bb7
      
 

 
17 Eb^
B

DØ G7
        
 

21 Cm7
 
F9
   
Bbm9
 
Eb13 
    


25 Ab^
    Db9(#11)
  
Eb^
       D7(b9)
AØ
 


29 Eb6
  Ab9(#11)
  Gm7
C7

Fm7 Bb13 Eb6 [ Bb7 ]
      

BASS CLEF
INSTRUMENTS
THESE FOOLISH THINGS
J. STRACHEY
H. LINK

               
Eb^A Cm7 Fm9 Bb7 Eb^ Cm7
         


F9 Eb9 A9(#11) Ab^ G&7 C&7

4
   Bb7
  Eb9sus4
      
  
   
3


            
7 F9 Fm7 Bb7 Eb^ Cm7 Fm9 Bb7

    
3
 
 

Eb^ Cm7 F9 Bb7 Eb9sus4 Eb9 A9(#11)

         

11
            
 


Ab^
 G&7 C&7 F9 Bb7 Eb6 AØ D7
  
14
     
 
3 3
Gm  EØ AØ  D7 Gm  Gm^
 Gm7  F13
 C9
17 B
   
  

    
21 Bb^  Gm7
  Cm7
   F7 Bb7
  Eº
 Fm7  Bb7
   


                      
25 Eb^ Cm7
C Fm9 Bb7 Eb^ Cm7 F9
  Bb7
 

  

Eb9sus4 Eb9
 A9(#11)
  Ab^ G&7 C&7 F9 Bb7
 Eb6 [ Fm7 Bb7 ]

    
29
        
 
3 3 3
 THEY CAN´T TAKE THAT AWAY FROM ME
BASS CLEF
G. GERSHWIN
INSTRUMENTS

            
Bb7sus4 A Eb6 Eb6 Gbº Fm7 Bb7sus4 
                

1. Ab^

Bbm7 Eb7     C7 [F7] Bb7sus4
        
       
6

  

Ab^
   Db9 Eb6 B Gm7 C7
  Gm7
  C7
2.
 
 
10
        


Gm7 A&7 Am7 D7 Gm7 C7

 Gm7 GØ C7
      
14
       


18 F7 Bb7sus4 C Eb6 Eb6 Gbº

 
               
 

22 Fm7 Bb7sus4 Bbm7

  Eb7
   
        
 

Ab^
    Bb7 Cm  Db9 Eb6 Eº  Fm7 Bb13
26
          


Eb Bb7sus4
  
30

        

BASS CLEF
INSTRUMENTS
TILL THERE WAS YOU
M. WILLSON

  Abm6
           
A Eb Eº Fm7 
     
 

 

    
5 Eb F#º
    Fm7
 Bb7(b9) 1.
Eb^ Eº Fm7
 
Bb7
     

3

3

2.
Eb Db9 Eb Eb^ B Ab  Aº   
9
     
     

3

Eb/Bb C7 C&7  Fm7

  F9
     
13
   


   
C Eb
     
17 Fm7 Bb7  Bb&7 Bb7 Eº
   


21 Fm7
     Abm6
  Eb F#º
    Fm7
 Bb7(b9)

        
3 3

25 Eb6 [ Fm7 Bb7 ]

     
 [ ]
BASS CLEF
INSTRUMENTS
TIME AFTER TIME
J. STYNE

C^A Dm7 G7 C^ Dm7 G7

   
      
 

C^  Am7 BØ E7(#9)

5
    
   

Am7   
9 B Am7/G F#Ø B7(#9) Em7 A7(b9) 
      

13 Dm7 EØ A&7 Ab9(#11) G7

           

17 C C^ Dm7 G7 C^ Dm7 G7
   
      


C^  Gm7 C7 F^ Bb9

21
   
    

25 D C^  Gbº Fm6  Em7

  Am7/G Gbº Fm 
     

Em7
  A7(#9)
  Dm7/G

G7 C6

[ Dm7 G7 ]

29
 
BASS CLEF
INSTRUMENTS
TOO CLOSE FOR COMFORT
J. BOCK
L. HOLOFCENER
G. WEISS

       
A C^
 
B&7 EØ A7
  
   

DØ
 
1.
5 G7 C^ Dm7 G7
    

       

 
C^
2.
Gm7 C7 B F7
9
    F#º    
     

C/G Gm7 C7 F7      F#º    

    
13
    


C C^
 
Ab7     Dm7 G7 B&7
 
17
 
  

 
21 EØ

A7 DØ G7
    
   

C^ Gm7 C7 D F7   
25
     F#º    
     

29 AØ      D7(b9)     Ab7      G7    

        

C6 [ Dm7 G7 ]
 
33

[ 
]
BASS CLEF
INSTRUMENTS
UNFORGETTABLE
I. GORDON

AG

G^ Gº
   
  

 
     
3


C C^ A9 F   
      
5
     

3

B Fm    C EØ/Bb A7   D9
10
   
           


C G
       
D9 Dº D7 G^
  
14
         
3


19 Gº C  
C^
  A9

        

3

          C EØ/Bb
A9 DF
24
    Fm A7
   


D7 Dm7 G13 C6 F9 C6 [ D7 ]

29
            
BASS CLEF
INSTRUMENTS
WHAT´S NEW
B. HAGGART

 
G7(b9)  C6 F13 Bbm9    Eb9 Ab^ Db^

       
  
3

5 DØ G9(#11) Cm AØ DØ G&7(b9) C^ Am7

                    

Gm7 C7(b9)  Bb13 Ebm9      Ab9

F6

1. 2.
Dm7 G7(b9) 
 
9
      


3

13 Db^ Gb^ GØ C9(#11) Fm

 DØ GØ    C&7(b9)
        
 
 

17 F^ F6 DØ G7(b9)  C6
 F13 Bbm9  Eb9
             
 
3

21 Ab^ Db^ DØ G9(#11) Cm AØ DØ G&

 G7(b9)

          
    

C^
    Am7 Dm7 G7(b9)
25
  

BASS CLEF
INSTRUMENTS
WITCHCRAFT CY COLEMAN
C. LEIGH
A F6 G#º
                 
    
Gm7 C9sus4 F^ F7
   
5
          
  

        
9 Bb^ Eb9
           


            
13 Ab6 G&7 C7
  
   

     
17 B F^9 Bb13
            

21 F^9
         BØ
 E7

  
 
3
25 Am     Am(#5) Am6     Am(#5)

Am
            

29 Gm    
Gm(#5) Gm7

C7

        

C F6 G#º
    
33

            
   


Gm7 C9sus   C7 F6 [ Gm7 C7 ]
  
37

        

BASS CLEF
INSTRUMENTS
YESTERDAYS J. KERN
O. HARBACH

     
A Dm EØ A7 Dm EØ A7
    
 

Dm Dm^/C# Dm7/C  
BØ E7

        
5

9 
A&7 D9
 
G13 C9

  

13 
F13

Bb^9
  Gm7 EØ

A7
 
  


 
17 B Dm EØ A7 Dm EØ A7
    


Dm Dm^/C# Dm7/C   
BØ E7


21
      

25 
A&7 D9
 
G13 C9

  


 Dm
  
F13 Bb^9 Gm7 EØ A7
      
29
  
 
BASS CLEF
INSTRUMENTS
YOU GO TO MY HEAD
J. F. COOTS

         
Eb^

1
Abm7  Db7   Gb^ F7 Bb& Bb7

          

    
5 Ebm7 F7 Bb& Bb7 Eb^ 1.
Fm7 Bb7(b9)
            
 

9
2.
Bbm7 Eb7 10
Ab^     D7(b9)     Eb^
 Fm7 Bb7 
         


Eb^ Am7 D7(b9) G^ G#º

      
Am7 D7(#9)
 
13

    
3

Gm7 Gbm7 Fm7 Bb7 18 Eb^ Abm7  Db7   Gb^

    
17
  
 

21 Fm7 Bb& Bb7 Ebm7 F7 Bb& Bb7 Eb^  

                       


   
Bbm7 Eb7(b9)
 
26
Ab^ Db7 Eb^
     
25
 
      
3 3

29 Cm7
  Gbº
   Fm7

Bb13     Eb^

[ Fm7 Bb13 ]
   

3 3 3