‘PRODUCTS OF LEUNG'S PUBLICATIONS sittitiiitt M4 “The Inrermediare Wi“Seeking-Arms” — the Intermediate WingTsun kungfu set CHUM-RIU ed worldwide in English, Chinese, German, French, Spanish Hungarian, aio SOR Leu 6 TING Sh Leve NO, Lede wai Bun English Traatiog ea SEU KEITH SONNENBERGContents Frontcover(A Fra hick tom Chums applied by St Chong Chun Fun) 1 Inside ont cover ntemaionl WigTsun visting Shunde cand Chins) 2 Copyright age 3 Contents 4 ‘About he funder ofthe WTA — Grandmaster Professor Leung Tig 5 ‘The Background and theory of Chum Kis 5 7 The Chamku st ‘ Applications and Analysis ofthe movements ‘Chun Ki Paring ms) 3 Jor YauLan Seu (ek & Rai Bahn 8 ‘Two Practical Ways of Slapping: Hands Po Sau(Sappirg hand) o (indoor area Pak-sau wt Tring punch in Ch-Sau) 0 (coo area Pat-zay wih Tring pune) nr corbat 1 Toba ne Am wih 2-Pokjom-say"(EBow sappra Hand nCh Sava) 75 Ettow ping handin Conbat 0 Tuas (reorgam)& Dagan sau (Ejestng hana) sequence 8 AN Technique for Special Plce to Cap a Cena ts Jar-sun Bog-Su Seng Wng-2m) amin 5a (Ggpg ae arcade arm) ang Char gu (Sie Tsing ik) #9 Ling paren 6 Frotal Thusing ck & Indo area Bien arn 0 From lowe Bong Seu (wigan) to Man Sau nqusive- am) 04 Daitong sa (Lower Wing a) Vs Spin ck 110 {ARR sn Gursau (Sieg Ping hans) "7 Concepts & Theories Frontal stance, Sdelearing tance & Advancing Stance 119 hy shuld we aware when apg an ior ae sipping and movement"? 12 Te cc hooray of changrg he Fatal erga ito a Sing Borg sa 125. Howto deal wth opponent kil in kicking? Wor atest del wh asitshicker co Main pints on Hiting the head, no Kick” m8 ‘Wy isthere no slant trusting ck othe right siden chum? 0 Inside back cover Side Trusting Kick performed by Miss Karen Mok) 131 Albout the Founder of the IWTA Grandmaster Professor Leung Ting rosso Leung Ting te IWTA founder andthe only “Golden Rank Founders Level) holder ofthe Intemational Wing! sun Association, the Honorary Che instructor af the Hungarian Potice Karate Section andthe Guest Chie Insructr of indian National Police Academ. a recognized scholar with a Bachelor of ARs in Chinese and En Litgature and a Doctor of Philosophy in Philosophy. In adiion to these achievements, he was honored with the tile "Guest Professor of Combat ‘Ans bythe Naina Sport of Bulearia in 1997, Leung Ting began stdsing Wing Chun atthe age of 13. When he was a 17, he assed his mart uncie Cheng Buck (#2), who was als a S-Hing (65. — serio kung fllow-stdent or “elder kf other "asin ang ‘erminolgy) of Leung. to tach Wing Chun kungfu ina rough tnoftop School. Aer graduation from high shook, Lea was eld nthe Bap College, He was soon convinced by his S-Das (68 — younger burgh ‘roses to begin teaching them Wing Chun asa parttime jb nthe eve in 1968, Situ Leung opened a WingTsn las in the Baptist Clee: he first Chinese hung cis ever being run ina pstscconday inst in Hong Kong uring tht time the ate Great Grandmaster Vip Man had just “else his coor (retired from. scahing) However, he "accepted Leung Ting as his pesceal student and gave hi pve Ulan the most advanced techniques “and theones of Wing Ta, Left: A photo taken in summer 1868 whan the at ‘Grea Grandmaster Yip Man was teaching Wooden Dummy Techniques to Sty Leung Ting in Leung's Second Si-Hing Kwok Keang’s home,Afr ining out the dfrences between what he had med fom is fst inset and Geet Grandmaster Yop Man during the yas pod of he ‘Great Grandmasters fhe soon esterday {5 "Wag Tan nce "Wing Tan bce the spc a of be eras “rarzatons of the Leung Tina kung system sented rom the ene te “Wing Chur” or Ving Ts se bythe other det of Grands YipMan Wing lar spelelas on word recor) Since his graduation fom te ong Kon Baptist College n 1973, Sif Leung Ting Sevoed all is energy in developing Wing sun Kanata At Peet neta Wien Asoc as os no a wore un erganzaton wih branches nove 63 cones and regard asthe lags professional ang organization i the world. This growth 2 be to Prose Leg Ting eds td dort ef “The mins spec of deelopmnt of WingTun kang 1 the ether sara aris 1 0 far no th syn o Profsr Leung Tine! He hs meet STowed down nis trsive ty om he satjet of Wing un ang ade meds caching kung in the dads snes fin esos. Bes8 he SSzcase refinement on he baionl Wing sytem n cent peas 0 tet the demand ofthe miliary sur of varios cus, Profesor Leung Worked athe most pata WT wa fo each iene ses cng ‘vecoming the enemy ia ew sends der any evumaances Today, Protest Leane’s Wings practiced waréwie by hundreds of uss ofmaratart sours of seca fos, such athe FL of ths USA, SE of ‘Gerrany, RAID of France, NOCS a aly. CIP of Laxemburg, snd spc pole nits of Spin, Belgium, Ausra, Inia and Himgary, And even Thc mt special police unt fhe Camano aden Ss (iS) and airhoespecal ce of Exp apy Wing combat wehnigus Especial in Europes oer 70s of he spetal faces ir adept Prof Leang ‘Tags Wingtsan ang oa lest comin sane Wings xg ‘her bare hand aking cues ‘Many’ WingTsun pactonen, befce they become members of the Iran WingTsu Assocation, ae lady mala expr ret sil and fave lady ceaind ts of natn harps ame, ad ‘ten vorkchampes diferent mara oumareis. Thro, Even 8 ety a the end f the 6s, Sifu Leng Ting was being refered fw te ‘Aang src of illons of Set by the mein Hong Kong The fghers eine ad ila ress il cots ches oe asec the "Pram of Fighers" by the magus In rcet dead, e wes ao teledto asthe" Wiglne King and "Gong Kanne Keg Cele ‘part fom devine WineTan hangla, Mofesce Leung has wen, pub and rode ute ew bck and vides on ars Kang se Barnette mids an 0's he ws once nage in TV trating a ln roach dieior and planer fer the poe TV sos Red 6 Kung te Reif Televisa of HK. Som es a ye Sat MCh Chit te pws a move dar of at pono td texans kl nal rere hngh move Ale ene te Sse o mate many hang fine and TV svn ober pee i ‘gh Ptesr Leung T's Wing Tou Kang ssn spa alone the worl he 8 now reenring the TV and move podason ar fr he {ard prmnn of Chinn une Crete corp the seo fnfstfdrad Iso Mad Mad Mad Mal Kangra moni Souter ove Bohn the Persone the Micke ond the Croke ‘Meat hl isha The pn io st sme exe eevion ares He Dr Lg ih Ko Wi neon f Ki ‘Below In wire 1968, Sfu Leung Ting organized the fst "Wingsun Kung Damonstaton and ChiSau Tounamer” at the Bapst Coleg, in whch he invtod many his kunglu botbrs as wala ret hung masts from vatous ng sje. This was als tho ft and only tne that Great Grandmaster Vip Man atended such an open WingTsun demonsraton organized by his flowers From et gh (Song Ch (ie Sv Ku Sng) CL erg Wan (98 fe Hun arse, Sta or Chary 8 Mk arse, © Tay Sang (9), Gea Generar Ye Min (136) SL Lag Tr HE). ae Tat Bong (9), Ss Vip Tn Ta (XK) Ten Se. 08 SH BK Wad (4:8 8), 0) Shy Mok Keg (38) Those hing mo apa idea on heThe Background and Theory of — CHUM-RKIU ‘THE NAME AND ITS CONNOTATION. ‘hurm-Kiu i he remade et of WngTaun hung, which stad scrmaly be lemt alert Su Nin-Tau set As tS name impos, “"Chum-Kiu” (7th ) means the lchiqus aiming at ‘seeking the bridge-arms" oe opponent his hoo rogue by save Wing Chun pope othe air branches ashe “Sng rgo” (se) . Tis ‘tly a misunderstanding of sre meaning due tothe wo Chinese carers "a and "sh Calonese ar al the sane pronuncaton. In aio, the dooper ‘mein of Chum Ku say fat the practioner sf eam ow to look for a ridge” between fn an his oppor soe can easly dete the drecions ot ‘tacks fom fs opponert (* Chine mara eas castomary cal hei arms as ridges” (48) aide arms” (8): deh ran that when v0 pros refiner ar Become the “brief ak) Lean mata asi to lar how oKep tom bing ut by an enemy. Athough {parson can hut his eneny, fb cana revert sel rom beng hut ah, he woud ust be one othe two losers in tha igi Te sce of defense res on “how mal jou can protec yours BEFORE being atacted you cannot eve ‘nd cut wich pa ot your body wil Be stacked by your opponent belo hs punch land on your body woul be ard fr you nao be: Once a WT rater nds out EXACTLY te rection of te opponent’ tacking movement e can hen soho is atacing movenent much ease. “Soekng a brie" bereoe bocomes necessary. Teri the name Chun-Kibears hs nearing. “The Chum st consis mahly of delening techniques, especialy Bong Sau (Wg arms say, Be Juenma Bong sa (4.95 of Tuing-tance Wing am), apo Bog sau (5 38 $- 01 Sio-stpping Wing am) and Da ongsay (8.85 $0 Lower Wing), account for alnost 6% othe whole se AS for ose ‘eciuae tke Choon Ki (#1 Piet am), Lan su (3g + or Bara), Mars (2-0 ‘gitve ar) an Jar-sun Gu sau (0 $ Sdorrs, Peaing ase), occupy no mor than 40% of te sel. Te uncon of mos a tess Tectnguesis soko stop he team ane open 8 IMPORTANT POINTS FOR PRACTICE When pracicng Chum-Kiy, 2 practioner shoud conedty master a te movements. A WingTsun expert shoud prom fe Chur Ku sl wih a decorous aud yet unadomed, when dong seping and tuning, the stance shoud be Stable and ol uly: th punches andes shoud be power ut ott the movements shouldbe agle but precise. During pauses betwoon tectniues, the whole boty shoul ok sai yet at clumsy. Futo, a practitoner must kegp both hands corned to delnd the upper and idl pa of the boy. His elbows should snk down and the shoulders op’ (Please reo mato "The Skin Elks and Drop holder” Sosarbed ine book “Siu-Nim- Tau) Both knes shoul be intfocted na crcumsiances 50 235 o protect he fower ody fom being tacked by supe’. Plesse refer “Aho! he Exel poi” “SiVin-Tau") Whe ung 0& Kicking, bo the shoulders shou look immovable’. ("he hckirg techies in WingTeun ae inc hom al the other marl ats. A good WingTaun practioner wae ret to show any smal roping far side o his shoulder when launching @ Kick SO fis opponents never alee fo seth he WT practioner is going io kek him) ‘THREE KICKING TECHNIQUES AND THREE PUNCHING TECHNQUES There are vee punching tchiques; sy, the sin-cung en (st OF Frontal Thing punch), the Chav-chong uen (4 $ of "“ting pune) and the Thichunghuen (set or Jumping Trusing punch). The juning thusing punch is dtved fom the Frontal Thusing punch and is therfore regarded a2 smite Tete a ako tee hiking leche in Chum Kine Leura Teg WingTsn™ system, te Hangchang uot (4 ot Sco Tnsing ic), charg gk Lit or Fone Thus ke, alas Ching sun Gungguck 8 iter On Sto, Ching sun gl and tho Chechargausk (6 {Fe "Sant Tsing i). (For Ste Tn ck please rer fe loung peeps) DFFERENT FROM THE VIP MANSTYLE Thetve Wicking tciqus passed down by th le Grandnastr Yip Man ate rt each same. They wore respectva th Lan sau wiht chang ook (AL 483 or Bar arm wih Fone Thnsin ic) en repeat he Foal Thrust ck wa ss lacing a oth Ses the ces and alae Che chang guek | ot San Tasting Wick") belo the Gum sau movements. (‘Che chang guck I aso inom as uersunchangauek #18 of Tuning Thusing ic’, (he-greguck $4.87 oF "Se Hang by some Wing Chun pec) 9DIFFERENT FROM PAST TO PRESENT? {have no dere if te Chum Ku steamed by Great Grandmaster Yp Manin Foshan in fhe cn ays ad thso he taught in Hong Kong had been mode. Bu, ‘he Chun Ki se demensiatod by his suns in Foshan (lof Fahan Cannas) seams na too mach deren for wis he aug in Hong Korg ‘Aocodng to my seach and sty onthe ign of WingTsun for many years, the tradonal Chum iv stn Dr Leung Jan's pet probably as nt exact the same 2s what we are practicing ftay. The ancant Chum set, st ke ts ‘gal pnp should incu he above "vee DIFFERENT cng techniques” asin be anlent manuscrpsby sone ober Wing Cun ooo SIMPLICITY IN WINGTSUN SETS ‘Te reasons vr simple Fis wi th understanding hat thee are many kung ies aiming ta! hy ave lel boing sas whereas mos ofthe movements ‘ned sale are acaly minor maieatons ofa conan smiar movenens in ‘fern saquenen and positon. Sometimes hey mix up movers of deren fats and addin 2 fon new movements en gi this nowy fared sequence @ raw nane soa o ake loot koa now brags ‘Snoe knowing the enoneous thinking ofthe tational kngiu masts, ou Tourder ought to cate the Wing Tsun Sts in a comply dere forma wih ons and lgal oer tough simpy to prundty rater han fo cate twenty of ity sos wih snr movements. In bis way, many impractical and unnecessary avenents were ontted in the sets Even the most cucal lechiques ae repeated for one more tie on ele side (eg the Bong sau ‘ung stances on siding sop sequences) ‘Atego the Wing Teun sytem wer found wi tis tain of though The Frontal Thustng ck and Sie Thing kick ae the mast inporat techniques inthe thee basic Kokng techniques of Wing Tsun By coast, the Slant Thwsing kick sary used. Acoring tothe Wing Tsun log! hiking, why woul oven the Slant Thrstg Kick be pu into the Boxing st but not the more Frouenty used Side Tsing tek? | suppose tat may be due to the “Baram wih @ Site Thastn ck” ‘movement n which the sl ol he cing li just compaaveyhazontal 0 the sie oked qute similar o the “Bararm wih a Frontal Thusing kk” Ian instuctr oa certain generation aught his suden! the Chum Ku se asi, he ‘Sent might mgundesand that hey belonged oe Samo icing forma. 0 INFORMATION COLLECTION FOR VERIFICATION ‘Some eats ago, coincidental obtained some mateo vert thal tore wero ‘ony the basic ikng movers assed on in most Wing Chun branches. Besides, there are also said fo be: SeamSau (2 or “Three Hand Teciqies), Saam-Kven (= of Thee Punching Tecsqes), Seam Chang (EF oF “Thee Pamstika Techniques), Seaman (= % or Thee bow ste Tectiquet) and Seam Guok (= 89 of Three Keng Tecvicues) inthe tadionl Wing Tsun (Wing Chun) system, Al of hem are fndamenial lwchriques fom which alte fgg techniques are transmuted. (*For the dialled explanation of the above terms, please refer to my new book The last poge of WingTvun — Mooes & Concepts") “Tough the analysis on the Mul-Yan Chong (A.M or “Wooten Dummy Tocnque laugh by tho lato Great Grandnasier Yip Manin Foshan ve can conclude that thee wore oly thao Kicking movements in WingTsun a ‘hat me (assuming nis Foshan students anol modfed hel movements. INSPIRATION BY DIFFERENT STYLES WITH THE SAME SOURCE \Whon was in West Benin 1877, | oye-ntnssoda pata damonsraton lhe ng Lon (Fjng Monkey) so mata as ty Mr Suntws Suspastpong, a Thi ‘Boring Champion as wel a the hoadnan o European Tai Boxing headquarters al thal petod, He sad thal the Fiyog Monkey sive was a kind of mysterious Tung doved fom provinces of Szechwan and Yunnan. in a manuscpt “The ‘Origin of WingTsun” writen byte ate Grandmaster Yip Ma, Ris menoned that be Bushs Misress Ng Mul crated a new Bhtng system on the Border ten the provinces of Szechwan and Yunran and ia passed to im Wing Team (me el er mae as Yin Wing Chan | was suey enghlened afer tis kungl communication in Bain, The clu aca he ston was verti by then (* Please refer tothe ook “Roots of Wing Town” or Wing Tsun Kuen Jor deals) Meanwtie, | also leamod thatthe basic techniques ofthe Fying Monkey sve ‘sisted of Thee Punching Techngues’; Thee Palm snke Techniques" and “Tivee King Techniques" | had even made fun wit Mr Suspesupong by {ang im at: Fortunately we have ih kicking echques! He, a Infact at natin was ignorant of he at that he taional Wing Tsun kung system actualy eanid of ony ee Kicks. nUpper: Sunthus demonstrating movements ofthe Fying Monkey style, PULiany women tw tinie oto a Mngt Lower: The techniques demonstrated above are similar tothe "Crossed Gaun-sau” in the begining of al the sets. of WingTsun and the "Long: bridge Pining-hands” ofthe iu Nim Tau se. | e ORE DISCOVERIES BY TRACING THE ROOTS. Ath ine | tamed advanced lecniques tom Great Grandmaster Yip Man, | was ol about he les such as "Saan-Changend“Saan-Kuen” Once he even txplanod and dmonstaed to me the “Saam Fan Chang"(= 9 or "Tee beats of Palms") and “Sep-Goe-Chang (++ or “Crossed Palms’. Wal @ iy a thal tine | was js oo cursory on wha he sai and didnot kop ask hin moe about he atonal aspects Inthe cary 80,1 obtained a manuscript onthe deated descriptions about Wing Chun hunglu ofthe pas. 1 also met some ol! people of other Wing Chun branches. The rcs and development f Wing Tsun soon raw my tenon Ar many more yar, obtained more and move Wing Chun marascps, andwing ape ors trom trent ppl of ater Wing Chun schools. Wih coneweus esearch. | was 1 tof unknown sions, unsual pieces of information and coleced the silanes and ferences cf teciques and thinking between eran Wing Chun branches. Some ate utenti, some fabled, some are olay llogical and yet soe ae tau and al fais. No mater tow, lam gad to have calecled numerous mats and infomation fon thse people tht twaly ences my own WingTsun accomplishments. The Sie Thing sc is ‘amor the cigs. ALTERATION OF KICKING MOVEMENTS. ‘Mer 2 wo year study, discussions and enpeiments on ew and of Kicking ‘movement | ly deed to ange the Sis sequene of kicking moves in (Chum i eck into Se Thsting Kk Myeasons ae as flows 1 Alte af the base King edeiqus wal bended in the Chur Ku se 2 Tosave moe tine —— 1 taks tree movement ten Bar am, turing starce td Ben & toil hasing ck apply a Bara waa se ising ik | ‘ny oad vo movements Re kik, as my bey lac tay, ood et totum back tect se fo dealing ws acter ene lhe fon For season aay save wo ovens app @ Se thasing ick read. WHO CARES ABOUT "TRADITION"? Pating the Side Thusing ticks it the Chun Ki oor mean thal! have ‘tenped to restore the S-cled "vaio or “obsene the autenci | dont ‘are wheter tbe Side Thusing ick wa realy clued i aol Chum Ku ‘st o no The most important thing is that if you are knocked out in 8 i, who cares how irtional you ae? BAF: THE LATE GREAT GRANDMASTER YIP MAN DEMONSTRATING ‘THE MIDDLE SECTION OF THE CHUM-KIU SET: Sequence started from Bararm (A), Frontal Thrusting-kick_ (8), Stopping Sidling Bong-sau (C — D), Crossed Tan-sau (E) to Liting-punch (). Note: Repeated movements are omited inthis serie.) Please pay attention that unlike the most common mistakes many of his students make, Grandmaster Vip Man did not withdraw his foot ‘flr Kicking’ but stepped down on the same place (B—-'C. When ‘pplving the Sldcling Bong-sau, hs Wucsau was placed at the center Of the chest (D). When applying the Crossed Tan-sau, both of his forearms did not drop down tothe wais's level but were tn front of his chest. OTHER CHANGES ‘Moreover, | have add two more Jumping punches af he Siding Gun-sau (There was only one Jumping punch in Chum-Kiu st pasced down By Grandmaster Vip Man) In te past, WingTsunkungls was mosty used ode! wih arial aris practong Soutem Shao (4 2. “Nam Si Lain Canines), wo usilyepped (goirkcks to atack Be gons of he opponents someone is got at preing {he loner ove of he body an god at apply the “Case Rang Pursuing Ata (443) nbtr or “BRB0 Tp-De in Cantonese) fing acc, he dest actualy eed to so tho Sidelng Gum Sau fr Blocking. However, we ate now on fac the opponans From tate, laokwoodo, ekg, Ta boxng osama aso. ‘They ar sf at Kicking oto igh and low levels wih roundhouse Kits and ‘taps, Sing Gun-sau and Jumping Punches thus become the best ‘ambiaon oda wih hese opponeis. 15Thousands of followers converted from other martial arts to WingT sun. any of them are experts in kicking. As In this photo, the chief combat traning officer of SEK Special police of Germany (eft), before leaning WingTsun, wat 2 threetime European karato champion and:now 2 4° vel WingTsun instructor. The one at tho lft side of Prof Leung is also a WingTsun combat instructor of special pace. Below: Photo taken in 2002 when Prof Leung teaching the Hungarian sors to pound the enemies ina spl second wth la ecniques. The one doing ‘demonsirion te Macter Szll Gabor, 3 granastoder of Leung and the barshanded combat nstuctor ofthe Special Corps inthe Hungarian mit. CHUM-RIU — the arm-seoting set Demonstrated by Great Master Cheng Chuen Fun (8” Level MOA) Setting Up the Yee-Gee-Kim-Yeung-Ma (1— 4) Relax. Stand staght, fet togtier, ams by you ses. PUI the fst your ami, pall! to nppe ne. Bend you knas alowng your up bady tik vercaly downward Using th heels as ps, tur your fet outward 28 fr at possie. Then usng the ites of your txt a lvls un you hele culward ‘nl ot el om an qultaral anle ("fo each ater) on he Grud. Tas = tte Yo-Gee-Kn Yeung Ma (Charade Two Adbicien Stans) VIGow-cha Gaun-sau — Kwun-sau — Gow-cha Tan-sau (5 — 8) Face the Tet hand onthe mgt hand and cut down guy to fom the. Gow-cha Sau-kuen (Withdrawal of Fists) (5 — 9) Ator the Crossed Tansau (Gaursau(ccesed Spng ems). Roll oth hands up song the body wih Be Imovenent ibaa sso he amps wursou (Rlabng as) moverert ad faly frm the Gow-cha Tersau (Crossedaimap am pose 7 5 o 0 ¢ © a a7 a 5 a a a a Let Yatgoo chung fuen- Hue-sau— Savtusn (10-6) ie egy Se cna Fight Character ‘Sun’ Thnstngpunch — Cilng-hand — Girish te Heras (Creingnand) movenet. Werow the fe ippeewal ot thet 17 —23) 5 r3 7 7 a a a o 20 a5 a B n a a oO huen iu Piercng-ams) (24—26) Fit cet ands fro he chet al sou on-tdiance Spo 3 Sens hen suten, sito am ou op he apr reg ikea eptncn nD a 2 no‘Shang Fook-sau & Three-time Left & Right Pak-sau (30 — 38) Sreactut btn ams wh pas tac he gor. Sapte nah pam at be bend Threstime Pier (Elbow-hacking) Movements to both sides (27 — 2) the left am whan I tune fo a Tarsav Peon is oven Bee es Tumtottelet se ad, simultaneous bend bot arms ws eet arm over the Tt Thentumtothe gt sd, aa rly back to hele ie aga, € u 2 W Lett Top shot ot Shang Fook-sau ‘ight Top shotof Pak sau (EA crea Bdge cas) (aa Sap bi)Ey u is 36 CChing-cheung (Erect Pal) & Wu-sau (Protective-arm) (34 — 36) Wena Lan-Sau — Gow-cha Tan-Sau & Juen-ma Bong-sau for 3 tes “Thrust the ight paim forward and place the let palm front ofthe chest to fom a {87 — 43) Tam othe ight and bend the right rm to fam a Lan-au (Barer tthe Wisay Then make a let pamsike a6 pace tbe gt pam in ort of he ‘Sze ine. Pace ooh anc infor fe Gest fom ower Taras (Cosas Chet Final, make 2 Nght pa tke ee or and draw thee st back oe Tarsal, Tun ote tonto make a Sing Gor su Repeat te shove seqenc x amp 2 oll of toe tes. enna” HE in Chnse mens “Turing one”) 7 3 Ey wo a a c a gte Right Jarkesun Photo: Medium Shot of E a 2 Bong Sau Piease note thal when piyng the ght lar sn Bongsu (0 9 or “Siang Wing 2) fhe tet arm should make a Wisau (9-For Protective’) posing he arr of mo chest fa dstace foang eowrant of me Berg LanSeu (Bararm) & Tibkiu Chung-kuen (Jumping Thrusting Fat au hiking) (4) Parc) (hay rst ann tevamen acne tft aria) ‘ere le arm's wally taghone, sop oa second, then sudenly whisk the ‘the chest ata pans dstance, Purch ver the igh ream heading the iy sa i " ium oe ifm) Kea ap. Srtueasy, um be webs feat wage pen oo ane re wan bw Pe Reset sisagmnunbcfuceu skrgemnocnet a 3 rn a a a a aw ~ 3 Fook-sau — Jut-sau — Tut-sau ($8 — 50) \Wiaraw e et had fom he fie and pose a Fok sauin font ofthe chest. Pott ight hand onto bend ofthe Team. Now sip cat ovr te let a 0 mate a Daogar-sau(Ee-hrsing) movement. Hoke a Jutsav acon and craw tackihe et am srs en he nigh arn asing oad Feston Sauter Huen-sau & Sau-kuen (61 — 54) Wt teetering movement verso) hen the ight am i kal extend, Then draw the fist ack to he amp ao oO is a a 30 u% 7 Threestime Piejam (Elbow-hacking) movements of the opposite sides (55 — 59) Repeat he previous movements bu on he oppose ies. ‘Shang Fook-sau (Bridge-on arm) & Pak-Sau (Slapping-hand) ofthe ‘opposite sides (60 — 63) Ropeat the previous movements but on Be opps ses. o a a % @ @ a a,‘e Threetime Ching-cheung (Erect-palm) & Wu-sau (Protective-arm) Three-time Lan-sau (Bar-arm), Gow-cha Tan-sau (Crossed Palm-up cof the opposite sides (64 — 66) Repes the prevous sequences on the arm) and Juen-ma Bong-sau (Turning.stance Wing.arm) of the jpste ne. Oppo ses (6 — 13) nal tw porns nea et 68 o 70 - 7 € a € a s ya Repeatneprevius movements on he es tees Theprevais movonerts on he poate se a 5 j Lan-Sau (Bar-arm) & Tibkiu Chung-kuen (Jumping Thrusting Fook-sau (Bridge-on arm) — Tut-sau (Freeing-arm) — Huen-sau punch) — Fat-sau (Whisking-arm) of the opposite sides (74 — 76) Ci 1nd) & Sau-kuen (Withdrawal ofthe fist) (77 — 84) Repost a 36oy a = = a o a Jor Com-lan (Left Grappling and Barricading-arm) (85 — 86) Open Jor Com-lan (Continued) (87) the left hand wide with four fingers opposite to the thumb like a crescent moon. ‘Draw the le arm to the let side and shit the weight of the upper body onto the Push the left hand to the night and, at the same time and make a grasping acton ‘ight leg simultaneously. The et arm is then posed as a Lan-sau horizontally ia sown Pray ehard se apan's sane nnd he isms, Wg tbe tant Ss abe Stour et = = co 7 oO oO oO €Wang Chang-guck (Sde Thrusing Kick) (68 — 88) Test he tp cou pe toceeah Teron Te oe ysl na move eek ene ter bo Bong csv (ede-atorping Wing seu) &. Goarcha Tan-seu 5 le ig ioe iy ene sp nr (Crossed Pain-up arm) (2 — 4) Hake Sing Banga wen seria o ware teaches fg atthe aha ocho ne foe messy mate # tele sie, pace fest Wvsavin eof st tp asec Ren ep by creggrg te wie boy eet sce we keer oe et change bn aso Gvecha Tosa Pafor is sere ati re ies a a ae 5 ° eo o >. 40 41~o a) tne ‘Chau-chong-kuen (Liting-pune (Stopping Wing-am), turing fo te el and a ) (8 5) Ater te tid Dap-bo Bong sau ing punch tthe tame Fook-sau - Tut-sau - Huen-sau hand) revement. Exerute Cre (Santen, & Sauckuen (96 — 102) Tun ne boy tothe tnt again Pose he ight am as a Fook sau goon am) ad trast he Ietehang out ove he ant fe igh am, This the Drgarsau (Eyes inghard belre wihraval fe. fst oO 101 im a [ios oOio = 7 i 3 > 9 2 é Side Trusting ckto the Rg 109 — 19) ap bo Bong su (Stepping Wing) & iting Punch othe Right ‘Launch the Wang-chang-guek (Side Theustingick) wt the right leg. (106 — 112) Repeat ne above sequence on the right sie. i im To im a oe ° Gq , « é “ 4sa ns a Te Fook-sau (Bridge-on arm) — Tut-sau (Fresing-arm) — Huon.s (Gieing-nand) & Sou-tuen(Withrawal ofthe ft) (12 — 719) Repeate above sequence buen te oposte se o om © 2im TH mm Juonma__(Turning-stance) Thrusting-kick) (120 — 122) Tiustagektoraonaly 10 the let side wih the foot traight up The should shoud nl move sigh when Keng. = Chingsun-guek (Frontal Tum to the left Launch a. Frontal ‘ime Dap-bo Dai-bong-sau and Shan ‘elt ato whee i reates Make a step ‘ey ward, Turn bah ars lo Lower Songs wile ste Tensat atthe sep Repeal the Bang an Tan sequence ata tee ties ig Tan sau (122 — 127) St down fee sce € yr 1 € ie € ¢€a say (rqusve-arns) moveren lngther and ingrs fang upward a Man-sau (128 — 128) Sip the et foot fest Then sep the right ot frwards and it up both ams to frm the wi the back of bon hands pressing cose 3, athe sane time osing up bon fet. forards ater the hid Da Bang au ‘Shang Jut-sau — Shang Tuicheung (130 — 132) Lover tne ams and farm be Shang Jiau (Dove Jekchands) movement by the power exeted fom te cows, Thrust bom pas ermarts This 1 te Shang Tureteung (Dautie Erm she) moverer Be € BS € oy 1s ¢ € s17 OFhuen-sau (External Circing-hands) — Sau-tuen — Dao-dap-bo (Withdrawal stop (133 — 137) te tay Juonsma (Turing-stance) to th eight — Ching-sun-guek (Frontal Gown and cine bath hs Unseed tare eae eae We ae Thrusting-kick) Dap-bo Dai-bong-sau (137 — 141) Repeat the sequence oun and ce bth hands Upurea fom nie to ade, Wiha be fos sh Dap-ba Da-bong-sau (13 ‘Then sep backwards wth the mgt Tot Turn 180" om Be ie fo he ght Sie eee 20123 orp 0 i ie =rd 1 The second & third time of Tan-sau movements — Mar-sau (i Ropeatte above sequenoebuten be oppose se Dap-bo Dab-bong-sau and Shang inquisitive rms) (143 — 147) Double Jerking-hands — Double Thrusting-palms — Extemal ing-hands — Withdrawal of ists (144 — 155) Ropeat te seauene Inpcues #190 196 bt one oppost sie. Payatetn ote close ps fhe Eee Grrr (0+ ura) moverents fom #151 1158 ie a oy a ey 34ry rc i cs , i | uen-ma (Stance-turning) — Che-chang-guek (Slant Thrusting-kick) dJark-sau Gum-sau (Sideling Pinning-hand) (158 — 160) nen the lt (156 — 157) Keop bot fs benesh he amps. Tum bah soles athe orginal itt slop on he ground the igh ots bought clase to lam a Sidlng stance place unt the uper bey is acng the ort ase he eg and make ant (dark sur-ma). Make cowwars ping ans wth hele pa, flowed by Shrastogkick ell ie at fal oth Fhatltierig im Ten a hirdtme for ees hand, ise 7 ie 7 € oO fm1 i ro ie Jark-sun Gum-sau followed by TiLkiu Chung-kuen (161 — 165) Atte ‘Kv-Dai Chung-kuen (Thrusting-punch from Underneath) (1665 — edo hei ning hand moverer, change te et ata ft nd launch AGT) Ate teeta sul extended wus he gh punch fxward beneath he ot wpeestrus sn pc aneg be “a en ae 97 im Tass te eae Yarbo Guay’ 0 "non four, auras cota te nsng fo kn ct eng Pein vee artes cs iw ro ie a a o * 01s i a Lin-wan Chung-kuen (Chain-punches 38) (168 — 171) Arte tl steteh of "height punch auch ale tsing-punch cat ove th ght am. Mesnvie, wicraw te ebow of te night am oe chest. Do hese eorinuous punching Huen-sau (Crcing-hand) — Su-kuen (Withdrawal ofthe fist) (172— TT) Ate sever punches, Ssh up te cha punches wh tele arm. Make a Irene sw spore ‘xnghandmoneert and ten than 2 7 li 7s @ am a a16 7 APPLICATION & ANALYSIS OF THE MOVEMENTS o a CHUEN-HU (7 or Percing-arms) “Cae “exing mb he meme ee Gach unre Saad et ep Tse pes Soci ese" Peer bol Shien for dee Reber t wed ale 40h ms pos og e as of he onl hckd pn (ahr ech" bp ihn os th Ponta ost ely oe cS oe ad eye fend Th tounge tar rncren nr pew ee rn atk soins aed Dene Eye og a” Shang Devgan (8171 The Ferg adn Watton ee! fm ee otng thts thera an ye Ia ef ge ge wb be eo een eth ees aonb The hn tat ach sen Sava Cosine ga 7 far hogs edge Smet e may eo age cach iy oO hae gh nance fn ego. Te walneal Bachar sls ron cmp 7 Telia, cr mses of ger feveton dt wan 1 ah is Ach nay sen i ennoes ppTun he Ison atv any pe sh al now Oe econ ths Seine The ue of _ END png be pe treig Wal hat sh te Crops of he Chem sa hey wu ew ra wan pn ta fom ping is Aangeous extn in ay Demonstrators Carson Lau (Left) Assistant instructor ‘Blom Sandetin (rahi) aa BELOW: eke epsht ‘towne anes ietsen bis opponea then the former counters wth an Eye thrusting Technique Diagram A—c: A ets cooing ace to face, When 'B auices dhuble hock pancn to stack A tnt tgs Aimed Bile 3 Suerte noone by tmsing both ams pears. inne mean te, happiest Ee baatg an tambs toe eyes BB dig tis, BS ack ts a0 Sed. Ts the stale Jon SA (i Le i rary the eye and even the ‘oe at act peibesnovenents of ioApplication of the Application ofthe ‘Shun-Pievarn ™ YikePie-Jam: © a wenishat ang Sty agast he nt amp A Stang ences Ne opponent tech Diagram a— 4: As clnctodby Bat the wat andis led above he ground Under such a icunstance, isnot ate to apply punches or even an Onward bow hang echo to counter 3 Hence A apples a _Yikijam or ‘Reverse Eowtacing movement 0 sik B on the back ofthe neck wih is ‘bo as his upper boy uns. ‘Ainodatey apes a Shr-Pe tam by berdg his toa oon ack Bs nck wh atwirg mover Demonstrators: fe upp bdy. Bong tacked Bas = Assistant Instructor ) | regoertute intro (am Lap Chung (A) Sifu Christopher Collins (8)PAK-SAU (4 + or Slapping-hand) Mos ofthe Wing Chin people misunderstand the real ecto ofthe Pal-sou ‘monement in Chan-Kin, They bev that thy ca ak thc opponents rm nah the following tecigae: wean gppone is ataking « WC pracitoner nth a ‘straight panck, raps the opponen's arm by Using it on is forearm and aps it ‘wards withthe ifting palm from underneath, spontaneous apphing anther Pain olay on the wri ofthe opponent oat brea i." Unfortunately this ot practical tall The reasons ar epinednhefoloing ps ‘+ No one’s that stupd to stetch out his arm entirely and et his opponent break tina fight. (Uiless he your swt and 1 ou who ase fori) 2 Even the opponent has realy stetchad out one arm, he sil can launch ‘nather punch to attack you. It would be bad luck that you woud in fact. not havea thr” arm to dea wth his coming punch because bath your arms have been occupied fo trap his single, outstretched arm, 3 in fact, itis not easy to break somebody's arm by usng the “epping-hand’ movement, event he gives you he chance odo. Inthe past 30 year have invited vous unde iso yt break my am in ‘jen anf bows ad seminal ve the wel roves tt Sling hand ray Lind of he sea "um reskin” cigars cant ek my am even though oly sehen my am and dd nding. (1 cores Det | wos apphing fe Wings unloading face achngue Bo Show yt aks ne 1 rab) Lower: in 1989, Grandmaster Leung Ting invited one of the local ‘olcemen, who was also a blackbetKarataka to ry to break his arm in ‘an open seminar when Leung was teaching the special force in indi. Ilr | ecame ss dor suet ofthe te Ganda Yip Mi, Ua lene tna en chef ny it acta he ave net Aer patig ths most wih ret efit fer sere mb ily thes ae coy mpage Te ne ra ete ea for Yea ston te ny kn nl mans ened y 3 Wig Chas maser dann Dr Leng Fars prad tod out emo rene Sipinon x tap ‘not is eine son ened mea Sr movement ben byte i Gants Mp Man while dong (iso ithe dang Ses Wi he “al tenting tal sopping ovement it shu be se kee Be Jato he opponents ‘TECHNIQUE: Pease pay ateton to Beas bate Socaes "Slapping techiqe stow Hrs aly 2 ery bad tecnque, The ‘tong to break the 2m (the opponent as cone by mest of re Wing Chun Peciboners othe rghit fide, ropardess of Infleciveness. ums out Ibe a bg epparunty for the poner te oaiier wih zroto ha 6‘Two Practical Ways of Slapping-Hands There ae tvo differat applications forthe Shaping hands. The method iste below isthe mst common vay of Slapping aad tchigo applied in (Chisauéis (Diagram AE) The second methd — the Pal jam san — technique canbe found os page INDOOR-AREA SLAPPING-HAND IN CHLSAU Diagram A—E: A ho and ae wortng on Poon Sau (Roing-ams) moverents inthe Doutie-am Gh Sau (Double arm cingng) dl. (Diagrem 4) Une A ranges he ‘ght Borg sau Wing arm) nto @Tansau(Paln-p am) poste Ne mmiy changes tis let Fok sav (Brdge-on am) Ito a. Pat sav (Seppng hand ovement slapping othe bend of BS let arm. (Diagram B-—'C) Ths fe “at Foot Ye" (==) o “Trapping two-arms by one-arm" tightag ‘acc in WingTsun. (Diagram 0) When Ais preesng down Bs both ams, hs ahthand has cangot ino a Thrusing punch ndag on Bs ches. Dagar €) Demonstrators Grandmaster Leung Ting (right) Sifu Wong Nga Chung (ie)NOLMOON PAK-SAU 8. CHUNG-KUEN IN REAL COMBAT (or “Notion Paka" P81 in shot) ‘The Pak-sau (Slapping: hand) and Thrusting-puneh practices in” Double-arm €hi-Sau can'be applied in Feal combat: Diagram 1 — 4: ‘Aah cnols B.A dats be ‘tac by charge oar ad ‘Sapping down B's kt wet wt the let Sapongand. Al tbe sie tie, A execs 3 rt ‘Tinsing puch ero Bs chest. (Noe: Please pay atenon that when A i tacking B with 2 Thrusing punch, [A's kel forearm ispresing Both arms of B's stongly asst his own body Meanie, the wrist of A's ight puncharm is so depessng B's ight sau {Poe am) hy a oer Baty chance fee of ec saving movement. Pease ao refer pe 22 abo he pi "Beeare when apn lal Slapin-hand ‘Movement in "Abou the Poi’ fo desi) & $row ‘Situ Yan Yiu Siuyan Yiu WingTo "Break the Arm” with a “Pak:jarn-sau” Iwas meson the previ tex that 0 up ad ek team ofthe ppc wih x Pa ren (644+ chow sig an) tevine Seering othe ret sated on Page 69s actualy ingot, Howevr, ie tana thechngeilstatedbelow, woul Be poe foro nee» temporary sm oc rth comely aed pes ee drat thet ite pone ar nb Dae Cha ire ena The been echng is echiue in tec rang programs fr Seca Fores pi deus nd pron pro yeasts proven be ue racic pls thn movenen in conoling whales cir in Mok stom THE ELBOW-SLAPPING HAND IN CHISAU ORLL ROA a 8 Foon Su Rtn ad B av ex nt (Ralig:Ams) movement te Soles’ ar (Gnomon) ai Suen 8 ns hs ot Feotav (neon am 0 sap he eh am ol A ante sane tne femiesang fstype acc Ache ces A ates rote ph hema om Hu Sau Price amt ciate BS cong nh may been hv ar poreDiagram 4—6: Wie olay Achangs his Wu-Sauino a Ju Sau ekhang) © grapple and own Bs i ws win ek Sularous, Agape Bs oh ws ond ims the ebow over wih the. coporaton of hs et Sappigrhand. This ‘ng snack optuming over woud De exemely par o. “THE THREE CHAIN PALM-STRIKING MOVEMENTS IN CHUM-KIU ‘he Liv wan Sam cheng (st = Eo “Te Chain, Pam stig” movement) in hun Kins spied stack he ff te oponetin cmt ‘When a WingTn igh fang one sie fh oppnentin Thao” poston fn cnfonton, ic woud be a good time fr the WingTon fighter to eect 3 Palme sight ob eo soon. “he nial isthe same ine cal "Beige withthe Slapping palm (han shovr the perme slaps he ek of hl ater oad hs Ble Tigh sed, te sdden pes qoszedinse wil beak he ot ito pees With a epson ike fe ne same wa, a heavy paln-strke oe eat can make Te cyponer fa ino 3 coms media. hats moe, the heavy striking €3” ‘aly break the eardrum, who ftste can ony Put he cutie of fe ee ‘evry stheefoye an extremely lethal plm-siking etnias. Leb Day readrs to conier conf before using ts technique agains a aac, nElbow-slapping hand in Combat The Elbow slapping hand technique practiced inthe Double arm Chi: Sau Ail can be apped as a counleing or even attacking movement in rel combat canbe ako need fo betone an efecieresranng technique for law enforcement or prison officers to deal with ctiminals or tera, (Please refer to Page 8S Jor deals} Diagram 1— 2: A eas contening hie sep forward B atacle A wih 9k sapping and onthe far GT ad tacks fn by exong at lah to Ke test 2 a Demensttors a Sita gal Sing sing fae sss ncn (tone ly Pereira tn it Sts eat ph (FBS righ arm,Diagram 5 —6: ‘Asoon grasps B's sight ‘am and overtumns his ‘bow wih assistance of the lef hand twising Bs am in-a clockwise recon. The vcient twist. action causes B great pain so he is ‘ow totaly under contr TUT-SAU (#2 4 or Freeingarm) & DA-NGAN-SAU (178 + or Eye-thrusting hand) SEQUENCE Tutsow is done blo the fist movement in most ofthe ivi sequests a he Chu Ki set Tera sacl very powerful ehnque fr ountrstac, Is sctalapbaion, afer a Wings Fiber apples a Fool sau (Brige-on am) to contact he atarking am of hs opponent he shoul ths om he taker ind to make 2 Da ngan se ove the Foo au (which is now forming a zk Fre ek dow te opments mo ata the ee the ponent Ts the Chom Ki et the tacking arm aris ala ina Eyeing hand enga-sae) format inthe Tarsax sequence. However, ice the price of WigTsun bang lesb itis not "mat for so alae ase the eshigues combining Ju-Sar Uetihand) with Eyetinsing hand immalbly in combal Trad we can combine a au witha Tsing poncho ‘chnigu yet nota eraneay injurious sth Eye tring hand Paes nae ha the Foam, whe the Thesing push i veng ow, bold ete ino Jw oe je oe can mae te opponent se isan an flora. Asa esl the lw fre of th opponent wold cole wih he aching orc ofthe deed aio eee stking power hey This she mono: “To atlack the opponent by making use of his own Foca” (sess4rs9)in WT hig Diagram 13 A (et) confoning B ‘wh es et amin asa Mansy (214 ot ‘nqustveam) and nis lo paring ote ear as 2 Wusau. When B ‘ros argh Tous punch to tack A A fends ou te ight Fooksau "0 meet wh 8B onoing puch Demonstrators Situ Carson Lau (Let) Sifu Ngan Tak Yee (faghn) 8{the same time Ris changing his rat hand lo a Je hand movement ress down BS mgt wis sudden, he atacks B wih 2 punch shotng staght ove hisown de hard ita BS ches. As Bs loi is Dance an fling frat ub ‘othe powerline exerted by A. he hut badly when a two feos 2 force of faling forward andthe feo te punch) canbe to ncease he pe. p |AModified Technique for Special Police to Capture a Criminal A sight modficaion ofthe Pak jam sau std Fook seu combined togeer withthe Com-nasa (3 4 or “Grapling hand) movement can form very rc tebnigue fr swiflyeapuing a dangerous cminal, barchanded, The Fomine group of movements sted inthe "Aresing Techniques programs for petal Fores, pion guns, police and aw enforement oficial Demonstrators sifu Ma How Nam (A) Sifu Christopher Collins (8) Diagram A—C: Fer oti masons Pekan A legit) eamat-ares By feaving oul fs gun and fering. tvards tim, He Fretetore pretends to be a pedestian ost in hs own Frou and waking cose fo B (ust he 2 sombody ot§ $$$ ayng ation fo where he IS gong) the set Al ofa ude, A gabs Bs arm and ss he ight wrt Boe oct inthe jo of B's am. AS The ot savory weak poi, he ‘movement Ruts BS am $0 ‘hal Acan easly tum his em tothe backDiagram D —E: Taking his chance, A immediately peor a 10" stance-tuning and executes ‘an armdock wi a Footsav& a Coma sa (rabing hand, Behind Bs Bac, ‘prompt eppes alee sik to fore Bo koe down, Diagram F: vith is ke on B's Back. A is now puting B under complete cant so he can ‘rahi by drawing ou hishandoeJARK-SUN BONG SAU ((u 4-4 oF Sideling Wing-arm) Most ofthe Jar:sun Bon-sau (Sideling Wing ar) movements se actly gained by Fost Bong a and mig ote Tn fic ifthe stacker auch jah, with an outward elbow. the fice or ches, the WingT sun fiphier neds only execute a Thsting pach from andereath 0 ‘ik he atacher othe aces x counter, Thi he “to counter an attack by anattak” hing tai. (Se Diagram be A Pac for apa below) Treacher encusaThusing punch, wits bow ily eine he am ofthe Wingsun practioner, and th pesae isto hea forthe Stee apply the above method to counter, be hs to give wp his own bre force and bend his am Jus flea rtan cane to “ulead” the peste om it Tis isthe formation of Borg Sn. whch conforms othe not: ' When the head is pressed down, the talrises up" Please rer tS Nin T or da Hower, incase the pressure ofthe punch i oo heavy andi coniuouly ‘moving intl een a Frontal Bong sas can not “nla al the coming fee, the remining tacking force wl be nse frm he rota Bon-s tthe upper rf th defender and tam in aside Siig stance Us formed and he fee wil be wally aliied asthe argtdappeas ad the Sieg Bong a does amy any fre, Tiss the Resclag dor” pancipl nthe Wig concep (Pas rer tone page or Diagram A B boat Revhing dor’) "A punch to a punch” (Diagram a—b) The opgnen (nh aac a WagT sun practioner wth a jab. The donde needs oni to counter wih a Thrsing puch towards the oppenest 1 fac. Nole tha tbe WrgTsun fiers using the anges betwen him and his opponent (o delat the stacker when Sng : ei From Frontal Bong-sau to ideling Bong-sau (Diagram A — 8) ‘Bight atonplsoatack A on he chest wih a Thusing puch. A cons Bs punch wih his et hard whch Soon Bet by B's puncing ec, Ais puod to fin tone ght so en. Sree As toy untae, B ses Nis lone tage Tse "Geng ra te opponents fr pape of Wg, The “Revolving door" Theory The ovdving door is al abl Tote te wl tm tone de ONLY "wen enaer ‘ie bing pushed by he toce tom outdo Ine leh aga, Séu 29 pases rt ance "When hes pasted by Toce on fre let sie, hs upper dy wl turn for beter Say’ will be pushed tothe rh se.@ Sideling Bong-sau in Actual Combat (Diagram 1 —2) ‘B rahi tes to hit Aon he chest with aight Thusting punch ovr theft am of A By extondng out the leh arm Wo corac! Bs tachng arm. A tres 10 ‘ssoWe B's attack. However, B's power punch ie so heavy tal # creates more than adeqile pressure to foe. A fo change nis let andro Bong sau pce 10 uriead te pressure am B 3 a 9 Diagram 3—4 8 reevng tna punching . tore, AS body is pushed io fimo tne ‘ight sige Beata istusin vain Demonstrators: Situ Carson Lau Assistant Instructor Lam Lap ChungDiagram 6 Whe is Taunting fs io paren Bs face, his ight ana exerts a song fering erste hake Ba ‘dnl Forward Asthetwa ores eid wih ach ter, ns puch ane hte 8 ‘eee Diagrams changes is ‘otha ioa Fook S00 ont Bon te "ah wes and changes hs et and om a Tsing punch ready it Bonthe lace COM-UAN-SAU (48 or Grappling and Barricading-arm) 'S& WANG CHANG-GUEK (if 18 or Side Thrusting-kiek) There wa no Side Thus hick nthe Chum Ki et passed down by the ate Great Gabler Yip Maa, Yess ao, [ved fom examining some materials fhvthere wet ony te Basic hiking techniques in he original WiegTsen system. Forth ean, pr the Side Tres Wek tak into ie Chur Kise Theres argu tan WingTsen which hat pacer woud ot Kick wou is sm) contacting the oppose. sings tebe when the Wines Diagram A—B: Bt and fet aril tack Ari bat ans Under Back nash He ist rages owas Bn hs aye can atleast ‘eepa eran dsaree ‘ay fom G whl ais sackng Peston execs a Kick he defender wold itd the Wigan prcner's Hick very dificult defend aga The Se Thrsing hich tog witha Bc arm can och sa tick fom fe ile ye cure 4 isk liver. by suprise. lf me combie the "Gaping and Baricaiag™ technique jer wih a Sie Thing Fick smlaecsy, we ean dea wih O40 acer, one 10 te Frat and one ath i, neal allatonce Applying a Coman-sau & "2 Wang-chang-guek to fight against two ‘opponents in combat=] Diagram E: Wie Ais ack B,C also orp fo aack A. Diagram F — G: Areas gh am to fed at Cs ; Bees es Cukeselaees Tite sets vSnnead Cb bec Ihe best Dee ~ ——— teesuecre ~ Mata ces a: ~ Demonstrators: | ut 4 i Z Sifu Ngan Tak 5 So faba) ; situ Yan via wing tes Aisa ett oe Wing Lok (ah Dagrame—p; K Aappies n Eye trsing ard ab ee eve ol Bw is ottnunb Tiss an as {xe} bal nove mete sesh ary ind me pon Wasgretne Ata 18 al iC‘CHAU-CHONG- KUEN (388 4 or Lifting-punch) any Wing Chan pastor ik tino ome "Tr ch aa Cac 'SUN Tsing nh or sore Tring pach) i Sieg sym Tinh atemke (Beart Sur tea tas “ie hunch a exc of “oman mime by len gece Hea che CESNBT be spied ew pupose er ALL conions (Ther eh ag rad ral eps th en das od Jr Be ere ee ‘imo ch ec te on def eon cin ee nero "ase mri ost te my ead ma ein einer) Inf tr eo mre prg eg he bred oe in Cho fad one na FT a plenty cigs aie fee flstees of Be “sce Taig ua ta son The Lig promo hee ching mene Wingo The sa to pad loner nanos aed te melo ton Spar The et bg bth he er the ron Button Be be ‘eerie ee a beeen nen nce ton However he ng ech ny apes omen Cham hi hsane i teeny sn tla Som tin ate Lng ponh Wing ese pach she pera in ong, Atl he dieses ete oo, pnchng dco, Sees aminr Uppercut in boxing The punch is auncod upward along a large oblque ac as *_, tom the ston of he abdomen going down and then mov upwards Te wpe bay Says om one so To eother andthe head is pt aw whe punching, Ia ‘2kdon, the shoul ofthe punching arm moves fomat long an obique ating ‘ou so as fo neease the power of te upper. The purchg gels 8 eal t the mach, he was ore ower aw ofthe opponent Lifting-punch in WingTsun: 82d onto obo foe fs, het std up wih a smal oblique ac ast, tic is elmost nga veal punring rue nthe at alo the punch, The {eng punch sovaledbecauso most of he purching force comes fom te "Sudden ong pone oe appe oa "especiay wen he stones Gos tos ge Ashe fig pinch romaly focuses on the most ragie pats of he ‘ody sh tha lowe awa rametnes ac and ey oe oponen, Astuth ear frak othe veh ma Sg porch, 96 IFTNG PUNCH IN WINGTSUN, ‘Men ng the upper body upward wi the punch along 2 naow arcing ae {arte the ng puch UPPERCUT IN BOXING: Te punch is (rest ong aig arcing rove.‘Two examples forthe applications of Liting-punch Under diferent situations Fight Whon a WingTsun igh ‘sped by his opponent win bath arms one neck tying aac hin tia go sinke and he obows the oacer bck ha way oe Sagi ine Tsing putes, he ‘ingTsun gr nlp be atackoa by he knee stk media looks Monee wit Slapping pal (Gur si} and smutanenis, appl a Ltng punch win fe oter Fado he opponent he ower bw Lett An opperents power gasping wale nga Sh: ‘and hs toad stcig to he est of Ihe WgTsun titer so cose and ‘hy ra totaly impossible fr ‘ie cotaer th oponort th ace oe Staging Thasing punches to the face odors siuaton, te Mgrs {ahr wo. press down on he Dak ot ‘mock of 18 oppneat wah One and fda te samc. tee, appy iting guacho Re oppnert ne fa Liting punch in Actual Combat: (Di ma—b) ‘igh cafoning B, When A tes 1 atack B by ashing forward and Alig a Thrush punch othe fc, Bimmadatly Ine Nis 00d 0 dodge fa ateck Ke pul thetelte vain and he i very Case to Bal he same - a ¥Changing to continuous movement with the same hand ee ug ting concept nthe Wing sun Sytem Fert an i he Sacer fas oh pee P| itis ach sealed ‘he ating Ameen mon Ce ge tet" nal he bs ae beckett el he arp te ced posh ah “thant hd eer end tsa el Wighn Prose ted wo enh Be pn ad then pl fc pc wih she nd i al ned ome fs ene eth sme hd ‘iow digit fi (Piagrame— a) Thatelore, A ony needs o change tie missed punch ino a Gum sau {Ping had) movement Kom the ‘usd a pros the bac lhe fac lhe opponent. Neary athe ‘ame ime, Apples ihe et Cin puch ont the fae oF, (CHING-SUN-GUEK (.£ 4 8 or Frontal Thrustingshick) & NOLMOON FOOK-SAU ("9/1 + oF Indoorarea Bridgean arm) The ronal Tuning isk ry common bckigeigu is Wings ris movemeat hah raced ah Wt ts ep ene th apis he Cham Kis steals leben wok a with any sual hnd texte hen apy tin atl comb A WingTvp pains we noma ike 1 apply pinay and usiques toate and Gefen nate comb Thi cate Me ean He So sms” or fighting bt ne cn only apply "oto tick defend a ine we ays eed ante can nh od However th eleeace doe not mean hatte ve Mea ching eeigues bathers, we seve sue he appatondt he kicks Acoing te Winton thon. one pe epson acing 0 defending shes ues hands ca lh Be aos en eet. 1 nel be aby anne eae ate cy forth kee to Toe hs bac” at con rea adsaageus opment fr open oe im The Fron’ Thing hick (67), wea awoated wih the Doble Noi Moon Fooksau (Ont a coustering a sticky an at i (th 6.8) cae which Ca tack te Spponce by spe and restrain the ponents hel bite egping bth . hist Diagram 1 Baddony gasps A by ne wrss wil fords Atoms that cant break Ione ofthe onto, by Beasiy ue to B's R power wo handed 4 ov. 1Diagram 2 — vay oe am a “*Retrain from fighting a (ea beh ented spent the \ waa sep when he defended part of your Seale ‘opponent but attack ‘Wasting no tne. A his) unprepared pat” as coriues hs oe ata (eee) A diely : bya a epee apps Feil Thusig. chong fran Mofo stack 8 on Be ino Sepp han abtonen aa he sane tap bah arms B and time, tums up both palms to pptes tho lft counter-control B's wrists “Tnusting-punch to with the Double Indoor-area seeaneheen Fodk sau novenent m2 10sFROM DAI-BONG-SAU (1S. 4 or Lower Wing-arms) To. (MAN-SAU (1414 or Inquisi In the Chum Kie_ set the Lower BongSaw (Wing arms) and_ Man Saw (Ungisitive arms) are "Double movements". The ame movements ae practiced by bh hands othe st, ut are only applied in cul combat by astple hand individually or asociaed with ether techniques — just like asembling two fete fuconing tools topeter to frm aout al expecially nape to ‘al with itfeest sks ander paiclat conditions, (For ‘Dulemovements lease ele foe book ‘Wig Tsun Kuen” detals) ‘There cnssteey i the change frm lower Bongsu to Mansa, The forse of WingTsun iene and ele oll the movers pied possess the force Tike that ofthe sping or a atan cane, And tis force wil Be react” ander eat presue (Note: "Retrac™ means: Arata cane or spring would not raat by tse They ar Torced fo erator bend ONLY by extemal force {nd their elastic ays be resored) ‘Once the outer peste is reduced, the farce of he atan cane othe spring rebonds The fs” the outer presse fales ava, the “yucker” he rebounded force wil e formed. The moe power he out pressure appeas the more powerful The tebond fre willbe. This isthe mouo of “slay wih it when i comes, Tollow night after 1 when i wtharaws. If your am is feed, ust thst outuaras" (Rik « ALF The Trce-uloading” (3p ot “Se-Lt™ in WingTsun terms) feaure ofthe ratan case o the ping shoul alo be noted. Something ike rata cane o he spring beads wih ean presse atone end, When the bending tl Teaches 3 Ere bmitaon, te objets eteing pressre willbe “unloaded” and slide ‘downward dc tothe droping angle of one end ofthe ate othe sping Once he ese disappears sel, he ane othe speing woul rebound ht awa, The rebound force bexomes proprionl 10 the previous presure — "The ‘greatr te pressure, the stronger tho resistance’ — ths is he characters (lsc the cane andthe sping ‘The ching fom lower Bong st to Mansa consists ofthe sme Feature 48 boy And abo seconds wth the principle of euiity"in Winsor fghing const, ive-arms) tos ilustrations on "Stay with it when it comes, follow right after it, when it withdraws. If your arm is freed, just thrust it outwards” Diagram 1: Te force of WingTsun has he same nature a that of a sping. When tne clr pressure apple downwards the sping is beng raced bu tS resance depends on fe outer foce: “gator the pressure, sroger tho resstance’ Ono he force eats, wl esate gh aay Dagiam 2: the pressure disappears sudden, the spring wil rebound ht away. Th rebound fe Isproporonal the pressire wind. Tals fhe uke the pressure csappears, the rater sped the sping bounces back wit 10sCharacter of the rattan cane: Diagiam 1 Wana aan cane (ot ‘sping is being pressed atone end, it bonds according tothe downward force. Diagram 2 The stronger the pressure the bigger the bending state that willbe formed. This tums the rattan cane into a curve shape Diagram 3: ‘When the canes being rosod odoop down (ose oa verial ange, the pressure thus loses | suppor ol the cane and sips dowm suddenly. At the same moment, the cane rebounds upwards witha power snap due {othe force provided rom the previous pressure, Diagram 1 3: {A (rN) cantons B wh is hldng a cane, atlemats attack A wih ahea.on downward smash wi te cane. A, istead of making a step backwards, deshes forward and extends hs ight arm ou tthe forward upran rekon fo frm 2 Nan-sau movement. 107Diagram 4 —6: ‘The ane sides down along the obique angle of A's Man sau: Back is thusn van. Fugit ater defectng the downward atackng cane to one sie, A Immediate sis down his arm and anges eto a Jutsu to suppress he ae. Taing ms chance launches a Frontal pam, snag othe cao Demonstrators: Grandmaster Leung Ting (right) Situ Lam Wing Fai (let) > Vd sa}DAI-BONG-SAU Vs. SPINNING-KIcK The spiming hicks (sn Taekwondo for example) and roundhouse Kicks (sin ‘Thai boxing for example) both belong tthe big ils of hose sls, However, they arto diferente echiqus in presentation, ‘The rondouse ik canbe dsclved by applying Shan Ha Gaur san” (£7 ‘284 oc “ih and Low Spliting blocs”, Gaur san* (f+ oc “Wipe mor Ko Tan saa (ho “High Pain par), (63s rele o ‘Sire Tas ard "BT" ordeals) The spinning kik is based on the force of thle corning ith he momeatum of be pinning bol. Therefore iis que ineficie if we apply those techniques ike a Gwat sa o High Tsao dave sir to whl we dato disole the oundhouse kick. The reason shat ven if we an lock the uper te, we eamot bok the “ooking ia lwer Ie, which would belie blocking he lower par ofa nanchal © 2 thee section cudgel However, if we know snot usage ofthe Lower Bong sa, we can efecively dove the pining ck by _plying he ging cic To Counter an atlackby an atack" The Dai Bongsu in Chan Ki is abo called Nov Bogan (598 or" Wing-am’) by peopl of some Wing Chun ache anise opposite of he fincon ofthe onmay Bony sn, yt chert tat of Kava (4 orig Mok" Lett: The application of Gwat-sauto dissolve roundhouse-ik is effective. oft Howe fon ples he Gatsauiodaseaspringkck ve heugh Fan Bok eight, e oni wry wed 3K eh Ses A Diagram 1 —2 B amp otc A wih pining kik. iad ol sopping haart, {ars oan chnges on sm oe owe! Bogs whe Sead palm as protective pan. utDiagram 3: The Lower ‘or Dera nt ‘gate ister ‘on Diagram 4 earl, A charges ih an extremely powerul step to ensh B on tis standing lg, wih te tower Bong sau swag opwars lo or a Marsal movoment. Ts acon makes B lage is lance and es Mung Svea foo nay e& 7) Grandmaster Leung Ting Sifu Christopher Collins 12 (CHE-CHANG-GUEK (4+. or Slant Thrusting-kick) ‘The Che-chag quel lat Thusting ick, alias Che gua geek 46 or “sin Hanging Ack), consis of only one turing Kick 10 the eft in the (Chum Kiu stands especially apd wo deal wth be opponent standing being The siuifcace of the tung hick lis in he 180 turing ofthe body while the left ep lone i hicking in 2 sn sidevards dieton Besides the 1807 tring and kicking, we can del with the opponent standing Sideways in a special situation by taming to a smal angle levity. (Pose reer tb: Why sere re Sart Tessin ik re nh so In Ch Ku” ef Conese sn Ter) Diagram AC: The st Greal Grandmaster Yip Man enonsraing the sequence frm the Sart Tsing ck © Se Pring hand Not tat ate uly exenig el, Yp ‘op wih is toto where aces, 3faa Digan 1—2 ih confaning B ft: whle€ (ih s standing bein him a tamer thay trang Deer Gas ty ace Wie A seg can suddenly seps fowart and temps io make fray by punching A om behind Demonstrators: situ Carson au (mig) Assistant Instructor Lam Lap Chung (ett) Assistant | Instructor Wong wal Leung (ght) NFA Diagram 3— 4 Sete Cs corenpon, A cute tuns to C abd lances a Sis “fg ea hi born Ihe mas ne, he spies a goo Fah Dun downward sever scant a3 han wie es eamDiagram 5 — never expocs tet Asso alert and, while deaing wih B, can sl be cuck encugh to attack hm by suprise wth ine hea Turing kick, He cana avoid being hut serous ad fas sever fet away Asozas he chance To cote fe Sea @ ie JARK-SUN GUM-SAU (‘8&4 or Sideling Pinning-hand) ‘There arent many hie ht el wih lover evel tacks in th Wing sem; epecily ete ae no rouching” movements dealing with tose socal Yer low stacks: Dae to the ingenious constucion of be unique Wing sance ‘operang with magnet footwork wth be ‘osevange pug atack™ (88 Sats) Tighing tacts, a Wings ger an eal jam be stance fhe opponent ling it dificak for bm to apply any Kk to attack the ower pt of the body. in pal, when a WingTsun fighter execs the "Violent attacks with reaching stops" (8 $9) hang atc tht gives he opponest chance o ven snd stably in ths tao, it wold be impossible fr him to aply ny kek. Tiss th rata of iting the head, no Kk” (4s Re). Please reer fo te bok WingTsun Meio and Concepts" for deta) This wat the main reason Gt tratnal granimastrs such asthe ate Great (Grandma Vp Man others regarded ighing chiquesasocsed with the bower tof the bey as op sect” and id ant show ei oriay students these fetus (This ils the sere” for my headsudn's and or me teach aot of hampions of ther martial as who are already expen ing!) Hower, ssi a possi fra WingTsn praca to be tacked bythe rian Tower lel Kk in cafotaion with an epponea For is eon, ete te tree movement in Wingo dso the bcs hey re Gesu, Ga sau tnd Gums. Ceacaly, Gt suis applic to dea with the oandowse hick. Gum sa and Sidcng Gus canbe ted to dal with seeks, ont Lik, Shapes sad soon feet thie depend on diferent angles and posions tetnen the WT practioner and is opentn a cnoaon Lower the front-arm ofa WT fighter is placed atthe indoorares ofthe front eg ofthe opponent in preightingposions, he can directly apply 2 {Gwat-sau ora Gaursau to deal wih the Kick,‘Upper: the WngTsun hr laces his art arm a th odorata athe Honk Je othe opponent inthe preSghingposton he can unc a Gaur sao dssoWe the Kick. ‘About fas of ‘indocr-area" and “Outdoor, logs ree to the book Siu Nim. Tau' fr deta) Lower Whon the opponent fs, # the WingTsun Slr’ fer am is at the not ata, woul bo sow ffm o spl a Gan saa be fa oak 2g ‘ado the atdorares: Hence the quickest way io app a Selng Guna CONCEPTS AND THEORIES FRONTAL STANCE, SIDE-LEANNG STANCE & ADVANCING STANCE The stance and footwork re very important a Chum Kia tchsigus ting The Hee-GeeKim-Yeung Ma (= 48), oF Teaely translated as the ‘Character THO" Adiucton Stance ples tat bath soles should make 2 60° angle nthe stance (0h whole ronal sane is an “equate riage” The positon of th oes and hes thus Frms 2 hpe ike he Cisse character "= However, according othe late Great Grandmaster Vip Msn ll the Wing Ts sunces ae called "Chatcter “TWO” Addution Stance" regardless of fot stances leaning ance (or Siding sane” i shor or alancing ance. The only fleece is ht the character “= forthe fom stance is i stndardwtng yet the charcer “77 in the Sielingstance andthe Advancing stance (alas Chunk ch-ma_¢% or “Sloming stance") sin tales. (lease se he whe Ine nthe floning two pts The center of gait shoal ben the midl ofa From tanc. While posing idling stance o Advancing tac, the boy weight soul enya on the ret kyl rose song enough oda herrea. Whee chingings Fomal stance to aoter sane, the upper body shoul not sing ile mig th ls, In another word, the ene of ay has to Be very te ding movin. The dance Bevees bah fet shoul lays be he sme espe posing any stance, This isthe only way to mann he iy balance. (Please rele f0“Dyname ing Teun Kong" tars fr cas) Right: The Sideling stance Left: The Frontal stance 9aes A 8: Th sans in wide. sn ning sng ace, ‘tog cart ay stot aren Tae wien an een shaw, Pe Cont rv sip con any heron beget te) Matas 1&2 The dance rao sao ew. Pong a sacs eis ‘ule aoa mave sty ad mse tng ey pss 2) f Xr Mates ab: Tis saver como enor ros othe Wing Chun people. Oue 0 the ck a iekig foe betwen te res, lg fhe adanang sane bcae Changadto aT shape abe to cach ar In sucha ance woud bo eas fhe ‘Stacker fo stack hr wih sap kx foe ron wren sepprg Towa Note 3) Now i: When turning se Fowler wo 8 Slingtance, he wei of ke upper bly dd fe uly if ein ees en The he uly way ne eae “dt: heart camped frm the otal sin Sur enemy eso attack Oe the ns tare otek slag ate ane of he ena ears A Bf des bles sl on te font ep I ica the pacer rte all eno upperady ie tart fom te cnt 0 ove se Te open con sil tas Noe 2 Thee sng Din ep ely rd ec Cid ba Pe a eae aa ity Cafe fre he es fom ts anh eso ie at 2 ar sake mr mae Tak a ate eof fl > mon de oe th edie Wings ih eto sania ny sot fon ese ete pion en of te ‘bebe Ta wy een mn gl et Nut 3 le fr oe ok xt “Try ood YngTun Mowe and Cnc he “ee and tape of “mami Wing. Tun Kungfa we seals 120 reatWHY SHOULD WE "BEWARE WHEW APPLYING AN NDOOR-AREA ‘SLAPPING-HAND MOVEMENT"? ‘Thee isa saying "Beware whon applying an Indoorarea Slapping-hand Movement” (42 + 57) acconing to WingTsun (Wing Chus) Thing theoies. Many WingTsun (Wing Chun) practioner hve heard hs moto bat ont really understnd the reasons bebind i Therefore, some of them hat the ideathat hey must apply ay indoor area Saping hand! The socalled "Beware when aplying an Indoor-area Slapine-hand Movement” oto is only 2 special varing to the WingToun (Wing Chan) racones by our more experienced expe of he ler generions. Ides nt mean that we can “never apply the Indoor atea Slapping hand or we Would have ‘aid tha "rs wrong fo gpl ony Indor area Slapping hand ns, In fac, “Beware when applsing a Indoor-area Slapping hand Movement” smeans we must be highly alt in the “coodinaton ofthe attacking and controling movements taken together’ dung fhe moment we ae UShg a Pasa Sapna) tsp don be fot an cout oppoet fon the lndoo-area Oe, we wl beached before we tack ‘The biggest difeeae been the WiagTsen sytem and ots ang spe i tha we of ply the motos ike "Defend and Attack Simultaneously" ‘ 5s) and "Give attention fo both hands simultaneously’ +). Thats to say, we seldom sap away the and of he opponent and Ths” anch 3 Counieratack. Thus this concep is ey different fom he ats of "ise the snacking movement fst andthe conier” (8 tr of "Dito an atack with one arm and then counterattack with the same arm” (38 7) 38 in most ‘ofthe other malas. (Althowgh the second tat ia Bt eter than the fst, fone. i, however, sill aks too movements tha ocapy Oo diferent timed sequences “dsslve and counter”) ‘Asin Diagram A — C: if we do not attack our opponent with one hand while applying a Slapping-hand to slap the hand of the ‘opponent from the indoorarea, we may create an excellent chance for our opponent to attack us at almost the same time. Therefore, we must pay attention not ust tthe “coordination of both hands simuitaneousiy" but “coordination of footwork while the upper limbs are attacking and defending” (+m-@—) at the same time, especialy under acondton as mentioned above, (Diagram 1 — 3) ‘Tosumup, th fleece in the WingTsun motos fom tht of bet marl ans isin moog ofthe ining ote xhigus 12 Diagram A—C: At atlompts to stack BH uss the Tet hando press {awn 8 ont am bt fe dos ot ach he raha oatiack B he same bine. The resis thal Aofers Bie bes chanceto tack him est.Diagram 1 ~3: In atepting to tack B ‘Avses toh nishands 0 ‘apply a Pak sav anda ‘Trrusing punch ane same ee when mong in Moreover, A dashes forward to api the “Che ange pursuing tock” (18.9327) which teal cols B by taping bath of his ams wile punting ‘THE CORRECT AND INCORRECT WAY OF CHANGING THE FRONTAL BONG-SAU INTO A SIDELING BONG-SAU. (On racing Chum Ku, there ate same people emphasize oo much onthe ange of the Sideling ane when uring Fon Bongsu to» Siding stance, Some people eves ty ot ir ape by form an excessive 1 ange! ‘isgroporionat ming not advil inthe Sling tance, The rasan one ture a rest Bossa iat a Siig Bong a sects he spond to ave recived the coming foc rom the tact with he Wing am but he oc is a0 Song and made en tm se. Tc th opponent sill sanding“ os of im" (Pease refer ip. 891091 fr dite explain) Indeed 45° angle tuning would be more than adequate for a WingTsan racttonr to shit alte hody weight om the eat So he can tl remove the "urgl” aay fom center aed othe Man. Ths make the ack of he pont in ai, Once the Selig Bongsu unloads he cco Free, one sbold tun Back ‘othe nil pre comieratack witht dey Tf thane fhe stance is too bg be wl spend to much ine is urang back when aplying a counter “The loner the tan the longer te time on need 0 ‘rave from need anater end isi the einson a Wing concep x a tay Ac CORRECT SIDELNG BONG-SAU B INCORRECT SDELNG BONG-SAU ‘A 45" angle is enough for the Taming the upper body In a bigger Siang stance tty minh he angi han necessary can waste More Coming force of the attacker time when launching 9 counter stack.“The angi between the body andthe Bong-sauis too big ee Diagram 1 —2 The bigger te turing angle ofthe Sieing Baga, te longer he stance is fr a Wingham practtane 1 courier. Thal 0 say I akos much tore tine to launch a punch and he ray oer is opponent an exelent hance a ‘eneutethe send atch Dagan & —8: The sna the uning angle of he Sling Bong su, the shore ‘stance fora WingT sin pactboner ‘Say Akasa sho neo Fg back To tum back ote ntl ance Thal 1 HOW TO DEAL WITH THE OPPONENT SKILFULIIN KICKING? Many WingTsun pactones prefer to keep 2 certain distance away fom an opponent whois sulin kicking so as to avoid being hut by the song lee techniges, cual, this an iearect decision that ‘offers heir opponent ib opporuiy odes hem, TE you leep a ceri distance away from your opponent in 2 contotation For sch reason, wold be ia saying, “using you” weak pint fo fight against the strong point of your enemy" The reason is simple: becase the arm is shower tan he if Boh ites atack each ther the ame tie at long-ange, before your ist can och our epponn you ate aly hut by he cher ‘Do consul any shu ickers and you wil find oa the th Wha the are anid cf sto fee an opponent whois saning close even cuching them i combat, Under sich conto the ker wou find ey filo uch bk, However, its just the opposite forthe Wing san fighters. As we ae “experts i deaing with opponents cloxerange, me can ait ote aang in Sach sitions tas ob opponen. The ‘lose fange cursuing-stacks” ae she tates spell sed to del wth opponents wih skied Kcteglechsigucs or those to ae taller Thes acts ae ao apple beau a alle pers normaly has Tonger arms and longer les. However thi advantages come disadanages hey ring witha Wingsun practioner ta ver cls range The mato Violent cantnuous attacks with Breachng steps" aplied with hain punches ad onto sep ae Te best iting tat o det a hl Kicker efor he can apply any le techngue to aac, Th slo the concept of ting the head no ek” x was sated np, 017g Gu Sa’ “The angle between the body and the Bong.sauis not bigger than 45 3 Therefore, itis much quicker to ight back. 126 WRONG TACTICS TO DEAL WITH A SKILFUL KICKER. DIAGRAMA—O: [A Koeping along distarca away om he oppore ‘o's sl a cing, Bin dodging aie, or retain wih tig Sops wile ne aacker Sevecutng tek cri create more hance ane cppenetolaunch continous attacks whens,As inthose dagrams, when B (ight) atoms Togelaway toma whl ne aac wah sping ck, oes natin ha step backward ctl cestes anor ‘chance fr Ao laurch tho Second lg aac at raha ing ange, Diagram 1 —2: ‘Ah stands ose to face Bough he knows B |S good at ekg. When B pps a roundhouse Wek, AN selaes ne chance 0 dash othe lance of 8 wih ‘Breacing sips" apples het Gaun sau to back thera Wick of B and athe same ime, pps a ight "Tsang pure o auteratack Boe aco. “he Breactng ses" soon eam Bs sanceto make hinge is baance and he as abso no tance 0 Taunh tho ex ck bore eal ow 129WHY IS THERE NO SLANT THRUSTINGKICK. ‘TO THE RIGHT SIDE IN CHUILIU? 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