Drums 7/8 Funk

Oscar Montañez Drum Arrangement (*)

A1    = 120
Intro Pattern I    3  3
  3
          
 87                                    

     
5 
                                     
               

Oscar's 7/8 Hi-Hat Pattern
     ⊕
9
                       

                                   
  
     3
13
                      

                                      
  
Cosmic Bridge I
A2 3
17   

        




                
 

Bruford Triplets I
3
22
     3 3

                     
                   
Intro Pattern II 
B   3 3 3
27      
                     
                                 
Paradiddle,
 Paradiddle,
 Diddle-Paradiddle
   
    R L R R L R L L R R L R L L R L R R L R L L R R L R L L
32
        
                 
        
        
R L R R L R L L R R L R L L R R L L R R L L R L R L R L R L R R L R L L R R L R L L
35
    
              
      
       
        
     
Double, Double, One Two Three

(*) Played With "Drumless Backing Track Funk in 7/8 Time (120 BPM)" By Sean Armitage Music
         
R L R R L R L L R R L R L L R L R R L R L L R R L R L L R R L L R R L L R L R L R L
38
                
      
 

      

      
R Academic 7/8 Ride Bell Pattern
41
                                  
                         
         
    Pattern III
Intro

46   C1 
     
                    
                             
                    
   120 BPM  Smoke & Mirrors
   
50
   3   3 3
                
                          

  

             
54     
              
                              
    
             
58     
          
       
 
       
            
                

        C2 Cosmic Bridge II
62       
                     
                  
    
3
67   3 6 3 6
   
                                   
⊕ ⊕ ⊕
Bruford Triplets II: Inverted
72   3 3 3    

                
                                
  
 Intro Pattern IV: Outro
3 3 3
77
                   
  
                         

2
 ⊕
81
      3
      
                 
  