A DICTIONARY oF MUSIC AND MUSICIANS (A.D. 1450—1889) BY EMINENT WRITERS, ENGLISH AND FOREIGN. WITH ILLUSTRATIONS AND WooDcuTS, EDITED BY SIR GEORGE GROVE, D.C.L. DIRECTOR OF THE ROYAL COLLEGE OF MUSIC, LONDON. INDEX TO THE FOUR VOLUMES ann CATALOGUE OF ARTICLES CONTRIBUTED BY EACH WRITER: Br MRS. EDMOND R. WODEHOUSE. 3 Bondon: MACMILLAN AND CO. AND NEW YORK. 1890 [Me Kight of Translation and Reproduction is reserved.)KPF &2l ” 12 HARVARD UNIVERSITY LIBRARY OCT 13 1954 YEB 2 189: De. , Cae ofl LIBRARY UN 3 1964 Osford MORACE HART, PRINTER TO THE UNIVERSITYPREFACE. Lest a. Dictionary of articles arranged in alphabetical order should be thought to require no Index, it is necessary to remind readers of the Dictionary of Music and Musicians, not only that it makes mention of very many persons and things to which no separate articles are devoted, but also that with regard to names and subjects which have their own articles further information and illustration are supplied in other articles. Articles also occasionally occur out of the order of strict alphabetical sequence. The object, therefore, of the present Index is to enable readers to find with ease all the information which the Dictionary affords upon any specific point of inquiry or study. A few, remarks explanatory of details in the arrangement of the Index will facilitate its use. 1. When a heading in the Index is immediately followed by a reference to volumé-and page (as Aanox, P., i. 14), the reader will understand that the heading has an article to itself in the Dictionary. Succeeding entries under the heading indicate other articles where it is spoken of; and “ote.” appended to a reference signifies that the article contains further allusions to the heading. If, on the other hand, a heading is not immediately followed by a reference to volume and page (as Aatsr, J. A. van; Hist. of Mus., iv. 674), the subject has no article of its own, but information about it may be gathered from the articles to which the entries point. 2, So many musicians have borne the same surnames, and there is so much uncertainty about their Christian names and initials that it is often impossible to identify them with precision, and thus perfect accuracy cannot be ensured in the indexing of names, But,—subject to the condition of invariably making the headings in the Index identical with headings of articles in all cases where there is a separate notice of a musician,—the rule observed in the present Index is to state Christian names or initials, when- ever known, in the headings. In the entries Christian names and initials are not stated, except to avoid confusion when the same surname has been borne by more than one musician mentioned in the Dictionary. Where, however, one musician has been indisputably more eminent than all others of the same name, it has not been deemed necessary to insert his initials in the entries, Again, in cases where musicians are known under different names (as Genet, alias Il Carpentrasso), or their names are spelt in differentiv . PREFACE. ways (as Escobedo and Scobedo), cross-references are given in the Index, but the entries will be found under the most usual form of the name,— subject, of course, to the above-mentioned condition of securing correspondence of headings in the Index with headings of articles. And this last observa- tion equally applies to names with prefixes (as De Muris or Muris) and to double names (as Bourgault-Ducoudray), 3. With respect to the various Forms of music, it would be impossible to refer to all the composers who have employed them, without uselessly swelling the bulk of the Index. For instance, Beethoven wrote an Oratorio, but he made no special mark on the Oratorio form of music, and the article on Beethoven contains nothing of interest in regard to that form. Thus no good purpose would be served by a reference to Beethoven under the heading of Oratorio; but the names of Animuccia and Mendelssohn will be found under that heading, because the former wrote the first Oratorio, and in the article on the latter this form is instructively noticed. In short, as to Forms of music, references are only given in the Index to such articles as contain matter of interest respecting them. 4. It is hoped that the catalogue of articles contributed by the various writers will be of service. To theso explanatory remarks the undersigned would only add that she is very sensiblo of the imperfections of the Index, but ventures to hopo that it may be of some use in rendering the valuable information contained in the Dictionary more readily and fully accessible to students of music. ADELA H. WODEHOUSE. Tune, 1390.A, i. 1; Alphabet, i. 576. Aatst, J. A. van; Hist. of Mus., iv. 6745. Aanoy, P, i, 1a; Catelani (A); i 3238; Hexachord, i. 7350; Tsanc, ii, 23a; Jos- quin Despres, ii, 41a; Mus. fiota, i. 413 421.4, ete.; Obrecht, ii. 489; i 7400; iv. 725. Apaco, E. F. dal’, i ‘A Barrora, i, 1 1574. Appanint, A.M, i. 15; Baini, i, 2883; Colonna, i. 378. Apsé, P. P. de St. Sevin, i. 18. Asset, J. i aa, Appurviations, i, 2a; Be i. 1084; Dot, i. 487 4; Clarinet, iv, 5918. Azeas, iv. 517@; Schumann, iii, 408 a. Asztiz, J.C. 1.43; PF. ‘Mus, ii, 725; Benedict, iv. 5 Battuta, i. Aust, K. F,, i. 4b; Adagio, i, 2765 Banii,i. fasts Baryton, i. 47a; Cramer, i. 41333 Gamba, Viola da, i. 580.4, eto, ; Hanover Square Rooms, i. 6610; Linley, ii. 1443; Mus, School, Oxkrd, Schroeter (J. 81), 5 Symphony, iv. 144; Cornelys, iv. 5985. Aset, L. A, i. 54. ‘Asstz, H.; Hist. of Mus, iv. 6765. Asm, J,, i 505 iv. 5174. INDEX. 7 ABELta; Sterling (A.), iti, 7123, ‘Apezummentt; Improperia, i. 2a; Miserere, ii. 3366, ete.; Sistine Choir, ii, 522 d, Asinr, J.J., iv. 5174; Wilder Bologna, i. 2590; Esto, i. 4o6a; errare't 51263 Flor- ence, i. 533@3 Milan, ii. 3294; Padua,ii. 6276; Rome, iv. 7746. J.) iv. 4574. AccuiEmaNpo, i, 124; Tempo, AB08,G., 655 Latrobe, i, 6333 Sala (N.), ii. 2175; Scarlatti (A), 2390, Asraway, Dr.; Peters i, 695. ‘Azzaus, The Misses, i. 64; 176; Ancient Concerta, i. 64a; Handel, Commemorati of, i. 6575. Anant, K.; Magyar Mu, ii 19945) Hist. of Mus, iv. 365 Tfigenis iv. 517; Kicks Orpheus, ii. 61 . 659; Song, i Any Hassay, iv. 517 a; Weber, iv. 3964, etc. Azrnopor, H.,i. 65; Wydow, iv. 8170, 1028; Paisiello, | Aconn7, ira AccENTS, iv. 840, 5170; Accinc- catura, i, 185; Arsis and Thesis, 35 Bar, i, 13605 Beat, i158; Common Time, . 3814; Metre, copation, rubato, 120 iv. 44@; Tempo 856; Time, iv, Triple Time, iv. 1744. Aconnt; “Agrémens, i. 4305 Nachschlag, ii. 442.4. 2324; Micrologus, ii, 3278; Monotone, ii. 3554; Notation, i, 4680; Plain song, ii. 7640, eto, ; Requiem, iii, 1090; Re- sponte, ii, 1166. AcabsmtoGazerre; Mus.Perio- | Acctaccatona,i.183; Agrémens, dicals, iv. 7266. AcaDEMIE DE Mustaus, i. 63, iv. 5175; Grand Opera, i. 6165; Habeneck, i. 643.03 Lull i172 Opera, fi 531. i.44a3 Appoggiatura, i758; Arpeggio, i. 87; Beat, i. 1584; Grace-notes, i. 615 a3 Martelé, ii, 2215; Mordent, i, 3633 Notation, ii. 477 4. Acapmiy or Axctwr Musto, | Acomenrars, i. 18 5; iv. 5175 toa; iv.5170; Arnold (S.), 864; Astorga, i, 1000} Concert, i. 3840; Pepusch, ii 6845; Steffani, ii. 608 5, Acateutror Music, New Your, i. 108, A cavetta, i. 106; Alla breve, 536; Capella, i. 306; Cheru- ini,i. 343; Schools of Comp., Alphabet, i. 57 @ 5 Bi. 1070 Bémol, i. 221@; Chromatic, i, 3558 5 Flat, i 5324; Hi. 643@;, Harmony, i. 6715 ; Key, ii, 5205 Mus. fota, ii 4134; Natural, gs Se Sig: nature, fii, 4920; bass, iv. 1100; ‘Bartwsitg, iv. 7418. ii, 312; Time, iv. 1184, | AccoraDE; Score, iii. 47a. A carntocto, i. 105. AccoupaNnuanr, i, 204; iv. Accapemta, i, 1003 iv. 51705 5178; A capella, i, 1005 7 Pe 3Additional Accompaniments, i. 30b; Azolian Mode, i. 408; Anthem, i. 7143 Arpeggi 4.874; Bacousi, i, 1080; Ca- valieri, i, 3276; Figure, 21a; Figured Bass, i Jommelli, 376a; Nanini (G. B.), 4430; Recitative, iii. 850; Schubert, ii, 3660; Schumann, ili, 41203 Song, fii. 621, et Acoonptow, i. 255 ; Aolina, i. 406; Instrument, ii. 6. Act Gorr vom Hnrt, iv. 5178; Zauberflite, iv. 5035. Acts axD Garza, i, 26a; ‘Handel,i.6490; Mendelssohn, ii, 2618. Ackens ; Orphous, ii. 6138. ‘Acoustics; Airy GirG 3 47 Analysis, i, 630; Chiadni, i. 3484; Diesis, i. 4460; Drum, i.’ 4650; Kircher (A.), ii 61a; Metronome, ii. 3185; ‘Mus, Assoc., The, fi. 41743 Partial Tones, ii. 6548; Pitch, 4. 757.0 ; Sarti (G.), iii. 22903 Savart (B.), iii. 23125 Seo! ter, iii. 4364; Siren, i 5170; Tartini, iv, 626; Tem- perament, iv.708,ot0.;Tiersch, iv. 1148; Timbre, iv. 11685 Tone, iv. 14105 ‘Tromba ma- rina, iv. 1750; Mahillon (V.), iv. yo8a; Weber (G.), iv. 8164. Act, i. 26a, ‘Act-TuwE (see Tune, iv. 1874). Actiox, i. 264, ‘Acurensss, 1, 265; Arsis and Thesis, i. 958; Bass, i, 147 5; Pitch, if. 7570. ApaciETTo, i. 274. ‘Apacto, i.'27a; Abel (F.K.), i, ga; Langeam, ii, goa} Tempo, iv, 834. Abas, A.C, i. 2765 iv. 5180; ‘Auber, i.” 102b;' Ballet, i, agaby Boieldion i570 ia, i. 3298; Chalet, Le, 3320; Conservatoire de Mun, i, 3925 Giselle ou les Wilis, i. 5074; Hérold, i. 7326} Leldbare- Wély, i, 2a; i, 2305 Orphéon, visas Pol Hi 68203 Poise (F. Postillon de Longjumeau, iii, aaa; Pougin (Av), li 3305 Prince de la Moskowa, ‘ii, 31a; Puget (Loisa), iii. 45.3; St. Georges (Marquis de), iii. 21303 Scribe, if. 453; Song, iii, 621; Zemire et’ Azor, iv. 50583 Delibes, iv. 6108 ; INDEX. Garein, iv. 6458; Saxophone, iv. 7800. Apaw, C. F. ; Orpheu ‘pax; Lamoureux (C. Apai, L, i, 2945 Chauliea (C.), i. 3408 servatoire de Mus,,i. 392a,etc. Herold, i. 7314; PF -music, raga BE-paying, i iat Be ‘aches, 2, Bonoist c iv. 5435. Ab.unanars, V., 12903 Iv. $188; Curioso indiscreto, Tl, i 4aga. ADAME DA Botsewa, . 2905 ilan, ii. 329@; Palestri 63545 Sistine Choir, 5224, Apaxs, C. R.; Strakosch, iii, T,, i, 295; Apolloni- 3 Interlude, ii. 75; i. 2400; Men- delasohn, ii. 2740; Peace, fi, 6772, note; Voluntary, iv. 3396; Lambeth, iv. 6956. Apapramions; Cooke (T. &.), i Lachnith, ii. 826; ), fi. 83a. 30. ‘Appisow, J, 1. 300, ‘Appisox; London Violin Ma- kers, ii. 1635. ADDITIONAL ACCOMPANIMENT, i306; Accompty i, 258 Franz, i. 5605; Handel, 6536; Hiller (B), i. 7380; ‘Messiah, ii. 31563) Oratorio, ii. 5458; Orchestra, ii, 5630; Orchestration, ii, 57a; Perry, ii, 6938; Schools of Comp., iii, agra, note. ADENEZ; Chanson, i. 3360. A prox Matws. i. 370. Aptse, V.; PF-playing, i, 7454. ApioasseR, A. C., i, 3705 Haydn (Mich.}, i. 7o2a, not Ap uinirviy, i. 376; Accompani ment, i. "20a; “A tempo, i. 300d; Piacere, A, ii, 7090; ‘Tempe, iv. 85a, Apwye, J., 1. 37; Agricola (J. F)), i446; Cembal d’amore, i. 3304; Walther (J. G.), iv. 3810. Apourat, A., i.37; Quintuple Time, iii. 6a. Aparano; Ricereare, iti, 127, Apu, F,, i. 384. ‘Apnren, M., i. 38a; Conserva- toire de Mus. i, 3924. Anson; Este (T.), 1.49 A Doz,i. 382. Axsrens, G. J,, i 380. Axncstuicn, i, 384; Mase, ii. 234b; Timidamente, iv. 127b; ‘Tramidamente, iv. 1594. oi-Hanxonics 5 Seraphine, 4665. Lorian Hare, i. 38a; Instru- a; Musurgia uni- i. 4394 Euan “Move, i, 390; Gre- gorian Modes, i. 626b; Modes Fost 341; Tetrachon’, iv. 94b. Huw, i, 408; Accordion, i. 25h; ‘Harmonium, i 167 a. ZZ0LsKLAviER ; Eolodion, 408, o.ov103, i. 40); Harmonium, i, 6674. ouopaytowon ; Holodion, i. 41a. AscHont ; Carillon, i. 3112. ‘Ants, E.,i. 41a. ‘Avia, iv. 5186. ‘AFFETTUOSO, i. 41 ‘Arritanp, M.L., i. 41a. ArRANto, i, 41a; Bassoon, i, 3515. Arnicarss, L', iv. 5180; ‘Moyerbeer, ii. '323b. Avzzlivs, A.A. i, 41b; Are wideson, i. 966; Song, iii. 6108, ete. Acazzant, A, i, 415; Boden schatz, , 25303 Mus. Divina, ii. 4118, ete. Actrato, i. 415; iv. ‘Actycourr; Song, ‘Mus, Lib,, iv. 723 Agnes, LP. L, iv. 5186; Philh. Soc.,ii, 7000 ; Rossini, il, 1764, Acnest, Maria Tr, i, Aaxvs ‘Der; Mass, Plain song, ii, 76705 quiem, iii, toga. Acostit, L, i. 42a. Acostinr, Pi. 42a; iv. 5190; Agoutini B, 8), 420, note; , i. 9880; Foggia (F.), i, eagat “Mus. Divina, ti. 4115; Saggio ‘di Contrappunto, 2120; Mus. Lib, iv. 7264; Rome, iv. 7742. Acnett, J.,1. 425, ‘AGREwans, i. 425; Couperin, i, 4098; Grace-notes, i. 615; Manier, ii, 2064; Mordent, ii, 3625; Nachschlag, ii. 4424; Notation, ii 4770; Portamento, iii, 188 ; Battery, iv. 5328. AGRICOLA, A., i. 4405 iv. 5197 Tosquin Despres, ii. 405, etc. Lamentations, ii. 88a; Ma- drigal, 1884 ; Motet, ii. 3735; 5188, iii, Gora; ath. 12260; ReObrecht, ii, 4895; Schools of Comp. iii. 2608 ; Part books, iv. 73985 Sistine Chapel, iv. 79445 Trésot Mus, iv. 801 a. Aantcota, G. Li. 440. ‘Aantcoua, J, i. 4 Aanrcota, J. F., i. 443; Ad- lung (J.),i.375; Bach (J. S.), i, 1164, ete.; Beslos de Celles, i, 1620; Ifigenia, i. 7655; Silbermann, iii, 4948; Tosi @.F), iv. 1518. Acnicota, M. i. 4435 Appog- pista! far, i, 13685 755 Mus, Lib, fi, 4235; Pre- torius, ili.’ 265; Song, Tablature, iv. 450 Violin, iv. 2758; Chorale, iv. 89a. Acricora, Rud.; Barbireau (J), i. 1383. Aanicous, W.C, i. 450. ‘Actue, C.,i. 6 Actue, W. A., (Fi 7685 Pala, AcvAdo, D.,i. 45.0. ‘Acuinas, &;" PF, Mus, ii, 7336. AcUiLERA pe Henxpra, &, 1. 4545 Le i, 494d. Acusant, L., i 4505 Banti, i. 135; Compass, i. 3820; Mozart, ii, 3828; Pantheon, ii, 6458; Singing, iii. 5060; Soprino, il. 6550 Voloe, iv. 3328. Aus, H.,i. 46a. ‘Aunts, J. G., i. 1464. ‘Antz, J. R.. i. 46a; Song, iii. 6214, Amustrom, A. J. R, i. 46; Song, iii, 6103. ‘Auna, H. de; Violin-playing, iv. 6; Boden- tchats, i. 2530; Mus. Divine, 4i, 4118 ; Schools of Comp,, iif. 2674, AIDA, iv. 51945 Verdi, iv. 2508, Arcuino; Mus, Lib,, ii, gala, ‘Anion, P. L. Fi, 465. ‘Am, Anta, i, 465; Arietta, i. 8343 Arioto, i. 83a; Ballad, i. 129@; Cantata, i. 3050; Cavating, i. 3284; Melisma, ii. 2485; Opera, ii. 5094, ete; Song, ii, 6a1a; Subject, iii. 75163 Cavalli, iv. 5830. AmETON, ‘London Violin ‘Makers, fi, 1645. Arr, G.B., Sir, 470. ‘Atwto; Clagget (C.),i. 3600; iv. 5918, ‘INDEX. A’Kewers, F,, i, ‘AREROYDS, S., i. 473. ‘Ata, G. B., i. 476. Atabrer ; Song, i Atanp, D., i. 473; iv. 819 a; Becker (J.), i. 1615; Con- servatoire de Mus, i. 3928; Etuder,i. 4074; Franchomme, 55855 Habeneck, i. 6434; Hallé, i, 6463 ; Locatelli, ii. 1564; Nardini,ii.4460; Philh. Soe.,ii. 6995; ietetain iii, 16203 2a7b; ee iti, 728a;_ Violin-playing, iv. agbes, Vaillaume OS iv. 3418; Garcin (J. A.), iv. 6450; Planté (F.), iv. 7498: Polliteer(A.),iv. 75003 Viele playing, iv. 8120. Aaa; Song, ili. 5850. AuBANt, Mme, iv. 519a, (See Laseunesss, ii. 85.) Aupant, Mat, i. 4785 Violin, iv. 2826. .| ALBENIZ, P., i. 48a. Aupenit, P,, i. 48a, Aupercatt, A.; Bologna, i. 2590. Aupercary, P. C. ‘Ataeno, 8.; Mut : ‘AtpEar, H., i. 48a; Song, iii. 620; Zachau, iv. 4988. Auprnr, Puince, i. 49a; Men- delesohn, ii. 2800, Aupentazzt, Exwa, i, 49b; Costa (A.), i. 4060; Laporte, Si, 915 Phil. Soc,, if. 6990. ALBERTI; Testore, iv. 7980. ‘Aupent, Dom.; ‘Arpeggio, i. 870; Horn, i 7480; Latrobe ii, 10ab; ‘Lottl, ii. 1680; Sonata, iii, 5660; Alberti Base, iv. 5198. Aupentr Bass, iv. 5199. ‘Aupentix ; Bachofen, i. 121, ‘Acpenrint, Mme.; ‘Strakosch, ii. 734, AuBixont, T,, i. 500 ; iv. 520 Farinelli, i. 5045; Sonata, 5580; Zenobia, iv. 5060. AtBoxt, Marietta, i, goa; iv. 20a Auber, i, 1020; Con- iralto, i. 3964; Covent Garden Theatre, i. 4130; Philh. Soc., fi, 6998; Rossini, iti, 1738, ote. | Singing, fi. 5090. Auprzcur,J.L.; Adlung,i.373, ‘AuBRECHTSBEROER, J. G.,i. 5035 ‘Auswahl, i. 105.4; Beethoven, 4,1668,etc.; Choron, j. 35443 Chrismann, i. 3550; Eeclesine- tioon, i480} Eybler, il. 5000; Fugue, i. 56955 Ginsbacher, i. 5750; Gelinek, i, 5870; Haydo, 5. 7188; Hummel, i. 7573 Kalkbrenner, ii. 460; Rreutzer (Conradin}, fi. 710; Lortzing, ti, 1668; Moscheles, Ji.3693 ; Mozart (W. A, jun.), fi, 406a; PF. LS 7248; Pract, Hai 2403 38a; Reicha, ‘98a; Ries (F.), Sten (F.), Counterpoint, ii. 403; Trésor desPianistes, iv. 1684; Violin, iv. 2796; Weigl (J.), iv. 4324; Partwriting, jv. 743.44 note, Aususo; Marchesi(L), ii. a14a. ALBUMBLATT, i. 514, Atceste, i, 51a; Gluck, i, 60rd, ete. Atcuvasr, Der, i. 515; Spohr, iii, 6598. Atoock, J., i. gra; iv. 520; Catch’ Club, i. 3226; “Part ‘Music, ii. 6563. Aupar, i515; Wallace (W. V.), iv. 3774. Aupioiient; Lamperti, ii. 89a. Avpovranpint, G. A. V.,i, 515. ‘Avonep; London Violin Makers, fi, 1638. Auprich, Dean. i, 1b; iv. ‘Anthem,i.72@; Arnold 5 Cain anges ae Rae iv. 1980; Voeal Beores, iv. 3190. Aunssanpat, F. ; Guadagni 6356. ALESsANDBI, Giuliod’ ; Oratori fi, 5370. Ausettono, B. dele Viola, i. 52a. (See ROMANO, iii. 148.) Atgxanben Bats, i, 5205 ‘Handel, i. 6574. Auexanpae, J., i, 520. ‘ALEXANDER'S “Feast, i, 5205 ‘Aragoni, i. 80; Clark, (J.), i. 3654; Handel, i. 6508. AURKANDRE ORGAN, i. 5205 American Organ, i. 61a. Auzxis, W.; Schumann, iii, 3868. Aurrmet, Abbate P., iv. 52903 ‘Faux ‘Bourdon, i.’ 50933 Im- properia, ii. 2a; Lamenta- tions, ii, 88a; Miserere, ii. 3360; Mus, Lib, ii, 42105 ‘Mos. printing, ii. 43703 Pales- trina, ii. 6374, note; Raccolta generale, iv. 7664, Au Fang, i. 520. Ba4 Axzowso unp Esraecta, i. 525; ‘Rosamunde, ifi, 1614; Schn- bert, iii. 3350. Auronp, J., i. 52b, “Autant, F., i. 530. ‘Att Bawa, i. 5305 Cherubi i. 342¢; Bottesini, iv. 5570. Aurpnanny, F,, i, 534, ‘Ariqvor-Prano; P.F,, fi i. 496) worth, ‘ii, 640; Pedalier, ii, 6780; PE.Mus.ii. 731; PF. vying, ii, 7430; Schubert, 4. 357; PI. Mus, iv. 7480; PF: playing, iv. 7494, Auta Breve, 1. 530; A Copella, i. 10b; Breve, 1.2740; ©, i. 289b;” Notation, ii. "4755, note; Tempo, iv. 83a; ‘Time, iv, 1184, Autacer, L, i, 53b; Abbatini, 1b; Stradella, iii, 7226, ALLANsox; Mus, Lib, ii. 4294. “Aut! Awn1co, i. 533. ‘Auta Zorra. (See Zorea, iv, 5146. ALLCRIN ; University Soc., iv. 2064, ALLEGRANTT, Madalena, i. 5355 iv. sara, ALLEGRETTO, i. 550. ‘Autzont, G.,i. 54a; iv. sara; Bai, i.'1250; Baini, i. 2888 ; ‘Lamentations, i, 875; Mass, ii, 2310; Miserere, ii, 3364, elc.; Motet, i. 3760; Mozart, fi. 3830; Mus, Divina, i, 4118; Nonet,ii. 4640; Pales- fina! ii. 64rb; ‘Princo de ln Moskowa, ili, 31a; Rochlitz, iii.141 3; ‘Schools of Comp.,iti, 265; Siatine Choir, ii. 5213 Allieti, iv. 5204, note; Rome, iv. 77445 Sistine Chapel, iv, 7944. Autrono, i. 548; Canzona, i, 3068; "Tempo, iv. 830; Vie vace, ete., iv. 3165. Autenoia. (See Hattenusan, i 6463.) AutEManpe, i, 5545 Courante, i, 41065 Form, i. 5443, etc.; 212d phie, ii, s60a; Redoute, ii, 890; Subject, ii, 7520; Suite, ill 7554,etc.; Teutache, iv. 9545 Waltz, iv. 3855. Autax, EH, ; Violin, iv. 286; Hist. of Mus, iv. 6763, Aum. LR, iv, sara, Auomane” —Musicauiscan Zxrtuna, i, 555; iv. 5210; Breitkopf, i. 373¢5 Fink, i, INDEX. E275 Leipigs i rxs0, ots) a, Periodicals, i 43143 Rochlitz, ii. 1414. Autisox, Rrcnano, i. 560; Esto (2), i 49585, Hymn, i, 76265 Vocal Scores, iv. 3198; Psalter, iv. 7608. Autiso, Ros, i. 56a. Aut’ orrava, i. 56a; Lovo, iv. 795. Aut! UN180N0, i. 560. ‘Auwoope ; Hawkins (Sir J.), i. 7o0a;' Mus. Lib., ii. 4224. ALMANES; Suite, iti, 7550; Virginal Mus, iv. 308). Atwernipen; Bassoon, i. 1524. ‘Atorswus,J.P. SeePALESTAINA, fi, 6354, note.) Aurentor’, i. 560; Ranz des 758. . $65; A, i. ra; B, i. 1084; C, i. 2890; D, 601 Bi 4784; By i 500 3710; Hf, i. 6434. ane, Tae: . 574; Rou selot, iii, 182 2168; Sivori, il. 5348. Aun, i. 578, ‘ALTAEMPS,G. A.; Otthoboni, ii. 6158. Axrewsone, J. C., i. 575. Aurensune, J.E., i. 376. ‘AttensuRG, M.;" Chorale, iv. 589b, ALTERNATIVO, iv. 5210; Trio, iv 73a. Aurhs, 8. E., iv. 5218; Tulow 1866; Concert Visneai, iv. 8126. Autaory, i, 578; Saxhorn, ii 2338. ALINIKOL Artof Fugue, i. 968; Bach (J. 8.), i. 1164, Auro, i. 575; Contralto, §. 5; Counter tenor. 40985 he soaa; ‘Mean it Baie: Volos We 3320. Auto, i. 58a; Tenor-violin, iv. 888, Aurea Vora, i. 580, ‘Atrus; Motet, ii. 371; Votces, iv. 3330. ALVSLEBEN. (See Orro, Melita, iv. 7374.) a Amano, R; Notation, i. 474b. Axcapto; Strakosch, fii. 7344. ‘Amapozt, G.; Bernscchi (A.), i 2348; Rome, iv. 774a. Awant, i. 58a; Albani (M.), i. 48; Belly, i220; Cremona, i. 4164; Grancino, i, 6168; Guarnieri (A), i. 6368; Rug- gieri, iii, 2035; Soundholes, "| Aen, i. 608; Response, iif. iii, 6413; Stradivari (A.), ii. pag ae, Tenor, Vialn, i. 890; Violin, iv. 2824, ete, AMBASSADBICE, Ly i.’ 590 Auber, i. 102, Avsen Wires, Tax, i. 5905 Wallace (W.'V.), iv. 375. Ausnocer, G., i. ‘59a ‘Baryton, i. 14703 Singing, sta; Vocal Concerts, 3198. Astpgos, A. W., i. 59a; iv. 3218; Isaac, fi, 230; Joe quin Despris, ii. 428; Kiese- wetter, ii, 56a; Lassus, ii, 948; ' Notation, ii. brecht, ji. 4895; Plain: iv 4200; Song, i etc. ; Sumer is icumen in, 7686; Hist. of Mus,, iv. 6740. Awprosz, J.; Mus. Antiqua, ii qtta, AupnosraxCxayt, i. 59%; Plain song, ii. 7638, 1184, Awennota; Tsouard, ii. 240. ‘AMERICAN ORGAN, i. 605; Hare ‘monium, i. 6668 ; Foruyth, iv. 6378. Auzxven, C.; Sistine Chapel, iv. 7946. Awcis, A. L, de, i. 61a; Pac- chierotti, ii, 62545 ‘Tesi ‘Trae montini, iv. 942. Awrets, D, de’, i. 615. Anat, i, 6153 Rooke, ii. 1570. ‘AwmenbAacH; Fingering,i.525 0; ‘Tuning, iv, 1875; Scheidt, iv. 7824. Aanoxts, (See Auow, B.) Auer, J., i, 613; Accompani- ment, i. 208; Mus. Lib. 422b; ‘Tudway, iv, 19835 Carol, iv. 5814. Aunes, R, i. 62, ‘Auon10 ; Strakoseh, i ‘Auor, B.; Amonzvort, A., i ‘Amps; University Soo,,iv. 2045, ‘Auyor, P.; Hist. of Mus, iv. 6740. Awacker, A. F., i, 62a; Becker (. J.); i. 1614; Brendel, i. 2735; Orpheus, i613; Volk mann, iv. 3364. Avacnzon, i. 620; Cherubini, i. 34aa. Awacnrownre Soctery, i. 625. Anauysis, i. 623; iv. 5215: Ella, i, 4860; Hallé, i.6463; Mus. Union, The, i 4325; Pole (W.),. ili. 7 Reid Concerts, ili. rox, note Schools of Comp., iif. 313 Thomson. (J.), iv. 107: Bennett (Jos.), 54385 Davison (J. W.), iv. Gogo; Ell, iv. 6268. Awavysis_ or Compoun Mi sicaL Sounps, i. 635; Har- monies, i. 6644, ete.; Helm- holtz, Strakosch, Awarast, iv. 5218; Accent, i. 124; Metre, fi. 3184, Avotent Concenrs, i. 64a; iv. 5220; Abrams, Misses, i 6a; Addison, i. 30a; Albert, Prince, i. 494; Bartleman, 1464; Batos (Joah), i. 1554; Bellamy, i.211a; Billington, i. aga; Birchall, i, 24383 Bishop, i. 2455; Concert, 384; Cramer, i. 4136; Cros dill, i. 4198; Greatorex, i. 62305, Handel. Commem. i. 657; HanoverSquare Rooms, 61a; Mus. Lib. ii, 4180: Vanghan(T.),iv. 23303 Vocal Concerts, iv. 3194. Awpacar, mr, iv. 522, “ANDAMENTO, iv. 5220; Soggetto, iv. 7945. Anpury, i 650; Beethoven, i 1675; Tempo, iv. 834, AxpAxtino, i. bsas iv. 52285 ‘Tempo, iv. 834. Awpen, A, i, 655; Staudigl (J.), ‘iil. 6918; Strauss (J), iit 7384. Awzns; Revucet Gazette Mus,, iii. 1218. Anpensox, G. F. ; King’s Band | of Music, if. 58a. Anpensow, Mrs, i, 6555 5225; Goddard (Arabella), G04’; Loder 1594; Philh. Soc., P¥.-playing, fi. 744; Royal Soc. Female Mus. iii. 18733 Ruy Blas, iii. 2065; PF- ing, iv. 748). Fer Mon Lib. it, 405; Requiem, ili, 1108; Riotte, ‘iii, 1360; Schmitt (A), tii. 25405 Speyer, iii. INDEX. 6508; Wacht am Rhein, iv. 343@3 Weber, iv. 3955. Axpré,' Joh, B., i. 668; iv. 5234. ANDRE, Jul., i. 660; iv. 52303! i i, 8085! Nachepiel, #. 4420. | Anwnd, K.A., 1660. ‘Anpnes, F. C.; Mus, Divina, ii 4128, Axpaenr; Milan, ii, 3294. ‘Avonsou, ©. i 67a; PR. playing, Adpanott, E1668. | ‘Anpazo1t, G., 1. 6635 iv. 5236. | ‘AnDBEOLT, Giuseppe, i. 66, ANDREONT, i. 674. ANDREOzzI ; Olimpiade, i. 4963. Anpaevy, F, i. 67a. Awprew; Roy. Acad. of Mus,, | iii, 1850. ANDBIEN, (See ADRIBN, i. 384.) Anpnor, A. A, iv, 52305 Gr. Prix de Rome, 6188. Anznio, F., i. 674; Boden- schatz, 4.’ a54ai_ Contantini Madrigal, ii Mass, . 2308; Miscrere, ii. 33643 Mote, ii. 3750; Mus. song, ii. 769a; Prince de la ss 314; Rochlitz, 1415; Schools of Comy 2648; Sistine Choir, i ata; Stabat Mater, iti, 6843; ‘Te Deum, iv. 68a iy. 2570; Mus Lil 71495 ‘Vespers, a iv. 72 ‘Sistine Chapel, ie. 7010. | Avanio,G. 11-670; ostantn, ii. 19003 Motet, i 4. 407 i, Miserere, i. asta 3758; Requiem, chools of Comp., Dies Ine, iv. Chapel, iv. 7944. Aver, B.,i.676, (Seo Barrists, i. 1364.) Axrosst, V. Axrosst i. 675; iv, 52305 4240; Curioso indisereto, 11, Haydn, i. yo7@;’ Mazzinghi, ii, 24245 Olimpiade, ii. 4963; Piccinni, ii. 7480; Zenobia, iv. 506. Anrosst; Howell (Jas.), i. 75435 Roy. Acad. of Mi 1850. AwcetEnr; Lamperti, ii. 89a. ‘Awoztest; Fumagalli (A.), iv. 6433. AnGLatsr, i, 68a; Redoute, iii. 89a. 5 Avouxsear, J. H. D’, i. 680; Chambonnitres, 33205 ‘Trésor des Pianistes, iv. 1682. Avorus, P. P.; Mus. Lil 49a. AxoRI, Mime. D’; Strakosch, iif, 7340. Axanisawr, C,, i. 680; Garcia, i. 5824. ANniaro, i. 68a; ‘Tempo, iv. 834, Awniuects, G. i. 683; Goudi- mel, i, 6120 ; Laudi Spirit fi, “10ga; | Magnificat, 396; Martini, ii. 2225; ‘Mus. ‘Lib, ii, 4238; Pale- string, 1.6364; Saggio di Con- iv. 52305 trappunto, iii, '212@; Schools of Comp., iii, 263. Se, iii, 6396 ;, Burney, iv. 5700; Rome,iv.7730; SistineChapel, iv. 7944. Anmivects, P., i. 69; Baré (Ad, i. 1420, Anya Auatt4, Duchess of Saxe- ‘Weimar, i. 690. ANNA AMALIA, Princess of Prusgia, i. 69a; Bachgesell- sehaft, i. r19¢, iv, Anwa Bourwa, i, 695; 5234; Donizetti, i. 4530. Awstpatt, Dy i, 698. ANSANT, G,, 1.698; Garci 4, 3818; Maccherini, i, Singing, iii. 5114. ANSCHLAG ; Agrémens, i. 423. ‘Ansoutir2; Wednesday Concerts, iv. 431 ANSWER, i, 690; Countersub- ject, i. 4090; Fugue, i. 5670; Bisposta, iii, 1366; ‘Tonal Fugue, ir. 1350; Comes, iv. 5958. ANTERI-MANzoccat; Schools of Comp, iii, 3018. ANTEGNATL, iv, 5230; Mus Lib. iv. 7264, Antipas, i, 700; iv. $230; ‘Accompt.,i. 240; Antiphon,i, 74a; Cathedral Mus. ete. ; Clifford, i. 3740 (T), i, 4960 Egypt, ii. 56 taten, ti. 5995 ‘Mus. Antiqua, ‘Antig. Soo. it, 4 Lib. i, 4173, ete. ; Page, 51.6325; Ritornello, iii.1 3703 Sacred “Harmonic Soc.,. ii 2105; Schools of Comp., 2708, etc. ; Verse, iv. 2574; Burney, iv. 5714. Axmiapitioy, . 73a; Har- mony, i, 6782; Wechselnote, iv. 4300.Awricows oF SopHocEs, i. 7333 ‘Mendelssohn, ii. 2796, ete. Avrixonr, L, i 303 In No- mine, ii. 30; Intonation, ii. 124; Introit, i. 1545 Lauds, ii, 1050; Magnificat, i. note; Mating, ii. 2385; Me- dinnt, ii. 2448; Modes Eccle- inst, i, 3430; Participant, fi 6564; Plain song, ii. 7635, ete, ; Salve Regina, iif, 2226; Subject, iil, 7475; Vesperale, iv. 2570; Vespers, iv. 257 etc; Gregorian ‘Tones, it 6568; Invitatorium, iv. 6855. Anrrpowanrom : Chant, i. 33725 Gradual, i, 6155; Notation, 4680 ; Eoletrina,H. 6390; Plainsong, ii. 7640. Axmiuis, G. D', i. 7405 Vile Tanella, iv. 2646, note. Awrore’ Le Rice, (See Dr- ‘viTts, i. 4516.) AnronEitt; Baini, i. 2888. Ayrowto DA Bouocwa; Mus. Lib, i, 4253. Axtoxtortt ; Violoncello-Play- ing, iv. 2995. Anrony, J.; Hist, of Mus, iv. 6760. Apxuuzs ; Chorale, iv. s90a. A rrscats, i740; Tempo, 5 a, Apottontoox, i. 740; Adams (L), i. 90; Barrel Organ, i. 1434; Flight, i. 5320. Avrassionata, i, 7505 Beet hoven, i. 1874. Arrenzetpens, Benedictus; Du- 4676, note; Mus. Lib., . 4198. Apriano, D', 8.; Lamperti, ii. 883. Appiicatio, i. 750; iv. 52303 5254. ing, i. APpocaraTURA, Accinceatura, mens, i. 4403 Neckestag, ir at Hi 44a tion, ii. 4770; Recitative, Ji, gb Shak, fi, 4800) shbass, iv. 1108, etc. Yonehiag i 340. ArrocciatuRa, DousLs, i. 7905 ‘Vorschilag, iv. 3398. Aram, G., i. 7903 iv. 52305 Abos, G., 1.55; Crivelli, f. 41853 Kelly, if. 49; So Prano, ili, 636, INDEX. A pata vista, i. 79) (), tt 754 Aproumas; Hist, of Mus., iv, 6768. A Punta D‘Anco, i. 79b. ‘Aguacnanexeis,” L.; cachordon, iv. 6164. A QUATRE MAINS, i. 790. ‘Aguiua, pat; Mus. Lib, ii, 4198. Pinto Dode- a, | ARABESQUE, 1, 808, ‘ARAGONT, i. 80, ‘Ananaz, P., i, 800; Eslava, i. 4954. ANBAN; Conservatoire de Mus., 4. 3928. AxbEav, T., 1. 808; Branle, i, 2890; Matassins, fi, 2363; Morris ' Dance, ii. | 3690; Orchésographie, ii, 5600 Paseamezz0, ii, 6620; Pa. van, ii, 6764} Sink-a-pace, 5176; Tabourot, iv. ta; Waltz, iv. 3850; Dance rhythm, iv. 6064. Ancapet, J., i, 81a; Barre (L.), i 1428; Echos du temps passé, i. 4824; Gardane (A.), i. 5825; Lamentations, Hi, 885; Lassus, ii, 94a; Madrigal, ii. 1885; Maestro, ii. 1955; Mase, i, 2280; ‘Motet, ii. 373; Mouton, ii. 3794; Polyphonia, iii, 130; Prince de Is Moskowa, 3143 Schools of Comp., 261 8, ete.; Sistine Choir, fii, 5210; Burney, iv. 57103 Dance Rhythm, ‘iv. 606; ‘Mus. Lib, iv. 726a; Rome, iv. 7730; ‘Sistine Chapel, iv. 7940} Tréwor Mus., iv. 801 a, Anau, F., iv. 5234. ABCHICEMBALO ; “Trasuntino, iv. 1624; Vicentino, iv. 2614, AncuLote, i. 81a; Chitarrone, i. 34705 Lute, ii. 1770} ‘Thaotbos iv, Tosa. AnciuivT0; Chitarrone, iv. 587. ‘Anco, i, 818; Col Arco, i. 3770 Anprnr, L., i. 8135 iv, 52355 ‘Opera, i. 5300; ‘Thomas (Bieod), iv. i058; Valleria, iv. 21463 Bottesini, iv. 5562. Anxort ; Cazzati (M.),i. 3283. ‘AgzriNo, Guido, (See Guipo, iv. 6594.) Anazwmit, C. de; Sistine Chapel, iv. 794. AncrLt Rooms, i, 824; Har- monic Institution, i. 66585 Hawes, i. 6990; Welsh (T-), iv. 4440. Anta, i826; Form, i. 54 betes Song, ii, 5883; 7590. ARIA ALL UNIEON 4, 51145 Oratorio, Aura’ cayranine; ‘Opera, ii, 509 a, ete. ; Oratorio, i. 5430- AgIA coxcEnTAtA; Opera, ii, 5114; Oratorio, ii. 5444, eto. Auta Da caro; Air, is 470, ‘Ania DI BRAvURA, i. 825 Opera, ii. sob; Oratorio, 5444; Schoole of Comp., 2874. DI CHIESA 5 Suite, i Ania Stradella, Opera, ii. 5114, etc. 5 Ora 5440. ABIA DI MEZz0. CARATTERE; Opera, fi. 5115 ; Oratorio, i, 5430. Ama DI pontannto5 Opera, iL oad, ete Ontris, 1 543 ARIA GRANDE; Air, i. 47. ‘ARIA PARLANTE. (See ABIOSO, i. 834. Anierra, i 3360. Antoso, i, 830; Melody, ii, goa’; Opera, 83a; Chanson, i, . st0a; Ora Schools of ; iv. 571 Song, iit, 6108. Anuanp, Mme.; Spontini, iit, 6670; Taskin, iv. 634. AnuEs, P., iv. 723@, notes ‘Organ, ii. 5930, note; Schools of Comp., fii, 3086; Mus. Lib,, iv. 723a. Anuipg, i, 835; Gluck, i. 602 Jommelli, i. 370; Tractta, 1575. Anmincavn, J.; Violin-playing, iv. 289. ARMOURER or Nantes, Tag, i. 838; Ball, i. 1278. AnnE, M., i. 833; iv. 52305 Battishill, i. 1564; Madrigal 193; Marylebone ii, 2240; | Panto 6462; Vernon (J.), 8), i. 6a; ¢ taxerxes, i. 96a; Dates (W.),i, 1554; Burney, i. 284 INDEX. Asxovrt, Mme.; Phillips, fv. 5994; Philh. Soo, Catch Club, i, 3220; Cibber| 747d. Seco’ Recitative, ‘i (Susanna), 'i."357@; Drury| Ano. (See AARON, i. 1a.) 4550. Lane, i, 4663; Eng. Opera, | Aurccro, i. 87a; Agrémens, i.| ASHLEY, G., i. 985; iv. 5240. i 4850; God save tho King, 44a; Honselt, i. 73003 PP. | Asuuer, Jy i985. i, 6060; Holévy, i. 6450,| playing, ii. 7414. Asutzy, J., 98a; iv. 5240; note; Judith, ii. 44a; Kla-| Anrroatons, i. 89a; Schubert,| Salomon (J. P.), iii. 2210. vier Mus, Alte, ii. 63b;) iii. 34rd; Violin, iv. 2740;| Asuzzy, J. J. i, 8b; Lowe (T.),ii. 1704; Madrigal| 2814, nove, Salmon ” (Bir. Soe, 1930 Manmuoli, | Aupaxcuya, ify; jv.s2gb;| | Smith (Chan), 2084; Mountier, ii. 3778;| Score, Arranging .| Aster, R., Mus, Lib, ii. 42005 Ollm-| 43503 Vivaldi, iv. 3184, note;| Asuwatt, Ty i. pinde, fi. "4968; Opera, i nscription, iv. S004. ii, 4170, ete. 5235; Oratorio, ii. 5494; | Annan, V. K.; Song, ili. 6100.| 7402. Pantomime, ii. 6460; "Part-| Anntaca, J. C.D’, i. 954. Asto1t, B, i990; iv. 5248; In ‘Mus., ii, 6566, etc.; Pur-| Anntcont, C., i. 95a. questa Tombs oscura, i. 4. cell (HL), fii. 49@; Ranelagh | Anniconr,L.; Mus.Instraments,| Milan, ii. 3; House, iti. 7455 Royal Soc. of | Collections of, iv. 7220. 6675 ; Song, Brit. Mus, ii 187: Role] Ansis axp Tunsis, i, 950;| Assotn’ G.; ‘catelan (A), i. Britannia, iii, 20385 Salomon,| Accent, i.12@; Beat,i.1g9a;/ 3230. i. 2214; Schools of Comp.,| Thesis, iv. tora; Time-Beat- | Asota, G. M.,i. 99a; Mus. Di- . 2914; Sonate, iii.| ing, iv. 1226, vin, ii, 411@; Oriana, ii, 5635; Song, ili. 6065; Sym-|Anranta, i. 955 611b; Requiem, iii. 1096; phony, iv. '14; Tenducci| Beethoven, i. 18 Dies ‘Ire, iv. 6140; Mus. (Gor 956; Vauxhall Gare] i, ayaa; | Haydn, 3). Lib, iv. 7260, ;, iv. 233; Vocal Scores, | Schubert, iil. 3454. Aspenoxs ;Plainsong, ii. 7676. iv, 319%, etc; Voices, iv. | Anraxenxzs, i. 96a; iv. 5236; | ASPULL, G,,i. 99a; iv. 524 Gluck, i. 6008. Assat, i. 9965 Tempo, tv. 83a. 33403 Walsh (J., jun.s, iv. 3805; Brent (Charlotte), iv. 3634. Aino, 0. PF. Mos, i, 8b; Willner, iv. Adyou, F. We alah, ii, 308 ; Volkslied, iv. 3370. Annotp, J. G., i. 856. Anrot, &, i. 85 5230; Acad. of Ancient Mus., i, 108; Accidentals, i. 20a; Accom- paniment, i. 245; Ancient Concerta, i. 240; Ayrton (W.), i. 1070; Beale, i 1580; Call- cott, i. 2984; Cutler (W.), i, Anreaaa, 8. i, 5405; Song, iii. sora; Hist. of Mus,, iv. 6753. Anr or Focvz, Tax, i, 960; Bach (J.8.), i. 1174; Fogue, ‘Kunst der Fuge, Tonal Fugue, iv.| ii, 5695 a; Forkel, 'y iv. g23b; Damor- 4280; Phil. Soc., i,| Assanprt; Laporte, ii. gt. Assuaran, L, i. 995; Ecole- iasticon, i.’ 4820; Vater- sche Kunstlerverein, iv. 8076. Aston, H.,i.993; Mos, Antiqua, ii, 41a; Mas, Lib, it 4324, Asronca, E.d’, 1.9953 iv. 52545 Auswahl, i.’ 1050; Cantata, yooa; Violinplaying, iv.| i. 3050; Latrobo, ii. 1025; 89; Osborne (G.A.), iv. iii, 1470; Stabat 7374. Mater, ili. 6854. Anror, M,, iv. 524; Lamperti, A Truro, i 1004; A battuta, i, 1b; Battuta, i. 157¢. 24h; Bog. Opere i 4éga;| Hl Soaj Viardot Gaels, fv Gite Crab 5990; Jaco (BD; | 60a. ATHALIA, i. 1004. Si.28a ; Knyvett( ;| Amrost, G. M., i. 968; Monte- | Anwatre, i. 1008; Mendelssohn, Linley (Th., sen.), verde, fi. 3580; Zinke, iv.| if, 2814, etc. Loder (E.), 51ta; Mus. Lib. iv. 7256. || Arracca, i, 100; Segue, iii. ‘Theatre, Anwipssox, i, 966; Afzelius,| 4570. bone Gardens, ii, 2245; Mus, Song, iii. 6108. Asrracco, iv. 5254; Subject, ii. EwskY, M. von, i.| 7488; Andamento, iv. 5220; ii, 421; Opera, ii, 524b; Page (J.), it. 6320; Pinto (T), ii. 7540; Rim- dault, il. 13503 Russell (W.), 960; 7350. Ascanto iw AuBa, i. 970; iv. 5240; P. F. Mus., ii, Soggetto, iv. 7945. Arracg, i. 1008. ‘ATTAIGNANT, P,, i. 1008 ; Lero 37485 iii, 2058; ‘Salomon, Mozart, ii, 402. ii, 1230; Motet, ii 2214; Schools of Comp, iii. | AscenpiNa Scag, i.97@5 Seale,| Mus-printing, ii. 4358; Nota- 3 Soott (J.), iil. 43283] i. 2368, . i. 4740; Schools of Comp., iil.474b; ‘Smart (Sir|Ascuzn, J., i 975; iv. 52483] iti. 2670. Song, iii. 6060. Barne Aur, A, PF. Mus. ii. 7340. Asupown & Panny, iv, 5240. (Seo Wesset, iv. 4483.) 978; Philh, Soc, 698. Asuzr, Clara; Phil. Soc. iv. iv. 6768. ARNOULD, Sophie, i. 868; Horn,| 7460. Asner, ©. 4. 1483. iL 985; Arrensunr, L., i, 1006; iv. 15a; Catch Club, i. 3226; Sie, 5994; Mus. Lib., 6568, 20a; Part-Mu Este (T.), i. 496 Arrwood,'T.,i. 101 a; iv. 5254; GleeAnthem, i. 720; Bridgetower, i. 275b;' Concentores Sodales, 4 g8sb; Cooper (3), 5.3980; Ella, i. 486a; English Opera, ¥. 48995 Glee, i. §o90; God save the King, Gir J), i. 6108; Hart GO), 4 Sosa; Haydn, 1.7088) Kelly, ii, 4903 Mendelasohn, ii. “8gb,cle ‘Morart, fi. 3910, ii. 6328; Pane 64a; Philh. Soc. i. 6984; Pierson (H. H.), it 752; Potter (Cip.) iii. 2303 Roy. Acad. of Mus,, ili 1854 Comp, ‘ii, 308 B5 rvice, iii. 473.6; Steibelt, oF 7 3784. Avpabe, i, 1015; Chanson, i. 335. Avner, D. RE, i. 10rb; iv. 5250; Académie de Mus, 3 Goss 5 9B} Ambassadrice, L', i. 594; Barearole, i. 13865 Bassoon, i. 15463 Batton, i. 1g7a; Bayaderes, i. 15755 Chaperons blancs, i. 3393; Cheval de Bronze, i, Cireassienne i, 359 serv. de Mus.,i. 3920; Crown Diamonds, i. 4214, |442 0; Damoreau, i 4286; Diamants de Ia Couronne, i, 44255 Domino Noir, i. 4525; Evers, i, 4980; Fra Diavolo, 1.55783 Goulding and Dalmaine, i, 612; Grand Opera, i. 6170; Gustave trois, 1, 6410; Hay- dée, i 7o0b; Herold, i. 731; Jenny Bell, ii. 330; Lac des Fées, Le, ii, 8165 Leocadie, ii 21a; Lucca, ii, 1714; Magon, Le, ii, 38743 Masaniello, i, 224; 2354, Mendele 2570; Muette de > ii, 4075; Mus. i. 4240; Neige, La, ii, 45145 Opers, ii, 5234, ete. B, i 107@; Accidentals, i. 194, etc.; “Alphabet, i. 570; B molle, B dur, i. 1070; H. i. 6433 Hexachord,i. 7344 Notation, ii. 4740; Si, qpoas Transpon. of Eecles. odes, iv. 161; Zacconi, iv. 4970. Baatlen,C.5 Zeugheor,iv. 507. INDEX. Overture, ii. 6225; Parisienne La, ii, 649); Part du. Diable, 5i, 6530; Philtre, Le, il. 7067 7584, note; Pleyel ime.), ii, 3b; Roger (G. H.), Hi, 14465 Rossini, iii, 1708; St, “Georges (Marquis De), Sh 21305 i Schools of Comp., i, 3034, etc. ; Seri 45343 Sedie (E. dell 4566; Sirtne, La, iii, 5180; Spontini, i. 6815 ; "Tarantella, iv. 596; Templeton (J.), iv. 82a; Thillon (Anna),iv. 1024; Zanetta, iv. 4998; Zerline, iv. Levey ing, iv. 289, 8120, Auneur, L., i, 1036; Violin- playing, iv. 289. Avoutt, B. F, 0.) 1038, ‘Aupray, E,, iv. 25, ‘Avgs, L,, oss M “Miller Brothers), ii, 4088; Phiib. Soe., fi. 7000; Violin-playing, iv. 2984. i. rogas iv. 52585 255; Mus. printing, iv. 727. AueazNTAtioN, i. 10485 Amen, i608; Canon, i. 3044; Coun- terpoint, i. 4092; Imitation, 3 766a; Tonal Fugue, iv. 1373. AUGMENTED INTERVAL, i. 10453 Harmony, i. 6825; ‘Interval, ii, 1245 Italian sixth, if. 260; Ninth, ii. 4390; Octave, ii. ‘491d; Root, iii. 1583; Penta. tonon, iv. 7458. Avuerra; Metastasio, playing, ii. 744. Austen ; Mus. Lib. i. Austin, Mrs, ; Cooke 398; Mendelssohn, 3026, note. AUSWAnL vonzcLicHER Mu- SIK-WERKE, i. 1054, B 1084; Eslava, i. Bapay, G., 494d. BABBINI, M,, i. 1084; iv. 52605 ‘Rossini, ifi. 1645; Tacchinardi, iv. 51; Tadolini, iv. 518. Basel, W., i. 28703 Transcrip- tion, iv. 800a, ete. Baccust, I, i. 1084; Oriana, ii, 611d; | Mus, Lib, iv. 7260, Aurmexmc, i, 1054; Holian Mode, i. 398; Cadence, i. aon; Dorin, 1 45403 Grew Modes, i, 6260; Hy- per, 1 7640; "Modee Beclen, 4i, 3418; Participant, ii.6550; Piagal Modes, i 7600. Avxcovergavy, A.D’, i. 1053. ‘Avamtany-norE; Appoggiatura, i. 750. Avenr, 5982. ANIA; Alfieri, iv. 520, note. Avisox, C,, i. 1060; iv. 52605 “Ancient,” Concerts, i. "643; Hayes (W.), i. 7234; Row iii. 1628; Shield (W.), 4 i. 1050; Organ, 4874. Avostt0, Signora, i. 10645 Handel, i. 6510; Messiah, ii. 3154. AVVERTINENTO AT GELOSI, i. 1068; Balfe, i. 127a, Avizwanp, R.;/ Mus. Lib, gra. Avnwanp, T,, Adeook’ (J. |. 1063; iv. 5260; i. 30a; Clark ) i, 3650; Glee Club, i. Gresham Mus. Pro- HEorinip, i. 6270; Madrigal Soc, ii, 1936; Oxford, i. 624d. Arnen, J. ; Singspiel, ii, 5160. ‘Ayerox, E., i. 1065; Arnold (S), i. 8653 Attwood, i. ror a; - 5394. Aynrox, W., i. ionicon, 1.6636; Philh. Soc., roya; Har 6984; Harmonious Black- amith, iv. 6672. Axton, Fanny, iv. 5264. ‘Azon ‘xp Zemind, i, 107; Spohr, il, 6648." (See Ze- ine.) Azzopanpt, F, iv. 5263; Tmi tation, i. 7664; Inver 1665 Isouard, fi. 240, Bacu, A. W.; Commer, i. 3808; ‘Haupt, i. 6975. Bac, Christoph, i, 1104, Bacu, C. P. Emanuel, i. 1130; Agrémens, i. 426; Appoggia tura, i. 750; Appoggiatura, double, i. 7943 Arpeggio, i. 87; ‘Auswahl, i, 105; Boo bung, i 160b; Beethoven, i. Briegel, i276; Blow,a8ob; Burney, i. 2840; rio, i.'314b ; Clavichord, i. 3675; Dussek, i. 473b; Fan- tasia, i, 503; Fasch, i. s08a; Fingering, 5. 5260; Form, i. 5464; Haydn, i, yoga; HE Fold, die; Klavier Mus. Alle, ii, 630; Latrobe, i. 10205 Lpbkowits, i155; Meister, M 247 Hah; ‘Nachschlag, edals, ii, 6820; PR. ete; PF. | Mus, 7374; Poel- 54; Pract. Harmony, 24a; Programme Mus. fii, 360; ‘Rocblitz, iil. 1424) Rast, iii. 2064; Scherzo, if f Comp.; iii. joa; Sil- mann, iti. 4940; Sonata, ii Song, iii. 6210; 636a; Specimens, 6500; Swieten, iv. 9a; Syinphony, iv. 1403 Tangent, iv. 574; ‘Tempera. ment, iv. 72a; ‘Trésor det Pianistes, iv. 1680; Tuning, iv. 1880; Turn, iv. 1910; Bitter, iv. 548a; Giovannini, iv. 6470. Bach, Dr. ©.; Mozarteum of Salzburg, fi.’ 406); Sechter, ii, 4560 Back, Georg Chr., i, 1104, Bacu, Hans, i, 1090. Bacu, Hans, i. 1094. Back, Heinrich, i. 109. Bacu, Johannes, i. 109). Bacu, Job. Agidius, §. 110. Bacw, Joh, Arubrosius, i. q10a, Bact, Joh. Bernhard, i, 1108; ‘Walther, iv. 3810. Bact, Joh. Bernhard, i Bac, Joh. Christian, Bact, Job. Christian, i. 11205 ‘Abel, i. 5a; Accademia, i. 12a; Amicis, i. 61a; Aus wahl, i. 1054; Bennett (W.), i. 224b; Fischer, 3. 52903 Form, i. 5450; Grae, i. 6204; Guadi 350; Guarduce’ i. 6364; Hanover Square Rooms i. 6610; Klavier Mus 242¢;, Mester, Alt, ik 2476; ‘Mozart, ii, 3800, ae Mus. Lib,, ii, 4235 Olimpiade, ii, 4960; Opera, ii, 51365 Bi ii. 714q, etc; PF. Mus., it 7246; Schools of Comp., ii. 2880; Schroeter, iii, 3180; Specimens, Crotch’s, iii, 6500; Symphony, iv. 144; Trésor INDEX, des Pianistes, iv. 1680; Cla Binal, Sy. g010s Cornel, iv. 3980; Notot, iv. 732b. Back, Joh. Christoph, i, 1104. Bac, Joh. Ch Bacay, Job. © . Bac, Joh. Christoph, i, 1106; Kirchen Cantaten, ii, Goa; ‘Motet, ii, 376a; Rochlitz, it. 1424; Voeal Scores, iv. 319). Bach, J.C.F,, i.112b; Kiavier ‘Mus. Alte,” ii, 63b; Pract. Harmony, ili. 24a; Trésor des Pianistes, iv. 1684. Bacu, Joh. E.,i. 1175; Adlung, 370s Fantasia, i. 50305 Klavier Mus. Alte, ii. 636; Pract. Harmony, iii, 2403 Sonata, ii. 565 0. Baou, Job. M., i 1110; Kirchen Cantaten, i. 60a, Bacw, Joh. M,, i, 1124. Bacu, Joh. Nj. Bacs, W. Fi. Bacu, W. ¥, Bacu, Veit, Bacu, J. 8, Abel (K. F), i. 4 dentals, i, 20a; Accompani- ment, i, 23a; Act, i. 26. Additional Accompaniments, i. gob, ete; Holian Mode, i. 40b; ' Agricola (J. F.), i. 440; Albert Prince, i. 49; Albinoni, i. soa; Allemande, i, 55b; ‘Ancient Concerta, i. 64b; Appoggiatura, i. 76a, etc; A quatre mains, i, 80a; Arpeggio, i, 88a; Ar rangement, i, 89), ete. Art of fugue, i, 96a; Aus wabl, ete., i. 1052; Ballets, i. 133; Bassoon, i, 1530; Beethoven, i, 1630, eto} Bernhard (W. ©), i. 235 Bifaria, i. aga; Bourrée, i. 264a; Bilow, i. 2806; Burla, 4, 2830; Buxtehude, i, 286 Canon, i, 304; Cantata, i, 3050; Canto Fermo, i. 30605 Canzona, i, 3060; Cario (J.), i, 314b; Cembalo, i, 3306; Chaconne, i. 33103 Chorale, i, 3500; Chrysander, i 3560; Clavichord, i: 367; Concerto, i. 3874, ote; Couperin, i, 4096; Courante, i, 410b; Credo, i. 41505 4304; Dorian, Double Concerto, i. 4590; Doubles, i. 460a; Eeclesine- ticon, i. 4818; Ein’ fest Burg, i. 484a; Etudes, are: Extempore playing, i. fantasia, i, 530305 Bah goo Figure, gata, etc. Fingering, fie, eles Hlute, i. 53705 rorkel, i. 5400; Forlaua, i. §40b;" Form, i. 542b, ete; Frederic the Great, i. 561); 569b; Gamba, 5804; Gerber, i. 3894; Gewandhaus Concerts, i. 5920; Gigue, i. 5956; Gold- help, 1 6oyb Grea ‘Piano, 2 Oiyb; Graupnen, i, 62a; Griepenkerl, i. 6312; Ground Bass, i. 634; Handel, 6540, etc; Harmony, 6824, etc.;' Harpsichord, i. 6880; Hassler, i. 6970; Haw- kins, i. 70a; Hiller (Ferd.), i, 73743 Homilivs, i. 745) Horn, i 748); Hymn, 76ra; Imitation, i, 7660; Instrument, ii. 6b, note; In- terval, ii, 11; Intonation, ii, 13a; Invention, ii. 150; In- version, ii 15; 33h; Jacob, ji. 28; Jabrbiicher, i. 300; Joachim, ii.35b; Kirchen sntaten, fi. 590; Kirnberger, 62a; Kittel, i,63a; Krebs (J.L), ii 71a; Kroll, i. 73h; Kihattedl, it 75a; Kunst der Fuge, ii. 77a; Kyrie, 78b; Leading-note, if. 1094; Tait Mon, Legrenzi, i. 1140; 1154, ete.; 118; License, ute, fi snd, ii. 21305 . 233; Melody, ii, 25005 Mendelssohn, ii. 256, Minuet, ii. "3333 Miter, ii, 3390; «Modul tion, i. 3485; Mordent, i 3634; Mosewius, ii. 3710; Motet, ii, 376a;' Mozart, ii, 3920; Musette, ii, 410! ‘Mas.’ Lib, ii,’ 418b, etc.; ‘Mus. printing, ii, 4360; Mu- sikalisches Opfer, i. 4380; ‘Niedertheinische Musikfeste, ii, 456; Nou Nobis, ii. 4640; Nottebohm, ii, 479; Oboe, Hi, 4880; Oboe d'amore, i 4894; Oboe di caccia, ii, 489.0; Oratorio, ii. 5400, ete. ; Orchestra, 3634, ete; Orchestration, it 567; Organ,10 fi, 5860; Overture, ii, 6230; Partie, il. 6560; Passacagli ii. 6610; Passepied, fi, 6620; Passion-Music, ii, 666a, ete. ; Pastorale, ii. 60b; Pence, ik, 6775; Pedalier, ‘ii. 678); Lamoureux, iv. 6964; Part Podal-point, ii, 6790; Peters| writing, iv. 74a; Passion (G. Fo, ik 6056; BE, ik| Mus, tv. 74464, Sehicht, iv. 7134, eto.; PR-playing, 7360, ete; Polonaise,” i 10b, ‘note, ete; Postillons, Sil. 22a; Practical Harmony, Sil, 243 Prelude, iii. 280; Prince de In Moskowa, ii 3ta5 360; Quodlibet, if Fugue,” i Britain, iti. verb 2056; ‘St. Anne 21303 Sanctus, iii. Scherzo, iii. 455; Schicht, 2494; Schlesinger, iii. 2530; Schools of Composition, Bach (J. 8.),i. 11805 Bennett 28a, ete.; Schumann, (Sterndale), i. 2250. 3860, ete.; Scordatura, iii.| Bacu-Veneiv; Vierling, iv. 4200; Score, ii.4304; Silber-| 262. reade-| BAckt, F. Ei, 1200; iv. 5agbs ‘Hauptmann. j. 6984; PF. 526); Sonata, iti 5580, ete. ; i. 6218; Specimens, i. 65045 Spitts, 6565; Spontini, Subject, iii, PF.-playing, iii. 757, iv. Joab. iv. 134, ‘ete. Bachtior oF Music, i. 120); iv. 74a} Thematic Catalogue, iv. 996; Toccata, iv. 1300; Tonal fugue, iv. 136, etc. Touch, iv. 1526; Trésor des Pianistes, iv. 1684; Trio, iv. 1718; Trombone, iv. 1784; ‘Trumpet, iv. 1814, ete, ; Tun-| Bacawanx, S.; Mozart, ing, iv.” 188; ‘Torini, iv.| 3820. 190); Variations, iv. a1gq, | BacuMerter ; Song, iii. 6144. ete, ; Vinrdot-Garcia iv. 260); | Bacuoren, J. C., i. 121. ‘Viola pomposa, iv. 267b;|Bactux, ‘de; “Mus. Lib. i. Violin, iv. 278%, etc.; Violin-| 4182 playing, iv.2968, ete. ; Violon-| Back, i. 121; iv. g29b; Violin, cello-playing, iv. 3o0a; Vi-| iv. 2714, ete. valdi, iv. 3175; Vogler, iv.| Backers, “A.; Broadwood, i. 3276; Volumier, i 33945 Voluntary, iv. 339 iv. 3400; Walmisley,iv. 37945 | 7166. Walther (J. G.), iv. 381b;| Backratt; Agrémens, i. 436. Weber, iv. 3940; Wesley (S.), | Bacow, R. M. i. 2880; iv. 529 bs iv, 44603" Wind-band, iv.| Quarterly Mus. Mi 4640} Wobltemp. Klavier, iv.| Bapen; Sponti “Weber, iv. 3960. 4824; Zelter, iv. 5054; Zinke, i. | Bacu- Baca Soctery, The, i. 1200; Bacuetor. (See Batcux.an.) Bacuaann ; Blaos, i, 2460. INDEX. iv. 511@; Andamento, iv. 5224; Bitter, iv. 5480; Chorale, iv. 588); Concerto grosso, iv. 5960; ‘Doles, iv. 6160; Giovannini, iv. 64765 78503 Schiitz (H.), iv. 79065 ‘Trumpet, iv. 8o4a. Bacu, W.; Fesca (F.), Bacu Cuotn, iv. 586 i, 384a3 Goldechmidt (0.), i. 608a; Lind, ii.142b; Schools of Comp,, iif. 3085 ; Stanford, iv. 7966. PESELLSOHAFT, i. 118); iv, 529@ and 8190; Bach (J. 8), i. 117), ote. ; Becker (C.F), & 1614; Breitkopf & Hartel, i 2730; Cantata, i. 3054; Gamba, Viola da, 380a; Kirchen Cantaten, 600; ‘Kroll, ii. 73; Mend sohn, if. 26a; Mus. print fi, 43605 Rust (W.), ili. 2060; Wehltemp. Klavier, iv. 483); Dérffel, iv. 6160. Mus. ii. 7340; PF-playing, ii. 7453 Song, ili. 608; Bacuk, W., iv. 529 fi, 1156; Liset, iv. 529); Degree, i, 4390; Doctor of Mus,,i. 4510; Lon- don, ii. 163. ; Oxford, ii. 6235. ‘Trinity Coll, Dublin, iv. 1700. 278u; Grand Piano, i. 6184; PR, ii, 7150; Stedart, itt .| Bartbox, J., i. 154 Bapratt, Cesare, i, 1224; iv. 529). Bins; Mozart, if. 3930. Binwaxy, H., i. 1324; Basset- hor, i. 1514; Lang (J.), ii. 89; Mendelssohn, ii. 269, note, ete.; Weber, iv. 3960, ete. Banwawn, K,, i. 1225. Banmany, K., i. 122. Banwany, K., i, 122 §300; PR-playing, Barro ; Spinet, iii. 652 Baoareuta, A; 2856, note. BaGare1te, i, 122); Beethoven, i. 1950. Baccz, 8, i, 1230; Mus. Periodicals, ii. 430; Sechter, iti, 4560. Baonivs, B.; Bodenschatz, i. 54a. Bacxourst, A... 1234. Baorirs, i. 1230; iv. 5300; Burden, i, 283); Chaunter, i. 341} Cornemuse, i. 4030 Drone, i. 4634; Eoossaise, 4834; Glen, i. s99b; Hurdy Gurdy, i, 7585; Instrument, ii, 6a; Irish Mus, ii, 200; Lilt, ii. 1390; Loure, ii. 1696; Mouthpiece, ii. 378: Musette, ii. 4100; Organ, ii. gigas Pibroch, “i 746; ro, ii, 753@; Ranz des Vaches, ii. 75b; Scotish Mus 43h ce chare | ii erd’s Pipe, ii Song, ili 614; Sounds 44a; Wind- Bat, T,, i. 12545 Baini, i. 288; ‘Miserere, “ii.” 33605 Mu Divina, ii, 4115; Mus. Lil ii, 4200; Sistine Choir, i g21a; Rome, iv. 7730; Sistine Chapel, iv. 7944. Bare, M.; Lejeune, ii 1194. iv. $3003 Catch ‘Club, i.°322b; Page Hi, 6328, Bartwor, P,, i. 1250; Alard, i. 470; Arriaga, i. 95a; Beriot, f 23tb; Bessems (A.), i 2386; Bigot, i. 24 cherini,i. 251; Briard (J.B), i. 2754; Conservatoire, i. 3924; Cuvillon, i. 4250; Ha- Bencck, i. 6430; Hamilton, i 6470; Haydn, §. 7150; Hiller, i.737 a3 Kreutzer (R.), ii, 720, etc; Maurer, ii. 2390; Mazas, ii, 2416; Men- ii, 2374, ete. 64405 Bositions,iii, arb; Sauzay, i Scordatura, ili, 426b; §| (W.), iii,’ 6500; ‘Stradivari (A.), lif. 7334, ete. ; Urhan, iv. 209 a; Vidal (J. J.), iv. 2615; Violin-playing, iv. 289, ete. ; Viotti, iv. 302b; Zeugheer, iv. go7a; Dun, iv. 6194. Basitor, René; Conserratoir, i 3930. BAtNsamor ; Flageolet, 1. 531. Bars, G, i, 288a; lian ‘Modes, i. 40b; Bai, i. 1250; Carissimi, i. 3150; Chelard, i. 34ta; Frescobaldi, i. 5630; Hiller (Ferd.), i 73705 Tannaconi, ii. 31a; Kandler, B47; Klein, te 636; Le Fage, ii. 83b; Lamentations, Hi, "880; Lassus, ii, 930; L'Homme armé,’ ii, 1260; ‘Mendelssobn, ii. 2684; Mise- rere, ii, 33665 ‘Mus, Lil 6a; Nicolai, fi. 4530; Sbreckt, te 4890s Okeghem, i, 4950; Palestrina, il. 6354, ete,; Pitoni, fi. 7590; Re quiem, iii, 10h ;, Huffo, ii. 2034; Sistine Choir, ii. 521 b; Sistine Chapel, iv. 7934, ete. Barstnoceat; Verdi, iv. 2414. Baxen, G., i, 126a; iv. 5300. Baxen, Sir H. W.; Hymns ‘Ano. and Mod. i, 764. Bataxmew, M. A.; Cui, iv.6o1b. Barataia; Frets, i. 56305 Lute, ii. 1756. Batpitar; Mattrise, ii, 2000; Rameau, ii, 7205 Ruckers, iii, 1938; Ruckers, iv. 7770. Barr, L., i, 1260; Bodenschatz, i. 2536; Oriana, ii. 61105 Schools of Comp, iii, 26a; Mus, Lib,, iv. 7264. Baupanza ; Strakosch, ii. 735, Baupassanns, B,, i. 1264. Baxpenzoxzn, C:, PF.-playing, ii, 7456 Bauvrnnoxzr, Bato, i. 1268. Baxpvecr, La; Lebrun (F.), ii, 109. Bates, j. 1260. Batre, M, W., i, 1260; iv. 5304; Armourer of Nantes, 1264, i, 835; Avvertimento ai Gelosi, i, 1060; Benedict, i, aaab; Bianes, i, 2400; Blanche ‘de Nevers. i. 247; ‘Bohemian Girl, i. 2554; Bunn, i 282b; Catherine Grey, i, 3250 ; Comet i. 403; Daugh- ter of St. Mark, i. 4316; Diadeste, i. 4420; Eng. Opera, i, 489d; Falstaff, i. INDEX. 02a; Joan of Are, ii, 350; Keolanthe, fi, sta; Lyceum Theatre, ii, 1810; Maid of Artois, ‘ii. 1990; Maid of ‘Honour, ii. 1990; Melodis Club, ii. 2490; Mus, Lib. 4196; National Concerta, £470) Oper i. 52405 Philh. Promenade ;, Puritan's 530; Quatre iii. "5945 Rooke, 1574; Rose of.’ Caatil fii, 161; Satanella, ti, 2296; Schira, ise b; f Bride, iii, 491); Siege of Rochelle, iii. 4925 Song, if, 608; Talismano, ‘Templeton, i iv. 956; ‘Thillon, iv, 102 ‘Weiss (W. HL), iv. 43305 ingara, iv. 508. Batiwo, (See Fast, §. 500b.) Bains; Pons (J.), iii. 14. Batt, W., i. 1284; iv. 53005 ‘Bartholomew, i. 145). Batt, W. C.; Greatheed, iv. 6540. BALLABENE, G.; Mus, Lib. ii, 418); Pisari, fi. 756a; Bene voli, iv. 5434. BALLABILE, i. i, 2820, 1284; Bilow, 128; iv. 53045 6 Burden, i ete.; Chanson, 1350; Eng. ‘Opera, i. 1398; ‘orm, i. 5416; Loewe, ii. 1600; » ii. 523; Pop. ancient English Mus. iil. 160; Schools of Comp., iii. 291d; Schamann, iii. 4174; Scotish ‘Muz,, iii, 4394, etc.; Song, ili. 585a,60ra, eto.; Zumsteeg, iv, 514b; Carol, iv, 80a; ‘Melodrama, iv. 716b, Bata Opera. (See ENGLISH ‘Oren, i. 4898, ete.) Batvabe, BALLARD, . 5814; Lamentations, ii. 88: Leroy, ii. 1230; Motet, 374; Mus. printing, ii. 4350, ete. ; Notation, ii. 4745; Philidor, if. 703 a, note; School of Comp,, ii, 2670; Song, iii. 5930; Harmonious Black- amith, tv, 6679, BAuLERINA, i. 1300, Bauer, i, 1300; Ballad, i. 29a; Baltazarini, i, 1334; Beethoven, i. 1804; Covent Garden ‘Theatre, i, 41205 n Entrée, i. 4g0a; Figurante, 4, 5206; Gallenberg, i. 574 ‘Herold, i. 7310; Intermezzo, i bj Lanner CK), ih.gr 1724, Noverre, 4 pi Pastorale, ii. 670a; Philidor, fi, 7034; Prometheus, 41a3 | Quadrille, Spontini, ii, 6690 iv. 2584; Vigano, iv. 2630; Vingt-quatre Violons, iv. 2664; Volumier, iv. 3394. Bauters, i, 132b} iv. $3005 Ballad, i, 1294; Este (Th.), i, 4960; Fala, i, sora; Gastoldi, i. 5844; “Morley, ii, 36765 Mus Antiquarian Soc., ii. 4168; PartSong, i 6580; Schools of Comp. 2664; Song, nella,” 3874; Vi /, 264b;, Burney, iv. , H.; Bodenschatz, i. ‘BAtLom Masons, It, i.13303 iv. 5300; Verdi, iv. 2503. Bauracunn (SeeBatrazantnt, i. 1330.) Batrazaniny, i i, 1304) 9b} ‘Trumpet, iv. 182¢; Burney, iv. s7ta. Baumann; Imitation, i. 7660. Bautzan, T,, i. 1334; iv. 530; ‘Hawkins,’ i, 7ooa; ‘King’ Band, ii, 58a; Mell (Davis), ii, 2481 playing, iv. 289, ete. Violin-playing, iv. 8126. Bancotenr, A.,i.1330; Virginal, iv. 303. Banck, C.; Schumann, iii. 390, ete. Bano, i. 1340; iv. 5300; Band- master, i. 13443 Chinese pavilion, etc., i, 3464; God- frey, i605; Kapelle, ji. 470; Koeller Hall, ii. 665; Or- chestra, ii, 5610; Zavertal, iv. 5040. Baxperaut, D., i. 1340 5300; Alizard, i. 534; Servatoire de Mus. i.392; La- lande, ii. 864; Pellegrini (G.), ii, 684; Sinclair (J.), iit 4964; Wartel, iv. 3830. Banpiat, U., iv. 5300. Baxpinr; Burney, iv. 5714. Banporox ; Bandora, i. 1344. Bapona, i, 1344; Calascione, i. 2976; Mandoline, ii, 204). Banpunisrs ; Song, iii, 6130.12 Banzsten,G. ii. 2700. Baxisten, H, J.; Melophonic Soc, ii. a5aa. Banrsten, J., i. 13403 iv. 530 Britton, £2770 Conoar, 5 3840; English Opera, i. 489 Hawkins, i, yooa; Kin; Band, ii. 58a; Mus. Lib., 418 a; Song, ill, 6030 ; Viol Schools of Comp., Playing, ivs'a980 ;Grabu, i.) 6530. Banisten, J. (jun), i. 13805 300; Division Violin, . 4510; Finger, i. 5240; Needler, ii. 4505. Bango, i. 1356; Bandora, 13485 Instrument, ii. 65. BANKS ; Page, ii. 632.8. Banus, Ben.; London Violin Makers, ii. 164; Tenor Violin, iv. 913. Banweztes, C.; Revue et Gaz. ‘Mus,, iii, 1213, Banwistes, C.; Glee Club, i. 3994. Banistex, Mra J.; Maryle- bone Gardens, ii. 224. Banos, J. A.; Hist. of Mus, iv. 6740, Bart, Brigitta G., i.13503 5306; Abel (K. ¥.j, i. 5 Dragonetti, i. 461; Georgi, 4. 396 a; Haydn, i. 708 b, ete. ; Morichelii, ii, 3655; Mount Bageumbe, it aj7b; Pam theon, fi, 6456; Singh 5060; Soprano, ili Barrie, D., iv. 5300. Barriste, Anet, i. relli, i. 401; Violin- iv. 29ab. Barrists; Hurdy Gurdy, i 758). Barristin, J. i, 1360. Bak, i. 1360; Accent, i, 1205 ‘Beat, i. 158; Common Time, Dot, i. 4550; Me 243 3168; Notation, Rhythm, ifi, 123 1180. Babasa, D,, 1.13703 iv. 63005 Bellini, i.’a12@; Fierrabras, i, 5200; Gallenberg, i. 57703 Lablache, fi. 8ra;\ Rossini, iti, 1660, eto.; Rubini (G. B.), iii, 189; San Carlo, i 2238; Schubert, iii. 3350; ‘Tamburini, iv. 560; Unger, iv. 20245 Weber, iv. 407). Banseperts, H.;' Ménestr Le, ii 3110; Schubert, i 3700. Bansetua, E, i, 1380; Scorda- INDEX, tora, iii, 4260; Burney, iv. B7ta. Bansenzav: Bourges (J. M.), i, 26403 Conservatoire, i. 3934; Gr. Prix de Rome, i, 618; Reicha, iii.98); Thomas (C.A), iv. 1030. |Baxser oF SEVILLE, tur, i. 138a; iv. 5306; Rossini, if, 1674. | Banpens or Bassoma, THE, i, 138); Hollah. i. 7564. Banpice, C.; Part music, ii, | 6574. Bansre ; Libretto, ii. 1300. |Banorena, La; Bertinotti, i, 2364. | Banpreni Kowa, ii, 31 Contrappunto, | Banprent, F. A., i, 138b3 iv. 300; Song, iii, 63245 Hist. Sita iv 6760, Banourer, L.; Garcia, i. 5820. Banorneav, Maitre J., i, 13885 ‘Schools of Comp., iii, 2604. Bannor ; Conservatoire de Mus, i. 3930 BARCAROLE, i, 138). T., i. 1390; Motett ‘3760; Tudway, ey (0). iL, pra 100); Welsh Mus., iv, 435. . BANDELLA,i. 13945 Theorbo, iv. 11a. Banor, G., i. 139@; Caccini, i. 290b; ‘Cavalieri, i, 32705 Florence, i. 53303 Inter- mento, ii, 8a? Monodia, fi, 3544; Opera, ii, 4984, etc. Breen, Banezar, M.; Verdi, iv. 2416, Banaactta, S,, i, 1390. Banousen; C. L.; Spobr, iii, 663b; Violin-playing, iv. 289. Banaret, W., 1.1394; iv. 530 Leipaig, i 1150; PF Mus, ii, 73405 Quartet, fii, 58b Radorif, ’ iii, 20105 Schu- mann, Clara, ii. 42203 Suite, fii, 761; Vierling, iv. 26203 Wieck, iv. 4540. Bant, L.'; Palestrina, ii, 6360. Barris, A.; Patti, ii, 67353 Strakosch, iii. 7340; Patti, iv. 7454. ea: i. 1396; Althorn, i. 3 Saxhorn, "iii, 23305 Wind-band, 1. 469). Barer, C. S., i, 1390; Co vaillé, i. 327¢; Daublaine et Callinet, “i. 4314; Electric Action, i. 4854; Organ, poate: Poeumatic Action, ii. 4h. BANLAst-Dist; ‘Tenor, iv. 88a, Banter, W.; Music-printing, ii 435, BARNARD, Charlotte, iv. 5314. Bannan, Rey. J., i, 1490; iv. 531@5 Anthem,i.720; Deus Mivereatur, i, 4410; Music 4184; Musie-print- 4354; Schools of 2734, ete. ; Ser- i. 4740; Venite, iv. vice, 237). Baanay, J., i. 1450; iv. 531 Hymn, i.'764a; Oratorio, ii 5580; PartSong, ii. 6596 Purcell Society, 336 Schools of Comp, il, 308 inging, iii, 513b; Song, 6080; Loniton Mus, Soo iv. Song, ili. 612. Rh; London Viotin 1645. 1406 5; iv. 53005 Opera, i, 4890, ete. ; Fair Rosamond, i, sora; Farinelli, i, 5040; Lindley, ii, 143@3 Mountain Sylph, The, ii. 377; Opera,ii. 5246; Schools of Comp., fii, 3060, Banxert, eur Soc, of British Mus, iii. 5440. Bannrrn, Joke, i 1410; iv. gta; Leipzig, ii 115h ‘aradise aud the Peri 648); Philh. Soc., if. 70003 PH, Mus, ii 73503 ° PE. playing, ii. 7453" Schools of Comp., iii, 3080; Song, iii, 608; R, College of Mus. iv. 1590 ‘de, Talla tooth, 6 Banwt; Fayollo, Barat; Song, ili. 5906. Banox, E. J., i. 14245 Lute, 492); 1768, ete.; Theorbo, 100a; Hist, of Music, iv. 6760. Banonsss, The, i, 142; Robin 3905 Valentini 213. Banont; Saggio” di Contrap- punto, ili, 2124, Banont-Cavatcaso, J. von; PF. ‘Mus,, fi, 729. Banna.” (See Horrixer.) Bawne; Strakosch, iii. 7345. Bare; Banjo, i.’ 1354; Capo ‘Tasto, i. 306h, Bazné; Vo 3328, Banne, A., i 142). Bannz, L,, i. 142); Sistine Choir, if, s2ra,‘Banzet Onoan, i. 1430; Piano mécanique, ii. 7454. Banner, A. M. R., i. 1445 5310; Boehm (T.), i. 284 Grotier, i. 421@3 "Oboe, ii, 4874. Bansert, J. Lib., ii, 424. Banurtr, 1 London Violin ‘Makers, ii, 1640, Bannerr,W. A.,iv. 5310; Dict. of Mus, i 4460; Mus. Peri- odicals, ii, "4280; Hist, of Mus, iv. 6740; Mus, Peri odicals, iv. 7264. Banninetow, D. Hon., i. 1440; Crotch, i." 4208; Crwth, i. 228 ; Mornington, ii, 3683 ; fozart, fi, 3805. Banny, G. A., iv. 5315; Mus. ‘Periodicals, iv. 727. Bansaymt, F,, i, 143@; Raw- ings, iif. 790. Bansorrr; Reyer, iii, 12a, Banrer, G., i. 1454. Banta, K. H., iv. 53103 Philb. ‘Soc., ii. 7008; PF.-playing, i. 7450 Magyar Mus, ii, ‘Bastua; 1980. Banrne; Grand Prix de Rome, i, 6186, Bantust, J. C., i,145¢5 Doles, iv. O17. Bantustewow, F. H., i. 1450; iy. 53203 Ashley (6) i. 98; Haydn, i. 7214; Jephil 3303 Marylebone Gardens, i 144d; Mus, Violin-playing, iv. 289, ete. ; Violin-playing, iv. 8136, Banruonbr, J. 8, i. 1450. Baxrgouinvs,C.; Hist.of Mus, iv. 6768. Banrwovomew, W,, i. 1458; iv. 5324; Elijah, i. 4864; Men- delssobn, i,’ 2836; “‘Moun- sey, ii, '37705 Naaman, ii 4400. Bauruxwan, J., i, 1460; An- cient Concerts, i. 6503 Bary: ton, i. 211; Calleott, i, 298% ; Concentores Sodales, i. 3835 ; Glee Club, i, 5990; Greato- | rex, i. 623¢; Jacob, ii, 28); Knyvett (C.), ii, 678 ; Madri- gal Soe., 29303 fi, 6984; Sin ‘Vooal Concerts, i, 319@ Baartzrr, J., i. 1460, Banrnansxt, (See BORTNIANSEI, 4, 2614.) Banrotr C,; Verdelot (P.), iv. 2395. 147a; Bellamy, ‘i.| INDEX. Bapronint, V.,i. 1460; Handel Commemoration of, i. 657, Banrotiv1; Pacini (G.), 1.6274, Bantscu ; Haydn, i. 7168. Banrroy, i 1468; Franz(K.) i, $5905 Haydn, | 7050; Piha, i. 7518; Soundholes, il. 641.4} Viola Bastards, iv. 2674; Viola di Bordone, iv. 2676 Violin, iv. a70a, ete, ; Zeug- heer, iv, 5074. Banyton (Voice), i. 147; Bass, 4, 1480; Bass Clef, i. 1500; Singing, ii, 5106, ete. ; Tenor, iv. 87a; Voice, iv. 3320. Banrtonm, (Seo Banirons, i, 139.) Basapowa; Seyfried, i Baarvt, Aji. 1470; ‘Mus, Lib. fi, 4250. Bass, D,, 4 1478. Basttr, J., i. 147; Jannaconi, ii, 31a} Rainiondi, ii, 67a; Schira, iti, a51b ; Vaceaj, iv. 21245 Verdi, iv. 2430; Botte- sini, fv. 5560. Bastnow, G.; Motet, ii. 3724. Bastnoy, P.' (See Bassimoy, i. 1514.) Baswace ; Dict. of Mus, i. 444. Bass, i. '147b; Bass’ Clef, i 1504. Bass, i, 1484; Basevoice, i. 148; Basso profondo, "i. 148}; Basso cantanto,i. 1485; Compass, i, 3820; Finale, 524¢; Singing, 5060, ete. ; Voice, iv. 332); Voices, iv, 3330. Bass-Ban, i, 149 ; Violin, iv. 2854, ete. ‘Bass-CLaniner, i. 149); Clari- net, i, 3626, ete.; Orohes- tra, ii. 5666; Sax, iii, 2320. Bass-Ctxe, i Piatti, ii. 7460; ‘Tonnorre i 150b; Wind-band, iv. 468a, | Bass-Fuurg, i. 1300. Bass-Hony, iv. 53203 Ophi- eleide, if.'531. Bass-Lure; Orchestra, ii 5620. | Bass-Pouaten. (See "Bownan- | _ pow, i, 2590.) | ee (See Banrroxe, 4. 1390.) Bass Tatin, (Gee Tarttx, iv. 2b.) Bade-Pavurse, (See Tuompoxz, ¥. 1764.) Bass-Topa, i. 1500; Instra- ments, ii, 6a; Orchestra, ii. 5660, i,| Basso” Contixvo, 3, Violi Bassant; Loti ib ant, G. B, i, 15065 Ca rissimi, i, 314b; Corelli, i, 4o0b; Kent, ii. 51; Latrobe, i, 1090; Mus. Lib,, ii. 4220; Part Mus. ii, 6568; Burney, iv. 5710; Dies Ire, iv. 614; Violin-playing, iv. 289. Bassaxo, Miss; “Phil 6996; Wade (J. A. Bassanus; Bodensohat Bassaui, 0.5 Song, iil note; Vaudeville, iv. Basse-Tante; Taille, Basser-Hony, i, 150 mann (H.J.}, i122 i. 362b ; Commo di Baseetto, i, 404b; Instrument, i, 6 Keys, ii, 56a; Notation, ii 78a; Wind-band, i, 4692. Bassert; Hora, i. 7493 ton, ii, 75743 ‘Trumpet, i 1825. Bassevi. 33ta.) Bassr, L, i, 1516, Basst, Nj Bassi (L.),i. 151 a, Bassr, V.; Bassi (L.),i.151 a. Bassin, De; Strakoech, iii i (See Cznverro, i, 1514; Schools 2600 94.0. Basso; Sistine Choir, iii. 521. 5. | 151 ‘Albert, i, 485; Banchieri, 13305 Cavalieri (E. del), 3270; Continuo, i. 3966 Hare mony, i. 673b; Porta (F. della), iii, 186; Recitative, ili, $33; ‘Thorough-Bass, iv. 1084; Viedana, iv 2585. Basso ‘pr Camera, i, 1518 ‘Double Bass, i. 4580. Basso OSTINATO, i, Ground-Bass, iv. 658%, 151b; Bassoon, i. 1510; Iv. 53205 ‘Afranio,i. 41.4; Barmana(K. i.122b; Base-Clarinet, i 150 Bass-Flate, 'b; Basset Horn, i..15143 Besozzi (H.), i, 2386; Boehm (F.),i. 25403 Bombardon, ete., i. 25903 Crook, i, 419 ; Embouchure, i, 488a; Fagotto, i, sora; ‘Harmonics, i, 6650; Instru- ment, ii, 6; Keys, ii, 55; Mackintosh ii. 1870; Mouthpiece, ii. 378); Ne tion, ii, 4784; Oboe, 4864, etc. ; Oboe di Caccia, ii. 489; Orchestra, ii, 3640, ete. ; Orchestration, ii. 567.0; Organ, ii, 5950; Reed,ue Trigbert ‘Wind-band, iv. 4578, etc. ; Wotton, iv. 48yb. Bassvs; Voices, iv. 3330. Basranpenta, (See AGUJARI, (GC. L), iv, 1690; i, 45.) Bastip0; Mus, Lib,, ii, 4a1b, Basriax rt Bastienw, i 1545 Eroiea, i 4934; Mozart, i, 383. Bastow, J. i. 15433 Mus. Lil 49a; ‘Trésor mus., iv. Bora. Baronstan, D.; Dowland (R.), i, 460b; Mus, Lib., ii, 4178. Bares, J., i, 154); iv. 53203 ‘Accompaniment, i. 2203 An- cient Concerta, i. 64a; Ashley, i, 98.4; Bridgetower, i. 2755; Charity Children, i,” 340); Greatorex, i. 622b; Hehaed Commemoration, i 657); Madrigal Soc., ii. 193; Pur- cell, iii, 516; Worgan, iv. 4864; Ancient Concerts, iv. 5224, Bares, Mrs. Bares, W., 3264. Bareson, T., i. 15505 5320; Eate (T.), i. 4960; ‘Hawkins, i, 7o0a ; Madrigal, i. 1915; Mus, Ant. Soc., ii 4t6a; Oriana, ii. 6114; Schools of Comp., ili, 2785; ‘Trin, Coll. Dublin, iv. 170). Barag, W., i. 289); iv. 5324. Barists, A, E., iv. 5324; Offer- torium, ii. 4944; Solfeggio, 349, Baron, C., i 155; Hurdy Gurdy, i. 7580. Biron, i, 135; Argyll Rooms, i, 82b; Beat, i, 1580; Con- ductor, i, 3904; Orchestra, ii, 5640, note; Rest, iii. 119; Spobr, iii. 659@; Symphony, iv, 306; Time-beating, iv. maa, Barraize, M.; Conservatoire, i. 3926; Garcia (M.), i. 5820. Bartaiie; Jannequin, ii. 320, Barreuent; Shake, iii. 479. Barren, A., i. 1555; iv. 532 Barnard i. 1406; Boyce, i, 2684; Chant, i, 3365; Holmes (J.), 1 74405 Magnificat, 1974; Schools of Comp., i 27a; Tadway, iv, 198; Mus. Lib., iv. 723d. Barreny, iv. 5325. Singing, if. 12a, 15543 Catley, i. INDEX. Barrestint; Erba, i, 49tb. Barnisumt, J., i, 1560; iv. 5320; Anthem, i, 72a; Arne, £836; Blowitt, i. aod} Busby, ’i, 2856; Glee, i. 5994; Madrigal Soe, ii, 1935; Mus,’ Lib., ii, 4184; Page, ii, 63a; Pantomime, i 646a3 Schools of Comp., 278); Vocal Scores, iv. 3200 ; Voluntary, iv. 339@. Barrie oF PRAGUE, 7m 156); iv. 532b; Kotzware, ii, 659; Programme-Mus, i 370. Bitnia Srurnowr, 4. 1566; ‘Beethoven, i. 1840; Mass, i. 2346; Programme-Mus., ‘iii. 380, Barrow, D. A., i. 156; Gr. Prix de Rome, i. 6180, Barrora, i. 1574. Bauck, W.; ‘Hist, of Mus, iv. 6744, ete. Bavpecame, C.; Wagner, iv. 374. Bavper, H. C.; Piano Mécan- ique, ii. 7460. Bavpror; Conservatoire, j.39205 Rousselot, iii, 1826 ;"Violon- cello-playing, iv. 3008. rs (See Bauupumy, &. 1574) BavtanvEuo ; Schenk (S.), 2450; Schubert, iii. 3430, ete. Bavipoy, N., i. 157a; Sistine Chapel, iv. 794. Bavatayn ; Lalo, iv. 6950, Bavurguper, F. A. Mus, ii. 7354. Bauaoant, E F.; PF. Mus, ii. 7240; Reissmann, ii. Bacwcantex, C. T., i. 15; Parke (J.), ii. 6500; Welsh PF. (T), iv. 44gd; Zémnire et Azor, iv. 505. Bavacartser, A.; Hist, of! Mus,, iv. 6774. Baur, G. W.; Orpheus Bar, R. ; Song, ili, 6114. Barapbues, Les, i. 1570; Au- ber, i, 102; Catel, i. 3234. BaruR ; Sontag, iii. 6344, Baxuer, W.; Gadsby, i. 5745 Stainer (Dr.), ii, 6882. Baruy, Haynes; Knight, ii 674; Song, ili, 607, Bary, Rev. A., i. 1570. Barnes, Sir T.: Gresham Pro- fossorship of Mus, i. 6270. Baztiux ; Halévy, i. 6450. Baz, F., iv. 5326; Conserva- toire de’ Mut, i. goahi Gr. Prix de Rome, i. 6180; Ha- levy, i. 6455; Orphéon, i. Gr2a, ete; Altés, iv. 52135 Catalani, iv. 5830; Delibes, iv. 6100; Garei 64503 Massenet, iv. 7142; Planté, iv. 749; Salvayre, ie. 77904 Bazzint, A. i. 15703 iv. 533 Toachim, ii, 34; Rossini, a; Verdi, iv. 2524; Vio- Tin-playing, iv, 289; Junck ice aaa Bé, G. le; Balland, i. 129b; Leroy, ii, 12303 Mus. print= jing, ii, 4355. Beats, J., i 1575. Buate, T. F. ; 8. James's Hall, iii, 214d, Beatz, Th.; Singing, ili, 5130. Buane, Wi 15807 Im. 53303 lrigal Soc., ii. 193). Branoy, L. de; Sistine Choir, iii, 520, Beand, J., i. 1584; Dibdin, i, 4434; Galliard, i 5790; Ranelagh House, ete. iii 74.03 Wesley, iv. 4450. Beanpwone, Mra; Parke (M. HL), ii. 650b, Brake, Many; Philh. Soc., iv. 158a; Agrémens, i. 43b;, Mordent, ii. 3640. 1585; Accent, i. 1245 nd ' Thesis, i 15505 ‘Time,’ i, 38ia;' Metre, ii, 316); Noiation, ii, 475i Solfa, ii, 5460; ‘Time, iv. 1184; Time-beating, iv.122b. Bearatce pt Texpa, i. 15943 Bellini, i. 2130, Bears, i, 1590; Dissonan 4494; Resultant. Tones, 1200; Temperament, iv. 7063 Tone, iv. 1424. Beaupory; Lamoureux, iv. 6964. Beavuorgoux. (See Bauraza- IMT, i. 1334) Beaviiev; Baltazarh Opera, 5930. Beavuev, M. D., i, 16003 iv. 5334; Gr. Prix de Rome, i. 618; Festivals, iv. 6356. Beavuancuars ; | Malbrough, fi, 2014; Nozze di Figaro, ii. 483b. BEAUMAVIELLE, i, 1600. Beaumont, Malle. ; Strakooch, iii, 7340. Bravriax, A. de: Song, iti, 595 Beavatien, C.; Revue et Gar zette Mus, iii, r21b,BEAvssEnON, J. ; Sistine Chapel, iv. 7940. BEBUNG, i, 1600; Agrémens, i. 420; Cembal d’Amore, 3304; Clavichord, i, 3680; Dot, i. 4574; Tangeut, iv. 7@3 Tie, iv. 1135. Bécanne; Accidentals, i. 194. Becue ; Sol i 5470. Brcuzr, A. J. Te oe Bronaaanp ; Song, iii. 6r1a. Brcustem, F. W. K., i, 1600; Pianoforte, ii. 713). Beck, F.,i, 1610; Blanchard,i. 2470; Bochss, i. 2520; Garat, i. 581; Gaveaux, i. 5850, Brox, J. N., iv. 5330. Broxes, i. 1610; Wrestplank, iv. 490b. Beckss, V.; Orpheus, ii. 6136. Brcxen, C. F., i. 16103; Bach G. S)at 11745 Bach Gene 1185; Forkel, i, 400; Leipzig, i. 1158 ; Lute, Be tists, Mendelson, i 2821 ramme-Mus., if 354; Riedel, ii. 129; Song, Sit 6314; Volkmann, iv. 3360; ‘Volkslied, iv. 3370; Hist. of Mus., iv. 6750. Brox, 0.J.,i.161a5 i Beoxes, D., i. 161. Becxer, G.; Mus, Lib, ii. 4254; Hist. of Mus, iv.676a. Beoxen, J., i. 16105 iv. $3303 Philh, Soc, i. 700@ ; “Violin- playing, iv. 289; iv. 8128. Brexwits, J." ©. i. 1615; iv. 5330; Norwich Festival, ii. ‘4000; Perry, ji, 6934; Taylor (Ed), iv. 66a; Vang! iv. "2330; Voluntary, iv. 1390; Buck, iv. 5684. Bécovsr; Ca ira, i. 2970. BeczwanzowsKY; Mus.Lib., if 4274; Pobl, ii, 5a. BeDos De Cxctes, Dom. F,, i. Adlung, J. i. 3705 gt ole ete (See Mrven- Bue, Jos, i. 1620, Bueruovay, L. van, i, 1620; iv. 5330; Accademia, i, 120; Accent, "i. 134; ‘Air, i 47.4; Albrechtsberger, i. 51a: ‘Allegretto,i. 55a; Allemand i. 55; Alpenhorn, i, 560; Alunger, i. 57); Anacker i. 62a; Ancient Concerts, i, 6403 Andante, i, 6503 Anticipation, i. 730; Appas- sionata, i750; Appoggiatura, i, 76a, ete.; Appoggiatura, Double, i. 79b; A quatre 5330. INDEX. mains, i. 80a; Arrangement, i. gob, etc.; Arteria, i, 1503; Augarten, i, to4a sgatelle, i. 1923; Ball, i 1280; Ballet, i. 132); Bar, i. 1370; Barearole, i. 13945 Bassvon, i. 15303; Bastien et Bastienne, i. 1540; Battle Symphony, i. 1568; ‘Battuta, i. 157; Beklemmt, i, 21005 Benedict, i. 222b; Bigot, i. 2410; Birchall, "i, 2430; Blahetka, i. 247 ; Bocklet, i. 22b;' Bouche fermée A, i. 26303 Bridgetower, i. 275b} Bulow, i. 2808 ; ‘Ca- denza, i. 294b; Canon, i. 304a; Cantabile, i, 426 Cantata, i. 3054; Cavatina, i. 328b} Chamber Music, i. 332b; Cherubini, 1. 342); Choral Fantasia, i. 3516; Choral Symphony, i. 35203 Clarinet, i.3636; Clement (F.), i ayaa, ete. ; Coda, i. 3760; Composition, i 3823 ; Gon brio, i. 3838 ; Concerto, i, 3874, ‘ete. ; Conductor, i. 3906; Consecutive, i. 391}; Contredanse, 1. 39653 Cor anglais, i. 4000; Cramer, i 413b; Crescendo, i, 4160; Grerny, i, 4250; Dannreu- ther, i, 4308 ; Dash, f. 43105 Deux Journées, Les, i. 44105 Development, i. 44tb; Dis belli, i. 4424; Double Bass, 1570, note; Double Bassoon, i. 450a; Dragonetti, i. 4620; Drain, i ‘Duport FL 3} Dussek (J. L.), ‘Dwight’s Journal’ of a fF 4790; Eberwein, i. 48105 ‘Egmont, i. 483b; Elegy, i. 4858; Bimperor Concerto the, 4884; Eroica, i. 49303 Ertmaun, i, 49355 ieee: re I 4988, cte.; gee png te: 4.5038; "Fasch, i. 50803 Fidelio, 4. 51 igure, i. 5218, etc. ; Finale, i, 52355 Fischer (G.), i. 5290; Fisch- hoff, i. 5296; Flute, i. 5378: Forster, i. 539@; Form, 54tq, ote; Ginsbacher, i, 57503 Galitzin, i. 5762, ete.; Gallenberg, i.” 57a; Gar- diner (W.), i. 5825; Gebauer, i, 5865; Gelinek, i. 58703 Gesellschaft derMusikfreunde, i. 5914; God save the King, i. “oza; Gretry, i, 6280; 15 Guicciardi, i. 6380; G: wets, i, 6420; H,, i Gse; Habeneck, i,’ 6430; Ham: merklavier, i. 64703 Hi monica, i,’ 6632; Harmony, i, 6824, ote; Haslinger, 6936; Haydn,i. 7110, ete. ter i 742 Hola, i. 744 Horn, i. 7508, etc. ; - Hut- tenbrenner, i. 7550; Tinita- tion, i 7660; Improvisation, ii, 203 Tnnig, fi, 30; In questa ‘Tombs, ii. 403 Inter- mezzo, ii. 9b; Introduction, . 14b, efc.; Trish Music, chim, i, 3463 Jai i as Kalkbrenner, ii, 464, not Kanka, ii. 47; Key, i Kinky, i. §88, ete. ; Knecht, 41.660; Kraft, i.69); Krenn, i, 71b; Kreutzer, i. 72 Kreutzer, Sonata, “il, 730: mpholz (W.), ii. Kohn it Sey Kyrie 18; Lablache, ii. 81 a er, eum Lang (R), a; Leipzig, ii. 1140; Lenz, Pilot; Lécnore, ‘i rab} etc.; Macbeth, ii. Maelzel, ii. 1948; Malbroug! ii, 201a; Malinconia, La, 2035; Mandoline, ii, 205; ‘March, ii. 21345 Marechner, 241} Meeresetille und Gliick- liche ‘Fahrt, if, 2450; Melo- drams,ii. 2496; Mendelssohn, ii. ag7q, ete.; Metronome, ii, 3190 ; Milder-Hauptmann, 1 ag0b; Minacclahdo, i 331b; Minuet, ii.3350; Modu- iation, ii. 3474, ete. ; Moli- nara, "La, 3515; Moonlight Sonata, ii. 3600; Mortier de Fontaine, ii. 3694; Moscheles, |. 3704; Mount of Oliv i. 3784; Mozart, ii. 3974, gle Muller (The Brothers), . 4080; Mus. Lib., ii, 4191 5 cals, 4274; Mute, ii. 4395; ‘Nic Geli, it. 4420; Neate, ii. 4500516 Neefe, if, 450b pid, ete., if, 4515; Nicolai, Hi, "45305 Nobl, ‘ii. 4635; Notation,’ ii. 4760; Notte- bohm, ii, 479@; Oboe, ii. 488; Octet, ii. 492.4; Opera, ii, g19b; Oratorio, i. 553 Orchestra, i, 365); Orchestra- tion, ii. 570b; Orpheus, 6130; Oulbichefy i. 616 Oury, ii. 6174; Overture, Gs2a; Paisiello, ii. 6340; Palfly (Count), ii Partie, Nel Cor Pastoral’ Symphon; ete. ; Pathétique, 7 Pause, ii. 676; Pedal Point, i, 6780, ete; Pedals, ii, 682b; Phil. Soc, 7500; Polledro (G. B), Polonaise, iii, 1005 cello, ii. 150; Postillons, iii. 22a} Potter, ili, 226; Pro- $3: Programme Rasoumowsky, 3 i 855; Redoute, iii. 8955 Reicha, ii, 98a; Rell- . 1060; Richard Coour 1274; Ries, Rietz (J), lita, ii, “14105 1430; Roeckel, ii, 143; Romantic, ifi. "1498, ete Romberg, iii, 1534; Rossini, iii, 16953 Rousselot (8), R. Society of Mus. Gt. iii, 1878; Rudolph, “Archduke of Austria, iii, 2008, etc.; Ruins of Athens, ii, 2035; Rule Britannia, Rust, iii. 2060; Sai Schelble, iif. 2443 iti, 2440; Scherzo, Schindler (A. Schnyder _v. Wartensee, iii. 2564; _Schoberlechner, 566; Schools of Comp., ii a9tb; Schréder-De 316; Schubert, it ete. ; Schulz (Ed), ii Schuppanzigh, fii. 4244, etc. ; INDEX. Schwarzspanierhaus, The, iii. 4254; Score, iii. 430b ; Scot- ish Mus., ili, 4515; Sebald, fii, 45403 Sechter, iii, 4560; Sehnaucht, i 4581; Soptet, 4688; ATS Seyfried, SI i. 48503 Siboni, iii, 4gra; Side-drum, 4920; Simrock, iii. 4950; Sketches, iii. 5285; Smart, SL apa, Sonat, Be ete. ; Sonatina iii. iii, 624b; Daniichce, ae ii, 6330; Sontag, iii. 6340; tenuto, iti, 639; Spobr, iii, 6580; Spont Or Staudenheim (J. von), Gora; Steibelt, iii. ‘jorh; Stein (J. A.) iii. 708; Stein (Nanette), iii, yoga; Sterkel, iii, 711b} Stich, ii, 7140; Storm, iii. 7205 ; Stutterhoim G.), 3, 74745 Subject, 750b; Swieten, iv. gb; Sym: phony, iv. 24a, ete. ; Synco- pation, iv. 44a; Tattoo, iv. 64a; Tempo, iv. 83a ; Tenera- mente, iv. 866; Tenor Violin, iv. gra; Tenth Symphony, iv. 92b; Thayer, iv, 98b; ‘The- matic Catalogue, iv.’ 99; ‘Thomson (G.), iv. 1070; Tie, iv. 1140; Tiedge, iv. 11403 ‘Timidamente, iv.'1270; "Tis the last Rose, ete, iv. 1294; Tomascbok (W.), iv, 13205 Touch, 1534; ‘Trauer- . 162 ; Treitachke, iv, 16603 Trésor desPimnistes, iv. 1680; Trio, iv. 1720} ‘Trombone, iv. 178b; Trumpet, iv, 1828; Tune, 1870; ‘Turea, Alla, iv. 1900 ; Turkish music, iv. 1914; Umlauf (M.), iv. 2016; Unger, iv. 2020; ‘Van den Eeden, iv, a16a; ions, iv. "2253, etc. ; Viardot Garcia, iv,” 260; ‘Vieuxtemps, iv. 2625 ; Vigand S), Iv. 4630; Vioinplay- ing,’ iv. 2968, ete. ; Violon- cello-playing, iv. go1a; Vog- Ter, 3260; Vogt (G.), iv. 33103 ‘Voigt (C3), iv. 33553 Wagner, 3540, etc; Waldstein, 37303 Wallace (Lady), iv. 3768; Waltz, iv, 3860; ‘Weber, iv. 3910, ete. ; Weigh (Jos., jun.), iv. 4328; Weiss (F), iv. 4330; Weissenbach, iv. 43364, Welsh Music, iv. 44363, Wild (F), iv. 4566; Willmann, iv. 4000; Wind band, iv. 473¢3 Woelf,, iv. 4770; Working-out, iv. 4870, ies Zambonn, i 4990 Zeugheer, iv. soya; Zopt, iv. £301 Zrinchenopiehiv. 51505 Breuning, iv. 5630; Banoo thm, iv, 6o8a; Dream OFS Jerome, iv 188; Har” tmonioue Blackemith, iv. 66703 Humorous Music, iv. 6820; Kozeluch, iv. 6926; Kublau (F), iv. 6935; Mendelsohn, erie; Mon, v. 2003 "aaqualati,iv.7440; Rudolph, ‘arcldakeriv. 440i, Vallotty iv, 8060; | Vaterlindische ‘Kiinstlerverein, iv. 807, etc. Beeven, Dr.; Glee Club, i 5990 Berrana, L, F., i, 2090. Buocan’s Oren, i, 2094; Bal- ad, 4. 1290; Barrett, i, 14405 Burletta, i, 284a; Cibber, 35763 English Opera, i. 4890 ; Fenton, i. 511b; Lancers® Quadrille, The, ii. 89a; Lie~ derspiel, i. 1364; Lincoln's Inn Fields Theatre, ii. 14005 Linley (T:), ii. 14443 Melo- drama, ii.” 249 ra, fi. 23); Opera (United States), Pas, ii. 67003 Pianoforte, 76a; Polly, ii, gb; Pur- cell, ii. 490; Reed (T. 6. 91; Rinaldo, ii, 1356; Song, iti, 64h. Beets, G. de, i. 2096; Ronzi, fii, 1574; Vauxhall Gardens, iv. 2344. Bronis, Signora R. de, i. 21003 iv. 5420. Brcnez, P. aoa; iv. g42a; Fétie, iv. 6360, Bécuz, N. le; Auswahl, i. 105 a; ‘Chambonnidres, i, 3320 Bear, F.; PR. “Mus, ii 7364. Buunexs, §.; Strakosch, 7354. Brien Nuvrey, Di ‘Mendelssohn, ii. 2560. Burpex Pipaaooen, Die, ‘Mendelssohn, ii. 3086, Baxtzmur, i. 2108. Bua, 8.; Violin, iv. 284a, Bricnen, J, ; Hist. of Mus,, iv. 6760. Brtere, F. A., i. 210b, Baxcxe; Orpheus, ii. 6138, Bepouavis, P. de, (See Puo- oscrMvs.) Buworazky; Baron (E. T.), i, 142@. BELISARIO, i, a10b; Donizetti, i, 4540. 2108;INDEX. Batzsontvs, P.; Harpsichord, i.) 88a; Touch, iv. 1540; Chimes, 688, iv, 586; Glockenspiel, iv. Bett, i, a10b; Bassoon, i152, | 6485; Hist, of Mus., iv. 676a. Baxaravg, C.; Hist. of Mus.,| Brutus, J.; Bodenschatz, i, iv. 6750. 2530. Britany, R., i, a11¢; Handel, | Brut, i, 2200; Back, i, 1213; Commemoration of. 6580. | Guarnieri (J. del Geni), Bauwauy, T., i. 2114; Singing,| 6370; v 72585 i 5120. ‘Violin, iv. 2714, ote. Berte Héttve, La, i, 21205 | Bexty, i 2208; Soundboard, iii, Offenbach, ii. 4944. 6404. Beuienaany, C., i. 2114. BELMontE UND Constanza, i. Bruuenqany, H.,i. 2113; Fux,|_2a1a; Mozart, ii. 403. i. 5705; Jabrbticher, etc., ii. | BeLocca, Anna di; Strakosch, 300; Mus, Lib,, i 424ae iii, 7350. Buutzamanw, J.-F, i. 211b;|Beiswazzan, i, 2210; Handel, iv. 542a; Breve, i 974b;|_ i. 6518. ‘Mus. Lib, ii. 4240; Hist, of | Bewerznrepes, j. 21a. Mus, iv. 675, eto. Beuot, i. 2210; Aceidentals, i. Buuuenwann, J. J., 1. a11b, 19a. Bruzerm, G., i, 211 Bencum, A. ; Jommelli i. 37D 5 ii. 17405 Phiih, Soo. Sistine Chapel, iv. 7944. Singing, iii. 511 b. Benpa, A, i. 231d. ‘BauLEvittz, N. von, (See Ovrr, | Benpa, C., i. 2215. ii. 6174.) Bunpa, E., i 221d. Bauzint, V., 1. 21203 iv. 5420; | Bexba, F,, i. 23ta. Barbaja, i, 138a; Beatrice di | Bexpa, F.L., i, 210. ‘Tends, "i, Iga; Capuletti| Bexpa, Franz, i, 2210; Abel ed i Montecchi, £, i. 0703] (L.A.),i.533 Fasch, i. 508: hopin, 3500; Gri i-63ab;| Fodor, '. 53805 Francieello, Naples, ii | i, ssa; Rust, ii Opera, | Sonata, ili. 5600, i 6686; | playing, iv. 289 ; Vivaldi, ; Pirata,|_ 3176. ii, 9; |Bunpa, Georg, i. aarb;_ iv. Poagin, ii 2303 Puritani,| 5430; Duodrama, Klavier-Musik, Meiater, Alte, . drama, ii, 24985 Rouseelot, ii. 1825; Rublus| 3660, eters Opera, 19a; ii, 1890; San Carlo, PR, Music, ii. 7240; Rust, Schools of Comp., iti, "2060; Sonata, iii. 9660, Sonnambula, La,” iii. 632b;| eto.; Steibelt, fi, 704b; Tréaor Straniera, Ls, iii.7354; Tem-| des Piavistes, iv. 1684 pleton, iv. 82a; Unger, iv. | Bexpa, H. G,,}. 2210. 3020; Zaire, iv. 4990; Zin-| Bena, Joh, garelli, iv. st0a. Bexpa, J Brtuqany, C. M.; Song, iii.| Bennet, F.; PF. Mus, ii. 7350. 6r0b. Bunpen’; Sax (A. J), i; Bu100, T., §. 2140; iv. 5425, | Wind-band, iv. 4700. Baxtocuz; Vocal Concerts, iv.|Baxpt, Carl; Song, 319). Dvardk, iv. 6220. Betzouts Milan, i 92 Bepuzs, S, i, 2215. Brttows, i, 21405 Abbey (J.),| Burzprrny, i. 3220. 4205 Barrel Organ, i.1444;| Bexxoiers, 1, 2220; Service, Organ, ii. 5742, ete iil, 472a. Burs, i. 2x60; Call’ changes, | Bexxpicr, Sir J., i, 2220; iv. kag Campanology,i. 3000;| 5434; "Beethoven, i. 1700, hon, i 3100 ; Change, 1964; Bride of Song, $530; Chinidg tga Dou. rides of Venice, 1. bles, i. 4600; Falling » Bell,| 2754; Bunn, i. 2826; Cowen, i, sora; Firing, i, 5280; i413; Doble, 45a Eng" Gheyn (Van den}, i. 503. Gipsy's Partial Tones, ii. 6544; fud-| Warning, i. 5 Gola Tal ti, soba; Neways iv | mide, 6080) tly of Bik Ww Jarney, fi. 1395; Lind, ii. 1420; Melodists’ Clab, if 2494; Mendelsohn, 2668, ‘Mendelssohn,’ Scholar- 310b; Mus. Soc. of 4310; Norwich is H, 48.0; Oberon, esta; O 6996; PF. Mus, ii BE, Playing, it Schools ‘of Comfy i, 308 Society The Mo Artis my, iv. 42 ity Coit Loa, ie. a1b; Un Aono ed an Giorno, iv. 201d; Undine, iv. 20rd ‘Vocal Assoc., iv. 3180; Weber, fv. 404b, etc.s Her and Co, iv. 6304; Philh. Soo, iv. 746 PF. Mus, iv. 7480; PF. ing. iv. 7490; Weber i. nd Buebrcrus, "(Seo APPENZEL- ‘DERS.) Benzpicrus. (See Dvcis, i. 487b.) Bexxbicrus, i, 2230; Intona- tion, ii, 120; Mase, ii, 2260; © salutaris Hostia, if. 61485 Plain Song, ii. 7675 ; Service, fii, 4724, ete, Buyewur, A. P., i. King’s ‘Theatre, The, i. 58; Rossini, ili, 170. Benzvour, 0. iv. 54345 Baini, 1, 28805 Colonna (G.' Bo) 3a; Prince de la Moskowa, i ata; Rochlts i. 14 Saggio di Contrappunto, ii, 3124; Te Deum, iv. 68. Benrnateut1; Strakosch, iii, 734d. Bewiont,‘. ; Palestrina, i. 640. Banrvoont, A. M,, i. 2244; iv. 543); Beaulieu, i. 1600; Tsouard, ii. 24). Bent, Signora, i. 24a; Men- gozzi, ii. 311). Buwnat, J, i, 2240; Hawkins i. yooa; Hopkins (E. J.) nybt ‘Hymn, i. 7620; Masiri- iota; Mus. Anti- fs Sa, fi, 4160; Oriana, 6114; Part-Mus, i, 65603 Ravenscroft (. 78) Schools of Comy 2774; ‘VoonlScores,iv.320a;Paalter, iv. 762b, c18 Bewxer, 8. i. 2245, Benner, A, i, 2246, Benxerr, Jos, iv. 5430; Mus, Periodicals, ii. 427, eto. ; Pur- cell Soc., iil. 534; Mus, Period- icals, iv. 7260; Philh. Soc., iv. 746, Benxert, Sir William Sterndale, i . 54303 Bach Soc., 1204; Bache (E.), Barearole, i. 1388; Cantata, i. 424 ; Goldschmidt, i. 6082; Holmes (W. H.), i 7440; Hymn, i. 7640; Lalla Rookh, ii, 86a; Leeds ‘Mus. Festival, fi. 1115; May Queen, The, ii. 2400; Melo- dists’ chestration, i ture, ii, 6236 the Peri, ii, 65003 6524; PartMusic, Part-Song, ii.6594; i. 6994, etc.; Phillipa (W. ii, 7050; PF. Mus, sying, Ti. 742 3 Paradise and 6488; Parisina, arty (Jos.), ii, 7600; ' Programme 390; Rea (W.), ga; Romantic, iii, 151b yyal Academy, ili, 1860 ; Schools of Comp., ili. 295.0, etc.; Schumann,’ iii, 391 b, etc. } Sestet, if. 4755; Shake- speare, iti, 4840; Sketch, 5250; Soo. of British Mu cians, i 800; Song, fil, 659 a, not 699; Sullivan, ii, 761 Symphoniques, “Etudes, iv. 0b; Symphony, iv. 33} ‘Tenor-Violin,iv. gta; Thomas (HL), iv. 104 D 5 Violoncello- playing, iv.” gor sVosal res, iv. 3200; Waley, a76ai White, Meadows, lavier, iv. 483; a; Fanin; ), iv. cee 6 Benners, T., i, 2240; iv. 5430; ‘Voluntary, iv. 3395. Bennett, W,, i. 2246. Beorsr, F., iv. 5430; Adam ‘A. ©.), i, 276; Conservatoire le Mus,, i. 392; Gr. Prix de Rome, i, 6186; Saint-Saéns, 3] Benozn, L., i, 2314 INDEX, Silas, fil, 4930; Delibes 610b; Franck (C. A. J.), 6396; Salvayre, iv. 7794. Benorr, P. L. Ly iv. 5440 and 81943; Score, iii, 432. Benont ; Sechter, iii, 4560. Baxsen} Cramer (J.B), i. 413b. Baxveck, i, 229; Mozart, i, 3914, Bunvenort; Haydn, i. 706. Bexvenvro Cxiuini, i. 229; Berlioz, i. 2340. ;| Berauma, i. 2295. Bunanzck ; Ecclesiastioon, i, 4824, Benanvt, A, ; Recto ot Retro, iii. 88a, Bémar ; Song, ii. 5970. Benstovrme, B. T., i. 2290, Bencevsr, i. 2296. | Bence, ‘JS. van i.2298; Wert, iv. 4450; Mus. Lib, iv.7260; ‘Trésor Mus., iv. Sora. Benzys, E. ; PF. Mus, ii, 7360, Bunzns, H.; PF. Mos. PF.-playing, ‘Bengnsrabt, ‘Academy of Mus., if Bunerra ; Baini, Bene; Lind, ii. 140b. Bere, A., i. 2300; Lassus, b, ete. Patrocinium Mausices, ii. 6736. Bune, C. ; PF. Mus, ii. 727. Bene, G., i. 2308; Catch Club, i, 33205 Part Mh 6360, ete. Bene, J., i. 2308. BencAMasca, i, 2306; Mid- summer night's dream Music, if. 3284, BenGer, A.; Bodenschats, i. 353). Bencen, F. ; PF. Mus, ii. 73645 Philh. Soc. iv. 7466, iv. 54505 Dorm, i. Clementi, i. 373 pj Mendelaobn, i. a54b Nottebohm, ii. 479@; Philh. PF. Mus, 6234, ete. ; Taubert, iv. 6405 ‘Voigt, iv. 33563 Loeschhorn, iv. 7o5a. Beraceist, Der, i. 2314; Spohr, iii, 6598. Bercoreen, A. P., iv. 54505 Gade, i. 574; Song, ii. 611 a. BerGHe, VAN DEN, (See Monte, ii, 3568.) Benchour, E.; Mus, Periodicals, iv. 7266, iii, 2156 ; Salvayre, iif, 2220; BenoMany, C. ; Opera, Philh, Soc, New York, ii yo2a; Thomas (T.), iv. 105}. Benonsn, F.; Thomas (1), iv. 05). Benoonzi, B., i, 2310. Benoowz1, C. ‘Cremona, i. 4160; itibs, ii, 12505 Stradivari, ifi. 7321 Benor, C.; Orpheus, ii. 6130. Benmxcer, 0., iv. 5450; PF playing, 1h 7453 Ph Soe 747 @. Brnixt ; Dragonetti, i. 4610. Brnror, CA do, i aa iv. 54503 Fayolle, i. 5108; dini, i. 593); Lauterbach, ii 105); ‘Malibran, ii, Beordstare, fii, 4260; Svend- , iv. 6b; Viardot-Garcia, ‘Vieuxtempe, iv. playing, iv. 289, 6364; Leonard, iv. 699); Osborne, iv. 73745 Violin-playing, iv. 8120. Bunxa ; Diabelli, i. 4420. Benuioz, H., i. 2320; iv. 54555 ‘Académie de Mus, i. ton, i. 1550; Becher, i, 1608; Becker (C. J.), i. 1618; Bee- thoven,i. 2088; BonvenutoCel- lini 32905 Charity Children, 3406; Chelard, i. g4ra; Gnettbii, & aga? Choptn, i 3505; Claus (Miss), i. 3660; Conductor, i. 39055 Conser- vatoire, i. 3936; Dragonetti, i. 462a; Drum, i. 464, ete. ; Freischiitz, Der, i. 5626; Gou- nod, i. 6134; Grand Opera, i 6174; Gr. Prix de Rome, i. 6180; Guitar, i. 6406; Habe- neck, i. 3. Harold en 4. 6854; Harp, i. 6870; (Ferd) i gazas Jule lien, ii. 45a, note; Key, ii-530; Kreutzer (P 726, notes Kiicken, Laub, ii, To3b; Leit-Mouf ii-116b; Le- 1250 ; Listt,ii.147 Liibeck (E.), ii. r71b; Lwoff, . 1805; Magyar Music, 198h; Mendelssohn, ete. ; New Philh. Soc., Opera, fi 5250; Orchestra, ii. 3064; Orchestration, ii. 572, ete. 5” Osborne, ii Orga; Werture, di. 6225; Paganini, ii, 6296; Piccolo, ii. 7500 5 Pitch, ii, 7580, gramme Music, Reichardt (A), 99. Revue et Gazette Mus.,121b; Romantic, iii, 15285 Romeo et Juliette, iii, 15, Rossini, i, 1760; Sax (Adol- phe), ili, 2320; Scherzo, iii, 2486; Schools of Comp., iii + 304d, ete; Schréder-Dev- nt, iii, 318¢; Schumann, Violin, iv. 1a Treatment of Organ, iv. 1635; Troyens, Les, iv. 1804; Variations, iv. 2304; Ventadour Théatre, iv. 2385; ‘Viardot-Garcia, 2604; Wagoer, iv. 3524, ete. ; Wind- band, iv, 4698, ete.; Zukunfts- musik, iv. 514; Colonne, iv. 5950; Demeur, iv. 6110; Dies ine, iv. 6r4a; Dirffel (A), iv. 61605 Jullien, iv. 6874; Pleyel, iv. 7506; Re- quiem, iv. 770b ; Reyer, iv. 7714; Saxophone, iv. 780b; ‘Te Deum, iv. 7980; Veeque von Piittlingen, iv. 8124, Beaaupo, J. i. 2344. Benwaszl, E.; Steffani, iii. 694.0, ete, Bennaver, G. A.; Bernace i. 234; Faux Bourdon, i, go9b; Mus. Divina, ii. 4110; Plain Song, ii. 769’; Rochlitz ii, 1420; Saggio di. Contrap- unto, iii. 12a; Benevoli, iv. 5434. BERNACCHT, A., §, 2344; Fabri, i, sora; Farinelli (C. B.), 4, 5040, etc. ; Guarducci, i. 6360; Hasse’ (Faustina), i, 696a; Rasff, iii, 620; Sene- sino, Hi, 4610; Singing, iif. i, 6364. Beethoven, 5060; Soprano, BERNADOTTE; 1784. Benwat, A. Ealava, i. 4940. Benvanp; Beethoven, i, 1715. ‘Benwanp, Gentil; Clédu Caveau, iv. 5936. i 3 Revue et Gazetto Tarb Beaxakp (IL Tepesco), i. 234; Schools of Comp., iii. 2650, ~ note. Benwanper; Lupot, ii. 17505 ‘Violin, iv.’ 2840. BERNARDI. (See SzNzsINo, 4610.) ‘Bennanr DE VENTADOUR ; Song, ih, 5850. INDEX. Benwascowt, A. ; Olimpiade, 4960; Mus. Lib,, iv. 726.a. BEBNascoyt, Antonia, i. 2340; ierotti, ii. 6255. 2354; iv. 73383 Part 3 Weber, iv. 3924, BERNHARD, C. i, 2350, Brannan, W. C, Song, i. Bs Lalande i Song, il, 593 le, Brnnovrst ; Pipes, ii. 7555. Bunwapone, E.,i. 23565 Dict. of Mus, i. 4460 icals, ii. 4310} Schladebach, iii, 2530; Signale, oto, 4920. Benn, F.; G; milita 1710. Banseuts, M., i. 2360. Beara, i. 236a; Smart (HL), ii, 838, Benratt; Draghi (A), 4610, Berraziu, M. A\; Merulo, 154. Berrant, L.;_ Marenzio (L.), 2150; Mus. ‘Transalpina, 4164; Oriana, i.611 6; Mus. Lib,, iv. 7264. Benreau; © Violoncello-playing, iv. 3004, , | Benretswans ; 6134, BenTHAUME ; Concert spiritual, i, 850; Grasset, i. 6190; Lafont, ii. 84a; Violin-play- ing, iv. 28, Bentacr ; Duport (J.), i, 4704. Banraxveur ; Vogt, iv., 3324. Benraotustus, V.; Bodenschats, i. 253b. Benri, M.A.; Baryton, i. 1474. Orpheus, Brnniyt, G., i, Benrinr, H., i, 2360; iv. 54503 Etudes, i. 497a; PE. Mus, if 7286; PEsplaying, 744, Bearixorny, T,, i, 2364, Bearo.pr, Signora, i. 2368. Brntouerrt, i 50a; Mattei (S.) Benrouanr; Mazzinghi Benroutt, F., i, 2360; Boschi, 4, 2610. Brnrox, F,, i, 237 a, Duron, 2300 He 458i Académie de Mus., i. Blanchard i247; ‘Cherub 343.5, Couservatoire Muss is 394, ete.; Hulls | | BERWALD, 19 Léfébnre- Waly, ii, Opera, ii, 5230; Pan- ‘64543 Schimon, iif. 595); Kast- Benrox, H. M., - cert opirituel, i, (J. ©), iv. 1688, Bratoxi, FG, i, 2380; i 18 Tfigenia, i. 7650 til (C. ), Hi, 2386; Mayer, ii, 2400; Olimpiade, ii. 4960; Pacehierotti, ii. 6254; Trento, i, 1675; Mus. Lib, iv, 7160. BEnrRann ; Song, Benreann, G., i. 238. trel, Le, i, 3116, Benrvca; Haydn,i. 7150, Bunwatn, F,, iv, 5456. i. 238a; iv. 5450; Nilsson, ii. 458, Benwrisparn, G. G., 1. 2386. Benwix ; Rome, iv. 7752. Besanvo, J. B.; Dowland, i, 4600; Lute, ii. 177b; Polo- aise, ii, roa; Mus. Lib,, iv, rasp. Bases ; Song, Besexmaxy, V. joo, Besurn, S,,i, 2380. Busozzr, Aleas, i. 2385. Busozz1, Antonio, i. 2380, Busozar, C., i. 2380. Busozzt, Erba, i. gor. 23705 38545 Trial 592. ? Mines. 614). Philh. Soe, fi. cert spirituel, i Brsom, L. D., 5450; iueur, Besseus, A.,i. 2380. Brssox, G. A., iv. 5450. | Besr, W. i. 239; Schools of Comp., iii, 3095; Spinet, Si, 6534 Swimerton Hea iv. gb} Voluntary, iv. 33953 Witting, iv. 4s3t 9 Buswicx, (Ses Fentox, i. 511b,.) Berreuasme; Philh. Soc., ii, 00a. Berrist; Goudimel, i, 6125 Sistine Chapel, iv. 7944. Beret; Trevell, Wiest Berrs, J, and 'E.; London Violin Makers, ii, 165. Berg, F,, iv. 5464; Wagner, iv. 3620. Bevrten, B,, i. 2394. Brorrxen; Volkslied, iv. 3370. Brven, Dr. T.; Urio, iv. 2096. Brviy, E,, i.'239a; Barnard, Ca20 i, 140b; Boyce, i. 268; Ghild, i. 34505 Creed, i. 4156; yer 7006 ; Magnifi ‘Mus. Lib,, i Frginal Mus, fr. 3130, Bevincron & Sons; iv. 5460. Brwsnzn; Gray & Davison, i. 622), Brxvizw, W. R,, i. 2396; iv. 5460; Schools of Comp, iii. 3084, Berea; Lute, ti 1755. Beres, F., i. 2398; PF. Mus, il. 7290. Berrian, A.; Gamble, i. 580b. Beza, T.; Chorale, i. 35tb; Goudimel, i. 6125; Hymns, i. 7615; Le Jeune, ii. nae i ‘Mus. Lib, ii. 423b; Old Hun- dredth Tune, ii. 495; Schools of Comp., iii. 2674, ete. iii. 5926; Bourgeois, iv. 5581 Fran (G. lo), 1. 6390) Paal™ ter, iv. 7554. Branca, i. 2400; Balfe, i. 1a7b. Branca E Fatteno, i. 2400; Rossini, iii. 1778. Braycut, E.; Ivanoff, 6a. Buancut, F., i, 240a; Haydn, i, 7066; Singing, iii. g11a. Braweut, F, 2400 ; Billington, Biahoy Lacy, 2ige; Zanodin, iv. ay Braxent, Signora, i, 2403. Brancatanpus, F.; Bodenschatz, i. 2530, Braxcuint, F.; Hist, of Mus, iv. 6764. Bancuors, E, (See Brxcwors, i, 2420. Biancoy bs, Lib, ie. 7260. Bunun, H. J. F. von, a4ob; aganini 31d 5 datura, ili. 4260; Sonata, ii. $554, etc.; Violin-playing, Hv. 289, ete.; Danco-rhythm, iv. 607); Walther, iv. 8154. Brot, A. Bru, 456 = Breet ; Musica Transalpina, ii, 4164. Brewwy, iv. 5460. Brexarr; Reicha, iii, 985; Tullien, iv. 6863. Busrr, G. B, i 2410; Haydn, i, 7154; Brogramme-Musio, ‘Hii, 376, Brranta, i. 241. Burr, A.; Lotti, ii. 1670, INDEX. Burry, G. ; Schools of Comp,, iii. 2662. Brooxst, i. 2414, Broor, 'M., i. 2415; Haydn, i. 71§a; Mendelssohn, ii. 2540, eto. Bustaa'; Cither, i. 359a. Buuox, J. de, i, 2410; Sistine Chapel, iv. 7944. Buer, ‘A. 'P.; PF, Mus. 7324; PF.-playing, ii. 745 Bavison, 1. Gopay Goddard, iv. 6500, Binuinorow, E., i. a4aa3 iv. 5464; Abel (K. F.), i 5a; Kcteot Concerts, °h,- 64b Bant, i 1360; Bianchi GF), i, a40a3 Cstalani, 1. 3204, tie Graal 1. 6200; Fore » Hii, 1965 Shield, iti. $8705 Singing, i. 5066 prano, iit. 6356; Vocal Concerta, iv. 3194. Briuinatox, T., i. 2420; iv. 5470. Brncuors, E., i. 2425; Caron, i, 3160; Bass, ii. 22653 Moiet, ii. 3720; Oreghem, ii, 4o4b; Sabla. of Comp, ti a6oa; Fay (G. du),’ iv. 6348. Bin, i. 2428; Dot, i. 4550; Notation, fi. 477a; Tie, iv. 113), Brat, P., i. 24305; Barbella, i. 1384; ‘Tartini, iv. 610. Browt, A., i, 24365 Siroe, Re di Porsia, ill. 5340. Bionpr, G.;" Lamentations, ii, 876; Mus. Divina, i. 411); Pisari, ii, 75605 Sistine Chapel, iv. 7944. Bunce, Charlotte A., iv. 547a; Philh, Soc., ii. 6990; Royal Soc. of Female Musicians, iii. 18805 Singing, il. 120. Brncu, E,, iv. 5474. Brew prime "En; Santa Chiara, 2a5b. Brnguatuy Ry i. 2436; Walsh G., june), iv. 380, BInMINGHAM Fesrrvat, 243) 5 iv. 5474; Costa, i. 4061 tivals, i. 6b) ‘Mendelssohn, A. 2770; Nevkomm, i 45205 Stimpeon, iv. 462. ‘Brexsacu; a (A), Hi. yoas Kiicken, Bis, 12440; ‘Abbreviations, i, 3b; Encore, i, 48a. Brsaccra ; Foli, iv. 637@. Brscuor?’; Bodenschatz, i. 2530; ‘Trésor Mus.,iv. 8018. Brscuor®, Dr. L. F. Cf. 24405 ‘Mus. Periodicals, i. 43005 Nioderth. Mus. Feste, ii.45505. Zukunftamusik, iv. 5140. Buscuorr, D.; | Festivals, i. ree ‘Mu: Brscuorr, K. f Guintuple Time, iii, 610, lows, i. 2164; Comp. i. 38303 Organ, ii. Pao Brstior, J., iv. 547); Tudway, iv. 1996; Vocal Scores, iv. 3198. Bisuor, J., i. 2464; Barnard, 4, 1400; Mus. Lib, ii. 4194. Bisuor, Sir H. R., i, agga; iv. 547i, Ancient Concerts, . 645 Bianchi (F.), i. 24005 Boches, i252 ‘sodales, i. 3830; Conductor, i. 3904; Covent Garden Theatre, i. 41a; Drory Lane,i. 46703 Edinb, Protesorsip of Mu i, 4834; English Opera, 4890; Fawoett (J., jun.), i 5I0a; Glee, i. sya; Home, ‘sweet Home, i. 7450 ; Iria Mus, fi, 2203 Jullien, ii, 45a; Longhurst (J. A.), if 1660; ‘Mainzer, ii. 19943 Melodists’ Club, fi. 24903 Mus. Lib, fi. 4196; Opera, i.52405 Philh. Soe. Professor, iil, 3b; 1004; Royal Acad. of Mus, 18543 Schools of Comp., 3056; Sinclair, ii, 4953 Song, iti.607.4; Thomson (G.), iv. 1074; Thoroughbass, iv. 109d; Vauzhall Gardens, iv. 2344; Bishop (Ann), iv. 5474; Home, sweet Home, iv. 67953 Philh, Soe, iv. 746. Birman, K. H, iv. 54845 Bach ), Jahrbicher, 100; Hist. of Mus.,iv.676a. Brrrwen; Violin, iv. 2844. Bust, G, i, 2466; iv. 5480; Gr. Prix de Halévy, i. 6450; Lecoog, ii. 110b; "Libretto, ii, 12903 Malbrough, ii. '20ra; PF. Mus, ii. 7350; Schools of Comp. 04a; Seguidilla, iii, 4570; Bong, iii, 5970; Farandole, iv. 6334; Halévy, iv. 6628, Buor; Demeur (A.), iv. 61a. Buzzannr; Cherubini, i. 341). Biack Dourvo, The, i. 2466 Auber, i, 1026, Buack, D; Irish Mus, fi. 194.Brackwatt, A.; Scotish Mus, INDEX. i. ga; Ballet, i. 1300; Dict. Sik, gar of Mus., i. 4456; Herold, i. Buackwat; Mus.Lib.ii. 418.| 7326; Marseillaise, si, 2200; Bras, A.J., i, 2460. ‘Mus.’ Periodicals, ‘fi. 4290; Buses, Mme, E., i, 2460. Oden, i, 4920; Ortique, i. Buacnavg, T.;” Music School,| 614a;" Robin des Bois, Oxtord, ii. 4374. 1394; Hist. of Music, iv. Bracrove, H. G., i. 2460; iv.| 675. 5480; Dando, qa9b; Novwich | Brag De Bont Ménes- tival, it’ 4060; Philh.| trel, di g11b; “Ortigue, il Boer Be Goa Piast te 6140, 75355 Spohr, sii. 6630; ‘Ste-| Buzwrrr, Jonas, i. a4ga3 iv. phens (C. E.), ii 711a;| 5490 ‘Thomas (H.), iv. 040; Vio-| Bunwrm, J, i, 24p0;, Melo Tin-play ‘iv. 289, ete. ; Menideesin, iv, 7160. Braorove, R; Concertina, i. 387a. Brawerea, L., i. 247; PR. ‘Mus, if, 7300; PF-playing, ii. 7443 Schubert, fi. 3550. Brarse; Gréty, i. 6280. Buarrawair; Mus. School, Ox- ford, ii. 4376. Buaxe; Bou Buss, a ‘Ea vg ga 03 i. 485 5 ii, 632. Braee, Ws S0e., 6982. Buaxcuasp, H. L., i. 2474 Beck, i, 1614; Maltrise, Vaudeville, iv. 232. Buancnk, i. 2478; Minim, ii 33d. BuaNcue pe Nevers, i. 2473; Balfe, i. 127. Brancusr, E. ; Taskin, iv. 626. Buancursvs ; Instrument, i. 5). Brancxewsunau, @. van,i.247b. 247b; Kate (1), Hymn, i, 7625; 7614. Brann; Haydn, Buanb, Maria’ T. ‘Vauxhall Garde iv. 933. Bravorst, G. M. M.P,, i. 2476; Gras (Dorus), iil, 5900, ete. iv. 4620. BLANKENBURG, Q. van, i, 24825 Blanckenburgh, i. 2476. Brasts, C.; Hist, of Mus,, iv. 676. Biaswwe; Conservatoire de Mus, i. 3924. Buasow, T, de; Musion Antiqua, ii, qrra. Brassqax, S.; PF-playing, il 745+ Braver; Vaudeville, i Brazg, F. H. J. Castil, i. 2480; iv. 54945 Académie de Mus., 619; Song, dists’ ‘Club, ii. “2490; PF. Mos. ii. 7270; Vauxhall Gardens, iv. 2340. Burppexa ; Song, ii Burmneaax, W. a; Bull, 610b. 1425, note; 281; Haw- 0, ia4ab irginal Mus., iv. 3085. Broo; Reicha, ili. 986. Broce, Anna; Rossini, ii, 1764. Biome; Mus. Lib., ii. 4184. Bonet; Chanson, 1. 33645 Song, ili. 585). Browbiav, AL. : Gr. Prix do Rome, i. 6186; Hist. of Mus., iv. 67qa. Brow, J., i, 2490; tv. 54945 ‘Anthenn,j, 28a; Barret i. 144 ; Bass, i. 1484; Boyce, i, 2680; Carissimi, i. 3150; Cathedral Mus, i. 32563 Co- cilia ise Chant Greed, i. 4155; Croft, i. 419; Hoseltine (J.), i. Hingston, i. 7410; te i 75703 q rant A), & 75805 » Gras Cove nde 0b Playford (HL), “Purcell, iii. 460; iti'79b} Rich- sli, 1276 ; Robin. son (J.), iii. 1396; Round, fi 1808; ‘Schools of Comp., ii, 282 , ete. iii, 4728, ete. ; Song, iii. 6036; Spoci- ment, Croc’, i 1 fee Suite, iii, 7 iv. 1105 16 Dem iv. Peat ‘Turner (W.), iv. 19543 Tud- way, iv. 19a; . Variations, iv. 2194; Voioes, iv. 334} Burney, iv. 5714. Buoerunza, J. F, i. PF, ji, 7220. 2500; Buvw, K.; Orpheus, ii. 6130. a Buvwe; Spontini, ii.672. Buvme, A.; Schott (A.), iii. 3154; Song, ill, 6300; Royal Biliege of Mus, ie 776d. ‘Buowessoxnes ; ‘Turandot, iv. gob. Buvuentwat, J., i. as0b; PF. ‘Mua, ii. 7340. Buvaner, M.; Singakademie, iii, 5160. Buunbavits; Mus. Lib, i. 4194. Bop, i, 2506; iv. 54903 Change, 4. 334. Booax. (See Conpien (J.), i. 400b.) A BoocaBapart, A.,i. 2500; Scal- chi, iff. 354. BoocaBapatt, Li, 250b ; Gris, i. 63ab. Boccaraputz, A.; Palestrina, ii. 6408 ; Sistine Choir, ili. 5206. BoconeRint, L.,i.25003 iv.520b. p92 ‘Agus, i. 46a; Boucher, i, 2630; Brunetti, i, 2800; Combini, i. 3000; Haydn, i. 108 b itrobe, app, ii, 46 572; Quintet, iit, 1425; Sextet, iii. 47505 Specimens, Croteh fii. 6500; Holoneello-playing, iv. 3000. Boousa, R.N.C., i, 25a; iv. 5490; Beck, i, 1614; Chat- terton, §. 3406; Dibdin, i, 44483 Lavenu, ii, 1060; Mila nolloi. 33007 Pariah-Alvare, fi, 6494; Pary (J. 0.), it ara ‘Royal’ Academy of Busi. 1850; Bishop (Aan), iv. 5470, Bockier, C. M. von, i. 2 iv. 54903 Blument 2503; Marxsen, ii, 2236 Schubert, iii, 3484, etc. ‘Tomaschek, iv. 1330; Vater- Hindliche Kénatlervereln, i. 7b. Bocksuony, 8., i. 252. Boppa, F. ; Pyne, ii. 540. Boor, J.J. 0,4. a52b, Bopenacuarz, i. 2525; Flori legium Portense, i. 53455 Portense, iii. 185; Schools of Comp, if. 267, note. Boxcen; Knecht, i. 6505 ‘Mendelssohn, fi. 279). Bona, i, 2544; Bach (J. 8.), ab i rrgh, Borsa, Briider; Rochlitz, ii, 141, Borum, Elizabeth, i. 2540, Born, Hi 2540. BoEny, Jos., i. 25403 iv. 54965 Ennai, i 4924; Hellmesberger (G.)) i 725b; Joachim, i.22 345 Rappoldi (E.), tii. 765 Roményi, iil. 10745 Rode, ii. 1435; Schubert, fi, 350 Straus, vara; Vil inying, iv. 289, ete. ; Hauser, Ke Grou; Politzer, i. 7500, 54h; iv. 5490 Bass-Flute, i, 1500; Clarinet, i. 36ra; Flute, i, 5364, eto. ; note; Tone, iv. 1440; Tulou, iv. 1865, Bormus, F. M.; Noi, ii. 4624, note; Song, iii, 616, mote, etc; Volkslied, iv. 33705 History of Mus, iv. 6754. Bornes, C.; Ries (A. & F.), 1324. Bosunzn, J. L, iv. 3490; PF. ‘Mus, ii. 7275; PF-playing, Hi 744. BokLr;” Mattriee, ii, 2000) Sauzay, iii. 2301 Bosso; Tartini, iv. Goa. Bors. "(See Burn, j. 1624.) Borsenponren, 1, i, 2543, Pedals, ii, 6820. Borsser, A., i. 255; Maitrise, i. 1998; Song, iii. 5930. Boxsser, C. J. B., i. 2554. Borsser, J. C,, i. 2554. Bograws; Mus. Lil Booxzr, B. ; Frohlich, Boueatay Girt, The, Balfe Boss, E. iv. 7240. Bouner, A., i. 2550} Violin: playing, iv. 2897 Violoncello. playing, iv. gora. Bounzs, C., i, 2350. i 4ata. 5650. 35505 Boxare, 24, i, 22543 Violon- cello-playing, iv. 3014. Bouman, We Prickenhaus, iv. 6434. Boru, A., i. 2584. Bouuoieu, F.A., i. 2550; iv. 5490; Académie de Mus., i Qa; Accent, i. 15a; Adam (A. G), 5.” 28a; ’ Auber, i 1026} Bassoon, i. 1535} Berton, i, 2376, ete; Bort- niansky, i. 2614; Calife de Bagdad, i. 2970; Cherubini, i, 3430; Conservatoire de Mus., i 392a; Dame blanche, La, i. 4280; Fé i y3ra; Jean de Paris, trise, ii, 2000 52285 Pov INDEX. iv, 409a3 Zimmermann, iv. 5084; Quintuple time, iv. 60. Boitny; Gr, Prix de Rome, i. 6188; Reicha, iif. 98}. Boissaxp, J.; Roi des Violons, iii, 1460. Boissztor; Gr. Prix de Rome, i, 618); Lesueur, ii. 125: 5360. . 301, ete; Sing- ing, iii. 5104; Simone Booe neg! 5336; Sol-Fa, 5455; Verdi,iv. 2500; Faccio, iv. 6314; Huetfer, iv. 68103 Mefistofele, iv.715 4 ; Obertas, iv. 73345 Otello, iv. 7374. Boueno, i,’ 258a; Cachuch: 90d; Fandango, i. gozai Song, iii. g980; ‘Specimens, Croteh’s, ti Gyga, Botta, Signora, i, 2583. Boutxs ; London Violin Makers, i. 163. | Botuorst; Mas, Lib, ii, 421d, Bowoona, i.259a; Accademia, i. 11b; Hist. of Mus., iv. 6756. Bouocwa, A-da, (See ANtox10 A Botogxa.) Botocy1a, M. ; Haydn, i. 7065. Bousexa, A. da, (Seo ADaMr DA Bousena, i, 290.) Bouserti, i. 2598. | Bouzows ; Bandini, iv. 530. Bousannox, 12596 ; Bass Tuba, i, 15005 “Bassoon, j. 151 Gonirabass Tuba, i. 395, Instrument, ii, 6b; Lute, 176 ; Oboe, ii, 486a ; Organ, fi, 6018; Saxhorn, iii. 2330; ‘Tubs, iv. 1830; Wind-band, iv. 465}, ete. Bowsaxbr ; Virdang, v, 3038. Bouremro, J. D., i. 2593, Bowa,Cardinal G.; Hist. of Mus,, iv. 6768. Boxanyt, F.; Hist. of Mus, iv. 6764, Bowangutt, G.; Ferrara, 1.5134. Boxp, C.; Birmingbain Festival, i, 2440. Box, H., i. 2604; Baker, i.126a; Bennett W.), 2240. Bowrst; Choron, i. 3536. Bowryt, P. A. ; Ori Bownenée ; Rossini, Bowser, J. ; Stradelia, i Hist. of Mus, iv. 6744. Bowxo, G., i, 260; Ditters- dorf, i.” 4490; Fitzwilliam Coll, i. 5306; Friberth (K.), i. 5640; Haydn, i, 7040; Metastasio, ii, 3164; Mozart, ii, 3960; Mus. Li iv. 54905 Schools of | ;| Borromeo, S. C.; audi Spiri v. 7260. | Bowxy-Boors, i, 2600; Ballad, i. 129@; Holborne (W.), i- 74345; Holmes (J.), i. 74405 Oriana, ii. 6114. Bono. (See Boxxo, i. 2602.) Boxoxcixt, (See BooNoNcINt, i. 6490, note.) Bowvontt, F. A., i, 260. Boxresrr, G. A’; “Rossi Scotti, 2640s Shits, i. 460; Birney: i, ireqabey Sbtte ie Boost. J. van, i. 783 Boow, J. van, i Boost & Co., i. 2608, Boots, J. yan, ii. 5996, Bora, D.C. Orga TW 315a. Bonn, A, iv. 554b; Pianette, ii. Joga. Boxpooyt, Mile.; eto, iv. 2016. Bonposst; Balfe,i. 1274; Con- servatoire, i. 3920; Gras, i. 6194; Kiicken, ii.75a; Mario, ii, ar7a; Panotka, ii. 644); Reinthaler, 103; Ru dersdorf, ii, t99¢; Rummel (F), iii. 2054; Thillon, iv. 1024; Zerr, ‘iv. 5060; C: tellan, iv. 382; "Falcon, iv. 6324; Goldberg, iv. 6508. Boupoxe; Baryton, i. 1466. Bosvonz; Lute, ii. 1760. Borpoxt, Faustina, (See Hasse, i, 6964.) Bone; Basset-Horn, i. 1506; Clarinet, i, 3616, ete.; Double Bassoon, i, 45805 late, Un Anno, 5364; Horn, i Oboe, i, 4860 ; Sax, iii, 2314; Bes- son, iv. 5462. Bonertt, G. A.; Zenobia, iv, 06a. Boxcur, Adelaide iv. 496 Bomos, 6, Ei. 2614, Boxy, B. de; Song, Borner, G. de 585). BORODIN ; Song, iii. 6144; Rim- sky-Korsakow, iv. 7720. Bonostst, F,, i. 2614; Singing, iii. 5110. Bonostst, L., i. 2614. ‘Bonnaxt; i Boant, B.; Latrobe, ii. 6. Song, iit ‘tuali, ii,’ 1054; Palestrina, ii, 6368, etc. Borroxt; Mus. Lib., ii. 421d. Borsarus, A.; Bodenschatz, i. 2530. BORSELLY, i, 26145 Portogallo, ii, 190.Bonrtansky, D., i, 26105 iv. 55505 Sor 6144, Bosanauer ; Key, ii. 546; Tem- perament, iv. 708, note. Boscusrrt, Signora, i. 261b. Boscuerrvs; Bodenschatz, i, 3534. Boscnt, G., §, 261b; Bass, i. 1484; Lotti, Acad. of Mus,, ii, 1846 Si ing, ili. 5064, ete.; Vanini, iv. 2174, Bosio, A., i. 2620; Pinsuti, fi 75403 eee Bossener; Ay Bostow Mus, Socr#ry, iv. 5554; ‘Harvard “Mus. Assoo., iv. 6696; Henschel. iv. 671); ‘Mendelasohn Quintette Club, iv. 77a. Bork Ux Boer, iv. 5566. Born; Philh.Soe.,ii.760a; Spohr, ire, i. 393! Bortesint, G., iv. 556; Double Bass, i, 4584; Jullien, ii. 450; . 301; Testore, iv. 798b. Borrouury, J. i, 2634. Bovcwanpox, C.,de; Roi des Violons, ii. 1464, Bovone renaée, A, i. 2630. Bovcnan, A: J 36303 ; Mendelssohn, i. 2 Revoigite, Hi, 4495 Vi laying, iv, 289, ete Pelobs: daugheer, Bovcuenon ; Verdi Bourrons, Guerre de: de France, ii. 31303 Mondon- ville, ii. 353¢; Ramesu, ii, 71b} Roasseau, iii, 1813, Bovrrows, Les. ‘(See Maras- 1x6, i. 2366.) Bouin, J. B.; Song, ii, 5980. Boututy; Beethoven, i. 1840. Bourn; Hurdy Gurdy, i. 7580. Boutanoen, E. ; Conservatoire, i. 3930; Gr. Prix de Rome, i, 6186; Lesucur, i. 1250} Orpheon, ii. 6r2. Bourances, Mme, i. 2635; Garat, i. 581. BovtaNeEs-Kunzé; Choron, i, 3544. Bovttaxcren; London Violin maker, ii, 16565 2840. INDEX. Boutann; Soe, de Musique, ii, 5430. BourDEAv; Soc, de Musique, Sil, 5430. BounDELor ; Stradella, ii. 721b; Hist. of Music, iv. 6740. Bounpox. (See Favx-Bounpox, 4. 509b-) Bovacavit-Ducovpmar, L. A., iv, 5570; Gr, Prix de Rome, i, 6186; Jannequin, ii. 324. Bourcgors, L., i. 263); iv. Hymn, i. 7618; Nota- . 4790; Old Hundredth Tune, ii. 4950; Chorale, 589; Franc (G. le), i 638; Old Hundredth ‘Tune, iv. 734; Poalter, iv. 7550. Bounazors, L. T., i. 2644. Bourozo1s; Lesueur, et Gazette Mus, iii, 1218, | toe 26405 a i 54405 Song, iii, 5920; Speci mens, Crotch’s, iii. ' 6494 ; Subject, fii, 751B; Suite, iii 7590. Bousauer, G., i, 2640; Gr. Prix de Rome, i. 6185. ‘Bourertyen; Gr. Prix de Rome, i, 6186, BovvaRDE ; Strakosch, iii. 7340. Bow, i. 2646; Arco, 815; Instrument, fi, 60; Lupot (P), ii. 178.0; Nut, ti, 4850; Rosin, ii. "1626; Tartini, iv. 616; Tourte, iv. 1556; Violin. playing, iv. 2918. Bowtna, i, 2656; Spicato, iii, 6500. Bowzey, R. K.,i, 266; Handel Festival, i. 6582. Bowman, H., i. 2670; Tud- way, iv. 1990. Borer, W., i. 2674; iv. 56055 Accompaniment, i. 226, ete. ‘Anthem, i. 714, ete, ; Arnold S), is B60 Ashley’ J), i 986; Bassoon, i. 1530; Battie- ‘ill, i. 136c; Calloott, i. 2986; Cathedral Mus, i. 32505 Co- cilia (St.), i. 3298; Dupuis, i 470b; Greene (M.), §. 6250; fenry VIII, {. 72905 King’ Band, ii. 582; Linley (1. 1444; Litany, ii, 1520; Lock, i157); Maceth-musio, if, 1840; Mus Lib., ii, 417d, etc. ; Mus. School, Oxford, ii, “4370; Novello’ (¥.), i 4814; Overend, ii. 6184; Page, ii, 6320; Part Mus., fi, 6560, ote. ; Pepusch, ii, 6854; Royal Soc. of Mus, .| BRack, A. ; Pat 23 Great Britain, iii, 1870; Schools of Comp., iii. 2860; Service, fii, 4730, ete. 3 Smith (J. 8.), iii. 540b; Song, ii, 6066; Sons of Clergy, iii 6335; Te Deum, iv. 68 ‘Thoroughbas, ‘Three Choirs, iv. 3340; Voluntary, iv. 33903 Walsh (J., jun), iv. 3800; Weal Borie, ging, i, 51305 Philh, Soe., iv. 7465. Bout, P.; Oriana, ii, 611, Bozzano ; Song, iti. sora. Brapaxgonne, La, i. 268D5 Campenhout, i. 3000. Baacz, i, 268; Score, 4274. BracuMany ; Stark, 6490. Babe, W., i, 2694 and 8194; Ancient Concerts, 65a; Ashley (J.), i. 985; Dus- sek (J. L,), i. 4743 English Opera, i. 4894, ete. ; Hanover Square Rooms, i. 6615 Jullien, ii. 450; Knight, 674; Luther's Hymn, ii. 179); ‘Melodists’ Club, ii, ‘2490; ‘Moorehead, ii. 362. ; Opera,ii. s24a; Rauzsini, iii, 78a; Robin Adair, iti.1394; Rooke, iii, 1575 Salomon, iti, 221) Schools of Comp,, ii. 305 Singing, iii, 51245 Song, iii 607 a; Storace, iv. 88a; Vauxhall Gardens, iv. 23403 Vocal Concerts, iv, 319b; Weber, iv. 4092. Buauius, J., i, 2700; iv. 5608; ‘Accent, i. 140; A quatre mains, i. 80a; Arrangement, i. 926, cto; Ballade, i, 1295; Cantata, i. 3056; Con- certo, i. 3894; Couperin, i, 4loa; Figure, i. 521; Form, 52; Gesellachat der Mut sikfreunde, i. sora; Ground Bass, i: 634b; Harmony, 6836; Holmes (W. H.), 74403 Horn, i, 7524; Tater- mezo, ii, 104; Snell, i. 30) Lied, fi, 13303 Magyar Mus., ii, 2978, fetc.; Marxsen, ii, 233 ‘Modulation, i (3504; Mus, eee i 430) Paganini, ii. 6320; Pat Song, ii. 6592; PF. Mus. 73543 P¥.-playing, ii. 74345Pyy Quartet, iii. 585; Requiem, i. 11243 Romantic, iii. 1520; Scherzo, ii, 2480; Schools of Comp,, ii. 295, eto. ; Schu- bert, iii. 3334, ete. ; Schumann, Si, 3918, ote. ; Score, Hi, 43: Sestet, ii, 475; Sobata, ii, B, ete. ; Song, iii. 6300; ject, iil. 7506; Symphony, iv. 40d; Tenor-Violin, iv. 91a; ‘rio, iv. 2725 Variations in. aga; Waltz, 386; Danco Rhythm, Iv. 6080; ‘Dvoték, arr Niederrheinische “Musikfeste, iv. 731 5 Passacaglia, iv. 7445; Rhapsody, iv. 772a. Brasac, W., Hist. of Mus, iv. 6740, BRawpita, M., i, ayra; 6a; ging, ii. 5 Brancae; Violin-playing, iv. 289. BraNncuv, Mme, CHEvALIER-; Garat (P.), i. 5815. Branpes, Emma, iv. 5620; Philb, Soc, ii. 7000; Schmitt (G. A), iit 2554, Buanor; Dando, i. 429b. Brant, J. i, 2714, Braxpr; Weber, iv. 3974. Buanvt, Marianne, iv. 56245 ‘ViardotGarcia, “iv, 2600; iv, 1796. Buantz, i, a71b; iv. 5620; Cotillon, i. 4076; Form, i. 5420, ete.;, Hornpipe, i. 7534; Orchésographie, ii, 500a; Suite, iii, 7550; Tri- Roris, ete, iv. 1690} Rosalia, iv. 775. Baasanr; Brass Baxp, i. 271b; Wind- band, iv. 4714. ae TxeTRUMENTS Double ‘ongueing, i. 4596; Har- monies, i,” 6656; Harmonie, i, 66a; Orchestra, ii. 5655; Histon, i, 79605 Valve, i. axa; Wind-band, iv. 4651, ete. Bnasserm; Latrobe, ii, 102; Part-mus,, ii, 6565. Brasewy, G., iv. 5626. INDEX. Bnassty, Louis, iv. 5625; Con- servatoire, Brussels, i. 5920; ii, 74553 Rum- 205; P¥-play- ing, iv. 74 Buatscu, J.G.; Lauterbach (J.), ii, 1056. Buarscum, tv. 5626; Tenor- ‘Violin, iv. 885, Braveuts, E.; Oberthtir, 4850. Bravo, i. 271, Buavo, J. de T. M.; Eslava, 4954. Bravuna, i. 2718. BREATH, i. 2720. Baxwexsrzis, H.; Brach,i.2790. Barrtxorr & | Hintxt, ayaa; iv. 3626, and 819. Bach-Gesellachatt, i, 118: Beethoven, i. 1876; Gando, i, gta; Handel-Geaclochat . 591 ipzig, ii. 114, etc. 5 ‘Mozart, ii. 4056; Mus-print- ingall a35t o ete. ; Palestrina, ii. 64203 Reinecke, iil. 102} Requiem, ii, 1108; Rita (J.), iii. 1330 Sobubert, ii. 3460; ‘Thematic Catalogu, iv. 998 Handel-Gouellachatt, iv. 665 Burirszn, L.; Philb. Soo., ii. oo. Baeunzr, R,, i. 2738. BRENDEL, By i. a73h5 ipzig, ii, 1156; Mus. Peri- odicals,” ii. 4314; Ramann, 4,682; Schumann, iii. 3900; Wagner, iv. 3575; Zoptf, iv. Zukunftsmusik, iv. 5140; Hist, of Mur.,iv.674a. Buawr,¢.,iv.5634; Marylebone Gardens, i. 2240; Pinto (T:), . 7540 oo Brzqutn, C. du; Roi des Violons, iii, 146. Brenztox, W. H.; Philb. Soc., iv. 7474; Welch, iv. 4346. Baestave,E,; PF.Mus,,ii.7354. Buessant; Conservatoire, i. 3928. 1s| Buroxina, E., iv. 563; Bee- thoven, i. 1714, etc. BaevNinG, L, iv. 5644, Buunino, M., iv. 5640; Schwarzspanierbaus, fii. 4254. BREUNING, 8., iv. 5636; Bee- thoven, i. 1734, ete.; Eroica, i. 493.4; Schindler, Stutterheim, iii. 7470. Brgunune, F.; i. a7ga3 Niedertheinische skfeste, i, 457. Buevat; Violoncello-playing, iv, 300d. Brassuw, L,, iv. 5626. BREVE, i. 2740; iv. 5640; Alla breve, i. 535 ; Common Time, i, 3810; Dot, i. 45565 Nota tion, ii. 4714} ‘Tempo, iv. 85a; ‘Tempo ordinario, iv. 858; Franco, iv. 642 754; iv. Barat; Atignant, i 1008, Buranp, J. B., 1. 2754. Baranpy, 2754; Gaajon (R.), i. 6194. Baionoun ‘Programme-Mus., ii, 370. Bre or Dongenuow, The, i. 2754; Smart (H.), ii. 5384, Buide or Soxa, The, i. 2750; Benedict, i. 2230. Buwes oF Vanice, i. 27505 Benedict, i. 2225. ‘Bauwos, i. 2750; Ponticello, iii. aghy Stmadiver, ii. 73005 , iv. 2714, ete. Bue, J.'¥, iv. 564d, and 194; Purcell Soe, iil. 5305 ols of Comp., ‘iii. 3084, etc.; Royal Coll. of Mus, iv. 1590; ‘Turle (J.), iv. 1910 ‘Western Madrigal Soc., iv. 4494; Madrigal Soc,’ iv. 7o8a. Buwes, J. Cox, iv. 564b. Buivor, B,, iv. 56a; Organ, ii, s7a. Bawertowsn, G. A. Pi. 2758 iv. 56545 Augarten, i. 1044; Beethoven, i. 1820; Haydn, i, 712b; Kreutzer Sonata, i gas Pui Soe., fi. 698.4; ‘olin-playing, iv. 289, ete. Burpsow; Weleh, iv. 434te Buteort, W. K., i. 2760. Buronentt, M., i, 2764. Baionerm. (See BRicHENTY, i. 2764.) Baionots ; Strakosch, ili. 73445; Goldberg, iv. 6500. Bumuiz, R.; Hymn, i. 76203 Paalter, iv. 7578. Bano, R,, i. 2764; iv. 5650. Burwpist, i. 2760. BrisMgap, 5a; Piano- forte, ii. 7220 ; Hist. of Mus., iv. 6760. BriscoLt, D, ; Programme-Mus., iii, 370. Brisée; Agrémens, i. 430; ‘Torn, iv. 1 Brissao, J.; Bussto, G. F.; Mus, Divina, i 41a. Bursror, Festrvat, iv. 5654. Burstou Mapuroat Socsrr, 1. 2766. Buistow, G.; Opera, fi. 5300. Burrise ‘Baxpswex; Mus. Pe- riodicals, iv. 7260.Barrisu Coxcrnre, i. 2770. Burris Oncuserkat, Society, i. 2770; iv. 5650. Brito, E. de, i. 2778. Barrroy, T., i. 2770; iv. 5650; Baltzar, i, 1336; Concert, i. 840; Daboary (ML), 457.45 Baril Bra 5610. Broansovse; Mus. Periodicals, iv. 7266, 1.277; Beethoven, 4, 1716, ete. ; Bennett (Stern- dale), i. 2254; Cabinet 4, a90a; Ferrari, i. 51303 Grand Piano, i, 617; Harpei- chord, 6898; Key, Keyboard, Si 54a; Kirkman, ii, 616; Pedals, ii. 6826; Pianoforte, Hi, 7143, ete.; Ruckers, iif 0, Sordini, 6360; ‘emperament, iv. 72. posing Instruments v, 1600; ‘Toning, iv. 1890; Wrestplank, jv. 490b;, Mus, Instruments, Collections of, iv. 7234. BuocuE ; Boieldieu, i. 2559. Buocunovan, J.; Negro Mus, iv. 7300. Buon, H,, iv. 5656; Vogt, iv. 332, Bnopeae & Lovoway; Grass hopper, i. 619. Baovat, 5, ir. 5650, G. Buovear, 5658. Buoveary, R., iv. 5655. Buovemr, W., i 2784; iv. - $6505 i 3 Brorox, van der; Lemmens (N), i. 1200, Buowsant, H. von, i. 2786; iv. 3660; Leipzig, ii. 1150; Btarek, ii, Tausig, iv. 65a; Zakunftemusik, iv, si4a. ‘Buooxs, Shirley ; Mus. Periodi- cals ji 4275. aibiSio. (See Fanmvetss, i, 5044.) Buosto, 29a. Buoseanp, 8, de, i, 278) ‘M.; Sadassohn, ii, iv. 66a; Dict. of Mus, i. 44405 iv. 6134; Grassineau, i. 6204. Buourm; Gr. Prix de Rome, iv. 6540. Bnown-Bontawick,. Rev. R.; Naylor (J.), iv. 7286. Brown, J. D., iv. 566: Buowy, A.; Felton, i, stra, INDEX. Buowns,T.; Gresham Mus. Pro- feasorship, i. 6273. Bnownz, Von; Beethoven, i. 1784; Galitzin, i. 5760. Brownsuirs, J. L., £2794. Bruce, Max, i.” a79a; iv. 5664; Billet Pend 737, ; Libretto, ii. 1295; Loreley, 1663; Schools of Comp. i. 2996; Score, fii. 4323 Song, i. 630b ; Sootih Mus, iv. 791 Brocuaaxy ; Sembrich, ii. 4588. Buvox, A. von; Song, ifi. 62005 Chorale, iv. 589 a. Buvoxwar, A., iv. 5660; Rein- hold (HL), iii. 1028; Sechter, iii, 4564. BrUoxzzs, H., iv. 5664; Song, iti, 630% BulacEMany ; Schubert, paste RURAL ; Spontini, ii. 6714, ete. Brit, iv. 5666; PE. Mun, ii, 5360; PEplaying, if. 74523 Philb. Soc. ii. 7008; 0ols of Comp,, ii. 2980. Bavors, P, de; L'Homme armé, HH. 595. jaxtel ame, riya; Madrigal 1884; Mass, i. 228b ; Motett, 37343 Schools of Comp., Ai, 2608; Burney, i. 570 Dodecachordon, “ive 6184; Part-books, iv. 7395; Sis tine Chapel, iv. 7944 ; ‘Trésor ‘Mus,, iv. 8018. Brower, J.; Wert, iv. 4450 Bruaay, J. Sistine Chapel, iv, 7940. Bavuars, (See Bousannow, i. a59b.) Baungiit; Song, iii. 58a, Bavyer, J. ; Sistine Chapel, iv. 7940. Buuwerte; Chanson, i. 33505 Song, iii. 5935, note Baowerny, G., i. 2800; Mozart, ii, 3878. Brow, i, 2804. Bavwt, A. B.,i. 280 Pugnani, iii, 450; Violin, iv, 92a, Brunnzs, 0. T.; PF. Mus, ii, 7284. 5670; "enor Bavxor; Tulou, iv. 1865. py Brosse1s CoNsERVATOIRE. (See Grvaiinr, i. 5920.) Bavarer; Scbla. of Comp. 2734, note. Bavranr; Vogt, iv. 3320, Baran; ‘Amold (8), i. 860; Tadway, iv. 199, Barczsox, Brothers, iv. 5674 Barrel Organ, i. 143.4; Electri Action, £ 485; Organ, ii, Gor, oto, 80% OEM Burne, A., iv. 5674. Bocow.tt; Milan, ii. 3290. Bocawisess, Mme. Lacany; Schubert, iil. 331, ete. Boor, Dale, s67a and St9as Bay fr iv. 6250; Hist, of Mus, Base, 2 fv. 5680; Beck- 1624; Bextield, 4 Buox.anp, H.; Charity Children, i, 3400, Bupbzvs ; Philh. Soc., ii. 699). Bust, C. ; Bodenschatz, i. 2530. Bozo, Hans yoo, i. a8obs 68a; Arabesque, i. 80b; Babies 1 ™aebs' Bar 1375; Conductor, i. 3900; Cornelius, j 4o30 Consmann, i, 406; Cramer (J. B.), i. 4144; Draeweke, i, 460, ete; Fingering, i. 5270; Goetz, i, 6074; Hauptmann, i, Key, i 55; Ki 64a; Liszt, £ abs Mei etinger ron iirnberg, ii. 248a; Peabody Concerts, ii. 6776; Philh. fees, peaks Ph Mu i, 736 ying, ii. oper (D.), iii. 1505 rogramme Mus., iil,” 3005 Searlatti(D.), i. 2400; Schools of Comp., 311D; Schott (A), ii. 3140; Signale, ili. 492); Stark’ (L.), iti, 6gob ; ‘Tau- 6: 5 Tonktngtlerve- 1804; Verdi, iv. 2526; Wag- ner, iv, 358b; Wieck, iv. 4540; Wind-band, iv. 40a; Willner, iv. 49a; Zukuntfts- musik, iv. 5144; Bache (W.), iv. 5290; Barth, iv. 5310; Hartvigan (F),' iv G89ai Liat, “iv. 7o2a; Raff, iv. 7664. Buupx-Nex, Jenny, iv. 5684; Philh. S0e., fi, 7000, BUsort, C.; PF. Mus.,ii.73505 Brvsa; Mus, Lib., iv. 7264. PE.playing, ii. 745.26 BurranpIx ; Quantz, iif. 564. Buoy, i. 280a; Fliigel Horn, i. 5350; Hora, i, 7484; In- strument, 6a; Kent Bugle, ii. sta; Key-Bugle, ii. 36a; ‘Sax, ili, 2320; Sounds and Signals, if, 6460; Tram- pet, iv. 1810; Wind-band, iv. 4684, ete. Beut, J. D., i, 281b; Sounds 6b. 6140. and Signals, ii, Botacnor; Song, Butt, Dr. John, i, 2815; tv. 68; Barnard, i.140b; Boy : 268b; Cathedral Mus., i. gages (lack (B), i 36503 bons, i. 94D; God save the King, i. a; Gresham Professorship, 1.627 Haw- Kins, i, 7ooa; Klavier-mus Alte, “i, 638; |. 14a; Mean, note; Mus. Antiquarian Soc. i, 4160; Mus. Lib., ‘Maus. School, Oxford, ii. 4375 i. 6530; Riickers 15, note; Schools of Comp., iii. 2770 7360; Tudway, iv. 98a; Variations, iv. 217; Virginal iv. 3084, ete.; Blithe- 5494; Burney, iv. 570; Byrd, iv.574a; Psalter, iv. 7590. Bout, Ole, iv. 5680; Men- delasohn, ii. 2686; Opera, ii, 529); Bhill. Soc., it, 69903 Stradivari, ii, 7270; Violin- playing, iv. 28, Bux, A., i, 282b; iv. s70a; Drury Lane,i. 4674; Libretto, ii, 1304; Malibran, ii. 2024; Schira, iii, 52a; ‘Schréder- Devrient, iii. 317 4. Boyne, 'E., i. “2826; Irish Mus, ii. 194, ete; Moore, i 3610; Scotish Mus, iii, 4480; Hist. of Musio, iv. 6740. Buoxarestosa; Oratorio, ii, 535 piourscxs, G.; Palestrina, ii, 639). Buowonerns, i. 649h, note; Ari ‘nti, i. 83a; Cariseimi, i. 314] Clegg, 4, 370d; Colonna, 3780; Do, i. ee 3 Epine (Francesea’ de P), i. 4900 Bitewilliam Collectio, ns fobs 1 i 648a; Haym, eae Lotti, ii, 168a; Mus. Lib. ete.; Nicol fi, 5054, ete; Pastiocio, if 66917; Prince de la Moskowa, iii? 31a; Robinson (ML), ili. i, | Burnzy, Dr. C., INDEX, 130}; Royal Acad. of Mus,, if. 184b; Thoroughbass, iv. 108). Buoxreurs,G. ; Rome, iv. 7744. BURANELLO, Il. (See GauuPrt, i. 5794.) ‘Mus, iv. 676.4. ‘BURDEN, frain, ‘Ture-lure, iv. 8050. Bure; Wind-band, iv. 4704. Burok, J.; Eocard, i. 481 Busomtiizs, i. 2830; theinische Musikfeste, i.457b. Boroutuuze, F., iv. ‘Lady Henriette, Mus,, ii. 7294. BunowUizn, N,,i.2830; Haupt- ans, &. 698.0. Boknanpr, S.; PF. Mui 7294. Bupa, i. 2830. BuRLESOA. (Seo Busta, i. 2833.) Bonuerra, i. 283). Buawzrsten ; B,, i. 1070. Boaert, A.; Sainton, iii. 2170. 2844; iv. g7oa; Accademin, 3. 1b Boolian Mode, i, 3ob ; Allegri, i s4a; Alsager,i-570; Amicis, 5, 615; Bach (J. C.), i. 112; Bach (J. 8.), i 1174, note; Ballad, i. “1290; Barbella, i, 1384; Bode, i. 2526; Bo- logna, i. 259; Broadwood and 2784 ; Cantata, i. 3054; Crotch, i, 420b; Dict. 15.0; Form, i, 5530 Foundling "Hosp., i. $574 Francesino, i, 3584; Fi i, 3614; Gamba ( Viola da), 80a; Guadagni Handel, i. 6555 Commemoration of, i. 6580 Hawkins, i, 699b; Haydn, i. yo4b,ete.; Tmproperia, i, 1: 310; Key, Keyboard, i Kirkman,” ii. 616; i, 945 Landi Spirituali, if. 1054; Lawes (H.), ii, 1060; Lhomme armé, ‘ii, 126); ‘Martini, ii, 2220; Matteis, ii, 2396; Metastasio, ii, 3160; ‘Mingotti, ii. 3324; Miserere, i, 3364; Monticelli, ii. 3600; Mus. Lib., ii. 41ga; Mus. School, Oxford, ii. 4374; Non Nobis, ii, 4650; Nuances, ii, 4836; Opera, fi, 12a; | BUnBURE, Chev. L. de; Hist. of 12830; Faux Bourdon, 4, s0ga; Form, i. 5410; Re- id i. ogbs Song ils Gosb; ieder- 7005 83a; PF. of Music, i. 4454, ete.; Du- Mt 51143 i 63503 35a; Purcell, iii. 46a; Rane- ingh House, if. 740; Ravzzini, iii, 780; Ricercare, iii. 1260} Rousseau, iii.182a; Ritckers, , iil, 2074, ete; Scarlatti, ili. 2388; Scho bert ii.257b; Schoolsof Com fii. 260, ete. ; Schroeter ( 8), fl, 3188 ; Scotch Snap, i sheppard (J.), iii. 4860; i 4895 Silbermann, fii,’ 6510; Stabat it 684; Stamitz, iii. 6890; icunen, iii, 765.0; Symphony - iv. 144; Tallys, iv. Tarts, iv. 606} Toncbre, iv. 866; Tesi ‘Tramontini, iv. 94a; Thematic Cata- logue, iv. 99a; Tinctori iv. 1284; Tower Drums, 156; ‘Transposing Instru- ments, iv, 1604; Turini, iv, 1906; Turk, iv, 19103 Violin playing, iv, 401 iv. 34545 Wan Widtada ie ad Zacconi, iv. 497 iv. 5434; Guido d’Arezzo, iv. 660b; Hist. of Mus,, iv. 6744; Paalter, iv. 754), ete. iv. 8086; Virginal Music, iv. 8134, Bunonr; Clementi, i. 3720; Siroe, Re di Persia, iii. 534. Burrowes, J., i. 2850; Philh, Soc. ii, 6990; PE. Mus, 7276. Buntox; Harrison (S.), i. 6924. Bunroy, A., i. 2850; Mus. Lib, i 4234. Burtoy, R. 8.; Naylor (J.), iv. 7280. Bunrow, J. i. 2850. Bonmivs,N.; Mus, Lib., ii. 423); NJ ‘3 Bonzorta; Mus. Lib. Bosauy ; Virdung, i Bossy, Dr., 285; ive 57203 Adams (T.), i. (St) 4 3296: Dict, of Mus, i 44605” Page, i. 63265Samer is icumen in, iii. 765 Hist. of Mus, iv. 674a. Buscumany ; Terpodeon, iv. 93a. Boswots, A., i. 2855; L’homme Armé, ii, 1270; Madrigal, 188; Polyphonia, iii. 1303 Schools of Comp., ‘iii. 260.05 Sistine Chapel, iv: 7940. Busse; Orpheus, ii, 6130. Bosstve; Conservatoire, i. 39305 Zur Mihlen, iv. 8180. Borten, T. H., i, 286a; Pro- gramme Mus., iii. 370. Bortzn ; Ballad, i, 1290; Bar, i, 1366. Borrsrspr, Pianistes, Buvs, J. de; Berchem (J.), i. 2300; Merulo, ii, 3r4b, notes Wert, iv. 445¢. Boxrenvpe, D,, i. 286a, iv. 571b; Bach (J.S.), Kirchen Cant 661@; Programme Mus., 36a; Spitta, iii, 6560; Suite, iii. 7570; Theile (J), iv. 9945 Variations, iv. 22003 Bach (J. S.), iv. 5274. Buxtoy, E.; Ewer & Co., iv. 6300. Borren, M. van; Mus. - print ing, ii. 4360, , 1. 289a; iv. 57405 Canto, ¢, 3062; Common ‘ime, 1. 3814, CABALETTA, i, 289b; Pacini (G.), ii. 6270; Rossi 1764. Capatteno, M. F.'; Esl a. abt, , jv. s74b, Cape, Marie J., i. 2895; iv. 5744. Casixer Piaxo, i, 2900; iv. 5740; Cottage Piano, i. 4070. Cano, F. J.; Eslava, i. 4950. Capnena, F.; Eslava, i. 4950. Caccmnt, 'G, i. 2900} Bardi, i. 33925 Cantata, i. 3040; Cava- Heri, i. 3a7a; Figured bass, i. g22a3 Florence, i. 533); Harmony, i, 6736; Inter mezzo, ii, 85;- Monodia, ii. 3540; Opera, ii. 4984; Per- gels, Lay ii 68605, Pes, gob; Rochlitz, ii, 1420; Schools of Comp., iii, 27883 Shake, iii. 480a; Singing, 5045, ete.; Song, iii, 5875; INDEX. Bozrav ; Phith, Soc., fi. 700. Buzzous, A.; Verdi, iv. 252 Brrie.p, J.,iv. 5710; Organ, il 5960 i Brvmep, J., jun,, iv. 718. Byrmeup, Jouay and Butpor, iv. 5710. Bruwwas ; Song, iif. 6128. 27 411b; Mus. Transalpina, 46a ‘Mus. Antiquarian i. 4160; Mus. 17, ete. ; Music-printing, ‘4354; Non Nobis, 44a; Parthenia, ii. 653. Part ‘Mus, ii. 657; Passa memo i. 66205 Plain ong, Brap, T., iv. 5745 Bull, i. Programme Mus., 2824, abs ‘Becte et Retro, iii. Brup, W., §. 2860; iv. spb 870; Banctus, 2240; ‘Ambrosian Chant, i, Schools of Comp., iii. 272), ‘Anthem, i, 70b; Barnard, §.| eto.; Service, if. 1400; Boyce, i. 2680; Bull, i.| and Signals, 282; Canon,i.304] ‘Whistle, i, 3150; Case (J.), i, 318; Cathedral Mus, i, aaa s Greed 3. usb; Hate =) 4, 4950, ete. ; Ferrabosco (A.), i, 5124; Gibbons (0.), 940; Gleo Club, i. 599; Hanony 6 2a; Hawking TyarLasode tiragee ; Litany, ii 19205 Madrigal, ii. tora; Magnificat, ii. 197; Mass, ii. ject, lil. 7500; Suite, 1755, ete.; Tallys, iv. 5353 Deum, iv. 68a; —‘Toml (1), iv. 134b; Tadway, i Gia aiations, iy, 217 fersicle, iv, 2574; Ves iv. 25705 Vinita Muss iv. 3074, etc.; Vocal Scores, i 3190, etc; Watson (. iv. 3874; Burney, iv. 5706; Cantiones sacra, iv. 578.03 Carol, iv. 5800; » iv. 7130; Mus. Lib., iv. 7230; Part books, iv. 7404; Tallys, 230b; Morley, ii. 3670; Mo-|__ iv. 798a. 3756, ete.; Motett | Bran, D.; Irish Mus, ii, 3760; Mundy (W.),|_ 19a. ii, 4og@;" Mus, Antiqua, Cc. ‘Theorbo, iv. 101.4 ; Thorough- bass, iv. 1083; Trill, iv. 1695; Burney, iv. 571a; Mus. Lib., iv. 7260. Cactucna, i. 2900; Seguidilla, Hi. 4574. Capea, P., i. 2905. Capence, i 2906; Close, §.37545 Form, i. 546, oto. ; Harmony, | Brno ; Strakosch, ili. 7354. Canora, §, 294%: iv. 57453 ‘Mus. Periodicals, i. 430%. Carcrian Soctery, 12954 5740. Cazciuten-Veneiw ; Balde- necker, i. 1260; Hiller (F.), i. 73753, Sebelble (J.N.), 24403 Schools of Comp. 3i2a. i, 6744, ete. ; Imperfect, i. | Casar, i. 295. 7666; Inganno, ii. 3a; In-|Casan, J., i. 2955 iv. $740. terrupted ‘cadence, ii, Tra;|Casure;” Metre, ii, 31705 Mixed cadence, ii. 338); Per fect, ii.686.a; Plagal caden i, 7600; Radical eadence, ii. 63b; Seventh, iti. 4770; Part-writing, iv. 741. Capexce ; Agrémens, i. 430. Caper ; “Agrémens, i. 430. CapEnza, i. 29303) iv. 57403 Bar, i, 13703 Concerto, i. 3870, etc. ; Extempore play- ing,.'i. 4990; Fioriture, i. §2885, Motisms, i, 2485 jendelssohn, ii. 272; Peri- clesis, #6915 ; Point d’Orgue, fii. 6b. ma ‘Modulation, ii. 3474. Carano, Pi. 2950; iv. 574 + Catiar G.), 2956 Fitzwilliam “Coll., i. 5300; ii, 1025 4705 Mus. Lib, iv. 7264. CarraneLir, G. M.. i, 29505 ‘Cafaro, i 2950; Giazello, © 59783, Leo, ii, 1210; Majo Fano, Paccbierotti, fii, 178; 5 SomCarrano. (See Carano, {.2952.) Carri, F.; Hist. of Mus,, iv. 6756. Cacromt, A., iv. 5743. Canvsao, L.'de; ‘Hist. of Mus, iv. 6768. Caro, 6. j Schools of Comp, ii. 2664. Ga tA, i. 296B ; Song, ili. 594. Gamor; Maschesi(l),iisrges Catan, 9743 iv. 5754. Catanpo, i. 2974, Cazasctont,j 9703 Jv. 57505 Bandora i. 1340. CALCAN ; Organ, ti. 6033. Caupand, A., i 2975 si. 57505 ‘Astorga, i r0oa;' Auswahl, 4. 1054; Handel, i. 6545; ISgenia, i. 7650; Latrobe, ii. 102); Metastasio, fi. 315); liminde, in 4g6b; Oper, 505 @; Oratorio, fi, 5370; Rochlits, iti. 1424, ‘CALDERA ;Melopiano, Repetition, fi, 108: Caxpicorr; Schools of Comp, . 250; CatarrrBaust, (See Cavatts, i, 3280.) CaLivE DE Bacpap, i. 2975; Boieldieu, i. 2560. Cauam, J. B.; Part-song, ii 6590; Soo. Brit, Masa ah sig Western Madrigal Boo. iv. 449: Cant, L. de) 2078 ; Orpheus, 13.0; Part Mus., ii. 6570. Cati-Cisanaes, i. 2975. €auveort, Dr. i. 297 5754; Catch, i. 322b5 Club, i. 328; “Concentores Sodalen, i. 3830; Glew, i. 598b; Haydn, i 716 fey i, 7536; Mordent, ii, 4b; Mus. Lib,,ii. 4196, ete.; Sreroa, ii, 6184; Part Mus., i, 65605 Potter, 2303 Veal Consoray ive" 313; ‘Vocal Somat iv. 3190. Caticorr, W. H., © ag9a3 iv. 3750. CaLtiner, i. 299. (See Dav- BLAINE, i. 4310.) Cats; Horn, i. 7482, Catoxona, R.; Eslava, i. 4950, Caront, A., i 2990. Cavany, 1 2990; iv. 5756s hr, fii, 660. 589i Hist. of Mus,,iv. 6740; Schein, jv. 784b. Carv0; Roses, iii, 1628, INDEX. Catzouast; Lumley, fi. 1740. Camacuo, i. 2990. (See Wap- ‘DING OF CAMACHO, iv. 431 Camanco, i. 2996; Eslava, i. 494. Caxoeer, R., i. 299bi iv, 575i ‘Acadéinie de 4°68; Ballet, i. 1300; Bassoon, i Beaumavielle, i. 1600; Perin (Abba), ik front Weekerlin, iv. 4314. Caupmst, GG, i 29905 iv. 515% 7 Cambio, P. ; Burney, iv. 57165 ‘Mus Lib., iv. 726.4, Gancpermat-Quanrnus, fv. 5750. Campers, i, 3004; Bac.of Mus. i, 1a1b;’ Bennett we 8), i 2255; Macfarren (G. A.), 186; Mus, Lib., ii. 417b; Professor, iii, 330; Stanford, Bi, 6g0g5 Unive iy See 204; Degrees, iv. 609). Canes, 1. good; Bonsta, it 5572; Suite, iil. 7562, ete. Caurbox, J., i. 3000; iv. 5764. Caurpax, J., i. 00a; Chant, i, 3384. Canc, M., i, 3000; Organ, CanehcnoLt, B., i, 300; Seor- datura, iii, 426.4; Tartini, iv. 61a Tenor-violin, iv. 92a. Caupana, F., iv. 3764. Campannit, I, iv. 5764; Lam- perti, ii, 89a; Singing, ii, §I1a5 Strakosch, i, 73405 ‘Tenor, iv. 88a, Caupanovocy, i 300b, (See Caaxax, i, '333b5 also oy nines Quant, i. 5750.) Campseut, A., i. '300b;” iv. 3768. Cantrennour, F. van, i. 3000; iv. 5766; Brabangonne, La, i, 2680. Carrot, A. G., i. 3ora; Gua- landi, i. 6364. Camprow, T., i. 01a; iv. 57685 lish Operss 886 > ate gobs Lupo, 17405 aute, fi, 1770 ne, ii 2256; Mus. Antiqua, i. 4114; Playford (J.), iii 245 Symp: ‘son, iv. 436. Camporese, V. i, 3010; iv. 760; Vocal Concerts, iv. 3196; Fetis, iv. 6350. Cantpna,A., iv. 5760; Acadéinie de Mus... 7; Idomeneo, Ré ai Creta, i. 7650; Mattrise, 3| CANARIE, Hi, 1990; Mus, Lib. ii ete.; Opera, ii, 506b; Sit dor (F. A. D.), 7030; ‘Rameau, iii, 70b; Telemann, iv, 694; Desmarets, iv. 612); Lalande (M. R. de), iv. 6940. Cawrna, J., iv. 577.4, note, Camus, Le; Mus. Lib., ii, 4216, Canal, Prof. P.; Mus, Lib,, iv, 75d. 302a; Oratori 5346; Orchésographie, ii. 560. Caras ; Song, iii, 5990. Canavasso;Violoncello-play- ing, iv. 3004. Caxcan, i. 302. Caxcatzans, i, 3020; Canon, i, 3044; Inscription, jj. 4b Rovesco, al, i183, Canoz, Du; Dict, of Mua, i 4440. CaNr8, C., Schools of Comp., iii. 616; Burney, iv. 5714. CaxwasieH, C.,j. 303.4; Cramer, 4, 41305, Holzbauer, i. 74505 ‘Mozart, ii. 3850, e! mm, iii, 725; Violin-playing, iv. ag3b. | Canwapicn, K., i. 3030. Cayxrctant, Don P., i. 30303 Mus. Divina, ii. 4r1b. Canixna-Venpe; Song, iii, 6000. Cannissa, Mme. ; Strakosch, iii, 7340, Canoy, i. 3030; Answer, i. 7005 ‘Arsisand Thesis, i. 9585 Ang- mentation, i, 10463, Can- rizans, i.'302b; Catch Club, 5, 3225 Fugue, i. 5670; Glee Club, i. s99a; Hoffinann (E. T. W.), & 7424; Imitation, i 7650; Tnvoription, i. 4a Inversion, i 164; Ruhlaue i 76a; Mass, ii.’ 2270, ete; ‘Mendelssohn, Motet, 4i, 3720; Musi ‘Opfer fi, 4380; Musurgia, ii. 4380; Notus Salomonis, ii, 4010; Non Nobis, ii. 464, Hara; Pamela, S43 29; Proposta, iii. 43a; Real Fugue, iii. 80b} Recto et Retro, ‘iti, 87b; Round, iii. 179b; Schools of Comp. ii. 259, 4564; Subject etc. ; Valentini, CanoNara; Clarinet, i. 3620, Canranize, i. 4266. Canara, 1.304; iv. 57705 Act, i 26a; Carissimi, iL 3140; Chainber Mus, i324 Ferrari (By, 5130 Kirchen-Cantaten, Libretto, ii. 1300; tan 2330; Meeresstille und Gltick- Tiche Fahrt, ii. 2454; Opera, fi, 498), eto; Recitative, 83a; Serenata, iii. 4676; Sonata, ii. 54a; Song, iii 588q, ete. ; Weber, iv. 4225. Carats Douro, i, 30565 Ser- vie, ili, 472, ete. Cayreto ; Handel, Commemora- tion of, i. 6570. Cawrensvny Prooams, iv. 5770; Stanford, i, 6893. Cawrt ; Sacchini, Canrt canyAsctatesoat ; Song, iti, 5860. Caxtiers, i. 3053 Antiphon 73); Benedicite, Benedictus, Saabs Cathed. Mue., ii, 120; Nunc Dimittis, if 4840; Schools of Comp., ii, 2650; Vesperale, iv. 2574, Cantinewa,iv. 578; Ballad, i. 128) ; Emst, 1. 4925; Motet, i, 371 pao! ih. 45 Paganini, ii, 6310; Rode, 1426; Song, iil. $87 0; Burney, iv. 570. CanrionEs sacrar, iv. 5784; Este (I), i. 496a; Tallys, 7. 534; Byrd, iv. 5720. Canto, i. 3060; ‘Plain song, ii. 76303 Voiow iv. 3330. Cantont; Bodenschatz, i. 2530, Casto Frauo, i. 3064; Chan, i, 336; Counterpoint,i, 407 LHomme armé, ii, 1260 Metre fugue, Cantor, iv. 5784; Leipzig, ii. 114b} Mendelssohn, fi, 2824. Cawonts, i. 3064; Decani, i. 438. Cawrus Fictus ; Mus. Ficta, ii, 412b. CANTUS MENSURABILIS. (Boo ‘Mus. mensunata, ii, 415 Canzowa, i. 3060; Sonata, iit, 554}, ote. ; Song, ili, 5854. Caxzonzr, 1, 3060; Este (T:), 4 4960; Intermem, i, 8a ig. 1920; Monodis, ii, 3548; My ieee bids me, ote. Hi. 4400 6580; Stoo of Come of Comp.,, i 264b, etc.; Song, iii, 6060; 7. 264 ; Zacconi, INDEX. Carita, i, 3060. CAPELLE; Chanson, i. 336%, Careuut, M.; Oratorio, ii, 5350. CaPELLo, F.; Song, iii. 588}, ete. Capznas; Concert Spiritucl, 3854. Carmorvs ; Bodenschats, i. Cavow ; Boocherins, i. agra. CaroRAue, A, i. 3060. Caro Tasto, i. 3060; Banjo, i 1350; Frets, i, 5630; Guitar, 46 4oa, Carout, J. V.A., iv. 5780; Philh. 800. fi, 7ooa; “Stra ‘usch, fii. 7340. CAPPELEN ; 6114, Cararocterto, i,’ 3074. Carntccto, i. 3070; Scherzo, 45, ete. CAPEON; Gaviniés (P.), i. 5850. CapoLerti xp I MowTzccui, I, 4. 3o7a3 Bellini, i, 218. CaRaccro, G., i, 3074. Canaponr-ALLan, M. i, 307 iv. 579@5 Phill. Soc., ii. 6994; Mendelsohn, i Canara, M.,i, 3080; iv. 57 Batton (D.), i. 15703 Bellis i, aga Blangini, i, 248: Gometiant i. 3790; Conserv toire de Mus, i. 3920; Gym- ee Aare 6 5 ia, i. 765 jus, Ji. 65703 Pasdeloup, ii. 6508; Rossini, ili, 168, eto. ; Soli- iii. 5490 ; Altes (E. Naples, ii. 446 Scarlatti (A.), ili. 2394. Canzones,, N.; ‘Partant pour la Syrie, Hi 5305 Song, i 5950. Caxpoxettt; Rubinelli (G.B.), cu 1890 ore, 8h TARDARELLI, Signora, i. 308. Canpow, La, i. 3082. CaRD080, . 3080; Mi Divina, ii. 411d. Cantsasa, Ce jb 3085 Pract. Harmony, it 240 5 Saguio i Contray 2a, camsorints Get 308s Cuse- nino, i. 4240; Durastanti, i 471D; Opera, ii. 5120; Sin ing, iii. 06a; Soprano, 6364. Canzr, H, i. 30943 iv. 57905 Clark (B.), 1. 36505 God save. the King,'i. 6056; Hyman, i. '63.a;Jahrbticher, ete.,ii. 3005 [us. Lib., ii. 4a1b ; 'R. Soc. of Musicians of Gr. ‘Brit, 18745 Song, iii, 606. . | Canot, i. 3160 Carr, J.S., i. 363 Cantutow, i. 3r0b ; i. 3000; Gheyn (Van don), 5934; Cambridge Quarters, iv. 5750; Glockenspiel, iv. 6480. Canto, J. Hi, 3140. Cantssiut,G.,i. 31405 iv.57903 Académie de Mus, i. 7b; Aldrich, i. 52a; Bernhard, i. 2356; Cantata,i. 305 a; Cesti, 4.3315; Colonna, i. 378; | Fitzwilliam Coll,” i. §300; ‘Handel, i.6540;, Harmony, i. 674, etc. ; Hawkins, i. 700.03 Kerl, i. 51a; L'Homme armé, nello, iii. 1375; Rocblitz, 1424; Sentai (A), 238; Specimens, fil, 6496; Vocal ‘Scores, iv, 319b; Burney, iv. s7ra; ‘Dance rhythm, iv. 607 a. Canto, Ga. 3130. Cantrox, Rev. Ri. 3155 iv. 3790; Oriana, ii, 6t1a. "ARMAGNOLE, La, i, 31553 Pa- 6284, Canmay’s Watstiz, The, i, iv. 5793 Lesson, ii. Virginal Mus., iv. 308, Canmex, iv. 5790; Bizet, i. 2460. Canutonant, G., i. 3160. Canwasy, Dr, i. 31605 iv. 57 Canwaval De Vinise, i, 3160 ‘Paganini, il. 6324, Canaavat,iv. 5794; Schumann, cameras, 3160; iv. 5798. ry 5790; Hymn, i. 7614; Nodl, fi, 4624, eto; Song, ii, s85a; Waits, iv. 375. . CanotaN. (Gee O'Canozasy, ii. 4900.) i.|Canorsranp, LS von. (See Sowxons.) Cazoy, F., i. 3160; L'Homme armé, ii. 1274; Madrigal, ii, 1884; Mase, ii. 2276; Motet, Hi, 3724; Schools of Comp., iif. 2604, Canoso, M. F., mezzo, fi. 6624, CanPant, G.yi. 3166 ; Clement, 4.372; Haydn, i. 7154, eto.5 31605 Passa80 Jannaconi, i. 310; Zingarelli, iv. 5080. Carrenten, N.; Philh. Soo. ii, 7474. Canperren, A.C. le; Jullien, ii. 44a; PF. Mas, ii, 7300. CanPeNtaas, i, 3174.” (See Geyer, E,, i. 5880.) Canrr; Strakosch, ii. 7345. Caxn, B.; Opern, ii. 5296. CannERo ; Strakosch, iii. 7343. Cannopus, J.T, i. 31705 Philh. Soc, fi, yooa Trin. Coll. London, iv. 171); Violin- playin, 8b, Canrezttent ; Bochm (Eli 54a; Lobkowitz, ii. 15 Canrsn, J.; London Vi makers, 1654. camming. Bet 317d. Cantons, i. 3184, Carrow; Mus. Li Canuit, F, Canvs0, 'L., ‘Morlacehi, if, Canvatito, L., iv. 5826. Marie C. F.,iv.582a; 1760. inging, ill, 51245 Cany, Miss Strakosch, Casatt, G. B, i, 3184; Grétry, 6284. Casanovas ; Roses, Casanint, Signora, i, 3185. Cascatzs; Rogel (J.), iti. 1440. Cascrotant, C.; Mus, Divina, i, 411, ete.; Mus. Lib., i. 421d, Case, J., i. 31805 iv, 5820. CaseDa, D.; Eslava, i. 43. Casexrixr, Signora, i. 318). Casi, G. M., i, 3186; Mus. Divina, ii. 4110. Casotast, Rowland, iii, 1840. Casouawt, P. ; Mariani, iv. 7100, Cassariox, i. 3190; Diverti mento, i. 4506; Haydn, i, os Morar, i, 3840, ete} Serenata, fii. 4680. Casset, G., i. 3194. Cassox, Margaret; Song, iti. 6074. CastaneTs, §. 319@; Bolero, i. 2584; Fandango, i. 5020; Instrument of percussion, ii, .)s i. 17443 Philh, fi, 69905 Spohr, iii 6605. Castent, f. 3198. Casrentr, I. B, i, 3198. INDEX. Casretio, D. del; Eslava, i. 4948. CastiL-Buaze. (See Buaze, C., i. 2484.) Casrao, J. de, i. 3193. Castnovitant ; Opera, ti, 5035. Castuvect, J.; Cherubini, i. 3415. Casravect,P.,i.319b ; Corelli,i. 40ra; Scordatara, iti. 4264. CatataNt, Angelica, i. 3195; ‘Ancient Concerts, i, 6545 tinotti, i. 2360; Clanchettini, i. 35z; Clement Po igTnss farcia, i. 581; : ii, 83a; Oury (M ‘Galas, 2 6174; Pacebierotti, i. 6260; sii. gga; Rode, ‘Singing, iii. 5060; tag, ili, 6355; Soprano, fii, 6356; Spontini, iif. 6690; Stansbury, iii. 6900; Vocal Concerts, iv. 31985 Zingarelli, iv. go9a. . | CaTataNr, AIf,, fv. 58303 Schools i, a54a. Carato, di; Mus.Lib.ii. 4r9a. Carano; Bosio, i. 2620. CATARINA CoRNARO, i, 32205 Donizetti, i. 434. Caton, i. 33243 Catch Club, i 3226; Glee Club, i. 599) Hilton, i. 7400; “Pammelia, 6430; Ravenscroft, 78b; Round, ili. 1795; "Bur- ney, iv. $714. Cares, Scotch. (See Scorer ‘Swat, ii. 437.) CarcH Civ, Caren, C.8.,.323a 5 Académie de Mus,,’i. ‘9a; Bayadbres 1576; Boieldien, i. 257 Choulien, i. 340; Conserva- toire, i. Gossec,_ i. 6r1b; 73103 Le- sueur, ii, 1250; Opera, ii, 234; Semiramidle, iii. 461; Solfeggio, ili. 5494; Spoutini, ii, 60pe;, Ziamermenn (P. J. G.), iv. 5084; Benoist, iv. 54305 Martini Il Tedesco, iv. p1ab. Cametant, A, i, 32305 iv. 5834. Catenacer, i. 3236. Carers, i. 323 CarHEDRAL Music, i. 3236; ‘Arnold (S.), i. 865; Barnard, i. 14003" Bayly, i, 15703 Boyce, i. 2674, ete. ; Howard, i. 754b3 Kent, ii. 50b 5 Ous ley, fi, 6180; Rimbault (E, F), iii, 1384; Schools of Comp., iti, 2714, ete; Tule way, iv, 1864. Caraentne Grey, i. 325; Balfe, i127. CatHottc GREGoRTAN Assocté- miox, Westminster, iv. 449). Camtxt, Anne, i, 3250; Batex (W,), i. 1550; Hornpipe, i. 7534; Hymn,i.763a; Mary- Jebone Gardens, il 2240, Cavuez, J.; Roi des Violons, iii, 1464, Cavnnor, ‘F. E. du, i. Cecilia, Sti. 32943 Charmante, i, 373.3 Mattrise, ii 199b;' Noel, i. 46: Prince de 1s Moskowa, 31a; Schcols of Comp,, iii. 2674; Song, iii. 5934, note; Burney, iv. 571. Caustox,'Ty 42605 Hymn, i 7620, Cavvini, i. 3266. Cavaccio, G., i. 327¢5 Oriana, Cavarité-Cou, i. 32703 iv. $835; Barker, i. 1395; Com- bination pedals, i. "3 Harmonic" stops, i 06a farmonium, i. 667; Organ, ii, 5990, ete.; Pneumatic ace tion, «ii, 40; Temperament, iv. 72@5 Gern (A.), iv. 6460. Cavattent, E. del, i. 3270; Flo- renee, i. §33b 5 Intermezzo, 8a; Mus.Lib.,ii. 4250; Opera, ii 499; Oratorio, fi. 53403 Orchestra, ii. 5615; Peri, i 6904; Recitative, ‘Soore, if. 4296 ; Secco Recita- tive, fi, 454; “Thoroghbass, iv. 1086; Burney, iv. pita; Dance Rhythm, iv. 606. Cavattent, Katherina, i, 3275. Cavatut, P. F., i, 3284; iv. 743 aie 172.45 025, elo; Orchectra, 3624; Ritornello, fii, 1970), Schools of Comp., iif, 2790; Steffani, iii. 6940; Burney, iv. 5714; Mus. Lib., 7264; Notation, iv. 732@, Cavaiziny Bi. 5850; Clarinet, i, 3620; Philh. Soc., ii. 6990. Cavariva, i. 3284; Iv. 5835; Cabaletta, i. 2896; Form, i 5530; Opers, ih stra; Ore- torio, ii, Cavapsawts Woon it S640, CavenpisH, M., i, 3286; Este (T.),i. 495 05 Oriana, Cavenox, R. ; Roi des Violons, ii, 1460. Cazaux; Wagner, iv 3610,