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Diatonic dom7 arpeggios can be extended with the 9, 11 or 13th thus giving four
superimposed arpeggios. Exemple with G7
G7 (1, 3, 5, 7).
Bm7b5 (1, b3, b5, b7) starting on the third of G.
Dm7 (1, b3, 5, b7) starting on the 5th of G.
Fm7 (1, b3, 5, b7) starting on the b7 of G.
The basic use of an arpeggio is to play it over the corresponding chord. Let's take
an example with a C major II-V-I sequence : The chord progression will be Dm7
| G7 | CM7 | % |. It means that we will be playing a D minor 7th arpeggio over