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AIN’T NO MOUNTAIN HIGH ENOUGH ‘Words and Music by NICKOLAS ASHFORD ‘and VALERIE SIMPSON, Bm/A Gtm7bs With a steady beat & a By ee call___ me. No. mat-ter where you set you free? I told you you could = eS Ed @ G # ‘ 7 are, So matter how — far. Don't_wor-ry, ba - by. Just call oat my name. al - ways count on me. And from that day on, made_ a vow: — om Fim? Em? Fm? <— — Til be there in a hur - ry. Youdon’thave to wor - ry, ‘cause ba by there} Tl be there when you want__ me,_ some way — some-how._____*Cause ba - by there} Copyright © 1567, 1960, 1971 bate Mac Co, ne cian! Copp Secunda igs Rosswed Em? Ffm7 Bm oo” Emo Fam? Bm Gmaj7 Em9 Fam7 Bm — ee me from get-ting to you, babe, Re-mem-ber the day F And no wind,. ATsus NG Fafsus Fe B7sus By a AG if, you are my (If you're BmiA — Cm/Bb Bb Fr & & & FF goal. ey-er in trou - ble, I'll be thereon the dou - ble, Just EbG Fmyb5/Cb Cm7'Bb Am7bS gg UB B sg a- liye deep down in my heart, _ Abmej? Gm? Fm9 EbG Ab F7/A Cm7/Bb An7bS: B gE n & Ss 8 need a help- ; Abmaj7 Gm? Fm? m7 — RR mR & Ee — ___ I'll be there on the dou - ble just as fast as I can, Don’t you know that there Abmaj7 Fm9 Gm7 cm Abmaj7 Fm9 Gm7 8 @ eB i" © Ee Cm Abmaj7 Fm9 Gm7 cm i" B 8 gE ee Fous F Db9o Bbm7 & = 8 & keep me from get-ting to you, _ babe. ATS Abmaj7 Ee) no chord Ain’t no moun-tain high. e-nough, . Gm7 Fmd FEB" no chord FER no chord ain't no val - ley low e-nough, bmaj? Gmc ci, Abm7/Db Ghmaj7 @ Abm7/Db Bbm7 EbOsus. EBT = 2 8 Abm7/Db Gbmaj7 Abm7/Db Gbmaj7 Eb9sus Eb7 a Abm7/Db Gbmaj7 = —— = = ig SS Ain't no moun - tain high __ € = nough. | = = | — + = —| y -. ye - Repeat and Fade Abm7/Db Bbm7 Eb9sus 7 B @ BE Ea BALL OF CONFUSION (THAT'S WHAT THE WORLD IS TODAY) ‘Words and Music by NORMAN WHITFIELD ‘and BARRETT STRONG, With a steady beat Dm Peo-ple moy-ingout peo-ple mov-ing in. Why? Be . cause of the col-or of their skin. _ run, but you sure can’t hide. _ ye Copyright © 1970 chee Muse C2. ne ners Copyright eared Al Ripe Reseed 13 eye for aneye. Atooth for atooth. (Spoken:) Vote for me, and I'l set you free! on-ly per-son talk-ing "bout “love thy brother” is the preach-er. y's in-t’rest-ed in learn-ing but the teach-er. = Seg -_re_- ga - tion! Dem - on - stra - tion! In ~ te - gra - tion! 7 7 Aggra-va-tion! Ey ~ iu-mil-i - ation! Ob-li- ga-tion to our nation! Ball of con-fu - sion! (Vocal astinato ends) ’s what_the world is to. Let me hear it, Let me hear it, a Em Ey - Ebm Young folks walk - say itt Cities a - flame _ — ing ‘round — — in the sum - mer with their head in And, ooh! time, Gun con - trolt high. The sound of (Say soult itt) 16 - hoot - ing rock - ets to _the moon! ig Round and a-round and a-round we go!__ ta ‘Where the world’s heading, no-bod-y __knows. — om Great goo - ga moo-ga, can’t you hear me talk-ing to ya? Just a ball of con-fu - sion! __ — That’s what the world is to-day. Oy, vay! Fear in the air. Ten-sion ey-’ry-where. : Un-em ploy-ment ris-ing fast. Hip-hop music’s a gas And the on - ly safe place to live. is on an 3 & And the band played on. ‘Tax de-due-tion. Indian reser-vation, Eve of destruc-tion. a Cit-y im-spect.ors. Bill col-lect-ors. Mod clothes in demand. Pop-w - Too man - y_ bills! Yup - pies mov - ing to Am Fa Ss Peo-ple all o-ver the world shout.ing,“KEnd the war!” And the band played & Ball of con-fu - sion! ‘That's what . the world is 1» Ball of con-fu -_siont Peo-ple moy-ing out. Peo-ple mov-ing in. Why? R = cause of the col-or of their skin, ae Ball of con - fu sion! a Ev - 0 - l- tion, rev. o - Ww tion, gun con- trol, sound of soul. Ey & Great goo - ga moo-ga! Can’t you hear us talk-ing to ya? Just a ball of con-fu - sion! A DEEPER LOVE ‘Words and Music by ROBERT CLIVILLES ind DAVID COLE Bright dance tempo x Em Peo-ple, Iet___ me_—_tell__you, ——wv-er-y day. put on my clothes, . ©1992 EMI VIRGIN MGC INC spd COLECUNMILES sic All Right Contain and Aantal oy ot URN MUSIC INC. Ai Qh Revered Iernational CopyighSeceed Used by Pormision a — — SS need no help. I've got a strong will to sur- vive. T've got. G(add9yB e op BIS Em e EmG EGE = Am7 Bm7 (A deep-er love.) Pride! (A deep-er love._) Em DF} EmG Amy Bm7 Dm7 a7 Es = e e (A deep-er love. ___ Whoa, whoa, whoa, whoa.) It’s the pow - er that gives you_ the F7 Am? BT C6 Em z = EB SS aaa strength (0 sur- vive — (Pride! ‘A. deep-er love. Whoa, whoa, whoa, whoa.) = Em DIFF EMG Gt Am7 Bm7 Em DFR EmG HG o @ 8a aa # =” Now, I've got love in my heart. It gives me the strength Em DFR EMG BGt Am7 Bm? Em DiFt EMG BG aR Pride is love, ___ B e ff 8 € ee 2 spect for your- self, — Em7 Dm9 Gi3 Cmaj7 @ ed a ES Char-i - ty, An7 Bm7 Em? Dm Gi3 i a = Cmaj7 B7$5 Em DI Em/G EGE # E a @ = Am7 Bm? Em @ Ew/G a Bm? Em DFE EmG Am? Bm’ Em caf el a ee deep-er___ love, - deep-er love, _ Am7 Bm7 Em DFE EnvG EGE Am7 Bm7 e 8 @ @ 2 i (A deep-er love.) (A deep-er love.) Em @ EmG EGS Am] Bm? Dm7 Gi Ei a = Ef @ (A deep-er love. Whoa, whoa, whoa, whoa.) It’s the pow - er__ that gives you_ the strength to sur - vive. ____ Pride! (A deep-er love. Whoa, whoa, —_ whoa, And I ‘Cmaj7 Am7 Bm? Cm: Bm7 Am7 Zee ef Sr for help - ing me see there's’ a eae an | Em Dm9 a7 = me, __giy-ing the strength to 3 B7ES CODA Be ® no chord (Whoa, whoa, whoa, whoa.) ‘A deep-er love. Am? By Dm9 G3 a & eS = z (Whoa, whoa, whoa, whoa.) It's’ the THE GREATEST MEDLEY EVER TOLD Dramatically (<4 J )» Gp BF z —* = : Energetically (9 Fd) Ab7/D DI3 G e BBB “no cao 6 —— Girls; Hold on, hold on! hold on! WaragsNo perf ha ety ye epodored i an orm ot yy team shou eps aca rsnin ef he Pabs G EG OG G & es Deloris: Start-ed my life in a worn, torn dress that some-bod-y threw out. 8 BG cG G Dre GUE & B & z knew the way it felt to al-ways live indoubt, to be with-out the _sim-ple things. E Faster, high energy CE CmEb D Bb a ee & a So a-fraid my friends would see the guilt in me, Eb/Bb Bb <2 Working for the man ev-'ry night and day. —— I ney-er lost a min - ute of sleep - ing wor-rying "bout the way the things BbID Eb E FE @ of might have been. I was a devil with the blue dress, blue dress, blue dress. i” no chord gi dev - il with the blue dress on.___ I was a hi Sug. pie, _hon-ey- bunch, > you know that I love a” Wait! Oh, yeah, wait a — min-ute Mister Post - man. > Bm @ ifthere’sa let-ter in your bag for me, 6 T'yebeenwait-ing such a long, long time. _ Db7 mm Db BB no chord it - sy bit - sy, teen- y ween-y, cb Bm DFE B ey no chord yel-low pol-ka dot bi- ki - ni. G G7 c $B socto ei Deloris: But my ma-ma told me, “You bet-ter shop a - round.” 33 Disco tempo Girls: Do the Hus - tle! Saal Fam7 & Deloris; But it~ wasn't enough, baby. Because 1 needed cash. D> Abmicb All: Mon-ey, mon-ey, mon-ey, mon - Db AbmiCh ie cf) Money, mon-ey, mon-ey, mon ey. Db7_ Girls: FRR Toot, toot. Beep, beep. Ooht! — Ooht! Toot, toot. Freak Talk-ing "bout the sad girl. D out! ee Mis-ter Big Stuff. Amc i ‘Who do you think you are? Mis-ter you're nev-er gon-na get my —_love._ Eb BbmDb got my love, he got my cousin Eb BbmDb Ee Fa Suddenly faster no chord pregnant, and when I tried to throw him out, baby, you know what he did? He whipped out this great big. gun. ‘Shoot him *fore he runs, Do the jerk, Do the jerk, now. Nowhere to m7 F ER & no-where to. run____to, Bm? ae no-where to. run_ Amaj7 AG A A6 Amaj? AG A AG Amaj7 AG cH] ad mp a wi i Deloris: Noth-ing you can do, ‘cause I'm stuck like glue to. my __ star, — but when it E6 Bm7 E9 A RYT EB =m i to-day who could Ale. By DE A AG Bm? C#m7 fax B m’ Deloris: take me a-way from my God. Girls: What'd you say?_ There's not a @ la Mary Wells High energy Beat (¢ J-d 0) A FHT BT E7 A a ey Ep man to - day who could take me -way from. Girls & Nuns: 1 love Him. Bb Frsus be i ‘no chord love Him. 1 love Him. Whoo! —Deloris: I will fol-low Rb Dm & @ ee ay eae oo fl-tow Him wher-ev-er He Eb m7 F Bb Be & i SI moun-tain so high it can keep, a Gm F Bb FAT All: A-way from His love. > le = fam - { - lys__ 1 got all my Sis-ters with me, “a 1 Bsus S gt> a2 GET UP OFFA THAT THING/ DANCING IN THE STREET GET UP OFFA THAT THING Words and Music by DEANNA BROWN, DEIDRA BROWN and YAMMA BROWN. DANCING IN THE STREET Words and Music by MARVIN GAYE, IVY HUNTER and WILLIAM STEVENSON, ‘Moderate Funk EbS Delores: Hey! We're collecting money here! That's right, we're talking to you! I need that money! y! Eb Eb7H9 Eb7 EF & Not fooling with you! Come on, girksin just do what I do. > 2 = = Get Up Ofte That Thing, i ope © 57, fam by byte ating Co. Copyright © 1964 theneted 1992 ebae Music Cay he ‘AMTaghec Almiaemed by Unchapotl Me Ie ronal aed A Rhee Reseved ematonol Capyaght Secored Al Right Reserved 43 Bb7#S Eb7 Ey Ey Get up off - a that thing! And dance ‘til you_ feel bet-ter. Get up off - athat thing. ~ Just try to re-lease_thatpre-cious thing! Get up off - a that thing. Dance ‘til you- feel bet-ter. Get up off - a that thing. Try to re-lieve. some pres sure! Eb7 ‘a- round the world: _ Are you read-y for a brandnew beat? ‘Sum-mer’s in the streets. They're danc-ing in Eb7 and records GT 8 it does-n’t matter what play - ing with danc - ing—— in the you wear streets... Ab/Bb Bb7 Eb7 the — world _ there'll a Eb7 Dance ‘til you feel bet ter! Repeat and Fade Try to re- lieve. some pres-sure! HIS EYE IS ON THE SPARROW By MRS. S.A. MARTIN Peacefully one? Cmaj7iD DG 4 Daim? Cmaj7/D hh 1 Ih Freely DI3 Geadd9yD " ie ‘Copyright © 19% by AL LEONARD CORPORATION ther kanal Copy ecored AR ge Roars Am7/D Géim7/D “7 Dic Bm7b5 Esus E Am cig op Giadd9) Em? Am? Am7/D Pu Dm9 g GB Aq cB AcE D fe Bsus B Em FI3g11 = a &# B Gp Am9 31 DIic GB oD Dm9 G3 a @ = D7sus B13 G(add9yD OG G Gidim7 er — Em? Am7 G OG DG Dm9 rt G3 a 33 GD Dic GB Gitdim7 =e FI3 GD Am7 D7 G JOYFUL, JOYFUL (With “O.P.P.” and “What Have You Done For Me Lately”) JOYFUL, JOYFUL ‘Arranged by MERVYN WARREN Based on LUDWIG VAN BEETHOVEN'S “SYMPHONY NO. 9” ‘Additional rep lyrics by RYAN TOBY ope. Words and Music by ALPHONSO MIZELL, FREDDIE PERREN, DENNIS LUSSIER a.k.a. DEKE RICHARDS, BERRY GORDY, ANTHONY CRISS, KEIR GIST and VINCENT BROWN WHAT HAVE YOU DONE FOR ME LATELY ‘Words and Music by JAMES HARRIS tlt and TERRY LEWIS Db/Ab Ab7sus Db Db(ada9) CbiDb Db = nf a eo Gbmmaj? Cb13#11 Gbmé/A Db/Abd EbYG Gb/Ad Ab7sus = Ab7 mm ER i i oe ART Cb/Db Db = Cb/Db Ghmajy Cb13411 Ghm6/A Db/Ab EbIG ‘ae m ge Boy f° like flow-ers be- fore Thee, Joyita i ‘What Hae You Done For Me ately Fes oranges © 1993 toon Van tase Corea Nis a ers lpr Sacred. AI Rigs Reserved Inseratnal Copyrig Secor AI Right Resend rata Copysgsecued Al Rahs eted Fe Sis temeden Ab7sus Ab7 Gb/Db Db Eb7 Ab AbIGh Db/F Ab Ab/Gb Db/F EE B&B fF =" & ——- the clouds_ ise cresc., moving along Cm7bs Fi3sus B7/F Bbm7 Eb/G Ab7sus Ab7_—-Bbm9_ OHI. Abm9. bo. & G8 2 8 #8 & s 8 drive the dark of doubt _ fF Gb(add9) 7 Db/Ab Db7/G Ghmo Fm7bS Fm7bS/Bb Dd B B Se ES a 8 fill us with the light, Fill us with the light. Oh, Hip-hop Ebm9 = Gm7b5 Ebmv/Ab #3 with the light E. Bm7 |B. Ama DI3$11 Am6iC a a" BE Joy-ful, joy - ful, Lord, — we a dore Thee. —— BB | Fo FET Bus B Bmo DE E Bee 8 Hm & Ei God of glo - ry,_ Lord _ of love. — Hearts un-fold like _ flow - ‘2 D13¢11 Am@/C Bm? Bb7bS A? = CH7##D. sD ADE OE i oe ee eee be-fore Thee, hail Thee as 7 B BA BGEFIO B BIA 2 Dém7)5 G4sus GE7/BE i Melt the clouds of _ sin, Drive the dark of E DI3#11 fe = Bm? Er C#m F4/A¢ B7sus as a doubt a - way, driveit a - way. Giv-er of im - © & G#m7b5 a7 Fim7 EGE A A¢m7SA/B EB D AC} E & raf Be EER @ fillus with the light of day. (Rap:) Check the rhyme: Joyful! Joyful! Lord, we adore Thee, and inmy life I put none before Thee. "Cause oF since I was a youngster; I came to know that You was the only way to go. So, 1 have to grow with, come to an understanding. Then Pm down with the King sol'm demanding that you tell me who you are. See, ‘cause all know is that I'mdown with G-O-D, You down with (Yeah, you_know me! _ Yeah, you. know _me! _ z 4 te t 7 be i You down with G-O - D?_ ‘You down with Yeah, you know _ me! _ Ey.'ry-bod.y!) t y A iS Youdown with G-O - D?_ 59 B B/A EGt FRO B B/A = & & Ee & 8 B Come and join_ the cho - ‘The might = 2 Diim7bS G# G#7/BY Cm FHAE B Bm7 DE 9 Sae25 8 BE ee the morning stars be - gan. ‘The Fa-- ther of Love e Amaj? DI3#I D7 Em6 = reign - ing 0 - verus. (Spoken:) By the way, what have you done for Him late-ly? ‘What have you C#m? -B/D# E FH Amaj9/B EY EES done for Him late-ly? Hewatch-es 0 - ver ev - ‘ry - thing, — C13sus FE Cm? F Bbmajp Eb13#11 Bbm6/Db & & E's Joy- ful, joy - ful, Lord — we a - dore. Thee. ¥ FIC Bb FIA G9 G7? ws C Cm. EWE F Ey aE a re B BE God of glo - ry, Lord of love. _ Hearts un-fold like. flow - Bbmajo EbI3$11 Bbm6/Db Cm7 B75 BT «éDT#O Eb CBbIE OF xe Bf RB oon 6 c CBb F Go c CBb OFA Em7b5 Alsus AT/CE xk ge @ ef s Melt the clouds of ___ sin, in and sad - ness. Drive the dark Dm GB C7sus Dbo m7 EWF OF Bbmajg EbI3#IL a Be 8 a doubt a. way, driveit 2. way. Giv-er of im - mor m7 Fy Bb7 Dm7 Db9 = Cm Am7bS D7 DFE = # & gE 2s Play 8 times Chorus: fill us. Vocal ad lib. Gm7 FIA Bb G9/B Bb/C F Eb B/D F ERR ER & 8" & fill us with the light of_ day. __ Light of day!_ NEVER SHOULD'VE LET YOU GO Slow R&B Ballad Bb BO Ebmaj7 rim rE Words and Masic by ERIC FOSTER WHITE EDF Ey 1 ‘Ebmaj9 Bb/D Cm? Eb/F a ae” oe 2 Ebmaj9 Bb/D = Eb/F a Ebm9 Ebm9/Ab — Ebm/Bb Bb & did - n't re a lize __ was - n't worth your time? Bb7 Eb/Bb Girl, when I first met you, — Do ET#S(#9) youwere look-ing to stay a - 1 would giye an - y-thing I you think a- bout me like Ebmaj round _ but had Copyright © 1993 4W hts, ne. Adri by Zomba Ens nc) and Za Etepeses he ircnation\ Copyright Seed Al Rigs Reserve EF Bb7 Eb/Bb 8 @ i I was look-ing to play a -round,_ Now I can’tfor-get you, can’t for - if you'd give me an-oth-er chance. Do you think you're bet-ter off with-out me play-ing ae Ebm/Bb Bb E745(89) Ebmaj7 ® ce get your pret -ty smile. Took for grant-ed the love you gave_ and games with your heart and mind?_ 1 don’t blame you for leav-ing me but EDF Fmd Bb7 8 © — ‘on - ly thought of the love we made. Just when I found some-one who could love me like the now you've got to be-lieve in me. If you come back girl I prom- ise that you'll Ebmaj7 = @ Ey way that 1 ee I act-ed the fool and pushed her a - see a changein my ways.— Tl getdown on my knees. ['l do an-y - EbIF Bb Bb7 = e #8 And I'l be think - ing "bout you ev - er Ebmaj7 EF Gm © =” a = 8 = Ss Eb BbID m7 EDF Bb BbT B ER OB & cy - er should - "ve let you go. And my love for you — is strong - er than pe ———s Ebmaj7 EDF Gm? © & i} EB B But 1 could-n’t tell = -you_—so,___ T 2 Eb BbD Cm7 Bb Ebm9 — Ebm9/Ab Eb Bb/D Cm? —Bb Re 2s & B ER i ney- er should.’ve let you go. nev. er should-’ve let you go. Ebmaj7 Dm7 Cm7 Dm? Cm Bbmaj7 Is there some - Eb Dm7_ Cm7 Dm7 FRaim7 Gm7 Rm’ i fm i” ae oe mE" =<: = give you the world BbIC cr, EF BFE ® © & = Girl, you will see if you come back to me. Won't you come back —j—_, a think - ing "bout you ev - er - y night and ev-’ry day. "Cause in my : — — G#m7 ceo E BiD$ Chm? EFY ca & gE & nev - ershould-'ve let you go. © And my B B7 Emaj7 ort Jove for you is strong - er than or Gtm7 chy BDt Cim7 & ff eo ee nev - ershould-’ve let you go. And I'll be B/Dt Chm? E BDt C$m7 Ez ge Pl x - er should - *ve let, - er should - 've let, E BIDE Cfm7 BFE B ss fe @ = nev - er should - ‘ve let With stately exuberance a ODE TO JOY ‘molto rit. D7 & we a dore Thee, God Cus ¢ Gp pe G. Gp tt G i of alo - ry, GD me flowers be - fore Thee, op - ’ning to the Melt the clouds ‘Copyright© 1994 by HAL LEONARD CORPORATION imenatonal CapyaghSecued All Rights Reserves GD D B/DE En A D fe G Gl Csus Gp D G 8 fe | i 6 a of im - mor - tal glad-ness, fill us __with the light of day. a no chord & 6 ‘no chord 6 cc Bbm Eb/Bb Db/Eb Eb = Ab Eb Eb Ab Ab 22 ER & & fe Mor-tals, join the hap - py cho- rus which the morn - ing a tempo AbIED Eb Dbsus Db Ab Bm & EY & Fa - ther love is Ab/ED Eb7 Ab E> broth - er love bonds Eb AbIED Eb CVE Fm Bb7_— Eb = Ab Ab7 = Dbsus Db Ab/EbD Eb Ab Eb? Ab = & EB 5 Be BR, Joy - ful mu ~ sic leads us on-ward in the —tri-umph song _ of ‘life! oer molto ral. n OH HAPPY DAY ‘Words and Music by EDWIN R. HAWKINS GbiDb Db GbiDb rr a & ei Steadily Db T 2 Db Gb/Db Oh, — hap-py cay: pea: Choir: Oh, — hap-py — day!_ D> Bb7HS BbT Oh,_ hap-py _day! — ‘When_ Je-sus washed, Ebm7 Ab Ebm7 Ab when __Je-sus washed, — When Je-sus washed, _ when Je-sus washed, - opytig'© 1949 Kama Riga Mus In. adn. Hawtins Ca do EU Caaog ne ee arena Cpa seed A is Reserved Ebm7 Ab when Je - sus washed, — washed my sins a - way. when Je- sus Db ob : bb GhDb GbiDb Bb Eb/Bb Bb Er no chord gy, hap-py da Ob, hap-py day!_ ® i 6 Ea Ly When Je - sus washed,_ Cm7 FE when Je - sus washed, when Jesus washed,_ when Je-sus washed, ” Cm F ca © He washed my Gi OG G CG G fi} # & fightand pray. GB C — Cfdim7D7sus cp G CG G ——=—- a 6 == SS ee a Ev - ‘ry day! _ # = — = 2 ee — > s 7 ce SS — - 7% Cc Chim? D Db/Eb Ab DbiAb 2 Nee hap-py ——day!__ Ab F7#S 7 When Je - sus washed, —_ Bom7 Bbm7 Eb & & & = when Je - sus washed, ‘When Je-sus washed,_ when Je-sus washed, Bbm7 Eb when Je - sus washed a - way_ when Je-sus washed. _ Ab Db/Ab z = 2. a= — talk - ing ‘bout that —— sind Ab Db/Ab Ab AbT Db/Ab R a em & & hap-py day. Repeat ad is Ab Ab7 Db/Ab Ab AbT7 Db/Ab Gb/Ab Db/Ab Ab = ge =e hap - py day! —_ Oh, hap- py WANDERING EYES Words and Music by DARROL “SHAMELLO” DURANT, B.WYZE and KERWIN “SLEEK” YOUNG. Rhythmically Bm7>S E7#S(b9) Am? Si @ Hey, fel - lat __ Iwant to get to know you bet-ter._ I want to fel- ta. Once I got to know you, T got a Am9 Bm7b5 E7#5(b9) Am9 Eg Es know your name and just who you are, And ev-‘ry time I see you, you're with an - chance to see just how you real-ly are. And ey-ry time I'm with you, I catch you e Bm7bS E7#S(b9) a Bm7>S — E7#5(b9) = ae, an oth er, but whenshe turns her back _ you're giv-ing me eye con - tact._ staring at an-oth-er ‘cause when I turn my —_back_ you're giv-ing her eye con ~ tact._ (Copyright © 1999 Zomba Eerpries tc, Pocetown Music Adee by Zomba treepries n.) and Zomba Songs "hemasona Copy secre Al Rabe eseved Am9 Bm7bS E7$5(b9) Am9 Bmy7b5 E7#5(9) Am? © Eg a Can't you tell ifs des - ti- That’s ‘not how it was sup-posed to — So please stop act-ing shy. — We real -ly can'tget by. We BmqbS E7#5(b9) Am Bi ® ss fly. Come meet the ob - ject of your it you don’t con - trol_____your BmibS E7#5(69), Am9 Bm7bS ET#S a Ee i Ed wees = = wan-der-ing eyes! I. real-ly want to know you. — wander-ing eyes. i ‘Oh, yeah, ba- by. a Am9 Bm7bS E745(b9) a & Ba - by let me show you. ‘Thought that we could make ~ it. es To Coda Amo Bm75s E7#5(69) = Am9 a = —— r do it bet-ter.___ (Wan - der-ing eyes.—)} t know you'llney-er change — Wan - der - ing - FO E7#5(b9) Am9 ro E745(b9) i @ 5 6 fea ike to hear the story again and again of how it all got started way back when. T caught your eves and they were (wan - der - ing.) [knew inside your mind that you were (pon - det ~ ing.) Yeah, fool! me. Looking at my body like I had on a bikini. baby, you would sweat me. Lose a dare? Well, come over here and get me. I get the vibe that you want 10 be near. So bring your body and your wandering eyes here! Am9 Bm7bS E7#5(b9) Amd a SS ~ ——— (Wan = der-ing eyes._) I real-ly want to know you. (Wan - dering _eyes.______) ° Bm7)5 E745(b9) Amd Bm7b5 E7$5(b9) — Ba-by, let meshow you, (Wan - der-ing eyes.) Ooh, 1 can make it bet - ter. _ i & Amo E745(b9) Am9 By E745(b9) Am9 Bm7b5 B745(b9) Spee eyes. 83 Am9 Bm7bS ETHS(69) Amd 3 3 Bm7b5 —_ E7#5(b9) Amd Bm7bS B7$5(9) BE ps. at Coda Hey, copa Amd E7#5(9) E7A5(b9) Am BP ay Pia Repeat and Fade PAY ATTENTION ‘Words and Music by WHOOP! GOLDBERG, VALERIA ANOREWS, KEVIN CLOUD and RONI SKIES Gt A EB ACH Freely = Ifyou wan-na_ be some-bod - y, if you wan-na go____ some - where,_you bet-ter A a C—— = Slow R&B Ballad EB Ga Dmmajo es 8. oof wake up and pay a Eysus A Amaj? 47 Em7 (©1985 Touche ice Mic Son neds Vi Mc Company ural Cyr Seised A igh Reened Eqsus AT ae & think you've got the an - swers buy - ing no more ly - ing, A Amaj7 Ay Emy fet Pcl ‘Well, in my mind, I thought the De - ny - ing what's in- side's too ETsus AT [3 g much talk “bout how ‘There hear you spout - sweat -ing with - out stress - ing. A Amaj7 Az, Em? — Ain't noone tell - ing you what to You know you can’t get much_ with - out you ain't be - ing led: ain't no oth - er — way. Saal Ar Bm? G6 i Ea a But at ti - tude will catch = pect from your - self and you'll re - Fem7 Em9 e

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