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CONTENTS Ist Part, A meadow at the edge of » sacred wood. In the back: round, hills Tothe right a roto, the entrance of which, hewn ‘out ofthe rock, i an antique sculpture of three Nymphs. Some: what toward the background, «o the left, a large rock vaguely resembles the form ofthe god Pan Inthe background sheep are racing A bright spring alternoon. When the curtain rises, the stage is empry 1) Introduction and Religious Dance. Curtain (1) Youths and gts enter, carrying ifs forthe Nymphs i basket). Gradually she stay fils (6), The group bows before the akarof the [Nymphs Theirs drape the pedestals with garlands), Religious Dance (9). In the far background, Daphnis is seen following his flock (151. Chloe joins him They proceed toward the altar and disoppear ata bend (16), Daphnw and Chloe enter at the fore- {round and how down before che Nymphs ‘The dance ceases (22 ‘Tenderemotionon seeing the couple (23) The gilsentice Daphnis and dance around him (24) Chloe feels the fist twinges af ea. fousy Atthat moment she ssweptinto the dance of the youths (30 “The owherd Dorcon proves to be especialy bold (31) Daphnis in tum seems upset General Dance (36), At the end of the dance, Dorcon ties t0 hss Chloe. She innocently oters her cheek 40) Bur with an abrupt motion Daphnis pushes aside the cowherd and approaches Chloe affectionately 41) The youths intervene. They Position themselves in front of Chloe and gently lead Daphne away One of them proposes a dance contest hetween Daphne and Doron. kis from Chloe wil be the victors prize (42): Dorcons ‘grotesque dance (43). The group sareartealy imitates the clumsy ‘movements the cowherd. (51). whoends is dance nthe ‘midst of general laughter (52) Daphnss light and graceful dance (5A), Everyone invites Daphnis to accept his reward (63) Dorcon, comes forward as well but he is chased off by the group, accompanied by loud laughter (64). The laughter ceases t the sight of the radiant roup formed by the embracing Daphnis and Chloe (65). The group withdraws, taking along Chloe (66) Daphnis remains, immobile, asi in ecstasy (67) Then he les facedown in the gras, his face im his hands. Lyceion enters (6 She notices the young shepherd, approaches, and raises his heod. placing her hands over his eyes, Daphnis thinks this a game uf Chloe (69). But he recognizes Lyccion and tries to pl away Lyceton dances (70) As though inadvertently she drops one ot hee veil Daphnis picks it up and places it back on her shoulders. She ironically resumes her dance, which, at first more languorous, becomes steadily more animated unl the end (731 Another veil slips to the ground, and i again retrieved by Daphnis. Vexed, she runs off mocking him, leaving the young shepherd very disturbed (75), Warlke sounds and war eres are heard, coming nearer 76) In the middleground, women tun across the stage. pursed by pirates (78) Daphnis thinks of Chloe, pechaps i danger, and runs ‘off tosave her Chloe hastens on in pani, seeking shelter (79) She throws herself before the akar of the Nymphs. besceching their protection A group of brigands burst onstage, sce the gi, and tarry her of ($1) Daphais enters ooking for Chloe He discovers fn the ground a sandal thar she lost inthe struggle (82) Mad with Aespair he curses the deities who were unable o protect the gt, and alls swooning atthe entrance of the groto (83). An unnatural light sutfuss the landscape tle low shines suddenly from the head of one ofthe statues. The Nymph comes to liteand descends Irom her pedestal (84 The second Nymph The third Nymph (85) They consult rogether (86) and begin 3 slow and mysterious dence (87), They notice Daphnis (91) They bend down and dry Ins tears (92). They revive him and lead him eoward the large rock They invoke the god Pan (93), Graduslly the form of the god outlined (94), Daphnis prostates himself in supplication The stage goes dark (95) 2nd Part Voices ae heard from offstage, a rst very distant (96) Distanttrumpercalls The voices come nearer (97) A dull glimmer We are in the pirate camp. Very rugged seacoast. Inthe back around, the sea. To the right and let a view of Inge crags, A tvieme is sen near the shore: Cypresses here and there: Prats are seen running to and fro carrying plunder More and more torches are brought, which finally illuminate the scene. violently (98) Bryans commands that the captive be brought Chloe, her hands tied, isTedimby ew pirates (150) Bryanisordershertodance (151) Chloe’ dance of supplication (153) She testo flee (157) She is brought back violent, Despairing, she resumes her dance (158) Ain she tres 0 escape. She is again brought back (162). She abandons herself to despa. thinking of Daphnis (163), Bryans tries to carey he off (188) Shebesceches (166) The leader carnes her off triumphantly (1691 Suddenly the atmosphere seems charged with strange elements (170). In vanous places, it by tovisble hands, lee flames late up (173) Fantastic beings crawl or leap here and there (175) Satyrs appear from every side and surround the brigands (171. The earth opens. The fearsome shadow of Pani outlined on the hills the background, making 3 threatening gesture. Everyone fles in horror (180) 3rd Part. The scene seems to dissolve It is replaced by the landscape of the Ist Partat the end ofthe night (182) No sound but the murmur of rvulets produced by the dew that trickles from the rocks (184) Daphniss stil stretched out before the grotto a the [Nymphs (185), Gradually the day breaks (187) The songs of bed are heard (188) Far off, a shepherd passes wich his flock (196), Another shepherd crosses in the background (199) group of herdsmen enters looking for Daphais and Chloe (200). They discover Daphis and wake him (208), Anxious he looks around for Chive 209) She appears at lst, surrounded by shepherdesses (2101 They theow themtelves into each others arms (211) Daphnis notices Chloes wresth. His dream was 8 prophetic vision’ The intervention of Panis manifest (213), The old shepherd Lammon explains that, ifPan has saved Chloe, itis in memory of the nymph Syrinx, whom the god once foved (222) Daphnis and Chloe mime the tale of Pan and Syrinx (223). Chloe plays the young nymph wandering in the meadow (224). Daphnis as Pan appears and. declares his love. The nymph rebuffs him (225) The god becomes more insistent (226) She disappears into the reeds In despa, he Plecks several stalks wo forma flateand plays a melancholy air 227 CCiloe reappears and interprets in her dance the accents ofthe fate {228}, The dance becomes more and more animated and, ina mad veiling, Chloe fll into Daphaiss arms (242), Before the altar of the Nymphs, he pledges his love, offering two sheep (250) A aroup of girls enters dressed as bacchantes, shaking tambourines (251) Daphnis and Chloe embrace tenderly A group of youths shes onstage (253). Joyful commotion (258) General dance (258). Daphnis and Chloe (270), Dorcan (274), APPENDIX Piccolo [Petite Flite, P* Fl] INSTRUMENTATION 2 Flutes [Grandes Flites, Gé Fl] Alto Flute (G) [Flite en Sol, Fl en sol) 2 Oboes (Hautbois, Htb | English Horn (Cor Anglais, Cor A E+ Clarinet [Petite Clarinette en Mib, Pr Cl] 2 Clarinets (A, Bb) [Clarinettes en La, Mib, CL] Bass Clarinet (B$) [Cl 3 Bassoons (Bassons, Be") inette Basse Sit, CIB.) CContrabassoon [Contre-Basson, C. Basson] 4 Horns (F) [Cors chromatiques en Fa, Cors 4 Trumpers (C) [Trompettes en Ut, Tromp, Tip.) 3 Trombones (Tib.) Tuba Timpani [Timbales, Timb.] Tam-tam Tangle (Tr) Tambourine [Tambour de Basque, T de B. Snare Drum [Caisse Claire, C. Claire, CCL) Military Drum (Tambour, Tamb.] Antique Cymbals [Crotales} Castanets (Castagnettes, Cast } 2 a4, 10,9 ‘sult, aceelerando tte age, aptato ‘a, thus, soon (in anmon, becoming bveler tonne lel Sumer, scelerando ‘pene, Append ‘ss, fry ‘tage, acack (en) acomvtant, broader ‘Mow 3 tempo ttre, eer at, the ‘others asin before oe with Begute,mallee Beawcup much be, wood ache, mouths this, cy these ‘tie allentando hanger, change to, replace with (winds), rune [eimpan ch, te cas ‘ow, choir ‘oman, Beginning, ‘comment pa, Beginning with corde ting ‘our, short Shoda Hs. fame dance Aroonaye ore ko at, beginning [ex debs, prominendy Cymbals [Cymbales, Cymb ] Wind Machine [Eoliphone, Eoliph | Bass Drum [Grosse:Caisse, GC ] Celesta [Célesta, Cal ] Glockenspiel [Jeu de Timbres, J. de Timb,, J. de T., Timbres} Xylophone 2 Hatps [Harpes, Hep | Violins I, I [I Viotons, 1° Von, 2 Viotons, 2 Vo Violas [Altos, Ale] Cellos [Violoncelles, V""*] Basses (with low C) {Contrebasses, CB.) Piccolo and Eb Clarinet onstage [sur la scéne Horn and Trumpet offstage (derriere la scene’ Tenors (Tén.] Basses (Bas Sopranos {Sop | Choir | Altos [Contraltos, Cont] | offstage [derriére la scéne) NIL The CHOIRS can be replaced by the versions provided for that purpose inthe orchestral parts GLOSSARY ire, ase re, behind, deel te, ‘tease si, det, sold de ofthe den, throughout fin, ew dvi in 3 ‘exo, stil ‘ls, removed, ele, ‘pone, sponge and ‘oa, dampen tre, be ‘xeon, performances ‘ares expresive ine Sirms,cosed rater, she overdo or, jon j ordinano, ord wegen, an p60 the Li, A, instrument in bic, allow Linge, lnnguor kl the ge, he Lgtoet, ight slighaly om lento ie, ree lam, fa, distant mie ib rail, heavy mullet, bas ‘drum bester mats but rrewe, bay, meter rates, atach wi re, es, meno oso tole, moderato tee ren a tale argh, violent tet, rae, retune Sie witht tr emp, mo de db, ie, ope ‘mnpe prime eat econing more beste, orchestra sea deal eve 36 Sia, remove tk sone owt, open oe forbs porbie, onedeskat Sho, ctherese Stone sn G.Gsttng (ors) hed, disppessing Sov ma ustopped, od pest, ely soul, spl, Nene Faye rae, pus deme rod ‘Su sti jie more stb bio. sudden pom pont, ‘toe, alow por nator ‘tron pov place io est pon, for order to ioe, al prada preceding tone, om, semitone, ton free ake is Lr insearnent in A pene tke: change to tt, fingerboard fio. near ie, alwaye, steady Frege sos tou, te, ll ferent, psc, stingendo a wety Preatwonet eal coe ane dam, by fu then ‘one pit, desk, stand satin orton Ma see, aletando rene top auc iso, se {ers recat, coming Sie irae, ing veer of Ive B,D sting Be ast ‘oes rapping ‘tiene, ve rahi, restore, etune DAPHNIS ET CHLOE tine privet lise den bois saree food dex eolince. A rote ame grate Venrée te tagnate face 4 mame ler sont figurées rots Symphes, uae seaptayeercaique Ox fou See gauche uw raed rocker affcte vognemest tame tu dey Pas. tv second gin eve poston. Une oprce midi claire de printemps. A lever dn rides, te scene #4 ide Introduetion et Danse religieuse Lent dese 2 Ftites BHastbois 1 cor Anata 1 Putte Clarinet en 2 Clasinottes eo La 3 Basson 1 cootreBaston Core tramatigues en Fa cet 2e-Teombonen ‘Timbates ontrattos ri Vieloos : ' “ioPRE taper ite Dis Dis Di Comarasnce (6) La clriate bse dei cir a Shon prea leon de ba. The hs lari shold have a F™.Othrs se he srt A Sot Zz ne tres press Troap. ae. iv. Teer See be sess Animez progressivement jusquau tres mode rer ts Soartive (5) “Reet den eaten geo et es jones files potas cobs de peace destin ax Nye Dw se Sat shipper an fe bw co a ot FLentot He. arse ome. wv cot. u aut Div He, ora. res moderé pen la chos 26 ramp sense Ratton core fart, serve Tine, cymn. “ Un peu retenu Peet oo, Flovect ae, cor Core sawete srramta| ym: Un peu retenu Per, He, cor. Peet astra sere Tint, ym, cont Te, Div sieve Dir, au. Di. Die. Diy, Danse Revioinuse © modére Floste i, cor an. cup. rae ‘Tromp. maarten sree ett. 2H. never Biv, sears Tromp srreata| at, Div. 2 eae @ pee oe. Fiswsol cu. srarsens e Core Tromp. sree scrvntan| ‘Tint. Te Crotaten as eel Dw. atv 8 PLL ora. rea. cn cu. ne Basson Cora Tromp, arte, seraureoa| ‘ram. od 4 susp. | q wee sop. reves Die seve Dw, Dw Div. Div. Teng. st te sett Tin. con a, sry Tromp. mazereo| sermata| Tims. Sop. ia, uve Div ate vib Die ca bw. Flas Hs, ora peer ou rane tu a Sourdinn on a sede rms oa ects toe (los te joint. a Wacbes sound FEE Dix, bis a soit Sea a bi ‘Soued Cis a Flan ae ache aisves Dir, Din. oa, Die lege ttoacan Fora tube ome FlonSet or A sence: 2 port on Flas Sot un, cara. ner Be Tromp. eazeTee rm Tink rte (pir a 2 ae Be ef aid lb Div. seve Div, Diy GE Un pes plus tont He, Cora, ketene space: Un pou plus lent apis ot Caos eatreat a premier plan ot vionent oo prose rae devaat is Nya La dasse victerrong 3 GB Mow du début ora. cu sce Vif Pert of Fiesw cur. on farm cons E Sourdion Tome, Tach, ome. Be Wasi Et or Bis Pert oor Fuwsel cork pee cup, come ‘Tome. Ta Taen, mb. 2p Be, cons ‘roe. cetaire Tam, 15H, 2p Dis ca 2 oon ‘Tromp oo Ter, Tan. ym. | Div. Dis ae He, ora. Hea tee smc ae Souda = Cela Tam, oan, Fam pert i ySeurdiaow ‘Aco momeatlleetentrsinde dase ls danse des jnnes goa ome enol ora. on ray sm coe Troms, C.ctaie Tam. wut, rove Div, ahve alt Div. elle i. oa Die a per, raze wpscey rotates on sett. reve Dew. aha Div ce. Div Por ots FL Flamsol me, cor. Tromp. aan, ste ev, rotates of | Ba Di Dis Flenvol He, Pet Tom, 127 sre Tin. Te. Ge. cat j aH Dr s Pert oon, ae, con bom core Test eazeten Tat, Te Gee. a 0 | oe | De ct ae. sro aa pee o cum tea zee speuces cts “ran. vf | Di Dis Dix ca. sweucny Temp. Staab Claire Tab, Comb cm | | » ee 2 prone 2G per ot rt Plonsal Ae, or. oun waz sxasace ore wanete, wena Tint. Te Cétesta Div Di. Di, oe be © Beaucoup moins vif oor. ware: space 18 Ot Soudan Beaucoup moins vif ridin dla dane Doron veutemtraser Chloe se insomnia tts [ee piss Cole e foie pire “ Moins vite Pen, om, Ht, re aH (9 vit Moins vite Mass gate regu api arte revi ot approche de Cla egy eT Plus modéré Plus modéré nso aca evan Cos wt gn, en dex propve : (deaconent Dapénis ee lotesosSourdiges Flensot cor . aR con. ‘Tied. “aol Auveolo Teh. consi ose Fensot a a. ae. x 3c one ‘Tiab, conire aneetagatte Tin oe fe ts wf aleve Dis weBs| smc ors wae. sent an vale ce. Dis ” PLL tert Flensel cus. raze] sxpsucey ore Tromp. rate seb Time claire Tan, oyu, ae. te Hep. eon reves 0 Perl rrazerrol Iscurtin—_|oveta Sour serena ia. ae a tan ee cenire rd faa Tam. _ a yah Ge. be ave Set or. on sraaeerey spewcae cons ‘Tromp. Erman Ti. rteR. ceuite ae, Di. a vow speacey com | ‘Tromp. sranere, Ett Te Ted, Teme, Popp pp — eet eo fe : st Pesant au Mouv! per ay veazems rose. Tee Te. ae ee Tank ep ao |e SS, Saar aaa Bie Die Plusanimé (Gi) (@)ptus modéré on, mY a. ¥2 smncae| ors Troap. Tine, ae. Hep, Fi Plus animé qettermige sad “Dir. aver aw Div Div. ss soa speaces| 3! Motes In Stine asautistnne geeyes - Div. espa Ira aft sedis, (scart ca “ Aseea lent J: de a mesure précédente Rall. Feast ” sree crotate Jaetindl Base eg taco de Dap Diral ‘nati vartatoucte 8) Assez tent Ad deta mesure précedente ‘“ reed oe ei wena GB) Av Moves s Fenval seven aon Pew ater, Fhonsot cya. rotates J dori} & Plus animé (sans déeomposer) ieee P reeFDU 7 MibSale La GB) Ps anime json déconposer oo oor, fi Feasol Tromp J deTint vue | Dis etapiote et te wove ESSeeeee Ee or A on cap. rae cons Div “0 or wae ‘spsucme Tromp. Te cya. Crotaton JeeTing | ateata seep 2p Die, Rall ‘Aa Mov (anpeu ets sacs weaetes Tab, Te. ym Jodo eae fanor an bw. au Moot Ratt) Anime cu. graeme sBoACBS Te ym, aed eves Div Div ge (oie oe as Div cris Sed Per, ovr me, cork ete ‘eH REE MAF FAESOLSSI ve a sod ovufeourtion Div ourtie vail iy. ca, Dir Ga) Vit 2-292 wanes ynecm +f esis Lost ches par ia foate i ey Dw. 6 Un peu retenu Pe BL = or FL Peet en seta zBvcny| ors ‘Tromp, 6, Un peu retenu Ral. ‘Moins tent J:72 He, a ‘Tromp. srearey sere Time. 2p Sor. cont. Tes, Base "2 (53) Lent 4:60 Moins lent 4-7: Bee. naa et wae ae ee Div au. Div iw ce. ote Feast a. ream smsen core “ (H Trestibre J00 pert on Fleasot Be. sHe4cH4 ors srazeto, werent ‘ria, (55) Tres Libre dive Pulse couche plat veneer flue dane vemaan, igen te Pesce ere Self vir soto = prt expres Ls ates Unie Ral. Plus animé “Selo ots FL a. a Tromp. Te rotates J.d0 Timo, 2 Ral, Plus animé ‘Tres modéré 4 AracnmtLyeon wat sie Tcl dane cae Div sout.| 2% Jide Tia. se wep Plostent 108 Meme mouvt maistrés bre [3] 1 Sato won] ae ors Plus ent 2108 Méme mouvtmaistrs libre Rerenez au nou Conmeparmigardelle Dipti leramaect —trniquyelie pnd sa dante quips Iaagoareese Saline jueg' afin Inisstoaberundesentlles nkpavarlmefale ping i searensupacinn es oom, uy. cor a, sane] cate Un peu retenu De any Die ce Retenu tres Ac. cé 2 1. rei Jégerement 2, pene pee fet Ee fh Retenu tres} ____legerement| fpf eee py 4 Mouvs Retenu Plus tent fe Moot @ ol, rs Retenu Plus lent croquet rele pat Dap. ian lo ue beer Oz Soar Bncore plus tent d:a0 (GH) Moderément animé die du Mouvt précedent Fleasot seam xprcom ons Team, Tint, oe cote ote, Encore plus tent 4-80 (GI) Moderément animé deed du Mouvt précédent aie trond (Dom porcost dos baits dares, doe ris de muerre gut se aise Diy, Div. Die : ot Fhonsot He. Cora cu pecs ore ‘Teomp, Tint, veHip sapproeneat Dix Dw. a Animez un pew a ———__—_—___.., == PERL ots Flenot sonzereal sereoan Tim. ym. ae, Amimez un peu gy tytn des fenmentrres asc poumivinpr—_Daptas sng == rove reaps ” FLensot eps core ‘rromp. seaaeten Teen Tint. cymb. 2p = Ra Ua pen plus animé 1-100 lager ort pécptennet pourInsecoarie Choc accourt, sperdue,cberchant a abi peeve Dix, ze ven Die ‘Tromp. frente sera ym a ‘Tres animé 1.120 Pert ot ri Flensot He, Pret a. nee! ‘romp. ra neve srmTa yn, oo, reve cup ean sven ors wrens Timo, yn. Ge. nue Lent Depts eave cerchant hes déeauerea terreuae asa els pera ds at, Peet He, or or ‘Timo, cya. ce. tte sp, Po) Moderé J-72 rte onderas of Spec? soecn: rene, smo Tim, Galaosere 4=7 | eatenie ini exept pans ‘ne petite Hanns diesen sur atte dur des en ee st doce von pede soar sostttonsnar i toce = a vie BS PiySouduea nar osebe on PEt es Pe ofr toa | | vee Piet cadens on : trap. Unpeu retenu Pasa cu Tromp. tip sear. eet, Dw tot RE ie = Toujrarsait a tgeeye vt Die Lent et trés souple de mesure Funsot ct raze mcr cor Tromp, ~ seep Lentot tris souple de mesure J. = 40 et cofmenceat tne data lement myeteieuse ewe DW ve Fi an Bin yu ‘Die ce. Be. ota. or on cus. ew a ‘eo aos He Oh, ax 28 Fe Div. ate ca, cor. ou. Batip. a yes Die ca Retena Encore plus lent # by ors oti wit, nw ordinsire oe fire ture uct ye oa gerd Hg gut TRE pr tatonee aw ch oe ac tatoue war latouete Die " Mouvt Proton laP Solo rotates Botiph { | te ep Div ca De ental aliph ett Soe intone peer ote. on cum, sane savers ye Di. Plus teat Plus leat Biles ie ashmert ol consent vrs le oer 1 Be Prenos wc ¢ ar ara Delt aa ‘poarch Faroe * ote Fletch cor we cm Die "vert sent. srreutl ‘tomtom fe Gc. Sop co. Ten, Sop, Tin ste Derrinw te Sco,on etend dos voix tre loitainor ahora. ‘me mouy! ‘The Appendix (pages A through G following paxe 308, contains the orchestral version ofthis chonts ‘Tromp Sep. eee it pos pi Twn Sop. toon temp cont ° ort Hi, saree] sarees rose. Sop, cost ho re rsonrte, ° ses en cap des plats, Cite the acide ana wer A delet i gaucheperapetice tr roches CF sit eezantne la fell te Partritons tap Ou penalties pitute curate lachangerde ata es seat uportecegt flan! pr etuiver olen a Swe a SS ——— So ES ter I touche Dis sur tatouche cad on. Bi. ® Animé et tras rude 4-158 Per, omer, Flesol t snsens Tromp. teers, enon Toh, Tash, cee joven aw reves s02 ate ae, cork. au sree oon ware | Te. cen. oe, ttt, i a Per om, Flos He, cork. Pee cum wane sey con ‘Tromp. exe, Tam, Poet oom. Pre a. cus. saxo sw core Tae, ym. eve Div Di ca, Die aun. seat sce alt Bee ye Div ca. Div ww? orm, He. Cora. cu. ane srnton ork save Tams. cya. Gc. f | ra Die aievse bi on cu, 2 a na Pert ote, ne, ora. a, cus. sewer] Tromp. azere| snana Tab rome. sal Plus animé J.1se Ping animé | we gE ph ob. Fut ore Dw. ca. oon, sean suver cons vane sens Tab. Tre Tab, ahve Die (Dencore pias animé J tos Flawol Peet seen Core stems ae, (04) Encore plus animé J 186 Puna oie cab De Dir Sordi ‘Tromp. Tre. raed, sie. roves] bw. Div als Div pier, Tromp Tees. sever Div con oo en 4 Foot i Tromp, TH. Tee cyme. este, rane cone Teomp. Te nae, cya. sew Dis, ahve 120 @ a Pri oor Fleszol Peet a muse ors Tromp. tp. Td, crm cuk fm. oye Di, aco, senile PP sica sontie Dw. Os ta souedion ls PeSoardivw bs He, Pee, ‘Tromp. Tromp. wover bw. iv. @ ie 35 pee oom Flonsot He, Cora. Pret au can eae - cB! Tromp. seat, Crm, | Di. Ate Div Div. Un peu moins anime + sraneTa, scree —_ ae Tan, fae bie. Div. De cn. Sourding raeeTe, sma reves sve De Flee a Hen tar saree secs Cora SPR soartinn cor a Tromp. wT, Tia, ym, ty ae: Hep iv, vie [Sac nods, Segue ast cor. Tromp. sae, serena Tims. Tanb. isa FL es, phot en wrens Jaen. seu. core 136 (BDAvimez_pew Pen on Flseeal He or A. gana sovens tant, oat. Ge. Jaen. som, rane yn. ac. Jer, pir ofr (23}0n peu moins animé J pee ores seasons oem, Fumwot mt. cor. Piet me pf & ua 7 ete ie, a 7, ose ne B sem oer, a, seexoes seater, sere Tee B Tomb ym. FW Un pen moins vit en animant et en avgmentant jusqu"a Per one ey, Pres a saree suse con Tre Tame. cyan. WP a Peel FLowsol Be Pret. ray sxc core Byguute tipo wr $6 pp tp Div Div, ohn, Flensol ora, pea ‘romp. snare senom rain, ‘Ta. cym. ae. be oon. Floesot He, Cora. Pret Core iaxsto, stem ria, te Taek yn. ae. a a Dee Die Pee. arn, Cora. Pie cons Tromp, maatte rama Timp. Te Tdo, Teme. cya. ac aever Dir Div. Dix ca, oon Plossl Peer, a, | cua Hee rans sHecR. core tate, scree ‘Tint, Tan. cya. rer 0 GoD tris rude Jesse Tris stent Au mow! Jed om Bryans orden mene captive (Chie, tos mat dane teainde par dus pet ros rude d 132 Dr ahve Bano, eels Sof St tapas rote ase m_(BA ows! Vier soar a raed ter ot or, Farr ‘are 182 2 im | | (Fag Motére Jon porta eee de prams Raleati au Mouvt ot tate I danse, Ralenti __au Mouvt ere. Per. = on me, oma on cr aca (raw Bases 00 ptr mer pour Ia 3%, ainsi durant toute a danse. Danse sppiaate do Coe es pe Ralenti au Mout sane ees Be Pees pag sce a ce Die Pert obn, Fens Be cu ed vpscns| cone rete Fee Si 2 He, news Dh ae Diy Die ce. bie Fleasel cor ot cae. ae waz seriin| stp, Sera touene reve —— SSS == bie Strintomne ————— Serttcache alt ye P= __"Seriatencie Pen on ea nto ce reasttal reves lw wos Die 160 Sertatouene le tats do fi “enor Se Ted never pa Bes Won soar “ru ora ST Tew tar i "Sica lee Be co. "pe fice bv Assez leat. pe Daswipéia ola eprend ua dans ‘Assez lent ye ‘bis om Dw Pen over eal as, tae ssc con | peeve Prawn De soe ewan 7 Dis agi ote Ale Bre Die Die Pier FLonsat Be, cons. 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[er =e aie Dre vo | ax | 305 oe Bi. leno sna be on ac. Tam dae. om cone 0 Per oF ork seoeca| ame, ve om ee seve ‘ya Die 307 Punot wa seven 08 Peer, omn. a sean srpecpe! "Dye Dix a Appendice DAPHNIS ET CHLOE faprés la page 95) NOTA: Utiliser cos pages de Aa G pour les exécutions sans chosurs MAURICE RAVEL Méme moavt sr oon. Cheeta] aro snecos |S ‘Somding —_————— core WI Sourdin. even, ae on, ons a ‘ter foe eourd am conn Poansat cor. oun, senvecne| own Plano a. se SSS 01 mt | com a, or Fle wot a. cue. aoe ter ts woud se00r ene Pesca In POFL oisr cua. ree 50 cer 2 waar seta cra, at me an ps9 t oF rene, scream a. Eeeeet pe oe top ra zera| sere Be, a, a. sexe Pert ote Float cor Piven sete, ‘Tint. oc ne ue sure. On estou camp des pirates. Ce ts acide. foe mer. A drat puch tive de rhe Unc teime te dsoee pe ete rendre en expt, On erat fs pe art et curge hain. Des trees sat sports, gt fase lero Scene a sah bie. Be sain waco Pe scecaearaeta Fi ate vee ae ‘pent oe EES be. 1i7Ts ache ce 6 Bynes et tris rate Por. ofr Fuonsel A, cor woes setve.ma ‘team, yan, ac. at bir Div. Suivre page 100

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