COLLEGE LONDON ome eee - 2016-2019contents iROUP A carulli cosy lewsidler ‘or SROUP B andes srozdzowski dyens Auro >avlovits illanueva andar 2 Gigue in A minor 3 Wascha Mesa 4 ‘Study in A minor, op. 35 no. 14 = 5 Cancion. ee The Tulip Swing ___ 7 ‘On Joe's Deck _____— 8 Milonga Preludeno. 2- The Silver Prelude ty Constellation no. 2 Alternative pieces for this grade 5ROUP A Jomposer Brouwer Sordero Rak or 3ROUP B Zomposer artog -indsey-Clark Nuttall Sollory Stachak Whitworth & Nuttall Piece Book Publisher Etude 6 or Etude 7 Etudes Simples vol.2 Eschig ME7998 Estudio ala Cubana Modern Times - The Complete Series Chanterelle ECH750 Petit Blues Jeux sur 6 Cordes Lemoine HL27270 Etude, op. 44 n0. 23, The Complete Studies for Guitar Chanterelle ECH491 Piece Book Publisher Reflections Guitar Crackers Alsbach ALBIO482 Vals-Homage to Antonio Lauro Simply Latin Montague MMIZ1 ‘At the End of the Day Half Moon Countryside Le Vent dans la Plaine ‘or Scattered Sky Estudines for Guitar Camden CMI96. Waltz on a Melancholic Note Zaproszenie do Walca (nvitation to the Waltz) Euterpe EUI007 Night Piece’ Diversions Holley S006 ‘performed, one piece from group A and two pieces from group B Piece tt akernatve list ‘Chasen from this book er from thase in the | Chasen from this book ar fram thase in the | Chasen from this book or from those inthe Piece 2: Piece 3: ternative ist alternative lst or candidate's own composition (Gee current sylabus fr details) ‘All peces inthis volume have been edited with regard to current concepts of performance practice. Fingering and dynamics have been ‘suggested to assist canaidates and ther teachers in developing their wn interpretations. Markings in square brackets are editorial Metronome marks are given as a quide but do not need tobe observed exactly, as long asthe style and character ofthe piece is maintained. Repeats of more than a few bers shouldbe omitted inthe exam unless otherwise instructed inthe sylabus or inthis book. ut all da capo ‘and da sagno instructions should be observed. very effort hasbeen made to rae end acknonedge the copyright mers fan right hasbeen omitted or any detalis incorrect. “Tnkty College Loncon wil rectify ths in any subsequent reprints following notification, Important Candidates and teachers must refer tothe Information & Regulations booklet (wwvatrinitycollege.com/essentialinformation)TRINITY COLLEGE LONDON Guitar Grade 4 Pieces for Trinity College London exams 2016-2019 Published by Tiny College London wmetinitycolege.com Registered in England Company no. 02883033, Charity no, 1014792 ‘Copyright © 2015 Trinity Collage London First impression, September 2015, Unauthorised photocopying is illegal No pat of this pubication may be copied or reproduced in any ‘orm or by any means without the prior permission ofthe publisherAndantino Ferdinando Carulli 1-62-68 (770-1841) = oe Le * & Ee oe a eeGigue in Aminor Jan Antonin Losy (ies0-172) .=84-88) poco rit. 2nd time — 2iay the repeats inthe exam, Dynamic markings are editorial,Wascha Mesa Ein Newgeordent Kiinstlich Lautenbuch Hans Newsidler 0508-1563)Study in A minor : op. 35 no. 14 Andante J= 104-108 Fernando Sor (1778-1839) ‘ce Do not play the repeats in the exam. Md 4 7Cancion ‘ Marc Andes Vivo (J.= 96-100] oe a ceeree ls ce Dynamic markings are ectorial. ai “all “TIThe Tulip Swing Moderato (J = 96-100) 9=J'3 mea fmt ose, an 1 | Miroslaw Drozaowski (b.1964) Tes 4 r Pi ef a DC.al Coda imeOn Joe’s Deck Roland Dyens (0.1955) Tranquillo J=44-47 ’ PFs ae rit poco poco a tempo ‘ We ns = [Se of 4 = dampen note pip. = polpastrelo (with the flesh)Milonga ., Juan Antonio Muro (b.1945) a 2. (0=70-76) ant - F Ses at ecle! D.C, al Fine mp ynamic markings are editorial "ay the first repeat oniv in the exam, SrPrelude no. 2 - The Silver Prelude David Paviovits Allegretto (J= 150-140) (0.1973) ‘mp Io sempre a tempocerese. molto moltoral. = x, a tempo > #d/ r EP Wd rl pone} ae | aan a. Fall A tempo, molto calmo rll. Quasi a tempo 4“ omConstellation no. 9 Gloria Villanueva 5 4 [= 60-64] Sa) a > oa ail = (] 1 oS 5 I. atempol=.) A Dynamic markings are editorialcontinued trom inside front cover) ‘Technical work = Candidates to prepare i) Techn ‘Technical exercise in A major (music may be used, 4 = 130) Candidates toprepare in fulleft either ll) Scales & arpeggies (from memory, ay) Canctotes soul prepare scales ond arpaqgo8 2 sed below When the earner equests ey the candle soul pay the seae an then the area, major Bbmajor scales im and ma G melodie minor ‘scales: apoyando or trando D harmonic minor two octaves | SPOS prnoina (Candidate's choice) Chromatic cae starting on F ‘arpeggios tando Dominant Th arpeggio inthe key of D major orl) Studies (music may be used) Cancidates to prepare lao to 2a or 25 and 3a or 3b (ree studs nota. “The candidate will choose one study to ply ist the examiner wil then selact one of the remaining two prepared studies to be performes. ppinim.. ‘a: Hatf Moon on tb. Flamence Fantasy | for tone and phrasing 2a River or 2b. And Rela. for articulation 3a Dark Maze or 3b. Sorrow foridiomatic elements ‘Suphiorting tests = to tests are fo be chosen from= ‘ight reading aural improvisation musical knowledge “ease refer to the current syllabus for detalls onal elements ofthe exam.| = Guitar Pieces for Trinity College London exams 2016+ : oe Siecle: Mero De oe eee ene ate i We et ta fi So eae oa (ee ‘Scales, Aipcagios & Studies lnitial-Ciade 5 fr Sal ae : a a ei Rete (aac ana aistecen es 0 (ee eee ve Cie re = Soil Sioht Guitar eee coe es Tope ere ata Sere Ce oe i cu ee Cee ToL orso1s aN o73.cesra6 ara I 9 7e0es7! 364746)