• 12 point, Times New Roman font • 1 inch margins • Neat and professional presentation (abstract, cover page, page numbers, ect.) • Correct parenthetical citations in outline and attached bibliography
Introduction (40 points) 34
• Good hook –draws the reader into the paper • Identification of the purpose of the study and justification for its rhetorical/media • Studies significance • Clearly articulated thesis and preview statement
Description of “text” (20 points) 18
• Description of “text” • Relevance/justification of text selection
Context/lit review (20 points) 16
• Clearly identifies the relevant contexts of text • Clearly draws on helpful rhetorical/media concepts/theories • Situates text within scholarly conversation Minimum: 4 from syllabus, 8 from outside research • Maintains authorial voice/argument throughout lit review
Analysis of Text (100 points) 89
• Compelling analysis: reveals how the text functions • Sufficient specific examples from the text to support claims • Offers relevant scholarly sources to elaborate claims • Critical thinking demonstrated throughout • Substantiates/proves thesis statement
Contribution to Theory/Criticism (25 points) 21
• Implications of findings for Rhetorical/Communication theory in general • Addresses the “so what” question
Writing (25 points) 22
• Writing should be concise and grammatically correct • No more than 4 helping verbs per page • Writing should be eloquent and rhetorically savvy • Arguments are well structured • Paper is well organized Comments: Dear Kodie, thank you for your work on this essay! Please find my feedback below! - You need to develop a stronger attention getter in the opening paragraph of your essay. The eight billion results from Google is true, but there are also a lot of different searches that we could do that would produce eight billion results. This alone fails to render the topic as significant. - You state that your introduction leads to the question, “are written platforms the only places where we are getting clues of what the good life might be?” Yet, I’m unclear as to how the previous introduction has led to this question. What about the ambiguity of the good life in video media is any different the ambiguity facing the concept of the good life in print media? - Your discussion of the power of stories, while important to your argument, could’ve been much shorter. Not many will argue that stories wield significant power within society to shape perceptions values and perceptions of reality. - Love the Carole Blair quote on page 7! Well done! - My one issue here lies with your selection of a text (Little Women). Obviously, I have no problem with you selecting this text; otherwise, I wouldn’t have approved it. Yet, you need to do more to explain why you selected this text and why it warrants critical attention. I thought that your discussion on these points on pages 8-9 failed to identify a distinctive reason for studying Little Women other than that its old and likely still relevant to ttoday’s movie viewer. Go deeper than that. - Be more clear on why you are quoting the scholars that you select when defining the good life. What about them makes them the experts as opposed to all the other scholars who have theorized this concept. For instance, why no mention of Aristotle, a scholar who has shaped Western scholars’ understanding of the good life.? - You provided some excellent details and content throughout the essay; yet, you often expressed the thoughts in a very wordy manner. I would encourage you to be more concise in choosing how to express certain thoughts. The reason for this encouragement is that it allows you express yourself more precisely when you can limit the words you use in expression. At times, your comments lack conciseness. - While it could’ve been more concise, I thought your narration of the story was excellent. It’s almost like you engage stories a lot on the stage or something like that - AS you narrate the story, connect the particulars back to particular conceptions of the good life more. It appears like there are multiple and even conflicting notions of the good life operating in the film, depending on the POV. - I would encourage you to push for deeper implications in the latter section of the paper. Many of your implications were simply restatements of what others have or are currently saying in the scholarship. What is the distinctive observation (culturally or theoretically) that we gain from your essay? For instance, you might contend that period films disarm us because we see them as historical explorations of a time gone by even while they shape our ideals in contemporary society. This type of statement would be localize to your project and be a stronger claim/implication to make.