The Old Man and

the Sea
Study Guide by Course Hero

TENSE
What's Inside The Old Man and the Sea is narrated in the past tense.

ABOUT THE TITLE

j Book Basics ................................................................................................. 1 The title refers to the novella's main character, Santiago, an old
fisherman, whose struggle with a marlin plays out in the open
d In Context ..................................................................................................... 1 sea, symbolizing humankind's epic struggle with nature.

a Author Biography ..................................................................................... 2

h Characters .................................................................................................. 3
d In Context
k Plot Summary ............................................................................................. 6

c Plot Analysis ............................................................................................... 8

Allegory
g Quotes ......................................................................................................... 14
Ernest Hemingway's The Old Man and the Sea is an allegory—a
l Symbols ...................................................................................................... 16
story that reveals a deeper meaning or truth about human
m Themes ........................................................................................................ 17 existence. One of the main ideas in The Old Man and the Sea is
the eternal struggle of humankind versus nature.
b Motifs ........................................................................................................... 19
In Daniel Defoe's Robinson Crusoe, first published in 1719,
e Suggested Reading .............................................................................. 19 castaway Robinson Crusoe comes to a closer understanding
of God in his struggle to survive in a hostile natural
environment. James Fenimore Cooper's 1826 novel The Last of
the Mohicans advocates a respectful attitude toward nature,
j Book Basics warning that human exploitation as illustrated by appropriation
and exploitation of Native American land could lead to the
AUTHOR downfall of a rich cultural heritage. In Herman Melville's 1851
Ernest Hemingway signature work Moby Dick, Ahab fights fiercely and ultimately
loses an epic struggle with a whale, confirming that an
YEAR PUBLISHED individual cannot defeat or conquer nature but can only exist
1952 within it.

GENRE Hemingway illustrates his own notion of humankind's

Allegory relationship with nature. In The Old Man and the Sea, the old
man is a fisherman; his livelihood depends on the sea, a symbol
PERSPECTIVE AND NARRATOR
for all nature. He is an experienced fisherman with a deep
A third-person omniscient narrator tells the story of The Old
understanding of nature as well as a deep love for all its
Man and the Sea, often revealing the main character's
creatures. To him, they all have a specific personality: the sea
thoughts.
The Old Man and the Sea Study Guide
is female and both beautiful and cruel because she gives and
takes life; conversely, the marlin is male because of his
strength and calm. The old man does not question the order of
things. On the contrary, he accepts that every creature, himself
included, has a place in the natural circle of life. He declares he
was born to be a fisherman as much as the marlin was born to
be a fish. Therefore, as a fisherman he must fish to survive.
There is no moral judgment; it simply is the way nature
intended.
Deep-Sea Fishing
After returning from Europe following World War II, Hemingway
and his fourth wife, Mary Welsh, lived in Cuba. Hemingway
spent much of his time deep-sea fishing on his boat, the Pilar.
These experiences provided background for the vivid
descriptions of a fisherman's skill in The Old Man and the Sea.
Hemingway was an accomplished fisherman himself,
participating in and winning competitions in the waters around
Key West, Havana, and Bimini in the Bahamas soon after
purchasing his boat in 1934. Then in 1936 Hemingway
published an essay in Esquire about an old man being pulled by
a huge marlin for several days before returning ashore with
less than half the fish remaining. While Hemingway never
claimed his story was based on a particular person, this essay,
as well as his acquaintance with Carlos Gutierrez and Gregorio
Fuentes, both captains on the Pilar, appear to be seeds for the
novella. Like his fascination with fishing, the story itself had
been developing inside him for a number of years.
Joe DiMaggio
It is no secret that Hemingway appreciated physical prowess
and athleticism. The frequent references to baseball in general
and Joe DiMaggio in particular speak of Hemingway's
admiration for athletic ability, strength, endurance, and
perseverance. These traits defined Joe DiMaggio. DiMaggio
was born to Sicilian immigrants in California in 1914 and made
his major league debut in 1936 with the New York Yankees.
DiMaggio played center field and was an All-Star every one of
his 13 years with the team. With an unparalleled 56-game
hitting streak, DiMaggio led the Yankees to win the World
Series nine times. Perhaps most impressive about DiMaggio's
success was that he played a consistently flawless game
despite numerous injuries—twisted ankles, dislocated
Copyright © 2018 Course Hero, Inc.
Author Biography 2
shoulders, and bone spurs in his feet, requiring repeated
surgery. Playing superbly through severe pain is the source of
Santiago's admiration in The Old Man and the Sea.
Response to Critics
The Old Man and the Sea is likely the least autobiographical of
Hemingway's work. Just over 50 years old, Hemingway was
not an old man at the end of his life. However, he had not
published much in over 10 years, and critics had practically
pronounced him dead as a writer. The harsh reception of his
novel Across the River and Into the Trees in 1950 has been
likened to the sharks' feeding frenzy in The Old Man and the
Sea. Similar to the novella's title character, Santiago, who, by
capturing the biggest marlin of his career, shows he is still a
powerful fisherman, Hemingway wrote The Old Man and the
Sea, showing himself still a powerful writer. On submitting The
Old Man and the Sea to his editor, Wallace Meyer, Hemingway
presented his opinion of the work: "the best I can write ever for
all of my life." Indeed, the critical and commercial acclaim of the
story finally silenced his critics.
a Author Biography
Ernest Hemingway was born in Oak Park, Illinois, near Chicago,
on July 21, 1899. In his career as a journalist he often covered
wartime hot spots. As a novelist he is acclaimed for works such
as The Sun Also Rises, A Farewell to Arms, For Whom the Bell
Tolls, and The Old Man and the Sea, for which he received the
Pulitzer Prize in 1953.
As a teenager Hemingway began his writing career as a
reporter for the Kansas City Star. Rather than go to college, he
volunteered in 1918 as an ambulance driver in the Italian army
during World War I. He returned to the United States after
being severely injured, staying at his family's home in Michigan
to recover.
In 1921 Hemingway married his first wife, Hadley Richardson,
and within months the couple moved to Paris. While in Paris,
Hemingway joined the expatriate artistic community centered
around the American writer Gertrude Stein, who hosted a salon
where writers and artists frequently met. Hemingway
socialized with well-known modernists such as F. Scott
Fitzgerald, Pablo Picasso, James Joyce, and Ezra Pound; Stein
The Old Man and the Sea Study Guide Characters 3

famously referred to this group as the "lost generation."
Modernist writers commented on the insecurities and lack of
direction in a world that seemed to have lost all meaning after
the brutality of World War I.
The Hemingways found Hadley was pregnant with a child,
Jack, in 1923, and so they moved to Toronto, Canada (believing
the hospitals were better there), where Hemingway worked as
a foreign correspondent for the Toronto Star.
Soon after publishing The Sun Also Rises (1926), a novel
heavily drawing on what Hemingway learned about bullfighting
during frequent trips to Spain, he and Hadley divorced in 1927.
Hemingway then married journalist Pauline Pfeiffer later that
year and returned to the United States to live in Key West,
became an international best seller, making its author a
celebrity after almost 10 years of virtual literary silence. The
novella's critical acclaim helped cement Hemingway's
reputation as a literary giant, and in 1954 he won the Nobel
Prize in Literature.
Hemingway sustained many injuries throughout his lifetime of
adventures. He was a heavy drinker who suffered from
depression and several chronic ailments, among them liver
disease. When Hemingway and his fourth wife moved to
Ketchum, Idaho, after buying a house in 1959, his mental health
deteriorated. On July 2, 1961, Hemingway committed suicide.
He was 61 years old.

h Characters
Florida. In 1928 their son Patrick was born, followed by another
son, Gregory, in 1931. During this marriage Hemingway
published A Farewell to Arms (1929), a World War I novel.

In the 1930s Hemingway engaged in adventurous outdoor

activities such as hunting in Africa, bullfighting in Spain, and
Santiago
deep-sea fishing in the Gulf of Mexico. Always drawn to the
An old fisherman down on his luck, Santiago, alone, goes
sea, Hemingway bought a boat, the Pilar, in 1934. He equipped
farther out to sea than ever before. He hooks a marlin bigger
it to catch big fish and traveled extensively around the
and stronger than any he has caught previously and engages
Caribbean, gathering the experiences he would later use in his
in an epic struggle as the fish pulls him even farther out to sea.
novella The Old Man and the Sea.
Defying hunger, thirst, exhaustion, and pain, he perseveres and
In 1937 he covered the Spanish Civil War as a foreign finally reels in the marlin, only to lose it to sharks. Destroyed
correspondent for the North American Newspaper Alliance. but not defeated, the old man arrives home with his skiff
While in Spain he met fellow journalist Martha Gellhorn. In 1939 damaged. Knowing he will go out again, doing what a fisherman
he sailed on his boat the Pilar to Cuba, where Gellhorn joined must do, he accepts his fate, thus rising above it.
him. Pauline then left him, and Hemingway and Gellhorn
married in 1940, settling on a farm near Havana, Cuba.
Manolin
Hemingway served as a war correspondent in Europe during
World War II. He met his fourth wife, Time magazine Manolin sees Santiago as his mentor whom he meets at the
correspondent Mary Welsh, while living in London from 1944 to end of every day to help pack up the equipment and bring him
1945. Always aiming to be at the center of events, Hemingway food. Manolin's parents no longer allow him to fish with
witnessed the Normandy landing at Omaha Beach on June 6, Santiago because of the old man's unfortunate luck. Upon
1944; the liberation of Paris on August 25, 1944; and the Battle Santiago's return with the marlin's skeleton, Manolin vows to
of the Bulge in December 1944. In 1946 Welsh and Hemingway restore the old man's boat and fish with him again, convinced
married in Cuba. his presence will turn the old man's luck for the better. As a
representative of youth, he guarantees Santiago's great feat
For Whom the Bell Tolls, Hemingway's novel about the Spanish
will live on in the future.
Civil War, had been nominated for a Pulitzer Prize in 1941, but
he did not win. However, in 1953 Hemingway won the
prestigious award for The Old Man and the Sea. Appearing in
1952, the novella is the last complete work published before his
death. An immediate commercial and critical success, it

Copyright © 2018 Course Hero, Inc.

The Old Man and the Sea Study Guide Characters 4

Marlin
The 18-foot marlin is the old man's worthy adversary. Although
it has been hooked, the marlin shows no sign of defeat; instead
it pulls the old man's skiff for several days and nights, taking
control of the situation until exhaustion defeats it. Yet even in
death, its skeleton bears witness to the magnificent struggle
that took place out on the ocean.

Copyright © 2018 Course Hero, Inc.

The Old Man and the Sea Study Guide Characters 5

Character Map

Manolin
Young boy; kind,
helpful, and optimistic

Apprentice

Marlin Perico
Strong, huge fish; fights Kind man; works in
formidably; eaten by sharks Adversaries the village bodega

Santiago Provides free

Old fisherman; down on newspapers
his luck; unbroken in spirit

Cynics
Provides
free food

Fishermen
Martin
Live in village near
Generous café owner
Havana, Cuba

Main Character

Other Major Character

Minor Character

Copyright © 2018 Course Hero, Inc.

The Old Man and the Sea Study Guide
Full Character List
Character Description
From a small village near Havana,
Cuba, Santiago is an old and destitute
Santiago
fisherman who has not caught a fish in
a long time.
Manolin is a young boy, who loves and
Manolin
cares for the old man.
The marlin is a huge fish—bigger and
Marlin stronger than any the old man has ever
caught.
Although the village fishermen first
look down on Santiago because of his
Fishermen
long streak of bad luck, they admire
the sheer size of the marlin's skeleton.
Owner of the local café, Martin allows
Martin Manolin to take free food to the old
man.
Although Perico never appears, he
Perico
provides newspapers for Santiago.
Remembering how he won a long and
Strong man difficult arm-​wrestling match and an
from easier rematch against the "strong
Cienfuegos negro," Santiago associates this
opponent with loss of confidence.
k Plot Summary
A String of Bad Luck
Santiago, an old Cuban fisherman working the waters of the
Gulf Stream, has not caught a fish in 84 days, longer than
anyone else and making him salao, worse than unlucky.
Santiago's body, particularly his skin, bears signs of age and
constant exposure to the elements as well as scars that speak
of struggles with strong fish. His eyes, however, are young,
hopeful, and undefeated. While many fishermen laugh about
him, Manolin—a young boy who used to fish with Santiago until
Copyright © 2018 Course Hero, Inc.
Plot Summary 6
his parents made him work on a more successful
boat—admires Santiago and meets him at the shore every
night to help carry the equipment to his shack. Santiago is
lonely and poor as evidenced by his sparse accommodations.
He sleeps on old newspapers on top of a bedspring, and he
has no food but for the meals Manolin provides for him from
the local café. On the night of the 84th day without a catch,
Manolin and Santiago talk about baseball, particularly about
Santiago's hero, Joe DiMaggio, who defeats the odds time and
again, leading his team, the New York Yankees, to victory.
Santiago tells Manolin he will fish far out at sea the next day.
As Santiago lies down to sleep, he dreams about his youth in
Africa and lions frolicking on the white sandy beaches.
Two Days at Sea
The next day Santiago takes his skiff out farther than usual. As
he sails past the other fishermen from his village, he ponders
his surroundings, sometimes talking to himself aloud. Having
set the line to fish, he muses about the beauty of agua mala,
the jellyfish that can be deadly, and about the turtles who eat
the jellyfish.
Around noon he feels a light pull on his line; he has hooked a
marlin. The fish is so strong that Santiago cannot bring it in.
Unlike other fish, this one does not jump out of the water or
thrash about in a panic, trying to remove the hook. Instead this
marlin calmly pulls the skiff even farther out to sea.
For two days and nights, Santiago and the marlin remain on the
open sea. At first, Santiago tries to hold the line without
disturbing it, strapping it around his back to relieve the
pressure on his hands. He begins to wonder about the fish,
which behaves so differently from any fish he's known, and he
remembers how he once hooked a female marlin while a male
marlin was watching. The female engaged in the usual
panicked fight against the hook and ultimately lost. All the while
the male marlin stayed and watched, as if trying to save her.
Santiago compares himself to the marlin he has hooked now,
realizing they both are alone and lonely with nobody to come
to their aid. As a warbler lands on his boat, the old man
wonders whether this is its first flight and whether it will be cut
short by the hawks that are sure to come for it.
Suddenly the fish lurches forward as if, Santiago thinks, it has
been hurt by something, and the line cuts deeply into
Santiago's hand. As the day wears on, his hand cramps, forcing
The Old Man and the Sea Study Guide
him to use his other hand to hold the line. He is both disgusted
and humiliated by his deformed hand. Alternately admiring the
marlin's strength and determination and pitying its hopeless
situation, Santiago feels more and more akin to the fish.
As the fish comes up from the depth of the ocean, Santiago
notices it is two feet longer than his skiff. Santiago fears a fish
of that size might take out all the line and be strong enough to
break it. Comparing himself to the fish, he considers the marlin
nobler yet less intelligent than man. He prays for him yet at the
same time vows to kill him.
The Catch of a Lifetime
Trying to fight fatigue on the second day at sea, Santiago
distracts himself by thinking of baseball. Disappointed this is
the second day he won't be ashore to hear about game results,
he trusts Joe DiMaggio will persevere despite his bone spurs
and win the game for the New York Yankees. As the sun sets,
Santiago remembers an exciting arm-wrestling match that
lasted 24 hours. Coming from behind and defying the odds,
Santiago persevered and won the match. He later won the
rematch more easily because losing in the first match had
shaken his opponent's confidence.
As a dolphin eats the bait on the old man's line, Santiago hoists
the dolphin onto the boat, unhooking and gutting it so he can
eat the meat the next day. He feels sorry for the marlin
because it has no food. On the second night at sea, Santiago is
so exhausted he finally falls asleep. He dreams of a school of
porpoises, of his village, and of the lions on the beaches of his
youth.
Santiago is startled awake as the line cuts through his right
hand. The marlin has jumped. He assumes the fish will circle
the skiff soon, marking the beginning of his work as a
fisherman and the beginning of the end for the fish. Indeed,
when the sun rises on the third day, the marlin begins to circle.
With each subsequent circle, Santiago recovers some of the
line, bringing the marlin closer and closer to the skiff. Finally,
once the fish is alongside the skiff, Santiago harpoons it. As
the fish goes belly-up, dying, the old man mourns it, as if he has
killed a brother. Carefully tying the marlin to the side of his
boat, Santiago feels pride in his feat; he has overcome pain,
hunger, exhaustion, and injury. He turns the boat to sail back
home and wonders who is towing whom, deciding in the end
they are going in side by side, like brothers.
Copyright © 2018 Course Hero, Inc.
Plot Summary 7
The Sharks' Feeding Frenzy
Attracted by the marlin's blood, a shark attacks. For a moment,
the old man feels defeated, that his catch was too good to last,
and that it might as well have been a dream. Yet when the
shark takes a bite, it comes close enough for the old man to kill
it with his harpoon. Dying, the shark takes the harpoon with it.
Although he realizes other sharks will be attracted by the
marlin's blood, Santiago thinks positively, contemplating how
much faster his skiff sails now that it is 40 pounds lighter. He
ties his knife to one of the oars to replace his harpoon. Not
hoping, he declares, is a sin. He wonders if killing the marlin is a
sin even though he was born to be a fisherman and the marlin
was born to be a fish. He has not killed it for money or food; he
has killed the fish for pride because that is what a fisherman
does, and he has killed the shark in self-defense. Everything
kills everything, he declares.
When two sharks appear, Santiago fights off the first of the
pair but loses an oar. Leaning over the side of his skiff, he
fights off the second, hitting it with his fist and a second knife.
While swallowing part of the marlin, that shark dies too, but a
quarter of the marlin is now gone. When the next shark arrives,
Santiago lets it take a bite and then hits it with the second
knife. Dying, the shark thrusts its head backward, and the knife
blade snaps. The old man is left with no weapon. More sharks
appear at sunset, and Santiago fights them off with the tiller
and a short club. Although he cannot kill them, he hurts them
badly, and they swim off. Now half the marlin is gone.
Although Santiago regrets having gone out this far, he resolves
to fight until he dies, hoping to sell enough of the fish to buy a
new harpoon. At midnight Santiago has to use his club and the
tiller to fight off another pack of attacking sharks. When they
finally leave, none of the marlin is left.
Santiago feels defeated. Nonetheless he keeps going, using
the jagged edge of the tiller to steer the skiff, marveling at its
speed without the extra weight of the marlin. Beaten and
exhausted, he reaches the shore with nothing but the marlin's
skeleton tied to his boat. He admires the outline of the skeleton
in the moonlight before he fights his way up the hill to his
shack, carrying his mast on his shoulders.
The Old Man and the Sea Study Guide
Every Day Is a New Day
The next morning Manolin looks in on the sleeping Santiago.
When Manolin sees the injuries on Santiago's hands, he cries.
The local fishermen measure the marlin's skeleton with
admiration, realizing it is bigger than any fish they've ever
caught. Manolin goes to get some coffee for the old man.
When he returns, Santiago tells him the sharks beat him. When
Manolin tells him he wants to go fishing with the old man,
Santiago first resists, reminding the boy of other boats' better
luck. Manolin insists, claiming he will bring luck with him. He
promises to get the boat in order while the old man heals his
hands.
As tourists look at the enormous skeleton, mistakenly
assuming it is a shark, the old man falls asleep and dreams of
lions.
c Plot Analysis
A Spirit Unbroken
In the opening pages of The Old Man and the Sea, the title
character, Santiago, like many Hemingway heroes, is lonely
and isolated. The other villagers laugh at him, and Santiago's
physical characteristics—his body emaciated—support the idea
he is indeed a man beaten by life. However, his eyes—young
and hopeful—hint that, despite his age and physical limitations,
Santiago's spirit remains unbroken. Even after nearly three
months without a catch, he does not rage against his
detractors or bemoan his fate but instead endures it every day,
aiming to rise above it. The struggle between body and spirit is
one of several epic battles Hemingway's novella illustrates.
Evoking Joe DiMaggio, the legendary baseball player whose
unrivaled prowess helped the New York Yankees win several
World Series, Santiago vows to defy the odds and go out to
sea yet again, trying his luck farther off shore where the fish
are more likely to bite. Santiago may be in complete denial,
living in the past, as his dream of lions playing on the white
beaches of his youth seems to suggest. The stage is set for
one last journey out to sea, in which Santiago will either
persevere or suffer ultimate defeat.
Copyright © 2018 Course Hero, Inc.
Plot Analysis 8
The Circle of Life
Santiago reads nature the way others read books; he
understands that the presence of flying fish signals dolphins
nearby, and he handles the line in a way that will tell him the
depth of the fish he's hooked. His expertise, knowledge, and
courage establish him in a class by himself, as a hero who
stands alone.
With his intuitive understanding of nature, Santiago recognizes
the sea is both beautiful and cruel in its power to give life to
and take it from those that live within it. While this sentiment
may be a comment on Hemingway's conflicted view of
women—Santiago looks at the sea as female—it also must be a
comment on the circle of life. Agua mala, the purple, iridescent
jellyfish whose sting can be life-threatening to humans,
becomes food for the sea turtles just as the warbler Santiago
watches will likely be eaten by the hawks that are sure to
come. Watching the food chain at play, Santiago instinctively
understands the forces of life and death as intricately
connected: what kills one creature sustains the life of another.
Life and death, opposing forces at first glance, are in fact in
perfect balance. Without saying it explicitly, Santiago realizes
each creature has its place in the universe. Santiago's
individual struggle with the marlin becomes a symbol for an
individual's struggle against and within nature. In such a
struggle, Santiago is elevated to a hero of mythical
proportions.
Having grasped the intrinsic interconnection of all life, Santiago
feels akin to the marlin that has swallowed his hook. In his
three-day journey with the fish, Santiago oscillates between
admiration for the fish's strength and perseverance and then
pity for the fish's hopeless situation. Their established kinship,
however, extends Santiago's empathy with the marlin's
dilemma to his own very human plight. After all, Santiago is out
there to catch a fish not for sport but to sustain life.
Grace under Pressure
In The Old Man and the Sea Hemingway comments on the
heroic stance of man facing his ultimate, inescapable defeat:
death. For Hemingway the idea of heroism is inextricably
connected to displays of physical prowess and determination
of will even in the face of insurmountable odds—qualities
displayed in the marlin and in the old man. For two days the
The Old Man and the Sea Study Guide
marlin calmly pulls the old man's skiff out to sea, unlike other
fish that panic and thrash about trying to get free of the hook,
thereby drilling it deeper into their skin and sealing the fate
they are trying to escape. This particular marlin displays more
grace, strength, and vitality than other fish, qualities that make
him a worthy adversary. A typical Hemingway hero, Santiago
must prove his manhood in a battle of wills.
Knowing the fish eventually will tire and surrender, Santiago
vows not to do so himself. This determination is what ultimately
distinguishes man from fish, no matter how magnificent a
creature and formidable an opponent the marlin may be.
Thinking of his hero DiMaggio, who played at the height of his
game despite painful bone spurs, Santiago is determined to
endure loneliness, physical exhaustion, hunger, thirst, and pain
caused by wounds from the fishing line.
Santiago's left hand, crippled by a painful cramp, symbolizes
his endurance and willpower in the face of insurmountable
obstacles. He waits for his hand to uncurl by itself with the
same patience and fortitude he shows when waiting for the
fish to begin circling the boat. By showing that Santiago cannot
force his hand to uncurl any more than he can force the fish to
come close, Hemingway shows that with resolve a man can
rise above his limitations; yet he also suggests no creature, not
even man, can escape his ultimate fate.
Santiago reels in the marlin with superior skill and despite the
pain from three bleeding wounds, seeming to have proven
wrong the villagers who have mocked him. He is not salao after
all; having caught the biggest fish ever, he confirms his
strength and vigor, thus confirming his value as a man. His
catch fills him with both pride and sadness: pride because he
has persevered and sadness because his triumph means the
defeat of a marvelous creature.
Go Down Swinging
The constant tug and pull of contrasts in the eternal struggle
of life and death further appears in Santiago's struggle with the
sharks. Described as mindless creatures, the sharks are far
less worthy opponents than the marlin. Drawn to the marlin's
blood, they engage in a feeding frenzy that ultimately seals
their death. One by one, Santiago kills them as they take a bite:
what sustains them destroys them.
However, more sharks keep coming—too many, it seems, for
Copyright © 2018 Course Hero, Inc.
Plot Analysis 9
Santiago to persevere. As in the beginning of the novella, when
a string of bad luck seems to have defeated him in the eyes of
the village fishermen, he seems doomed. However, Santiago
does not give in. In the baseball terminology the novella often
evokes, Santiago goes down swinging—and literally so. Losing
his harpoon to the first shark, then a makeshift harpoon to
another, and then his second knife to yet another, he resorts to
beating the sharks first with his tiller—as his hero DiMaggio hits
a baseball with a bat—and finally with his bare fists. He does
not give up, even as he realizes with every shark he kills or
drives away, his catch has dwindled.
Santiago as a Christlike Figure
What drives the old man forward is hope. At first he hopes to
reach the shore with enough of his catch left to sell for profit at
the market. Then he hopes to come home with enough of the
fish to sell to buy a new harpoon, and finally he hopes only to
reach the shore before he succumbs to exhaustion. Marveling
at the ever-increasing speed of his skiff as the added weight of
his catch dwindles, the quality of his hope changes. He arrives
ashore not with the youthful, perhaps naive hope for a better
future, but with that of a wise old man aiming to sustain the
status quo.
Not hoping is a sin, Santiago thinks. Although the novella uses
Christian images throughout, Hemingway does not evoke the
Christian idea of hope for a better afterlife. Santiago states he
is not a religious man, and yet, by describing Santiago's three
bleeding wounds, Hemingway clearly evokes the image of
Christ at the cross, atoning for the sins of humankind.
However, upon further reflection, Santiago dismisses the
Christian notion of sin as irrelevant. In Christian terms, killing is
a sin, yet to Santiago what has happened out on the ocean has
little to do with moral or religious values. He kills the marlin
because he is a fisherman, and he kills the sharks to survive.
Christian concepts of right or wrong do not apply. The marlin
was born to be a fish, the sharks to be sharks, and Santiago to
be a fisherman. They all have their assigned places in the
eternal battle that is life.
As he arrives ashore with nothing but his skiff and the marlin's
skeleton stripped of the meat of his catch, Santiago is left with
the realization that what drives individuals forward is the spirit
of survival. There is no redemption in the material successes of
the here and now, and there is no deliverance in an afterlife. As
he carries his mast on his shoulders toward his shack, much
The Old Man and the Sea Study Guide Plot Analysis 10

like Jesus carried his cross, Santiago has accepted his fate
and is willing to endure it.

The story does not end here, however. The next morning
Manolin promises to fix Santiago's boat and vows to fish with
him again. The old man rests, dreaming yet again of the lions of
his youth playing in the sand. Wisdom, vigor, and youthful hope
meet and unite in the pair that will sail on. The old man has
emerged the victor by realizing the point is not to win, but to
keep trying.

Showing how Santiago rises above his fate not by changing it

but by enduring it willingly—and thus proving his strength and
grace—Hemingway suggests that life on this earth is all there
is and all an individual can and must do is persevere. However,
Manolin, the representative of youth, will bear witness to
Santiago's epic feat and hence guarantee the old man will live
on beyond his death after all.

Copyright © 2018 Course Hero, Inc.

The Old Man and the Sea Study Guide Plot Analysis 11

Plot Diagram

Climax

7
10 Falling Action
Rising Action
6
11
5

4 12

3 Resolution

2
1

Introduction

Introduction Climax

1. Santiago has not caught a fish in 84 days. 9. Santiago kills the marlin and ties it to his skiff.

Rising Action Falling Action

2. Santiago sets out to fish on the 85th day. 10. Santiago fends off sharks as they eat the marlin's flesh.

3. Santiago hooks an 18-foot marlin. 11. Santiago returns with the skeleton and carries his mast.

4. He feels kinship to the fish, pulling the boat farther out.

5. The fishing line injures Santiago.

Resolution
6. Santiago catches a dolphin and kills it for food.
12. Attending to Santiago, Manolin vows they'll fish together.
7. Santiago's hand cramps.

8. Tired, hungry, and in pain, Santiago thinks of Joe DiMaggio.

Copyright © 2018 Course Hero, Inc.

The Old Man and the Sea Study Guide Plot Analysis 12

Timeline of Events

Day 1, September

On the evening of the 84th day without a catch, Santiago

and Manolin reminisce about better days.

Day 1, night

Santiago falls asleep and dreams about lions.

Day 2, morning

Santiago sets out to fish, sailing past the other

fishermen.

Day 2, noon

Santiago hooks a huge marlin.

Day 3

As the marlin surges, the line cuts Santiago below the

eye.

Day 3

Santiago catches a dolphin and guts it for food.

Day 3

Santiago's hand cramps.

Day 3, night

Santiago falls asleep and dreams about lions.

Day 4, morning

Santiago wakens as the line cuts his hand because the

fish jumps.

Day 4

Santiago reels in the fish, harpoons it, and ties it to his

skiff.

Day 4

Fending off sharks pecking at his catch, Santiago loses

Copyright © 2018 Course Hero, Inc.

The Old Man and the Sea Study Guide Plot Analysis 13

his weapons.

Day 4, evening

Santiago's body begins failing as he fights sharks with

his fists.

Day 4, night

Sharks eat all the marlin's flesh.

Day 4, later at night

Santiago arrives ashore with nothing but the marlin's

skeleton.

Day 5, morning

Manolin wakes Santiago, promising to fix his boat and

fish with him.

Day 5, morning

Santiago goes back to sleep and dreams of lions.

Copyright © 2018 Course Hero, Inc.

The Old Man and the Sea Study Guide
g Quotes
"Everything about him was old
except his eyes and they ... were
cheerful and undefeated."
— Narrator
Speaking about Santiago, the narrator explains that despite his
old age and going out to fish every day and returning without a
catch for 84 days in a row, Santiago is not daunted and his
spirit is unbroken.
"It is better to be lucky. But I'd
rather be exact."
— Santiago
Despite what others call his string of bad luck, Santiago
believes he can turn things around with his skill, experience,
and knowledge. Ultimately, luck may have nothing to do with
success.
"All my life the early sun has hurt
my eyes. Yet they are still good."
— Santiago
Although the old man has lived a long and hard life as a
fisherman, his body is still strong. He has persevered in the
struggle to carve out a life despite the harsh elements by his
willingness to suffer pain.
"The iridescent bubbles were
beautiful ... But they were the
falsest thing in the sea."
Copyright © 2018 Course Hero, Inc.
Quotes 14
— Narrator
Speaking of the jellyfish that can hurt with their sting, the
narrator explains that nature is both beautiful and cruel in its
ability to give and take life.
"No one should be alone in their
old age ... But it is unavoidable."
— Santiago
Santiago refers not only to his loneliness after his wife's death,
but also to the loneliness of a fisherman out on the sea. Neither
situation can be avoided; in the end each fisherman must face
his catch by himself, and all men must die alone. It is the human
condition that cannot be avoided and therefore must be
accepted.
"'Fish,' he said softly, aloud. 'I'll stay
with you until I am dead.'"
— Santiago
The old man is willing to give his all to keep the magnificent fish
he has hooked. While lesser men might give up, the old man
vows not to, even if it costs the ultimate price: his life. This is
the fundamental expression of the old man's strength of will
and persistence.
"He felt the line ... with his right
hand and noticed his hand was
bleeding."
— Narrator
The narrator shows Santiago as so focused on his work he
does not notice his injury. This wound is one of three bleeding
wounds the old man suffers during his struggle with the marlin,
likening him to Christ on the cross. The old man's ability to
The Old Man and the Sea Study Guide Quotes 15

endure pain and suffering is his ultimate strength. — Santiago

Referring to the fish, the old man admires that despite the pain
"He is my brother. But I must kill the hook must cause, the fish has pulled him along for several
days instead of trying to rid itself of the hook or allowing itself
him and keep strong to do it."
to be reeled in. This action elevates the fish to a worthy
opponent.
— Santiago

The old man feels kinship to the marlin he has hooked. Like the "A man can be destroyed but not
fish, the old man is part of the circle of life, and in that eternal
struggle to survive, man must kill even a magnificent animal. defeated."

— Santiago
"I wish I could show him what sort
Somewhat defenseless after having lost his harpoon when
of man I am."
protecting his catch from the sharks, the old man shows an
individual's willpower and resourcefulness will ultimately help
— Santiago
him persevere.

The old man wishes Manolin were with him so the boy could
help dispel his loneliness and help him catch the fish. Most of "It is silly not to hope."
all, Santiago wishes Manolin could witness the greatest catch
of Santiago's life. He wants to show Manolin that despite old
— Santiago
age and a long streak of bad luck, Santiago is still a great
fisherman.
The old man recognizes that even when a person faces
insurmountable odds, hope is what keeps people going. Hope
is eternal and ultimately leads to triumph.
"The thousand times he had
proved it meant nothing. Now he
was proving it again." "He leaned ... against the stern and
knew he was not dead. His
— Narrator
shoulders told him."
The old man's previous catches might be testaments to his
— Narrator
great skill, yet past accomplishments mean nothing. A
fisherman has to prove his physical prowess and his skill each
time he hooks and reels in a fish. A man can never rest on his The narrator explains Santiago knows he is alive because of
laurels. the pain he feels in his shoulders. At the moment the old man
faces the struggle that could kill him, he feels most alive.

"The punishment of the hook is

"Then he shouldered the mast and
nothing."

Copyright © 2018 Course Hero, Inc.

The Old Man and the Sea Study Guide Symbols 16

The marlin also can represent Hemingway's writing and career.

started to climb."
In this sense, it's the writing Hemingway has worked on for his
entire life that he tries to hold onto.
— Narrator

As Jesus carried his cross, Santiago carries his mast and

accepts his fate. Pain and suffering notwithstanding, he will go
back to fish the next day, regardless of whether he wins or
loses. The old man does not succumb but rises above his fate
by accepting it willingly. Triumph is not the same as success.
Triumph is never giving up.
l Symbols
Mast
The mast of the old man's skiff is an allusion to the Christian
cross, which in turn symbolizes pain and suffering for a greater
good. The three bleeding wounds Santiago suffers as he sails
underneath the mast of his skiff allude to the three wounds of
Jesus Christ as he was nailed to the cross, suffering to atone
for humankind's sins. At the end of the story, Santiago carries
the mast to the shack similar to the way Jesus carried the
cross, symbolizing that Santiago has accepted his fate as

Marlin Jesus accepted his. Santiago will continue to fish no matter

what, alone and lonely, neither asking for help or miracles nor
to succeed and live better. He will simply do, unquestioningly,
what individuals must: struggle to survive.
The marlin symbolizes the majesty of nature. With its sheer
size, strength, and tenacity as evidenced in its pulling
Santiago's skiff for several days, the marlin is a formidable
opponent. Unlike other fish, this marlin does not fight the hook Joe DiMaggio
but instead uses it to fight the old man. The marlin seems
successful at first, as the old man must hold on to the fishing
line so hard he is injured in the process. Watching the marlin
Joe DiMaggio, the legendary New York Yankees outfielder
put up so strong a fight, the old man feels more and more akin
whose 56-game hitting streak that ended in 1941 still remains
to this creature and begins to draw parallels. Although they
the world record, symbolizes perseverance and persistence as
seem to be mortal enemies in the universal battle between
well as skill. In Santiago's eyes, the hitting streak alone makes
predator and prey, Santiago realizes in the end they are
DiMaggio formidable, yet DiMaggio achieved this feat despite
brothers because they are in this fight for the same reason: to
painful injuries such as the bone spurs repeatedly mentioned in
survive.
the novella. Much like DiMaggio, Santiago defies the odds and

Although both the marlin and the old man are part of the catches the greatest fish of his career after a long dry spell,

natural order of life, locked in the struggle between predator survives for days out on the ocean without proper supplies,

and prey, perseverance distinguishes the two. To triumph in his and emerges the victor against aggressive sharks. His skill and

struggle against the marlin, the old man must dig deep within perseverance while facing seemingly insurmountable obstacles

himself to overcome not only the marlin's strength but his own make him a hero worthy of respect even though he does not

limitations: age, exhaustion, pain, hunger, and thirst. The battle succeed in bringing home his catch.

between the two is not merely the attempt of a fisherman

trying to reel in his catch and go home. This particular marlin
brings out the best in Santiago by pushing him to his limits. The
battle becomes a symbol of the constant struggle of an
Sharks
individual for survival within nature, a struggle won only by
one's willingness to go beyond what seems humanly possible.

Copyright © 2018 Course Hero, Inc.

The Old Man and the Sea Study Guide
Symbolizing the brute force of destruction, the sharks are
mindless creatures following their base instincts: the bloodlust
that lures them to their prey. Yet their very bloodlust also lures
them to their death. As they take bites out of the marlin in a
feeding frenzy, they come close enough to the skiff for
Santiago to kill them. What sustains them kills them. Neither
their lives nor their deaths serve any purpose. Defeating them
with sheer willpower and innovation, Santiago not only survives
himself but also defends the magnificent marlin. He brings
home the skeleton and thus captures the creature's majesty
and glory.
In a different interpretation, the sharks also symbolize all the
critics Hemingway faced in real life. Hemingway hadn't
produced much writing publicly in many years, and his most
recent publication had received a negative reception. This
novella seems to liken those critics to sharks who circle and
pounce.
Manolin
Manolin, the young boy who loves, admires, and cares for the
old man, symbolizes hope and the future. He is Santiago's only
friend and companion; his help, literally, sustains the old man.
Manolin is there every night helping pack up Santiago's gear
and providing food to make sure the old man won't starve.
Furthermore, he is the old man's apprentice. Although at the
beginning of the story he fishes on another boat, Manolin has
learned everything he knows from Santiago. Promising to fix
the battered skiff and to return to fishing with the old man,
Manolin offers the help the old man needs to keep going.
Manolin believes in the old man and therefore will carry on his
legacy and bear witness to his achievement.
m Themes
Perseverance
The Old Man and the Sea illustrates the theme of perseverance
Copyright © 2018 Course Hero, Inc.
Themes 17
in different ways and on different levels. First, although the old
man has not caught a fish in 84 days, he does not bemoan his
fate or rage against his detractors. Instead, defying his streak
of bad luck, the old man keeps going out to fish, trying even
harder by fishing farther out in the open sea than anyone else.
Second, like the old man himself, the marlin does not surrender
and go belly-up but uses its size and strength to pull the old
man's skiff even farther out to sea, thus making it a formidable
adversary. Third, seemingly dwarfed by the marlin's size and
strength, Santiago defeats the mighty fish after all because he
is willing to endure exhaustion, hunger, thirst, and pain. The
same willpower that enabled the old man's hero, Joe DiMaggio,
to play a flawless game despite painful injuries enables the old
man to wait out his opponent's strength. Finally, when the
sharks attack and feed on the marlin until nothing is left, the
old man kills or fends them off one by one, despite losing a
weapon with each confrontation until he has nothing left but
his bare fists.
Returning home with nothing but the skeleton to bear witness
to the greatest catch of his life and his skiff badly damaged,
Santiago is not defeated, nor is his spirit broken. Like Jesus
bearing his cross, Santiago will carry his mast to and from his
skiff day in and day out, doing what fishermen are meant to do:
fish.
Pain and Suffering
The theme of pain and suffering is intricately connected to that
of perseverance and appears in several ways. Pain is the price
a fisherman must pay for a bountiful catch. The old man's
hands are marred with scars, speaking to a lifelong history of
struggles with opponents out at sea. In the course of the story,
it becomes clear that while these scars are indeed a sign of
age, hardship, and suffering, they are also a sign of strength,
willpower, and victory. No pain, no gain: in the context of this
story, the phrase means any worthwhile catch comes with
painful physical injuries—cuts to the hands, arms, face, and
back of a fisherman as he tries to hold and reel in the fish. To
be a fisherman means enduring pain.
However, the theme of pain and suffering goes deeper. The
capacity to endure pain and suffering distinguishes humans
from other creatures. Although a strong opponent, eventually
The Old Man and the Sea Study Guide
the marlin gives up and allows itself to be reeled in while the
old man keeps going despite physical exhaustion, three painful
wounds, a cramping hand, and alternating hunger pangs and
disgust after eating raw fish. Furthermore, his capacity for pain
and suffering distinguishes Santiago from other fishermen.
Just as Joe DiMaggio overcame painful injuries to pull off an
unparalleled hitting streak, Santiago defies odds that younger,
stronger, and perhaps more successful fishermen do not try.
None of them has ever fished as far out or encountered a fish
as large, strong, and magnificent as Santiago has. The old
man's ability to endure pain and suffering establishes him as a
hero who rises above others.
Circle of Life
Life and death are prominent themes in The Old Man and the
Sea. The old man muses that the sea, a symbol for nature
itself, is simultaneously beautiful and cruel because it gives life
and takes it away. Sea turtles swallow jellyfish, hawks hunt
warblers, sharks devour marlins, and men catch fish. Each
creature has its place in the food chain that keeps the circle of
life going. The death of one creature provides life for another.
The seemingly opposing forces of life and death are in fact in
perfect balance.
However, there is another aspect to this theme. Although
Santiago appreciates the circle of life and recognizes his own
place within it, he fights hard to rise above it and survive. He
risks his life sailing out farther and staying longer than anyone
to catch a fish large enough to provide meat for him to eat and
sell. He defends his catch against sharks, brute creatures out
to satisfy the very bloodlust that kills them. Fishing is
Santiago's livelihood; it's how he sustains the one life he has.
While nature as a whole holds opposing forces in perfect
balance, life and death are the poles that mark an individual life.
Hemingway shows that what distinguishes humans from other
creatures is the desire to persevere as individuals. The old
man, who lives alone in his shack, illustrates the human
condition: a struggle against death that each man must fight on
his own.
Copyright © 2018 Course Hero, Inc.
Themes 18
Physical Strength and Skill
As his weather-beaten body shows, Santiago is not quite as
strong as he used to be. However, in his epic struggle with the
marlin, the old man makes up for that loss of vitality and
strength with superior knowledge and skill. He knows how to
read nature, he knows how to handle the line to gauge the
movement of the fish, and he knows how to interpret these
movements. That's not all—he also knows himself and his own
limits. He knows exactly how far to push himself and how to
counteract the harrowing effects of the long struggle on his
physical strength. He knows exactly when to eat and when to
rest, and he uses his skill to overcome his limitations. When he
loses one weapon after another as he battles the sharks, the
old man uses the resources at his disposal to create the
makeshift weapons that keep him alive. However, throughout
the story, it becomes clear that despite the old man's physical
prowess, skill, and willingness to take risks, he lacks luck and
therefore cannot find material success.
Pride, Honor, and Respect
Although the old man is humble and seems to care little about
the other fishermen's opinions, he is proud of his skills and
wants recognition for them. After all, he wishes Manolin were
there with him, not only to help him fish and dispel loneliness,
but also to show the boy what kind of man he is and to witness
the greatest catch of his life. The catch is so great because the
fish's size, strength, and perseverance—the marlin pulls the
skiff for days—make it an opponent worthy of the old man's
respect. Defeating it in a struggle that takes everything the old
man has in turn demands respect from others. It matters little
that he does not meet the original objective in catching the
fish, to return with meat to eat and sell. The villagers'
admiration for the magnificent skeleton tied to the old man's
skiff shows there is honor in honest defeat. It is the struggle
itself that counts, the willingness to exert all of one's strength,
no matter what the outcome may be.
The Old Man and the Sea Study Guide Motifs 19

Man and the Sea: A Collection of Critical Readings. Mellen,

b Motifs 1992.

Prescott, Orville. "The Old Man and the Sea." Books of the
Times. The New York Times, 28 Aug. 1952.
Lions
The lions, a connection to youth and virility, are a recurring
motif. The old man repeatedly dreams about lions playing on
the beaches of his past. Their playfulness suggests Santiago
sees them not as predators but as carefree creatures and part
of his youth. Santiago returns to this dream each time he faces
a seemingly insurmountable obstacle: on the night of the 84th
day without a catch, on the open sea as the elements threaten
to defeat him, and on the night he returns home without a
catch yet again. Taking him back to his youth, the dream
reminds him of his own vitality and strength, reenergizing his
determination to keep going against all odds. Additionally,
Santiago's dream of the lions at the very end of the story
signals hope that Santiago's strength, perseverance, and skill
will live on forever as Manolin will carry on his legacy.

Santiago's Hands
Santiago's hands are mentioned several times throughout the
story. When the old man first appears, they are full of age
spots, hinting at the old man's age, and marked with scars,
implying the physical toll a fisherman pays. In his struggle with
the marlin, the old man suffers a new cut on one hand and a
severe cramp in the other; however, he does not give up, and
he fights through his pain. Suggestive of the wounds Christ
suffered on the cross, the old man's scarred hands represent
his willingness to endure pain and suffering. In the end it is his
strong willpower that enables Santiago to survive his ordeal.
Although he returns without his catch, the marlin's skeleton is a
testament to his feat.

e Suggested Reading
Bryfonski, Dedrai. Death in Ernest Hemingway's The Old Man
and the Sea. Greenhaven, 2014.

Hendrickson, Paul. Hemingway's Boat: Everything He Loved in

Life, and Lost. Vintage, 2012.

Hurley, C. Harold, ed. Hemingway's Debt to Baseball in The Old

Copyright © 2018 Course Hero, Inc.