How to Practice over the Drone Track:

The most straightforward application you could do with the drone track is to play any scale or chord or arpeggio you
want with the drone note as a root note.
For example, while the C drone plays, you could play C major scale, C minor scale, C bebop scale or C major chord/arpeggio, C7b9 chord/arpeggio etc...

As you can see, there is enough material to practice and study (maybe enough for a lifetime!).
Another thing you could do is to take a scale and play all the chords that are in it just to see how they sound on top
of the root/key note.
For example, while the C drone plays, you could take C dorian and play all the chords/arpeggios that are in the scale (Cm, Dm, Eb, F, Gm, Adim, Bb).

There are many other things you could do, use your knowledge and imagination and keep going!
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Scales
major: 1 2 3 4 5 6 7
major pentatonic: 1 2 3 5 6
major blues pentatonic: 1 2 b3 3 5 6
natural minor: 1 2 b3 4 5 b6 b7
harmonic minor: 1 2 b3 4 5 b6 7
melodic minor: 1 2 b3 4 5 6 7
minor pentatonic: 1 b3 4 5 b7
minor blues pentatonic: 1 b3 4 b5 5 b7
dorian: 1 2 b3 4 5 6 b7
phrygian: 1 b2 b3 4 5 b6 b7
lydian: 1 2 3 #4 5 6 7
mixolydian: 1 2 3 4 5 6 b7
locrian: 1 b2 b3 4 b5 b6 b7
whole tone: 1 2 3 #4 #5 b7
diminshed (whole-half): 1 2 b3 4 b5 b6 6 7
diminished (half-whole): 1 b2 b3 3 b5 5 6 b7
locrian #6: 1 b2 b3 4 b5 6 b7
ionian augmented: 1 2 3 4 #5 6 7
dorian #4: 1 2 b3 #4 5 6 b7
dorian b2: 1 b2 b3 4 5 6 b7
phrygian dominant: 1 b2 3 4 5 b6 b7
lydian #2: 1 #2 3 #4 5 6 7
lydian augmented: 1 2 3 #4 #5 6 7
lydian dominant: 1 2 3 #4 5 6 b7
ultralocrian: 1 b2 b3 b4 b5 b6 bb7
locrian #2: 1 2 b3 4 b5 b6 b7
mixolydian b6: 1 2 3 4 5 b6 b7
altered: 1 b2 b3 b4 b5 b6 b7
augmented: 1 b3 3 5 #5 b7
 suspended pentatonic: 1 2 4 5 b7
man gong: 1 b3 4 b6 b7
ritusen: 1 2 4 5 6
dorian pentatonic: 1 b3 4 5 6
phrygian pentatonic: 1 b2 4 5 b7
lydian pentatonic: 1 3 #4 5 7
mixolydian pentatonic: 1 3 4 5 b7
locrian pentatonic: 1 b3 4 b5 b7
melodic minor blues: 1 2 b3 4 b5 5 6 7
major bebop: 1 2 3 4 5 b6 6 7

Chords/Arpeggios
major: 1 3 5
minor: 1 b3 5
augmented: 1 3 #5
diminished: 1 b3 b5
major 7: 1 3 5 7
minor 7: 1 b3 5 b7
dominant 7: 1 3 5 b7
minor/major 7: 1 b3 5 7
major 7b5: 1 3 b5 7
major 7#5: 1 3 #5 7
minor 7b5: 1 b3 b5 b7
minor 7#5: 1 b3 #5 b7
minor 7b9: 1 b3 5 b7 b9
diminished 7: 1 b3 b5 bb7
major 9: 1 3 5 7 9
minor 9: 1 b3 5 b7 9
dominant 9: 1 3 5 b7 9
minor 11: 1 b3 5 b7 9 11
dominant 11: 1 3 5 b7 9 11
major 13: 1 3 5 7 9 11 13
minor 13: 1 b3 5 b7 9 11 13
dominant 13: 1 3 5 b7 9 11 13
dominant 7b5: 1 3 b5 b7
dominant 7#5: 1 3 #5 b7
dominant 7b9: 1 3 5 b7 b9
dominant 7#9: 1 3 5 b7 #9