Il Mio Tesoro Wolfgang Amadeus Mozart

(1756-1791)
(Don Giovanni) arr. Catharina Josepha Pratten
(1824-1895)
From Madame R. Sidney Pratten's Guitar School

 BII3
  
 
   12 
           
BII4

     2 
3
0

 
Andante 2 1


2 4

  
2
1 2 3
2 1 1
3 3


    1     1
BII3

2   
      
BII4

   
3 4

   
2

3
2 4 1


4

  
2
1 1 1
2

 
       2
   
    
BII3

   2

4 2


1 4

     
7
2 1 2

1 4

      
 2             
3 3

 
V.


4

2 
4

 3 
1 0 4 4 1 4 BII3


1 3 0


1

 
10

  
2
3
2


           
V.


BII4

   
3 4 0

 
II.

   
13 2 4 4
1 2 2
2 3 1
2

© Bradford Werner, 2021. All Rights Reserved.

Sheet Music with Videos: wernerguitareditions.com
Lessons, Pro Video, Blog: thisisclassicalguitar.com
 
     2            
BII4

        
  
BI3 BII3

 
2

   
4

  
4


1 2 2


16 4
2

   
             2
BII4

    
VI. VII. II. 2 1 BII3


1

  
2 4 2 4


0 4

 3  
1 2

 
4

   
19 4
4 3 1
1 2
2
4

Comments

Catharina Josepha Pratten (also know as Madame Sidney Pratten), was born Catharina Josepha Pelzer in Mülheim.
She was a German guitarist, composer and teacher. Her father, Ferdinand Pelzer, was German guitarist and music
teacher. Later married to flautist Robert Sidney Pratten, hence the name in the method book and elsewhere.

"Il mio tesoro" (or "Il mio tesoro intanto") is an aria for lyric tenor voice from scene 2 in act 2 of Mozart's
opera Don Giovanni.

Bar 1 - More advanced players may wish to finger the first chord with fingers 2, 3, and 4 to avoid the shift of
position.

© Bradford Werner, 2021, All Rights Reserved.

Sheet Music with Videos: wernerguitareditions.com
Lessons, Pro Video, Blog: thisisclassicalguitar.com
 Il Mio Tesoro Wolfgang Amadeus Mozart
(1756-1791)

(Don Giovanni) arr. Catharina Josepha Pratten

(1824-1895)
From Madame R. Sidney Pratten's Guitar School

 
  1                  1  
 
BII4 BII4

  
BII3

 2     
2
3
  
Andante 0 2 1

    
2 4 2 4

  
2
1 2 3 2
2 1 1
3 3


0 0 2 3 5 2 3 5 2
3 3 3 2 0 2 3 2 3 2 3 3 2 3 3
0 2 2 2 2 2 2
4 4 4 0 2 0 4 2 0
5 5 0 5 0 0 0

       1 2      
BII3

  
    1      2  
3 4

1 
4 2

  
1 2

3  
1

     
5
2 1

  
1
2


1 4
0 2 4 5 0
0 2 3 2 0 2 3 2 0
1 2 2 2 1 2 2 0 2 2 2
2 0 0 0 2
4 0 4 0 0 0
0 0

 4                 
 2        
3 3

 
V.

2 
4

 
2
4

 
BII3 1 0 1 4 4 1 4 3 0 BII3

  
1

 
9
2

  
2
3 3
2


2 5 5 4 2 0 0 2 4 5 7 5 0 2
3 3 3 3 3 8 7 3 3 3
2 4 4 6 6 2 2
0 7 7 0
0
0 0

© Bradford Werner, 2021. All Rights Reserved.

Sheet Music with Videos: wernerguitareditions.com
Lessons, Pro Video, Blog: thisisclassicalguitar.com
       
 2  4       2 
V.

   
    
BII4 3 4 0 BI3 BII3

 
II.

   
1

   
13
4
1 2 2
2 3 1
2


3 5 7 0 0 0 1 2
2 5 5 3 0 8 3 2 3 3
2 2 0 2 2 2
2 4 4 0 0
0 0 0 0

 
 2          
VI.

      
BII4

       
4

 
4 2 2
2

  
17 4 4
4 3
1
2


2 2 3 2 3 5 9
3 5 3 3 3 2 5 2 5 3 8
2 2 2 2 2 2
0 0 2 2 4
0 0 0

    
           2  
VII. II. BII4

 
2 1 BII3


1

  
2 4 2 4


0 4

3 
1

   
2
4

  
20
1
2


10 7 0 5 2 2 5 3 2 3 2
7 0 8 3 3 2 5 3 3 3
0 2 2 2 2
0 2 0 0 4
0 0 0 5

Comments

Catharina Josepha Pratten (also know as Madame Sidney Pratten), was born Catharina Josepha Pelzer in Mülheim.
She was a German guitarist, composer and teacher. Her father, Ferdinand Pelzer, was German guitarist and music
teacher. Later married to flautist Robert Sidney Pratten, hence the name in the method book and elsewhere.

"Il mio tesoro" (or "Il mio tesoro intanto") is an aria for lyric tenor voice from scene 2 in act 2 of Mozart's
opera Don Giovanni.

Bar 1 - More advanced players may wish to finger the first chord with fingers 2, 3, and 4 to avoid the shift of
position.

© Bradford Werner, 2021, All Rights Reserved.

Sheet Music with Videos: wernerguitareditions.com
Lessons, Pro Video, Blog: thisisclassicalguitar.com