parallel 8/5 sonorities: symbolic of antiquity.

re-contextualized with
each descending harmonic area

A Theme 1

motive 1 (retrograde)
motive 1

cadence by reiteration B

P1

discuss horizontal and vertical

counterpoint; trajectory

m3 P1 M3 TT P4 TT m3

Descending contour strengthens cadential gesture

A

tonal center established: C

 use of pitch-space to highlight
sonic event (bell chord)
C motive 1

triad 4th/5th T 4/5

B pentatonic

motive 1
Animated pedal

E flat pentatonic

Modulated, tonally ambiguous. Maybe Guesses ?

planing
E

C Ioanian confirmed
G-C (outlined in the opening bassline)
 C mixolydian

transition

B’

E lydian,
G#pedal
theme 2 E lydian ——G#
aeolian

G# phrygyian ?
 TRANSITION

planing

E’
A’