Shaman Complete Presentation 2000 2008

CURRENT LINE-UP
Ricardo Confessori - drums

Thiago Bianchi - vocals
Leo Mancini - guitar
Fe' Quesada - bass
http://www.shamanimmortal.com
MANAGEMENT
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SolMusic Management Inc. Canada

Tiziana Hurd, CEO
http://www.SolMusicManagement.com
Tiziana@SolMusicManagement.com
BIOGRAPHY
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Shaman was formed in 2000, when Ricardo Confessori left Angra and started a new band:
Shaman.
Shaman means "the one that can see in the dark", and it is represented, in general, by the
priests that can heal using elements of the nature.
Mixing heavy metal, classical music and world music, the band recorded its debut album,
Ritual, in the beginning of 2002. The album was recorded in Germany, except for some
parts recorded in Brazil, and was produced by the famous Sascha Paeth (Heaven´s Gate,
Rapsody).
Ritual had good reviews by the Brazilian press and all around the world, being released in
more than 15 countries. The World Ritual Tour lasted for over a year and a half, crossing
Brazil and many other countries in Latin America, Europe and Asia. More than 150 shows
were played, an excellent mark for a debut album tour.
In 2003, Shaman had a good position in the specialized media charts, and a great surprise
came when Ritual was elected the best (not only heavy metal) album of 2002 by Folha de
Sao Paulo (a very well-known and respected Brazilian daily newspaper) readers. The same
accomplishment was repeated in 2004. Still in 2004, the band was the opening act for Iron
Maiden at the Pacaembu stadium in São Paulo, for an audience of approximately 45.000
people.
To celebrate the huge success, the band decided to register a special live show on DVD.
The concert was sold out in Credicard Hall, São Paulo, with fans and friends, filling the
stage with special guests like Tobias Sammet, Sascha Paeth, Marcus Viana and George
Mouzayek, Andi Deris and Michael Weikath. The release of RituAlive, in CD and DVD, got
great reviews and sales too. According to Universal Music of Brazil, RituAlive is the best
DVD of the genre released in Brazil, due to the content and the quality.
In 2005, with the second studio album practically finished and ready to be released, the
name of the band was changed. The band decided to add an ‘A’ to it, so the new
name became Shaaman.
On the following months, Reason, the second studio release, reached the stores. The album
was recorded in Brazil , produced by the very same Sacha Paeth, who stated that “Reason
was the rescue of all heaviness, feeling and heavy-metal spirit of the 80s” and that “while
Ritual favored the undeniable and exceptional skills of the musicians, Reason opened up
space for their hearts and souls”. The music was more organic, and helped to highlight the
contrast between heavy guitars, classic keyboards and world music elements.
After the Reason Tour, that lasted one year, some misunderstandings caused the departure
of 3 members, and their abandon of the band opened up space to Thiago Bianchi, Léo
Mancini and Fernando Quesada.
In 2007, these new members, together with Ricardo Confessori, released Immortal CD, by
Scarlet Record - Europe and JVC Victor - Japan. Immortal was out to the end of June, and
had a lot of great reviews from worldwide.
In 2008, Shaman recorded their new DVD in July 20th at Anime Friends 2008, a very
famous Manga Fair in Brazil.
With their whole team, the band could show what they know best for about 18 thousand
people and a set list with new and old songs.
The DVD it will be out in the beginning 2009 and it will bring very nice surprises for the
fans: stories about the change, how it was to record Immortal, backstage scenes and the
day by day of the biggest Heavy Metal band in Brazil nowadays.
In 2009 SHAMAN performed headliner with Orchestra at the MASTERS OF ROCK FESTIVAL in
Vizovice, Czech Republic front 30000 people. We recorded this unforgettable performance.
Live MASTERS OF ROCK DVD + NEW CD will be out in early 2010 in a special BOX SET with a
Shaman10Annyersary Book format A4 in 350 colors pages, and we are sure, it will be
another success to add at the IMMORTAL BRAZILIAN BAND.
SHAMAN DISCOGRAPHY
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IMMORTAL // Scarlet Record - Europe // JVC Victor - Japan

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Track Listing - 2007 // 20.000 copies sold
1 In the Dark
2 One Life
3 The Yellow Brick Road
4 Immortal
5 Tribal by blood
6 Inside chains
7 Freedom
8 Never Yield
9 Strenght
IMMORTAL CD 2007 - LYRICS
Renovatti
(Instrumental)
Inside Chains
You fall
Hollow visions push you
Into a well of darkness
There's no escaping from the fear
Weakness
All the senses fail
While seeking for the soul
This feeling inside hurts the flesh
Wish for the air

'Cos nobody will breathe for you!
Whispers
Voices in your head are screaming
And shouting too loud
You start to like them as a friend
Your mind
Bringing hate so close
Slowly poisoning the heart
Anger becomes your ally
Search for the light

You are what you think
About yourself
Try again
Let the spirit move on
And those wounds will never return
Back to the flesh
Leave the cave

Climb up the wall
Break up your inside chains
Tribal by Blood
So many times I got here
So many times I had to bleed
Crawling and waiting for my...
Chance to charge in silence!
Locking and loading my fate

I have my flair to the wind
History waits for my name...
Be engraved by my own blood!
Pulsing with the land

Anger boiling in the veins
Accurating my aim...
Staking out for the prey!
Becoming friends with the mist

Becoming something else that breathes
Thirsty ready to take place!
Identified goal
Last time to decide: Friend or foe
Right now are just me and you...
Heads up! Coming..!
Burning wish...
Your heart in my hands!
Cold Desire...
My prize: Your head!
So many times I got here

I have my flair to the wind
Accurating my aim...
Instinct ready to take place!
Locking and loading my fate

Becoming something else that breathes
Pulsing with the land
Heads up! Coming..!
Burning wish...
Your heart in my hands!
Cold Desire...
My prize: Your head!
Immortal
Is not a first time I die by your hands
Or live through your eyes that blast me with anger!
You fill my chest with black smoke and spite
And for my little gains, I feel your hate burning!
Masquerades every smile and cheer,
Your bless is s curse...
But your envy feeds me!
Hum...
Makes me swear to you...
Is not a first time I fake a smile

Or dodge anyone who ties to damn my life!
So I live today and pay my own sins
I won't hide from you
'Cos my will is immortal!
Hum...
Makes me swear to you...
Your hate shines bright my star!
I pray for you

Be someone new
I'm asking you to evolve your heart!
'Cos time shows you
That nothing can't be between me
And my immortal flame!
The Xaman's speech:

I pray for your soul
To evolve and glow
'Cos the force is constantly upon us
Showing you
That my will is immortal!
I pray for you

Be someone new
I'm asking you to evolve your heart!
'Cos time shows you
That nothing can't be between me
And my immortal will!!!
One Life
Sunlight, a new day is rising
Calling me healing me...
I know, the brightness is the path to the knowledge locked inside life.
Why? Why some of us hear this voice?

Even when it's to low...
Shows where all begins...
Nothing just goes on this line,

I can feel it strength flows!
Up, down and back to the start

An endless full circle!
Beyond our mind and our soul
Is where all control lies?
A Lifetime in a flash breeding time

Always and never aligns.
Suns of this fusion

Living here dreams from tomorrow.
Made by the fire of the ages!!!
In this universe
Through this ancient way...
All kinds of life are the same.
In this timeline
Through this spiral space
All things united as just one... As one life!!!
Suns of this fusion

Living here dreams from tomorrow.
Made by the fire of the ages!!!
In this universe
Through this ancient way...
All kinds of life are the same.
In this timeline
Through this spiral space
All things united as just one... As one life!!!
In the Dark
Deep down my mind
Here in the dark
Is not a first time that I fight my heart?
Akin to joy
Turning into defeat
I try to breathe even knowing I can't
My faith, your face

All seems to fade...
Crying out tomorrow

Living scenes
In the dark
Missing you!
Once back to life

Dealing with the pain
Daylight has sometimes a thick cold blood taste
Shadows of this ghost
That used to be my life
Hunted my old me leave with no more pride
Your smile, my grief

All seems to collide...
Crying out tomorrow

Living scenes
In the dark
Missing you!
How can someone fall so hard from sorrow?
Living scenes
In the dark
Wishing you!
Oh...
I won't let us go...
You can't count with me
'Cos I'll be there
Showing you
That we still can be!
Living scenes
In the dark
Wishing you!
How can someone fall so hard from sorrow?
Living scenes
In the dark
Wishing you!
Strength
So now I know
I won't slow down
My mind will collapse unless I got it!
I can't think straight

Can't concentrate
These things just won't let me sleep at night...
Waiting for something new
Please Lord!
Help me cross the whole way!
Point me to a better place to get where I should be!
Day by day
I wake up and think
That this is the day that will define me
So now I know...
How far I go!
No matter how hard and long the road goes...
Nothing will take it from me
Please Lord!
Help me cross the whole way!
Point me to a better place to get where I should be!
I swear!
This dream made up my choice!
I just want to live my life and feel alive
As long as I have...
Strength to carry on
Among the losses moving on
Let it go from sorrow
Nothing stops my heart
Strength to carry on
Among the losses
Dreams will rule!!!
Freedom
If you never believe in me
So how do you want me to be?
All I have is my own air...
If never you kept some distance

So how you want me to live?
Trust in something beautiful
As long as we both have it!
Hum...
Every step of this way we choose...
I could feel in my neck every link of the chain!
If your heart is aching

So can you imagine my life?
Living day dreams in cage...
If you always believed in us

So how come are you crying again?
Time is something you can't go back
At least for this we had!
Hum...
Every step of this way we choose...
I could die in your arms and tomorrow be back in the game... Oh yeah!!!
All this time I had to pray

To spread my wings and fly away!
'Cos our lives had to be choked up
Even I sometimes can't buy that
I just tried to realize what freedom really is?
All this time I had to pray
To spread my wings and fly away!
'Cos our lives had to be choked up
Even I sometimes can't buy that
I just tried to realize what freedom really is?
I'm just trying to be free!!!
Never Yield!
No matter what, 'cos my heart feels...
This time this line will be fulfilled
If there was no the spot,
For Sure here's the right one!
Once more I'm beggin' for a chance

Once here, they'll never be the same
Therefore we can't forget
Just how this world change us!
And then there's no turning back

No one will bend our fate!
No matter how, 'cos now I know

Sometimes we could be our own foes
If now is not the time
So when can I have this?
And then I'll feel alive

And realize this time is
Now...
No one can't live my life
What matters is what I do
It defines who I am!
Oh, now I have to feel alive

Whatever my fears may say
If I yield it won't be me!
Fight hard for your rights

Just do not give in!
Fight hard for your life
Go! You might get there...
Fight, fight, then more fight
Just, just never never yield!
Trough the mind...

Flying...
Growing wisdom and peacefulness
To realize how small we are
In front of this huge power
Neither pride, nor ego can prevail
Now...
No one can't live my life
What matters is what I do
It defines who I am
Oh, now I have to feel alive

Whatever my fears may say
If I yield it won't be me!
The Yellow Brick Road

Solitary night with the stars
Alone with my thoughts
Moments and flashes of my life
Some great, some ok
And they all show me who I am:
Looking for words to describe

How proud I've became
All that was lost, I let go
Real peace lies within
And there's nothing more for me to wish:
Oh!
Follow the yellow brick road
Then you'll find
All of those things you ever wanted
And more:
Love can bring to you:
Everything
In this world
All is connected by life
And you know life is love!
Now
Here we are
All that we need to do
Is to never give up
These wounds just make you stronger
Life is pain, but also loves, oh!
Oh!
Then you'll find
All of those things you ever wanted
And more:
Then you'll find
Everything in life!
Line-up:
Thiago Mourao - vocal
Leo Mancini - guitar, back-vocal
Fernando Quesada - bass guitar, guitar
Ricardo Confessori - drums, percussion
Guests:
Fabrizio di Sarno - keys
Andrea Bueno Salinas - violin
Ebenezer Florencio dos Santos - violin
Dalton Fereira Nunes - violin
Gianni Visona - viola
Vitor Visona - cello
Guga Machado - percussion
Ademar Farinha - charango
Produced by Thiago Bianchi and ricardo Confessori.
******
IMMORTAL VIDEOS
http://ca.youtube.com/watch?v=gX7cMMbvsbI
TEASER - IMMORTAL LIVE DVD released 18 July 2008
http://ca.youtube.com/watch?v=j2hxxHsioL8
SHAMAN MAKING THE OF IN THE DARK VIDEO
(TV interview presentation of IN THE DARK)
http://ca.youtube.com/watch?v=MT3r1kgNyq4
IN THE DARK VIDEO CLIP
http://ca.youtube.com/watch?v=oAgHix1etMc
IN THE DARK LIVE IN TV (Todo Seu)
http://ca.youtube.com/watch?v=zpz5kOoQK3g
IN THE DARK LIVE SHOW
http://ca.youtube.com/watch?v=cVwUqvxNeQM
VIDEO SHAMAN NEW WEBSITE PRESENTATION
http://ca.youtube.com/watch?v=VrFEA9iN4jg
PLAY ZONE TV - PRESENTATION IMMORTAL CD
http://ca.youtube.com/watch?v=YdO-Mpciwtg
IMMORTAL
http://ca.youtube.com/watch?v=ypJTU4jJGgM
TRIBAL BY BLOD SONG - LIVE
http://ca.youtube.com/watch?v=oDCf1Y-itg8
STRENGHT SONG - LIVE
******
IMMORTAL CD - WORLDWIDE PRESS REVIEWS
Ricardo Confessori cleaned up the house in 2006, remaining the only active member of
Shaman due to "musical differences" with former band mates André Matos, Hugo & Luis
Mariutti and Fabio Ribeiro. After posting two studio releases since their previous split from
Angra, could the Brazilian scene handle another split? Well, 2007 brought us the answer
with a new lineup and a new fantastic album, Immortal.
With Léo Mancini filling in on guitars, Fernando Quesada on bass and Thiago Bianchi on
vocals, the band struck gold to recreate the golden years of Brazilian Metal. Obviously
oriented more progressive than ever due to Ricardo's drumming, this Immortal brings
furious heavy tunes and power ballads back to life.
Sure, the vocal style is very similar to André Matos but why complain? After all, that is what
we would expect as Angra did the exact same thing when André left the band and replaced
him by Edu Falaschi. The accentuated progressive edge of the songs renders this album the
best thing coming out of the diverse projects created from the ashes of the original Angra
lineup since 1996's Holy Land. With enraged guitar work and epic compositions, this new
Shaman has seduced my musical senses like never before. Songs like 'Strength' and
'Freedom' embody the essence of the new Shaman, fast, catchy and technical.
It remains Power Metal by all aspect as it is clear on the opener 'Inside Chains', and a
handful of songs might be perceived as too cheesy. However, I strongly believe that this
album is the start of something bigger. The band is younger and the new musicians all have
something new to offer.
If you liked the previous Shaman albums, I strongly encourage you to check out André
Matos solo project instead. On the other hand, if the thought of hearing great prog power
appeals to you Immortal is definitely for you. You are standing in front of one of 2007's
best progressive metal albums, and surely one of the surprises of the year. Now, we know
what musical differences arose between Confessori and his former band mates.
Band profile: Shaman

Album: Immortal
Performance: 9
Songwriting: 8
Originality: 8
Production: 9
written by Demonic Tutor | published 03.08.2008
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Spyroid - 03.08.2008 at 13:11
I listened to the demo versions like 6 months ago, I remember that I liked them but I don't
know what I would think today. But Shaman remain one of the best power metal bands
there is, so I guess I should hear it.
BlankFile - 03.10.2008 at 22:13

This album is very good, it deserves the credit that has receveid. Ricardo Confessori has
the whole merit, for not giving up of this excellent band. I honestly think that this member
change that happened in the band was for the better for all the parts involved, no doubt
about it. All the songs are extremely catchy, lots of tecnique and strong riffs, beautifull
environments, and amazing vocals. Songs like Immortal, In the Dark, Tribal by Blood or
Strenght are hard to forget. Indeed this band has a lot to give, lots of talent and magic.
Stay Metal people |m|
Angätuprý - 04.03.2008 at 07:08

i've waited too much to buy this album.. have to get it very soon, im crazy to listen.
juanopereira - 04.09.2008 at 02:06

Absolutely agree! I would give it a 9. I think this is an excellent album and like you said,
this is the beginning for something bigger. For me, it's their best one. Matos it's an
excellent musician but his voice it's too melodic and sweet for me. I prefer something with
more power like this new Shaman.
Blankfile- 08.05.2008 at 23:02

T T
I´ve Heard both André Matos new album "Time to Be Free" and this one of Shaman
"Immortal". I have to say that this album appeals way more to me that the album of André
Matos. This album by Shaman is excellent in every term and for me has more quality than
André Matos new band, debut album.
******
Poohkali
Nov 09 2007
4.50 stars
[Rating12065870] Excellent combination of power metal, progressive power metal,

symphonic heavy metal and thrash metal with kick-ass vocalist Thiago Bianchi and majestic
drummer Ricardo Confessori (ex-Angra). If you consider yourself a headbanger, I severely
urge you to listen to Immortal at the very first possible opportunity. Immortal is one of the
few albums, that it is impossible to disappoint. If you like metal, that is.
From: http://rateyourmusic.com/release/album/shaman_f1/immortal/
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******
Essential: a masterpiece of progressive music (0%)
Excellent addition to any prog music collection (50%)
Good, but non-essential (0%)
Collectors/fans only (50%)
Poor. Only for completionists (0%)
From: http://www.progarchives.com/album.asp?id=16473
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******
Shaman - Immortal
Year released: 2007
Duration: 49:01
Tracks: 10
Genre: Power Metal
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Rating: 4.75/5
Date reviewed: November 21, 2007
Reviewed by: Bruce Dragonchaser
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Considering Andre Matos vacated his vocal throne in Angra to form Shaman, it seems
nothing short of ironic that here, five years since their storming debut, we have a second
album from the melodic Power Metal outfit, their first without the driving force behind
their inception. You know what else is ironic? It's actually better than their debut. As a
devoted follower of both Angra and Matos, it's hard for me to admit that new vocalist
Thiago Bianchi does a better job here than Matos ever could, and if Edu Falaschi ever
parted ways with the aforementioned rulers of Brazilian prog/Power Metal, this guy could
certainly step up to the challenge.
What Shaman have done with their money on "Immortal", is take the band's history into
consideration, and ignored all exceptions, creating an album full of blazing Power Metal
anthems that span influence from the likes of Vision Divine, Symphony X and of course,
Angra. Bianchi manages to glide his incredible vocal ability through fields of ethnic flavour,
battling guitar duels, and storming double bass with ease, making every single track on
"Immortal" stand out compared to the ream of disappointing follow ups by top name bands
this year. Opening with the two most uneventful tracks is an obscure move, but it only
improves the quality of the album's second half, making the heavenly "One Life", the
sprawling "Freedom", and the celeritous "Strength" some of the best tracks Angra never
wrote. Ex-Angra stickman Ricardo Confessori is so hot on his kit you'd think his feet were
on fire, and as I mentioned, the vocals are some of the most sublime I've ever heard. A
triumph for both Shaman and Scarlet, if you're looking for your next Power Metal fix and
you're in doubt over what to pick this coming Christmas, you're search is over. Angra,
Matos: sleep with one eye open
******
Shaman: Immortal
Power/Progressive Metal
Rating: 4.0/5.0
www.shamanimmortal.com
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www.scarletrecords.it
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www.myspace.com/shamanimmortal
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Most readers know the beginning of Brazilian power metal band, Shaman: it was formed by
Andre Matos, Luis Mariutti and Ricardo Confessori after leaving the legendary Angra. Their
first release 'Ritual' displayed the oft necessary pains of a new genesis. The second studio
release (third work), 'Reason,' showed the promise of coherence and maturity. It was a
pretty good effort. After a successful tour supporting 'Reason,' problems arose and
everybody but Confessori bailed on this fledgling band. Shaman was now on life support,
but Confessori vowed to continue on.
Welcome another new birth as Shaman has filled the empty slots with Fernando Quesada
on bass, Leo Mancini on guitar, and Thiago Bianchi on vocals, all of whom create no blip on
the metal radar. But flying under the radar is not necessarily a bad thing, nor does it mean
a lack of talent. For instance, Mr. Mancini taught for five years at the Conservatório Musical
Souza Lima and played for Jeff Scott Soto when toured Brazil; and Mr. Bianchi formed to
bands on his own and has done some producing including a work for Angra. Shaman is the
sum of its parts and after listening to 'Immortal,' the whole is even better. 'Immortal' is a
very good album.
First, let me say that the production is brilliant on 'Immortal.' As for the style, this is basic
power metal with a good dash of progressive metal thrown into the mix. After the very
good instrumental intro, 'Renovatti,' we are treated to solid power metal in 'Inside Chains.'
When you hit third cut 'Tribal Blood' you hear the power of Mr. Bianchi's vocals and the
thrilling riffs of Mr. Mancini's guitar. Confessori opens up the title track with some unique
and creative drum work. The song itself is diverse in arrangement proving to be immensely
satisfying.
When I reached the midpoint of the album, I found the second best cut on this work, 'One
Life.' Here we discover the versatility of Biachi's vocals: he's not just another metal
screamer. Confessori is so strong and consistent and with Mr. Quesada on bass, the rhythm
section is mesmerizing. And Mancini shows exceptional creative brilliance. The best song
on the album is, by far, 'In The Dark,' a true power metal balled (I'm a sucker for this stuff).
The arrangement is sweeping in granduer and power. Bianchi is wonderful, strong and
soothing in the same moment. I do not miss Mr. Matos. Mancini inspires with his precise
acoustic and electric delivery.
As we approach the end, we are subjected to some average power metal with only small
glimpses of originality. In a way, we have returned to the growing pains of a band learning
to live with itself. However, there some worthy notes to make. Quesada's bass work is
fantastic on 'Never Yield.' 'Immortal' ends on a more subdued note with simple vocals and
much acoustic guiar on the long 'The Yellow Brick Road.'
Overall, I'm rather impressed with Shaman 2.0. 'Immortal' is a solid effort from a band just
beginning to know each other. I expect good things (again) in the future. Recommended!
http://www.dangerdog.com/reviews_2007/shaman_immortal.html
******
Band : Shaman
Album title : Immortal
Label : Scarlet
Distributor : Bertus
Release date : 12/11/2007
Release : CD
As many of you may know, Brazilian Sao Paolo based ProgMetal act Angra suffered a
temporary blow when a major split in their ranks saw singer André Matos , bassist Luis
Mariutti and drummer Ricordo Confessori leave in 2000. Angra recovered, the decamping
party would start work on Shaman . But not before Matos travelled to Germany to work on
his solo project Virgo . And while he was over in Europe, he took some time to front
ProgMetal unit Looking Glass Self (started by former Sieges Even trio of guitrist Marcus
Steffan , bassist Oliver Holzwarth and drummer Alex Holzwarth ) and contribute to their
2000 demo Equinox , before returning to Brazil to concentrate on the Melodic Power Metal
geared Shaman !
Which would not mean the end of "solo" endeavours by the band's members. Shaman 's
keyboarder Fabio Ribeiro for instance issued his second solo album The Tide Turns under
the Bleziq Zatsaz moniker in May 2002. Among the guests on this album would feature
Shaaman guitarist Hugo Mariutti and Angra guitarist Kiko Loureiro . Matos participated in
Progressive Rock outfit Abydos (instigated by producer Stefan Glas , it also included singer
Andy Kuntz and drummer Andreas Lill of Vandenplas , and Elegy singer Ian Parry ), and put
in a guest appearance on Brazilian Sagga 's album Planetude .
Shaman 's debut Ritual came in late July 2002, released on Italian label Lucretia for
Europe, Universal for South America, and JVC Victor for Japan. A month later the band
would start Brazilian tour dates, and in March 2003 guitarist Luis Marietti would also join
the ranks of Henceforth . The band signed to AFM in early 2004, and part of the deal
included a re-issue of the debut album in March, the new version adding bonus DVD
material. Meanwhile, NTS released the CD/DVD package Ritualive in May of the same year
(in Japan, it was released on JVC Victor during September).
Shaman would start recordings for their sophomore album Reason (out in May) in early
2005, announcing a subtle name change to Shaaman in February. By October 2006, it
seemed that things for Shaaman had come to an end when an official announcement of fan
club members stated that the band had folded due to "personal and musical differences"
(whére have we heard thàt before?). But Ricardo Confessori is not only a more than
excellent drummer, he's also a very persistent little bugger and, taking back the moniker of
Shaman , he reformed the band in lte 2006 with Karma singer Thiago Bianchi , Sunsarah
guitarist Léo Mancini , and bassist Fernando Quesada .
And, you know something? Bianchi has thé voice to make forget that Shaman was ever
fronted by the excellent Matos! Truely! To say that the band's come full circle is no small
thing, and we'll still have to wait to see if this line-up holds, but musically everything
sounds wonderfully tight. The album kicks off with the nearly instrumental (only some –
faked with keyboards, I'm sure – choral singing) shortie "Renovatti", and the title says it all!
I haven't had time to find a website for you to listen to some samples of the new album,
due to a too busy reviewing schedule (and limited access to Internet), but I'm sure you'll
find sómething after some surfing on the Net (try shamanimmortal.com for starters). What
with the rather high-pitched and somewhat heady lead singing, and the almost continuous
high pace, comparisons to top German bands in the Melodic Power Metal genre are quickly
made, but you'll have to admit the band has an aftertaste of its own. The band has recently
recorded a video for semi-ballad "In The Dark" (a true ballad coming with album closer "The
Yellow Brick Road" , followed on the album by an unannounced instrumental which partly
resounds with the sounds of a forest) and they will soon embark on a worldwide tour to
promote the album.
Great stuff, even if in the guitar department at least, there's a couple of over-dubs, making
one wonder hów the band is gonna make the same sound on stage without either relying on
a hired hand, or programming.
88/100
Tony.
http://www.concreteweb.be/reviews/reviews_2007/reviews_15_11_2007/CD/shaman/cdsh
aman.htm
******
Artiste/Groupe Shaman
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Album Immortal
Date de sortie 11/2007
Style Power-Metal
Chroniqueurs Christian, Florent C
Note (Christian) 15/20

Note (Florent C) 9/20
Site Officiel http://www.shamanimmortal.com/
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C H R O N I Q U E (Christian)
Après Angra, Shaman, Shaaman : revoici Shaman !
Si vous avez manqué le début du feuilleton, une piqûre de rappel: la scission d'Angra a
donné naissance au Shaman 1ere formule avec Matos, Mariutti et Confessori mais 2 albums
plus tard, la sérénité n'est toujours pas au rendez-vous et le batteur se retrouve seul fin
octobre 2006 et s'en est allé recruter des compatriotes pour "continuer l'aventure"...
Bonne pioche ?
Après une entrée en matière samplée ("renovatti"), on est en terrain connu avec "inside
chains" et on regrette que Matos n'y pousse pas sa chansonnette tant le refrain semblait
fait pour lui... Avec "tribal by blood", changement de style : fini les préliminaires ! Shaman
2 affirme sa personnalité : le chant se distingue et la guitare enchaîne avec bonheur...La
voix de Thiago Bianchi se fait ensuite plus profonde dans "immortal" : il montre alors
l'étendue de son talent, va-t-on finir par oublier le fantôme d'André Matos qui planait
jusqu'alors ? Côté guitare, Leo Mancini fait une démonstration particulièrement dans
"strength" : un passage speed qui décoiffe, et le solo suscite l'admiration... "freedom"
permet au bassiste de trouver lui aussi sa juste place mais le combo parait s'essouffler un
peu, on sent poindre le déficit d'inspiration alors rien de tel qu'un retour aux sources pour
mettre tout le monde d'accord : "never yield !" sur le modèle Angra avec coeurs, rythmique
effrénée puis retour au calme bien géré dans la nuance au chant : assurément, Confessori a
déniché là des musiciens qui tiennent la route et qui ne demandent qu'à s'affirmer...
Dommage que l'album se termine sur un "the yellow brick road" pas très original, à moins
que l'ambiance qui y règne (balade acoustique, chant maîtrisé, bruitages...) soit un clin
d'oeil à "hollyland" : l'album qui a révélé Angra !
Bref, on y croit d'entrée : on en a l'eau à la bouche mais sans arriver à étancher notre soif
Thiago a l'étoffe d'un grand chanteur, Leo fait preuve d'une hallucinante habileté
technique et Ricardo n'a rien perdu de sa pêche...
Y'a de l'espoir ! Laissons-leur le temps de se défaire de leur lourd héritage et de nous

convaincre tout à fait avec leur prochain album !
C H R O N I Q U E (Florent C)
Shaman est un cas à part. Formé par des ex membre de Angra dont le frontman Dédé
Matos, le groupe nous a offert un chef d'oeuvre nommé Ritual en 2002 puis un second opus
moins percutant où l'on sentait déjà la fin... Après seulement 2 albums et un (excellent)
live, le split est bel est bien là, Ricardo Confessori (batteur) restant seul à bord du navire
(ici c'est plutôt le radeau de la méduse). Il décide de continuer l'aventure et voilà
qu'aujourd'hui débarque "Immortal", titre évocateur lancé au nez de Matos qui se sent
enfin libre avec son nouvel album solo. Comme la vie est bien faite, les deux albums
sortent en même temps...
Au vu de la pochette, on sent que le groupe est revenu aux sources, à savoir un power
metal teinté de musique sud américaine. Autant le dire de suite, la flamme ne jaillit plus !!
Jamais de la vie je n'aurais dit avoir à faire à un album de Shaman ici ! Le groupe nous sert
un metal bien ficelé certes mais tellement fade ! Les titres s'enchaînent inéluctablement
sans qu'il en ressorte quelque chose, c'est triste.
De plus le groupe a nettement proguisé (une invention de ma part) ses compositions en

rajoutant des solos de guitare et claviers à la Dream Theater ("Inside Chains").
Tout n'est pas insipide, la chanson titre et "One Life" me rappellent à mes bons souvenirs,
avec leurs accents exotiques forts sympathiques. La power ballade de rigueur "In The Dark"
est réussie, sans être non plus un chef d'oeuvre !
C'est très rare que je n'arrive pas à accrocher à un album à ce point là, un grand ouf de
soulagement s'est emparé de moi lorsque le disque s'est arrêté, et même avec des écoutes
supplémentaires je reste sur le même avis : le groupe joue bien, mais ça sent la seconde
zone. Je préfère m'attarder sur l'album solo de Matos qui, lui, est inspiré et réécouter un
bon Angra et un bon Ritual des familles !
Shaman reste et restera certainement le groupe d'un seul album, mais fort heureusement
un album de génie.
http://www.auxportesdumetal.com/reviews/Shman/immortal.html
******
Band: Shaman
Album: Immortal
Genre: Power Metal
Label: Scarlet Records
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Bewertung: 4.5 von 7

Releasedatum: 16.11.07
"Durchschnittskost aus Südamerika"
Auch in Brasilien ist Power Metal beheimatet, wie SHAMAN [vor einiger Zeit wegen
Namensstreitigkeiten noch SHAAMAN] beweisen. Die Band wurde im Jahr 2000 von den
ehemaligen ANGRA-Mitgliedern Andre Matos [Gesang, Keyboard], Ricardo Confessori
[Schlagzeug] und Luis Mariutti [Bass] gegründet. Das Line-Up vervollständigte Luis´ Bruder
Hugo an der Gitarre. In dieser Besetzung wurde 2002 das Debut „Ritual“ eingespielt.
Anno 2007 ist von der ursprünglichen Besetzung nur noch Ricardo Confessori übrig
geblieben. Mit seinen neuen Mitstreitern wirft er nun das Album „Immortal“ auf den Markt.
Mit „Renovatti“ eröffnet ein relativ langes Intro die Scheibe, das in der Dramaturgie wie
die Filmmusik eines orientalischen Streifens daherkommt. „Inside Chains“, „Tribal By
Blood“ und der Titeltrack sind dann Power Metal-Tracks von der Stange, die keinerlei
Neuheiten mit sich bringen, sodass man nicht näher darauf eingehen muss.
„One Life“ ist das erste Stück, das aus diesem Rahmen fällt. Es beginnt instrumental im Stil
südamerikanischer Folklore, dann übernimmt sehr ruhiger Gesang die Stimmung, bevor
kräftige Riffs den Groove zu einer Mid-Tempo-Halbballade vorantreiben. Die Melodie krallt
sich im Ohr fest und der Refrain ist eingängig. Ein Zwischenspiel mit Lead- und Retro-Orgel-
Solo runden die Nummer ab.
„In The Dark“ ist eine gelungene Ballade mit fast durchgehender Akustik-Untermalung. Es
fällt auf, dass Thiago Bianchis Stimme im ruhigen, gemäßigten Bereich einen rauhen,
bluesigen Unterton hat, während er in den höheren Stimmlagen ein bisschen an Tobias
Sammet erinnert. „Strength“ ist wieder ein Power Metal-Stück, das zu Anfang zwar einige
gute Riffs bietet, danach aber wieder abflacht.
Ein richtiges Highlight ist „Freedom“. Hier stimmt einfach alles: die Power, die Melodie,
Gesang, Refrain, Soli und ein phänomenales Instrumental-Outro. Auch „Never Yield“
kommt ganz positiv rüber. Der Song wird von einigen Tempowechseln beherrscht, Phasen
melodischer Power wechseln sich mit ruhigeren Abschnitten ab. Klingt aber alles recht
stimmig.
Zuguterletzt folgt noch das über 8-minütige „The Yellow Brick Road“. Knapp 4 Minuten lang
ist es eine recht gelungene akustische Ballade, in der Bianchi nochmal sein gesangliches
Können beweisen kann. Danach wird der Hörer mit Geräuschen des Dschungels
konfrontiert, die teilweise von romantisch klingenden Banjo- und Flötentönen begleitet
werden. Was SHAMANS Hintergründe zu diesem Arrangement sind, kann ich nicht genau
ergründen, da – wie bei Promos leider üblich – keine Texte beiliegen. Follow the yellow
brick road ist eigentlich eine Redewendung, die frei übersetzt soviel bedeutet wie Den
Weg zu einem höheren Ziel verfolgen. Möglicherweise ist es dieses verfolgte höhere Ziel
der Band, mit dem Song auf die Problematik durch die Abholzung des brasilianischen
Regenwald aufmerksam zu machen. Das ist aber nur eine Spekulation von mir.
Irgendwelche Informationen kann man auch der bandeigenen Homepage nicht entnehmen.
Vielleicht werden uns SHAMAN irgendwann in dieses Geheimnis noch einweihen. Rein
musikalisch gesehen, kann ich mit dem Song nichts anfangen und finde ihn recht
überflüssig.
Im Fazit muss ich leider sagen, dass SHAMAN auf „Immortal“ wenig Klasse bringen.
Hervorzuheben sind der Mid-Tempo-Stampfer „One Life“ und die Power Metal-Hymne
„Freedom“. Der Rest ist viel Durchschnittsware und Beiwerk. Zu mehr als 4,5 Zählern kann
es daher nicht reichen.
Positiv anzumerken ist noch der Sängerwechsel. Bianchi hat sicherlich eine größere
Stimmbreite als Matos und kann mehr Abwechslung in die Songs einbringen, wenn diese es
denn zulassen.
Klar negativ muss vermerkt werden, dass Band und Label so gut wie keine brauchbaren
Informationen veröffentlichen. Beispielsweise bleibt unklar, wer den nicht unerheblichen
Beitrag am Keyboard geleistet hat.
Trackliste: Spielzeit: 00:49:03

01. Renovatti
02. Inside Chains Line-Up:
03. Tribal By Blood Ricardo Confessori - Schlagzeug
04. Immortal Léo Mancini - Gitarre
05. One Life Fernando Quesada - Bass
06. In The Dark Thiago Bianchi - Gesang
07. Strenght
08. Freedom
09. Never Yield
10. The Yellow Brick Road
Autor: Steffen Münch [wizard] | 09.11.2007 | 21:10
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******
Immortal
© 2007 Scarlet Records (SC 147-2)
melodic power metal
studio album
10 tracks - TT 49:03
release date: November 12, 2007
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Do you remember Shaman’s debut album, “Ritual” (NTS, 2002)? Featuring three former
members of Angra (André Matos, Luis Mariutti and Ricardo Confessori), it was a varied
progmetal album of a very high quality. Lots of gigs followed and their passage at Credicard
Hall in São Paulo (Brazil) in April 2003 was recorded and filmed for a further CD/DVD
release. When “RituAlive” was released by NTS in 2004, it was well-received by the press
and the fans alike.
In 2005 the band had to change its name (for copyright reasons) and Shaman became
Shaaman. Album # 2, “Reason” (AFM Records, 2005), saw the band moving into a heavier
direction and this time the style leaned more towards melodic metal than towards
progmetal. After the “Reason” tour which lasted for about a year, problems started to
cause a split and three members left the band. Out went André Matos, Hugo and Luis
Mariutti and in came Thiago Bianchi (v), Leo Mancini (g) and Fernando Quesada (b).
When I first heard about this serious line-up change, I was very disappointed, but now that
I’ve had the chance to listen to the the band’s brand-new studio album, “Immortal”
(Scarlet Records), I’m glad to report that it’s a pretty good release in its own right.
Replacing someone like André Matos is no sinecure, but Thiago Bianchi reveals himself as a
very good vocalist. And the other new band members are certainly no clumsy oaves as well.
Five years ago the band started as a progmetal band, but in the year 2007 they may easily
be regarded as Brazil’s best melodic/power metal band. Among the best tracks on offer are
“Immortal” (featuring an intriguing interlude and brilliant axework of Mancini), “In The
Dark” (first single), “Freedom” and “The Yellow Brick Road”. Thanks to a good balance
between heavier and softer material, this “Immortal” is surely another well-produced
Shaman album. Agreed, it’s not as good as its two predecessors, but on the other hand
there’s absolutely no reason to write them off. Check it out for yourself!
******
Members' opinions
astonbob (on 11/12/07)

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good heavy from brazil
YNGWIEVIKING (on 11/12/07)

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GOOD CD but in this music Style :EPIC/PROG/ORCHESTRAL POWER METAL there is a lot of
competitors in BRAZIL ! They don't catch the same MAGIC as they use to have in the first
two CD,even if the new singer THIAGO BIANCHIexKARMA is good sometimes the band seems
to lose is focus !good but not exceptional !
http://www.rockreport.be/review.asp?id=1892
******
Sexta-feira, 11 de Janeiro de 2008

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CD Review: Shaman – Immortal

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Shaman – Immortal
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Gravadora: Thurbo Music

Por Artur Henriques
O Heavy Metal nacional anda passando por momentos realmente estranhos não é mesmo?
Afinal, Igor Cavalera deixou o Sepultura, Angra entrou em coma (e ninguém sabe até agora
se a banda vai sair disso) e o Shaman se separou. E talvez essa tenha sido a coisa mais
estranha de todas! Afinal para todos aqueles que acompanham a novela envolvendo o grupo
Angra e seus ex-integrantes a impressão que se tinha era de que o Shaman era formando
por pessoas unidas pela amizade mais do que qualquer outra coisa.
Mas o fato é que no final de 2006 começou a rolar os mais variados boatos sobre um
possível fim da banda, ou que a banda iria continuar com um novo baterista. É então que
todos são pegos de surpresa e o que parecia impossível aconteceu: em um comunicado ao
fã clube, o baterista Ricardo Confessori revela que a banda continuaria sim, mas tendo da
formação original apenas ele! Enquanto que o vocalista André Matos acabou por buscar o
caminho da carreira solo (sendo acompanho pelos irmão Mariutti e pelo tecladista Fabio
Ribeiro). Desde então os antigos fãs da banda têm se dividindo entre os que apóiam a nova
formação da banda e aqueles que preferem André Matos e sua trupe.
A confusão só aumentou ainda mais quando foram anunciados quais eram os novos
integrantes da banda. Afinal, o guitarrista Leo Mancini era desconhecido do grande público
e tinha acabado de lançar seu primeiro álbum com a banda Tempestt, e o baixista Fernando
Quesada era um completo desconhecido. Mas acredito que quem mais sofreu com a
descrença tenha sido o vocalista Thiago Bianchi. Afinal, substituir André Matos não é para
qualquer um e os trabalhos anteriores de Thiago (como as bandas Karma e Vox) pareciam
indicar que o estilo dele não era o mais adequado para cantar na banda (e não eram poucos
os que preferiam outras pessoas assumindo o posto de vocalista do Shaman).
Porém o fato é que essa nova formação organizada por Confessori foi capaz de gravar um
álbum de muita qualidade. A começar pelo vocal de Bianchi, que logo na primeira música
(Inside Chains) mostra a que veio.
Outra grata surpresa foi o ilustre desconhecido Fernando Quesada, que demonstrou não ser
apenas extremamente habilidoso com o baixo (e isso é ainda mais impressionante ao
sabermos que antes de entrar na banda ele se dedicava à guitarra), como também um
ótimo compositor. Compondo a música In The Dark e sendo co-autor de tantas outras.
Outro que também mostrou ser uma excelente aquisição para a banda na função de
compositor é o guitarrista Leo Mancini (mas isso não é novidade para quem conhece o
trabalho que ele realizou junto ao grupo Tempestt).
Mancini, diga-se de passagem elevou para um novo patamar de qualidade a seção de

guitarras da banda. Mantendo a tradição de seu antecessor de criar riffs marcantes ele
trouxe consigo um nível técnico e de virtuosidade até então inédito na banda.
O veterano Ricardo Confessori também mostrou a que veio, atuando como co-autor de duas
letras de música e co-autor de várias músicas. Ele também voltou a tocar bateria melhor do
que nunca, cumprindo a sua promessa de criar linhas de bateria tão boas quanto as dos
álbuns Ritual e Holy Land.
O grupo ainda conta com o auxílio luxuoso do tecladista Fabrízio Di Sarno (Karma), que
além de gravar as excelentes linhas de teclado e arranjos presentes no álbum, compôs a
música de introdução Renovatti.
A sonoridade desse novo álbum traz o mais simples e puro Metal Melódico (para o bem ou
para o mal). De fato, Confessori cumpriu meia promessa. Afinal quando a banda se separou
ele alegou que pretendia voltar à sonoridade do álbum Ritual, e de fato, Immortal está mais
próximo do Ritual do que o Reason. Mas, a bem da verdade, deve-se dizer que ele se
encontra mais próximo da sonoridade mais tradicional do Metal Melódico, tendo uma
abertura menor para aquele Heavy Metal banhado em world music como foi o primeiro
álbum da banda.
Outro fato marcante desse álbum é que ele foi totalmente produzido aqui no Brasil, da
gravação à masterização, tudo foi feito por aqui. Tendo Confessori e Bianchi encarregados
da produção, e gravado nos estúdios Fusão VM&T e Plug-in (pertencentes ao vocalista e ao
baterista respectivamente) é incrível como a banda conseguiu atingir uma qualidade de
gravação de nível internacional. Sem ter que optar por fazer a mixagem ou a masterização
no estrangeiro. Realmente surpreendente!
Apresentar destaques para esse álbum é complicado, pois o considero bastante equilibrado.
Mas é impossível não comentar algumas músicas, como por exemplo Tribal By Blood, que é
provavelmente a única que remete o ouvinte ao álbum Reason devido ao seu peso e
agressividade.
One Life e Immortal são as músicas mais próximas de remeter o ouvinte ao primeiro álbum
da banda. Enquanto a primeira é um dos grandes destaques do álbum (graças
principalmente ao vocal do Bianchi), a segunda é a pior! Na faixa título a banda parece que
tentou emular a sonoridade do Ritual e do Holy Land (do grupo Angra), mas a música
acabou parecendo um remake da faixa título do álbum Holy Land, tendo até mesmo um
índio falando no meio dela.
Por fim gostaria de destacar a música que encerra o álbum: The Yellow Brick Road. Tanto
pelas belas melodias presentes nela, quanto pela ótima interpretação do vocalista. A
música ainda apresenta uma aura meio experimental que acaba dando um belo final para o
álbum.
Entre os que ficam do lado do “Shaman Immortal” e dos que ficam do lado do André Matos,
eu prefiro ficar do lado da boa música. E esse álbum é sem sombra de dúvidas boa música!
E ponto final.
Nota: 9.5
http://arisemetalblogzine.blogspot.com/2008/01/cd-review-shaman-immortal.html
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******
"Kritika: magyar néven bírálat, valamely művészi alkotás (könyv, festmény, szobor,
zenemű) tulajdonságainak, kiválóságainak és hibáinak megállapítása."
Tolnai Nagylexikon
SHAMAN: IMMORTAL
Scarlet
H15 H
megjelenés:
2007
pontszám:
7/10
szerző:
Pálinkás Vince
H16 H
online: 2008. február
Nem mondhatnám, hogy hiányt szenvedek mostanában az Angra család alkotásaiban.

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Nemrég újra nagyon megtetszett az anyabanda legutóbbi anyaga, egyben megszakadt a

szívem, mert valószínűleg nem jutunk ki idén a Masters Of Rockra, ahol ők is fellépnek. Ezt
követően egyszerre jutott el hozzám a mostani és a korábbi énekes egy-egy kiadványa: Edu
Falaschi Almah című szólóalbuma (ez még 2006-os, tehát nem készül már róla cikk) és
André Matos friss munkája. És ha ez nem lenne elég, itt a Shaman új albuma is – André
tehát nem véletlenül készített saját lemezt: nemrég ugyanis kiszállt az annakidején ellen-
Angraként létrejött csapatból és vitte magával a Mariutti tesókat is (gitár és basszus). Ezzel
lényegében három részre szakadt az Angra família – hiába úgy szép az élet, ha zajlik és
család ellen ugyebár nincs orvosság. Az sem teljesen világos, hova tűnt a plusz „a” betű a
zenekarnévből, hiszen ezt pár éve jogi bonyodalmak miatt kellett beilleszteni, most viszont
újra az eredeti elnevezést használja Ricardo Confessori dobos, aki az egyetlen megmaradt
eredeti tag. Sebaj, ha belegondolunk, hogy zenészeink a szappanoperák őshazájának
lakosai, akkor máris nemhogy érthetővé, de egyenesen elvárhatóvá válik a sok szarkavarás.
Ricardo mindenesetre nem szívbajoskodott, összehozott egy teljesen új felállást, amely

számomra ismeretlen arcokból áll, de ismerve az utóbbi kb. 10 évben igencsak
megizmosodott brazil színteret, nem aggódtam amiatt, hogy nem talál olyan társakat, akik
megütik a színvonalat. Nos, Thiago Bianchi énekes valóban jó hanggal bír, de az a nagy
helyzet, hogy mind Matosnál, mind Falaschinál szürkébb egy cseppet – tisztán, szépen
énekel, hangterjedelme megfelelő, nem szirénázik feleslegesen, de valahogy hiányzik
belőle az a drámaiság, kifejezőerő, mint elődéből és annak Angra-beli utódjából. A zenészek
(Leo Mancini gitáros és Fernando Quesada basszer) sem tartoznak a fakezűek közé,
különösen a gitárjáték bővelkedik kiemelkedő pillanatokban (élvezetesek a szólók),
valahogy azonban az egész mégiscsak afféle „olyan, mintha, de mégsem”-érzést áraszt.
Jó hallgatni a lemezt, van itt minden, mint a búcsúban, angrás-helloweenes-szimfós témák,

súlyosabb hangulatok, harapós riffelés, némi kis prog íz is beficcen, de semmiféle
késztetést nem érzek arra, hogy az ismertető befejezése után is sokat hallgassam a lemezt.
Mondjuk ki: a markáns egyéniségek távozásával picit befáradt a zene. Tudvalévő, hogy
vannak bandák, ahol a dobos a szellemi agy, de a Shaman, úgy tűnik, nem tartozott és nem
is tartozik ezek közé. Nincs ezzel semmi probléma, mert a zeneanyag bőven hallgatható és
tulajdonképpen alapvetően nekem is tetszik. Viszont nemcsak az Angra klasszikus és
mostani munkáihoz képest, de a tradicionális első és a dupla „a”-val ellátott, súlyosabb
hangvételű kettes saját albumok fényében sem egy kiemelkedő dalcsokor. Persze ettől még
nincs harag – ez van, ezt kell szeretni.
http://www.shockmagazin.hu/magyar/cd/1/shaman_immortal.htm
******
Shaman - Immortal
Gravadora
AFM Records
Ano 2007
Duração 48 min
Integrantes
.Thiago Bianchi: Vocalista
.Léo Mancini: Guitarrista
.Fernando Quesada: Baixista
.Ricardo Confessori: Baterista
Por Eduardo Macedo

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19/02/2008
T T
E a novela que aconteceu com a banda Angra, quando da ruptura do grupo paulistano, se
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repetiu com o Shaaman. Após a turnê do álbum Fireworks (1998), as coisas já não andavam
bem com o relacionamento entre os membros da primeira, culminando na saída de Andre
Matos (vocalista), Luis Mariutti (baixista) e Ricardo Confessori (baterista). Fato que, anos
depois, se repetiu com a segunda após os shows de divulgação de Reason (2005), material
este que recebeu diversas críticas negativas de fãs e imprensa mundo afora. Pois bem,
acreditar que após a retirada dos irmãos Mariutti e André Matos, Ricardo Confessori
conseguiria manter o Shaaman vivo, certamente poderia pender para o âmbito da utopia.
Ledo engano companheiros! T
O músico além de ter remontado a banda com um timaço da cena nacional - Thiago Bianchi
T
(vocal), Leo Mancini (guitarra) e Fernando Quesada (baixo) -, ainda conseguiu lançar o disco
mais consistente da carreira, do agora rebatizado Shaman, o grandioso Immortal. Contando
com elementos que remetem ao debut do conjunto, Ritual (2002), acrescidos de facetas
que faltavam em suas canções, Immortal agrada em todos os aspectos que compõem a
obra. Ou será que um Xamã equatoriano genuíno na faixa título, agregado ao alto teor de
introspecção da acústica “The Yellow Brick Road” não seriam tacadas de mestre numa
compilação que simboliza o renascimento do quarteto? Podem apostar que sim! Somado a
tudo isso, acompanhar a evolução do vocalista Thiago Bianchi é algo que imediatamente
salta aos ouvidos. Thiago é responsável pelo lado agressivo inédito na sonoridade do grupo,
ressaltado principalmente nas excelentes “Freedom”, “Strenght”, “Tribal By Blood” e
“Inside Chains”, todas elas numa fúria absurda. Por outro lado, as melódicas “In The Dark”
(belíssima balada), “One Life” (clássica absoluta) e “Never Yeld!”, servem de contraponto
para ressaltar a complexidade qualitativa dessa nova formação, fundamentada pelos riffs
sempre precisos de Leo Mancini e, principalmente, pela cozinha sempre cativante, levada a
cabo por Ricardo e Fernando. T
Mais um grande lançamento da prolífica cena brasileira, que ostenta respeitabilidade

T
evidente em todo o globo. O Shaman provou que ainda tem muita lenha para queimar e,
sobretudo, muita história a escrever em sua honrosa carreira. Que venham os shows da
Immortal tour, porque se depender do conteúdo do CD aqui analisado, será obrigatória a
presença dos fãs de canto a canto do Brasil/Europa/Japão. T
Nota
10.0
Redator
Nota
7.0
Visitante
Minha Nota
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17H 18H 19H 20H 21H 2H 23H 24H 25H 26H H
Votos: 61
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http://www.novometal.com/reviews/ler.php?id=1834
******
Shaman Immortal – Review do cd. Por Raphael Finardi e Thales Maciel
Track List – Shaman Immortal
01 - Renovatti
02 - Inside Chains
03 - Tribal By Blood
04 - Immortal
05 - One Life
06 - In The Dark
07 - Strenght
08 - Freedom
09 - Never Yield
10 - The Yellow Brick Road
01 – Renovatti (Intro) - Raphael Finardi

Quem nunca pensou em iniciar um cd com uma introdução própria? Não apenas usar a
criatividade e o espírito para montar algo que inicia o cd, mas deixar de lado as antigas
composições da música Erudita. Para surpreender e, ao mesmo tempo cria um ambiente e
um espaço de suspense para o inicio. Conta com uma percussão marcante, violinos
presentes flautas, criando aquela expectativa que precede a segunda faixa do álbum (Inside
Chains).
É uma composição do tecladista convidado da banda Fabrizio de Sarna e foi gravada por
músicos da OSESP.
02 – Inside Chains – Thales Maciel

Após o clima tenso e envolvente da Introdução, toda a energia contida é liberada na
segunda faixa. Riffs poderosos acompanhados de uma cozinha precisa iniciam a primeira
música cantada. E por falar em canto, pra quem esperava uma linha vocal mais suave, terão
uma agradável surpresa ao se deparar com vocais fortes e empolgantes, sem deixar de lado
a linha melódica marcante da banda.
A segunda faixa tem sua letra bem representada pelo título, pois é como um grito guardado
sendo liberado, mostrando toda a força do novo e “imortal” Shaman.É uma composição do
novo guitarrista da banda Leo Mancini e mostra bem, o lado virtuoso acrescentado nessa
nova etapa da historia do Shaman.
03 – Tribal By Blood - Raphael Finardi

A música mais pesada do cd em minha opinião. Um som bem pesado, mostrando
"a cara nova" da formação. Não tem como duvidar que Leo Mancini colocou o diferencial
nas novas guitarras do Shaman. A voz de Thiago Bianchi também se destaca muito nesta
faixa, o novo vocal da banda acaba mostrando bem versátil, um vocal poderoso, com
rasgados marcantes, e riffs poderosos, é uma musica que com certeza será indispensável no
set list dos shows.
04 – Immortal – Thales Maciel

A faixa titulo do álbum retrata as dificuldades superadas pela força de vontade e grande
união da nova formação, com um clima envolvente, cheio de Feeling.
Vale o destaque para a Originalidade da banda, ao inserir um trecho de fala feito por um
Shaman verdadeiro, de uma tribo Equatoriana. Assim Immortal, mostra que tudo depende
de todos, e nossos sonhos e desejos são imortais.
05 - One Life – Raphael Finardi

O que significa uma vida, diante de um dia que está preste a nascer? A One Life conta com
um violão a lá erudita e lembrando as raízes mais fortes que o nome Shaman traz a todos.
Algumas coisas foram alteradas da versão
disponibilizada no Site que seria uma Demo. Os sons do universo e de todos os elementos
unidos por um pedal rápido, percussão, flautas e Riffs mostrando que todos devem se unir
se para um novo futuro e nunca desistir, começar de novo e seguir em frente.
06 – In The Dark – Thales Maciel

Uma música muito importante para a banda, pois com ela foi à responsável por decidir
quem seria o novo baixista do Shaman.
Uma linda balada que une melodia e peso, a Faixa se consagra como uma das principais
músicas do disco, sendo escolhida para ser o primeiro vídeo clipe com a nova formação,
que saira junto às músicas do cd tanto aqui quanto no exterior
07 – Strenght – Raphael Finardi

Uma música diferente entre as outras faixas, mas não saindo da linha das
outras letras. A faixa fala sobre aqueles dias na vida em que as vezes
Nada da certo, mas que apesar de tudo, temos força para continuar
Nossa jornada. Nossos sonhos são sempre o que devemos escolher,
Nunca perdendo a esperança de que não poderemos realizá-los.
Conta também com a presente a marcante bateria que sempre foi característica nas
composições do Ricardo trazendo de volta levadas e contra tempos fazendo-nos relembrar
passagens do Angra e do Shaman já q essa é uma música que ele já tinha a algum tempo.
08 – Freedom – Raphael Finardi

Depois da apresentada música "Be Free", Ricardo e Thiago decidiram mudá-la
totalmente. A música que foi apresentada em muitos show do Shaman, foi reformulada
pelos mesmos e ficou incrível! O que não passava de uma música instrumental ganhou letra
e como nas outras faixas Riffs e mais Riffs por Leo Mancini. É uma musica que explora
varias levadas de batera que remetem a varias fases da carreira de Ricardo tanto no Angra
quanto no Shaman, apresentando batidas regionais e percussão como sempre. A letra
retrata bem o momento que a banda vem vivendo e tem uma mensagem sobre como as
coisas e as pessoas devem seguir sem rumo e assim serem livres para aquilo que de fato
devem ser.
09 - Never Yield! – Thales Maciel

Composta por Fernando Quesada, essa é a ultima faixa pesada do álbum, e a ultima a ter
sido incluída no mesmo.
A faixa esta em um tom bem alto para a voz, guitarras virtuosas ao Maximo, e claro, conta
com a clássica “pegada” de bateria de Ricardo Confessori.
é uma previa para a ultima faixa do Immortal, a ultima musica q prepara para uma coisa
inedita, nunca feita pela banda em tda sua trajetoria.
10 - The Yellow Brick Road – Raphael Finardi

Simplesmente a faixa que faltava para a banda. Uma música acústica! Rituais indígenas,
tubas, chocalhos... Essa música diz tudo, momentos para refletir, lembranças de toda uma
vida passada, pensamentos sobre tudo que passou e os caminhos seguidos que foram
traçados. Por tudo que tenha acontecido, magoas e momentos difíceis, temos que
continuar nossas trajetórias, a partir dai descobrir o verdadeiro sentido da vida. Música que
encaixou perfeitamente no final do cd e que ficou a cargo da composição de Fernando
Quesada e Thiago Bianchi.
http://z7.invisionfree.com/shamanimmortal/index.php?showtopic=36
******
SHAMAN
Immortal
• Pubblicazione
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2007
• Casa discografica
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Scarlet Records/Spv
• Genere
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Tribal Power Metal

• Nazionalità
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Brasile
• Supporto
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CD
• Sito Web
H27T TH
• Valutazione
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Band
• VocalsThiago Bianchi
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• GuitarsLeo Mancini
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• BassFernando Quesada
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• Drums and PercussionsRicardo Confessori T T
Recensire questo “Immortal” mi ha creato non pochi problemi, visto la mia devozione
verso Andre Matos come singer e verso gli Shaman come band; oltrepiù, anche se uscito lo
scorso anno, ne sono entrato in possesso dopo aver già assimilato “Time To Be Free”, e
questo mi rendeva un po’ scettico sulle capacità (unicamente a livello di idee) di mr.
Confessori.
Ma partiamo dall’antefatto…Matos e i fratelli Mariutti, dopo il tour di “Reason”

(secondogenito della band) decidono di uscirsene (o meglio di sciogliere) la loro creatura
Shaaman, visti i problemi legati alle divergenze musicali innescatesi negli ultimi tempi…il
quarto elemento, il prodigioso drummer Ricardo Confessori, invece sceglie di riportare in
auge la band, tornando al monicker Shaman e reclutando tre validi e sconosciuti compagni
che lo coaudivino a esprimere il proprio pensiero, in modo da poter personalizzare il sound
senza l’ausilio dell’ingombrante (solo a livello compositivo) Matos.
Il risultato di tanto faticare risiede nelle tracce di questo “Immortal”, album che viene
presentato come la migliore rinascita del combo brasiliano in questione; la prima cosa che
traspare è (logicamente) la differenza nelle parti vocali; Thiago Bianchi è veramente un
gran cantante, nelle songs ci mette anima e corpo (e immedesimazione) e il materiale è
stato sviluppato propriamente per le due doti canore; certo il confronto con Matos è arduo,
perché pur che riesca a raggiungere note altissime producendo un falsetto bello e corposo,
il buon Andre rimane al di sopra del giovane brasiliano; a suo favore comunque, rimane la
buona capacità nel raggiungere note profonde dove sicuramente Matos avrebbe trovato più
difficoltà…
La seconda differenza sta nelle composizioni; ci sono sempre le parti orchestrali

(“Renovatti” è un’intro di tre minuti unicamente orchestrale), la doppia cassa velocissima,
i tempi speed, qualche parte puramente ‘brasileira’come mr. Confessori ci ha ben fatto
conoscere nel corso degli anni, ma il pacchetto risulta nell’insieme più oscuro rispetto alle
release precedenti e rispetto anche agli stessi Angra del periodo d’oro; molto incentrato
sulle ritmiche di chitarra, serrate e graffianti le quali fanno emergere maggiormente le
parti vocali, alcune delle quali ricercate e nuove, ma nel contesto generale il platter in
oggetto non aggiunge molto più di quanto non sia già stato creato in questo genere.
In maggior dettaglio, oltre alla già citata “Renovatti”, spiccano sulle altre come valore e
come esecuzione “Immortal”, “One Life” (davvero pregevole) e “In The Dark”, in cui le
qualità del quartetto si mettono in mostra maggiormente (in certi punti Bianchi ricorda
vagamente Michael Kiske); non male nemmeno le speed songs “Strenght” e “Trial By
Blood”, composte da chorus accattivanti e facilmente ricordabili, e un appunto è doveroso
farlo anche per la conclusiva acustica “The Yellow Brick Road”, caratterizzata da arie
molto fresche in cui Bianchi cerca di far dimenticare il proprio predecessore e per “Inside
Chaos”, che rappresenta il miglior connubbio tra le idee più grintose e la voce di Bianchi
citate prima nonchè nuovo percorso intrapreso dalla band.
Se mi chiedessero di fare un paragone rispetto al nuovo platter dei tre ex membri della
band, direi che a livello di idee “Time To Be Free” risulta più ricco, meno lineare a livello
compositivo e anche il sound stesso è stato prodotto con maggior mezzi rispetto a
“Immortal”…ciò non toglie, comunque, che la prova di Confessori e soci sia un ottimo
inizio, un buon punto di partenza dal quale procedere ampliando i propri orizzonti. Le
capacità ci sono e si sentono, quindi…
Syrens77
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http://www.verorock.it/magazine/recensioni.asp?ID=706
******
Shaman: "Immortal" – 2007

H28 H H29 H
добавил: Hatebreeder
H31 H
энциклопедия: Shaman H30 H
Scarlet Records | Mazzar Records
Замечено, что у бразильского пауэр-металлического эльфа Андре Матоса есть немало

поклонников, которые с яростью и критикой обрушиваются на всех, кто приходит на его
место. Так было в случае с Angra, где Эду Фаласки вполне себе здорово заменил
сладкоголосого соотечественника. Тоже самое произошло и на этот раз. Если Матос
умудрился покинуть уже две неплохо раскрученные команды, может быть, проблема не в
окружении, а в самом музыканте? Так или иначе, спустя два года после выхода в свет
"Reason" (2005), шаманы выбросили на рынок новый диск, который смотрится не хуже, а в
некоторых моментах даже цельнее двух предыдущих работ коллектива. Возможно, дело в
том, что изначальные задумки Матоса никогда ничем путным не заканчивались. Angra в
конце концов (уже без него) эволюционировала в сторону европауэра, хотя и со своими
яркими и неповторимыми элементами. Судьба Shaman сложилась ещё менее
примечательной. Матос, казалось, был уверен в своей неповторимости, но его детище
неплохо выживает и своими силами.
В нашем распоряжении – очередная партия эпического пауэра, который расположился где-
то между Angra и Symphony X, ровно на таком расстоянии от своего прародителя, чтобы
сделать материал бразильцев более прямолинейным. По сравнению с довольно вялым
"Reason" свежачок смотрится динамично, хотя и не свежо, в нём мало деталей, зато он
наполнен приятными мелодиями. Ещё одна деталь – на записи отточенный до безобразия
звук, что изредка мешает воспринимать специально вышколенные риффы. Звёзд
"Immortal", конечно, с неба не хватает, но в данном случае это вряд ли требуется. Главное
для Shaman просто выйти на определённый уровень и уверенно доказать, что и без Андре
Матоса они чувствуют себя вполне сносно. Очень твёрдая четвёрка.
диск предоставлен: Mazzar Records H32 H
http://www.metallibrary.ru/articles/reviews/albums/i/shaman.07_immortal.html
******
Artist: SHAMAN
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Title: Immortal
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Homepage: SHAMAN
T T H3T TH
Label: SCARLET RECORDS

T T H34T TH
Brasilianische Power Metaller auf unserem italienischen Lieblingslabel... da kann ja gar

keine andere wie die vorliegende Mucke rauskommen. SHAMAN sind die neue Combo von
ex-ANGRA-Schlagzeuger Ricardo Confessori, der die Band zusammen mit ex-ANGRA-Röhre
Andre Matos gründete. Auf dem neuen Werk singt der nicht minder talentierte Thiago
Bianchi. Ein schöner Fehler hat sich auch mal wieder auf dem Infoblatt eingeschlichen.
Steht da noch richtigerweise for fans of IRON MAIDEN/ ANGRA/ HELLOWEEN/ GAMMA RAY,
so liest man 2 Zeilen weiter for fans of SLAYER/ KREATOR/ VENOM/ DESTRUCTION/ EXODUS!
Aua!
Natürlich hört sich "Immortal" wie eine Mische aus den erstgenannten Bands an. Typischer
Melodic Power Metal, wie er im Buche steht und schon bis zum erbrechen auf dem Markt
ist. Auch sind die Herren instrumental alle voll fit, die Produktion ist sehr gut und der
Sänger angenehm. Kann man haben, muss man aber nicht. Wie so viele andere gutklassige
Scheiben, die einfach auf Grund der Fülle an Veröffentlichungen durchs Raster fallen.
Dampfhämmer wie das fette "Tribal by Blood" sind schon absolut gehobenes Niveau und die
brasilianischen Einlagen (z.B.im Titeltrack) kommen geil, aber ich befürchte, dass die
Combo etwas hinten ansteht, falls man nicht auf eine fette Tour hierzulande aufspringen
kann. Die feine Halbballade "In the Dark" ist ebenfalls sehr gelungen, wie eigentlich die
ganze Scheibe.
Melodic-Fans sollten auf jeden Fall mal reinhören und vielleicht eine neue Perle für sich
entdecken, das Potenzial ist da!
MOSES (12.12.2007) http://www.musik.terrorverlag.de/rezensionen.php?select_cd=6201

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SHAMAN – Immortal (Scarlet/Season Of Mist) - 20/11/2007
Dans la série des ridicules changements de nom on pensait RHAPSODY indétrônable avec
son cultissime RHAPSODY OF FIRE mais maintenant on a mieux puisque SHAMAN (qu'on va
finir par appeler “le groupe de Ricardo Confessori”, ça sera plus simple) après avoir ajouté
un “A” il y a quelques années, l'a enlevé pour ce nouvel album afin de retrouver son nom
d'origine, à savoir SHAMAN. Ca vous la coupe, hein!? Pour continuer sur cette belle lancée,
précisons également pour couper l'herbe sous le pied des plaisantins de tous bords que
non, SHAMAN n'a pas, malgré le titre de son nouvel album, viré Black Metal (sinon c'est bibi
qui aurait été bien dans la merde).
Ceci étant, ceux qui avaient apprécié l'évolution du groupe risquent de bien tirer la gueule
puisque le grand chambardement qu'a connu SHAMAN dernièrement se ressent fortement
au niveau de la musique. Ainsi, le SHAMAN nouveau est un SHAMAN résolument Heavy qui,
d'une part sonne parfois franchement comme du ANGRA (voir l'excellent “Strengh” ou
encore “The Yellow Brick Road” sur lequel c'est vraiment flagrant) et, d'autre part,
s'aventure ponctuellement dans un registre Power pas complètement maîtrisé (voir le titre
“Tribal By Blood” sur lequel le nouveau chanteur Thiago semble légèrement à la peine
pour ne pas dire complètement à la ramasse). C'est d'autant plus regrettable que si l'on
met ce titre de côté le bougre s'en sort plus que remarquablement et arriverait presque à
faire oublier le nom de celui qu'on ne doit pas prononcer.
Au niveau de la prod, on restera mesuré. Plus brute et incisive que celle de "Reason" elle
est tout de même un poil trop orientée autour de la batterie (il suffit d'entendre l'intro de
“Never Yield!”) qui a d'ailleurs dans l'ensemble un son un peu trop froid et clinique.
Une petite touche World par-ci (la fin de “Immortal”), une petite touche à la limite du Folk
par-là et nous voilà avec un album au final assez varié bien qu'un peu inégal. Enfin, il faut
quand même avouer qu'on se fait ici nettement moins chier que sur leur précédent skeud.
Il semble tout de même évident qu'il faudra attendre un peu (c'est-à-dire le prochain
album) avant de pouvoir porter un jugement définitif sur le SHAMAN Mark II. Et puis bon...
le début d'”Inside Chains” me fait un peu penser au titre “America Fuck Yeah!” de Team
America donc rien que pour ça, chapeau bas messieurs!
http://www.vs-webzine.com/new.php?page=kronik&id_news=8056&pagh=&droite=
******
http://www.allaradio.org/rubriche/recensioni_heavy_metal/shaman_immortal_scarlet_rec_
3408
Non ne avevamo avuta piu' traccia, dei brasiliani Shaman e in molti li davano ormai per
spacciati, con Andre' Matos tornato in liberta' e Riccardo Confessori, in preda a dover
ricominciare tutto da capo; tranquilli però, dopo qualche assestamento di formazione, (i
nuovi entrati, al fianco di Confessori rispondono al nome di Leo Mancini alla chitarra,
Fernando Quesada al basso e il dotatissimo vocalist Thiago Bianchi) la band di “Ritual” e
“Reason” e' pronta a scuotervi col nuovo e potentissimo “Immortal.
Il sound del quartetto, dopo qualche sterzata troppo “moderna” su “Reason” e' tornato ai
fasti di un power metal melodico, di stampo europeo con inserti etnici (da sempre punto
forte della formazione) e soluzioni corali ad ampio respiro; “Renovatti” funge solo da intro
per la massiccia “Inside Chains”, una solida heavy song dai connotati vicini ai nostri Secret
Sphere, di “A Time Nevercome”, con chitarre robuste e incisive e un cantato di Thiago,
lontano dal timbro di Matos ma per questo, non meno possente ma piu' grintoso e melodico.
Riccardo Confessori dietro le pelli si dimostra come sempre, un drummer dal gusto
pazzesco, preciso e dotato di una tecnica invidiabile e anche il nuovo chitarrista Leo e il
bassista Fernando, giocano bene i loro assi, sfoderando una prestazione davvero da
applausi. Partenza coi fiocchi bissata da “Trial By Blood”, speed track sulla falsa riga dei
Judas Priest dal cantato violentissimo di Thiago e spezzata da un coro power/thrash,
perfetto per scatenare le folle ai concerti.
Se da un lato le sonorita' si son fatte meno pompose e orchestrali, c'e' da dire che la nuova
incarnazione degli Shaman e' riuscita a rinnovarsi, senza cadere nel banale o nella
fotocopia di loro stessi; tanto di cappello davvero ragazzi. “Immortal” viaggia su territori
più standard, tutta giocata su un tappeto di melodie tra il tribale (soprattutto nell'inizio) e
accellerazioni speed nel coro, creando un ponte col passato della band, mentre “One Life”
e' la vera perla di questo “Immortal”. Flauti, chitarre acustiche e tanta voglia di ampi spazi
e distese infinite, ci avvolgono in questo brano a cavallo tra i migliori Angra/Shaman, con
un Thiago davvero superlativo a creare melodie semplicemente vincenti; complimenti
ragazzi..un brano entusiasmante!
Ballad emozionante e malinconica e' “In The Dark”, dove il fantasma dei vecchi Shaman di
“Ritual” con spruzzate di rock, emerge prepotentemente creando un'atmosfera eterea e
lanciando il brano, tra i più belli del cd; si torna a correre veloci con la tirata “Strenght”,
dai rimandi ancora una volta ai Secret Sphere ma dalla parte centrale “made in Shaman”,
con soli incrociati e una batteria sincopata, di incredibile spessore. Anche “Freedom” si
assesta su tempi veloci e cori di matrice power ma con risultati inferiori, risultando un po'
scontata mentre tutt'altra cosa con “Never Yield!”, dettata dalla doppia cassa di Confessori
e costruita su linee melodiche Helloween/Angra, di ottima fattura.
Chiusura affidata all'acustica “The Yellow Brick Road”, un ibrido riuscitissimo tra “Wishing
Well (Angra) e alcune cose del Kiske solista d'annata con risultati da pelle d'oca. Un ritorno
più che positivo per i “nuovi” Shaman e chi sosteneva che la band senza Matos sarebbe
morta...beh, si sbagliava di grosso!
MOMENTO D'ESTASI: la bellissima opener “Inside Chains” e l'accoppiata “One Life” "The
Yellow Brick Road”.
COLPO DI SONNO: la sola “Freedom” leggermente inferiore al resto.
Inserita il 16 - 11 - 07 Fonte: Massimo Agliardi
IMMORTAL TOURS 2007 - 2008
Immortal Tour 2007

21/09/2007 - Manifesto Rock Bar - São Paulo/SP - Brasil
22/09/2007 - Lapa Multishow - Belo Horizonte/MG - Brasil
23/09/2007 - Volta Redonda Rock - Volta Redonda/RJ - Brasil
26/09/2007 until 30/09/2007 - Expomusic/SP - Brasil
05/10/2007 - São Paulo/SP - Brasil
19/10/2007 - Hangar - Curitiba/PR - Brasil
27/10/2007 - Rio Negro Clube - Manaus/AM - Brasil
28/10/2007 - Belem/PA - Brasil
10/11/2007 - SABAP - Pedregulho - Guaratingueta/SP - Brasil
23/11/2007 - Sesc - Santo Andre/SP - Brasil
02/12/2007 - Livraria Cultura - São Paulo/SP - Brasil
14/12/2007 - EM&T - Campinas/SP - Brasil
Immortal Tour 2008

23/02/2008 - Helloch (opening to Deep Purple)- Curitiba/PR - Brasil
24/05/2008 - HeyHo Rock Bar - Fortaleza/CE - Brasil
01/06/2008 - Ribeirão Preto/SP
14/06/2008 - Roça'n'Roll - Varginha/MG - Brasil
29/06/2008 - Manifesto Rock Bar - São Paulo/SP - Brasil
04/07/2008 - Nova Hamburgo/RS - Brasil
05/07/2008 - Caixias do Sul/RS - Brasil
11/07/2008 - Lapa Multishow - Belo Horizonte/MG - Brasil
12/07/2008 - Governador Valadares/MG - Brasil
20/07/2008 - Anime Friends (Recording of the DVD "AnimeAlive") - São Paulo/SP - Brasil
08/08/2008 - Jack's Pub - Bauru/SP - Brasil
09/08/2008 - Kazebre Rock Bar - São Paulo/SP - Brasil
20/09/2008 - Curitiba/PR - Brasil
24/09/2008 until 28/09/2008 - Expomusic/SP - Brasil
21/11/2008 - Jundiaí/SP - Brasil
19/12/2008 - Guanhães/MG - Brasil
20/10/2008 - Manhumirim/MG - Brasil
IMMORTAL some TOURS FLYERS

IMMORTAL some PICTURES LIVE PERFORMANCES 2007
21st September 07 Sao Paulo
P P 22nd September 2007 B. Horizonte
P P
22nd September 07 B. Horizonte

P P 23rd September 07 Volta Rotonda
P P
23rd September 07 Vota Rotonda

P P 5th October 07 Sao Paulo
P P
5th October 07 Sao Paulo
P P 19th October 07 Curitaba
P P
19th October 07 Curitaba

P P 27th October 07 Manaus
P P
10th November 07 Guataringueta

P P 10th November 07 Guataringueta
P P
23rd November 07 Santo Andre
P P 23rd November 07 Santo Andre
P P
2nd December 07 Acustic Livraria Cul. 2nd December 07 Acustic Livraria Cul.
P P P P
14th December 07 EM&T Campinas

P P 14th December 07 EM&T Campines
P P
IMMORTAL some PICTURES LIVE PERFORMANCES 2008

23rd Feb. 08 Curitaba sup. Deep Purp.
P P 24th May 08 Fortaleza
P P
25th May 08 Recife

P P 25th May 08 Recife
P P
REASON // AFM Record - Europe // Sequil Record
1 Turn Away
2 Reason
3 More
4 Innocence
5 Scarred Forever
6 In the Night
7 Rough Stone
8 Iron Soul
9 Trail of Tears
10 Born to Be
REASON 2005 - LYRICS

Turn Away
You put yourself in fire
Turn to someone else
You are the... cry out searching for success
Left your thoughts in darkness
One day they'll return
Some other guide our lesson would be good to learn
Don't get it down on me

Don't ever Turn Away!
Break trough your barriers

Shout down diamond...
And give me tragic lies of simple misunderstood
Step me what you need now

To be that someone else
Is that another desire! It will be your last?
Don't get it down on me

Don't ever Turn Away!
Leave me alone
Seeds now are raised and grown
Guide me today
Reason
Strange how summer blossoms
Blew away so late this year
Falling from above, so soft as snow
All around you
The days, I'd like to bring back

Side by side with you
And peer trough that old black window
And see red-blue skies so near, but
Say the world

And I'll be ready to make a sacrifice
Stay - don't turn around
There's only one reason
All my life I wished I was here

Looking for a chance to cry out
All the pain that turned me into stone
And thoughts that haunt me day by day
The word is now

I'm ready to make my sacrifice
Pray - imagine all the things
That I never talked about
Stay - don't turn around
You're the only one
Won't you save me, take me away

There's no more reason to hide
Try to make a stand
It's not only tears in my eyes
Somewhere I'm all alone... without you
Flowers
Won't you save me, take me away

I've felt so lost as I've tried
Hold me, help me stand
Don't mind the tears in my eyes
Someday we'll pass away
Is there a time to go by?
Take a breath and smile
Fortune is to be alive
For apparently no reason
More
(by Eldritch/Steinman.)
Some people get by
With a little understanding
Some people get by
With a whole lot more
I don't know
Why you gotta be so undemanding
One thing I know
I want more
I want more
(And I need all the love that I can't get to)

(And I need all the love I can get)
D'you get scared to feel so much?

To let somebody touch you?
So hot, so cold, so far so out of control
Hard to come by, and harder to hold
Some people get by

Some people get by
I don't know
I want more
There are parts of me that don't get nervous

Not the parts that shake
You won't get what you deserve
You are what you take
Learning to cry for fun and profit
I'm not done yet
Counterfeit dollars or the English zloty
Anything I can get
Some people get by

Some people get by
I don't know
One thing I know
I want more

All the love that you can get

All the love
That I can't get to
Innocence
I woke today
Inside the train of dreams the rain poured down in black and white
I stood and stared the rest of what remains
My own world crumbling around (a wild world crumbling around)
I held my tears
One day comes after another
The falling rain

Caressed my skin again
Just let it flow to wash away
The time gone by
Feeling long denied
My heart is no more bounded in vain (in pain)
And now it's clear

One day leads on to another
I dried my tears (cried my tears)
There's so much else to discover somewhere...
I hear the sound

Of thousand voices
I lost my innocence
I'm on my way
Across the desert
To rescue what I sent
Out of my heart and way
Now it's clear

One day leads on to another
To find our fears
Find the way back to each other
Oh!
I hear the sound

Of thousand voices
I lost my innocence
I'm on my way
Across the desert
To rescue what I sent
Out of my heart...
I hear the sound of thousand voices

I lost my innocence and I'm on my way
Across the desert to rescue what I sent out of my heart and way
Scarred Forever
There's a chance for you and me
Further away from this believe
When the prayers reach the sky
Cause I know man that you will cry no more
Run, running away, falling apart

Thunder of fate colliding
Everyday I see your face

Through my empty I met this grace
When it's cracking up inside
Cause I know man that you will cry no more

Fear of the heart now turning two
Shadows of day out in the dark
Fury scarred forever
And always empty nights are left behind

Always the moment is right you can't deny your faith
Deny your faith
Guitar solo
The hateful lair disturbs the sky

It's time to say goodbye
Along the way a wishing well
Turn off the light let us have
Our last goodbye and then
Fear of the heart of turning two
Shadows of day out in the dark
Fury scarred forever
Always empty nights are left behind

Always the moment is right you can't deny your faith
Deny your faith Deny your faith
In the Night
In the night, realm of dreams
Wildness creed, descending
All so quiet, all so still
Prowling in silence in the night
In the heights, on the peaks

Rainy clouds surrounding
There are cities made of light
Ripping through the black of night
All becomes so real

Making dreams come true
To release your mind and free your soul
Fly away from this land

Made of old scraps of sorrow
No way back, free to ride
Hesitation, sacrifice
Mesmerize, hold on tight

Fur the heavens bend down
There's a tunnel, long and winding
Leading on towards the light
All become so real

Making dreams come true
To release your mind and free your soul
Free yourself from misery, let go

Hear my voice and I will guide your roaming
Guitar solo
Oh, free yourself from misery, let go

Hear my voice and I will light your road
Leave behind the world you know, and float
Hear my voice and I will guide your roaming
Rough Stone
Flowing down inside the stream
Blowing all around
Like another day of spring
Spreading out through the ground
Changing seasons come and go

Before and after life
And the sun will set again
Bringing out the darkest night
Only made to disappear?

Life's a rough stone
And the future, unclear
Wait for the day of your life

That you will meet the unknown
There's nowhere else to go
Wait for the truth, not a lie
It will meet you alone
End of all illusion
Only made to disappear?

Life's a rough stone
And the future, right here
So much pain, suffering and strife
Mystery of death
Brings a new man to life
Iron Soul
Look around, what do you see?
Caught up in humility?
Too many souls are on their own
Fallen angels moving on
There's more to get, more to find

Feelings of another kind
The choice is set, take it soon
For even you won't be immune now
I'd count it a miracle

If I ever see your smile
Throw away your illusions, dear
Don't keep trusting your own lies
Who's in command of your heart?

Of your hope?
Past thoughts are vague
As they soar high and low
Yet someday, still alive

You will find a will to strive
For someone else will come along
To lift you up, to right the wrong
And you will see within your eyes

Figures that comes back to life
You'll touch the wounds that never heal
Love is raw, it's not for real
I'd count it a miracle

If I ever see your smile
Throw away your illusions, dear
Let me hold you for a while
Who's in command of your heart, of your hope?

Past thoughts are vague, running out of control
There was a time when the fields were green

The world was one, life was filled with something
There was a blue sea, on the horizon
There was a dream of a lasting fire
We bottomed out, life's become so cruel
Along the way, a regardless torment
Is there a cause that we would die for?
Is there a place where the spirit lives on?
Who's in command of your heart, of your hope?

Past thoughts are vague, running out of control
There's more to know and there's much more beyond
The faith that you've lost you will find on your own
Trail of Tears
Not for a day
Not for a while
You run alone you never satisfied
Oh you've been dreaming for a hundred years
So you begin
To understand
That your lifetime is running through your hands
Oh! Will forgive you for this trail of tears
There you go out
Someone to know
Easy to find
Full feel your hearts will blew of many kinds
Only will change it for its train of shore
There you go
Hearing voices and noises to go
There you stand
Back in time every hour once begin
There you walk and then...
After a shock
Time to recompose
No bleeding heart
"So the screamings that you feel"
Oh! Will forgive you for this trail of tears
There you go
Hearing voices and noises to go
There you stand
Back in time every hour once begin
There you walk, my friend!
Born to Be
I looked inside me
To find myself
To purify me
To cease the thing
Across the river

A life goes by
Look inside the mirror
And you will find out
Solitude I was born

Terrify me
Fail of mystic broke in front of my eyes
I walked in shadows
I drown in rain
I met the desert
'Cause I'm born again
Across the river

A life goes by
Look inside the mirror
And you will find out
Solitude I was born

Crucify me
Wearing the crowd of thoughts I am
Freedom!
Born to be a man
Emptiness!
Made me understand
Oh! Let me hear the deep within
Oh again freedom!
Born to be the man
Deadliness!
Crush the way deserve
Trough one of the deep within

Shy the stream without a lie
Raft in frozen lands of life

Seems the song of what we are
Line-up:
Andre Coelho Matos - vocal, keys
Hugo Mariutti - guitar, keys
Luis Eduardo Mariutti Pereira - bass guitar
Ricardo Confessori - drums
Guests:
Michael Rodenberg (Miro) - keys, sound effects
Junior Rossetti (Junior Rossetti) - keys, sound effects
Fabio Ribeiro - organ
Marcus Viana - violin, cello
Helder Araujo - sitar, tablas
Amanda Somerville-Scharf - voice, back-vocal
Svetlana Terechkova - violin
Andrea Campos Misiuk - violin
Soraya Landim - violin
Matthew Thomas Thorpe - violin
Camila Tamae Yasuca - violin
Cesar Augusto Miranda - violin
Svetlana Bogatyreva - viola
Tania Campos Kier - viola
Douglas Kier - cello
Wilson Sampaio - cello
The lyrics by amboagepower@yahoo.com.

Produced by Sasha Paeth and Shaaman.
REASON VIDEOS
http://ca.youtube.com/watch?v=j9hA-eiLCYQ
INNOCENCE
http://ca.youtube.com/watch?v=yc07XlibvOI
TURN AWAY
http://ca.youtube.com/watch?v=YoDjFAZCNI8
REASON TRAILER TOUR 2005
http://ca.youtube.com/watch?v=bVzni3xBdGU
BORN TO BE
http://ca.youtube.com/watch?v=rp51k_LwrFA
REASON (around Europe)
******
REASON CD - WORLDWIDE PRESS REVIEWS
Shaaman! Yes, Shaaman and not Shaman as it used to be. Due to name problems in South
America, the band name is spelled Shaaman from now on. "It seems like after a spiritual
consultation with an Amazon shaman, Santo Darem, the band decided to get an extra A .
I am not a shaman, but I think this A stands for Alma ( Soul in Portuguese)" says
Felipe Machado and it sounds perfectly normal to us.
When Andre Matos, Luis Mariutti and Ricardo Confessori left Angra, they were facing one of
the biggest changes in their life so far. Having sold more than one million records with
Angra they dared taking a step into the unknown. And, somewhere on this journey away
from Angra, in to the realms of their musical minds, they have found their Shaaman.
Already in 2002 the band can celebrate their "Ritual", which marks the first release of the
freshly rising band. The album brought innovative melodies and the distinct voice of Andre
Matos, one of the most special Heavy Metal vocalists in the world. This combination sent
the album to be released in more than 15 countries, and took the band s name up into the
sky as one of the best Heavy Metal bands worldwide.
Three years later come the follow up as we might say. "Reason" sounds like a magical,
extremely passionate album, full of progressive power and atmospheric feelings set to be
released by AFM Records on May 17th, 2005. Recorded in Germany and produced by Sascha
Paeth (Edguy, Rhapsody), "Reason" is the natural evolution of "Ritual". Full of enthusiasm
and feelings Andre Matos voice leads us again through powerful and emotional songs of
high quality. While "Ritual" was privileging the undeniable virtuosity of the musicians,
"Reason" opens up space for the heart and soul of the band. The music of Andre Matos,
Ricardo Confessori, Luis Mariutti and Hugo Mariutti is now more organic, which helped
highlight the contrast between heavy guitar riffs and moody keyboard lines.
To prove this I would suggest you listened to "More". Probably one of the best songs
included on the new album and for sure one of the best cover songs I have ever heard. Hit
in the 80 s with the b>Sisters of Mercy, the song now sounds brand new, having distorted
chords and dark keyboard lines. The low tone of Andre Matos voice reveals that his vocal
spectrum is wider than we thought. The album will also please the traditional metalheads,
who will turn up the volume and bang their heads to the trashing sound of "Turn Away", the
heavier song of the album. While the title track, "Reason", brings back those good old twin
guitars from Iron Maiden or even Metallica. "In The Night" reveals a progressive side of
Shaaman which I have to admit I didn t like that much but if you re a fan of Journey then
you will probably love it. There also is the beautiful "Innocence", an orchestral song with
string arrangements that remind me of great ballads from the mighty Scorpions.
"Reason" is probably the deepest, most mature piece of music these Brazilian musicians
have done so far in their lives. And "Reason" is a good reason for the Metal world to
celebrate a striking, spiritual power and to keep it fresh. The Shaaman-spirit is alive!
- Album Highlights: "Turn Away", "Reason", "More", "Innocence" and "Iron Soul".
Reviewed by Makis on 2005/04/22
http://www.metal-temple.com/review.asp?id=901
*****
Reason is the second release by Shaman and sadly also the last with Andre Matos as
vocalist. Along with Mariutti brothers, Andre left the band and starts his own new band,
Andre Matos. Reason is my favourite between the two Shaman’s albums that I have, it’s far
from easy listening at the beginning and need your patience to grow on you. Don’t expect
to click with you at the first spin because it’s more inaccessible and somewhat darker than
its predecessor Ritual. Though this album has less Brazilian traditional music influence than
Ritual, but for me, this album stirs my emotions deeper than its predecessor and musically
it flows beautifully from one track to another.
Reason has no interlude or instrumentals composition to start the album but it has Turn
Away, the powerful and energetic track. I really like the part when bass guitar playing
dynamically after the first guitar solo to start the instrumentals section in the middle of the
track. The second track is a beautiful ballad, Reason. A nice and tender piano starts this
track and then gradually becomes faster. The spoken part by a female vocalist of this track
is depressing and beautiful. The guitar solo and piano touch of Reason is beautiful. More is
a cover track of the original one written by Sister Mary and musically it blends perfectly
with other tracks of the album. I never heard the original one but this cover track by
Shaman is beautiful with catchy keyboard work. Innocence is another beautiful ballad. I
like so much the Indian Dioruba playing and the guitar solo in this track, beautiful! Scarred
Forever is the next, it has great guitar and drums works at the beginning and highlighted by
a solid orchestration. In the Night is one of my favourite tracks in this album with beautiful
instrumentals section at the middle of the track and also beautiful guitar solo afterward. I
really like the pounding drumming at the second verse of this track and the beautiful
percussions by Ricardo near the end of the track. Rough Stone has a beautiful opening part.
It started by bass line and drums then highlighted by beautiful sitar and violin before
change into acoustic guitar and vocal part. The next track is Iron Soul, an energetic track
with beautiful orchestration in the beginning and a nice piano touch in the instrumental
section in the middle of the track. The piano touch is short, simple but beautiful and makes
a great impact for me. It’s just beautiful and I like it so much. Trail of Tears is another
energetic track. It’s a fast tempo song and has great guitar playing. Born to be is another
my favorite tracks and one of the most emotional tracks by Shaman. It opened by beautiful
yet depressing piano touch followed by heavy guitar riff, bass lines and drumming before it
calm down again to let the vocal in. It also has a beautiful Indian Dioruba playing during the
second vocal part after the first bridge. It ends with the same opening piano touch but a bit
longer and backed up by whispering vocal and haunting sounds. Dark yet beautiful!
Once again, a solid album composed by Shaman. The only complain from me is the vocal
parts by Andre Matos, he rare to use his high register note in this album unlike what he did
with his vocal in Angra’s albums or previous Shaman’s album. maXmuri - Yogyakarta
Indonesia
Report this review (#185572) | Posted 4:23:46 AM EST, 10/14/2008

H35 H
"Reason" is a outrageous CD, carrying with him a new proposal, that combines a
dark Heavy Metal with a great Hard Rock, all surrounded by a progressive 'aura' that
Shaman has always had.
Songs like "Reason", "In The Night", "Rough Stone" and "Trial Of Tears" YOU WON'T FIND
ANYWHERE... Shaman - and specially his singer and leader composer ANDRE MATOS - is well
known for his daring, his search for new elements, his INOVATION... things not really
appreciate nowadays... unfortunately, since Progressive Music LIVES FROM THAT!!!SHAMAN
has rediscovered Prog Metal twice: by making a NEW and very PERSONAL sound, and
making it with simplicity! HIGHLY RECOMMENDED!!!
Report this review (#152865) | Posted 8:17:40 PM EST, 11/26/2007

H36 H
http://www.progarchives.com/album.asp?id=8704
******
Reviewed by Draconian on August 18, 2006
"Intelligently crafted metal, with feeling, emotion and unrelenting power...what else could
a metal fan want?"
2005 saw Shaaman's (note the second "a" in the band name, added in 2005 following some
copyright issues) second full-length "Reason" hit the unsuspecting metal audiences. I say
unsuspecting, since few would have guessed just how much the band have evolved since
their debut "Ritual" in 2002. The atmospherics have been layed back a level and the folkish
elements from their past have pretty much disappeared in "Reason," giving way to a
powerful blend of traditional metal with a touch of progressive played with a stunning level
of proficiency.
While "Ritual" was a good effort, some of the songs could have used a little trimming and
overall, one had the feeling that the band hand't truly found themselves yet in terms of
songwriting, as testified by the somewhat overlong atmospheric sections on an otherwise
flawless album.
Fast forward to 2005 and Shaaman have experienced a subconscious rebirth of sorts. Be it
the extra "a" in the band name, or perhaps the tougher cigarettes, but this time around
Shaaman have opted for a more straightforward and simplistic approach and it works
amazingly well.
Opener "Turn Away" is the embodiment of the new Shaaman: powerful riffs, amazing
melodies, memorable choruses and singer Matos at his best since his early days in Angra.
Hugo Mariutti's fierce guitars and Ricardo Confessori's magnificent drum work are at the
forefront of the mix hinting at the band's ambition to re-energize their music, while the
keyboards, still present, have clearly taken the back seat. Title-track "Reason" explores the
band's new progressive approach with some intricate guitars and melodies, while
"Innocence" is one of the best ballads I've heard in a long time, with beautiful pianos and
Matos' amazing interpretation of the moving lyrics. The cover of the Sisters of Mercy tune
"More" is well executed, and songs like "Rough Stone" and "Iron Soul" truly captivate the
listener with their musical proficiency and feeling. Andre Matos has always had a brilliant
singing voice, but he has outdone himself on this album. Metal singers don't get much
better than this.
The lyrical themes plunge the listener into self-reflecting moods and the overall feeling
conveyed by the music is that of an emotional rollercoaster. Scratching the surface is an
underlying feeling of honesty in the music of "Reason" which should be applauded.
Every song has its place on the album and despite the straightforward music, with every
new listen, you manage to discover something new.
Undoubtedly, fans of Angra have been examining Shaaman with a magnifying class for a
quite a while (after all, Shaaman was formed by 3 former Angra members) and the band has
had to face the scrutiny of incessant comparisons with their Brazilian peers, rather
unjustifiably earning the reputation of being Angra's smaller brother. However, I dare say,
Shaaman has finally crushed those comparisons into darkest oblivion. Simply put, there's
not a hint towards Angra in Shaaman's music, and the band has truly created a sound that is
their own.
The occasional touch of Maiden appears once in a while, while bands like Dream Theater
and Queensryche have probably had their fair share of influence in Shaaman's music. But
combine those three bands and add a lot of...well, Shaaman, power, crunch and emotion
and the stage is set!
Intelligently crafted metal, with feeling, emotion and unrelenting power...what else could
a metal fan want? Be it traditional, progressive, speed or why not, even thrashier or
gloomier metal you like - go find this album. You'll be doing yourself a favor. Shaaman's
"Reason" is pure melodic metal at its best and one of the tragically ignored gems of 2005.
Highs: The immense power of the music and the captivating emotion throughout.
T T
Lows: Some of the songs won't necessarily stand the test of time.
T T
Bottom line: A brilliantly crafted metal album from start to finish.

T T
http://www.metalunderground.com/reviews/details.cfm?releaseid=439
******
Vote 8.5 Shaman - Reason

H37 H H38 H
May 2005
I will always remember the split of Angra, damn it was one of my favourite band but well
when I think about it now, when I see the different releases of the two bands, I don't feel
so bad actually. "Ritual" was a good first release with a lot of Hits on it and I suppose that a
lot of would like to know if the new album of the Brazilian combo "Reason" will follow the
way of their first shout… Don't worry that's the case but with some differences however…
The first big difference is the name of the band, you're all reading well, that's Shaaman
now and not Shaman!!! That's just a little detail but in my opinion maybe that it's also
showing that the band is changing, that the band is taking a new road. I mean that "Ritual"
was the "same music" than Angra, do you know "Time Will Come" or "Distant Thunder" is it
not in the spirit of Angra? I think so, but with "Reason" that not the exactly the same, the
album is a bit more progressive and the songs are also a bit more complex. That's not so
direct as the first album and not so easy to enter in the album but it doesn't mean that it is
bad at the opposite.
Another time we have the luck to have some powerful songs like "Turn Away" and some
nice ballads like "Innocence" (the album follow the classical form, Heavy speedy songs and
break with ballads). The album is one more time really varied but not so easy of access as I
said before, and maybe that some of the songs will not be so efficient live. That's
something that I want to see because "Reason" is darker than "Ritual" and a bit sad actually
and that's not a surprise if we have an amazing cover of the hit of the Sisters Of Mercy
"More". This song actually can be considered as a good definition of this album, really dark
and deep but catchy and above all classy. One more time the talented Andre Matos and his
band mates prove that they are bests among the bests.
"Reason" doesn't suffer of any production problem, the sound (Sacha Paeth's work), like the
musical plays of the artist are perfect and no doubt that this album will finish in the Top 5
of the best Progressive/Power release of the year. The Brazilian act just confirms its great
potentiality and "Reason" confirms all the hopes that I had after the release of "Ritual".
That's a must no doubt…
Band profile: Shaman H39 H
Album: Reason H40 H
written by Jeff | published 10.05.2005

H41 H
http://www.metalstorm.ee/pub/review.php?review_id=913&page=&message_id=
******
Shaman, Shaaman, Viper, Angra, Virgo and Avantasia. What do these names have in
common? That’s right, you’ve probably said the name out loud already, the man whose
brilliance have affected so many musicians and, more importantly, heaps of fans all around
the world.
André Matos is of course the man I’m talking about, and he’s back with the 2nd studio
offering from his “new” band, this time around aptly named Shaaman. Shaman is dead and
buried due to copyright-issues, and the fact is that it’s not just the named that’s gone
through a small, but vital change since we last heard from them. “Reason” offers more
focus on heavy riffing and less focus on the Brazilian folk elements we’re grown
accustomed to through not only Shaman, but also the previous releases of Viper and Angra.
I for one had a hard time swallowing that musical turn, until I really started to get to know
the tracks. After 1 listen I was gravely disappointed, and was almost ready to proclaim the
death of the artist and the birth of the trend-whore, but thankfully things eventually
picked up. I’ve always needed a lot of time to fully grasp the brilliance of Matos’s
songwriting, his vocal melodies are complex, yet immensely catchy once you get to know
them properly. But “Reason” is without a doubt the one that needed the most
concentration and focus, ‘cause even after 8-9 spins I wasn’t fully convinced that he had
managed to get it right this time around.
So now, after what’s approaching the likes of 30 rounds in the player, I finally got it right.
It sure as hell took its time, but it sure as hell was worth it. The immense beauty of the
title track, the creative input of “More” (a cover of Sisters of Mercy), the sore and tender
melody of “Innocence” and the new-found edgy roughness presented by “Turn Away”,
“Iron Soul” and “Rough Stone”, it’s all so scintillatingly and closely perfected that I
honestly am in a lack of superlatives to fully describe the genius that is André Matos.
So this is to you, the firm follower of Shaman (Shaaman), don’t be afraid if you don’t quite
get the right vibes the first day or two, just be sure to invest some time, concentration and
a bit of hard work, it will surely pay off when it all blossoms in it’s most pure and perfected
form.
The 17th of May isn’t just the National day of Norway, it’s also the day when you run down
to your local record dealer (the 18th if you’re in Norway of course, sadly the stores aren’t
open on such a glorious day…), and you get yourself a copy of “Reason”. The title just says
it all, it does in fact give you…reason.
Rating: 93/100
Written by Ole Kristian Mastadøy

http://www.enslavedbymetal.com/review.html?reviewid=370&resc=OK
******
Great, amazing, classic and perfect - to say the least, June 15, 2005
By Roberto M. Barros
This review is from: Reason (Audio CD)
H42 H
Reason is one of my favourite metal albums of all time. It seems simple and straightforward
at first, but it has so many subtle notes, everything falls where it should and after a few
listens you crave for more, more, more. I have forgotten all my other CDs for a good time.
While the new Angra has gone Euro, melodic metal, Shaaman is more and more a classic
metal band. But this is not 80's metal as well. Sure there are many 80's moments, such as
the ultra-heavy "Turn Away" and the Sisters of Mercy cover "More". But Shaaman is band of
virtuose musicians with lots of feeling (no, it's not an oxymoron). And they combine
influences from bands like Sabbath, Purple, Maiden and Priest, 50% of the complexity of a
Dream Theather on Pull Me Under and Metropolis, and some aspects of their Angra years to
create a unique and perfect metal style.
Andre Matos is cheesier and more aggressive at the same time. Luis Mariutti is bassing like
hell and Ricardo Confessori has the precise beat and variations for each song. And Hugo
again makes the difference. He proves that even few guitar notes can make beautiful lines,
heavy riffs and perfect solos. I say that Hugo is a combination of Toni Iommi, Adrian Smith
and Glen Tipton, with some hints of Malcolm Young.
Turn Away is fast, heavy and insane, but the rest of the disc adopt a different tune. Reason
and More start slow, growing into you while alternating aggressive and heavy parts, cheesy
vocal lines and subtle guitar insertions. Innocence is a great piano-led ballad, the band hit
on radios. Scarred Forever is a lighter straight metal with great guitar riffing and chorus. In
The Night and Rought Stone are beautifully complex songs whose heavy moments are at the
end. Iron Soul is similar to Ritual's Blind Spell, an evolving hard rocker. Trail Of Tears is the
more melodic song here, starting with galloping bass and drums and melodic riffs, it has
some of Ritual's Here I Am vibe. And finally Born To Be starts with a soft piano that hides its
aggresive chorus with Maiden's Clansman vibe of freedom.
As Andre Matos sing: "There is only one....REASON". Buy, get addicted and save money on
not buying other discs for some time.
This is something unexpected, March 16, 2006

By Justin Gaines "Corporate Rocker"
H43 H

H4 H
If Andre Matos and the rest of Shaman's goal was to distance themselves from the Angra
sound for which they are best known, then they certainly accomplished it with Reason.
Shaman's excellent debut album, Ritual, was very much an Angra-style power metal album,
H45 H
so I thought I knew what to expect from Reason. Instead, the band has taken its sound in a
totally new direction.
Reason is definitely not the power metal we're used to. It's still quite heavy at times, but it
tends more towards a melodic rock sound. And I'm not talking about Journey-inspired,
Frontiers Records melodic rock either. Yes, keyboards are prevalent, but this isn't a big
hooks and catchy chorus kind of album. Call it a "serious" hard rock album with an obvious
appreciation for melody. It reminds me at times of some of Threshold and Vanishing Point's
less metallic moments. The band's inclusion of South American musical elements is, as
always, a nice touch that helps set them apart from the crowd.
I have mixed emotions about this album. On the one hand, it's good to see the band
challenge themselves and defy expectations, and it's hard to argue with the results - this is
a very impressive album. On the other hand, knowing that the band is capable of recording
a top notch power metal album yet chooses not to do so is frustrating.
this is just... amazing! , October 7, 2005

By Matt Stoessel
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H47 H
In American music, there's maybe 2 great songs per album. Even in European metal, not
every song is good on every album (there's some exceptions). Shaman's Reason has 10
songs. 10 of them are amazing.
I'm not what you would call a "fan" of Shaman (or Angra), but I listen to both and enjoy
both. So I'm not gonna go into massive amounts of detail.
What I will say is that I enjoyed the overall feeling of "melodic metal influenced by gothic
rock." To me, that's what this sounds like. So if you enjoy bands like Sentenced or
Katatonia, you'll enjoy this - even though the instruments don't follow the gothic style. The
music is more hard-rockish with lots of keyboard intros to enhance the emotions the
listener will feel.
There's several sad piano sounds, especially in the 3 "ballads" - Innocence, Rough Stone,
and Born to Be. These 3 and the 80's cover song "More" are some of my favorites. Its kind of
a funny album; sometimes, the ballads will act as your favorite songs, but at other times,
you're gonna crave to listen to the faster Trail of Tears (another of my favorites).
For anyone who's a Highlord, Dark Moor, or Rhapsody fan, you're not gonna hear tons of
orchestral arrangements or super fast songs on here. This album is more so where gothic
rock meets melodic metal.
Though most of the songs are around the same speed and the same emotions, you still
won't get bored. Think of Heavenly's Dust to Dust album, if you will. For some reason,
these 2 albums just do a better job of holding the listener's attention.
Even for fans of classic rock, alternative rock, etc. - this would be a GREAT starting point
for people wanting to listen to European metal. Soilwork, In Flames, Mnemic - the
screaming/growling/grunting can easily turn people off.
Bottom line - make an effort to listen to and enjoy this album. It's a lot different than most
of what's out there. Try downloading samples someplace if you're the picky kind. This is
one album that'll always have to come with me on my one-week vacations. (I have over 400
CDs - most of which are European metal. See my other reviews to get a sense of who I
listen to.)
http://www.amazon.com/Reason-Shaman/dp/B000VKL0JY
******
Reason 2005
Vote:
the second album of the former Angra musicians André Matos (vocals), Luis Mariutti (bass)
and Ricardo Confessori (drums) doesn't sound like their old band at all. They have
developped their own music which is not too different, but before all André has improved a
lot! On former Angra albums, he sounded (in my opinion) too similar, he sometimes didn't
really know to speak (sing) English properly. The fourth band member is Hugo Mariutti
(guitars).
The opener "Turn Away" is very catchy, it really stands for the new Shaaman: powerful and
not too similar to other bands of the genre. A great uptempo-song, which is followed by the
titletrack "Reason", a slower song with a catchy melody. The next song is really hard to
judge; the band is doing a very heavy cover of the Sister Of Mercy song "More" ... some
might say it's blasphemy, some might like it – I am indifferent. "Innocence" is a beautiful,
piano-dominated power-ballad, it somehow reminds me of Helloween's "A Tale That Wasn't
Right" from their first "Keeper Of The Seven Keys" album. On "Scarred Forever", I
sometimes would say it's Edguy's Tobi Sammett singing, if I didn't know it better. On "In The
Night", Shaaman used orchestral sounds to accompany the instruments which fits quite
well, although the cello in the middle sounds a bit uneasy. "Rough Stone" seems to be
another ballad and yet it is in some way, but heavy deep guitars destroy the dreamy feeling
every once in a while. Towards the end, the quiet atmosphere disappears and the song
develops into a pure and pretty heavy mid-tempo-song. "Iron Soul" is dominated in the
beginning by uneven/galloping drums and guitars that are taken into the stanzas and
through the first part of the song as well. Towards the end, that sound disappears only to
return at the very finale. "Trail Of Tears" is a kind of straight and powerful song, dominated
by that very catchy melody, played by the guitar and sung by Matos as well. The last (and
longest) song is "Born To Be". It starts just like a ballad but after a short acoustic
introduction the song is getting faster and the chorus is really exciting. But it ends just the
way it began – quiet and ballad-like, with a piano outro.
After all, Shaaman finally left the Angra chains, having their own sound and playing their
own music on their second full-length album "Reason". You will recognize some typical
trademarks, but the sound isn't too similar to their former band. These guys have
definetely grown up now!
submitted by Paddy 04.06.2005

http://www.morrigans-pit.org/mp/cd_shaaman_reason.php
******
Released: 2005
Label: AFM Records
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Cat. No.: AFM CD 087-2

Total Time:
Reviewed by: Jan-Mikael Erakare, July 2005
Evaluation:
What is it?
What does Shaman have in common with Britney Spears, Justin Timberlake, et al? In their
own way they are trying to create product that can be marketed, aimed at a target
demographic, hyped beyond all reason and touted as the next big thing.
I am sick and tired of the moaning I hear from people in the metal community concerning
the lack of substance in bands that are on MTV and that receive airplay, followed closely by
my aversion to the whining concerning the unfairness of the pop, rock and country markets
and how hard it is for "real musicians" to make it in the music biz….
This type of "go-nowhere" "music" strives for and achieves its goal ....the only difference
between this and the crap that the grist-mill of American pop spews out continually is that
you can avoid hearing this… unless you live in Brazil...
Analysis:
What it is:
This is 80s inspired "metal-lite." Nothing to see here folks. Move along. Lack-luster
songwriting, necrophilia of the rotting carcasses of hair-metal bands so frivolous and banal
that I can't even remember more than a handful of their insipid names, and slavish
‫‪devotion to an ideal that is at best passé and at worst laughable ... that this type of drivel‬‬
‫‪should be taken seriously.‬‬
‫‪Summary:‬‬
‫‪Apparently, if the press releases accompanying the promo (once again, no artwork to‬‬
‫‪review … come on you industry-types….if you want a thorough review of your product you‬‬
‫‪need to provide the libretto…) are to be believed, when you visit Brazil set your watches‬‬
‫‪back 20 years...‬‬
‫‪http://www.progressiveworld.net/shaman3.html‬‬
‫******‬
‫‪21/09/2005‬‬
‫‪Shaaman - Reason‬‬
‫יחרזמ תימרכ ‪:‬תאמ‬
‫‪H49‬‬ ‫‪H‬‬
‫‪ 2000‬תנשב ‪.‬תיגולותימ‪-‬יצחה תיאליזרבה לאטמ ראואפה תקהל ‪ Angra,‬תוברוח לע המקוהש הקהל איה ‪Shaaman‬‬
‫‪,‬םירבח השולש ילבו ירוקמה םשה םע וראשנ )תורטיג( טרוקנטיב לאפרו וראירול וקיק ‪.‬םיקלח ינשל ‪ Angra‬הלצפתה‬
‫יטוירמ וגוה תא םהילא ופריצ )יפות( ירוספנוק ודרקירו )סאב( יטוירמ סיאול ‪),‬ןלוסה( סוטאמ הרדנא ‪:‬םישרופה רשאכ‬
‫וטילחה ‪,‬ינשה םובלאה דובכל קרו ‪ Shaman‬וארקנ םה הלחתהב ‪.‬ביתכ תועט אל ‪,‬אל ‪ Shaman.‬תא ומיקהו הרטיגה לע‬
‫לאטמ םישוע םהש המל םיארוק םה המל יתוא ולאשת לא םג ‪.‬המל יתוא ולאשת לא ‪,‬הקהלה םשל "‪ "A‬דוע ףיסוהל‬
‫‪.‬יאליזרב ידולמ‬
‫הרשע ‪.‬םוקמ םושב ןתוא יתאצמ אל ינא לבא ‪,‬תיאקירמא‪-‬םורד הקיזומ תועפשה לע תרפסמ םהלש םיטילקתה תרבח‬
‫‪.‬הבונ הסוב אלו הבמס אל ‪,‬ויר אל ‪.‬תיאליזרב הקיזומ לש ץוצמק אל וליפאו ‪,‬סונוב תועוצר יתש דועו םילועמ םיקארט‬
‫?המ םיעדוי םתאו ‪.‬תורטיג תדובע לש יפויו סוטאמ הרדנא הברה ‪,‬ינמרג ןונגסב ידולמ ראואפ הברה ‪,‬יסאלק ‪ Heavy‬קר‬
‫‪.‬ילש לאטמה םע דחי לבנרק תקיזומ הכירצ אל ינאש תמאב ‪.‬קיפסמ ירמגל הז יליבשב‬
‫םיביכרמ ףדוע ילב ‪,‬תומכוח הברה ילב ‪.‬לירגה לע חבושמ טוקירטנא קייטס תיילצל הוושא ינא ‪ Reason‬םובלאה תא‬
‫‪,‬סאב ‪,‬הרטיג ‪:‬רתויב םייסיסבה םירמוחה םע םידבוע םיאליזרבה ה'רבחה ‪.‬תומכחתמו תומכחותמ תוטיש ילבו םיכבוסמ‬
‫ךירצ אל אוה םג ‪,‬בוט קייטס לכ ומכש ‪,‬בטיה יושעו בוט םובלא קיפהל םיחילצמ םה ולאה םייסיסבה םירמוחה םע ‪.‬םיפות‬
‫דועמ ‪ Shamaan‬תא ךפוהש המ אוה ‪,‬יביטמיטלואה לפלפה ‪,‬סוטאמ הרדנא לש לוקה ‪.‬וילע סורג רוחש לפלפ תצקמ רתוי‬
‫ינאש םימעפל חוכשל יל םרוגש הז אוה סוטאמ ‪.‬העימש דועו ‪,‬העימש דועו ‪,‬העימש הוושש והשמל ראואפ תקהל‬
‫רמואש קוח תויהל ךירצ ‪,‬יתוא ולאשת םא ‪ Angra.‬תיבמ תניינעמ הריצי דועל אלו תיסחי השדח הקהלל הבישקמ‬
‫‪.‬םיטסילקוול השלוח התיה דימת יל לבא ‪.‬ירוקמה םשה תא ותיא חקול ןלוסה ‪,‬תלצפתמ הקהלשכש‬
‫םיכלהמ לילאה‪-‬יאפרמו םינאמשה ‪.‬םהלש טנרטניאה רתאב הקהלה ירבח םיבתוכ ‪,‬ונתוא ךשומ ןירותסמהו ףושיכה םלוע‬
‫ריתכהל הכירצ יתייה ינא םא ‪.‬םסוק ומכ ‪.‬ףשכמ ומכ ןאמש ‪".‬ןאמש" ונמצעל ונארק הז ללגב ‪.‬םירמוא םה ‪,‬םסק ונילע‬
‫השאס לעה‪-‬קיפמ לש תופשכמה תועבצאה תועיבט תא וליפא ‪.‬סוטאמל ךלוה היה קפס אלל טיברשה ‪,‬הזה םובלאב םסוק‬
‫תלוכיה תא ול שי דרופלאה בור וא ןוסניקיד סורב ומכ ‪.‬חצנל חילצמ אוה )‪' (Rhapsody, Aina, Edguy‬תייאפ‬
‫רישב רבכ ‪.‬שגרמ והשמל ותוא ךופהלו ‪,‬תואצמהו םישודיח ללוכ אל ועבטמש יסאלק לאטמ תחקל תאזה האלפומה‬
‫‪ "Reason".‬אשונה ריש עצמאב והשיתמ םישיגרמ םסקה תא לבא ‪,‬תוררחסמ בצק תויגרנא שי "‪ "Turn Away‬ןושארה‬
‫תא קיזחמ אוה תוינש םיעבראו תוקד עברא ‪.‬בהז לש םשג ומכ תעמשנ סוטאמ הרדנא לש לוקה םעש תינולבש הדלב‪-‬יצח‬
‫‪.‬ףוסה דע וב טלושו בבוסמ ‪,‬ךשומ ‪.‬טוח לע הבוב ומכ רישה‬
‫‪.‬ילולפאה רוקמהמ הבוט רתוי ‪,‬ימעטל ‪ Sisters of Mercy.‬לש "‪-"More‬ל תניינעמ יוסיכ תסרג ‪:‬םובלאה לש העתפהה‬
‫םיסב ‪,‬תויקנ תורטיג ‪.‬לבקל ךלוה התא המ עדוי דימת התא ינמרג חסונב לאטמ רוואפב ‪.‬יופצ לכה ‪,‬רומאכ ‪,‬הזל טרפ‬
‫תטרחתמש תחא ללוכ ‪,‬תודלב המכו שאר'תה ןוויכל םילזופ ילואש םייבצקו םיריהמ םיריש המכ ‪,‬םיסמונמ םיפות ‪,‬םייקנ‬
‫‪.‬הזמ רתוי וצרי אל םגו וכרטצי אל תמאב רנא'זה יבבוח ‪.‬עצמאב יטיאה בצקה לע‬
Vote
******
SHAAMAN: "Reason" 8 AFM Records 2005

H50 H
Review by Martien "Suruman" Koolen, 18 april 2005
Ex-Angra Andre Matos, Luis Mariutti and Ricardo Confessori formed with Hugo Mariutti a
new band called Shaman and with that band they now release their second CD called
“Reason”. The second album is supposed to be critical for a band’s career, because this
album proves if you are able as a band to improve, grow and most of all, if you can
incorporate new creative musical elements.
I certainly feel that Shaaman has achieved this, as their new album is extremely
passionate, full of progressive power and atmospheric feelings and musical passages. The
album kicks off with the heaviest Shaaman song ever; “Turn Away”, even has some trashy
touches, although most of the song is rather melodic. The title track has a great melody
and it is dominated by a sensitive twin guitar solo, which takes you back to the good old
Iron Maiden time. The first and luckily only bad song is “More”, a cover (I hate covers!!) of
the notorious Sisters Of Mercy.
“ Innocence” is a piano ballad, with great singing from Andre, a dreamy guitar solo and
some rather dramatic musical parts that really bring back memories from good old Angra.
However the highlight of this album is “In The Night”, a progressive rock song with amazing
guitar and orchestral parts and you should really check out the guitar solo there. In every
song on this CD, except for “More”, Shaaman proves that the band has grown and that it is
now a real band with lots of personality and musical talent to survive the musical jungle of
our time. The Shaaman musical spirit is truly alive and kickin’ !!
******
SHAAMAN, previously known as SHAMAN (due to legal reasons), is back with a new album.
Consisting of three ex-ANGRA members, they were/are somewhat considered to be ANGRA
II. In 2002 they released their debut album "Ritual" which turned out to be a big success,
also thanks to the very good production work of Sascha Paeth. Soon after the release, the
band went on tour and made a DVD and CD of it ("Ritualive"). This was pretty soon, since
most bands release a live album after three or more studio albums.
"Ritual" was released on the French label Nothing To Say (NTS), but some time ago this
label went bankrupt and SHAAMAN had to look for another home, which they found in
Germany: AFM Records.
For "Reason" Sascha was asked again to handle the production (and more, e.g. additional
guitars). Since Sascha and Miro are a close duo, the latter was again responsible for the
orchestral and keyboard arrangements, delivering splendid work (as usual). Next to them,
other musicians were asked to help make "Reason" heavy, melodic, and more.
The album starts with some screaming followed by heavy riffs and uptempo drums and from
this first minute you can hear a better production, a very clear one. "Turn Away" is an
uptempo song with nice symphonic elements giving the song more filling, creating one
whole. I also have the impression that Hugo improved his guitarplay. Apparently the live
performances did him much good.
An change in tempo is brought by "Reason" in which the piano plays an important role.
SHAAMAN also included a cover version of SISTER'S OF MERCY's "More", and the result is
amazing.
To avoid having heavy riffs all the way, there's also a ballad flowing out of te speakers:
"Innocence". At first, it's fully accoustic, but then the electric guitar and drums come into
play. Really a beautiful song and it can make you produce some tears. This is one of my
favourites. But don't cry too long, because "Scarred Forever" will/should lift you up again.
About the same 'trick' was done on "Ritual" with "Fairy Tales" and "Blind Spell".
"In The Night" begins with drumsamples and keyboards, creating a dark atmosphere.
Guitars soon set in, together with the drums (first only hi-hat and bassdrum). It's a
midtempo song, and though it's not bad, I found it rather average. I do like the symphonic
parts.
"Rough Stone" is an easy, relaxed song with some uptempo here and there. "Iron Soul" is
another favourite of mine. Drums and symphonic elements play a key role here. This
uptempo track will be a killer live.
"Trail Of Tears" continues the uptempo with very good and rough riffs. Quality song! "Born
To Be" closes the tracklist and is a mix of easy-going, midtempo, heavy parts but with a
beautiful chorus. Piano and operetic singing fill the last minutes.
Final words: "Ritual" was a strong album, live too, and you could hear some references to
ANGRA. In my opinion, the band members weren't that close yet when making the album.
Touring did them much good and also brought them more together, so they really became a
'band'. You can hear his very well on the new album. The songs are more solid, the
compositions have improved, though they already were very good on the debut album.
With "Reason" SHAAMAN have confirmed their talent and are really worth having in your
collection. In the Powermetal genre this is one of the best this year. SHAAMAN or ANGRA
fan? Get this album. This is one of those albums you can buy with your ears closed (= no
pre-listening required).
http://users.telenet.be/mettal/ThoughtsOfMetal/reviews/reviews_cd2005.htm#shaaman-
reason
******
SHAAMAN sind stilistisch immer noch im Melodic Metal-Bereich anzusiedeln, agieren jedoch
inzwischen ausgesprochen straight und haben ihre ANGRA-Vergangenheit endgültig hinter
H51 H
sich gelassen. So wartet der Opener "Turn Away" mit einem geradlinigen Rockbeat und Roy
Z-lastigen Riffs auf. Sänger André Matos imitiert im Gegensatz zu früher nicht mehr Kate
Bush, sondern gibt sich bemüht ungeschliffen. Wer seine glockenhelle Stimme kennt, wird
ahnen, dass sie dafür nur bedingt geeignet ist. Der anschließende Titeltrack fällt einen Tick
melodischer aus. Aber auch hier kommen SHAAMAN ohne große Umschweife zur Sache. Auf
kitschige Hooklines wird fast gänzlich verzichtet. Bezeichnenderweise handelt es sich bei
Song Nummer 3 um ein SISTERS OF MERCY-Cover. "More" wurde stilgerecht umgesetzt und
fügt sich nahtlos ins Gesamtbild ein. Die Ballade "Innocence" ist mit ihrem unverbindlichem
Klavierspiel danach der einzige Verweis auf frühere Werke. Bei "Scarred Forever" und
"Rough Stone" treten dagegen wieder tiefe Gitarrenriffs in den Vordergrund. Doch trotz der
klaren Songstrukturen bleiben die Stücke schwer greifbar. An vielen Stellen wirkt die Musik
eher wie Beiwerk zu was auch immer. Und während der Midtempo-Track "Iron Soul" noch
aufhorchen lässt, wirkt der einzige Uptempo-Song "Trail Of Tears" erschreckend
unambitioniert.
Das Info - geschrieben von keinem Geringeren als Matos ehemaligem VIPER-Bandkollegen
H52 H
Felipe Machado - erzählt etwas von Weiterentwicklung, was sicher zutrifft. Allerdings
schmerzt es mich, dass es ein Entwicklung weg von fesselndem Heavy Metal und hin zu
einfachen, harmlosen Liedideen ist. Dieser Eindruck wird durch die perfekte technische
Umsetzung nur noch verstärkt. Denn obwohl mit dynamischen Variationen nicht gegeizt
wird, fehlt den Kompositionen das zwingende Moment. So besitzen Songs wie "Turn Away"
oder "Reason" zwar durchaus einen gewissen Unterhaltungswert. Doch sie lösen zu keinem
Zeitpunkt Begeisterung aus. Es überwiegt vielmehr ein Gefühl der Ratlosigkeit und
Unentschlossenheit, das sich übrigens auch beim Betrachten des Covers einstellt.
Veröffentlichungstermin: 17.05.2005
http://www.vampster.com/artikel/show/?id=16266
******
Es gibt Scheiben, die schon allein durch die Kurzbeschreibung der Label bzw. Promo-
Companies neugierig machen. So erging es mir bei Shaaman: "Die Scheibe weiß mit einem
einzigartigen Mix von Metal, progressiven Elementen und Süd-amerikanischen Einflüssen zu
überzeugen."
"Voila!" - dachte ich mir, klingt gut, also lass ich das Teil mal einfliegen und hab es wirklich
nicht bereut.
Nun ja, Namen wie André Matos (Vocals), Luis Mariutti (Bass) und Ricardo Confessori
(Drums) dürften in der Szene keine Unbekannten sein - ich erinnere an Angra! Weiterhin
mit an Bord ist Hugo Mariutti an der Axt.
"Reason" ist nach dem Debüt "Ritual" und der starken Live-Scheibe "Ritualive" mittlerweile
die dritte Veröffentlichung der Brasilianer, die sich nach einem Rechtsstreit gezwungen
sahen, dem Bandnamen noch ein zweites "a" beizufügen. Offensichtlich war eine
einheimische Truppe schneller und hatte sich den Namen Shaman schon gesichert. Tröstet
Euch Jungs - so'n zweites "a" sieht einfach nur schick aus *g*. Und im Logo wurde diese
Zwangsmaßnahme doch recht gut gelöst.
Stimmbandvirtuose Matos (der übrigens lt. Presse in Frankreich und Italien gefeiert wird,
wie ein Superstar - ops - sorry - in Germany wäre das ein Schimpfwort, André) und seine
Mitstreiter verstehen es, Melodie und Härte gekonnt miteinander zu verbinden, ohne dabei
jemals langweilig zu wirken. Die Songs sind zum Teil echte Ohrwürmer und reihen sich wie
auf einer Perlenkette homogen aneinander, auch wenn von der gefühlvollen Ballade über
teils bombastische Songs bis hin zur Uptemponummer wirklich alles vertreten ist, was eine
gute Scheibe ausmacht.
Richtig heftig geht es also gleich mit dem Dampfhammer "Turn Away" zur Sache, bei dem
einem die Doublebässe sowas von gepflegt um die Ohren gedonnert werden, dass mein
Tinnitus kleine Freudenhüpfer vollführt. Ein würdiger Opener, der sofort neugierig macht!
"More" - warum dieser Sisters Of Mercy-Klassikers nun unbedingt gecovert werden musste,
bleibt wohl einzig und allein das Geheimnis von Shaaman. Zumal es doch schon genug mehr
oder weniger gelungene Versionen davon gibt, wobei ich nicht behaupten möchte, dass
hier nun schlechte Arbeit abgeliefert wurde.
Natürlich fehlen auch die obligatorischen Balladen nicht, die von Sänger Matos regelrecht
zelebriert werden, wie zum Beispiel der Titeltrack, der auf seinem Höhepunkt mit
Streichereinlagen sowie einem feinen Gitarrensolo brilliert und somit eine fast
atmosphärische Stimmung zaubert.
Toll auch "Innocence", das sehr ruhig und entspannt beginnt, wiederum mit Streichern,
Klaviereinlagen sowie Flöten versehen ist und sich im Laufe des Songs steigert, dabei
teilweise gar mit sägenden Gitarrenwänden aufwartet. Kleine Keyboardsprengsel sowie
würzende Effekteinlagen - wie zum Beispiel die sanfte Frauenstimme im Endteil - geben
den letzten Kick. Da ist man doch geneigt, glattweg das Repeat-Knöpfchen zu drücken.
Immer wieder fällt mir auf, dass die gesamte Scheibe mit sehr vielen liebevollen, aber
nicht zu kitschigen Details geschmückt ist, die sozusagen das Sahnehäubchen auf meinem
Eisbecher sind.
Ob nun bei "In The Night" mit einem leicht brasilianisch-folkloristischem Touch versehen
oder auch das herrliche "Iron Soul", ein weiteres Highlight auf der Platte, dass jeden
Progmetaller garantiert mit der Zunge schnalzen lässt. Klassische Parts, verschleppter
Rhythmus, sanfter Gesang, um nach einem Doublebass-Break wieder in vollem Galopp nach
vorn zu preschen, feine Gitarrensoli - einfach nur geil!
Spaß macht auch der Nackenbrecher "Trail Of Tears" - schön groovi nach vorn treibend, bei
dem Axe-Man Hugo Mariutti seine Fingerfertigkeiten beweisen kann.
Nun - mein Entschluss, mir die Scheibe einfliegen zu lassen war wohl nicht der
schlechteste.
Mir macht der Silberling unheimlich viel Spaß, zumal er sehr abwechslungsreich ist.. Ich
denke, die bereits wartenden Fans werden nicht enttäuscht. Produzent Sascha Paeth
(Edguy, Rhapsody) hat offensichtlich sein Bestes gegeben und dem Ganzen einen amtlichen
Sound verpasst.
Ich denke, shamanische 7 RockTimes-Uhren sind angemessen.
http://www.rocktimes.de/gesamt/s/shaaman/reason.html
******
REASON TOUR DATES 2005 - 2006
12/03/2005 - Clube De Aliados Campestre - Rio - Brazil

19/03/2005 - Apache Open Air - Catanduva (w/ Kreator and Tristania)- SP - Brasil
09/04/2005 - Criciúma Clube União Operária
10/04/2005 - Auditório Araújo Viana - Porto Alegre (w/ Magician and Scelerata) - Brasil
16/04/2005 - Recife Abril Pro Rock
17/04/2005 - Hortolandia Ceabasp
23/04/2005 - Mythos - Santos - São Paulo - Brasil
29/04/2005 - Em Campinas Hall
30/04/2005 - Ribierão Preto Consulado
06/05/2005 - São Luis Galaxia
07/05/2005 - Tersina Atlantic City
12/05/2005 - Opiniao Bar - Porto Allegre - Brazil *
13/05/2005 - Bauru Clube Luso
21/05/2005 - Limeira Horto Florestal
05/06/2005 - Rio de Janeiro Claro Hall
11/06/2005 - São Paulo Credicard Hall
05/08/2005 - Goiania Ginásio Goiânia Arena
12/10/2005 - Live'N'Louder - Canindé - São Paulo - Brasil
15/10/2005 - Live'N'Louder - Gigantinho - Porto Alegre - Brasil
06/11/2005 - Credicard Hall Sao Paulo
10/12/2005 - Canindé - as the headliner of Live'n'Louder Festival - Sao Paulo
10/02/2006 - Circo Voador (w/ Heavenfalls) - Rio de Janeiro - Brasil
25/03/2006 - Armazzém 841 - Belo Horizonte - Brasil
31/03/2006 - Kazebre (w/ Dr. Sin) - São Paulo - Brasil
REASON some TOUR PICTURES 2006 - 2005
10th February 06 Circo Voador Rio from Reason Tour 2005

From Reason tour 2005
From Reason Tour 2005
From Reason Tour 2005 January 05 Porto Allegre

12th March 2005 Clube Dos Aliados Campestre
P P
17th April 2005 Hortoloandia

P P 23rd April Mythos - Santos
P P
29th April 2005 Em Campinas

P P 30th April 2005 Ribeirao Preto
P P
******
RITUAL // Universal Music - Europe
1 Ancient Winds
2 Here I Am
3 Distant Thunder
4 For Tomorrow
5 Time Will Come
6 Over Your Head
7 Fairy Tale
8 Blind Spell
9 Ritual
10 Pride
RITUAL LIVE // Universal Music - Europe
1 Ancient Winds
2 Here I Am
3 Distant Thunder
4 For Tomorrow
5 Time Will Come
6 Over Your Head
7 Fairy Tale
8 Blind Spell
9 Ritual
10 Sign Of The Cross
11 Pride
12 Eagle Fly Free
13 Carry On
(Multimedia Track)
RITUAL LIVE DVD // Universal Music - Europe
1 Ancient Winds
2 Here I Am
3 Distant Thunder
4 For Tomorrow
5 Time Will Come
6 Lisbon
7 (Guitar Solo)
8 (Drum Solo)
9 Over Your Head
10 (Piano Solo)
11 Fairy Tale
12 Blind Spell
13 Ritual
14 Sign Of The Cross
15 Pride
16 Carry On
17 Eagle Fly Free
18 Lasting Child
(Instrumental)
RITUAL CD 2003 - LYRICS
Ancient Winds
(Instrumental)
Here I Am
Called back in time by the ancient winds
Can't you recall all the memories?
Walking the lost way of those who lived
In loneliness
Think of the joy and the endless days

One step aside and the skies were grey
Is this a life or just a game to lose or win?
Cause a day will turn into night

And the spirits will rise
There will come then a time to understand...
Deep inside
Blessed by the rain falling from above

Could you imagine where life would take you
Now that you're praying for everyone you hurt so badly?
Still, don't you go, got to make a choice

Crying in silence, crying with no voice
Dare you to stay now and keep your strength
Up till the end?..
Cause a day will turn into night

And the spirits will rise
Hold your breath; keep your eyes wide open
Now you see: the night is so clear

And you feel: the spirits are here
Running free, running free without fear,
You'll find a way
To the brightest light...
And now
Here I am, open arms
Thought your life was over when
There you saw in the sky
A ray of light,
So here I am
Will the stars keep shining bright

Till one day they may ignite?
When you gaze at the sky above,
I'll ever come down
To ease your solitude...
And now
Here I am, open arms
Thought your life was over when
A ray of light,
So here I am

A ray of light
Always by your side
There will come a time to understand..!
Distant Thunder
Dark signs of evil
Float in the skyline
Fels like a storm
Is getting closer
Two grey smoky clouds arise

Inside your black eyes
Day after day and still
You wonder
How to overcome it all

And never lose the hope...
Master of darkness
Brewed up a potion
Over eternal flame
That's burning high
You taste of the beverage

And dance all the night long
But like everyday,
There comes a sunrise...
How to overcome it all

And never lose the hope
Heading for tomorrow
A break along the walk
To raise your head and go on...
Hear the call of

A distant thunder
There's a voice in the sky
Evening falls weighing
On your shoulders
Like your feelings inside...
For Tomorrow
Long ago, the world was one
We walked through the ice floes
To an unenduring land
Our future, our hope
There was something in the air,
The Age of the Unknown
Far beyond the sea of trees
The vision laid close
There's a place where the sun shines beighter

There's a mountain that climbs to the stars...
Day and night we built a reign

With heavenly desire
Sweat and dreams made up the bricks
That raised up our walls
Paying tribute to the gods

And blood kept on flowing
And the lust for knowledge
Was the sense of it all
Fly, fly to the stars,

Reach them on high
Bring back the answers of the night
Roll with the clouds,
Sing with the birds,
'Cos one day we'll have to say goodbye!
Here we go, carrying no longer sorrow

Standing up in the wind
Walk along, marching on for tomorrow
In this neverending way
Many years of harmony
The message arrived soon
Three big stars lined up together
A chill in the air...
The high-priest was dressed in black

On top of the stairways
Longing for the sacrifice
Of those who would dare
Fly, fly to the stars

Then let it fall
Into the emptiness of night
Our time has come
Time to move on
'Cos one day we have to say goodbye...

Come with me to Paradise

Let's return again,
Let's return again!
To be closer to the skies

Living on a dream,
Living on a dream...

Time Will Come

Times are coming back
When nights are getting longer
And I can read the promise
In your mind
To yourself again, that you will
Play the strong one
But you burn inside, bleed inside -
And you remain the same!
Someday you'll be gone

Where to, you'll never know...
See you there!
Should you fall apart,

Should you remain entire
Now that I can breathe
Inside your dreams
Laugh into your face,
Set yourself on fire,
Burn inside, bleed inside -
Tell me how it feels...
The time will come

When I'll be there forever
To take your soul
And make you part of me
So, take care...
(You'll never be the same...)
The time will come

When I'll be there forever
To take your soul
And make you part of me
So, take care...
Over Your Head

The sands of gold are falling
From the sky tonight
The sound, a million voices screaming out
The prophecy has moved on with the stars
And now I know that I could be the chosen one
Oh, the desert breeze had turned to such

A storm that night
And in my dream I nearly saw his face again
Waving me up to come closer to his tent
Can't control myself, I'm needing his embrace
Looking up over your head
Put on my suit, like any other morning time

I washed my face in purest water
Got brand new shoes - it's good to feel
That you're alive
But life will get along to something
Larger than me!

- I wanna tear thorugh the sky
- And be the very first to die
- One thousand miles and I'll be there
- Just when you look over your head
Over your head, inside your mind

Visions you've had keep passing by
Don't be afraid, face it instead.
Looking up over your head!
Fairy Tale
Fairy lady, who stands on the walls
Life is short and wait is long
The stars, away, dim with the dawn...
Fairy lady, who stands on the walls
Your tale has only begun

It comes from far, the Nowhereland
The wind is blowing a sound well known...
Fairy lady, your love is long gone
Oh darling, hear my soul and heed my cry

Cause all my crying may flood
A river in my heart
Oh, life is good,

Oh, life is good,
Oh, life is good...
As good as you wish!
Pretty lday, the horses are back

Bringing joy and happiness
But all of a sudden the horses are gone
It was only the sound
Of your heartbeat alone!
Oh darling, hear my soul and heed my cry

Cause all my crying may flood
A river in my heart
Oh, life is good,

Oh, life is good,
Oh, life is good...
As good as a kiss!
Oh my darling, now I cannot

Halt my cries
My tears have drowned me
And I refuse to realise
What's left around me,

It's all so strange,
It's all so dark
I'm all alone here
To mend the pieces of my heart
Little lady, your tale has an end

For your love to the skies was sent
He's turned into sparks
That shine with the stars...
...And by night he will always be there

For his lady to stare
And thus he's never died.
Blind Spell
From the day you took me home
I knew I was not alone
And all the pain I had seemed to be gone
Running backwards to the edge,

Things I don't dare to confess
You've locked my secrets in a blind spell...
Oh, never leave me

Never walk away
There's a spell on me that, for me,
Could spell the end
If your feelings fall apart

And you can't sustain your heart
It's time to realise what you really are
Oh, please believe me

I've been so ashamed
Take your spell from me, it could drive me
To the end
Sometimes we run,
Sometimes we hide inside a hole and fade away
We turn to stone
And let the weather carve its traces
To open your eyes one day...
Should I throw myself in the oceans of time?

Without you will I ever dare to survive?
Sometimes we run,
Sometimes we hide inside a hole and fade away
We turn to stone
And let the weather carve its traces
To open your eyes one day...
Help me, help me to open my eyes someday...
Ritual
Holy fire burns again
The Magic Circle is all around it
Burning like the innocence of love
Let the mist surround it
Spinning like the Fortune Wheel
Hand into hand, we pray together
Visions of a future world appear
As the holy fire burns
And a face is there

From the smoke a face is rising
Ancient, like the reason of life
Get your body close to mine
There is a Ritual longing for us
Such a thing you await
For all your life
Let yourself surrender now
And a face is there

From the fire a face is rising
Mystic, like the reason of life
Holy Flame,
The Ritual yearns without you
Understand,
The Mystery lies about you
Once again the fate has
Crossed our ways
As the fire burns away...
Hold on
Cause I need you
And I want to know
What took so long...
And your Fortune,
You just need to understand!
Holy Fire burning on

Closing the Circle back together
Once around and coming evr more
Just to start all over
And a face is there

From the fire a face is rising
Magic, like the reason of life
Holy Flame,
The Ritual yearns without you
Understand,
The Mystery lies about you
Once again the fate has
Crossed our ways
As the fire burns and once again
The fate has crossed our ways
As the fire burns away..!
Pride
Somedays I wish to run away
Fall in the world and stray,
My life is turning, turning
But when there's nowhere else to go

Pray to the Lord, my soul,
My heart is burning, burning
You betray yourself
When you think
That you're someone else
Someday I'll understand my dreams

So deep inside
And then I'm free again to leave
The pain behind
Right here in my hand
Feelings I can't hide
Someday I'm gone away with nothing
But my pride
Somedays I wish to run away

Fall in the world and stray,
My life is turning, turning
But when there's nowhere else to go

Pray to the Lord, my soul,
My heart is burning, burning
You forgive yourself

When you know
That you're someone else...
Someday I'll understand my dreams

So deep inside
And then I'm free again to leave
The pain behind
Right here in my hand
Feelings I can't hide
Someday I'm gone away with nothing
But my pride
Line-up:
Andre Coelho Matos - vocal, keys
Hugo Mariutti - guitar, keys
Luis Eduardo Mariutti Pereira - bass guitar
Ricardo Confessori - drums, keys, congas, timbales, cincerro, jam block
Guests:
Tobias Sammet - vocal, back-vocal
Marcus Viana - violin
Derek Sherinian - keys
Fabio Ribeiro - keys
Rannveig Sif Sigurdardottir - vocal
George Mouzayek - dehola, derbak, daf
Ademar Farinha - quena, sampona, charango, guitar
Claudia Lemos - bombo leguero
Anette Barryman - baroque flute
Vanessa Desiderio - bagpipes
Cristiano Bicudo - bagpipes
Sascha Paeth - guitar
Michael Rodenberg (Miro) - keys
Produced by Sascha Paeth and Shaman.
******
RITUAL VIDEOS
http://ca.youtube.com/watch?v=lR2WugyjR2w ANCIENT WINDS
http://ca.youtube.com/watch?v=sZ7FB6moCUM HERE I AM
http://ca.youtube.com/watch?v=lS0EVbD8B7E DISTANT THUNDER
http://ca.youtube.com/watch?v=lIIEqb2PTPY FOR TOMORROW
http://ca.youtube.com/watch?v=SsZksXmDp1E TIME WILL COME
http://ca.youtube.com/watch?v=zIxyJz9TANk OVER YOUR HEAD
http://ca.youtube.com/watch?v=ZCtqWbgPG6Y FAIRY TALE
http://ca.youtube.com/watch?v=ujaKV6Oepqg BLIND SPELL
http://ca.youtube.com/watch?v=NAXJISix2g4 RITUAL
http://ca.youtube.com/watch?v=WlJirM-WFXE PRIDE
http://ca.youtube.com/watch?v=yLRygd1bAUQ THE END OF THE SHOW

******
RITUAL CD/CD LIVE/DVD - WORLDWIDE PRESS REVIEWS
Reviewed by: Larry Daglieri, January 2003

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Angra fans were probably deeply hurt by the departure of Andre Matos from the band after
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releasing the less-than-well-received Fireworks and surely thought the end of the band was
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imminent. While a couple of members stayed behind and re-formed Angra with a new
singer and released Rebirth, Andre Matos took some of the former members and formed
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Shaman, who have released Ritual, giving Matos fans something to sink their ears into if
they have missing the former voice of Angra. Most writings about Shaman definitely give
that the disc has much akin to Angra's Holy Land and rightly so. Given the vocalist, and
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given the past history of Matos' writing, it's only natural that Ritual might sound a bit like
Holy Land, although I'd say that HL was just a bit more progressive in nature than Ritual.
But progressive metal fans will not be disappointed in this category at all.
As it is, you still get the wonderful vocal pyrotechnics that Matos is famous for, you get the
classy songwriting he contributed, and you get a cultural theme as well (here on Shaman
it's an Indian theme). You also get incredible performances by the band, the superb
production Matos is known for (bringing the great Sascha Paeth on board as well), and well
thought out songs to match. So basically, it's safe to say that if you are an Angra fan or a
Matos fan, there is no reason why this disc shouldn't satisfy you.
The music is varied, not as overly progressive as Holy Land, but it does have its moments of
progressive elements found throughout the disc, ranging from the speedy tunes to the
more "choppy" tunes, with speed variations thrown in everywhere. In addition, the Indian
influences such as the sound effects, flutes, opening intro, drums, etc., add a great cultural
feeling to the disc. Try to imagine what the Middle Eastern-influenced sound of the last
Avalon disc (Eurasia) did for that band, and you have a good idea of what the Indian sound
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will do for Shaman. The guitar sound is chunky, and the drum sound is huge, giving this
sound a very dramatic flair. The Andre Matos flavored keyboards add the melodies and set
the tone for some of the songs, and his love for orchestrated sounds is well known and
present here as well. Each song tells its own story, and you almost "hear" the story being
told through the music rather than through the lyrics.
Andre Matos is in his finest form as usual, with an added extra aggressiveness for a bonus
for those who found his voice too laid back and light on his previous outings. Here he shows
that he can be as powerful and aggressive as he wants to be – and on occasion he still shows
that incredible range he is known for.
The production is phenomenal, as is most Sascha Paeth recordings. The sound is very dry,
but still comes across in a huge way as each instrument has been given a thick wall of
sound, especially the drums that sound extra thick, pummeling, and clean. The vocals are
also incredibly produced, with Matos practically standing in your living room as he belts out
each song. The guitars are chunky, clean, and carry the thunderous sound along with them.
Of note are the soft intros using acoustic guitars, keyboards, choirs, and various Indian
instruments.
If you are missing Angra or Andre Matos in your life, Shaman will not disappoint inn either
case. While sounding like it could be the next Angra disc, Shaman can still stand on its own
with its cultural themes, fantastic songwriting and playing, and has the great Andre Matos
out front doing what he does best. Throw in the superb production, some spiritual lyrics,
and Shaman is just what the doctor ordered for something different and wonderful. Highly
recommended.
http://www.progressiveworld.net/shaman.html
******
Quite sometime ago – I think it was 2002 – I regularly hang out around CD stores
in Jakarta just to check what is coming out new to the stores and see if I’m interested to
buy. In one occasion of my journey of no destination I met someone – metalhead of course –
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at Aquarius Mahakam CD store. He worked for a boutique Hotel Grand Mahakam at walking
H60 H H61 H
distance to the CD store he regularly visit the store almost everyday. As a matter of fact I
introduce myself knowing that he played an album (metal, in my opinion) that I never
heard before. By that time I was in search of good power metal album like Helloween,
Rhapsody, Nightwish, and the like. So I asked him what album he was playing at the store
and he showed me the cassette version of SHAMAN “Ritual”. It blew me away at first spin.
He talked a lot about “the story of” the band where basically the band was the culmination
of split-up ANGRA (Brazil band) and the vocalist Andre Matos (who is he? I never heard his
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name before!) formed SHAMAN. I was interested with his story, really. He even talked quite
a lot about metal music horizon where I was not familiar before. (Yeah, I remember his
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name now: Dedy! Hello, Dedy .. how are you? Hope that someday you read this write-up.)
He even talked about bands like Vision Divine, Blind Guardian, Angra, Edguy, etc. What a
new knowledge for me in the forest of metal world!
So, finally I purchased this CD. First impression, I do like the ambient opening of “Ancient
Winds” which basically is an introduction of the band’s music in orchestral arrangement.
It’s basically I feel like watching a movie. As an introduction, this opening track sounds too
long, actually, but I do enjoy it anyway. What follows is a blast of power metal music in
style through “Here I Am” where the vocal of Andre Matos is very powerful. He can easily
handle high register notes brilliantly. Structurally, this is actually not a straight power
metal music as it has many variations and styles. Yes, the foundation is power metal but
the band has expanded the structure as well as style, combining beautiful high and low
points.
The third track “Distant Thunder” is for me much more captivating in a sense that the
music is composed on metal music style but the structure has some curved lines that make
the song very dynamic, and so is “proggy” – I think. The poser of this song, in addition to
dynamic style / structure, is the memorable basic melody delivered through the unique
voice of Matos. I also enjoy the heavy guitar riffs that truly represent the power metal sub-
genre. Excellent track!
“For Tomorrow” gives another flavor and texture of music through inventive opening using
traditional music (percussion and mandolin? – not quite sure). The music then flows
naturally with clear and transparent voice of Andre Matos backed with powerful guitar riffs.
Another excellent track from the album. For those of you who claim as metalheads, I’m
pretty damn sure that this song would make your nerves vibrate significantly.
“Time Will Come” rejects any opinion that metal music must start with heavy guitar riffs.
It’s not the case with this song as soft piano touch kicks-off the song followed with full
music in metal vein augmented wonderfully with orchestration. Musical interlude of this
song gives a traditional taste followed with great guitar solo. It’s a stunning composition.
“Over Your Head” also starts mellow followed with heavy rhythm music and then low
register notes of Andre Matos vocal line – augmented with nice acoustic guitar fills.
Structurally, this song offers many styles with excellent melody. Again, Andre matos
delivers his high register notes singing line. There is a musical interlude with a kind of
traditional music (in my case, I associate this music with our traditional Reog Ponorogo).
Excellent. This is definitely a prog tune to the bone!
“Fairy Tale” is a ballad that has become my all time favorite since I heard it the first time.
Structurally the music was composed in “circle” i.e. the song ends the same as it starts.
What I mean here is that the melody of the song starts with low register notes of Andre
Matos under : “ Fairy lady, who stands on the walls …”and it finishes with the same opening
melody. The ballad flows brilliantly from elegant women choir to melodic piano touch and
Matos’ voice. So melodic, my friend! Not just the melody that is so powerful, I can also
enjoy the great orchestral arrangement that follows the music. Wow! What a great ballad I
have ever heard! Oh darling, hear my soul and heed my cry. Cause all my crying may flood
an ocean and in my heart .. The album title track “Ritual” sounds initially like any metal
music in medium tempo. There are some interesting segments in the song that sound
memorable to my ears. The use of keyboard and orchestra has made this song enjoyable.
The interlude part produces stunning guitar solo and orchestra. It’s an excellent
song.Overall, this is a perfect album you would expect from a power metal band with many
prog touches during the stream of the music it produces. Yes, my rating is devoted to the
fact that this is a power metal band with powerful composition. No wonder this album is
perfect because Sascha Paeth is the producer. Highly recommended for those who are
hungry for power metal or progressive metal. Keep on proggin’ ...!
Peace on earth and mercy mild – GW
Report this review (#95324) | Posted Saturday, October 21, 2006

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Shaman (now Shaaman), is the band born from the ashes of the former Angra
formation. When the band split-up André Matos, Ricardo Confessori and Luis Mariutti
formed Shaman with Hugo Mariutti on the guitars while Kiko Loureiro and Rafael
Bittencourt found new members and continued with Angra. This is one of the best metal
debuts i ever heard. The sound quality is awesome and so is the production that was made
by Sascha Paeth (Rhapsody, Avantasia). Die-hard prog rock fans may not find this album so
good like metal fans may find. I was expecting an Angra copy in this album but it really
surprised me when faced the originality and creativity of this unique work. This doesn't
sound like any power, heavy or prog metal you may know. Matos and it's friends uses in this
album less brazilian music influence and more world music influence. "Distant Thunder",
H65 H
"Here I Am" and "For Tommorrow" can satisfy the needs of any power metal fan in the
world while "Time Will Come" and "Fairy Tale" take charge of the touching emotional part.
H6 H
"Fairy Tale" was soundtrack of a very famous brazilian tv novel, fact that made this song be
known by the masses and making the band even best known than bands with years on the
road. This album showed us that the former members of Angra still have much more to give
us.
This is not a progressive masterpiece cause it have just a few progressive elements, but
this is an excelent addition to the collection of anyone who likes good music.
Vote 9/10
http://www.progarchives.com/Review.asp?id=89382
******
impressing!. ritual- live!!!, August 16, 2004

By Tal Avraham (eilat , israel) -
H67 H
this is great opportunity for any metal fan to watch shaman in their best -making "ritual "
live on stage . "ritual is the first album of " shaman" and they already have a dvd - live
performance , so what do you think ? - i grew on their first album and it is very easy to like
it - so don't miss it!!!
ritual is a great album!!!!
( Tobias sammet is special guest - vocals on tracks 14,15 - making " sign of the cross " live
with shaman from "AVANTASIA PT.1" for metal fans who know avantasia pt1, pt2.!!!)
great sound qauility - dts or dolby digital 5.1 or dolby stereo pcm!!!
i like very much "ritual" so if you can get this on dvd - buy it!if you cant you can find this
show now on cd -shaman "ritualive"!!!
the dvd included - 18 tracks and more bonus tracks included 2 clips fairy tale & for
tomorrow + making of ritual tour.
thanks.
Brazil Rocks!, February 15, 2008

By Justin Gaines "Corporate Rocker" (Atlanta, GA) -
H68 H
As a rule, I tend to skip live albums. I'd much rather see the band in person (if possible) or
buy a live DVD, since so much of the energy of a live performance is visual. I'm even less
likely to buy a live album from a band that had (at the time) just one studio album to their
credit. Of course Shaman, which was formed by core members of Angra, wasn't exactly
your typical new band. In addition to their powerful debut album Ritual, Shaman also
H69 H
represents the Angra legacy. The fact that the album included the RituaLive DVD as a bonus
disc made this a must have for me.
Disc 1 is the audio presentation of the 2003 Sao Paolo concert. The band was on their
home turf, so the crowd reaction was very impressive. Hearing that many people singing
along to what were at the time relatively new songs should have been a surprise, but I
know from personal experience playing Ritual over and over that these songs get in your
head just as quickly as anything from those early Angra albums. Speaking of Angra, I was a
bit surprised that there were no Angra songs on this disc. The band kept mostly to material
from Ritual, deviating only for two songs with their special guests Tobais Sammet (Edguy)
and Michael Weikath and Andi Deris (Heloween). Sammett joined the band for the
Avantasia song Sign of the Cross and the Helloween guys took part in the band's rendition of
the Helloween classic Eagle Fly Free. Producer extraordinaire Sascha Paeth also made a
guest appearance on guitar.
All told, the RituaLive CD showcased a very impressive and energetic live performance.
Both the band and the crowd were 100% into the show, which makes the disc that much
more enjoyable.
Disc 2 is the RituaLive DVD, and if you think the audio CD was impressive, the DVD will
blow you away. It features a much more expanded program. You're essentially getting the
whole show here, including some of the better known material from those early Angra
albums, which definitely got the crowd pumped up. It's a PAL DVD though, so unless you
have a region-free DVD player, you'll have to watch it on a computer.
Shaman fans and old school Angra fans simply must get this amazing live release. I know
there are audio-only or DVD-only versions available, but you're really better off seeking out
the CD/DVD combo package. If you're persistent, you should be able to find one for less
than the cost of the regular DVD release.
A loving crowd and a spirited gig 4*, January 3, 2008

By Paul Lawrence "'EJL'" (Australia) -
H70 H
Shaman are a melodic metal band - though they publicly dismiss the tag in the bonus
feature documentary on this disc. They were created from the shards resulting from the
implosion of the Brazilian melodic metallers Angra. The two guitarists of Angra, who
evidently owned the name, got new guys in to continue the name of that fine band.
However the vocalist, bassist and drummer of Angra - Andra Matos, Luis Mariutti and
Ricardo Confessori respectively, formed Shaman with a couple of new fellows. And after
their first album they released this live DVD and an attendant live album. In some
territories I believe that this was released as as a DVD + CD package in a CD size package
but I'm not 100% on this, though if I'm right that would be the best product.
But back to the straight DVD. This contains a small booklet along with the disc which
doesn't amount to much but is more than you get with a lot of releases by bigger bands.
The special features are the video clip for the song Fairy Tale and also a clip made up of
footage from the gig itself for the song Tomorrow which was presumably done as a promo
for the live album. There are the usual features like sound options etc and the menu is
easy to navigate. There is the almost obligatory `making of' featurette and while it doesn't
shed any real light on proceedings it isn't as bad as some backslapping sessions we have to
put up with on some bands DVD's.
As to the concert itself it's pretty good. As a fairly melodic hard rock band Shaman are able
to fill up the sound spectrum fairly well, a lot of fast paced drumming and riffing as one
would expect from a band formed from one half of the old Angra band. The intention
seems to have been to mainly showcase their new material from the debut Ritual album.
And fair enough. In general it feels like average Angra tunes with a lot of the more eclectic
`world music' influences taken out. The few actual Angra songs are ones written by Andre
Matos and these are Lasting Child and the ripping Carry On.
There are a slew of guest stars on this DVD and they really do add some extra star material
and a certain fun factor. Tobias Sammet and Matos combine excellently on the tracks 14
and 15 while Sascha Paeth handles some six string duties for the same two tracks. A couple
of musicians I'm not familiar with, Marcus Viana and George Mouzayek chime in and
perhaps most interestingly for some listeners, Michael Weikath and Andre Deris appear on
the Helloween staple Eagle Fly Free. Weikath seems intent on showing zero emotion and
just standing about, cigarette in mouth, trying to be uber cool while Deris seems strangely
husky of voice, though it's not an unpleasant effect.
Stage production values aren't bad, this isn't a Metallica sized budget but the tone is set
and the crowd go absolutely mental for most of the gig just as we've come to expect from
the ultra passionate South American audiences. Picture quality throughout is fine, camera
angles are OK and the audio is also good, given the number of guest slots it's my guess that
there are fairly limited overdubs and if that's the case then all involved deserve a round of
applause.
http://www.amazon.com/Shaman-Ritual-Live/dp/B0001QNHEE
******
What's the deal with this? - 52%
Written by Livare on September 26th, 2005

H71T TH
Ok, to start this review: Originally this review was written in spanish by me a few months
ago, so everything's ok (I just did some modifications here and there).
Now, straight to the point. We know the story of Shaman (Now Shaaman), so I'll skip that
part.
In my opinion, the best thing of this band, is singer André Matos and Luis Mariutti's bass
skills. The drums aren't great, Ricardo (the drummer) played better in Angra. Haha,
actually, all of them were better in Angra (specially in the proggy songs, like Speed or
Streets Of Tomorrow). And, about the guitarist, Hugo... He's pretty standard, and
unoriginal, I think.
This Cd is basically generic Power Metal, with nothing special. Well, there's something...
some songs have that "mystical" sound, and it's ok, but I found it annoying after a while.
Still, is not something I consider great, like some people I know who likes this band. The
tracks I can actually listen to, are the intro (composed by Miro) and Fairy Tale; the latter
being the album's ballad. It's not that interesting or great, but I think it'd be A LOT better if
it had actual verses, instead of Matos' screaming for 70% of the song...
Production is fairly nice, but sometimes some parts have sightly higher volume, but
whatever.
Well, I really DON'T recommend this CD. At all. I prefer their next release, Reason (for
which I expected a lot more progression, evolution... but meh, It's far better better than
this). Really, instead of this band, listen to Angra: Better singer, hell better guitarists,
better bassist, better drummer... better MUSIC. If you wanna check this, download it... If
you see it, don't buy it.
Original review in spanish (by me): http://atthedreaming.blogspot.com
H72T TH
Forget Angra. This is WAY better! - 100% Written by Forever_Myself on October 10th, 2004
H73T TH
As the previous reviewer stated, this is the new band of three ex-Angra members. This
album, in my opinon is a lot better than anything Andre and the gang did while with Angra.
The music and lyrics are a lot better and overall more enjoyable.
The album starts off with a pretty cool atmospheric intro that prepares you for what's to
come, which is the second track. "Here I Am", hits you like a ton of bricks. The guitar,
combined with the drums in the intro is practically orgasmic. Then, the vocals start. I've
always loved Andre's vocals, he sounds REALLY great on this album. He hits just the right
notes, and makes the songs that much better.
The best thing about this album is that none of the songs sound particularly alike. Sure
they're all power metal songs, and the overall style is the same, but every song has a little
special thing about them. "For Tomorrow", for example has a great flute intro. "Time Will
Come", a great piano intro. "Over Your Head", awesome violin throughout the song.
However, in my opinion, the best song on this album is not one of the faster ones. It is the
beautiful, melodic and slow "Fairy Tale". The slow piano at the beginning is great and
Andre's calm vocals are really awesome. This song really shows of Andre's vocals. If anyone
else sang this song, it would be total shit. His vocals make the song what it is... GREAT.
I'm going to stop writing here and tell you one thing.
GET THIS NOW.
If you even remotely like power metal, you'll love this album.
Mystic Metal. Yum! - 98% Written by ROCKNEVADIES on December 6th, 2002

H74T TH
The other half of Angra's original line-up is in this band together with bassist Luis's brother
Hugo. When I first heard of him I was immediately very skeptical about Hugo as much as the
new Angra members. Hugo's playing focuses more on being "emotional" rather than
technical but I find he can walk on both sides of the street with equal aplomb.
The two years or so since Angra split suggests Shaman's members' skills have rusted; the
magic gone. However such is not the case. Matos's voice still enchants but now with a
raspier tinge. He is still the versatile vocalist as before, able to hit low notes and high notes
with little respite in between. Listen to Fairy Tale to see what I mean. Ricardo's drumming
is just as powerful, though now more "primal" than previous Angra albums. Bassist Luis
Mariutti still pounds his listeners with his intense bass lines that gives a good groovy edge
to the music. Overall I found the rythm refreshingly new to me and I loved it immediately.
As expected, the production by Sascha Paeth and Miro are extremely well done. I for one
do not think medling classical and world music into metal/rock is a walk in the park but
these guys did it perfectly.
Shaman mines a new vein in metal, "mystic" metal they call it. I don't know the name for it
but it is magic. The atmosphere they create cannot be described; you have to hear it for
yourself. This album is throughly unique and melodic. I swear, the first time I heard "Here I
Am" my mouth was practically dropping to the floor. Never had I heard such beautiful piano
playing and I doubt I will again. The choruses are the catchy climaxes of each song. As they
say valleys are there to make the mountains seem higher, but in this album even the
"valleys" were enchanting, making that analogy seem redundant.
Ritual is often compared to Rebirth but I cannot say which album is better. I love both and I
think each have their own good points. One thing I have to mention about Ritual though, it
is not as accessible as Rebirth and you have to let it slowly grow on you. If you want a new
experience then try Ritual. If you would rather stick to something you are familiar with
that has been perfected, then get Rebirth. If you don't want to go wrong, get BOTH. Trust
me, you won't regret it.
http://www.metal-archives.com/review.php?id=5189
******
DVD Review - Shaman - RituAlive
Fans of the Brazillian band Angra will probably be familiar with Shaman, the band formed
by Andre Matos (Vocals/Keyboard), Luis Mariutti (Bass) and Ricardo Conferssori (Drums)
after leaving Angra. Hugo Mariutti (Guitars) completes the circle. Shaman released their
fantastic debut album, Ritual in 2002 and I think it is even better than Angra's latest, also
very strong release. So of course I ordered this DVD as soon as I found it and with the fine
service of Laser's Edge it arrived only four days later.
H75 H
The main part of the DVD captures Shaman's concert in Creditcard Hall, Sao Paolo on April
5th 2003 and that alone is worth the purchase. In short, it is a really excellent live show.
Several cameras cover the stage and audience very well. Sometimes the editing is a little
weird, but overall this is a splendid concert to look at. The sound is also exceptional. Very
clear and powerful. Both the musicians and the energized audience have been captured in
just the right way.
Performance-wise the band is in great shape and look very happy and interact with the
audience in pretty much every song. The audience goes completely crazy through the
whole show and sing, jump and dance along to everything. At the beginning of each new
song there is a huge wave of joy coming from the audience when they recognise the songs.
I have always been amazed at Andre Matos' voice. It takes a song or two before he is
warmed up and starts hitting the higher notes, but Wow! What I really like about it is that
when he sings in the lower registers his voice has a nice raw and powerful sound to it.
Another thing I really enjoyed watching was guitarist Hugo Mariutti. I must say I'm
impressed. Being the sole guitarist he does a fantastic job and plays with great skill. I found
his solos to be very captivating. Just check out Distant thunder to see what I mean. While
the cameras don't linger so frequently on Luis and Ricardo, they are keeping the music
strong and tight throughout the show. Standing in for André on keyboards most of the time
is Fabio Ribeiro.
The band plays every song from their debut as well as several cool surprises. Those include
Tobias Sammet (Edguy) and Sascha Paeth suddenly joining the band on stage for an
energized version of Sign of the cross from the Avantasia project as well as Pride. The
audience goes completely nuts during this part and continues well into Eagle fly free where
Michael Weikath and Andi Deris from Helloween join the band. Where Tobias and André's
vocals harmonised very good, Andi has a much deeper and rawer voice which makes the
harmonising sound a little weird sometimes. But hey, I'm not complaining.
Another highlight is Over your head, which has a really cool middle section with the band
being joined by a violin player, among others.
Besides the concert you also get videos for Fairyland and For tomorrow as well as a 17
minute "Making of Ritual tour". A photo gallery is also included and I like the way it is put
together. No need to constantly press the remote control back and forth. Just sit back and
relax to the music and the slideshow that automatically takes you through the pictures. If
you want to examine something closer, just press Pause...
A really great concert and a few cool but overall slightly disappointing extras make for a
very good release the fans can't miss. For people who want to discover Shaman I would
recommend them to wait until the re-release of Ritual hits the streets on March 22nd. It
will have this DVD as an extra bonus gift.
Rating: 7/10
Written by Steen H76 H
Monday, March 08, 2004

http://www.revelationz.net/index.asp?ID=1065
******
Shaman - RituAlive [Live]

H7 H H78 H
2003
Vote 9/10
01. Ancient Winds

02. Here I Am
03. Distant Thunder
04. For Tomorrow
05. Time Will Come
06. Over Your Head [feat. Marcus Viana]
07. Fairy Tale [feat. Marcus Viana]
08. Blind Spell
09. Ritual
10. Sign Of The Cross [Avantasia cover] [feat. Tobias Sammet & Sascha Paeth]
11. Pride [Feat. Tobias Sammet & Sascha Paeth]
12. Eagle Fly Free [Helloween cover] [feat. Andi Deris & Michael Weikath]
+ Carry On [multimedia] [Angra cover]
"Ritualive" is the first live album of the "new" band of Angra's former members Andre
Matos, Luis Mariutti and Ricardo Confessori with in addition Luis' brother, Hugo Mariutti as
a guitar player. After their first album "Ritual", the band come with this Live album
recorded in São Paulo on April 5th, 2003.
The first thing I can say is that this album has in fact the same track list as the studio album
"Ritual". Excepted the great cover from Helloween [with Andi Deris and Michael Weikath as
guests] "Eagle Fly Free" and the song "Sign Of The Cross" from Avantasia [with Tobias
Sammet] this live album is the same as their first one.
Then maybe we can wonder why the band has done that and if it's really a good thing to do
a live album after only one studio album… Well, personally I really don't know what I can
say about that, and I will not try to answer that question, to that [marketing?] concept…
Why? Well maybe just because the only answer could come from "Ritualive". "Ritual" was a
really good album, but we see here that Shaman is also a great live band. Not hard when
you are guys who formed and played a lot of time with Angra before, but this live album is
so excellent that maybe it's not a bad thing to have it today.
A great and powerful sound, an excellent crowd, which sings with the band on all the
songs, a ton of guest musicians with the guys of Shaman [who were just perfect and
excellent this night] and a lot of great songs [you already know that if you know Shaman's
first album] are the ingredients of that new album. And believe me, this live album is just
really good, to such an extent that we can wonder if this album is not better than the
studio's one. Because yes Shaman and then "Ritual" are made to play on stage, and well I'm
not against that when I listen this album
Excepted the fact that we only have "one" album on this live, I can also regret the fact that
the Angra's song "Carry On" is only a Multimedia bonus track. Ok it's a real good thing to see
the song in video but why not as a real song on the CD too Just too bad…
At the end, I will really advise this album, to all fans of Metal, to fans of Shaman of course
and even to fans of Angra. This is a real great production, very true, really moving and
even if it's strange to do such a live after one unique studio album, I think that we can buy
this album, because it's a good one, and because the true metal fan that you are can't be
disappointed by it. No doubt that after their first great album, the guys of Shaman show us
that they are also a great band on stage. If you have any doubt about this band, you'll see
with that release that you are totally wrong. For sure they are great, and I'm already
waiting for the new album, which will be released this year.
written by Jeff | published 16.03.2004
H79 H
http://www.metalstorm.ee/pub/review.php?review_id=509
******
fairytale (91) (85) rising_force (72)
vections (82/100) 2005-11-08 21:12:16

H80T TH Andre Matos Shamanism
. Andre Matos Angra , Sascha Paeth
Virgo 2001 , Shaman . Angra
, .
.
Best Track : Here I Am , Fairy Tale
http://www.metalkingdom.net/album/53_shaman_ritual#reviews
******
Por Edson Rocha
T HT81 TH T
24/03/2006
T T
Quebrei a cara após ouvir esse debut do Shaman. Após a saída de André Matos, Ricardo
T
Confessori e Luis Mariutti do Angra, minhas expectativas de que o Shaman seria uma banda
do mesmo nível T
eram mínimas. Mas ainda bem que eu quebrei a cara.

T T
O Shaman é tão bom (ou até melhor algumas vezes) que o Angra. Por exemplo, aquilo que
T
era uma característica própria do Angra, de unir ao seu som elementos vindos da
musicalidade folclórica brasileira, o Shaman fez em Ritual em quase todas as músicas. O
Shaman T
não utilizou somente elementos da música brasileira, mas também da música sulamericana
T
e até árabe, isso sem dizer da música clássica.

T
Os vocais de André Matos - que muitos odeiam pelos seus falsetes - em vários momentos de
T
Ritual estão mais rasgados. Além disso ele continua sendo um dos melhores intérpretes do
heavy metal, mesmo que não seja do seu agrado o timbre de sua voz, não dá pra ficar sem
cantar junto com ele. Por causa disso Ritual conta com refrãos memoráveis, que
provavelmente serão catados por todos nos shows da banda. T
Hugo Mariutti, o único guitarrista, fez um ótimo trabalho, onde pode ser notado uma boa
T
influência de heavy metal tradicional em seus riffs. Mas mesmo assim um outro guitarrista
seria muito bem vindo. T
Após uma intro de mais de 3 minutos cheia de referências indígenas - de nome Ancient
T
Winds - o Shaman apresenta Here I Am. Típica música para abrir um álbum: riffs explosivos
e andamento rápido. Seu clímax é quando André senta ao piano, do qual desfere uma
melodia bem forte, ao fundo ouve-se uivos proferidos por uma mulher (pensar em Cradle of
Filth não seria tão incomum). T
Fairy Tale parece Lasting Child (Angra). Distant Thunder tem uma abertura meio Iron
T
Maiden (com um fraseado a la Run to the Hills), um solo bem rápido e outro grande
momento de Matos ao piano. Time Will Come conta com riffs sem muito peso mais cheios
de detalhes. O trampo de Confessori merece destaque nessa. T
Para fechar Ritual o Shaman convidou Tobias Sammet, que fez um dueto com André ao
T
ritmo frenético de uma música típica do power metal melódico - Pride. Música essa que
deveria ser ouvida por muitas bandas do estilo - para que aprendam com se faz. T
Nota
9.0
Redator
Nota
8.6
Visitante
Minha Nota
T T
82H 83H 84H 85H 86H 87H 8H 89H 90H 91H H
Votos: 13 T T
http://www.novometal.com/reviews/ler.php?id=504
******
Ritual (Shaaman)
Por Ícaro Tavares de Almeida | Publicado em 05/03/06
Logo após a saída de André Matos, Luís Mariutti e Ricardo Confessori do Angra, veio a
pergunta inevitável: qual será o futuro do Angra? A resposta nós já sabemos. Mesmo um
admirador extremista deve admitir: o som da banda mudou. E muito. As guitarras do Angra H92T TH
continuam afiadas como sempre, disso não há dúvida. Mas e no que diz respeito às
composições da banda como um todo? Ouvindo o disco de estréia do Shaman é fácil achar
uma resposta. O Shaman é o Angra sem guitarristas extremamente técnicos e “clássicos” e
H93T TH
com sonoridades brasileiras. Hugo Mariutti é um excelente guitarrista. Ele não tem o
mesmo estilo musical que marca Kiko Loureiro e Rafael Bitencourt. Entretanto, cumpre
com maestria sua função. Enquanto o Angra se “afunda” perdendo a linha do estilo que o
H94T TH
consagrou, o Shaman se revela como o curso natural do antigo Angra. É o Angra bem mais H95T TH
cru, sem perfeições técnicas no que diz respeito ao rebuscamento das guitarras. É uma
continuação bem mais bruta de Fireworks.
Agora, indo ao que interessa, vamos à descrição das músicas. “Ancient Winds” é um
introdução interessante. Lembra os discos do Helloween com aquelas aberturas em vários
de seus discos. Bem bolado, como diria Sílvio Santos. O disco começa bem. “Here I Am” é
daquelas que se sobressaem. Começa bem pesada, vai elevando a temperatura e quando
chega no final, se está completamente cativado pela música. Nota dez pra essa! “Distant
Thunder” tem um refrão marcante como poucos, realmente lindo. O primeiro solo apesar
de curto é ótimo, daqueles que fica na cabeça por semanas. Não chega a ser a melhor do
disco, mas é uma composição que faz jus a estar no disco. “For Tomorrow” tem uma
introdução bem diferente do que se costuma ouvir numa banda de metal. Mas a
criatividade provou que a ousadia em criar às vezes vale a pena. E dessa vez valeu muito a
pena. E como valeu. “Time Will Come” provavelmente é a melhor do disco. Tem um riff
marcante assim como os vocais de André Matos. A bateria aqui se destaca novamente. O
solo de guitarra é simples, porém eficiente. “Over Your Head” é outra boa música,
daquelas de se ficar impregnada na cabeça. Os teclados são muito bem trabalhados e são
parte essencial da música. Parece haver uma certa influência de sons orientais na música, o
que tornou o som bem interessante. Tem uns momentos de peso alternados com momentos
de calmaria bem sombrios, além do solo maravilhoso que fazem a música beirar a
perfeição. Nessa com certeza Hugo Mariutti teve inspiração bem acima da média do disco.
“Fairy Tale” é uma espécie de balada bem marcante, mas que corre o risco de se tornar
enjoativa caso seja ouvida em excesso. Mas é boa assim mesmo. “Blind Spell” começa bem
calma, fica agressiva aos poucos, cativando o ouvinte. A bateria perto da metade da música
dá aquele toque que só Ricardo Confessori é capaz de dar. Mais um ponto para a banda.
“Ritual” é uma boa música, mas faz mais o papel de completar o disco do que de divertir
como as demais. “Pride” é uma boa despedida do disco. Chega a estar entre as melhores, é
pesada e tem uma pegada forte, verdadeiramente boa. Luís Mariutti finalmente dá as caras.
Aqui seu baixo é bem mais audível e dá um toque especial à música. O solo de guitarra faz
a música parecer mais interessante do que já é. Ao vivo, realmente anima quem gosta de
se divertir num show de metal.
Um ponto a ser citado aqui são as guitarras. Não que Hugo Mariutti não seja competente no
seu posto, mas outra guitarra na banda não faria mal. Em muitos momentos pode-se
perceber que ele é sobrecarregado de trabalho. Seus riffs são verdadeiramente
impregnantes. “Here I Am” e “Time Will Come” provam isso. Ele tem qualidade e talvez
precise compartilhar seu estilo com mais alguém. Pense na possibilidade de criação desse
guitarrista com mais uma guitarra ao seu lado. Afinal, duas cabeças pensam melhor do que
uma. O peso da criação de solos e riffs não ficariam a cargo de apenas um guitarrista. Quem
sabe assim a música não fluiria com mais facilidade e empolgação? Quero aqui mostrar que
esse excelente músico precisa de alguém o ajude a desenvolver suas idéias. Como exemplo
pense na dupla de guitarristas da formação clássica do Maiden. Ambos os guitarristas são
muito bons. Mas Dave Murray e Adrian Smith não soam melhor ainda? Essa é minha idéia.
Em resumo, esse disco foi uma prova para o público de que esses músicos continuam
trabalhando duro para manter o nível de qualidade que davam à banda anterior. Um disco
excelente. De se ouvir de cabo a rabo. Parabéns pela ótima estréia ao Shaman. Ainda pode
se esperar muito dessa banda.
http://whiplash.net/materias/cds_users/048583.html
******
Shaman - Ritual (9/10) - Brasilien - 2002
Seitdem das Trio Matos, Mariutti, Confessori ANGRA verlassen hatten und die Neuigkeiten
die Runde machten, dass sie unter dem Namen SHAMAN weitermachen würden, gemeinsam
mit Luis' Bruder Hugo Mariutti, wartete ich gespannt auf den Tag da ich endlich "Ritual" in
meinen Händen halten durfte.
Nachdem VIRGO ja in eine komplett andere Richtung gegangen war, ist SHAMAN eine Band,
die ein absoluter Konkurrent von ANGRA auf den brasilianischen Power Metal-Thron ist,
und das ohne zu sehr nach ihnen zu klingen, sondern in ihren Kompositionen absolut
eigenständig zu bleiben.
Das beginnt schon mit dem großartigen Intro "Ancient Winds", das in jedem großen,
monumentalen Film wie "Braveheart" passen würde, ein Start nach Maß, dem mit "Here I
Am" ein schneller, Double-Bass-getriebener Power Metal-Hammer folgt, der sich an keiner
vielen anderen Power Metal-Acts orientiert, sondern in seiner eigenen Liga spielt, in der
nur noch vielleicht ANGRA spielen, die auch in gewisser Weise der einzige Bezugspunkt
sind, aber hey, ¾ von SHAMAN waren vorher in ANGRA, wenn es also Parallelen gibt, wie
könnte es keine geben?
Dass André Matos ein Ausnahmesänger mit einer wirklich eigenständigen Stimme ist, ist
within bekannt, dass er einer der nettesten Musiker überhaupt ist, hoffentlich auch. Und
seine Stimme ist eine der Säulen der Stärke und Originalität, ebenso wie die Art des
Songwritings der Brasilianer, mit einem Riffing, das ganz einfach anders ist als der
Standard, sehr intensive und vielschichtige Arrangements und der Gebrauch von
brasilianischen Folkmelodien, -Rhythmen und sogar -Instrumenten, großartig!
Wie am Anfang von "For Tomorrow", mit einer indianischen Dioruba, die auch in anderen
Songs verwendet wird. Und egal ob es jetzt ein schneller Power Metal-Track ist oder eine
balladeskere Passage mit einem solchen folkigen Einfluss, SHAMAN stehen auf "Ritual" für
höchste Qualität und Eigenständigkeit. Wie das beinahe dem Progressive Power Metal
zuzuordnende "Over Your Head" mit einem Gast-Keyboardsolo von Derek Sherinian (Ex-
DREAM THEATER, PLANET X), das aber dennoch ein geradliniger Kracher ist, oder der
klassische Frauenchor, der das Intro von "Fairy Tale" formiert, "Blind Spell" mit seinen
beinahe Tribal-artigen Rhythmen oder das furiose "Pride" mit einem großartigen Duett
zwischen André und EDGUY/AVANTASIA-Fronter Tobi Sammet, allesamt großartige Songs
mit eigener Identität und Seele.
SHAMAN haben es also geschafft ein Album zu erschaffen, das gleichzeitig originell und
qualitativ herausragend ist, etwas, das heutzutage nicht mehr allzu häufig angetroffen
werden kann. Und selbst wenn ihr dem Power Metal schon müde seid, gebt SHAMAN ihre
mehr als verdient Chance und ihr sollt es nicht bereuen werden! (Online 13. Januar 2003)
http://www.metal-observer.com/articles.php?lid=2&sid=1&id=1791
******
Shaman:
Ritual
Album 2002
Bien sabemos lo que ocurrió hace ya un par de años. Un hecho que golpeó muy fuerte en
los corazones de muchos metaleros, y que -sabíamos- acarrearía consecuencias. Buenas o
malas, pero consecuencias al fin. Los íconos del metal sudamericanos, innovadores y llenos
de creatividad, los brasileños (a esas alturas, ya patrimonio de la humanidad) de Angra, se
separaban. Por un lado Kiko Loureiro y Rafael Bittencourt, guitarristas, continuarían con "la
banda" (con el mismo nombre, lo cual fue bastante criticado) y por el otro Luis Mariutti
(bajo), Ricardo Confessori (batería) y el multifacético André Matos (voz y teclados), quienes
anunciaban que continuarían haciendo música juntos. Así, algunos esperábamos que al
cerrarse una puerta, se abriera una ventana, y que en vez de una gran banda, tuviéramos
dos. Sin dudas, una visión optimista que en ningún modo era constitutiva de consenso.
Pasó algún tiempo, y poco antes de que Kiko y Rafael anunciaran que los reemplazantes de
André, Luis y Ricardo serían Edú Falaschi, Felipe Andreoli y Aquiles Priester, se anunciaba
el nacimiento de una nueva banda, compuesta por los tres primeros, más Hugo Mariutti
(hermano de Luis), como único guitarrista: nacía Shaman, una banda como pocas, que
antes de ejecutar un acorde ya poseía una cantidad de fans impresionante, dispuesta a
seguirla -y en especial a la trascendente figura de André Matos- con un fervor casi religioso.
Así, con sólo un tema algo conocido a través de internet, "Time Will Come", Shaman visitó
nuestro país el jueves 17 de Mayo del 2001, haciendo un muy buen show en el Estadio
Chile, en el que interpretaron 4 temas nuevos (el ya mencionado "Time Will Come", "Be
Free", "Blind Spell" y "For Tomorrow"), más una considerable cantidad de "covers" de
Angra, además de un tema de Viper y una sui generis versión del clásico "For Whom The
Bell Tolls" de Metallica, con André Matos en las baquetas y Hugo Mariutti en las voces.
Por todo lo anterior, el disco debut de esta banda ha sido sumamente esperado por el
público heavy-power metalero, especialmente luego de la salida del exitoso "Rebirth", del
nuevo Angra. Y una espera que se hizo más o menos larga ha llegado a su fin, con la salida a
la luz de "Ritual", un disco sumamente complejo, con temas en su mayoría bastante largos -
más de seis minutos-, que explota de forma pronunciada pero a la vez prudente el tópico
de las ceremonias rituales y el chamanismo (vale recordar que un chamán es una especie
de hechicero de sociedades tribales o "menos evolucionadas", según un dudoso criterio de
"modernidad"), lo que no sólo se ve a lo largo de las letras, sino también en la notable
diversidad de variantes musicales que encontramos a lo largo de este trabajo, donde
podemos encontrar, aparte de la guitarra, el bajo, la voz y la batería, zampoñas,
percusiones africanas, violín, charango y tambores celtas, entre otros. Y además, para
terminar de esbozar la complejidad de este material, debemos señalar que, dentro de los
músicos invitados, se encuentran nada menos que Derek Sherinian (tecladista, ex-Dream
Theater, miembro de la banda que acompañó a Yngwie J. Malmsteen en su última gira),
Sascha Paeth (con quien André Matos realizó su proyecto Virgo), y Tobias Sammet en las
voces, en el tema que cierra el disco, "Pride".
"Ritual" abre con Ancient Winds, un intro un tanto largo (más de 3 minutos), que
inmediatamente nos indica el camino que el disco seguirá: percusiones y sonidos que crean
una atmósfera muy "tribal", que nos dan la impresión de situarnos de buenas a primeras en
medio de la selva amazónica, unidos a una melodía muy "Age Of Empires". En definitiva, a
pesar de lo extenso, el intro, más allá de su obvia función de introducirnos al mundo de
Shaman, crea atmósfera para lo que vendrá ... un riff totalmente poderoso, power
metalero hasta la médula, que marca el inicio de quizás el mejor tema del disco. En efecto,
Here I Am nos muestra una fantástica combinación entre momentos bastante rápidos y
poderosos con quiebres lentos y casi atmosféricos, con sutiles toques de piano, voces
femeninas cuales cantos de sirenas griegas y dobles bombos muy bien ejecutados por parte
de Confessori. Y qué decir de la voz de Matos ...en resumen, uno de los mejores temas del
año 2002, cargado de emotividad (por momentos, especialmente en el coro, muy en el
estilo de lo que conocemos en "Carolina IV"), y con un sonido que sin dudas recuerda los
mejores tiempos de Angra, aunque con un contenido y un sonido distinto. Un sello especial.
Después de la fantástica exhibición de talento del tema anterior, Shaman continúa la

descarga con Distant Thunder, un tema con un comienzo muy rockero y por momentos
bastante heavy (la melodía del comienzo es una declaración de principios), con un ritmo
mid tempo lleno de "vida" y un coro sumamente bien construido. Ciertos momentos
progresivos (nuevamente el piano se hace presente) dan paso a un solo bastante Power,
muy melódico, sin ninguna pirotecnia, dentro de un ritmo bastante acelerado. Excelente
trabajo.
El siguiente tema, For Tomorrow, es absolutamente fuera de lo que estamos

acostumbrados a escuchar ... una introducción absolutamente andina, a base de
instrumentos de viento -como zampoñas o quenas, muy en la onda de los primeros tiempos
de Inti Illimani-, junto con charangos, sin dudas rompe muchísimos esquemas ...
posteriormente, la cálida voz de Matos junto a una guitarra acústica conducen a un riff
bastante interesante, un pre-coro fantástico (notables las armonías, que recuerdan a
algunos trabajos de Queen) y un coro muy bien logrado (muy bien Matos). Por momentos las
quenas se hacen nuevamente presentes, mezcladas con percusiones, guitarras eléctricas, y
un notable trabajo de Confessori, muy técnico y preciso. El genial cambio de ritmo -y de
atmósfera- de mediados del tema, junto con un muy correcto solo (la principal
característica de Hugo Mariutti en las guitarras es su corrección, la carencia de artificios o
de intenciones de "querer demostrar cuán buen guitarrista es"), terminan por configurar un
complejísimo tema, eso sí, bastante difícil de digerir por quienes sólo se llenan con ritmos
infernales o princesas medievales.
Ya en pleno disco, Over Your Head pone el toque progresivo, muy en la onda del "Six
Degrees Of Inner Turbulence" de Dream Theater, por momentos, pero con la calidez que ya
es tónica en este trabajo. Un excelente coro, progresivo pero con mucho Power, nos da
paso a una atmósfera bastante tribal (que recuerda a ciertos momentos de "Holy Land"), y
posteriormente a un solo excelentemente bien ejecutado (gran protagonismo del teclado),
mezclado por momentos con sutiles toques de piano.
Time Will Come, el único tema "conocido" de Shaman al visitar nuestro país el año pasado,
comienza con una sutil introducción de piano, posee un ritmo bastante Angra, con matices
marcados por sonidos de campanas y un muy buen trabajo, con muchas variantes, de
Confessori en la batería (quien se lleva prácticamente todo el peso del tema). No es el
mejor tema del disco, pero tampoco desentona.
El siguiente corte, Fairy Tale, juega con un estilo que ya conocemos en temas de Angra
como "Stand Away", o la genial adaptación de "Moonlight" de L. V. Beethoven que hace
Viper en su "Theatre Of Fate", aunque con la calidez propia de este trabajo. Nuevamente
las sirenas de tragedia griega nos invitan a entrar a su mundo, adornado con pianos y con
una muy suave voz de Matos en el comienzo, quien muestra a cabalidad el gran manejo que
posee en cuanto a los tonos altos, para culminar con un muy buen trabajo de Hugo Mariutti
en la guitarra, y un Matos muy sutil.
Blind Spell, el siguiente tema, sigue un camino muy soft-rockero (muy buenos toques
ochenteros), con detalles muy bien trabajados y perfectamente compenetrados con el
"espíritu" del tema. Un excelente y emotivo coro (nuevamente sobresale el gran trabajo
que hace Hugo Mariutti con una guitarra "en segundo plano", tras la voz), además de la
infaltable inclusión de toques percutivos tribales (volvemos a recordar a Carolina IV), junto
con un muy buen solo de teclado y un final perfecto, hacen de este tema, que si bien no
posee todo el Power que uno pudiera esperar, uno de los mejores del disco.
El estilo más bien "rockero" continúa bien trabajado con Ritual, tema que, con un ritmo
muy sencillo, muestra a cabalidad la versatilidad de los integrantes de la banda,
especialmente de Matos en la voz. Un excelente cambio de ritmo en el medio del tema,
que le da un quiebre un tanto progresivo, y, sobre todo, la marcada identidad del sonido de
Shaman, que está a años luz de convertirse en una copia del Angra que hizo famosas a las
tres cuartas partes de la banda, lo convierten en un muy buen tema.
El final del disco viene a ser una especie de réplica a quienes puedan decir que Shaman
nada tiene de Power Metal ... en efecto, con Pride, una descarga de miles de voltios de
electricidad, Shaman demuestra que también es una banda capaz de hacer temas sencillos,
directos a la vena, muy melódicos (muy Edguy, pero con el sonido característico de
Shaman) y, sobre todo, con Power. Comentario aparte recibe la participación del alemán
Tobias Sammet, quien hace dúo con Matos en las voces ... un notable final, cargado de
energía.
En resumidas cuentas, Ritual es un disco sumamente especial, al que hay que saber
desentrañar su sentido y alcance, lo que difícilmente se logra escuchándolo sólo una o dos
veces. Si bien es cierto la expresión "especial" es, hoy por hoy, demasiado utilizada, es la
denominación más adecuada que se le puede hacer a este muy buen trabajo. Qué difícil es
ser original hoy en día, más aun con la tremenda "mochila" que la precedente etapa que
estos músicos vivieron con Angra les impone. Pero Shaman logra, desde un primer
momento, dar en el blanco con un sonido original, fresco, por momentos complejo y
experimental, pero siempre con ese toque "especial" presente en todos los temas. Quizás
este disco, insistimos, no sea del agrado de algunos fans del Heavy Metal, y es
comprensible, pues Shaman no busca, con este trabajo, conseguir el agrado de todos y cada
uno de los fans. Lo que busca, desde el primer momento, es una identidad propia. Y vaya
que lo logra, con un trabajo complejo, con un sonido cuya identidad es la heterogeneidad.
Dicen por ahí que lo peor que a uno le puede pasar en la vida es convertirse en una copia
de sí mismo. Y Shaman, comprendiendo esto a cabalidad, emerge como una fuerza nueva
dentro del mundo del metal.
-Darío Sanhueza-
******
SHAMAN: RITUAL { LUCRETIA RECORDS}
Puntuación: [ 7/10]
Puntuación de los lectores: [ 8.0 /10]
Debe ser complicado romper con el pasado, con las etiquetas musicales, debe ser por eso
que SHAMAN ha querido mostrarse en “Ritual” como la alternativa a ANGRA. André Matos,
Luís Mariutti y Ricardo Confessori, quizás la parte más sobresaliente de los ANGRA de hace
unos años, han asegurado un relativo éxito al parecer “Ritual” la continuación más lógica a
un álbum como “Holy land”. Temas rápidos, melódicos, con percusión tribal y
orquestaciones atrayentes es la esperada respuesta de Matos a “Rebirth”. Cortes como
“Distant thunder”, “For tomorrow” o la genial “Time will come” volverán a recordar la
energía de antaño, aunque un tanto más comedida. Para muchos este disco será la
continuación del legado que comenzaron VIPER y, más tarde, ANGRA.
Manu Estrada http://www.themetalcircus.com/review.php?id=75
******
Ritual
T
(Average Rating: 9.34 out of 10)

T
Angra: Version 2.0

T
Reviewed by Justin S Gaines from Oakton, VA
And to think I was worried when Angra split up a few years ago! Had I known that it would
result in not one, but two fantastic metal bands, I would have taken the news a whole lot
better. Angra went on to greater heights with the addition of some new blood, most
notably vocalist Edu Falaschi; and the departing members, led by vocalist Andre Matos,
formed Shaman. While I think that the new Angra is the better band (thanks to the truly
amazing Rebirth album), Shaman is also quite excellent. If you enjoyed Angra at all during
Matos's tenure with the band, then you're sure to enjoy Shaman. Their debut CD Ritual is
an excellent offering of Brazilian-influenced power metal. It is reminiscent of the Holy
Land album, which remains my favorite of the Matos-era Angra discs. It has some great
melodies, excellent production (courtesy of the famous Sascha Paeth and Miro), and the
vocals are superb. Andre Matos has one of the most recognizable voices in metal, though
he has often been criticized for singing too high at times. He reins it in a bit on Ritual
though, which gives the album a bit of a harder edge than the old Angra albums had. He
does hit some really high notes on Pride, the albums closer, which might make the listener
cringe a little. Standout tracks on this disc include Distant Thunder and Blind Spell, but all
the songs are quite good. I'd recommend this disc not only to Angra fans, but to any fans of
melodic power metal. If you enjoy bands like Gamma Ray, Helloween, and Freedom Call,
then you owe it to yourself to check out this great debut from Shaman.
Ritual
(Average Rating: 9.34 out of 10)
More Angra than Angra............

(Rated this album with 10 out of 10)
Reviewed by deathpito from Santiago, Region Metropolitana Chile
We all know the story, so I'll keep this part of the review very short. Main composer Andre
Matos left his own creation, legendary Brazilian heavy metal nad Angra, because of
management problems and diverse bureocratic issues. Fellow musicians Luis Mariutti (bass)
and Ricardo Confessori (drums) joined Matos, and alongside Hugo Mariutti (guitar, Hugos's
brother) they formed Shaman. Angra currently continued to exist, and they shortly
released the Rebirth album, a magnificent display of European heavy metal, but not quite
an Angra album. Shaman was the band to follow if one wanted the same power and
Brazilian influences the old Angra had. But let's get this straight: this is not a band that
copies their old setlist, Ritual is an impressive disc that has obvious influences from Angra's
past catalogue, especially Holy Land, but also shows how these musicians have improved
both technically and in terms of composing. Matos has improved greatly his voice, evolving
far beyond his usual high pitched screams, he now has a much raspier voice, more manly in
many aspects. And new guitarrist Mariutti completes the task of covering two spots, with
killer riffs and acceptable solos (if you want excelent guitar solos, check Angra's Rebirth).
Luis Mariutti and Confessori continue showcasing their best chops, especially the latter (if
you get to see Confessori live you'll realize what I'm talking about).
The songs, are simply excelent. All of them are good. There are usual power metal type
(Here I am, Time Has Come, Pride), more ethnic oriented songs (For Tomorrow, Blind Spell,
Ritual), the usual ballad (Fairy Tale) and many others. I personally liked very much Over
Your Head, Time Will Come and Blind Spell, but all of them are good. Get this and Angra's
Rebirth, and then you'll se who should be carrying the Angra name......
******
RITUAL TOURS 2003 - 2004
05/04/2003 - Credicard Hall - São Paulo - Brasil

06/04/2003 - ATL Hall - Rio de Janeiro - Brasil
20/04/2003 - Mythos (w/ Shadowside) - Santos - São Paulo - Brasil
07/09/2003 - Aramaçan - Santo André - São Paulo - Brasil
04/10/2003 - Marista Hall - Belo Horizonte - Minas Gerais - Brasil
17/10/2003 - Olimpo - Rio de Janeiro - RJ - Brasil
08/11/2003 - Gigantinho - Joinville - SC - Brasil
22/11/2003 - DirecTv Music Hall - São Paulo - SP - Brasil
23/11/2003 - DirecTv Music Hall - São Paulo - SP - Brasil
07/12/2003 - Santos - São Paulo - Brasil
17/01/2004 - Sao Paulo Stadium (with Iron Maiden)
14/02/2004 - Claro Hall - Rio de Janeiro - Brasil
23/04/2004 - Campestre - Sorocaba - SP - Brasil
02/10/2004 - Espaço das Américas - Sao Paulo (w/ Edguy, Viper and Kotipelto) - Brasil
RITUAL some FLAYERS TOURS 2003-2004

RITUAL some BRAZILIAN TOURS PICTURES 2003-2004
Joinville 2003 - SC
5th April 03 - CrediCard Hall / SP

P P 6th April 03 - ATL HALL / SP Ricki
P P
17th January 2004 - Sao Paulo - support to Iron Maiden
P P
23rd April 2004 - Campestre Sorocaba

P P
******
RITUAL WORLDTOUR 2002-2003

RITUAL some WORLDTOUR PICTURES 2002-2003
Festival NTS Paris - France 2001 Ricardo Confessori EU Tour 2003
European tour 2003 European tour/Madrid 2003
Ricardo Confessori - European Tour 2003

INTERNATIONAL NETWORK LINKS 2008
SHAMAN OFFICIAL WEBSITE
http:www.myspace.com/shamanimmortal
SHAMAN in MYSPACE
http://www.new.facebook.com/profile.php?id=590558964#/pages/SHAMAN/11548987667
SHAMAN NEW FACEBOOK
http://pulse.plaxo.com/pulse/groups/profile/197569407176
SHAMAN PLAXO PULSE GROUP
http://www.progarchives.com/artist.asp?id=1875
SHAMAN IN PROG. ARCHIVES
http://www.isound.com/shaman_br
SHAMAN in ISOUND
http://www.reverbnation.com/shamanimmortal
SHAMAN in REVERBNATION
http://www.imeem.com/shamanimmortal
SHAMAN in IMEEN
http://iacmusic.com/artist.aspx?id=105794
SHAMAN in IAC RADIO STATIONS
http://iacmusic.com/Stations/KIAC5711.htm
SHAMAN KIAC STATION RADIO
http://www.plentyofbands.com/index.php?t=chart_audio&d=7
SHAMAN in CANADIAN PLENTY BANDS RADIO STATIONS (all 3 songs in the first positions)
http://www.plentyofbands.com/index.php?t=browse_video
SHAMAN in CANADIAN PLENTY BANDS VIDEOS RATED (all 2 videos in the first positions)
http://www.plentyofbands.com/members/141
SHAMAN in PLENTY BANDS
http://www.spirit-of-metal.com
SHAMAN in SPIRIT OF METAL
http://independentartistscompany.com/iac_chart_display.aspx?chart_id=3566&week_id=7
7
http://independentartistscompany.com/iac_chart_display.aspx?chart_id=3423&week_id=7
7
SHAMAN in CASHBOX MAGAZINE IN USA
CASHBOX MAGAZINE IS AN AMERICAN FAMOUS MAGAZINE THAT YOU CAN BY IN THE

STORES.THEY WORK WITH THE RADIOS... THEY GET EVERY WEEK FROM THE AMERICAN
RADIOS THE STATISTIC OF THE SONGS LISTENED...
CASHBOX PICKED UP 2 SHAMAN'S SONGS TO ADD IN THE CASHBOX RADIO.
In The Dark is in 1st place of POP indie songs. And One Life is in 4th of all categories. Both
songs are in the top 10 Radio from March 2008.
http://www.bandliste.de/bandinfo-Shaman-12773.html
BAND LISTE - GERMANY
http://geeks.pirillo.com/profile/SHAMANProgPowerMetal
GEEKS PIRILLO
http://www.blogtalkradio.com/SHAMAN
BLOG TALK RADIO
http://www.ilike.com/artist/The+Shaman+Band
I LIKE
http://members.soundclick.com/shaman+band
SOUND CLICK
http://www.stereokiller.com
STEREO KILLER
http://www.mymusicstream.com/artist/2591
H96T TH
http://www.mymusicstream.com/shaman
H97T TH
MY MUSIC STREAM
http://www.numberonemusic.com/shaman/
NUMBER ONE MUSIC
OFFICIAL INTERNATIONAL FAN CLUB AND FORUM
http://www.shaman-immortalfc.com
The Fan Club is working with SolMusic Management Inc. to promote Shaman merchandise in
worldwide and
helps also the promoters regarding Shaman Material to promote their gigs.
http://z7.invisionfree.com/shamanimmortal
SHAMAN FORUM, its the biggest community in Brazil, and has 50.000 fans.
******
IMPORTANT LINKS
Myspace
www.myspace.com/shamanimmortal
H98T TH
www.myspace.com/ricardoconfessori
H9T TH
www.myspace.com/thiagobianchi H10T TH
www.myspace.com/fernandoquesada
H10T TH
www.myspace.com/leomanccini H102T TH
Photologs
http://www.fotolog.com/shamanimmortal
H103T TH
http://www.fotolog.com/rconfessori H104T TH
http://www.fotolog.com/thiagobianchi
H105T TH
http://www.fotolog.com/fernandoquesada
H106T TH
http://www.fotolog.com/leomancini H107T TH
Sites
http://www.shamanimmortal.com H108T TH
http://www.fanclub.shamanimmortal.com
H109T TH
(Shaman ImmortalFC)
http://z7.invisionfree.com/shamanimmortal
H10T TH
(Fórum Official)
Orkut
http://www.orkut.com/Community.aspx?cmm=44352
H1T TH
(Shaman)
H12T TH
(Shaman Immortal - Oficial)

H13T TH
(Thiago Bianchi)
H14T TH
(LeoMancini)
H15T TH
(Fernando Quesada)
H16T TH
(Ricardo Confessori)
H17T TH
(Shaman Immortal FC)
INTERNATIONAL MANAGEMENT & BOOKING
SolMusic Management Inc. Canada

Att. Tiziana Hurd, CEO
161 Hilltop Drive
HOLLAND LANDING, ON
L9N 1B9 CANADA
Office - Phone & Fax: +1.905.953.78.65
Phone & Fax: +1.705.389.3110
Website: http://www.SolMusicManagement.com
E-mail: Tiziana@SolMusicManagement.com

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CURRENT LINE-UP

Ricardo Confessori - drums

SolMusic Management Inc. Canada

IMMORTAL // Scarlet Record - Europe // JVC Victor - Japan

Track Listing - 2007 // 20.000 copies sold

Wish for the air

Search for the light

Leave the cave

Locking and loading my fate

Pulsing with the land

Becoming friends with the mist

So many times I got here

Locking and loading my fate

Is not a first time I fake a smile

I pray for you

The Xaman's speech:

I pray for you

Why? Why some of us hear this voice?

Nothing just goes on this line,

Up, down and back to the start

A Lifetime in a flash breeding time

Suns of this fusion

Suns of this fusion

My faith, your face

Crying out tomorrow

Once back to life

Your smile, my grief

Crying out tomorrow

I can't think straight

If never you kept some distance

If your heart is aching

If you always believed in us

All this time I had to pray

Once more I'm beggin' for a chance

And then there's no turning back

No matter how, 'cos now I know

And then I'll feel alive

Oh, now I have to feel alive

Fight hard for your rights

Trough the mind...

Oh, now I have to feel alive

The Yellow Brick Road

Looking for words to describe

Produced by Thiago Bianchi and ricardo Confessori.

Band profile: Shaman

BlankFile - 03.10.2008 at 22:13

Stay Metal people |m|

Angätuprý - 04.03.2008 at 07:08

juanopereira - 04.09.2008 at 02:06

Blankfile- 08.05.2008 at 23:02

[Rating12065870] Excellent combination of power metal, progressive power metal,

Note (Christian) 15/20

Après Angra, Shaman, Shaaman : revoici Shaman !

Y'a de l'espoir ! Laissons-leur le temps de se défaire de leur lourd héritage et de nous

De plus le groupe a nettement proguisé (une invention de ma part) ses compositions en

Bewertung: 4.5 von 7

"Durchschnittskost aus Südamerika"

Trackliste: Spielzeit: 00:49:03

astonbob (on 11/12/07)

good heavy from brazil

YNGWIEVIKING (on 11/12/07)

Sexta-feira, 11 de Janeiro de 2008

CD Review: Shaman – Immortal