The Landscape in French Painting

XIX - XX CENTURIES

OCTOBER - NOVEMBER

1931

KNOEDLER GALLERIES
14 EAST 57™. STREET

N E W YO R K
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T HROUGHOUT the centuries, the landscape has been a
source of great inspiration to the painter.

If one goes back to the very beginnings of painting

in Europe, the Italian primitives, one finds the landscape
considered merely as a decorative background and the real
importance given to the figure. This was primarily due to
the influence of the Church which imposed certain standards.

In the sixteenth century the Flemish gave the first

landscape painter to the world, Joachim Pa tinier.

In the seventeenth century, the Dutch made a serious

attempt to break with the traditional interpretation of nature,
prevalent at the time and sponsored a more realistic concep-
tion through such outstanding protagonists as Van Goyen and
the Ruysdaels.

In the eighteenth century artists like Francois Boucher,

Pater or Lancret reverted quite definitely to the conventional
formula which in spite of any artificial tendencies it may
have had, was often an extremely pleasing one.

The aim of the present exhibition is to give as concise

a resume as possible of the historical evolution of French
landscape painting in the nineteenth and first half of the
twentieth centuries.

It is generally admitted that Claude Gellee, known

as " Le Lorrain " has been called the precursor of the modern
landscape. This is why we thought wise to include in this
catalogue two particularly significant canvases of this master
considering them typical of the spirit of continuity which
runs throughout the French pictorial interpretation of the
landscape.

Desiring to adhere to a certain classification which,

though in some respects conventional, is clear cut, the long
period covered by this exposition has been divided into four
parts :—
The Barbizon School, heir to the tradition of com-
position and treatment of the great masters of the seventeenth
and eighteenth centuries, and profoundly influenced by the
naturalistic work of Constable, marked a definite return to
nature, a break with conventions, a search for truth.

With the Impressionist School a certain reaction

set in. The sentimentality of the preceding period was
quite foreign to the new positivist philosophy and there
followed a certain revision of aesthetic values. The painter
was no longer expected to give a poetic rendering of nature.
He abandoned his studio and went out into the open.

In the Post-Impressionist School, it was soon evident

that though considerable progress had been made in painting
a certain poetry, classicism and balance had been lost. In
Seurat and Cezanne, one again finds these characteristically
French qualities which are so admired in Claude Gellee or
in another classical painter like Poussin. Certain definite
rules of composition were enforced. The painter came into
his own.

The development in the Modern School is along the

lines indicated by the Post-Impressionists. The modern
artist hajs not however fully accepted their formula. He
creates his own plastic universe in his studio, respects certain
fundamental and traditional laws of composition and color
and at times relies completely upon his imagination for his
subject. Poetic license prevails.

The public may be surprised at the omission of certain

names. These omissions however have been deliberate.
Great care has been taken to present only the heads of
schools and some of their most important pupils. The
selection, nevertheless, is not an arbitrary one. The names,
which are being presented to the American public to-day
have been almost unanimously accepted by the elite of
the world's painters.

ETIENNE BIGNOU.

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 CLAUDE GELLEE
CALLED LE LORRAIN" — 1 6 0 0 - 1 6 8 2

Un Port au soleil couchant.

Canvas: 19 1/2 X 25 1/2 inches.

Campagne Romaine.
Canvas: 30 < 40 inches.

ILLUSTRATED
BARBIZON SCHOOL
Circa 18 30-187 5

EUGENE BOUDIN

J.-B.-C. COROT

GUSTAVE COURBET

CHARLES-FRANCOIS DAUBIGNY

HONORE DAUMIER

JEAN-FRANCOIS MILLET

THEODORE ROUSSEAU
JEAN-BAPTISTE-CAMILLE COROT. — La Cathedrale de Mantes.
 BOUDIN
EUGENE — 1827-1898

. L'entree du port de Trouville.

Panel: 10 1/4 X 15 3/4 inches.
Signed lower left.
Painted 1868.

Reproduced in " B u i t e n " , Amsterdam, April 1931.

Exhibited at "La Peinture Francaise aux XIX"

el XX' Siecles", Amsterdam, April-May 1931.

From the collection of Monsieur HENRI CANONNE, Paris.

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 COROT
JEAN-BAPTISTE-CAMILLE — 1796-1875

Venise, Gondole sur le Grand Canal.

Canvas: 11 3/4 X 15 3/4 inches.
Signed lower right with the stamp " Vente Corot ".
Painted August-September 1834.

Described and reproduced in " L'CEuvre de Corot" by

A. ROBAUT (H. Floury, Publisher, Paris 1905).
Vol. II, No. 316, page 112.
Reproduced in " L Art Moderne" (Bernheim-Jeune,
Publishers, Paris, 1919). Plate 46.

Exhibited at " Exposition d'Oluvres des XIXe el XX'

Siecles", Paris, June-July 1925.

From the Corot sale, Paris, May 1875.

From the collection of Monsieur MARION, Paris.
From the collection of Monsieur SARLIN, Paris.

ILLUSTRATED
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 COROT
JEAN-BAPTISTE-CAMILLE — 17961875

La Cathedrale de Mantes.
Canvas: 21 3/3 X 18 inches.
Signed lower left.
Painted about 1860.

Described and reproduced in " L'CEuvre de Corot" by

A. ROBAUT (H. Floury, Publisher, Paris 1905).
Vol. II, No. 818.
Engraved by PINET in " Vingl Peinires du XIXe Siecle.
Chefs-d'CEuvre de I'Ecole Francaise", by
L. ROGER-MILES (Georges Petit Galleries, pub-
lishers, Paris, 1911), page 103.

Exhibited at " Vingt Peinires du XIX" Siecle. Chefs-

d'CEuvrc de I'Ecole Francaise". French Red-
Cross. Georges Petit Galleries, Paris, May 1910.
Exhibited at " La Peinture Frangaise aux XIX" el
XX" Siecles", Amsterdam, April-May 1931.

From the collection of Mr. FERDINAND BLUMENTHAL,

Paris.
From the collection of Comte PECCI-BLUNT, Paris.

ILLUSTRATED
 COURBET
GUSTAVE - 1819-1877

La Plage de Deauville, a maree

basse.
Canvas: 15 X 22 inches.
Signed lower left.
Painted 1868.

Exhibited at "La Peinture Fraiifaise aux XIXe

et XX' Siecles", Amsterdam, April-May 1931.
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 DAUBIGNY
CHARLES-FRANCOIS — 1817-1878

. Lever de lune sur les bords de VOise.

Canvas: 15 1/2 X 26 3/8 inches.
Signed lower left.
Dated 1874.

Exhibited at "Exposition Centennale de VArl

Francais", World's Fair, Paris, 1900.

From the collection of Monsieur PAUL GALLIMARD,

Paris.

ILLUSTRATED
 DAUMIER
HONORE — 1 8 0 8 - 1 8 7 9

8. Don Quichotte et Sancho Panca.

Canvas: 25 1/2 X 33 inches.
Signed lower left.

Mentioned in " Honore Daumier. — L ' H o m m e et

VCEuvre" by ARSENE ALEXANDRE (H. Laurens,
Publisher, Paris, 1888), pages 346 and 373).
Mentioned in "Daumier" by E R I C H KLOSSOWSKI
(R. Piper and Co., Publishers, Munich, 1908).
No. 47 of the catalogue.
Reproduced in " The Illustrated London News",
London, 4th June 1927.
Mentioned and reproduced in " Der Maler Daumier"
by EDUARD FUCHS (Albert Langen, Publisher,
Munich, 1930). No. 155 of the catalogue.

Exhibited at " Peintures et Dessins de H. Daumier ",

Paris, 1878 (No. 13 of the catalogue).
Exhibited at " Exposition Cenlennale de VArt Fran-
eais'% Paris, 1889.
Exhibited at " Exposition Daumier ", Ecole des Beaux-
Arts, Paris, May 1901 (No. 15 of the catalogue).

From the collection of Monsieur PAUL BUREAU, Paris.

Lent anonymously.

ILLUSTRATED
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 MILLET
JEAN-FRAN?OIS - 1814-1874

Pdturages dans les montagnes en

Auvergne.
Canvas: 36 1/8 X 26 1/8 inches.
Signed lower left.

From the collection of Mr. DE KUYPER, Amsterdam.

From the collection of Mr. JAMES J. HILL, St. Louis.
From the collection of Mr. and Mrs. ERASMUS LINDLEY,
New York.

ILLUSTRATED
 ROUSSEAU
THEODORE — 1812-1867

Le Pecheur matinal.
Canvas: 53 1/4 X 39 3/8 inches.
Signed lower left.
Painted about 1865.

Mentioned in "Souvenirs sur 77?. Rousseau" by

SENSIER, Paris, 1872.
Exhibited at " Cent Chefs-d'ffiuvre", Georges Petit
Galleries, Paris, 1883.

From the collection of Monsieur COLLOT, Paris.

From the collection of the Due DE MORNY, Paris.
From the collection of Monsieur DE FERROL, Paris.
From the collection of Monsieur GESL, Vienna.
From the collection of Monsieur GAVET, Paris.
From the collection of Monsieur ISAAC PEREIRE, Paris.
From the collection of GEORGE F. BAKER, New York.

ILLUSTRATED
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IMPRESSIONIST SCHOOL
Circa 1 8 6 5 - 1 9 0 0

EDGAR DEGAS

J.-B. JONGKIND

EDOUARD MANET

CLAUDE MONET

CAMILLE PISSARRO

AUGUSTE RENOIR

ALFRED SISLEY
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 DEGAS
EDGAR — 1834-1917

Bateau echoue au bord de la mer.

Pastel: 8 3/4 X 11 7/8 inches.
Signed lower right.
Dated 69.

Exhibited at "Exhibition of Works by Degas",

Glasgow, May 1928.
Exhibited at "Exhibition of Works by Degas",
London, June 1928.

From the Artist's family.

ILLUSTRATED
 JONGKIND
JOHAN-BARTHOLD — 1819-1891

Patineurs sur un canal en Hollande.

Canvas: 9 X 12 1/2 inches.
Signed lower left.
Dated 1887.
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 MANET
EDOUARD — 1832-1883

Arcachon.
Canvas: 9 3/4 X 16 1/2 inches.
Signed lower right.
Painted 1871-72.

Described in "Manet" bv T n . D U R E T (H. Floury,

Publisher, Paris, 1902). No. 136 of the catalogue.
Reproduced in " L'Art Moderne" (Bernheim-Jeune,
Publishers, Paris, 1919). Vol. I, plate 79.
Mentioned in " Manet" by ETIENNE MOREAU-NELATON
(H. Laurens, Publisher, Paris, 1926). Vol. I,
page 129; reproduced page 131, plate 148.
Described in " Manet" by T H . DURET (Bernheim-Jeune,
Publishers, Paris, 1926). No. 136 of the catalogue.

Exhibited at " Ausstellung Edouard Manet", Berlin,

February-March 1928.
Exhibited al "Nineteenth and Twentieth Century
French Paintings", Glasgow, October 1930.
Exhibited at "La Peinture Francaise aux XIX"
et XX* Siectes", Amsterdam, April-May 1931.

From the collection of Monsieur AURELIEN SCHOOL,

Paris.
From the collection of Monsieur TAVERNIER, Paris.
From the collection of Docleur SOUBIES, Paris.

ILLUSTRATED
 MANET
EDOUARD - 1832-1883

La Plage.
Canvas: 15 3/8 X 18 1/2 inches.
Signed lower right.
Painted about 1876.

Mentioned and described in " Manet", bv TH. DURET

(H. Floury, Publisher, Paris). No. 162, page 233.
Reproduced in " Eduard Manet" by J. MEIER-GRAEFE
(Piper and Co., Publishers, Munich, 1912).
No. 135, page 234.
Reproduced in " Manet", by EMIL WALDMANN (Bruno
Cassircr, Publisher, Berlin, 1923), page 61.
Reproduced in " Manet" by ETIENNE MOREAU-NELATON
(H. Laurens, Publisher, Paris, 1926), plate 168.

Exhibited at " Franzosische Malerei des XIXe Jahr-

hunderts", Berlin, January-February 1927.
Exhibited at "A Century of French Painting", Glas-
gow, May 1927.
Exhibited at " Cent Ans de Peinlure Francaise ", Ams-
terdam, April-May 1928.
Exhibited at " La Peinture Francaise aux XIX' et
XXe Siecles,\ Amsterdam, April-May 1931.

From the collection of Monsieur A. PELLERIN, Paris.

From the collection of Frau von MAUTHNER-MARKHOF,
Vienna.
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 MON
CLAUDE — 1840-1927

Le Bassin d'ArgenteuiL
Canvas: 20 7/8 X 28 3/8 inches.
Signed lower left.
Painted 1876.

Reproduced in " I!Art Moderne" (Bernheim-Jeune,

Publishers, Paris, 1919). Plate 90.
Reproduced in colours in " A Givermj chez Claude
Monet" by MARC E L D E R (Bernheim-Jeune,
Publishers, Paris, 1924). Plate 16.

Exhibited at "Exposition Claude Monet", Paris,

January-February 1921.
Exhibited at "Exposition d'CEuvres des XlXe el XX*
Siecles", Paris, June-July 1925.

ILLUSTRATED
 MON
CLAUDE — 1840-1927

16. UEmbarcadere a ArgenteuiL

Canvas: 28 7/8 X 21 1/4 inches.
Signed lower right.
Painted 1868.

From the collection of Monsieur PAUL GALLIMARD,

Paris.
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 PISSARRO
CAMILLE — 1830-1903

LoUVedenneS (effet de neige).

Canvas: 18 1/4 X 21 3/4 inches.

Signed lower right.
Dated 1871.

.-.
 PISSARRO
CAMILLE — 1830-1903

Les bords de VOise aux environs

de CreiL
Canvas: 18 1/8 21 5/8 inches.
SignedI lower left.
Dated 1873.

Exhibited at " La Peinture Frangaise aux XIX"

el XX0 Sirclcs", Amsterdam, April-May 1931.

ILLUSTRATED
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 RENOIR
AUGUSTE — 1841-1920

19. Le Square de la Trinite.

Canvas: 21 X 25 1/2 inches
Signed on Ihc left
Painted about 1879

Exhibition at " A Century of French Painting ", New

York, November-December 1928.

From the collection of Mr. CARROLL C. CARSTAIRS,

New York.

ILLUSTRATED
 SISLEY
ALFRED — 1840-1899

La Route de Louveciennes.
Canvas: 18 1/4 X 24 1/2 inches.
Signed lower right.
Dated 75.

Reproduced in "Buiten", Amsterdam, April 1931.

Exhibited at "La Peinture Frangaise aux XIXC
et XX' Siecles", Amsterdam, April-May 1931.
 SISLEY
ALFRED — 1840-1899

Moret, le bateau-lavoir.
Canvas: 23 5/8 X 28 3/4 inches.
Signed lower left.
Dated 90.
Painted at Moret, April 1890.

Exhibited at "Cenl Ans de Peinture Francaise"

(Georges Petit Galleries, Paris, June 1930).
Exhibited at "La Peinture Francaise aux XIX°
el XX" Siecles", Amsterdam, April-May 1931.

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POS T- IMPRESSIONIS TS
Circa 18 8 0 - 1 9 0 5

PAUL CEZANNE

PAUL GAUGUIN

GEORGES SEURAT

VINCENT van GOGH

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 CEZANNE
PAUL — 1839-1906

22. La Route tournante.

Canvas: 19 X 23 1/4 inches.
Signed lower left.
Painted 1878-80.
(Antwerp Period.)

Reproduced in "Cezanne" album (Bernheim-Jeune,

Publishers, Paris, 1914). Plate XXXVIII.
Reproduced in "L'Arl Moderne" (Bernheim-Jeune,
Publishers, Paris, 1919). Vol. I, plate 21.
Reproduced in " Souvenirs sur Paul Cezanne" by
EMILE BERNARD (Michel, Publisher, Paris, 1925),
page 153.

From the collection of Monsieur BOURDIN, Paris.

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 CEZANNE
PAUL — 1839-1906

Le JaS de Bouffatl (Aix-en-Provence).

Canvas: 25 1/2 X 32 inches.
Painted 1884-85.

Reproduced in " Cezanne " (Bernheim - Jeune, Pub-

lishers, Paris, 1914). No. 55 of the catalogue.
Reproduced in " L'Art Moderne" (Bernheim-Jeune,
Publishers, Paris, 1919). Vol. I, plate 36.

From the collection of Baron DENYS COCHIN, Paris.

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 CEZANNE
PAUL — 1839-1906

Les Terres-Rouges (Environs d'Aix).

Canvas: 31 7/8 X 39 3/8 inches.
Painted about 1889.

Mentioned and reproduced in color in " Histoire des

Peintres Impressionnistes " by THEODORE DURET
(H. Floury, Publisher, Paris, 1906), page 180.
Mentioned in " Le Maitre Paul Cezanne " by GEORGES
RIVIERE (H. Floury, Publisher, Paris, 1923),
page 211.
Reproduced in " Cezanne " by JOACHIM GASQUET (Bruno
Cassirer, Publisher, Berlin, 1930). Plate 32.

Exhibited at the "Secession", Berlin, 1926.

Exhibited at " 4 Century of French Painting",
Glasgow, 1927.
Exhibited at "Cent Ans de Peinture Francaise",
Amsterdam, 1928.

From the collection of Herr WOLDE, Bremen.

From the collection of Monsieur ETIENNE BIGNOU,
Paris.
F r o m the collection of H e r r FRANCESCO VON
MENDELSHON, Berlin.
F r o m the collection of Dr. M E T T L E R , St. Gall
(Switzerland).
ILLUSTRATED
 GAUGUIN
PAUL — 1848-1903

Tahiti
Canvas: 28 3/4 X 36 1/4 inches.
Signed lower right.
Painted about 1893.

Reproduced in color in "Paul Gauguin" by ARSENE

ALEXANDRE (Bernheim-Jeune, Publishers, Paris,
1930), page 161.

Exhibited at the " Colonial Exhibition ", World's Fair,

Paris, 1931.

From the collection of Monsieur DEVILLEZ, Mons,

(Belgium).

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 VAN GOGH
VINCENT — 18531890

Aries, soleil couchant.

Canvas: 28 X 37 3/8 inches.
Painted August 1888.

Reproduced in 'Van Gogh" by THEODORE DURET

(plate XXVII).
Reproduced in " Lettres a Emile Bernard et Paul
Gauguin ", page 72. Mentioned pages 12G and
132."
Mentioned in " Lettres a son frere ". Vol. Ill, page 125.
Reproduced in " L'Art Moderne" (Bcrnheim-Jeunc,
Publishers, Paris, 1919). Plate 60.
Described and reproduced in " L'CEuvre de Vincent
Van Gogh" by J.-13. DE LA FAILLE (G. van Oesl,
Publisher, Paris and Brussels, 1928). Vol. I,
No. 437.—Vol. II, plate CXX.
Reproduced in " Vincent Van Gogh " by KURT PITSTER
(G. Kiepenheuer, Publis., Berlin, 1929). Plate 19.

Exhibited at " Exposition Retrospective Vincent Van

Gogh ", Paris, June-July 1922.
Exhibited at " Exposition d'CEuvres de Vincent Van
Gogh ", Paris, 1928-29.

From the collection of Monsieur ACKERMANN, Paris.

ILLUSTRATED
 SEURAT
GEORGES — 1859-1893

Le Phare d'Honfleur.
Canvas: 26 X 32 inches.
Signed lower left.
Painted 1890.

Reproduced in " Seurat " by LUCIE COUSTUMER (G. Cres

and Co., Publishers, Paris, 1921), plate 19.
Mentioned in "Seurat" by GUSTAVE COQUIOT (Albin
Michel, Publisher, Paris, 1924), page 221, and
reproduced page 241.
Reproduced in " Seurat " by LUCIE COUSTURIER (G. Cres
and Co., Publishers, Paris, 1926), plate 23.

Exhibited at " Exposition Georges Seurat", Paris,

December 1908-January 1909.
Exhibited at " T h e Grafton Gallery", London, 1910.
Exhibited at " Exhibition of French Art", Berlin, 1912.
Exhibited at the " Museum of Modern Art", New
York, 1929.

From the collection of Mr. TH. VAN RYSSENLBERGHE,

Brussels.
From the collection of Monsieur EMILE VERHAERENS,
Paris.
From the collection of Heir GOETZ, Berlin.

ILLUSTRATED
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MODERN SCHOOL
Circa 1900-1931

PIERRE BONNARD

GEORGES BRAQUE

ANDRE DERAIN

CHARLES DUFRESNE

RAOUL DUFY

JEAN LURCAT

HENRI-MATISSE

PABLO PICASSO

HENRI ROUSSEAU

DUNOYER de SEGONZAC

MAURICE UTRILLO

EDOUARD VUILLARD
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 BONNARD
PIERRE — BORN IN 1867

28. Les Palmiers au Cannet.

Canvas: 1G 3/4 X 24 inches.
Signed lower right.
Painted 1921.

Exhibited at the " Carnegie Institute ", Pittsburg, 1927.

7
 BRAQUE
GEORGES - BORN IN 1881

Dieppe, barques echouees.

Canvas: 9 1/2 X 16 1/4 inches.
Signed lower left.
Painted 1928.
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 DERAIN
AND1E - BORN IN 1880

3o. Paysage de Provence (Sanary).

Canvas: 13 X 16 1/4 inches.
Signed lower right.
Painted 1927.

Exhibited at " Works by Derain ", Knoedler Galleries,

New York, April* 1930.

ILLUSTRATED
 DUFRESNE
CHARLES — BORN IN 1876

J/. Vile enchantee.

13 X 19 3/4 inches.
Signed lower right.
Painted 1925.
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 DUFY
RAOUL - BORN IN 1877

. Deauville, le retour des regates.

Canvas: 16 X 21 3/4 inches.
Signed lower center.
Dated 1930.

Exhibited at " Exposition Raoul Dufy", Brussels,

May 1931.
Exhibited at " Recent Works by Raoul Dufy ", Zurich
Museum, June 1931.

ILLUSTRATED
 LURQAT
JEAN — BORN IN 1892

33. Marine
Gouache : 1 1/2 X 19 inches.
Signed on the left.
Dated 31.
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 HENRI-MATISSE
BORN IN 1869

Le Vivier.
Canvas: 18 3/4 X 22 inches.
Signed lower left.
Painted about 192IJ.

Exhibited at " T h e Carnegie Institute", Pittsburg.

From the collection of Monsieur JOSSE BERNHEIM-JEUNE,

Paris.

ILLUSTRATED
 PICASSO
PABLO — BORN IN 1881

35. La Sortie du village.

Pastel: 19 X 25 1/2 inches.
Signed upper right.
Painted about 1928.

ILLUSTRATED
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 HENRI ROUSSEAU
CALLED "LE DOUANIER" — 1844-1910

36. Pastorale.
Canvas: 16 1/2 X 22 inches.
Signed lower right.
Painted about 1906.

Reproduced in " Kunst und Kunstler", Berlin, April

1931.
From the collection of Monsieur ETIENNE BIGNOU, Paris.

ILLUSTRATED

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 DE SEGONZAC
ANDR£ DUNOYER — BORN IN 1884

3y. Le Printemps.
Canvas: 32 X 39 1/2 inches.
Signed lower left.
Painted 1927.

From the collection of Mr. FRANK CROWNINSHIELD,

New York.
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 UTRILLO
MAURICE — BORN IN 1883

38. LHdtel du Tertre.

Cardboard: 21 1/4 X 28 1/4 inches.
Signed lower left.
Painted 1912.

Exhibited at "Retrospective exhibition of works by

Maurice Utrillo", Barbazanges Gallery, Paris,
March 1925.
Exhibited at " Important Pictures by Maurice Utrillo ",
Glasgow, October 1925.

From the collection of Monsieur LIBAUDE, Paris.

ILLUSTRATED
 VUILLARD
EDOUARD — BORN IN 1868

Sous bois.
Canvas: 16 1/2 X 21 inches.
Signed upper lefl.
Painted 1927.

Exhibited at "Panama Pacific International

Exhibition", San Francisco.

ILLUSTRATED
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