MiLo OF CROTON understanding, and jadgmeat about his diinishing plyial powers wa al fling. One can thus fea Frinabity wooo tht alerecondigon war ing to aging rer in imerpreting te anguish nd despsir of te lonely ying eo, Poet hase M's expeson cathe He tenntieLaveon group. This Casal scale pros Copied at hans and was th ester of much ds fasion thoughout (7th and 18-ceatury Europe get's eo expresses hie paycololel Sta. with ‘she eke ack in agony sd es cleneed with pain, fly wsalong bis light I unclear bow the ‘ular amet this nel an challenging Sabet. Bihough he may have seen Pordenose's punting of Milo Atacked by Lins (oo 1530-35) we in Roe Povdenone replated the woes, which mest Chia tres dene a devouring io, with noble ons. Few carer versions ofthe eres either piting oF Sculture istha Puget cold have weds modes bn Aten time twas placed Verses, te seule berate fillet exreson of the Barges in rane, mutes, muiaceted, and technically blanca thea cxpession of serng death {hl desiny. The tension and ovement ofthe pose. the conappot (anata pose ith the weight ‘one lg, he shouler abd ps couferbaancing one Shodher of the figs and he vanity of viewps ftom whic the ative can bo fea feveal a deep Understanding of Hatin high Baroque sclise. A Ate ane of xares, fore Pup selected die meszed gouges, piste, cece, ad ass, ees the props petral effce Despite some epied treats undue effets of ory of wes t Ver lest contasting texts of wiped Yes {ing bones rape, at ing mane and ough air ‘ean sha and eietve ces Became fe French eference work sealer eahing for seh sears fo the fall ing two cents: Fangs Roe ani eer sclpers ted th Mon alegre sa istres for prand de tate hemes for palace and pic talings 10 fepresent he ete achievenet of Face ne a {Genrton fare athe French Academy eh Ig Antone Lous Bare, Pal Cézanne, and Aled Martin studied Popes wexk trough the original hugh cass Numeous ying scl he 18 Sn 19th cena icdng Ed Dros, Joa Hdlach Von Danaher, Loui Despre ad most famosly, Etienne Maurice Falcone, cexamiod the theme, Paters soc at ibe Rober fest he Satin heir wks ar arse symbol of te pas tenes of France, whe ethers perptunte Papel ‘Hmph troghost te 18 cent in depictions of thesue'sumveting xt Verailes. Sal onze re {Ss polierie. and European academies boat gh (gat caste ofthe ilo for say Eve ase burgh Calegeof Ar capita plaster caso Mio tam eletpar of human sTecing Th Parnicia Cosme Further Reading tn Psa puLerr Appts aise patfomo ester sd order ing homies or aking oer religious tansmissinsin the Weston church. Most puis were locate in the mave of he core othe southern Shc ofthe ata. tltough petons inthe cot wee leo common Some pulps were atachod tothe chores exter, ccs tough sein the shure wal Ib Tay the ten pip also refers toa pe of amb (2 ‘aise svc we for psp and eps readings) ‘veloped by the 12h centr. whic consis of ‘ket support by eolras and accessed hy a ingle “Fay, we ual light ppt from the ano itarciectaral forma wll sy it i function (delivering the emo. Plpts possess fectanulr polygon cel ease eosin {le column or group of earns Te enced by 4 Single step et isi. Altermvly the casket aaa wal, choi screen, or laste. The ‘Sine sen cy decorated with rele sulpre ied anatives, sone fs. sche oa tet In aly ppt wee wealy made of mabe in etm Europe they were moe frsoeny made of ‘ton, especialy se the Reformation, Common ib- Trl theme inlade scenes from Genes the fancy ‘of Crist and Chis’ Pasion. The naraives stn coined with symbol slements sachs te et aor (our winged animal envisioned by Ezechiel Ed interpsted symbol forthe for evangelist) the Seven liberal ats the doctors ofthe Remon Catholic {Chore or pacn eerences to the chars dds rom the pola of view of culpa decoration. he rmost spectacular ppt were te pulpit ambos po ‘ceil ring the 12th hough the Sth cent ris The 12hcenry pls at survive are sare ‘erectanglar in form, resting ou (oor) ea nm aro earns an he ei screen Tn ts ‘ofthe quanity of seulparl decoration and iteacy St icongrapy. the 12h centr maybe consider tratesonal,foming bridge tween the simpler tio nthe complete mative potas oman inthe 13h cen vail why th Kalan pulptambo tok om his piu htc frm not Know, abough ‘proily connected to anges up practic. ‘Oncatikng feature that istngishes even te earest tttce plane fom tr mis eesere the dimiished Importance ofthe saiese. A prom ct etre fhe aso, th pulp tiene compar {ively sale, secerin gad and often partly Copley hidden tom view, Thik suggests tha he ‘ial slimbing an desc ofthe sense —s0 impor {ao ia cay Chron and Byrne ure pre tie nat no longer vale othe same degre. Par tdxically. 4 posable source of ispration Tor the allan pulpit form exists Byzantine ambos, Puterr whose platforms sometimes stand ons ferns, ‘Sint cree of Hala Sis, Conssniope nd St Aplinre Nuovo, Ravenna A-aae humble Source ee hs ind fred trace may ave een the pole wonden cases set on stnes wed for fresthing by the mendiant nde (Demis and Franciscan) hove nue and prominence It (ened over te ath and sth cee Ts proily not coincident atone te cariest ‘Sty exis inthe Church ef St Abo, Mis ‘Orth arty church ater St Ambrose of Mian was fone of the few who was known for eccasinally preaching from the uo (he ears Css church [i oe req sro pat of i ez). Paced fn the och sie of he nve thi puitombines the Fite functions ofboth te gospel nd the eile tos (adie eas ambos). The etangul a eticeson 12 columos ad possesses sepa iis tn ts nivols anc the decorative band between the archivos andthe csket. These ries depict an I and oie mois and rovehing gs who sem to spat te csket on thir shoulders The cary tat Soto in he igual supp for he eters 1395PoLerr an ease symbolizing St.John stains the Book rest nd St Mathew’ symbol tins St.John, This moat trtsramorpve symbols supporting te east, eter, tr ons came stand fea of on ppt ionnpapy tough he 14h centr. Tis mou as Tinga them fom eat, less decorate a Petpet olden itt pulpitambos are done at the Church of San Minato sl Mone, Hoeace (cu 100) the Church of Stn Gio, Lag dO (ctl {bth centry, and inthe Sera Catal (ca. 1180, ‘The Sun Minato puts a square box supper by ‘vo clumps andthe cha scren. It pssetses an © onal Cling votive veraelary vei of {ural desorton except forthe lesen, whi Su fred by teramorptic figures, Te les Classiczng San Guo pulpit Includes. tetrameric symbols ftong thes tim fr rod ss ask ad hee icc: one supped by an ape). Another smiar ‘overload i the coasted palpi ofthe Prone San Gennaro in Capo (Lace) executed in 1162-63 bya alone of Gugiemo. ‘The Salero Cah pssstes two roughly con terporancouscosmat color mos ils of stone Sloe gs) plano, pe on each sie of the hit seen, Phe slr ofthe tea, commissioned ty the Arhbihop Remon i Gora, stands tothe Tet ofthe altar I ete on a archirve supported by four columns, The ahivls are decorated by Tike ‘cies of prophesy evangeist symbols seulped Invelt agus coomer background. Parl lat mle ius who appear sapoe the casket on thet Upsied hands osepy the comers. The ager pu emission ty Mateo Aj, stands on 12 co “sad posses wo eters sppared by igual Slpue- One lect, held op by two deaco tl nom aces he a he ter, supported by tetanor sfc faces te sonal a ofthe church The ‘cto pulptisalsoaconponied by apa eanles eh sugening hat was se forthe pope ratings The syle ofthe sculperal potions ad elaborate coumaresgue decoraon of hse pulpitambo in Si. Tero es een sonore to the closer selpues of Monae, Sey ano ae souhe Hain puis, now moby those ofthe Church of 8, Given de ‘Tor, Ravello an th casa of Teao, Ses Ar yon and Arai. The. Amalfi Cathedral poses noe of two pes (lsmaned, bu known ro 38 lryisvcemuy deserpston). Ove, commissioned Fo AvehnhopDiorsi a 1178, wa artery ‘Utero te Salemo Gara ppt and iol & pesca candlestick, The other was 4 taditonal dow Biestaed abo. tn the TN entry te abo was ted forthe ep reating, sages that Dionisio butch pulpit to pose amore ignited gospel (and paps esc) plore he 12th cea pred the fist pit with an clabrate naive progam exceed in mabe Tet Cuglcno’s put forthe Psa Cathar. com pleted 1162 Replacedby Cievan\ Psanospulitin F510, Gulienespelpit was sent the Caglian Cake dal where in 1670 vas dvi in two ambos. ‘gio stad unde an arcen he ghd side of there twa sapped by east our marble co ta esting on on and ober ighting animals com ‘ed with an niente narber of sil clam. “The cant wan rectangular ae incl eit histor tied ctonpaiedbynaativerepresenions marble Slabs mont vided nt two mative lds Many of Themaravsere raw rom Carts Pasion atbough the Aanunciaton, Natty, Adoration, Bapism, A son the Wrath of Herod bd the Masscr ofthe Tocens ar ao represents In aon two scalp {ural gous teramorph andre apotes hsp ported a bitin ten: Unfonately, is ar kaown ow al of these parts rginaly it opeter. Elaborate ‘Slt popransinvaving sme ofthe same icone Top tay be fond in two le 2t-entury Psoan Platte parsers San Michele. Gropol, Stn Giovan Evangelista, Montcucel ‘Sil pobens of ein configuation as or ‘Guido da Comes oa sid ppt executed fete ‘Church Stn Batolmeo in ant, sti (1250, Ihws bee dat and recone sever times bucalmost cri cloey flowed Gughenn's is Pulpit Posessing columns supped by tons and Fran figures, two lester (one spore yi Tamora the ether by tee aposes) the casket Ince, New Testament nanaives depicting the i fancy of Chit and Ch’ avis fer te Rest: ‘ecto (though fe atv res nay have come from two dies pulp), The star pulpit at he (Collin i San Csr, Bara, hs aso Been tbe Guie's had "Te sits pulps by Guido da Como nd Gus temo were important sspiatonal sources fo Neola uaa’ even more elaborate sealed pli forthe Baplstry of Piss excoted 1260, Nicola Pisano’ taper) pl wis a freesteding hexagon sate wih five momusetl marae eles he sh side {Gpenedtothe stone) Altbwagh pulpit wth Pulygonal form (olimately deriving fom easier Finds hadbecncxpenmentd witha el athe ist Tal the Ith arty in Tony Creed San Go ‘ani Batt, Borgo San Lorenzo; Peve oi Sant "Ret, Sept an were easonaby sede ‘Venetian teitoes by the mid 3h century (San Marcos Venice; San Dosa, Spl San Loren, “Tp Pisano wasthfistodesgnoesaiestan inp tlitectrl eae aed with aati soe iststrebetcombines the Naity witb Annan