John Patitucci 1-60 Melodic Etudes , for Acoustic and Electric Bass | CARL FISCHEReJ Bro2 ohn Patitucci O Melodic Etudes for Acoustic and Electric Bass I would like to thank God, my wife Sachi, and my daughters-Gracie and Bella, and all che other members of my family especially my brother Thomas, my Mom and Dad, and sisters. Thanks are also due to Chris Poehler, David Baker and all of the other teachers I have had in my musical journey to this point (whose names could take up as many pages as this book). Thanks also to the many musicians I have worked with who have inspired me and taught me (another very long list) and to Sandy Feldstein and John Castellano for urging me to write this book. Special Thanks to Mindy Sax, for the preliminary music copying. Finally, thanks also to all the folks at Carl Fischer for the fine work and support, especially Alex Teploff. Cover photo by Bill Byesura. CARL FISCHERe 65 Bleecker Steel, New York, NY 10012 'SBN 0-2258-5‘ohn Patitucci Biography Foreword... Part I: 60 Noted Brudes C Major Scale F Major Scale Bb Majot Scale... Eb Major Scale. ‘Ab Major Scale. Db Major Scale Gb Major Scale.... B Major Scale.. E Major Scale. A Major Scale .. D Major Scale.. G Major Scale.. C Aeolian Scale (Ballad) (Cm7)... F Dorian Scale (Ballad) (Fm7, Db Aeolian Scale (Bbm7) Eb Dorian Seale (Ebm7)... G# Phrygian Scale (Gim7) C# Phrygian Scale (C#m7) F# Phrygian Scale (F#m7) B Phrygian Scale (Bm7).. E Dorian Scale (Em7). ‘A Aeolian Scale (Am7) .-.- D Dorian Scale (Dm7).... G Phrygian Scale (Gm7). C Lydian Scale (Cmaj7#11) .... F Lydian Scale (Fmaj7#11) Bb Lydian Scale (Bbmaj7#11) .. Eb Lydian Scale (Ebmaj7#11) Ab Lydian Scale (Abmaj7#11).. Db Lydian Scale (Dbmaj7#11) Gb Lydian Seale (Gbmaj7#11) B Lydian Scale (Bmaj7#11).... E Lydian Scale (Emaj7#11). A Lydian Scale (Amaj7#11). D Lydian Scale (Dmaj7#11) G Lydian Scale (Gmaj7#11)... C Mixolydian Scale (C7)... F Mixolydian Scale (F7) Bb Mixolydian Scale (Bb7)... Eb Mixolydian Scale (Eb7) ‘Ab Mixolydian Scale (Ab7). Db Mixolydian Scale (D>7) Gb Mixolydian Scale (Gb7) B Mixolydian Scale (B7) E Mixolydian Scale (E7).. ‘A Mixolydian Scale (A7) D Mixolydian Scale (D7)... G Mixolydian Scale (G7) C Locrian Scale (Cm75). ‘Ab Melodic-minor Scale (Fm7b5). Db Melodic-minor Scale (Bbm7>S) Gb Melodic-minor Scale (Ebm7bS). Gé# Locrian Scale (Gtm7b5). CE Locrian Scale (C#m7>5) F# Locrian Scale (F#m7b5). B Locrian Scale (Bm7bS) G Melodie-minor Scale (Em745). C Melodic-minor Scale (Am7»5).. F Melodic-minor Scale (Dm7b5) G Locrian Scale (Gm7>S)Part II: 60 Melodic Scales C Major Scale F Major Scale... Bb Major Scale. Eb Major Scale. Ab Major Scale... Db Major Scale Gb Major Scale... B Major Scale..... E Major Scale .. A Major Scale... D Major Scale. G Major Scale... C Aeolian Scale (Ballad) (Cm7).. F Dorian Scale (Ballad) (Fm7)..... Db Aeolian Scale (Bbm7) Eb Dorian Scale (Ebm7) G# Phrygian Scale (G#m7) C# Phrygian Scale (C#m7) F# Phrygian Scale (F#m7)... B Phrygian Scale (Bm7) E Dorian Scale (Em7).... A Acolian Scale (Am7) D Dorian Scale (Dm7)... G Phrygian Scale (Gm7) C Lydian Scale (Cmaj7#11).... F Lydian Scale (Fmaj7#11)..... Bb Lydian Scale (Bbmaj7#11)......... Eb Lydian Scale (Ebmaj7#11)...... Ab Lydian Scale (Abmaj7#11) Db Lydian Scale (Dbmaj7#11). Bree Gb Lydian Scale (Gbmaj7#11).... 99 B Lydian Scale (Bmaj7#11)... 100 E Lydian Scale (Emaj7#11)... 101 A Lydian Scale (Amaj7#11) .. 102 D Lydian Scale (Dmaj7#11) 103 G Lydian Scale (Gmaj7#11) 04 C Mixolydian Scale (C7) 105 F Mixolydian Scale (E7). 106 Bb Mixolydian Scale (Bb7) Eb Mixolydian Scale (Eb7). Ab Mixolydian Scale (Ab7) nese 109 Db Mixolydian Scale (Db7) 110 Gb Mixolydian Scale (Gb7).. odd B Mixolydian Scale (B7) 112 E Mixolydian Scale (E7) 13 A Mixolydian Scale (A7) 14 D Mixolydian Scale (D7). 11S G Mixolydian Scale (G7) 116 C Locrian Scale (Cm7b5) 7 Ab Melodic-minor Scale (Fm7b5) eee Db Melodic-minor Scale (Bbm7b5) .. 119 Gb Melodic-minor Scale (Ebm7bS) 120 G# Locrian Scale (G#m7b5) aah C# Locrian Scale (C#m7b5) swd22 FF Locrian Scale (F#m7b5)... es 123 B Locrian Scale (Bm7bS). cea G Melodic-minor Scale (EM7S)....mnnnnnnned 25 C Melodic-minor Scale (Am7b5) 126 F Melodic-minor Scale (Dm7b5).. 127 G Locrian Scale (Gm7}5).... 128John Patitucci Biography John Patitucci has been at the forefront of the jazz world for the last twenty years and active in all styles of music, He is a two-time Grammy award winner and has been nominated eleven times. He has won many magazine polls and awards as a double bassist and bass guitarist, most recently as a member of the Wayne Shorter Quartet which won the 2003 Downbeat critics’ poll for Best Acoustic Jazz Group and Best Jazz Recoding for Footprints - Live! He has performed and/or recorded with jazz giants such as Dizzy Gillespie, Wayne Shorter, Herbie Hancock, Chick Corea, Stan Getz, Freddie Hubbard, Roy Haynes, Wynton Marsalis, Michael Brecker, John Scofield, Joe Lovano, Kenny Garrett, Victor Feldman and countless others, John has been active as a composer with eleven solo recordings of his own. He has also been commissioned to write for various chamber music groups, most recently the New York-based string quarter Elements. John was nominated for a Grammy in 2003 for Best Instrumental Arrangement Accompanying a Vocal for his arrangement of In the Bleak Midwinter from his CD Song, Stories and Spirituals, He was nominated for a Grammy in 2002 for Best Instrumental Composition for a piece entitled Communion that featured Branford Marsalis, Brad Mehldau and violist Lawrence Dutton of the Emerson String Quartet, Mr. Paticucci has been involved in education for many years, writing books, making instructional videos and giving master classes around the world. He was formerly the Artistic Director of The Bass Collective, a specialized school in New York, In 2002, he began teaching at The City College of New York (CUNY) and was named Associate Professor of Music there in 2003.ere Foreword This book is designed for acoustic bassists, electric bassists and cellists who want to: + Improve their knowledge of the fingerboard. + Practice interpreting and phrasing melodies. + Improve their intonation and time + Learn to play with more flexible time by practicing rubato passages. + Strengthen their ears to hear the five basic chord sounds within the diatonic major scale: major, minor 7, dominant 7, minor 755 and major 7411. + Learn to hear and use various diatonic modes and scales against these five basic chords: Major, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, and Locrian, + Gain valuable experience on the use of the melodic-minor scale over the minor-seventh bS chord. ‘As far as I know, this is the first book to have a separate melodic etude for each of these five chord sounds in all twelve keys. I also left room on a few occasions for you to try your hand at improvising for a few measures within an etude. The ecudes have tempo markings, but should be practiced at different tempos and even rubato (i.e., elastic and flexible time with room for speeding up and slowing down to enhance the freedom of the artist’s expression). These etudes also help the bassist and cellist tackle the common technical problems chat all must deal with, such as shifting on one string, string crossing and alternating righthand plucking and bowing. For acoustic bassists and cellists, every etude can be played pizzicato and/or arco. I deliberately shied away from providing fingerings and bowings because I would rather you explore many alternatives for each passage. In Part II of the book (pp. 69-128), I have included a complete fingering chart for both acoustic and electric bass for all the scales. The scale examples are given in two ways: 1) Starting on the root note and 2) starting on the lowest note available on the fingerboard. The second example is provided to foster a more comprehensive knowledge of the instrument. If you have a teacher—which I feel is extremely important—s/he may want to write down ideas for you as well. Also, as you vary the tempo of each etude, you may have to alter fingerings and bowings. In closing, I sincerely hope and believe that this book will help you grow as a musician and be a useful tool for many years to come. —John PatitueciPart I: 60 Melodic EtudesC Major Scale D.C. al Fine reeF Major Scale — D.C. al Fine a9 Bb Major Scale10 Eb Major Scale 1=132 eeeAb Major Scale erzeDb Major Scale reeGb Major Scale Lento rubato J = 54 oe ke * a a .C. al Cod: é D.C. al CodaB Major Scale : D.C. al FineE Major Scale Rubato To Coda sub. p so Ad libitum opt. D.C. al Coda 25 : ‘ed . -@- Coda rit.A Major Scale 24 D.C. al Fine Fee7 D Major Scale To Coda- : To Goda. BreeG Major Scale poco rit. eeeC Aeolian Scale (Ballad) (cm?) D.C. al Coda B2220 F Dorian Scale (Ballad) (Fm7) 22 zg D.C al Fine Bre24 Db Aeolian Scale (Bbm7) 2 : D.C. al Fine 2 i 3 ‘optional repeat at m. 13 zeEb Dorian Scale Ebm7, /=162 ood D.C. al Fine Bree23 G# Phrygian Scale (Gm7) a D.C. al Fine BFC# Phrygian Scale (Cém7) To Coda . ee fee Ld 3 II. apa cS crese. sub. p 29 D.C. al Coda 3 A Q Coda ereF# Phrygian Scale (F#m7) epoca d=77 ote Fee26 B Phrygian Scale ( Bm7) J=118 = To Coda a eee] D.C. al Coda o Codaa E Dorian Scale (Em7) To Codady- D.C. al Coda BreA Aeolian Scale (Am7) To Coda a of D.C. al Coda -@ Coda ree29 D Dorian Scale (Dm7) 2=101 D.C. al Fine BragG Phrygian Scale (Gm7) 2=128 56 D.C. al Coda -Q- Coda 3C Lydian Scale (Cmaj7#11) D.C. al Coda oda «so Vamp ou breeF Lydian Scale (Fmaj7#11) 15 To Coda 4) 8 DS. al Coda @ Coda reeBb Lydian Scale (Bbmaj7#11) /=132 9 To Coda.¢- 4 D.C. al Coda - CodaEb Lydian Scale (Ebmaj7#11) eee38 Ab Lydian Scale (Abmaj7#11) 2=112 D.C. al Fine (no repeats) a 29 fee FgDb Lydian Scale (Dbmaj7#i1) Is To Coda 38 D.C. al Coda @ CodaGb Lydian Scale (Gbmaj7#11) Fine a 37 D.C. al Fine popes eee eee eee OM38 B Lydian Scale (Bmaj7#11) d=124 D.C. al Fine ree39 E Lydian Scale (Emaj7#11) oe To Coda.g. 40 D.C. al Coda © Coda40 A Lydian Scale (Amaj7#11) n £2 32 Amaj7#11 (Improvise on A Lydian) 39 $3 35 3 6 Amaj7#1 Improvise on A Lydian) 2 = 9 oo — ? D.C. al Fine Brze4 D Lydian Scale (Dmaj7#11) To Coda-- — = rit ‘molto rubato D.C. al Coda a 31 2 poco ritardando --~G Lydian Scale (Gmaj7#11) -= 100 £ => DSS. al Fine 2C Mixolydian Scale J= 162-200 2 D.C. al Coda BreeF Mixolydian Scale (F7) J=142Bb Mixolydian Scale (Bb7) J=141-170 B22 -Eb Mixolydian Scale Slowly J = 81 (7) -3 ae r3a apa eiaei447 Ab Mixolydian Scale (Ab7) Medium J = 11648. Db Mixolydian Scale (Db7) Slowly and freely |= 96 2 £ 30 D.C, al Coda -@ Coda eree49 Gb Mixolydian Scale (Gb7) 1=156 rae50 B Mixolydian Scale (B7) Slowly J = 67 Ansa 3 29 : opt. D.C. al Fine BreeE Mixolydian Scale (E7) 2=200 5 To Codag Second time 23 D.C. al CodaA Mixolydian Scale (a7) 37 D.C. al Fine53 D Mixolydian Scale (D7) J=160 ¢G Mixolydian Scale (G7) 2 = 170-200 D.C. al Fine the ree55 C Locrian Scale (cm7bs) 32 optional D.C. al Fine 3 a a molto rubato56 Ab Melodic-minor Scale (Fm7b5) D.C. al Fine Lex 34 be. ees 33 es SF ree37 Db Melodic-minor Scale (Bbm7b5) 1=106Gb Melodic-minor Scale (Ebm7b5) D.C. al Fine eree59 G# Locrian Scale (Gtm7bs) J=64 D.C. al Fine a sree60 C# Locrian Scale (C#m7>s) 2 oem D.C. al Fine (optional repeat at m. 17) eve61 F# Locrian Scale (Fim7b5) J=142 sub. p 38 DS. al Fine (no repeats on D.S.) wee62 B Locrian Scale (Bm7bS) 1 25 To Coda 2 D.S. al Coda -Q- Coda63 G Melodic-minor Scale (Em7b5) Rubato lento — poco accel. -~ d=u4 lento accel. Second time, B 7 Coda Dicvalcoe OCs ae =C Melodic-minor Scale (Am7b5) To Codad- D.C. al Coda eee65 F Melodic-minor Scale (Dm7}s) ~o—-—G Locrian Scale (Gm7bs) ca 9 — Gm7>5 (improvise on G Locrian) 32 Rubato ad libitum 39 4 es D.C. al Fine oe Ete +, : oO = j f =e = = el 4 vit.Part II: 60 Melodic ScalesCo C Major Scale [Acoustic Bass Cire ee i 1 WL m im 0 1 u mi 2323 aaa te Acoustic Bass| 24134 Theasita Flay 02 2t £ ig eo iG o1407 v— m— ut. 1 ir m— w. [Electric Bass 2 41 oso! v— m 0 I IL m W. ere70 F Major Scale 13 ae (Acoustic Bass| 14014024 02 14 41 : o20420 41041 Ws 1 1 1 ms Iv. 4 Leeshi2 r4i2aisa ig oT 0. 1 1— © Wv. 3 31313 ‘Acoustic Bass Ai2327t 02 oO. o140 1s 40 4 ula? 420 KR m— wt L 1 m— wt 4 Electric Bass] alee o141 24 413 wv. ™ it 1 u— Iv.n Bb Major Scale [Acoustic Bass| aot 1—_ Mm mo a m. vo vo w oe = oo pan 140} gor (Acoustic Bass| Electric Bass, | | Vv.4.0 ray [Electric Bass] dpeaaiel in IL 1 (Acoustic Bass teres 4014 v— uw a4) Vv— mI Bree 2424 Eb Major Scale oe IL 4 1 a 4 1 24 2 bao, 1 0. log, m ma IL 4 Vv. W. 3 1Ab Major Scale aa ‘ 2 4tzemisol 4 Wa} u— ma iv [Electric Bass oa ela 2 ee Vv IL oa (Acoustic Bass te ee 12412414 34 Loais vm 1 m1 Vv. : ieee [Electric Bass 14241224 4 2 ro 2142 2 1422 —— 1 mo74 Db Major Scale — 3 Acoustic Bass Ar 4izal 4214 ciate I 0. m 4 Lae 2 pogeqege2 dae mi 1 0. ms 12412412 I. m— tv. Electric Bass| 13434 12444241 W— uL IL I 1 m W,15 Gs Major Scale ees (Acoustic Bass| 4124 S2iaiy r4i2ai2z4 Ihe 4214 Laon We ms pm 3 Electric Bass 1 414, is 34 al pee le Ae 1 IL i I 1— W. ree16 B Major Scale MD Reader 1 UL. ms 2432 [Acoustic Bass fea eta 12 gud a tha O14) 2h 28 42 14214 21410 WV m— 1 1 1— ln Iv.n E Major Scale Fz8 A Major Scale 3 itt ite OS aes af [Electric Bass] 2412 Vv 0. UT Ww 1 ezis221 42410 Brz2D Major Scale 1 T _ [Acoustic Bass a or1solss [Acoustic Bass] 1401 solszabe 0240 iV m— 1— 1 1— m— Ww. 4 [Electric Bass| 24135314 21 24) 42 12246 paz? 14241021 0 iv mn. I I 0 uw Vv. ree80 G Major Scale [Acoustic Bass| 40240140 2 42 [Electric Bass ed pase ised ae! a No TT 1 1—_ m—_ w. Cita ee | 401 iad Ld 02402 20420 NV m— w I u—. Vv. eee 4 2 ei21422 14210 eee81 C Aeolian Scale (Ballad) (cm7) vo ose LE 1 mW. Electric Bass] cota 34 deasleseiegra ay Wv i w L u— m1 Vv82 F Dorian Scale (Ballad) (Em7) 3 2 gh3da2 [Acoustic Bass] raat a 41 12414014 olf 4loato 41424 mtv. [Electric Bass| 134 %ai24 vV— u— 1 1—_ i w— ree83 Db Aeolian Scale (Bm?) (Acoustic Bass rat 4 124toai2 414g [Electric Bi eae 1 12413414 ree84 Eb Dorian Scale (m7) [Electric Bass| a | peegr iin 1 1 IL M1 (Acoustic Bass Mar Re ec UPd Elect Bass] : a1 343143 . 124135413 v— m 0. 1 0. im. WV.85 G Phrygian Scale (G m7) (Acoustic Bass] fhaaege 1 401s ioagi 2 Wm pr rr Electrie Bass ae fee ess ig m1 fe 1 if TL wv. (Acoustic Bass] Pade a ay o14 i? O14 Totk ea 4s86 Ct Phrygian Scale (Cim7) [Electric Bass jeveaet [Electric Bass] 4041343143 o141 412s iv. OI u— 1 1— ™. 1. erze87 F# Phrygian Scale (Fim7) [Acoustic Bass] : 24014014 of ‘Acoustic Bass] 14% 2 2 140) 1 0240 lo4s20 VvV— m— mw L 1—" Mi. wv: 2288 B Phrygian Scale (Bm7) [Acoustic Bas 2401 41042 Ms pF A Poss m1 IL 1 IL 1 Electric Bass] aa 41 4 o124 12 3413 a smre2 soto Vv m— 1 L 1— Iv.89 E Dorian Scale (m7) 3 (Acou: 131 o2401 ree! 224 4 cca eee ceenece: 144 id $4 2 i O4104 10420 Fee90 A Aeolian Scale (Am7) [Acoustic Bass| 0240 aidige 2401 u— aT 1— or 2 732 402 0140?o1 D Dorian Scale (Dm7) [Electric Bass ieesegel I 0. I 0 Ww 3 [Acoustic Bass] 1 aielsli a o4144 th L-Bigias, on { i 014024 pipe) 42042041 0 Ar 01402 1 1 4124 A21 43142041 oO Nv m1 m1 u— WV.G Phrygian Scale (Gm7) Tse i 1423 sesi 143 4 24th o1s0 pe lowi og aa Tym ps ts [Electric Bass qa oes aL i 3 2 1 ees uteaisninsegei v— m— © 1 1— wv. RA Tifogie (Acoustic Bass| oe ae : 1 14 12414014 018 gE 0 41 eeledea Ww mT L w MIA Iv. a43 ne} a 3 Electric Bass oa 13414124 124 1 a2ia21 44437 W— 0. 1 1— ™. W. ree93 C Lydian Scale (Cmaj7#11) rat I in m (Aco ic Bass 3+ [Electric Bass| 1 o124 12 m- Vv.4 F Lydian Scale (Fmaj7#11) 32324 gat thedin,, 14 44 14024024 Olb sae: dlosz0 42041 Ws m0 1 1 m— ws [Electric Bass| 13331 paged gga ezads D4oy aroe95 Bb Lydian Scale (Bbmaj7#11) Ww om u. I w. mL vo96. Eb Lydian Scale (Ebmaj7#11) 2 Acoustic Bass] 2 L234 43 40 2 1 I— 1 UL ‘Acoustic Bass| 14014014 3 la az4¢ht Lortigs i Iv Ih nt ie IL mm Vv 134124 24} ai. 12 w— m u— 1 0. m Vv, rz97 Ab Lydian Scale (Abmaj7#i1) \ [Acoustic Bass] . tii aS aol é 4 Wie iT u— mW [Electric Bass Wo i T im mi Ww VW wt 1 0 mow. [Blectric Bass] on iesa@e lina paaealela v— m1 ir 1 I i Iv.98 Db Lydian Scale (Dbmaj7#11) 3 Semmes 41h ae 4 ita t42 baa 41401 eke ceecderet: a it99, Gb Lydian Scale (Gbmaj7#11) Bs ms gp em Electric Bass| io 43 24t3aia4 } WV> Wt. 1 u— m— 1 ‘Acoustic Bass| Tezesaeiaeaiied Vv 1 1 1— ™ Wv. tric 4 ss La oe Vv 1 I u— mm Iv. ere100 B Lydian Scale (Bmaj7#11) (Acoustic Bass yei3b ay re ee a ; t43 i 1 fun) aoe es! 42141 ar tr TiZL Tes, ioe S3145, 4 eh42i42 14rd vV— m 0 I 1— wv; epee101 E Lydian Scale (Emaj7#11) zy r (Acoustic Bass| TAIT o14i 24S 4.4 4 124hae eee102 A Lydian Scale (Amaj7#11) oa [Acoustic Bass| edie oat ce } 27 4 O1AN 2 412 aad m— 1— 1 u— ur 232 Acoustic Bass : cies iat 1 i 14 a 014014 4124 12410103 D Lydian Scale (Dmaj7#11) [Acoustic Bass| ba 1 1 1 [Electric Bass 1241 iw 1 1 IL m1 — 3 441323231 74 1401 4 1 1 2 0410 1 41041041 0 Vv m— 0 1 1m W. 4 Blectric Bass] 34135314 412 ol o14 Vv 0 u— 1 u— W. ree104 G Lydian Scale (Gmaj7#i1) 2323 a2 Lil tay ° e041 Pe1O > win— T— 1 u— m— 1 4 jecric Bass eal 243 aia 4 2 wo m— th 1 0 m— wo 2) aa 2h0 41041042 0 WV m— 1— 1 u—— ww. 2 a 4 3143'4o1 ° V— mn 1 u— iw. ore105 C Mixolydian Scale (c7) [Electric Bass ai2f2ig 0140 Lhe v— mw i L 1— v ere106 F Mixolydian Scale 7) ae 4014014 02 Vom tr I 1 m— ws ee Electric Bass ee fea asa gealie a IV. i IL 1 1— Iv.107 Bb Mixolydian Scale (B67) L oat O4d mp} rs [Acoustic Bass| iat 41 12414014 of dlosio 43421 w— ust 1 i mo wv. eee108, Eb Mixolydian Scale (Eb7) 3 ee tel [Acoustic Bass ie pare a pa 40 0 ot 242 Electric Bass] 1 1 : 4 12412 a i u 1 7 7 fa autos (Acoustic Bass| Fee tie a24ad 12412414 of Wwom—us 1 m— Wv. 13413412 al orzeAb Mixolydian Scale (Ab7) aa 1 2412 4 412 Vv I 1 1 1— m— vw. Acoustic Bass : Soles 1 4 1z4ioai2 4445 Vv 1 1 1 u— Iv. 4 Electric Bass oie ae ir eure 4 Seo ee vm 1 WL ot Vv. Fe110 Db Mixolydian Scale (Db7) pes (Acoustic Bass 4124) at mi— 1 1— ae Electric Bass] ps bs 2 Guaedege i Wt 1 0 ms 3 [Acoustic Bees 1241 o412 WwW m— I 0 mI W. 4 Blectric Bas: a 12412413 Vv m— a I 1 m— Ww. ereeut Gb Mixolydian Scale (7) 7 1 7 aia r4t2qida 13 we mS I tr e 1 W— Iv. v2 u—T [Acoustic Bass } o14tia id IVv- TI IL 1 oe i Ne | 34h peabss : 1 $21 4 4 13 20 o2z4itozgi2 4 Vv wr I FeB Mixolydian Scale (B7) iT 1 i 14i2 . ME m— 0 1 1 ms [Acoustic Bass o lA 1 3 1 412 od N— m— © 1 0 m— ty:13 E Mixolydian Scale (F7) a : L2icio4 10410 Vm 1 1 It vw 3 aisi421 41410 ere14 A Mixolydian Scale (a7) (Acoustic Bass| 40 oS 140 ean ML IL r 7 1 m— 2 Electric Bass ee oa Acoustic Bass] 4344 Tisihiag 4 4.0 2 24 o14o! aiO4104 1Os10 V— m— uo. I 1—. WV. [Electric Bass 13434 o121 4 tat iv. m1. UL I = u— © Iv. oFD Mixolydian Scale (D7) 494 i alo 41042042 ° Fa116 G Mixolydian Scale (G7) 13 32134 gata 22222) [Acoustic Bass 40240240 44 24 43 1 204 wi— 1 1 1—"m. Vv Electric Bas: Tes ai Ae er vs 1 1 1 0 mT vo (Acoustic Bass 402 o140% 10 NV m— 0. 1 0. m— 1. [Electric Bass| feo | 4 014013 S410 Vv— m IL 1 1. Mt Vv. enceuy C Locrian Scale (cms) 2 4 241241 14 pal 42143 Wp ts Electric Bass| 1241 Li? fe L 0 1 [Acoustic Bass ca 12412412 v— u— 0 1 1h a Bree- Ab Melodic-minor Scale (Fm75) pete ea : ; : i eee olf Jloaias Alaoy Vo mn aie Iv. eee119 Db Melodic-minor Scale (Bbm755) (Acoustic Bass] (ite 1 ea asia Fiagat m1. 0 I 1 cr [Acoustic Bass| o1stag ia [Blectric Bass o14ts4i2 rel 4 1 3p 413 ree2 Gb Melodic-minor Scale (Ebm75) (Acoustic Bass| 4 ae 1 12401412 4 Vv mn 1 1— Iv. ieee oe bb 43 4 2 12401413 4) a ecizer) el Ww m1 1 u— m— w. erz2G# Locrian Scale (Gkm75) wn— 1— 1 1—" Vv oe ee ; Dees aed a ueece 3 Piagetian eae daa Ww— m— 7 1 u— 1 Vv Acoustic Bass| aol o1so! 12410 Vm 1 0. m— vw. [Electric Bass) 2 41343143 o142 412 WV m1 u— 1 u— m1. VvC# Locrian Scale (C#m7)5) Acoustic Bass| Bel 3 401408 Wr 1 0 um [Electric Bass| 1241 tr 0 1 ire im (Acoustic Bass een Vv m— © 1 i m— w— W. a 1 u— Iv. eee123, F# Locrian Scale (F#m7b5) 33333 t i232tt 24024014 Ws m—"T. I 1 m— wo To 41042042 0 WV m— 0 1 + 1M vw. [Electric Bas: aidhenay 13 ors tts io4ize 434 424 42 14124421 0 Vv m 1— 1 u— Iv.124 B Locrian Scale (Bm75) 42042 mr ts Electric Bass oe io ae 1 1 1 1 Wr 13331 Orig Orta, Vv m un 1 i— © vw reeree 125 G Melodic-minor Scale Acoustic Bass : 1 0240 140" 402 V— m— I (Em75) se se 1— w— 4 [Electric Bass] | I abe gla : o124 12 gal ei43i1s2 14210 1— Vv.126 C Melodic-minor Scale (Am75) Bleciric Bass 0124 1 I 1 1 — 1 i [Acoustic Bass| 14024014 0 Wo m1 1 IL m— wa [Electric Bass 1 1241 3 2413 4 421 v— m 0 1 0 ci Iv.F Melodic-minor Scale (Dm75) | ea £ 1 I 3 Ra T Ta 1 4 3 b by 1 ai T 1 I. ea ece ‘Acoustic Bass| 4 Ri 2eh21 Bd 44 1 41402 , to 42041421 0 Vv. U1 UL 1 mms wv. Gia es 14 eta L EEC ° ere= G Locrian Scale (Gm75) 1423 24 4 24124140 143 Laoag Vo 4142442 Woo ms ps Elecnic Bass aa Tete eee oeaa ee egeoa seca v— m wm 1 us W— Ww. [Electric Bass| 1 fase 24 Iv. 1 0. 1 0. 1 W erz2John Patitucci 60 Melodic Etudes for Acoustic and Electric Bass Music and Technique Combined in One Powerful-Package! cre ol cease Es Improve your knowledge of the fingerboard eterereet te Ren ea ety ett an eons Teta Peart} er acs UCT Asta ts Porno bcos Ce tet tegen este tented ctl Werte artsy crs toa teehee ert Sent an at tar ete erent rts tte ta econ ee ree Cae reer toa onthe tA minor 7)5, and major 7#11 Pent Ree att rn ante cent mcr ethhan eid Peete een Vc Re eee cn es torte rene V incor Ean Coen Pree eteceny Gain valuable experience on the use of melodic-minor scales over Pra eeetay ISeNO aU oli7sogesiss7058 me BF22 — $20.95 USA 7lillgsqoslos 705!