Virtuosa

     
Dedicata all'amico Nicolò Gatti Bernardo Pellegrini
    
         
 
            



           
        
         
 = 120

  
  
      
    
    
 
          
       
Ottavino

 
        
       
            


         
      
 
          
       
Flauto

 
        
       
            



            
Oboe

         
 
             


          
        
    
 

    
  
      
    
    

         
        
Clarinetto in Mi♭

         

       
 
      

 



         
    
         
        
Clarinetto in Si♭

            
      
       

    
 


      
        
Clarinetto in Si♭

          
                   
      
 
   
 
      
 

  
Clarinetto in Si♭


      
 
     
 

             
     
Clarinetto basso in Si♭

 
            
   
    
        
  


    


         
            
Fagotto

          
                 
             
 

      
  
           
Sassofono soprano


         
 
            
      

    
     
  
 
 
 

    
 
Sassofono contralto

     
        
 
           
         
 

Sassofono tenore

   
                
             
 

    
    Soli
Sassofono baritono

    
                
    
          
 

Tromba in Si♭ 1

     
                        
      
 

 
   
Soli

Tromba in Si♭ 2

          
 

   
                  
    
Soli


            
Tromba in Si♭ 3

            
                                       
 

  
    
Trombone 1

                    
                                       
 

  
    
Trombone 2

    
                                       
 

Trombone 3           

      
            
 

        
         
Corno in Fa 1


   
  
          
 

      
           

Corno in Fa 2

   
              
    
         
  
 

    
 
Tuba

          
  
 

 
Tamburo militare da concerto

           


                  

Grancassa da concerto
 
Piatti


Bernardo Pellegrini
 
                             
     

               
 
   

        

1. 2.

 
    
13


Ott.

                          
              
 

  
       

                 
  
Fl.
  

                 
     
      
 

             
      
  
             
 
    
 
Ob.


         
                           

       
 

 
  
      
  
         
 
Cl. Mi♭  

                   
                    
 

              

                

Cl. Si♭


  

     
     
                  
 

                  
      
 

         
 
Cl. Si♭    

                   
 

                                                  
   
 

  
 
Cl. Si♭
       


    
         
 

 
          
    
        

   
   
     
    
Cl. b. Sib

    
    



          
           
          


    
      


   
Fag.

         
                           
 

                            

 
   

   
   
 
Sax. s.
     

  
               
 
  
 

          
                       
            
       
   
  
   
 
Sax. a.

            
          
              
          
 

                
 
Sax. t.

         
              
                
         
 
  

 
             
Sax. bar.

 
                              
                           


  


  
   
Tr. Si♭ 1

         
    
                                              
 

   
    
Tr. Si♭ 2

        

                    
                          
        
 

Tr. Si♭ 3
  
              
                            
 

                                
Trb. 1
   

                                    
                              
  

      
Trb. 2
   
           
                                                     
  
  

Trb. 3         

     
  
   

 
   
        
  




      
   
              

    
       

Cor. Fa 1


 

    
       
                 


         
    
   

  
      
      
Cor. Fa 2

     





 
                      
   
     


       

   
       


Tba.

                              
 


 
            
Tamb. mil. conc.

              
 

Gr. conc.

                              
  

Ptt.
 
2  Bernardo Pellegrini
    
                             
 
         
          
1.
30


Ott.

  
                              
 

     
 

  
      
    

  
                        
Fl.

  

           



        
 


   
           
Ob.

               

   


     
 

 
          
         
Cl. Mi♭

  
           

  

     

    

   
 

       
     
  
       
Cl. Si♭

                 
 
   


 
             


 


    
   
Cl. Si♭

              
        
                 

    

 
     


 


    
Cl. Si♭

  
   
  
  


   

    
   



 
           
Cl. b. Sib

        
        




     
          


 


  
Fag.

  

           
           
    
                          

   


  


   


  
Sax. s.


  
                    

 

           
          

     

 
         
  
Sax. a.

           
                      

    


  


     

Sax. t.

        
        

       

 

      


      
Sax. bar.

       
         
               

    


 
 

      
 
Tr. Si♭ 1

 
                
  
  









      

Tr. Si♭ 2

 
             
     
  

 


    
Tr. Si♭ 3

 

            
    
           
 

  

         

      
Trb. 1

       
          
 
  


      

        
Trb. 2

 
                  

  

Trb. 3
  
  
   
      
  
  

   
 
            

Cor. Fa 1

  
      


      


  


  
             
Cor. Fa 2


         
         

  


             
 

   
Tba.

                              



      
 
Tamb. mil. conc.

                  
  

                
Gr. conc.
  
Ptt.
 

Bernardo Pellegrini 3
                        
 


2.

            
Attacca subito

      
39 Trio

                        
Ott.

       
 


                

    

                             
Fl.

               
      




                      
 
Ob.




 


                 
    
 
                           
Cl. Mi♭

           
      


   
     
 
               
Cl. Si♭

                          


   
    
            
              
Cl. Si♭

                   


    
    
Cl. Si♭

       
   


      

         
Cl. b. Sib

        
        


  
        
 



Fag.

                               
                  
 

    
  Solo

 
   
            
Sax. s.

    
                       


      
Solo


   
                            
Sax. a.

  
                  
   



Solo

 
Sax. t.

    
                  
   


    
Solo


Sax. bar.

       
                        
 



        
Tr. Si♭ 1

                  
    


  
 
  


Tr. Si♭ 2

               
                
  
  

         
Tr. Si♭ 3

       
       

     
  

 
            
Trb. 1

              
  
  

                
Trb. 2

       
      
  

Trb. 3

       
   
  

      
     

Cor. Fa 1

       
   


   
 

     
    
Cor. Fa 2

       
          


        
 

 
Tba.

                               


         
 

 
 
Tamb. mil. conc.

                   
 

                     
Gr. conc.
  
Ptt.
  

4 Bernardo Pellegrini
                   
 
52

Ott.

                  
Fl.  

                  
Ob.  

                  
Cl. Mi♭  

          
           
 
   
             
3

 
Cl. Si♭

          
           
             


     
3

 
Cl. Si♭

          
           
             


     
3

 
Cl. Si♭

     
 
    
          


        
Cl. b. Sib

           
                     
 



      
Fag.

 
                       

                   
          
 


  
3 3 3

Sax. s.

   
  
          

    
 
   

 
 
 3 3 3 3 3

 
3

         
3

  
        
Sax. a.

             

                       
   

 



Sax. t.

  


                         
3

     


  
     
Sax. bar.

                                                   
 
 


  
3 3 3

Tr. Si♭ 1

                           
 
     

           

          
 3 33 3 3
3 3 33
3 3 3 3 3 3
Tr. Si♭ 2

          
  
           
       
                      


 
3 3 3 3 3 3 3 3 3

                   
Tr. Si♭ 3

             
Trb. 1 

                                
 


Trb. 2

                                
 


Trb. 3

     
       


                  
Cor. Fa 1

     
       


                  
Cor. Fa 2

 

                       
   


  
Tba.

               


           
Tamb. mil. conc.


                   
Gr. conc.

Ptt.

Bernardo Pellegrini 5
       
                 
        

70 3

Ott.

      
           
 
3

       
3




   

3

Fl.

             
3 3

               


 
  
       
Ob.

     
       
3 3 3




Cl. Mi♭            

      
          
3 3 3

   
            


     
 
3 3

Cl. Si♭

              
 
3

         
3

        


     

3 3

Cl. Si♭

             
      
3

      
3

        


  
  
3 3

Cl. Si♭

       
3 3

   


              
    
 
Cl. b. Sib

  
                        
    



Fag.

              
      
                      


  

3

Sax. s.

               
 
3

         
3

        


      
 
3 3

Sax. a.

           
 
 
    
    
        
3

 
 3

   
3

 
Sax. t.

 
                     
3 3 3

    


 
Sax. bar.

              
                           


     

3

Tr. Si♭ 1

              
            
3

           



3

   

3

Tr. Si♭ 2

      
           
3 3

  
              


    
3


3

   

gliss.
Tr. Si♭ 3

                               

3

    




Trb. 1

    

gliss.
                                   


 

   
Trb. 2

gliss.

                                


Trb. 3     


gliss.

    


   
                               
 
Cor. Fa 1


  
gliss.

 
                                   
 
Cor. Fa 2

 
                     
      
   
Tba.

                         

Tamb. mil. conc.

          
3 3
 

   
Gr. conc.

      
 
Ptt.
 

6 Bernardo Pellegrini
               
         
  
          
gliss.
1. 2.
83

       
             
  
Ott.

  
          
gliss.

    
Fl.

             
          

  

   
       
      
gliss.

         
Ob.

            
 
gliss.

      
            
Cl. Mi♭

      
          
            
gliss.

     
Cl. Si♭

    
             
  
gliss.

        
Cl. Si♭

        
                 
gliss.
Cl. Si♭


  
   
     
   
      

Cl. b. Sib

 
            
      
   
    
Fag.

                
           

 
 
gliss.

 
Sax. s.

       
               

   
 
  
 
 
gliss.

      
Sax. a.

     
                
  
     
gliss.


Sax. t.

   
           
      
   
 
Sax. bar.

                
           

     
  
gliss.

   
Tr. Si♭ 1

              
  gliss.
         

 

 
 
 

  
Tr. Si♭ 2

              
           


 
 
 
 
             
   
gliss.
Tr. Si♭ 3

             
  
gliss. gliss. gliss. gliss.

       
     
Trb. 1

       
             
gliss. gliss. gliss. gliss.
gliss.

       
Trb. 2

                    
     
 
gliss. gliss. gliss. gliss.
Trb. 3


gliss.


     
            
            
Cor. Fa 1

 
             
gliss. gliss. gliss. gliss.
gliss.

        
        

Cor. Fa 2

  
         
gliss. gliss.

    
gliss. gliss.

       
gliss.

   
Tba.

             
            
Tamb. mil. conc.

 


 
gliss.

      
Gr. conc.



Ptt.

Bernardo Pellegrini 7
Ottavino Virtuosa
Dedicata all'amico Nicolò Gatti

   
           
                  
Bernardo Pellegrini

     
        
      
      
    
 = 120

 
 

            
 
  

           
    

     
 
10


            
                                  
1. 2.

   

17

   
                               
 


        

28

             
     
 

     
   
   
1.
36



   Attacca subito



              
  
2.



            
     
41

             
         
            

Trio
46 3

                    1.     
3 3


  

         
2.
ss.
g li

83

Bernardo Pellegrini
 Flauto Virtuosa
Dedicata all'amico Nicolò Gatti

   
           
                  
Bernardo Pellegrini

     
        
      
      
    
 = 120

 

        
             

        
    

  
  
10


                   
            
         
1. 2.

  
17

     
              

           


        

28

             
  
 

        
        
1.


36

   Attacca subito

 

              
  
2.



            
   
   
41

             
         
            

Trio
46 3

                    1.     
3 3


  

         
ss. 2.
83 g li

Bernardo Pellegrini
Oboe Virtuosa
Dedicata all'amico Nicolò Gatti

         
        
   
Bernardo Pellegrini

        
        
      
         
    
 = 120

 

        
             

        
    

  
  
10

                  
                     
         
  
1. 2.


17


 

      
    
                 
   

  
  
29


                  
              

36 1.

 


                    
               

2.
41 Attacca subito

                         
    
   
 3
    
Trio
46

3 3


               
             
            
83
.
1. 2.
ss
g li

Bernardo Pellegrini
Clarinetto in Mi♭ Virtuosa
Dedicata all'amico Nicolò Gatti

   
   
          

    
Bernardo Pellegrini

  
                    
            
 
     
 = 120


  
 

       
   
      
       
      
       
 
10

       
        
           

               
1. 2.

      

17

   
                               

 

       

28

             
 

    
    
 

  
1.
36



   Attacca subito



              
  
2.

 

   
     

41

                
            
       
Trio
46

      
3 3 3

  1.     


     
          

83 ss.
2.
g li

Bernardo Pellegrini
Clarinetto in Si♭ 1 Virtuosa
Dedicata all'amico Nicolò Gatti

   
      
     
                 
         
Bernardo Pellegrini

 

 
      
        
 = 120

       
                 
 
     
 

 
    
    
10

               
                           
  
1. 2.
17

              
                         


 
    
    
28

  

          
 

  
 
         
    
36 1.

    Attacca subito

 

            
      
     
2.



    
  
41

 

                    
          
Trio

       
46


3

          
                          


        
 
70

       
       
3 3

        
3 3

      


  
1. 2.
83
ss.
g li

Bernardo Pellegrini
Clarinetto in Si♭ 2 Virtuosa
Dedicata all'amico Nicolò Gatti

         
       
              
         
Bernardo Pellegrini

 

 
      
        
 = 120

       
                  
 

 
      
    
    
10

             
                 

         
1. 2.
17


    
        
                 
 


     
    
28


        
 

        
        

     
36 1.

 Attacca subito
            
 

           
       
2.

   
41

 

         3     
               
   
Trio

   
46

    
             
      
                 


       
  
70

             
3

 
3

   
3

        
3

   


  
1. 2.
83
ss.
g li

Bernardo Pellegrini
Clarinetto in Si♭ 3 Virtuosa
Dedicata all'amico Nicolò Gatti

   
             
 
    
Bernardo Pellegrini

           
 
                  
 = 120

       
          
 

          
         

 

10

   
                   
                   
         
1. 2.
17

    
    
        
         
 

     
     
      
29

     



               
      
     
36 1.

      Attacca subito

 

                


     
2.

     

41

 

         3    
                  
Trio
46

   

                                       


      

69

    
              
3 3

          
3 3

 
     


  
1. 2.


81
ss.
g li

Bernardo Pellegrini
Clarinetto basso in Si♭ Virtuosa
Dedicata all'amico Nicolò Gatti
Bernardo Pellegrini

     
       
                         
 = 120

        



    
      
 
  
                         
13 1. 2.

   
 


 
       
 
     

      
             
25


    
 


       
1. 2.

    
                      
35 Attacca subito



  
   

 
              
Trio

            
46

  



 
                                 
70

 

      
     
   
85
1. 2.

    

Bernardo Pellegrini
Fagotto Virtuosa
Dedicata all'amico Nicolò Gatti
Bernardo Pellegrini

            
                                 
        
 = 120

 


       
    
              
      
   
    
 
    
1. 2.

 
15


 
 

 
                 

                 
 
26

   


      

 
1. 2.

                
 
 
       
36 Attacca subito


   


             
                         
Trio

    
46



                  
                               

72

     
        
1. 2.

   
88

Bernardo Pellegrini
Sassofono soprano Virtuosa
Dedicata all'amico Nicolò Gatti

 
        
       
             
         
Bernardo Pellegrini

 

 
      
        
 = 120

   
                    
 
        
 
 

        
10


         

      
                         
        
1. 2.

   
 
17


       
                   
   
             


      
      
   

   
28

                      
      
  

       

36 1.

         

 

             
        
2.


41 Attacca subito


       
         
               
Solo


Trio
46

          
                              
3


        
61
3 3

 
                      
    
3 3 3 3 3

     
3

   

71

                       1.            
3 3
3


    
83
ss.
2.
g li

Bernardo Pellegrini
Sassofono contralto Virtuosa
Dedicata all'amico Nicolò Gatti

         
    
 
 
                 
Bernardo Pellegrini

 
  
  
          
 = 120

 
                
 
           
 

       
10

        
              
                     
1. 2.


     
17

   

    
     
             
 



                 
       
 
   
29
1.

            
  
 

     


      
       
2.

   
37

   


                    
 
 
   
  
Solo

  
   
Trio
Attacca subito
43


              
                          
  


54 3

                 
 
                      


      
 
69

                     1.
          
3 3 3 3


      
   
ss. 2.
81 g li

Bernardo Pellegrini
Sassofono tenore Virtuosa
Dedicata all'amico Nicolò Gatti

                        
Bernardo Pellegrini

     
      
 = 120

        
 

            
            
          
1. 2.

 
13

  


 

    
           
              

   
       

25

                   
  

         
            

35 1.

 

         



             
      
2.

 
41 Attacca subito

    
                        
 
Solo


Trio


46

     


          
      
             

 
59

     
         
3

           
   
 
71

 
                  
3 3 3

              
3


 
      
81 1. 2.
ss.
g li

Bernardo Pellegrini
Sassofono baritono Virtuosa
Dedicata all'amico Nicolò Gatti
Bernardo Pellegrini

   
                                        
        
 = 120

 

 
    

          
        
     
             
     
1. 2.


16




 
                  


               
27

 


  
    
      
1. 2.

 
   
             
Attacca subito


36


 

  
                         
Solo

    
46 Trio



    
                                    
   
63

      
 

  
            
 
  
 
 
    
1. 2.

   
80

Bernardo Pellegrini
 Tromba in Si♭ 1 Virtuosa
Dedicata all'amico Nicolò Gatti


     Soli
  
     
       
Bernardo Pellegrini

  
  
            
     
 = 120

 


    
       
                  
             
1. 2.

   
14

 
                           
      
     
 
    
27

 

          
            Attacca subito
 

            
                
1. 2.


36

   

    
      
                   
     
               
      
Trio 3
46

3 3 3
 3 3 3

 
                               
            
       
3

 
69

3 3
3 3


                       1.     2.     
           

81
ss.
g li

Bernardo Pellegrini
Tromba in Si♭ 2 Virtuosa
Dedicata all'amico Nicolò Gatti

    
            
Bernardo Pellegrini

  
  
          
     
       

 = 120 Soli

 

          
                          

          
     
1. 2.
15

 
                 
     
  
     
 

       
28

 

                                 
  
1. 2.
36 Attacca subito

   

  
    
                                 
            
Trio 3 3
46 3 3 3 3

 3

                     
          
              

3

 
3


69 3

3 3


                       1.     2.       
         
 
81
ss.
g li

Bernardo Pellegrini
Tromba in Si♭ 3 Virtuosa
Dedicata all'amico Nicolò Gatti

  
         
Bernardo Pellegrini

            
 
   
     
        
 = 120 Soli





           
                           
         
15 1. 2.

 
            
 
   
      
           

28

 

    
  
  

  
         
     
    
         
    
1. 2.


36 Attacca subito

   

 
   
              
            
 

  
 
 
      
Trio 3
46 3
3 3 3 3



                           
  
           
         
68 3 3
3 3

3


                          1.     2.   

      

79 3
ss.
g li

    
 
91

Bernardo Pellegrini
 Trombone 1 Virtuosa
Dedicata all'amico Nicolò Gatti

                      
Bernardo Pellegrini

                                     
 
 = 120


 

              
      
                              
 
1.


12

              


   

        
     
       
 
   
      
2.
21

 
   

          
      
            
   
33 1.

          Attacca subito
 

         
              
2. Trio

 
41

         
  

        
       

63


                           
  

76

   


  
       


             
85
1. 2.
gliss.

Bernardo Pellegrini
 Trombone 2 Virtuosa
Dedicata all'amico Nicolò Gatti

        
                                 
Bernardo Pellegrini

   
        
 = 120


 

              
     
                              
 
1.


12

                

       
            
    
     
     
21 2.

   

   
           
   
       

 
33 1.


 

 
                    
                    
2. Trio

  
Attacca subito
41

 
  

         
                   
   
   
   
          

66

     1. 2.    
                         
        
81

Bernardo Pellegrini
 Trombone 3 Virtuosa
Dedicata all'amico Nicolò Gatti

        
                                
Bernardo Pellegrini

   
                
 = 120


 

              
     
                   
            
1.


12

     
                       

        
 
        
 
21 2.

   

            
               
    

33
1.

 

      

                             

2.


Trio

   
Attacca subito
41

  

                           
            
    

66

   
           1.     2.   
                 

  
     
80

Bernardo Pellegrini
Corno in Fa 1 Virtuosa
Dedicata all'amico Nicolò Gatti
Bernardo Pellegrini

    
                
         
      
 = 120

 


     
    
     
   
 
           
12
1.

  2.          
           
        
    
        
21

     
   
 

        
    
            
33
1.

   


 
                                
2.


Trio

    
Attacca subito

  
    
41



    
    
            
   
   
   
    
  
  
   
66

             
                             

81
1. 2.

Bernardo Pellegrini
Corno in Fa 2 Virtuosa
Dedicata all'amico Nicolò Gatti
Bernardo Pellegrini

    
                
         
      
 = 120

 


     
    
        
 
           
12
1.

  2.      
                        
               
21

   
 


            
             
33


1.

 

 

   
      
2.


Trio

 
        
Attacca subito

       
41

 
 


       
                     
64

  
  
                              
76


    
           
           
86
1. 2.

Bernardo Pellegrini
 Tuba Virtuosa
Dedicata all'amico Nicolò Gatti
Bernardo Pellegrini

                 
                       
 
 = 120

 

         1.  
               
 
    
       
12

    
      
           
   
  
      
21 2.

    


        

        
                    
 
31
1.

  
  

      
2.

   
       
41 Attacca subito




 

  
                
             
Trio


46



           
                          
 
68

       


                    
  
1. 2.

    
81

Bernardo Pellegrini
 Tamburo militare da concerto Virtuosa
Dedicata all'amico Nicolò Gatti

             
Bernardo Pellegrini

 
 = 120 1.

 
                                    


    
19
2.

   


                                         
            
33
1. 2.

  

         
    
Trio


45
Attacca subito




              
            

72

3 3
 

           
     

85 1. 2.



Bernardo Pellegrini
Grancassa da concerto Virtuosa
Dedicata all'amico Nicolò Gatti

              
Bernardo Pellegrini

 = 120 1.

 

                                      
 
19
2. 1.

    

                         
2. Trio
37
Attacca subito

    

      
  

66

 

            

85
1. 2.



Bernardo Pellegrini
Piatti Virtuosa
Dedicata all'amico Nicolò Gatti

 
                                     
 
Bernardo Pellegrini

 = 120 1. 2.

  


                                
1. 2. Trio
29
Attacca subito

    

       
     

58
1.

 

       

90
2.

Bernardo Pellegrini