Free

Counterpoint
Zane Wang


                                
 = 100

     
Presentation of voices


Violin

      


Viola

    
Violoncello 

                     
            
 
5

Vln.

    

                                   
    

First counter-melody

                       
   
 
9

          
Vln.

                  


              


      
          
Second counter-melody



Zane Wang
   
   




12

Vln.

     
       
                      
    
           


Invertible counterpoint between subject & first counter-melody

   
16

        
Vln.

  
     
   

   
     
                
  


    

19
Modulation to parallel major key; variations played in all voices

                          
Vln.

    
         
 

   
    
                           
   


2 Zane Wang
                    
 
23


Vln.

         
     

                     


                   
           


 


                

 
27

   
  
Vln.

     
    
  

       
    
      

Zane Wang 3