You are on page 1of 33

Lo cant del

valencià
(Pedro Sosa López)
El pasodoble Lo cant del Valencià del compositor requenense Pedro Sosa López (1885-
1953) se estrenó en 1914.
Pedro Sosa López, nacido en Requena en la Provincia de Valencia el día 30 de enero del año 1887, fue un
compositor, profesor de música y trombonista. En sus inicios en el mundo de la música estudió con los
músicos Amancio Amorós, Francisco Peñarroja y Baltasar Martínez. Posteriormente estudió en el
Conservatorio Superior de Música "Joaquín Rodrigo" de Valencia, con Salvador Giner y Vidal.

En 1920 se convirtió en catedrático siendo profesor auxiliar de armonía y solfeo en el mismo conservatorio,
así como de teoría de la música.

https://es.wikipedia.org
Lo Cant del Valencià Pedro Sosa

  
(Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals
      


 
Cl.1   
       

     
 

Cl.2

            
Cl.3
   
 
  
Cl.4       
          
 
  
 
 
 
Cl.5


Cl.6     

   
   
Cl.7 
    
     
     
   
Cl.B

           
   

      
   
6


 
            
   


      
3

     
3

     

  
                  

    
  
   
 
  
 
   

     
6

         
     
         
             
     
     
      
©Gino Gonçals
LO CANT DEL VALENCIÀ

  
2
  
   
11


      
       
 

       
      
  

  

     

           
   

      
    

   
11


      

    
       
           
 
      
 

    

   

         
 
16


    
           
3


3
 3

          
3


3

    

     


            

    
  
 
 
 
 

      
16

        

      
         
           
    
        
    
LO CANT DEL VALENCIÀ
3

                  

                          
21


       
                      
         
3 3

        
 

 
3
  3

          
            
    
 
    
 
          
           

    
 
 
    
                
          
      
         
21

      
         
     
         
           

         
       
   
     
     


 
          

           
                                
26

 
       
                     
        
3

       
 
             
    
3

                     

 
                
                  
   

          

    
    
        


         
26


            
 

          
        
    
 
      

    
         
      
  

LO CANT DEL VALENCIÀ
4

     

                              
   
31


                       
      
3

    
  


 

3

            
           
 
              
  
         
 
                  
               
  

          
31

           
 
  
   
      
        
 
       


    

   
      
    
  
        
                
36


       
                  


      
             
       

    
3

                  
      

   
    







       
      
       
36

            
       
       
            
       

         
   
       
  
LO CANT DEL VALENCIÀ
5

41           
             

           
     
3


     
3

                    
3

     
             
3 3

           
3

 










       
 
         
41

         

         
         
          
   
         
    

              

46


          3        
 

 
3

        
     
 3

             

      
 
 
         
46

         
 
          
          

          
       
   
 

 


  
LO CANT DEL VALENCIÀ
6

             
   
51


            
   
  

     
        

        
3

             

    
     

         
51

         

         
         
          
         
         

56                       

                  
   

                       

            
         
3

                   

 

    

            
56

          

          
         
           
     
         
  
LO CANT DEL VALENCIÀ
7

                  
 
61

 

     
             
3 3 3


3

 
 
       
3 3

 
3

  
3

    
3 3

   3 
 
      
      
3



  

   

      
3

  
 
     
61

     

     
     
          
        
         

66                    

                   

        
              
  


3

     
            
3

 
        
     
3 3

            
    
   3
    
66

      



      

     
3

        
        

        
            
             
 
LO CANT DEL VALENCIÀ
8

                       

71


                       
3 3



            
3 3

    


3


3

  


3

          
3

    
3

   

        
          
 


   
71

 

    
 
          
       
         
 

                
  
76


                          
 

                 
3

  

      
              
   3
      
                 
3

     
     


3

  
76

     
3

    
     3 
       
     
          
         
     
             
          
  

LO CANT DEL VALENCIÀ
9

81
                   

             
     

                    


                    
3

   
3

  



 



 



 



 



          
81

          

          
         
              
      
        

86
              
 
 
                   
   
3

 
3

        
         
3
3 3

        
   3 

  
          
3

       


         

3

       
 
       
  

         
86

       
      

         
           

       
      
 
  
  
  
    
LO CANT DEL VALENCIÀ
10
                
   
91


                        3   
 
3

       
3

   
    
                 
3 3 3
3

  
3

  

 
3

            

                   
     
     
     
91


              
     

      
3


                       
          
    

  

     
      


                               


96


                               
3 3 3 3 3 3




                                
3 3 3 3 3 3

               
3 3  3
3 3 3


                


 

                
 
 

            
96

         

            
         

              
     
        
    
LO CANT DEL VALENCIÀ
11

                             

  
101

  3  
                         

3 3 3 3


      
                          
3 3 3 3 3


 
3 3 3 3 3


                   


                   

            
101

         

            
         

         
 

 

 
         
      

                           

  
106

                           

3 3 3 3


                              
3 3 3 3

 
3 3 3 3


              
3

     

        
    
3

     

          
106

         

          
         

               
         
        
LO CANT DEL VALENCIÀ
12

                             

  
111


  3  
                         
3 3 3 3


      
                          
3 3 3 3 3


 
3


3 3 3 3

   
         
3

    

              
3

   

            
111

         

            
         

                 
             
         

                     

  
116

                      
  
3

                        
3

 

          
3

  
 
  
 3


 
       
3

         


           
116

         
     

          
         

    
 

 

   
          
    
LO CANT DEL VALENCIÀ
13

                       
poco rit.


  
121

                       
  
3 3


 
         
                 
3 3


 

  
3

    
3

         

 3

  
3 3

              
   

                
121

     
        

            
            

       

 
 
     
      
 

 
a tempo =78
   
     
126



     
      
  

 
         
    
 

     

    
    
 

     



  



  
 

     
 





           
126

              


          
               

      
     
         
LO CANT DEL VALENCIÀ
14

       
      
131

       
     
 
                   
   

 
         
3 3

        
     

3 3


                  
       
  

            
131

              

            
              

       
         
      

           
  
136

     
         

    
    
            
3

   
      
            
3


       

    
  
           
   

              
136

              

            
              

        
         
       
LO CANT DEL VALENCIÀ
15

             
    
141

             
3

  
   
3

       
     
3

   
        
   
  
3


                      
 


        

            
141

              

            
              

     
            
     

          
   
146

          
     
          
    
  
    

      
    

           


          
 



 



 


    

              
146

              

          
              

         
    
      
   
LO CANT DEL VALENCIÀ
16
poco rit.


                    
151

            
     
3 3

  
        
          
3 3

  


          
          


     



 



 



 



 



            
151

              

            
               

  
          
         

      
  
156

         
    

         
   

    
    
 


   


 


 

 
 
 

          
156

         

          
         

     
 
    
      
Clarinet 1º Lo Cant del Valencià Pedro Sosa
(Cover of Clarinets, Aragón, S.XXI)

      
Arr. by Gino Gonçals

           




   
  
            
      
11


 3

                           
              
21

    
3
    3

        
                 
  
       
26

        

 3
 

  
                              

   
 
31


  3 

                
                  
36



                    
           
43


3
 3

           
            
 
  
51

           
59                                         
 
 3 3 3

                                 
67
  


3 3

©Gino Gonçals
Lo cant del Valencià 2
    
                              
 
75



84                             
 
 3

                                       
     
93


 3 3 3 3  3 3

                                     


100

3 3 3 3 3 3 3

                                         


106

3 3 3 3 3 3 3

                 
                                     

  
113

3 3 3

                         
a tempo =78
121

   

3

3
poco rit. 

                    
  
129

   
                  
137

                    
   
145

 
3 3

              
       
152

3 poco rit.
Clarinet 2º Lo Cant del Valencià Pedro Sosa
(Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals

            


 

       
  3

        
     
                 
 
  3

           

                        
  
 3
  3


                             
                        

 
3

             
                        

           
 

3
  3

         
                        

                   
         
 
3  3

              
               

                     3             
     

 3
3 3

                                   



3 3

©Gino Gonçals
Lo cant del Valencià
2

                          
    
    
 3

                             
 
              
3

 
    
3
3 3

                           
     
                  
   
3


3
3     
3 3 3 3

                                       
                                         
 
 3 3 3 3 3 3

                                         
                                           
 
3 3 3 3 3 3 3

                               
                                           
 
3 3 3 3 3

                                 
     
 

3 3 3
poco rit.

                   
a tempo =78


      

                   
   
   

           

              
3 3

         

 
         

3 poco rit.
Clarinet 3º B 
Lo Cant del Valencià Pedro Sosa
(Cover of Clarinets, Aragón, S.XXI)
Arr. by Gino Gonçals



                  
3

      
 

           
                    
3

   
 

                 
3

           
 
     

                 
                                
  

   
                             
          
 

                 
       
       

   
                      
3

 3

   
                      

    3
        
   
         
3 3

   3
 
 

                        
   
3

  
3

     
 3

                        
3

   

©Gino Gonçals
Lo cant del Valencià
2

           
              
  

            
      
3

     
3 

                                   
     

3 3 3
3 3 3 3

                                         
 
3 3 3 3 3 3

                                         

3 3 3 3 3 3 3

                                 
 
3 3

                              


a tempo =78
 
 
3

3
poco rit. 
         
  
             
    



 3 3

                   
   
    
3
3

                      
   



                 
       
poco rit.
    
Clarinet 4º Lo Cant del Valencià Pedro Sosa
(Cover of Clarinets, Aragón, S.XXI)
Arr. by Gino Gonçals




   
         


 

        

    
           

   

        

               


    

                       
     

  
 

                
     

                  
 
    
          
   

                             
3 3

     


                                 
3 3

   

                                 
3

        3

               


   
3

   
  

 
            
       
3


      

    
                
3

        
3

     3

©Gino Gonçals
Lo cant del Valencià
2

             


             
3


3

  
            
3

       

                        
   


                           


 
    

3

           

 3                     

     
   3

            
a tempo =78

     
 
 
3
poco rit.

         

    

 
              
  

3 3

  
   
                     
   
3
3

   
      


             
 


                 
    
   
       
 poco rit.
Clarinet 5ºB  Lo Cant del Valencià
(Cover of Clarinets, Aragón, S.XXI)
Pedro Sosa
Arr. by Gino Gonçals

      
    
       

               
     
 

       
 

          
 
      
      

                            
              
 

                              


       
      


        











       
       


   
    

   
 
    

                          
          

              
3 3 3

       
   
       
               
     
    
 
      
3

 


    
 
   

           




 



 



 



 


 3

©Gino Gonçals
Lo Cant del Valencià 2

           
               
3

    
           

                 
solo

       
    
     


                            


  
           
3

    
3

     


           
3 3

              
 

a tempo =78
                    
3

                   
    
 poco rit.


        
 



 



 


  
  
  
  
  


           
  

 



 



 



 




           
 


     
              


     
 



 



 



 



 


  


     
 



 


    
         
poco rit.
Clarinet 6ºB  Lo Cant del Valencià
(Cover of Clarinets, Aragón, S.XXI)
Pedro Sosa
Arr. by Gino Gonçals


      

           

        
9


           
 

          
18

     
  
           
  
   

               
25

       
         
 

               
32

            
      

             
39

             

                 
46


            

               
53

              

        
60


             
 
  

  
70

      
3 3

             
          

               
80

              

©Gino Gonçals
Lo Cant del Valencià 2

           
87

     
                 

 
          
94

          
       


                                
100

               


                      
108

               


                                
116

               


      
a tempo =78
           
124

               
 poco rit. 


            
130

                 


              
136

                 


            
142

                 


            
148

                 


           
154

               
poco rit.
Lo Cant del Valencià
Clarinet 7ºB 
(Cover of Clarinets, Aragón, S.XXI)
Pedro Sosa
Arr. by Gino Gonçals


       
           

       
           

           
 
        
       
  
  

     
           
 
 
           


          
          
   
  
      
             
              
 
             
            
  

             
             

          
            
  

     
3 3

 
        
       
   
         
             
              

©Gino Gonçals
Lo Cant del Valencià 2

           
3

                   

          
                     
  

                
             

                
             

                
             

   
a tempo =78
            
                  
 poco rit.

              
                 

              
                 

            
                 

        
           

          
               

poco rit.

          
            
Clarinet Bass Lo Cant del Valencià
(Cover of Clarinets, Aragón, S.XXI) Pedro Sosa
Arr. by Gino Gonçals


         
            
             
  

  
          
           
             
          

           
 

 

 

 
          
        
  
   

 
   


     
   




  
           
    
                   

      


   
     
        

               
      
             
     

              
  
  
        
    

  
  
 
                
           
        
    

     

         
             
       
   

           
             
    
                

          
            
                    
©Gino Gonçals
Lo Cant del Valencià 2

            
     
          

  
  
     

   
 

 
         
                  
 
      

             






 

 


      

 

     
  
 
    

 

 



 

 

 

  


             
         

 

 

 



 

 

 

 
      
             
      

  
         
          
    
  
    
 
        
 a tempo =78
  

 
       
              
    poco rit.     

          
        
              
   

        
     
          
     
     

   
          
   
  
    
   
        

    
       

    
          
poco rit.

You might also like