a aan Sos i or 8‘Transeribed by (MATT MITCHELL GARY MOORE THE EARLY YEARS 86 ALL MESSED uP 25 EMPTY ROOMS 93:8 END OF THE WORLD 14 MILITARY MAN S54 MURDER IN THE SKIES 3 OUT IN THE FiELOS 44 ROCKIN’ EVERY NIGHT 34 SHAPES OF THINGS 66 Victims oF THE FUTURE 78 WISHING WELL 414 Notation Legend ison 708 360 Boat emearsrstsigcarperatin “7itteneat a eben compara green tarry \Unaunonaed copying aranging, adapting record of publ peromance ean inkingement of copyright Te re re tania ake performOut In The Fields Words and Music by Gary Moore DS BS cs Gs AS FS. Gs* ES. Intro Fast Rock J = 180 Rhy. Fig. Dm Ds ont? - Taw iN Ceeyboats) soem N d 1 * Ga atiedw er eh Bis * Both Gs. vib througost. fr ced Ft és masa? TY YY YY YY BELEERAAALLH —i— ips whoa (Both Gus) y gun, (cod Rhy. Fig. 2) Ds Out FS Bis2nd tine ake Coda @ _w/Rby. Fig. Ds pik slide (Ge. con. in slashes if you're left‘There'll be ev - er stopped a bul - let from a dive wibar Coda wih. Fig (1st bas only) : Ds = Depress bar ‘gradually and flInterlude DS Bs cs WN ee aa ost JPlay only lowest not of chord when PM. is indicated. Bis pMcct pM PMc ——_ vib whoar AW,“ . ee ae 2nd Interlude DS J 20% Vocal Fig.2 F Bie c (eed Vocal Fig. 1) (Whisper) Out * Keyboards art for finger syle gt Down sem nots tobe payed withumb, Dm F BiG c wNocal Fig. 2(2 times) (spoken) They are fall by one cod Rhy. Fig.3Dm F iby. Fig 3 has ev - er stopped a bul - let NN * Gradually cease PM, Outro Chorus why, Fig. 2 & Voeal Fig. 1 (4 mes) Ds Bis cs be way, A heart - beat a ps 5s cs < —> way. Death is just a heat = beat a Ds —————55 Bis cs SS way. A heat = beat. a pss Bis cs : —— way.= Keyboards & Gu. ar for They're fall wreMilitary Man Words and Music by Phil Lynott Gmj? Em? Am? Cnai7 AS BS eh Ee Se trl Intro ‘Moderate Rock J = 96 DSES DSES DSES DSES Drums & synth - ‘Ma -ma take a look at your boy he's a mil- Gs AS Ne. Ma-ma take a look at your boy __ he's ' Ccopyigh.© 1984 Popan-Tne-Fendy Ranger Muse " Admiasteree By Chapa and Co. trtrational Copyight Secu” Al Fights Resowedi Ds ES Ds ES No. I Ma-ma take a look at your boy ___ he's a sol - dier. Gs as as Ne. Ma-ma take @ look in his eyes__ they're cold - er, WF (208 time only) DS ES Nec. Ds Ne. 1.Ma-ma take a look at your boy _ he’s a mil 2.Ma-ma take a look at your boy _ take a look at hi Take a look at your boy, PHL he’s a PH pitch E PH picewert GSAS Gs AS GS NC. Ma-ma take a look at your boy, he's dy - ing. sol - dies, he's cold er, he's old - er, ma ~ ma, wort? Ma-matake a look at your boy he’s fight - ing. Ma-matake @ look at your boy o-bey =, ing : _ ogra PH pitch E - * Omit PH. 2nd ime oly wri GSAS GSAS Gs NC. Ma-ma take a look at your boy___—ihe’s_—_—fright = ened. - Ma-ma take a look at your boy like a lamb to slaugh - ter.Chorus tained your boy to kil and kill some day he will, __ Ry. Fl ques- tions why. writs ES NC, ES Ds ES writ Ma-ma take a look at your boy, take a look at your boy takea look at your boy, he's a ba Pit ~ PAH. pitch: DPA pith: Bridge ‘why. Fl 2 (4 times) Ry. Fig 1 Gmaj7 Em? “one e + Keyboard ar. for Gu, wR ig. 1 (9 ines) Cmaj7 Gmaj7 e nd Rhy love song_ moth - er. As the Ry. Fl2 Ge. can p chil 1 will write for you Em? = dren say,i AmT Cmaj7 Gmaj7 ye ‘And you hoo Heavy PIM, so notes are very percasive Em? Am? cma? we will live our life to - — geth Gmaj7 Em7 Am7 . = that day when_we die __ I will love_ you Ma~ ma, Guitar Solo Cmaj7 Gmaj7 Em7 SS ways love you.ar H fa” sat Em7 Am? Cmaj7 this war. Oh Ma-ma I -don’tknow what I'm fight - ing for. __ Gmaj7 Em? Am? ‘And if you see my chil - dren I bless them, kiss them, and tell them thatChorus wiRby. Fill wR. il Cmaj7 AS Gs AS GS 1 miss them. See, I'm fright- ened in the dark. _ Ma-ma, Ma-ma, ‘The blood _ Rhy Fit AS GS — is ank - de deep. ‘They have tained your boy to kill, Ry. Fl why, Flt AS GS re Gs pik ie, steady gis tained your boy_ to die. Gtr. contin notation show dive way ———__ as - ES Nc. ES NG oN Mama take a look at your boy, take a look at your boy, take a look at your boy, Gutu AS PH. Pick E G ONG He's bound ba PH Khaw PH. Picks E Gs to___give up the Am ASG AS Am ™ Play only lowes ote of chord when PM. is indicated.Ox wate re 20 IT Fr sh ee mimers Ne wide vib witar wie ib wibar2s Tas only) RANANN LE OF OE OEO) fe fe ff NC. foe fh fall fat JI RNAANN AS fut fh fat fu | Am fu fa fa fa J! fatal fal fu Zill aaEmpty Rooms Words and Music by Gary Moore and Neil Carter F c Gm Bh Dm Bim? far ER RD Bef cs Am G Em Dm oD. Intro Moderately Slow Rock J = 98 Dsus? cos oo Keyboard at. for fngersie guitar ownstem noes tobe played witumd Bimaj7 cust € Dm oD Dm = cD (a) NX Nn ~~ awe Copyright © 1984 EM! 10 MUSIC LTD. (PRS) ‘A Pights in the U.S. and Canada Convolled and Admiistored by EMI VIRGIN SONGS, INC. (BM) ‘Imematonal Copyright Secured "All Fights ReservedAst Verse Dm = CD Dm oD Dm cD Lone-li- ness is your on-ly friend, a bro-ken heart that just won't mend_ isthe rn rrr 2 reo e Dm oD *DmB} +c) Dm oD Dm oD It’s hard to take when Tove grows. old,__ Dm cD Dm cD “DmB cB DmB} CB} CS the days are long, and the nights still cold___ when it fades + Harmony implied by bass ‘You hope that she will change her mind, but the days__ drift on and on.__a You'll nev- er know the rooms, where we leam___to Dm Ow. c c rea-son_ why live. 2nd Verse Dm oD (D see your face Gx.2 she’s gone. Gx.2 Dm Bimaj7 FIA Emp - ty (Gad Rby. Fig. 2) Bh c Dm CD Ry. Fg. 1 (12 times) (0d RY. FB3) Ge Hear a voice, butDm oD “Dm ci DmBi ct Dm CD you're still proud__ so you tum Tell your self (that) Seer “Harmony implied by bas BIS type II bn oD bn oD bn oD 1 od you'll be strong, but yourheart___ tells you__ you're wrong. Chorus 1 dJ “by Fa. 3 aon) c Gm Foo c Ry. (eo Ry. sou.3 - iJ tm c wiry. Fig 3 * Keoard a, for guitarwhy. il. wl. 1 Gm FIA Bb c Dm c Gm Bhmaj7 Interlude "6.63 DS cs Am e 2 2 e Ietring. se.5 “Fingersye Clasical ge. wow E {uped downto D (low D played whthamb) onal "Piano a. for Gu. * Keyboard ar for gar waGuitar Solo Dm(typeI) CD Dm(ypet) == CD Dmype) CD WRiy. Fem) Bh gue eee Dmi(ype tt) co Bitype It it Bheype I) fin b Peo OTat Dm(typel) oD Xn You'll nev - e Dmi(typell) know the Pre-chorus wiRby. Fi. 2 ‘You hope that she will Bimaj7 Bh SARE 3 ata centwhy. il. 1 why. Fig. 4 (lend) why. Fl. Dm c Gm, FIA rooms I we leam__ to Ii with - out love, - SB.chore here to live ith - out Emp - ty Gmw my. Fil. 1 FA live with - out * sigh wider vib wibarShapes Of Things By Paul Samwell - Smith, James McCarty and Keith Relf - Bet! bs, i ag - ASBS ES Intro Moderate Rock J = 103 nN Get Rhy. Fig. nd Ray. Fig. 1 Ist Verse things be-fore___ my _ eyes. ASB BS ASB to. dis - pise, NO ; - Copyright © 1966 8. Felaman and Co. Ls Fights for he US. and Canada Assigned to EMI CATALOGUE PARTNERSHIP and Control and Administered by EMI UNART CATALOG INC. Intemational Copyright Secured All Fights Reserved Used by Permissionwith = in my __lone-ly frame, <= 7 eyes: just hurt. my Chorus Come to - mor - row,Come to - mor- row, will Tbe bold - er 2nd Verse ‘and tide havewit i (in) BS ‘ ASB BS won't dis graceChorus will Tbe Come to = mor - row Ds Fis wert Guitar Solo cu BS ASB BS aTChorus ASB Bs v7 ah fuvty. Fig. NC. Bid neceeewill 2 Inteulude fade in W/V, contolar why. Fig. 2G ties) E Ft ff 3rd Verse Ry. il (6 times) ww steady glistwRty. Fig. 13 times) Owe bs A ee dO 2 ser harm,Rockin’ Every Night Words and Music by Gary Moore and lan Paice Intro Fast Rock J = 202 NC DSNC CS NG BS NG cS NG DNC CS NG BS NC. is wae NC CS.NC BS NC CS NC PM 4 pe wibar Le 1982 EMI 10 MUSIC LTO.EM! VIRGIN MUSIC PUBS) LTD, (RS) ‘and Canada Contoled and Aamnsered by EMI VIRGIN SONGS, INC. EM) a ‘AI Rights in “itornatonal Copyright Secured "All Fights ReservedAst Verse NC DSNC. C5._NC BNC , ONG DS NC CS NC. a Let me tell you "bout a place I the kind of place where the Tum a-round —ba- by you can shake off your blues. __ Chorus Don't be shy you got noth-ing to lose.__ We'll be d ips wear - VY aNC. DS NC CS N.C.DS C5 in’ “tll thebreak of day, NC. DSNC. NC. DS NC. CS Ds Rock = in’ ev-'ry night, call- 2nd time take Coda 1 B: r SiS ° NC DS cS NC.NC DSNC CS NC BS NC. CS NC. NDS NC SNC. Let_me tell you "bout a BSNC. C5) NC. DS NC. cS ONC. BS NC. ev- "ry old word's just adit - y oldie. = Release bend dually47 68$coda BS NC. + NC. DS Nc. cs DS NC. NC. cs NC. Ds Nc. Ne. CSN. Act BS NC. Bridge Ds ps cs Nc. \ CS NC. Ne. AIC DS‘ACH DS ACHDS = DIS ES We're 1 Ds ACI DS leave if it's 2nd time take Coda 2 @ AS "Boys will al - ways be boys, youknow I'll al - ways want more gon-na keep a rockin’ ‘till the — par- ty ACH DS to much may there.are places to. go, Dis ES Nc. Act stops. don't care if they kick me out. AICI DS Nc. noise, you know what they say, “cause when I start to drive___Band Tacet Thats right! Guitar Solo TN, nin _ “BS Chonds implied * Bend note & by bass sake bar simolataneousy PH pica oIcall in’ Gill the break of | day.__ = in’ ev = "ry night + in’ “tll the break of DS. al Coda 2 Coda cs. Half time feel ASDouble time NG__DS_NC. _CS_NC NC. DSNC CSNC. BSN. CS. NC DSNC CNC BS NC. CSMurder In The Skies ‘Words and Music by Gary Moore and Neil Carter AS CS ops CS sm ve Beet Bat Hiatt, Gg FRY TT Hi Intro Moderate Rock J = 133 NC. ES Fis GS NC, cs FS NC. GS AS Gee. 12 Rhy. Fig. why. Fig. 11 U2 times) Ne. ES FIS Gs NS Gn NS GSAS G3 RRA weer end Rhy. Fig. Nc. ES FIs G5 Nc. Gs FS NC Gs who Soyrnto 1904 EM! 30 MUSIC LTD. PRS) [A Fights in the US. and Canada Contolled and Administered by EMI VIRGIN SONGS, INC. (BMI) 3 jematoral Copyright Secured "All Rights ReservedAS Gx.2 Ast Verse Gu, 2 cont steady slicePre-Chorus % AS Rus-sians have cs 4, —— shot down a plane on = hun dred and six-ty nine Ds Ne. t i's way t Kor- € - a BS ao in-no-cent vic-tims have died. * Gradually release P.M, Gs DsNC. GS Nc. FS Gs NC. GS writ N.C. AS os - ing. (cod Ry. on.182 Wy. Fig. snes cs2ad time take Coda @ wb. Fe. Limes 0%. 3, contin sashes Nec. Mur-der in the xe iin es FIs Gs NC.2nd Verse «wy. int CS os 1 +6. only AS cs Ds ES FIs Gs NC.AS cs Ds ES Fis G NGps at Coda Coda “Rhy Fig. 2(1st7 bars only) ES ° Gs Ds oT os ss _ Murder in the skies, came with-out_ a wam = — ing. Mur-der in the skies, _ Ds ‘That Sep- tem - © Gradually release PM, Gata soto onl TBS Br, PB sk “PM. Fs ove a cd 7H pO o Ao ‘when P.M. is indicated. " 7 " ay Opp Sf AER wy. Fees a Porte yas Bs csPAH pith: ‘why. Fig. 3(Ist3 bars oly) AS * Adjacent sing caught in bendfl fu fal ZiJ/i * Gradually release PM. wy. Fig. 2 ES Chorus wam = ing. Mur - der in the skies, __ That Sep-—tem-ber mom - . ‘Mur - der in the skies came with - out warn ~ ing. ‘Mur der in the skies. __ That Sep -tem-bero ww ONG GS FIs NC GS AS NC. (cod Rhy. Fg. 4) ES HE Gs NC. G5 Ft NC. GSAS NC. ES FL Gs os wy. ig. (al end) £<————— ‘Mur-der in the skies. NC_Gs_Fs NC. GS AS NC. ES FS GS N.C. GS FIS ong fal of NCGS AS NC. ES FS GS ONC. G5 Fis NCGS AS NC. ES FIs. GS NCGS FS NC GS AS Nc.Rif (153 bas only) FS G5 NC. G5 FIs NC. GSAS Ne. ES FISGS — skies. ‘Mur - der, mur-der in the skies. NCGS FS NC.GS AS NC. ES Fis Gs — ‘Mur-der in the skies. hr wnat aw NC. GS FS NC. Gs_AS NC. ES FIs Gs ba ———_o Nc. Gs FS NC. GS AS NC. ES Fis Gsay NC. GS = Vib Blight dive wb Nc. Gs FS be. FIs ‘a ‘ah NC. Gs Gs Ne. NC. Fis IS G5 GsVictims Of The Future Words and Music by Gary Moore, Neil Carter, lan Paice and Nell Murray Intro Moderate Rock J = 96 ‘Asus2 Goa sous 283 * double wacked sccousic 12 sting Ist Verse Dadd/ ‘Asus? Faddtl V/A ‘Search - ing_ each day forthe an ~ Awww Copy © 1994 EMI 0 MUSIC LTO/EMI VIRGIN MUSIC (PUBS) LTD (PRS) \ ‘Figs BROS: ane Canada Conroled and Adnnisfred by EM VIRGIN SONGS, NC, (2M Intemational Copyright Secured. Al Rights Reserved -- Goa DadavvA Asus2 Set on_ a course Faddtl vA Goa, Dadaova | liv - ing___ our lives F Dsus2 Am F Dsus2AS cs Gs DS AS NC. AS (end Rhy. Fig.) 2nd Verse AS NG. F NGF NGFNC G (NC G NC GS ONC. DS + Caught in_ the 2 Fill G Gir. 3 Accous-2 sing @c > NC. DS NC AS NG) AS OF NG FNC F NGG for the slaugh - ter? i Pre-chorus + Our world is - Ds Nc. AS DS AS FIA Ga Am Gs4 Chorus Gs pw ps ES Ds ES cs Ds ES cs. _ + Sha-dows of the past, Rhy. Fig. 3 (ed Rhy. Fig.2) Ds NC. AS GS DEH DS ES Ds pes cs How tong will (od Rhy Fig.3) 2nd time take Coda Ds ES cs Ds nc as ® wRty. Fig. AS Rut Be3rd Verse They're fighting for errr, Pre-chorus,wast bar ot Rhy. Fig.3 ps Ne. Rhy. Fit 3 GS DFE DS ES Shad - ows of NC. AS c Nc. Ds ES the past, Gs DFE Rhy. Fig. 3 (Ist3 bas only) Ds ES How long will Guitar Solo wy AS isa PL Fig? Ds NG. Fal ful NA AAAAAAAN ESA PHL pick Ds tims Ds Ds of ES the ES last? Nc. ima fu: DS. al Coda cs ture, cs View ASNe. AS E NC. F ONC FNC. cs Ncas Ds as FIA GA Am Gs oth th al a Fata LZ L£4£42 2Chorus wRy. Fig. 3(3 times) DS ES Ds GDF DS ES why. Fig. 3 (153 bars ony) DS ES How long will ES cs. Ds DS ES cs bs + ES ES > 1. How long will it ast? Vic = tims of the fu - 2, Shad-ows of the past, Vie = tims of the fu - DS ES cs Ds ES cs — it last? Vic - tims of the wy. Fg 1 (ill end) & Riff 12 times) AS CS GS wrt fu ture, cs ‘ture. ture, Ds DS NC. AS DS NC. AS Nc. NC. as G Dre GetOutro Guitar Solo cs cs Gs Ds ASPH Pick: EC Ta7 Wishing Well Words and Music by Paul Rodgers, Simon Kirke, Tetsu Yamauchi, Paul Kossoff ‘and John Bundrick ‘Asus? Fe Intro Moderate Rock J = 106 NC. ow. we N f ‘> ——— " Ts Faden wival conwal Ast Verse know you ain't goin’ an -y-where._ Copyright © 1973 Island Music Lid. Keeper's Corage Music Lid. and Cayman Music AU Pights For Island Music Li. and Keepers Catage Music Lid. Controle in the US. and Canada by Polygram itematonal Pushing Inc. Intemational Copyright Secured "AI Rights Reservedain, + te — messed up withno___ place. to-go. messed up Bis GS CS BIS GS Fs 495. BSGS Bis Gs why. Fig. 3 Bis GS Cs BIS GSid wiRhy. Fi. 3 FS Bis GS cscs $s Gs_BIS Gs cs Begin Fade Gs ES Tiened w index finger of et hand Bis Gs Bis as cs Bis. GS Ry. Fig, 1. bars oly) ‘eed wT index ings of et hand gs BIS GS CS aw Bis GS FS wy, Fig. 1st bars aly) G5_BIS GS.CS aA Z Bis_GS GSBIS GSCS BIS GS Slow vb wy. Fig BIS GS wiRy. Fig. 3 Ba bars oly) cs Bis Gs cs Bis GS BS G5.CS.BIS.GS. “Gradually move slide up fret bars Bis G5 C5 BIS G5 Fade out7 End Of The World Words and Music by Gary Moore AS, ES fe ie Intro Fast Rock J = 183, AmTaddl VE. Ry. Fig. Gu. ‘lean tone PM. won ppp grad. fade in why. Fig. 1 (ines) Gu. (cod Rhy. Fig. 1) ight © 1962 EMI 10 MUSIC LTD. (PRS) [Aight in th US. and Caran Contoled and Acmiit'ed by Ea VIRGIN SONGS, NC, (2M Intemational Copyright Secured Al Rights Reserved*rit poco-a:poco “All gitar rit wpeter next 6 bars. ioES BS CS Fitaddit BS cs Gs FIs Fast (in tempo) J = 176 ES NC NA * Right hand - seal ibe sings(Cmaj7) (Bmaj7) (Cmaj7) (Bmaj7) WwWS—— term pick rt, poco-a-poco Em, * adjacent sings enughtin bendNN NAO min in 1 vib wibar ws Moderate Rock J = 125 me ‘Band tcet tro 8 Ry. Fig.2 3 J out NC. wr AS G5 Bend in wR Fig.2 Nc. AS Gs NC. *Intasbar Rhy. Fig, 2 refers to own stem par only. why. Fig. 2 (153 bas only) AS Gs NC. AS GS NC. PA pick: D AS GNC.NC. (E5) AS GS Ist and 2nd Verses b ——— Ne. 5) GSAS NC. 5) ASGSfor an = y the sun goes on SSS SS LS —_————— pass - ing what you through. know Chorus Ds NC. (G3) The threat from_ the NC. ES NG Ds NC = NC. Gs Fis with each pass - ing Ds (cod Rty. Fg."05 NC. wilt AS Gs) bs is) 3rd time take Coda@Pe. wy. Fig.2 AS GS Ne. why. Fg. 2 (1st 3 bars only) AS GS slow dive & return wear Ham.Guitar Solo wR. Fig. 32 times) NCES) ASGS N.CES) AS G5 NCES) ASGS N.C. (ES) AS GS Be Nc. 5) GSAS NC. 5) ASGS NC. 5) os as spi ——————— nat OP we ey ERE sad. dive whoa a Rhy, Fig. 22 times) * Gradually speedup ie rs es ‘fst iba, fast wide vib war Aw ————— coef fast wide vib wr AwChorus wi. Fig. 42 times) NC. (G5) storm front_ is form =~ Ba. f ‘wielay repens a Z na - tion _ there's no - where__ to ing, — take Ne. heed Ds LLd Gs the wa NC. (Gs) NAN 1 fat wow Z Adjacent sung caught in bend ing__ the bell - weth - er's told loco DS NG ES NC Ds Fs you've DS. al CodaCoda o world. NC. wRy. Fig. 2(5 times) NG. world. ‘The end ‘The end world. Ost. G os world. AS end end Gs Nc. of the world. The end The end wR. Fig, 2 (st bs ony) NG wy. I CIstba oly)OUT IN THE FIELDS MILITARY Man y Fang ROOMS My; / j € SHAPES_OF THINGS . My Vays hh.) i r 4 p ROCKINY EVERY NIGHT// iv ae ci a z a MURDER IN THE SKIES. en Q pay Cole ego 1 WISHING/ WELL U.S. $18.95 ON 0-7935-1835-0 Iu, HL00694849 of 4M, ts [4 Cre RG eet nel