Professional Documents
Culture Documents
In early 1983, Carrey decided to permanently move to Hollywood where he began regularly
performing at The Comedy Store. Getting on The Tonight Show became his immediate career
goal, and, by spring 1983, he appeared to have achieved it after getting booked for a stand-up
set on the highly-rated late night show.[36] However, a lukewarm club set at The Improv got him
unbooked.[36] Though struggling to replicate his success in Los Angeles, Carrey continued being a
big hit in his hometown Toronto where he returned during late April 1983 to perform at the short-
lived B.B. Magoon's theatrical venue on Bloor Street on three consecutive nights. While in
town, CTV's flagship newsmagazine program W5 did a feature on Carrey that aired nationally in
Canada. Back in L.A., within months, he landed the main role on The Duck Factory, a sitcom
being developed for NBC, and, in late November 1983, still got to debut his impressionist act
on The Tonight Show Starring Johnny Carson via a promotional appearance for the sitcom about
to start airing nationally in the United States on the same network. [36] In the meantime, he was
cast for a supporting role in the US$7 million Warner Bros. comedy production Finders Keepers,
shot in the Canadian province of Alberta during late summer 1983. For his Tonight
Show appearance that aired on American Thanksgiving, 21-year-old Carrey went through his
most popular impressions—Elvis Presley, Leonid Brezhnev, Jack Nicholson, Bruce Dern, Clint
Eastwood, Charles Bronson, Michael Landon, James Dean, E.T. the Extra-Terrestrial, Charles
Nelson Reilly, characters from My Three Sons, and Kermit the Frog & Miss Piggy—in rapid
succession.[37] After completing his set, though getting the OK gesture from Carson, the
impressionist comic was notably not waved over by the host to join him on the couch—a usual
indication that while sufficiently pleased, the powerful host was probably not ecstatic about the
performance.[38] The end of 1983 saw Carrey go back home to Toronto once more for a publicized
New Years' Eve performance at the Royal York Hotel's Imperial Room.
Originally scheduled to start airing in January 1984, The Duck Factory sitcom debut in April,
airing Thursdays at 9:30pm between Cheers and Hill Street Blues.[39][40] The same month, Carrey
took a job hosting the 1984 U-Know Awards ceremony held in Toronto at the Royal York Hotel's
Ballroom.[41] By the time he made his debut appearance on NBC's Late Night with David
Letterman in late July 1984, the network had already cancelled The Duck Factory; Carrey went
back to touring with his impressionist act, including often opening for Rodney Dangerfield.
After being noticed doing stand-up by producer Samuel Goldwyn Jr. and contacted to audition for
a teen horror sex comedy being developed by The Samuel Goldwyn Company, Carrey landed a
starring role in Once Bitten shot in early 1985.[42] The young impressionist comic would continue
getting film roles; throughout late summer and early fall 1985, he shot a supporting part
in Francis Ford Coppola's Peggy Sue Got Married which then went into a long post-production
process.[42] In parallel, he decided to try out for Saturday Night Live again, this time ahead of the
show's 1985-86 season being prepared by returning executive producer Lorne Michaels who
was looking to hire an all-new cast. Five years removed from his previous SNL audition, twenty-
three-year-old Carrey got rejected again, reportedly never even getting the chance to audition his
material—'post-nuclear Elvis' hybrid impression and impersonation of Henry Fonda from On
Golden Pond—in front of executive producer Michaels due to the show's producers and senior
writers Al Franken, Tom Davis, and Jim Downey deciding that Michaels wouldn't like it.[43] Unlike
his previous SNL rejection, Carrey now had a bit of a movie career to fall back on in addition to
his impressionist stand-up act; Once Bitten was released in mid November 1985 and turned out
to be a modest box-office hit despite drawing poor reviews.
Back on the comedy club circuit with impressions, in fall 1986, Carrey auditioned
for SNL's upcoming season, his third attempt at getting on the ensemble sketch comedy show.
Finally managing to perform for the show's executive producer Lorne Michaels at
a Burbank studio, with returning cast members Dennis Miller, Jon Lovitz, and Nora Dunn also
watching the audition, Carrey was rejected again. [43] Among the group of hopefuls auditioning
alongside Carrey on this occasion were Dana Carvey and Phil Hartman, both of whom got hired.
[43]
Sensing that doing only impressions was turning into a career dead-end, Carrey set out to
develop a new live comedy act.[44] Much to the dismay of comedy club owners booking him, he
began abandoning trademark spastic celebrity impressions, opting instead to try
adding observational and character humour to his comedic repertoire, a process that often
involved forcing himself to improvise and scramble in front of dissatisfied live audiences that
came to see him do impressions.[44]
From 1990 to 1994, Carrey was a regular cast member of the ensemble comedy television
series In Living Color.[45] While short-lived, the popularity of this series helped him to land his first
few major film roles.
Carrey's next appearance was in the 2004 black comedy fantasy film Lemony Snicket's A Series
of Unfortunate Events, which was based on the popular children's novels of the same name. The
film was positively received; Desson Thomson from The Washington Post said of Carrey's
approach to the character of Count Olaf,
Olaf is a humorless villain in the book. He's not amusing like Carrey at all. To which I would
counter: If you can't let Carrey be Carrey, put someone boring and less expensive in the role. In
his various disguises he's rubbery, inventive and improvisationally inspired. I particularly liked his
passing imitation of a dinosaur.[70][71]
That same year, Carrey was inducted into the Canadian Walk of Fame.[72] In 2005, Carrey starred
in the remake of Fun with Dick and Jane with Tea Leoni, which grossed $200 million with a profit
of $100 million. This film continued his brand of physical humor which propelled him to stardom
in the 1990s.