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Master your Canon EOS SLR with c=
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shutter speed and ISO
Improve your pictures
Exposure made easy
Comprehensive
SLR College course
Learn key menus
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1Canon
Beginner's
Handbook
Welcome...
Welcome to the new Canon Beginner's
Handbook, your 212-page guide to using your
Canon EOS DSLR. It doesn’t matter if you're an
absolute beginner who's just bought a new Canon
camera, or you're a seasoned enthusiast who needs
a refresher course, inside you'l find all you need to
know to really get to grips with your DSLR.
With so many seemingly complex controls, menu
settings and dials, where do you begin? Over the
following pages you'll discover all the vital camera
techniques you need to master, from holding your
DSLR correctly to using the viewfinder and Live View,
from shooting in fully automatic mode, progressing
all the way to using semi-automatic and manual
shooting modes, when you're able to take control of
your camera's settings.
There are aiso ten free video guides which you'll
find on FileSilo, see page 210 for details.
Once you've learned the basics, in the final chapter
of this book you'll find our comprehensive 13-part
Course, full of essential photography
SLR College:
techniques, all explained in easy-to-follow lessons.
We hope you enjoy reading this Canon Beginner's
Haridbook and it helps you to start improving your
‘Canon DSLR setup and techniques today.
roe4 L
FUTURE
4 rCanon
Beginner's
Handbook| Canon Beginner’s Handbook
CONTENTS,‘et your camera reno shoot 2
Anovervew of yur camel contos 4
‘Sattalng cond of our camer, a
‘Dicover tow io naigate the stings mens. 8
Setteincamerafleoptions 2
LEARN ESSENTIAL CAMERA TECHNIQUES.
Howtohald your camera
Introduce view’ an ve View mode
‘sce ets ay.
[EXPOSURE MODES EXPLAINED...
rogram mode exined
utter porty ose
‘Apere print mode
Manan moe explains
8
56
FOCUSING & LENSE
‘Your gue camera ers
Saori mates
‘naofocs mode
Sale fas pont rarely
choose te oc mote
LIVE VIEW & IMAGE REVIEW snr
Introducing ie View made
Shootandeview your mages
heck te shapes of yourmages
chock exposr ung teistogram.
[MANUAL MODE MADE EASY.
‘xpesurecompenston
[ADVANCED SLR FEATURES..
Shot video on your anon DLR.
Improve your images wth Pte Ses
Tale beter pte ith i sh
Sacer yur expesures
apurelong exposes.
Te Ato iting Opti.
Update your D SUR femare
Isospeeds
Flefrmats and memory cade
stg
DISCOVER HOW TO ACCESS FILESILO ener 210
Find out how to access jer ten ee video ies aaa
onFisio| Canon Beginner’s Handbook
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Set up your new Canon cigital SLR,
and discover how to use all the main
dials, buttons, and menus
LORS sr”
1638 taking control
fof your camera
1gRe how to navigate
the settings menu
URS bull menu stem
2Ofet the in-camera
file options
format your memory card set the correct time and
Beep cr
ee
oS
Peers
a)
LeneGet your camera ready to shoot
You've just got your SLR out of the box — here's what to do next...
<
Insert the battery
Without power your
D-SLR useless So step
Se in getting started sto
inset fully charged battery
Your Canon D-SLR comes
provided witha Lithium-ion
Battery and charger. When the
ight stops ashing your
Dautry charged: A spare
battery can come in hand
ify want a backup cher
the battery type Find the code
writen on the battery Do
artng with the eters LE.
Get the right memory card
Next we nee fo inset the correct memory car. Canon
D-SLR take eter an SD-type ca SD, SDHC, SDXC) or
4 CompactFlash card. Some model such asthe SD Mi I, take
both. CompactFlash cards are biger than SD cards You sould
also consider the capciy ofthe memory card andthe writing
‘eed. For beginners we recorumend an 8GB or 16GB card that
Can write ts epeed of 25mbA or fase.
Insert the memory card
The memory ca kot wil either
be onthe side ofthe camera body
crn the main battery compartment
‘To insert the ear, push it ut t clicks
into place To remove it either press the
Adlacent Eject button of for an SD ear,
push runt eprings from the eltAttach a lens
Finally, we ned to attach
aTens: Remove the back cap
mv the lens and the protective
body cap from the camera. They
‘oth twist off. Line up the white
‘oF rel colored dat with the same
‘coloured dot on the lens, Twist iin
2 clockwise direction until clicks
into place. To remove it, press the
Tens release button and rotate i
Lens changing tips
Changing the lens easy
but there aes couple of
important poins to take on boa
First, keep your camera switched of
then changing the lens. Yu also
need to void getting your camers’s
sensor diy by having your Tens
ready to hand when sping over
Find a protected spot ou ofthe
tend to doin, Your camera bag
Ceubls up asa handy place for
performing this taskControls overview
Understand each of your new DSLR's dials, buttons and settingseee ay
i
bore)
LENS RELEASE
SHUTTER RELEASE
LENS
SENSOR
MODE DIAL
HOTSHOE
COMMAND DIALRound the back...LOD SCREEN
VIEWFINDER
CONNECTION POINTS
FLASHStart taking control — >=.» |
Discover how to use the main controls that alter your
DSLR's settings. Once you get your head around these,
you'll find it easier to go out and capture better images!
MENU AND. SHUTTER
INFO BUTTON RELEASEMAIN
COMMAND DIAL
MULTI.
CONTROLLER
Advanced Ae
models
Some of the models from the
enthusiast and professional ranges
use a slightly different back-panel
multi-controller setup.
MULT. SET BUTTON
CONTROLLER
evan DSLRNavi igate the menus
Find what you're looking for fast using your DSLR's menu system
Menu button
and controls,
the Buttons on the camera, but
we won’ find them al, To see
‘rerything, we need to head in
may sem abt overwaling
eet
theo
fons. To access
highlighted festre, press Set to
cess and adjust
N)
Citi orn ee Pee E-) ck ee ed
[Protect images
cy Err Rotate image
Release shutter without card ON ee
ead 2sec. Print order
ere cy eee
Pee tiers
Flash control oo
The red section The blue section
The first section i labelled with ae eamera fon, This In the blue section you'l find all he settings for
section contains all the shoating letutes. So for instance reviewing images. This includes the options to protect,
if you want to set the image quay, the ofthe most useful tols here isthe
‘white alan
the Live View op
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Live View mode: a Match the appropriate lens with your
wa) creative needs to ensure great results,
4 nomatter what the setting
G22 Your guide to
camera lenses
72 peletmanualy®Canon Beginner’s Handbook
Ta
a hall
Your guide to came
lenses
Discover how to choose the most appropriate lens for any
given scene with our introduction to digital camera optics
hete will come a time when you
decide to buy an adltional lens for
your camera to increase your
creative options, For the beginner
itcan seem daunting when you start shopping
around for anew lens, But is nota tricky a8
‘yo may fist think, There are oly realy
few considerations you need to take into
account when purchasing lens. These are
the cost (asa general rule, you should spend
asmuch as you can afford, the focal lenge
(ow wide or how 2o0med you need it tobe),
and the minimum and maximum aperture
"ange (how sharp or blurted you wart your
pictures to be!
‘Canon produces two types of lenses, which
re EF and EF-S. EF lenses are matked with
feel dot, and EF-S with a white. We'll explain
‘what these mean ina few pages bu for now
Just cheek what dot or dots your Canon DSLR
bas. Ifyou have both the red and white dots,
your camera can use either lens bu if you
jst havea red dot, you'll need an EF lens the
EF-S won't fit your camera mount)
The foal length of lens is measured in
rillimyetees (ml. Your lens wil have either a
‘ariable focal length (for example, 24-70mm)
for it willbe a fixed length for example
SSmm). If you need something versatile, then
variable length isthe better choice, but fed
focal length lenses generally produce higher
‘quality results. When it comes to focal length,
just remember thatthe lower the number,the wider the view and the bigger the
hnumaer, the more zoomed in youl be
"The next consideration onthe list
is the aperture range. On the kit lens
appeats lke this, 135-56, Thi
the minimam and maximam apertar
range will vary depending on where the
focal length of your lens i set to. For
‘example, on your kit lens if yous were
Sect I8inm, then your aperture can
‘open up t01/3.5 But if you zoomed inta
55mm, then your aperture setting can
‘only go as wide as £/56. Some lenses
Ihave fixed minimum and maxirmum
apertures, for example, on the Cann EF
24-7omm 1/28, the aperture wil open
{up 0.02.8 regardless of wit focal
Teng
‘of lenses tend to be more expensive
fo they may be ait out ofthe price
range of a hobbyis
ith samanylenses onthe market. canbe alte overahelming
Try tomate your shooting
‘Aid ange lens can px
duce stunning resus i you get down ow
focal lengths produce
hgh quay ests,
2rd kitslonsic a good starting pint for beginners You
useltto shoot avarty of subject matter
Popular lenses
You can shoot almost anything
atallwith these three basic
‘types oflens in your kit bag,
Kit lens
‘The standard kt
lens isa good
placeto sar
Ts foal ange ts
18-SSimm. With the
lens tthe widest
setting (8mm),
thisis good for
shooting landscapes,
cityscapes or large
soups of people. If you
‘art moving the focal length forwards
you'll notice the vew zooms into the
Scene. Atthe other end ofthe see st
'SSmm, you can shoot portals or close
up stl fe
Zoom lens
[you need to get in close tothe action,
youll need to purchase a telephoto
2oom lens. These vary between having
2 variable focal range to having a Fixed
focal length, When shooting with long
telephoto lenses, you need to Increase
Sour shutter speed setting fa compensate
for thelong length. Also, telephoto
Tenses dn’ come cheap, because they
are complex in construction. They are
well wort it though, if you're keen to
Capture wildlife or sports up close
Standard
zoom
standard zoom
sich asa
Om lens is an
extemelyusefl
lens to have to
hn Not only can
you shoots varlety
of subject mater
with this ens,
from portraiture to
architecture, bt this
‘ne from Canon produces
high-quality results. youve tl
unsure about what direction you want
to take your photography, and you have
the funds to purchases new les, tisCanon Beginner’s Handbook
FOCUSING AND LENSES
How to select the right lens
Explore your lens options once you've decided the
type of subject matter you're keen to capturerange include image
Sablistion technology
‘Ona Canon lens its marked
with an IS switch. This stands for
Image Stabilization, This essential
helps you to produce sharper shots
when shooting with your camera by
hand. To engage the feature, switch IS
‘on. The only time you should switch
this offi when your camera is
mounted to tripod,
‘What lens or lenses
be determined by your interests. So
iflandscape photography isa pririty,
thera wide-angle lens isa mist,
"They typeally range from 035mm in
Tength, Wide-angle lenses may cause
distortion, for example, they won't be
fay good for portraits because they ca
sd the face, making the nose eok
bigs They can also make balding look
distorted if shooting from aloe angle
However, in some cicumatances you
can use this flaw to your advantage to
create fun, dynam plture
If shooting sport or wildlife is more
‘your thing, then a telephoto lens will
be a wiser investment. These start at
around 70mm and go all the way to
‘800mm, Some lenses in the telephoto
range come with avaiable focal length,
whereas others are fixed, Telephot
Tenses tend tobe quite heavy soit may
also be worth investing in a monopod
for exta support. You should mount
the monopod tothe lens, which wil
ined a mount for this reason,
‘or shooting portraiture, there are
few different types of lenses that are
good for this gonre. For example, the
170-200mm telephoto lens is gest for
Now try this.
‘What on your lens does what?
ia
Zoom in and out
‘To adjust the foal length of your lens, twist the
sain barrel of the lens with your left hand. If
youre cheotng with a long telephoto len, you
‘ay want to mount it on a monoped of 3 tripod
for cata stablity. Some of the bigger lenses
‘weigh tonne!
producing flatering results. It also blurs
the background behind your subjects
making them stand out. A fixed focal
Tength lens such asa SOmm i also
ed for portatire. You can open the
Sperture to wide setting on this type
att
you wantto
tiseaset of
mounted a you
ketenes
‘of ens, again producing tht nice,
Tackground effect.
"you're still unsure, then for now
get used to handling your kits lens
sehen you start to fee! more confident.
In the medium, invest in another. One
last word of advice ~ Ifyou purchase 2
thicd-pary brand, such as 2 Sigma or
miron, make sare i hs the correct
Canon fiting
Titand-sit lenses
sre usually used
to photograh |
from other lnses
because they have
shits the ple of
wwemed tat hey
For photographing wif, a2o0m lens is 2
‘lose to your subject matter
Achieve focus
Tall you need t0 focus. You ean use the
tomatic focusing feature marked AF on your
lens. f you want to ake conte ofthe focoing
yourself however, then switch the setting to MF
(mans foes) and tet the front ring of your
Jens until the image is sharp.
("hs
‘Stabilise the image
Newt you need to decide if you wast to engage the
1S feature, You should switch ton when shooting
handheld but you don't realy need it when
shooting at shutter speed setting of 1/1000 sec
te fsx Torn i off if your camer is mounted
on a pod,Discover how your choice of lens is affected
by the size of your Canon DSLR's sensor
he sensor in your camerais where | Allthe DSLRs in the current Canon Profes- 7D (APS-C crop sensor) on the same spot,
c sonal ange and the EOS 6D from the ‘both with a 50mm lens attached. As you can
tethasiat rnge have a full-frame sensor, clearly sce, the image from the SD MK Il has
finally stored on your memory Everything ele has an APS-C. t'simportant produced a wider view that the image taken
card It's a vitally important part of your tounderstand the difference between the two withthe 7D. But why? Is because the sensor
‘camera, and sensors from compact cameras because it affects the field fon the 7D isnot as bg as the full-frame
Fight the way to DSLRs come nll diferent of view and the focal length of your lens. But __ sensor soit cuts into the view ofthe len.
‘sizes. Canon produces two types of camera ow, you may ask? ‘This means that a SOmm lens will not show 3
sensors in thelr DSLR range, These are APS-C "In our example (onthe right-hand side of 50mm view on a cop-factor senso. Instead,
and fll fame. Full fame, as you expect, isthe pagel we've set up a Canon EOS SDMK the SOmmlens becomes the equivalent ofan
larger in size compared tothe APS-C sensor, Il ith 2 fullsframe sensor) and a Canon EOS 0mm lensQualit
considerations
‘Some further information on
the Canon camera sensors
Here we've st up two camerasinthe same spot to show youthe
‘itferance non the sensors work,
i :
With» ulrame sensor anda SOmm lens youcan see the fl view
ofthe scene
Full frame
A fall Fame sensor messures36x24mm
fn le. full-frame sensor ou have
the same resolution (measured in
rmeqapitels| as an APS-C sensor, but the
image quality will be higher on the fll
feame. This because the aeface ae
ofthe sensor is ager soit can capture
tore detail asthe light iti
APS-C sensor
The eop-factor sensor on the Canon
EOS 7D measures 22 Smaneld Sm,
sgniicanly smaller han a full-frame
Sensor. When using an E-S lens, i's
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80 ~ and there we have the
the current ange come with an 31.6
crop-factor sensor
‘Canon also produces two types of
view. All the Canon APS-C
lenses. These are EF and EF-S. EF are
‘marked with are dot and EF-S with a
‘white dot, The EF-S lenses are designed
‘only for the APS-C sensor, and they
EOSM
‘The compact Canon EOS M also has
22,3mmeld 9mm sensor. Unfortunately,
thi model won't tthe regular EF and
EF-S lenses without an adaptor mount.
Canon alto has 3 range of EF-M lenses
twill not ft on a fll-frame eamers. EP
camera body. Turn
on of the difference
Tenses can go an any
the page fora diag
Tis image's taken atthe same spot wth thes
sulting images 2bove butts tne wit cropacter sensor for this modeCanon Beginner’s HandbookCanon Beginner's Handbook
oo
01 THE BIGGER PICTURE
02 FULL FRAME
03 APS-C SENSOR
04 MICRO FOUR THIRDS
05 COMPACT CAMERACanon Beginner’s Handbook
Autofocus
Let your camera take control
of the focusing for youSelect a point
oie inthe Man ekection
sud then back tothe Auton o
Alternatively. you can use the back-pane salt
portraits
1 whenChoose the
focus mode
Learn how to select the correct focus
mode to get the best possible results
‘our Canon DSLR has thre focus settings: One
Shot, Al Servo and AI Focus. Each comes in
handy for shooting alternative gentes. For
example, if you were trying to shoot a stunt
bike fn action, youd need a different AF setting than if |
you were framing up wide angled shot ofa building.)
"Your Canon camera is able to track moving subjects
‘withthe ATServo setting. Adjusting the settings a the.
tight time will make the difference between taking \”-7A
‘noteworthy images or average snaps.
‘Turn the page to find out more(eT) afta ee Le1eLe§P
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Use your DSLR's Live View and Image
Review features to check your shots
before and after you take them
3G Shootand review
your images
2BLive View mode
We reveal all the dos and don'ts of using
Live View to get the most from the feature
sing the Live View feature to compose
an image will work better in some
shooting scenarios than others, In
this lesson we're going to run through
the dos and dants of when to engage Live View
and when its best te
‘Tobring Live Vi 2 you first need
to ress the button. Ths should be on the back
‘pane of your camera, Once engaged you have the
‘option to alter the display setup. Press the Info
ton todo this.
‘option to adjust the Live View
‘camera's main mena. Under the
red camera settings tb lst inthe red section)
‘you'll notice the icon looks slightly different Gt
Shows the back ofthe camera). These ae al of
{your options for the Live View featureMore dos and don'ts...
We continue our guide to Live View mode
shooting by revealing more of our top tips
shoot fror
ward anglesCanon Beginner's Handbook
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Live view in action
Isola aol COMe SAMIR Loy
mode in six simple steps...(eT) =1 ta ea lel eseLe§
AND IMAGE REVIEW
OL ENGAGE LIVE VIEW
(02 COMPOSE THE IMAGE
(03 MAIN IMAGE
(06 FOCUS BOXCanon Beginner’s HandbookCanon Beginner's Handbook
EN ay EAN RAC ag A
Shoot &
Keats ANG
See the results instantly by
hitting the playback button
FILESILO
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Playing images back
Ia Kens =,
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Use the LCD screen to quickly
sooo ON a tecnaaNe)}Canon Beginner's Handbook
eT elas aa aCanon Beginner’s Handboo! |Check the exposure
Use the in-camera histogram and highlight
warnings to check the exposure of an image
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Take full
control with
manual mode
Learn how to take full control of your
Canon digital SLR, and capture the
perfect shot every time
98 mete Epiained
1O28Reerins
Metering mode
oe ooCanon Beginner’s Handbook
Exposure compensation
\ Ar irrChoose a shooting mode
oe inane ofthe semi-automatic shooting
Totes. These are program, aperture priority and shutter
Priority. The exposure compencation fsture wont work in
the fully automatic mode or any ofthe scene modes. fa this advanced
cevample wet pting
yy
ner into program mode tse the ba
The camera has guessed pretty accurately wht it
hts
Make a normal exposure Over-expose the scene
Lat’ look at a real-world example Set up your shot
so tha you're happy with the composition, We've
imply crested ell-lie scene using buckle flowers Kt by 1
‘household lamp with ome ol wap
‘When sou take 3 photo with th
think the exposure settings shouldbe, bu there's
for improvement, In this example we've going to pus
abackdeop. the exposure compensation one stp to the right to make
sre meter inthe the image appear ghter We o
centre the restlt looks Ie this posure by ust ractons of ast
5
Sooecee
Ire
(re)
Under-expose the scene Keep up to speed
Nie aatues ous gual ences
camera settings change, For example if you're shoating
Yur camera will keep the aperture atthe same
reiting, but wil adjust the shutter speed accordingly Take
ting st from the exposure by moving rn shooting with the camera handheld ~ ithe shuter
The needle farther tothe left
speed drops too low you can produce eamers shakeNY atawiere
modes
aoc eee kyo ene N28)
Fleece ogre tania n oaaNo16Canon Beginner's HandbookMetering explained
Learn how to assist your camera's metering system by
choosing the appropriate mode for a given sceneeee
we
em
whole eae, but i bs the main focus pot on the ares in the middle af the fee, approximately nine
This gives you nee of geting a cozectly exposed ff percent of the viewfinder a tings useful when
subject and background.
Spot Center weighted average
tering only measure salt th Cee we ra hh
ref the fame I ke the
il wen you wa
in the frame, Again, use
light if you're concerned
Here comes the science bi
Discover which parts ofthe scene each metering mode concentrates on to determine exposure
Evaluative Partial Spot Center weighted
we look at this dlgram ofthe Inthe Partial metering mode the With Spot metering the average ie__As you can ae from the ar tea
Evaluative mode, youcan see how average is calculated by measuring _calcalated by measuringjust 2-84 in the centre, Center welghted
itcoverr the wholeframe, Note only 8-13% of the picture, That's” ofthe pieure Spot metering can be average ismore biased towards
that the main focus pont inthis. not much soit'sbest used when useful when you want to take quick the mile ofthe scene. I's best,
meter reading from diferent parts to.tic to Evaluative i shooting
cerample ison the right-hand side, you need just the main subject
moving subject matter
hence the Blas n that aes, the image corectiy expose. ofthe sceneTake a single shot, a burst of
shots, or set the self-timer
Turn the page to Find out moreCanon Beginner's HandbookaWhite balance
Capture perfect colours using a custom
white balance setting
ow may think that the colors yo
The colour temperature chart
Shade 7000K _
Cloudy 6000K
Daylight s200K
Flash 4500K
Fluorescent 4200K
‘Tungsten 3200K,Canon Beginner's
ISO sensitivity
Adjust the ISO to get better exposures in any lighting conditions
setting. I you're shooting with your
Camera attached to tripod, and a slow
shutter speed setting isnt an issue, keep
Understand to take better photographs,
"Turn the page to find out more.How to choose
the ISO
Take better pictures using
the appropriate ISO settingOptimise your Canon DSLR with
custornised presets, settings,
menu items and more
11GB | 14 OB
capture HD vdeo lights and
122¢emrmsesvagee | AZ BEER are
14 8eustanev
Putallys
swith the MiShoot video
Use your Canon DSLR to capture aay
video and get amazing resultsStart rolling
Set the video mode to the correct quality
settings and start shooting footageUse Picture Styles |
Customise a photo's saturation, contrast
and more with a camera Picture Style
effect in-cameraCanon Beginner’s Handbook
Picture Style
options
Discover how to apply Picture Style
special effects to your images
Access the camera's
Picture Styles
Bug
Cote ttaie
The Landscape Picture Style
“Te Landscape Pitre Syl boosts the sharpness in
scent enn the Sage sharp fom front ob
‘The blues and greens inthe image ae also enhanced to
enrich the ial resi. When shooting inthe Landscape
scene mode find it onthe mode da, this Plture Style
seitng is astomatialy appliedFill-in flash
Enhance your portraits by
eliminating harsh shadows using
your DSLR's built-in flash unit
«
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Let there be light
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the duration of an exp
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shutter open fora maximum of 30
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Includes Bulb med feature, which enables you
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closing, This means that’s postbe in the
‘middle of the night to keep the camera's shutter
‘pen for hours on end! You set the aperture
pictured here, yoa can open the shutter t0
Capture the clouds moving across the sky and
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sky to blur as much as they have, we had
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Auto Lighting Optimizer
Capture both the highlights and the shadows in a high-contrast
scene, but only if you use the JPEG shooting option:
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in high-contrast light is that i's
between the readings ofthe
highlights and shadows, your
camera may capture dark heavy
shadows with ite or no deal
and overexposed highlights. A
Feature that can help you out of
this problem isthe Auto Lighting
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toproces them in raw editor to get the best qual
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Update your
DSLR’s firmware
Keep your camera up to date by updating
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new firmware is valleWi-Fi, GPS and HDR
Discover five of the most exciting new
features of the latest Canon DSLRs
HDR < .
HDR stands for high
dynamiceange.andisa
Popular technique with landscape
photographers. The feature
work by taking three images in
fuccesion ofthe same scene
Tes exposing forthe highlights,
midtones and shadows. The
amera then processes these
three images into one inal
result. I's grat when Faced
eth shigh-conteast scene. The
Canon cameras that have an HDR.
‘mode ineide the Canon SD MK
{land éD. The 6S0D and the
7000 includes HDR Backlight
Control festure I's also worth
noting that you can crest the
HDR effect in Canon’ free DPP
sofware I hes to use tripod
when shooting tue different
‘exposures ofthe same scene so
thatthe images match up.
DSER festures tobe announced
Js Wie. Currently. the Canon
0S 6D and 70D include it. Once
you've enabled it in the menus,
you can connect toa network, set
Up remote shooting from your
phone using the EOS Remote
pp and transfer images fom the
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very photographer likes to use different if you're a landscape photographer then you're
Camere seting anc control their going towant to set Your emer up ers
ere ede creased | teeny ta vor opp crete I
Youcanadhatmany ofthepresct photogapher Over the next ew pages wee gong
default options that your DSLR has set foryou. to show you some ofthe more popular cutom
Itsbest fot to grips with he bsi layout and Settings andthe necessary step you need oak |
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Where to start?a aa
Pray od
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Five more camera-customisation
tips to improve your Canon DSLR
Image review
‘Auto power offCanon Beginner’s Handbook
SLR COLLEGE
SLR College
Master your EOS in 13 easy-to-follow lessons!
Page 178Focal length
Focusing.
Depth of field
Aperture
Shutter speeds
Exposure modes
Metering modes.
White balance.
Digital processing
Flash
ISO speeds.
File formats and memory cards.
Histograms.
Page 170
156
160
166
170
1144
178
182
186
190
194
198
202
206What is focal
length all =
about?
elcome tothe Canon SLR College ~
complete 13-part series that over
the folowing pages, buds ntoa
‘comprehensive beginners’ gue thaw your
attal SLR works, andhow togetthe most
fromit. nour frstlesson were gong to
eclain everything youneed to know about
focallength. Amajor benefitofusing aDSLR
is that youcan choose rom a variety of lenses
suited to particular photographic situations,
‘and the main determining factorinpickinga
Certainlensis its focal length. Focallength is
measiced inmilimetres with 35-5Omm
roughly equaling your fel of vision. Lenses
‘with focal ents ofless than 35mm are
knowns wie-anglelenses andenableyouto
fitmoreinto your scene. so are good for
landscape shots. Lenses with larger focal
leneths, around 7Omm andl upwards, re
telephoto lenses and willmagnty your
subjects and ae good for close upprtrats,
sports and wide photography
i eekenaired en pear a Trot sechl basta
atmosphere. Ideal Preece reach to minimise the Poe es
eer cel oon eva Pe Button, use your right hand to turn
Cee trnes eto Ce ee
ee oe BearerFocal length
The focaliengthyeuire
carrentyusingis
Focus ring
Turnto manual cust
the focus used when
yourlensis switched to indestedby the
MF (Manual Focus). number on the zoom
The intemal elements ring that ines upwth
move together to focus ‘3 the central mark
theters Pa
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Tre tern ee oe
pening) contoishow Atachesthelens to
‘uch ightsletin a DSi comets
supply power from your
camera ta drvethe
Front element
‘The widestofallthe lens
‘autofocus andi, and
‘allows the camera and
clements, andthe one that oon
iseasiest to serateh
Zoom ring Lens motor Image Stabilizer (Is)
By turning the zoom AllGanon EOS tenses have builtin motors to move Canon's Image Stabizer(S) technology
ring the internal groups of {heelerentssothe autofocus systemcan focus uses gyroscopic sensors anda miro
lens lementsmove to the mage. Some lenseshave an Utrasonic Motor ‘computer to detect and correct sightlens
change the focal enath (USM) whichis desgnedto be quieter ad taster ‘rations caused byhane shake
Do I need to buy
lenses?
With the vast choice of Canon lenses avallabl, you may well get confused
vihenitcomes to upgrading lenses. Should you buy EF or EFS lenses?
Well uniess youre pro photographer. own ful-rare (or APS-H) DSLR.
(60ers or 1 ranges) orhave deep pockets, you don'thavetoinvestin
EF Canon lenses. Instead, concentrateon Canon's EFS lenses as theyre
designed for smaler-sensor EOS DSLRs like the 700D and 70D, are often
‘moreatfordabl,andyoulistil capture top results.
Measuredinmilimetres the
focallenaths the aistance
from thelens's optical centre
toyour EOS cameras sensor,
What you actualy se through
the viewfinder. Te longer the
focallenath ea 300m, the
smal the angle of ve.
Conversely the shorter he
focallenath ea IB, the
‘greater the angle af view
‘lens that nas arange of focal
lengths = eg18-55ren.A,
oomlensdoesntmeanit'sa
telephoto ens!
‘Alen that sata zoom, with
usta singe focal length
ees Most Canon DSLRshiaves
erence «crop factor|When we tak about the facallengthof lenses,
what we're realy talking bout s the ‘angle of
\vew you can see through your Canon DSLR's
viewfinder. In simple terms, thelonger your focal
lenath (such as telephoto lens ata focal erath
‘of200mmr, the smaller your angle ot view and
larger your subject appearsin te frame. The
shorter your focallength (auch as a wide-angle
lens with focal length of 8mm). the greater
your angle view,
This angle of ew can bereduced further
dependlingon the Canon DSLR you use. The
‘small the sensor the narrower the angle f view
thelens provides asthe smaller sensor sees a
‘smaller section ofthe view seenby the ens). This
jhenomenan is krown asthe ‘crop factor. With
popular EOS models, suchas the Rebel, 4000,
‘450D, 12000, 70D and 7D. there'e cropfactor
(of 1.6: this effectively magnifies focallength by
16. Withtelephoto focallengths, thishas the
‘advantage of bringing you even claser tote action
'2200mmlenshas anetfectve focallenath
(EFL) of 320mm 200416) - whichshepfulfor
‘uli or sports photography. Conversely. crop
factoris seen asa disadvantage on wide-angle
focalleneths, asit nereasesan I8mmilens to an
EFL of 29mm (8x16), reducing how much you
can fitinyour rame-—net so good when shooting
indoors where paces ited
Lenses with fied focal length are known 23
prime lenses ~ suchas the Canon EF SOmm (/1.8
lens, whereas lenses offering arangeo focal
length areknownas zooms; an EF $55:250mm
20m offersallthe focal lengths from 55mm to
250mm inclusive. Some people contuse
telephoto with’zo0m yetyoucan havea
zoom ens that is telephoto for example the
Canon EF $10-22mm1/3.5-45 tsan tra wide
angle 200m The Canon EFS18-55mm1/35-56
‘standarc'200m lens s also known as tens. as
its often supplied with popular EOS DSLRs. The
18.55mm eters tothe focal length range: 18mm
isthe wide-angle end, while the 55mm endisa
mid-range focal length, The 1/3 51/5 6retersto
the maximum aperture range; at I&mmit willbe
atits widest aperture of /3.5, while at SSmmit
Wille reduced to/5.6. However, narrower
apertures are avaiable at alits focal lengths
Higher spec lenses, such as the EF-$17.58mmm
172815 USMlens, have constant wide apertures
‘throughout their focallength range, inthis case
{/2Bat every focal length rom 17 to 85mm.
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OF VIEWWhat’s focu
all about?
ctureswhere the mainsubject Aout focus pictur is worthless, but
isntsharpareoften completely your Ganon’ packed withadvanced
‘worthless —andforthisreason _eirultrytohelp you get your subject
focusing is one of the most crucial remains pinsharp
controls on your dgtal SLR. Alenscan
‘only focus precisely atone distance at a
time, soit needs to lock onto the
correct partof the frame or your
‘subject may appear blurred.
Fortunately, thanks todepth of fee
(aphenomencn that we willookatin
greater detallnext lesson, beginning on
page 164),arangeof dstancesin your
image can often actully appear tobe in
focus. Althe same, your EOS provides
arangeof different systems that allow
to get the main part of your image
‘sharp aswell as a numberof checks
for youto ensure that key areas of the
photograph are not out of focus.
Canon introduced autofocus (AF)
nits SLRS27 years ago ~and the
‘technology hasimprovedimmensely
‘over this ime, Essentially, special
‘sensorin the camera body assesses
the contrastin the image, then adjusts
clementsin the lens to bring the image
into focus, Unfortunately, there are
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‘Multiple AF points
Current Canon DSLR oer
between? and 45 points,
where the autofocus pintcan
measure subject cistnce
Central AF point
Ofallthe autofocus points, the onein the centres the most sensitive.
Itis therefore the best AF point touse when shootinginlow ight, or when
precise focusing isciical, You can use this central AF point evenifyou
Con't want the subject to bein themidd of your photo
How does autofocus really work?
Seton
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thatthe camerahas
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points flash, showing
thepersonand the two
near trees are infocus,
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confirmation
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lightup when the
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fontoa subject uiven
using One-Shot AF
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AF cannot lock onto the
subject or youaretoo
close. The LED does not
lghtifusing Al Servo AF
Ameasure of howmuch ofa
picture isin focus, rom the
nearest point nthe seeneto
the camera hatlooks sharp,
tothefurthermostpoint that
looks sharp, The amount of
depth of feds dependenton
the aperture, the stance
thatthe lensis focused at, and
the focallength ofthe ns
Tre surface upen which the
viewfinder mage of dtl
SlRisprojected. A textured
surface desgnedto
accentuate the degree by
Which theimageissharpor
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assistance when focusing.Canon Beginner’s Handbook
CAMERA SETUP
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numberof reasons why the system
still no fool
First our camera cannot know
which part ofthe frame you want to
focus on. Anumber of sensors are used
the subject, butthe AF system
vant to focus on
this by manually selecting an AF point
‘thatlines up withthe subject orby
‘moving the camera so that an AF pe
‘ocuseson your subjec
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focusing sereeniswhat yousee when youlookttrough the
viewfinder. Some top models, suchas the EOS 800, alow a
choice of optional focus screens (above). whichimprove
accuracy when focusing manual on subjects
Manual focusing
Tocontrol hefoaing youre
rater than using the motorised
‘Fasten, youtumaringon he
cuted of helene. Butyou need
tose the lens toMF ist
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Toadiustthe focus,
sroupsotens elements
axephysically moved
within thelens.
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indicates when ardon
what the AFis
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secondary sub-mierr.
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owrwards, towards
the AF medul,
Mirror
‘Themain mirror reflects the image
createdby the lens so that t appears
onthe focusing sereen fps out of
the way. then the shutteristired
Autofocus module
dedicated sensors used toassess the contrast
andfocusin small areas ofthe mage Adjustments
are then communicated tothelens,
Inorder to see the AF points
clearly inthe viewtinder, and so
youcan use the focusing sereen
io see whats sharp, you may
haveto acustthelens inthe
viewfinder to suit your eyesint.
‘emallhnurled whee by the
toprcight corner ofthe eye
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autofocus sensor. infact. many SLRS Tricks for better manual focusing
hhave one or more autofocus points that
sare designed to performbest when Ce Smee CO aoe eer Tod
‘used with lens with an aperture of
1728. This settings crucial, whatever Cea Uae
‘aperture you ae using fr the shot — ‘When focusing on subjects that are just centimetres from
asthe ens always focuses wth the the lens, adusting the focus ring on the lens accurately
aperture at its widest seting (only ee ae eee a cerca
‘loses downas the shots taken), eee ey
instead. When the shot is roughly focused, rock forward and
ere meet eee es
‘The amount of depth of field avalableis
crucial ~the wider the aperture you
actually take te picture with the LIVE VIEW
smaller the depth of field and so the ete eer
‘more precisely you nust focus. focusing manually. The video picture on the back screenis
‘Simla the claser youre tothe ee eee
subject, andthe longer the lens focal ee ea
lengthyouuse, theless leeway you so that any focusing inaccuracy is obvious, Remember to
hhave with focusing accuracy. scrollto the area that you want to precisely focus on before
Use the tricks and techniques on cagias
‘these pagesto learnto increase your
focusing accuracy Andremember,to
‘make sure youhavea sharp shot. oa Weel toe Ni
review the image youhave just taken Just because you are using manual focus does not mean
and thenuse the magnity teal tozoom ares ee ee ery
into the partofthe image youre nent eer
interestedin. and make sure it appears lighting upas the corresponding areas come into focus.
perfectly in focus onthe LCD. ee et etn ee
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conor ts
Focus control course work
\With every lesson in the Canon SLR College you get some
homework todo = tohelp you put into practice everything
you have eart! To check you now have complete control
over focus find two subjects (two people, say, or two cans
fromyour kitchen cupboard) and place thematcfferent
distances fromyou.
Setup a shot that frames both subjects tightly
‘and has a wide aperture (use Av mode, and use
the Main Dial toset aperture to 1/4 or /5.6). Use
‘manual AF point solectionto take two shots ~ first
with the nearest subject in focus, then with the
furthest subject in focus.
Repeat the exercise, but this time take the pair of.
pictures using manual focus. Check all four
pictures on your computer, so you can zoomin and
check that the subjects that you wanted to be in focus
really do look sharp!The only magazine for Canon DSLR photographersCanon Beginner’s Handbook
LR COLLEG
What is depth
of field all Dp
about?
he abllty to control which part of your
Pictures ae sharpisone of the main
advantages of owning an SLR camera,
Lookat scene ith your own eyes, and
everything fromyourfeet tote horizon is
usually in focus. But your pietures do natneed
tolooktiketvs, Youcan set up your EDS so
thant certain partsof the shot are in sharp
focus, anothers are artisticaly bared This
allows youto create emphasis where youwant
it~andto hie elements that would otherwise I
prove distracting 4
‘As we explainedinthe previous lesson
yourlens can oly focus sharply at one
dastance, However, due to an optical property
knownas depthof Feld arangeofcistances 1
\wilactualy appear shar. This zone of
‘arpnessillvary enormous, Focusin
close onaladybird witha macrolens and - =F
Sept id may ony stretch for couple
‘of millimetres behind andin rontof the spot
»
Changing aperture is one way to
alter how much of ashotis sharp
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oc oer ioe ee eeeCanon Beginner's Handbook
DEPTH OF FIELD
Three ways to affect depth of field
How aperture, focus distance and focal length affect what will appear sharp
Changing the aperture
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thepieture and this crates the ‘acceptably sharp’ range knowns the depth off
Degrees of sharpness
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youhavefocusedon, Switchto shooting a sweeping
‘panorama and everything from the flowers by your
‘bootste the mountains inthe far distance on the
horizon can be made to appear pin sharp,
Formost subjects, depth of fed extends
noticeably further behing the subject than infront,
but the exact split varies depending onthe subject.
“Thereare three key factors for controling the exact
‘amountof depth of fel that you get for any gwen
picture. Thebbest known ofthese aperture (the size
ofthe rs-ike opening inthe lens). Thenarrower the
aperture becomes (thesmaller the /number) the
‘moredepthot field youcan capture. There are several
OS modes that allow yout set the aperture, andthus
change depth offi -we'llookat these in more detail
inalater lesson. However, the best onetouseis the AV
‘mode (or Aperture Prion). Sette tp calon your
DSLR to Ay then youcanrotate the wheel behind the
shutter button to change the aperture setting while
your camera automaticaly adjusts the shutter speed
~tocapture an accurate exposure.
Useawide aperture such as /4)ityouwantto
restrict the zone of focus and capture a shallow depth
offild Orit you want to make sure as mucho the
shot sas sharp as possible, close down the aperture
toanarrower setting (suchas /22) tocapturea
greater depth of fil.
Thehandy thing about using aperture to control depth
offieldisthatit canbe altered without changing your
camera setup. However, for utimate control,youneed
toharness the other twokey factors that cictatethe
‘amount of depth of field that youcapture
The fists the focallength ofthe lens youre using,
|Asyou zoom intoyour subject, the amount of depth offied that you get reduces, Wide-angle lenses, by
definition, offer much greater depth of field than
telephoto ones. So for keeping everythingin the frame
sharp, a composition wth awide lens setting of 18mm.
lor wider. is agood start, Similarly you want to blur
the backgroundas muchas possible, switchtoalong
telephoto lens witha focal length, say, 200m,
‘Thefinalpiece inthe jigsaw isthe astance from
youtto your subject - orto putt more accurately the
clistance thatthe lens i focused.on, The closer your
lens is focused, theless depth of fel youl capture.
Inevitably to becomea master of depth of fil you
‘eed tue al hree factors in unison
“Tomaximise the amount of deptho fed, use 2
wide focal length setting, anarrow aperture, and don't
focus on anything too closet the camera.
‘Andi you want to keep backgrounds artistically
blurred, drawing attention tojusta single part of the
scene, use the longest telephoto setting you can get
away with, st the widest aperture the lens offers, and
getas cose as possible to your subject.
Because ofthe way that your viewfinder works. you
won't able to see the effect of depth of field
accurately as you frame up your picture. What you see
roughiy's the amount of depth of field you would gti
youweretouse the widest aperture availabieon the
lens you are curently using. Tereisa Depth of Fld
Preview facility but as this makes the viewfinder much
darker inorder toshow you exactly what i sharper. it
Isveryhardto interpret accurately. Inorderto
‘experiment with depth of fil it soften best to
simply shoot picture ~thenreviewit on your LCD,
zooming n and scroling arourd'so that youcan see
‘exactly which parts of yourimage ae shar.
Ameasure ofhowmuch ota
Picture isin focus, from the
nearest pointinthe scene tothe
‘camera, to be urthermast poi
thatlooks sharp. The amount of
epthat eis cependent onthe
aperture, the distancethat the
lens'sfocusedat, andthe focal
lergthotthelens.
Try this depth of field exercise
‘Thislessor'shomeworkis designed improve
your knowledge of depth of field ~ and howto
maximise or minimise itinyour pictures
‘As depth of felis moce lnted with
close-up subjects, we are going tousea
table topsite for thissubject. We've used a
chessboard laid out with alts pieces —but you
could just as easly set out thebottlesandcans
‘rom your kitchen cupboard
sea tripod if you have one as this wilhelp
‘eliminate camera shake rom the equation ~ so
that the only blur you gtinyourimage is
created by te mits of depth of fil. you
don't have one, use abrghtly It room anda
high $0 (og IS01000).to ensure you can use
afullrange of apertures
take a second shot with the same setup, but
with the aperture at £/22.
Zoom out to use the widest zoom,
setting avilable (usually 18mm). Take
Frame your objects using the most
telephoto setting of your standard
zoom (usually 55mm), and focus on the
object nearest to you. Set the mode to Av,
and turn the Main Dial anti-clockwise untt
‘the aperture s open as wide as possible
(usually 1/4 or /5.6).Take apicture, Now
‘one shot a the wide aperture used in Step 1,
‘and one at /22. Don't wory if your subjects
only occupy the central part of the frame.
Look atall four images on your
computer, zooming to see which
‘subjects look sharp, and noting the degree
of bur in afferent parts of your pictures.
‘You should discover that even shooting at
1/22 youwon't get everything sharp, but
zooming out gives much more depth of field