arzuela! @ gp & fo& Songs from the Zarzuela for Baritone with piano accompaniment. Romanzas para baritone con acompanamiento de piano.eae Bicones. ‘Cover ceig 2 wt cirecton by mice Bel Des ‘iastation by Angela Danes. Ai Lnarated by New Nosabene London “Progen me Cred Kisgocs by Caligavng Limited, Theor Ne Unauthorized reproduction af ony zat of ‘his pubes by uy means tdlng pooping. 2 “ata aieagenan of armasDiga usté, senor platero (Alonso) 6 Mi aldea (Guerrero) 13 La luvia ha cesado (Chapt) 18 : Solo una boca que se puede besar (Diaz Giles) 26 " Sasibill mi caserio (Guridi) 30 Fe Amor, vida de mi vida (Moreno Torroba) 36 Luche la fe por el triunfo (Moreno Torroba) 40 Suena guitarrico mio (Soriano) 44 Junto al puente de la pefia (Serrano) 50 Canta mendigo errante (Serrano) 55 Madrilefia bonita (Sorozdbal) 62 Ya mis horas felices (Soutullo y Vert) 66Diga usté, sefior platero from La Parranda ics iso be Sout berveen Anata. and Valencia Inte “Song oF he Stivers” success young farmer Migue paysafney tured compet 0s beloved Aurore ~ta arvana the reveter™on der wedding dy. LF, Ardavin F. Alonso Allegretto moderato 3 Andante f —,ae ELF bir Zz 7 7¢ oe fri be oo tog be ee = = ler ° wo diamante como es te que que seo he ro = ba =oPe oe ee ce ere? * y sakibunra-yo deaffrettands >> aay — 4 ES = SS e yal sal-tar aa-cides-te be = 80 que per-fe-ma lo gue 2 HH ay et as B tempo + tftp quelha man-da-do que este ba sees * me loergurcen de ma ne Rn que lo pue-da te-ner o— 7 pre-s0 de mis W-bioscuando que - m sin que ma e ees. ca = 4 pt =e Ie ——, = |. oe ae » Fae a= eli me af- Tempo ral. po - dex = lea = pause, ‘ = as manna = “= Bh a es) > me-nes-terDi = gases a & nt a a ‘ova — ta pla-taes me - nes Andante ae bal se- for pla -Mi aidea from Los Gavilanes Juan jis nave vilage on the Provengat cast many years aga. a result of sanpoinied ove ‘Now fe returns from he Aeris, rich mano gree his ham for heft. Gees ( Sparrowhassks) are older men who wse tei maney force mariage On younger women 0 tempat (0 which Juans shorty ffl prey, ougt hisgenerasty and good sense wi rrp nthe end JR. Martin J. Guerrero p lento Allegretto, suAN =. iMual = de - a! ee a —— Cusn-toel alma se se-ere-a al vol-ver-te@ con-tom ~ plan, Des-pués de cru-2ar los ma-res, a= tra ver vuel-voa mi aR f a ames Mars ng Mea 0 Use 13. — Allegretio moderato 22 ea = eo tlte 4 5 - * att Tet ——— —— ——= ra, iAH] Pen-san-doen af nasehey of - a, al-de-a de mis a- u ae pete pp oe tits = — = mo - fe —_____ miey-pe-man- za een of © _____ sea Ii vin ban mis, do. ——— B oe i. Pen-sandoen i mar se- re - aa pen-sindoen 0, be lo cig = lo. em mis dul-ce mi pe - na_______y me-nor_mi des conp tes Pisoo) : sue Io, Siempre en mi ade «a pen-sa - a, Sempre am-bi-cio-né vel «ver, (eco) j of ep cl val, say ee 2 Of . : i " yes - te momen - to so-fa - ba deotra viz mial-de - aver que el m0-20 fuerte vuel- 24 —~ _—_———— E Lt tet ot SS —— le ee ei co-ma-26n sal-wenmi pe = ch. Nim26 ——~. * + | mj tu-cha por ganar el hhoy vuel-vo si-coy pode - 10 se 30 ee x lo que m-ve que pe - mag_______loque impor-ines que ya all. a tempo. 32 # para no mar-char ja ee feJo que tive que pe - mar: —__ In que imporsaes que va . 5 all, ren - wel 5 vo pao marschar ja. mis # tfLa lluvia ha cesado from La tempestad “The Tempest one of he finest of Chaps ‘andro grande three-ac)zarzuelas, is not based on Shakespeare Rather is @ ‘possonate melodrama ston the coast of Briain he erty "cour, conte om he urveling oa murder which ‘00k place many years before, The Saturrne sherman. Sion the vila ofthe peer, and his moncicgue expresses uy fetings evoked ay the storm 2.8 onatey poe xe and mos are bath Reel ise a D.M. Ramos Carrion R.Chapi Andante sostenuto SIMON 1a tu via ha ce-sa-do, 2! y a4 3, alejuseel' , 1 1 5 1 seven elcielomu-bla- do setornase « re - no, Pa-s6la tormenta, fa meres eden 23 Moderato agitato por qué tan vio = ena a poco a poco rit. it jay! de mit eterna men-te i je la tempe-stad a. => cot cameo | PID a pgrin :Andante mosso e agitato gui? fa he se os ae oe aie me le a de me Biaseoe Rb eee ee ee ee erase ywgiato mas ete Sie —— we a yes eu sho do » H ho. + toa ls a yesee oh50 Allegro Moderato = aS eae = ae = se Mir-vien- wese al - ain - d5.mi-to at mar em-tra = ve Ye teu rum — bin-do-86 op des = dea 4 2 +. = ——— Ww feo = co oo So SS eae meee =- aIa faa Ne oe pe fof ed te ed tk ie ek ee J oe 65 7 ‘Tempo I (Andante sostenuto) Stringendo "ie fe fe jie Yael rue-noapa - g3-do Largo 2 i 2 fe nds Le-jos 20-elvientohaeal-la do, la marae se - re. Vol-vi la a feria lomismoqueel dist sed - ne-seel al qué, por qué tem- bar? El cis - loess sia —Peli deh oy ee Ge le Of 4 1B rises, ae —.> poten en pig te = = ss Bo & «bed vam mo aval oes sin nu {por qué tem-blar? per qué, %. porque es-td la mar, 1 mar, A cieloes-t sinSolo una boca que se puede besar from Ei Cantar del Arriero ee Uneraiesty ee reper renee rer ‘bction though shorty aperwards he wil be rocad by the ascovery tha she rely his own daughter. Of ie ‘nay zarmielas writen the nce-popdar Diez Ges. hiss he ony ame that continues oho th stage S, Adame y A. Torrado F.D. Giles ‘Moderato LORENZO Solou-na bo-ca que se pue - de be-sar com-pen-sa de tan-t0 pe ~ nar s6-low-na fies-ca bo-ca de mujer, —_~. Vida pue-de hacer-nos com pren-der. Be-sar su fres-ca bo-ca ya = Ili de~jar Me me Oe -5 Ata Tree Uli Masel pla S.A "Sar SSekes Citas Soy osu kane eacote: SE aes %6Se Be bbe eee B 6 a a ereg O ae ciple # Eno —— a umnioes pe-ser y sen-tl — aien-toy door porque wos Tachi de ma jer, al a-mar a eel con-sue-loquehayma = yor. Be = la ma — y [a mozaha de ser mf = aA-quiven - dr 8 qui aes wis que caer Ma-ri-blan ~ ca yo bré ee r 40 epassioneto Ay meso (gy ligado) cppwsionat a tempo aoe 46 = ie-nes mi caer = al Hoy on te venta meno cen misbra-2osten - a= affret. TAY meso ner que de = poco ress] moe slo mees= pe =rLek a 2 2 Ay me-so- ne - ral WAy meso - mera que de - tie-nes mi caste - al —— Pre-soen Ins re dos del en - cam- to de tre —— @ dh mali express. Neona de pa-sion, es cla- yo soy de twi-to-sion iy me-s0- oe = ory, = je que uea porta-mur!Sasibill mi caserio : from El caserio : “Etcasert't a tyr of praise to Gur’ Basque hemeland more particulary ‘Te Homestead de fail famouse athe centre afviag if rated over by the wise ad gee Sard his vomanza he ins his pide Sasi he house, wih melancholy memories (fis ong daa swetheart He goes onto hope hat is nize Aa: Mart. daughr of he dead woman, my he voi mis hear "The song is main inthe sua 5/8 tm of he ‘zorezio the radonal Basque dance much fvoured by compeser = F. Romero y F. Fernandez Shaw J. Guridi . ‘Molto tranquillo () = 132) a of Ses - 7 Muy semidoa media vox esivbil mica se = = bin cu-ma demi ni -ten rit, Ra ph a mo- res or-gu-lloy prez a sy) Gas Rare7 : oe = = a ip SSS SSS j H-0iLrinaia pia do- 3, tm ploynm-b de ll Wed | ee do jenda-to ba fossa ft i \¢ SS = r ow Molto pitt animato (2 = 208) dolce Ss — es rit,B= cay - macs | all. 30 = far con tempo en empecado Pp y pos « 790 eo - fy ik ica ? empezando pp + poco a poco 48 adquirend sonaridad pisses fe: = eae? > pees — J} itaesue-tts seacpa - 96! (Quéter-mo =e dak gue per a xsquironiovonorid = Fie 7 i: att -. a= fe tL fen aon eee oe —k ,. .oo== ee =e peeFuew = na oe a tempo : uy ample sempre | = Per = di ait - sida, a fu-ven - tad Ff ms anplio Tesora a tempo o rit. doleissina —, ‘oleisionn= om = = ae z SS | - — — a i i. 1 | bi ee ? oS 2. 2S == i: @ gtft #e ¢ fe st, ee mon Usa ee —S fe ee $ a . 7 { pee game | aa s ¢ 4 f = =~ me of ee 1 =u) te | | a 1 1 = VV -a Wd que vist mip deo, . rit, a of Sax ot, se, lnar-cidm ben-di- ce que wyaha - om. 102 con mds calor at, ipee-quees Iai - si-gen del ha - da AP poe. > Sa ee ee |Amor, vida de mi vida from Maravilla "La Marat’ (The Marve ithe sage name ofa famous cv, whose daughter Bias torn between O69 loves 2 wey cuss, and Rafe! ~< poor but promising sbger at Madi’ famous opera hose, ‘he "ato ea? Belong that Bria has chocen his val Rafael pows out his hear gre Bing ter for paying hm fle hug the endo he zara he trah wl Mae been ware andthe overs read A. Quintero y J.-M. Arozamena F. Moreno Torroba RAFAEL ~ Lo = rar qui sis quehay queol-vi = ——s yo me swe scree Somme rma4 n i ] a ” ‘ ( 1 1 1 ‘ a] 1 4 1 1 ‘ 1 1 1 ' . fen 2 Se Mi do-lor es saber que no peas ho-ra. A a tempo tl Ge poe sor, vi-da de mi vi da, Gqué is tees de-cir-se a dist Te te vas la ja-ven PP pd stud deéste querer sin eden ci6n, ar que po ue - des vol-ver a = tis, = es ouando sien 43 —. Pik mosso Ypenssarguetea-mé canal - may vi - da. yhoy e quie-res bur * ae demi do tor Es-tpa-mor gue so - a6 ooo, 7 [Pae-ron fl-sas pa = ft-bras, mon-tis-tes mil ve-ces ts a- moe, mor, vi- da demi Mid, qu ais = tees de cir-sea list Teaf # 2 Ne = vas la ju-ven - md Weds te gue - eer sin re den - cid, — I Sd . be bot que por el ea des volver a is, es eun do sien «Luche la fe por el triunfo from Luisa Fernanda candor ial seca as soreing ofa coun ky the sok Marat sien wthin whic he finns Unie mos marist he wmalunus yo of 1868 tenor obsessed by pla nrgue exces 0 for as hing forte rvoutonar par may lio hi defeat hs reyes rival forthe hao usa ermand the womar he foves. F. Romero y G. Femandez Shaw F. Moreno Torroba Andante VAL _P meno La che la fe por el rium ~ fo vi da poco rall. ——=S . eden - tr. Yo. que ao soy mis quem hom - bre, de su a-mar Ra- bia de ce - tos meimn-pul - sa L Iu = cho por mi cor - 26 en fren - tr-meenla wi - day la ye-llameins—pi = cas) va — lor - tome pi-deel ho-nor y ia Sees alaePiix mosso £ ——————~., ee £ es i an oe | | a due — aa se 8 de eal vi~ day mi ho L Sane fa li-beradhaen-con - ew - do 7 aa yhe deotre-cer - Ia, si que ~ re, ’ ft s # = all, atempo a oe, eo quien te de-fien - da con fe san gre de mi cor = 260, Allegretto moderato f ~mor dene ma quea- do 1m, sihay que tn chat, sicbi€ te — fig si hay que ven ~ alall, a tempo accel. ——s | cer, sabeé mo - rir, Mas yo no pi-do re-com-pen - sama = les imien-tras con —_—. 7F = * es <2 mii- Mu sidn, que mo me fal P accel. rall. de miom-bi = cin a= mor de a aw z 2 a 7 a tempo= meno, Andante \ Por al a - mor dewna mu ~ jer todoenla video hace - de =, 7S ss rall. — Yel i-de-st de miami - ciéa__— es que la [z. —~ Andante ge ‘>; TempoT ee 6 No- dame impor-taenia do - ra Por quien se quie =e fete se nueSuena guitarrico mio Gota de Perico) from El guitarrico “The Lite Guta’ a shore zara intro scones she ony work to keep Soriano's mame ave ty He was a noted mustoiogis. and Perc vty Jott has al he freshness of the Aragonese oesongs and dances the composer toved to cole. The ation takes place ma village scare dur ais. Perio empl his charm ‘as singer and ctr paver to serenade his beloved ond wi har ears Needs t sy, he succes L. Pascual Frutos A. Perez Soriano Allegro Tempo de Jota 2 PERICO “tha etiam Copy 200 by Umen Niseal waves SNC 44Frr? F RPE y mo wim porte ques) viento commvel vien - Wespa-ra pue-de tco-pe-zar cone ~ Ma F0 | ef eocoate a a i a quees = ty di - Kk queen ec * la a ve ue me = dio lo LPP muy sentido ro muy foes - wy bb - pos se 46 be bus ee ee an oe ee ae ais lain qui wal = me gue ceot un poco rit, pe - 19 quea di la que ‘muy sentido qiees - my sa wo Mpa ita que ba & ai uee avees gn tor sche mis ‘que ~ jas que = to ees — t09 7 ule ila que no a & ila muchas | ap soo veral, a tempo = {Esrneuiendo te Resse con psn ° Be za ee see + Bz aes = SSeS ila queme mit - 10 queme mi - eS = Quien po Gita queses - pia ~ de deeste wm bee om BD col canto a 39 a tempo muy racioso 43 ®102 rit, molto Bp (extingulend ta vochJunto al puente de la pefa from La cancion del Olvido Serra’ one-act zarzuela is agent romantic rama. set during de Napoleon end the Kinga of Mapes. he swaggering Captain Leonel phy recom an ing nocama enced with on expusite lady of doubt vit wo has ‘made a greater pression om him han hes prepared fo adit F. Romero y G- Fernandez Shaw J. Serrano 6 _LEONELLO . Jun-malpuen-te de ia pe ~ por al mo - che laen - com ‘A fa doe-fa que sir - con di- ne = 10 59 = bor yu guns te chi-gui-ti = to le ca-yoa los yosdemine - da Se mi mas g0. sal hedéy se See eeeLM Por sfun re-10 me tan Yol de cir la coe-te yen su ma ~ no a mi fel a 2 por-queal ver-la no se que mi espa dase en ar za ~ be Se ne Cab pu-se an be PU-se ma = pue-de se-sis tir Ia ten-ta - cin dz ce con la Sombra de un ni — val fe-co- gi st guan Tie-0, que yo espe aa mi ga - la Por las ca-Tles $0 - li CCon-ven -ci-day con. quis

eres poco a poco ese, poco u poco aan de poco rit. wl68 a tempo = a esate z Fias_por vi 0 dein a tempo ie= eign qul-2i + de = a donde tua tees raf contabile £ esas, ‘cantaile a tempo == = ee L que cancion qui-zd' w af poco rit, a tempo i ts taal - dea donde om santo ca-ri-fioes — rman cake deha - aratempo an = cida ui «0 pesantepesante a tempo wie Bz F + se + sas por el mun ~~, TS. S = 6 ¢ esante 2 essMadrilefia bonita from La del manojo de rosas (One of he torts of ‘The Girl wih the Roses Anselmo Care cso had a hand in Serrano’ Los Clave. ‘and the two carzuelestalien together gave us aNd portrait oFadnary ijn the copa immediacy before the ci war The Rower air Ascension. unfairly suspecting her lancéJoagutn of ishonourabi nti tears ers ham. He esas ose ih er fing for hin ance sates her beauty are worth, A. Careiio y R. de Castro P. Sorozabal Moderato JoaQuin, no meim-por ta que con does.a't mat-ter that @ a - do teas se-gu-ro que muy pron - to place clase (5 you tire of one a~ no ~ ther, — ome bm = ome = no meim-por=ta que = morse breeds fe doesn't matter that I've apd emo Pao San Ges[ea ya por-queha- tris de woh = ver, ti yanopie-des, por des u fee jou inthe ead you'll, te | img sow Gin maser what Poe : ‘8 orese : ee poco rit, 1 pe cho, el vi = dar nuestro que cost you, Love Vike ours must al- wane t A tempo — r squi- Jo tees-pe = ro, ni fia del al que has-ta cuan-d0 me hu-mi Nas — live through the tor ~ eure, though it sell hurt ‘even when you des-pise me, — 1 8 Un poco mas movido — in y muy marcado me das es - pe - san - uu Ma-tri-te-#a bo its hope won't de - Sert me. Prot.1y girl of Ma L esssee: 22 +t " = = = as = tit, que meas pren-di - do en cl vue = 10 garsbo-s0 ae mu ves did” fresh as vow flow ers ‘a you walk through the cf = ty —— counting the 30 ido, hours, vuel-ves. ‘ring. be = mas splen-dowr, Aun-que me de-jes, los o-jos de ty ez - ra rowson are learang shat lpssa fll af long ~ ing Ma-dicle- ia bo- ai - Pretty gi of Ma - rid, — es res comounra-mi-@ dle bier ~ ba buen wlth your ever fall of sunlight, * worming and ton-der 4 a tempo dicen gue speak of 72 Iz de. ver proud in soura poco rit fen atempo oet Pe ee Tic ne wa-ro-ma —per-tu-me de la Vir- gen de la Pa-to- ma Ah, sweet a» 1r0-ma, a perfume ike the Vir ~ gin of the Palo - man —_——— Bore luz ya-le~ph-a de mi querer; Give me tight, give me laugh-te, sive me your fuve, —= ; ane Ma-di-le-fabo-ni-va, ewhas de vol - ver! Pret-ty gl of Madrid, aa = <=, ian | itthas de vot - ver! You must returnYa mis horas felices from La del soto del Parral Soatto and Yre wrote amas ects tga ch terrane ares ae Sl dn greteeton The exo Womar of the Paras a Seg ‘CvloraRustana A shadow ha fallen cross te long ond hapey mariage ofthe farmer Germ shen is we ed to baliene— ronal that he shaving ator afar with a young gir. German’ soicaxy i that most eresing of operatic artes a ove song “roma usburd his absent wt Fe remembers happier hours. and laments the esoangement rom the aly woman he has evr fved. Fernandez de Sevilla y Carretio R. Soutullo y J.Vert Carbonell Moderato Los can-tos a - le - gres de los xn - ga - les avemen-tin siem - pre la pent mi-a, y miasmar- gu - ra vi-vo Ho - ran eon fai = tn sin oe. Allegretto mosso ———— ea 10 wr * T‘Moderato molto Yamisho - cas fe - lies miate - rit. ‘molto rall. Win, to-do, uz, — risus y es-pe-ran-2u8, mo vol-ve = ris a mk me) iF _——_ Si com fuer = raen mi pe ~ cho pren-dié a Ta-ma dal pe = sary des-a- alot, — ante y a-mae : as $+ - a ee a= - aspity rit, atempo Pid mosso ve A J éheg oe ese > (papa te te = = = SSS $i —— | gum 50 = lo podréalcan - zor, E-res mi mujer, tn que yo (Ge tino aay — a eS, . : Sa yal so-le di mico - ra-26n Yo nosé fin-gir - te ui pen Ses ca a tempo sen la tai-cidn, al subré men-tir—t@ nun - ea con i pa sién = aoe ites = pe-tael si = ten dia tlar noes po - «8poco affret. meno sible, pues de-bo ca - War. Ya ves sigs tor-men-to su-frie sin ka ~ bla o rit. poco Andante PP = st echo ef 1 mor, que ty f6 yucl-vae que me mi-ton us 0ral, atempo ee a SSS ee = Eye comoel sol a 1 ates tt ca-tor, tus eati-cias, mi bien: ccalm-a-ein iia-mar- ses eis bios, mje. ———. Mia-le- gee vievie no pue-do ol-vi - dar nia-que-ll paz que g0-cé: Ay! tiem-pe fo-li, ya noha de vo ra fo ft ‘ae ‘molto legawo| 70ver el ble-ees - tarque per-df, pd siempre acs 2 rail, Vi - v0 mn Tempo Se fus fa luede mitu-sién, ta vi-da 9 - de domi-oando mi pe ~ no, sient nes: posan-za per- . oo. —~) =e 1 t = $ ain,