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from Blink 182 - Neighborhoods
After Midnight
Words and Music by Mark Hoppus, Travis Barker and Tom De Longe
A5 D5/A E5 D5/E
11 13 11
Intro
Moderately slow q = 84
µ A5
*Gtr. 1 (dist.)
(Drums)
mf
2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0
*Doubled throughout
Rhy. Fig. 1A
Gtr. 2 (slight dist.)
mf
9 9 9 9 9 9 9 9
9 9 9 9 9 9 9 9 9 6 7 7 7 7 9 9 9 9 9 9 9 9 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
Rhy. Fig. 1B
Gtr. 3 (slight dist.)
mf
9 9 9 9 9 9 9 6 7 7 7 9 9 9 9 9 9 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
Rhy. Fig. 1
Gtr. 1
2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0
Copyright © 2011 UNIVERSAL MUSIC CORP., FUN WITH GOATS, EMI APRIL MUSIC INC., BEAT POET MUSIC and JOLLY OLD SAINT DICK MUSIC
All Rights for FUN WITH GOATS Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for BEAT POET MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved Used by Permission 1
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D5
End Rhy. Fig. 1A
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
9 9 9 9 9 9 9 9 9 6 7 7 7 7 9 9 9 9 9 9 9 9 9 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
End Rhy. Fig. 1B
9 9 9 9 9 9 6 7 7 7 9 9 9 9 9 9 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
End Rhy. Fig. 1
3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0
Verse
Gtrs. 1, 2 & 3: w/ Rhy. Figs. 1, 1A & 1B (2 times)
A5
1. I can’t get my feet up off the edge. I kind of like the lit - tle
2. I can’t keep your voice out of my head. All I hear are the man - y
D5
rush you get when you’re stand - ing close to death like when you’re driv - ing me cra - zy.
ech - oes of the dark - est words you said and it’s driv - ing me cra - zy.
A5
Hold on as we crash in - to the earth. A bit of pain will help you
I can’t find the best in all of this, but I’m al - ways look - ing
D5
suf - fer when you hurt for real, ’cause you were driv - ing me cra - zy.
out for you ’cause you’re the one I miss, and it’s driv - ing me cra - zy.
2
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Pre-Chorus
* Fm7 Dsus2
Bite your lips, your words a rob - ber - y. Do you grin in - side? You’re kill - ing me.
Gtrs. 2 & 3
let ring
10 10 9 9 10 10 9 9 10
9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7
Gtr. 1
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2
*Chord symbols reflect overall harmony.
A5
All a - long we talked of for - ev - er. I kind of think that we won’t get bet - ter. It’s the
let ring
10 10 9 9 10 10 9 9 10
9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3
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2nd time, Gtr. 4: w/ Rhy. Fill 1
F#m7 Dsus2
long - est start but the end’s not too far a - way. Did you know I’m here to stay?
Gtrs. 2 & 3
let ring
10 10 9 9 10 10 10 10
9 9 9 9 9 9 9 9
7 7 7 7 7 7 7 7
Gtr. 1
P.M.
***
2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2
***Gradually lift P.M.
*Gtr. 4 (dist.)
** mf (cont. in slashes)
2
0 2
0 0 0 0
*Doubled throughout **Vol. swell
Rhy. Fill 1
Gtr. 4
mp mf
(cont. in slashes)
3 3 3 3
2 2 2 2 2
0 0 0 0 2
0 0 0 0 0 0 0
4
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Chorus
*A5 D5/A
Rhy. Fig. 2
Gtr. 4
We’ll stag - ger home af - ter mid - night, sleep arm and arm in the stair - well.
Riff A1
Gtrs. 2 & 3
7 9 7 7 7 7 9 11 7 9 7 7 7 7 9 11
Riff A
Gtr. 1
0 2 0 0 0 0 2 4 0 2 0 0 0 0 2 4
Rhy. Fig. 2A
Gtr. 5 (dist.)
mf
P.M.
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
To Coda End Rhy. Fig. 2
(2nd time, cont. in notation)
We’ll fall a - part on the week - end; these nights go on and on and on.
End Riff A1
7 9 7 7 7 7 9 11 7 9 7 7 9 7
End Riff A
0 2 0 0 0 0 2 4 0 2 0 0 2 0
0
End Rhy. Fig. 2A
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0
5
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Interlude D.S. al Coda
Gtr. 1: w/ Rhy. Fig. 1 (1st 2 meas.)
Gtrs. 2 - 5 tacet
A5
Coda
Gtr. 1: w/ Riff A (last meas.) Gtr. 1: w/ Riff A
Gtrs. 2 & 3: w/ Riff A1 (last meas.) Gtrs. 2 & 3: w/ Riff A1
Gtrs. 4 & 5: w/ Rhy. Figs. 2 & 2A (last meas.) Gtrs. 4 & 5: w/ Rhy. Figs. 2 & 2A
D5/A A5
these nights go on and on and on. We’ll stag - ger home af - ter mid - night,
Rhy. Fill 2 End Rhy. Fill 2
Gtr. 4
3
2 2 2
0 2 2
0 0 0
D5/A
sleep arm and arm in the stair - well. We’ll fall a - part on the week -end; these nights go on and on and on.
Interlude
Gtr. 1: w/ Rhy. Fig. 1 (1st meas.)
A5 Asus4 A5 Asus4
Rhy. Fig. 3
*Gtr. 6 (dist.)
mf
9 9 9 9 9 9 9 7 7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3
*Bass arr. for gtr.
D5/A
End Rhy. Fig. 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
6
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Gtr. 6: w/ Rhy. Fig. 3
A5 Asus4 A5 Asus4 D5/A
Gtr. 1
let ring
2 2
7 9 9 11 11 11 9 7 7 9 11 11 11 9 11 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
E5 D5/E D5/A
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 6
Gtr. 2
9 9 9 9 9 9 9 9 9 9 9 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7 7 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
Gtr. 1
let ring let ring
9 9 9 9 9
11 11 11 11 11 11 11 11 11 11 11 7 7 7 7 7
9 9 9 9 9 9 9 9 9 9 9
Gtr. 6: w/ Rhy. Fig. 4
E5 A5
Gtr. 4
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 6 6 6 6 6 6 6 6 6
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 4
let ring let ring
9 9 9 9 9
11 11 11 11 11 11 11 11 11 11 11 7 7
9 9 9 9 9 9 7 7 7 7 7 9 7 0
7
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Outro-Chorus
Gtr. 1: w/ Riff A (1 1/2 times)
Gtrs. 2 & 3: w/ Riff A1 (2 times)
Gtr. 4: w/ Rhy. Fig. 2 (1st 3 meas.)
Gtr. 5: w/ Rhy. Fig. 2A (2 times)
A5
We’ll stag - ger home af - ter mid - night, sleep arm and arm in the stair - well.
Gtr. 4: w/ Rhy. Fill 2
D5/A
We’ll fall a - part on the week - end; these nights go on and on and on.
Gtr. 4: w/ Rhy. Fig. 2
A5
We’ll stag - ger home af - ter mid - night, sleep arm and arm in the stair - well.
D5/A A5 µ
We’ll fall a - part on the week - end; these nights go on and on and on.
Gtr. 7 (dist.)
* mf
2
2
0
*Vol. swell
Gtr. 1
2
2
0 2 0 0 0 0 2 4 0 2 0 0 2 0 0
0
8
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from Blink 182 - Neighborhoods
Even if She Falls
Words and Music by Mark Hoppus, Travis Barker and Tom De Longe
D G D5
5fr 10fr
1333 1333 13
Intro
Moderately fast q = 156
*D G
Rhy. Fig. 1A
Gtr. 4
(dist.)
mf
Riff A
Gtr. 3 (dist.)
mf
4 4 4 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2
0 0 0
3 3 3
Rhy. Fig. 1
Gtrs. 1 & 2 (dist.)
mf
3 3 3 3 3 3
2 2 2 0 0 0
0 0 0 0 0 0
X X X
3 3 3
*See top of page for chord diagrams pertaining to rhythm slashes.
2 0 0 0 2 0 0 0 4 4 4 0 0 0 0 0 0 0 0 0 0
0 0 0
3 3 3 3 3 3
0 2 2 2 2 2
0 0 0 0 0 0
4 4
3
Copyright © 2011 UNIVERSAL MUSIC CORP., FUN WITH GOATS, EMI APRIL MUSIC INC., BEAT POET MUSIC and JOLLY OLD SAINT DICK MUSIC
All Rights for FUN WITH GOATS Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for BEAT POET MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved Used by Permission 1
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1. 2.
Gtr. 4 tacet
End Rhy. Fig. 1A
1. And she was
End Riff A Fill 1
0 0 0
0 0 0 2 2 0 0 0 2 0 0 0 2 0 0 0 2 0 0 0
End Rhy. Fig. 1 Rhy. Fill 1 End Rhy. Fill 1
3 3 3 3
2 2 2 2
0 0 0 0
4 4
Verse
Gtr. 3 tacet
D5
like a star - ry night, like a Fer - ris wheel
Riff B
Gtr. 5 (clean)
mf
11 11 11 11 12 9 9 9 9 9 11 7 7 11 11 12 9 9 7 7
X X X X X X X X X X X X X X X
9 9 9 9 10 7 7 7 7 7 9 5 5 9 9 10 7 7 5 5
0
Riff C End Riff C
Gtr. 6 (slight dist.)
mp
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Gtr. 3
End Fill 1
Rhy. Fig. 2
Gtrs. 1 & 2
P.M.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2
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Gtr. 6: w/ Riff C (2 times)
G5
full of blue green eyes and a heart of steel.
Gtr. 5
11 11 11 11 12 9 9 9 9 9 9 11 7 7 11 11 12 9 9 7 7
X X X X X X X X X X X X X X
9 9 9 9 10 7 7 7 7 7 7 9 5 5 9 9 10 7 7 5 5
Gtrs. 1 & 2
P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
B5 A5
Al - ways on her own. Al -most nev - er real.
End Riff B
11 11 11 11 12 9 9 9 9 9 11 7 7 11 11 12 9 9 7 7
X X X X X X X X X X X X X
9 9 9 9 10 7 7 7 7 7 9 5 5 9 9 10 7 7 5 5
End Rhy. Fig. 2
P.M.
(cont. in slashes)
3
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3
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Chorus
Gtr. 5 tacet
D5
Rhy. Fig. 3 End Rhy. Fig. 3
Gtrs.
1&2
When the night will be - gin, the pain, it won’t end, e - ven if she falls in love.
Riff D End Riff D
Gtr. 7 (clean)
mf
*w/ delay
let ring throughout
2 0 2 3 2
3 3 3 3
2 2 2 2
*Set for quarter-note regeneration w/ 3 repeats.
Gtrs. 1 & 2: w/ Rhy. Fig. 3
Back, you want to turn back. Your heart will at - tack, e - ven if she falls in love.
Riff E End Riff E
2 0 2 3
3 3 3 3
2 2 2 2
Interlude
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 7/8 times)
Gtr. 3: w/ Riff A (1 7/8 times)
Gtr. 4: w/ Rhy. Fig. 1A (2 times)
Gtr.7 tacet
**D/F# G D
**Chord symbols reflect overall harmony, next 16 meas.
D/C# D/F# G D
Verse
Gtrs. 1 & 2: w/ Rhy. Fill 1 Gtrs. 1 & 2: w/ Rhy. Fig. 2
Gtr. 3: w/ Fill 1 Gtr. 5: w/ Riff B
Gtr. 6: w/ Riff C (3 times)
D/C# D5
2. And she was like a blade of ice,
4
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G5
like a lone - ly road clear as day a - live.
B5 A5
Al - ways sharp and cold, al - ways beau - ti - ful. I am such a fool.
Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (4 times)
Gtr. 7: w/ Riff D
*D A Bm A
When the night will be - gin, the pain, it won’t end, e - ven if she falls in love.
*Chord symbols reflect overall harmony.
D A Bm A
Back, you want to turn back. Your heart will at - tack e - ven if she falls in love.
Riff F End Riff F
Gtr. 7
2 0 2 3 2
3 3 3 3
2 2 2 2
Gtr. 7: w/ Riff F
D Em7 D/F# G
Try, the look in her eyes, the light is just right, e - ven if she falls in love.
D A Bm A
And it is - n’t so bad. It’s driv - ing you mad, e - ven if she falls in love.
Gtr. 7
w/ dist.
2 0 2 3
3 3 3 3 3 3
2 2 2 2
5
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Interlude
D5
Gtrs.
1&2
Gtr. 7
2 2 2 3
3 3 3 3
0
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 4
2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Gtrs. 1 & 2 tacet
Gtr. 4: w/ Rhy. Fig. 4 (3 times)
D/F# G5
Gtr. 6
Harm.
12
Gtr. 7
2 2 2 3 5
3 3 3 3
0
Gtr. 6 tacet
D Em7
Gtr. 7
2 2 2 3 5
3 3 3 3
0
D/F# G5 D5
Rhy. Fill 2 End Rhy. Fill 2
Gtr. 2
2 2 2 3
3 3 3
0
6
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Chorus
Gtr. 2: w/ Rhy. Fig. 3 (3 times)
D
When the night will be - gin, the pain, it won’t end, e - ven if she falls in love.
dist. off
2 0 2 3 2
3 3 3 3 3 3
2
0
Gtr. 1: w/ Rhy. Fill 2
Back, you want to turn back. Your heart will at - tack, e - ven if she falls in love.
2 0 2 3
3 3 3 3
2 2 2
Gtr. 1: w/ Rhy. Fig. 3
Gtr. 7: w/ Riff D
A Bm A
Try, the look in her eyes, the light is just right, e - ven if she falls in love.
Begin fade Fade out
Gtr. 7: w/ Riff E
D A Bm A D5
And it is - n’t so bad. It’s driv -ing you mad, e - ven if she falls in love.
Gtrs. 1 & 2
3 3 3 3
2 2 2 2
0 0 0 0
7
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from Blink 182 - Neighborhoods
Fighting the Gravity
Words and Music by Mark Hoppus, Travis Barker and Tom De Longe
E5
11
Intro
Free time Moderately slow q = 75
µ **E5
Gtr. 4 (dist.)
***
fdbk.
***Vol. swell
Gtr. 1 (dist.)
mf
w/ e-bow
steady gliss.
13 13 12 11 10 5 2
Gtr. 5 (dist.)
†
w/ e-bow
7
†Vol. swell
*Gtr. 2
mf
5 4 3 5
*Bass arr. for gtr.
Gtr. 3 (slight dist.)
mp
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
**Chord symbols reflect overall harmony.
Copyright © 2011 UNIVERSAL MUSIC CORP., FUN WITH GOATS, EMI APRIL MUSIC INC., BEAT POET MUSIC and JOLLY OLD SAINT DICK MUSIC
All Rights for FUN WITH GOATS Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for BEAT POET MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved Used by Permission 1
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9 13
13
mf
7 7 4 7
5 4 3 5 7 4 3
Riff A End Riff A
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2
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Gtr. 3: w/ Riff A
Gtr. 4
mf
Gtr. 1
steady gliss. steady gliss.
13 13 6
7 13
13 13
Gtr. 5
9
7
Gtr. 2
3 5 7 4 4 3 0
Gtr. 6 (dist.)
*
(cont. in slashes)
2
2
0
*Vol. swell
3
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Gtrs. 1, 2 & 4 tacet
**E5
*Gtrs.
3&6
mf
Gtr. 5
*Gtr. 3: w/ dist.
**See top of first page of song for chord diagrams pertaining to rhythm slashes.
(Gtr. 3, cont. in notation)
Gtr. 5
fdbk.
9 9 9 6
Gtr. 1
pp mf
9
Riff B
Gtr. 7 (dist.)
** pp mf
w/ bar
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
-1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2
**Vol. swell
4
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Gtr. 6 tacet Gtr. 7 tacet
G5 E5
This makes no sense. This makes no sense. This makes no sense. This makes no...
Gtr. 5
fdbk.
6
Riff D
Gtr. 8 (clean)
mf
let ring throughout
12
12 13 12
14 13
Gtr. 1
p mf
fdbk.
9
7
Riff C End Riff C
Gtr. 3
*w/ amp tremolo
3 0
*Set for sixteenth-note regeneration.
End Riff B
Gtr. 7
Gtr. 6
**w/ amp tremolo
2 2
7 2 2
0 0
**Set for sixteenth-note regeneration.
5
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Gtr. 3: w/ Riff C (4 times)
G5 E5
This makes no sense. This makes no sense. This makes no sense. This makes no...
Gtr. 5
fdbk.
6 6
End Riff D
Gtr. 8
12
12 13 12
14 13 11 13
Gtr. 1
9
9
Rhy. Fig. 1 End Rhy. Fig. 1
Gtr. 6
amp tremolo off w/ amp tremolo
2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0
Gtr. 1 tacet
Gtr. 6: w/ Rhy. Fig. 1 (3 times)
Gtr. 8: w/ Riff D (1 1/2 times)
G5 E5
This makes no sense. This makes no sense. This makes no sense. This makes no...
Gtr. 5
6
fdbk. fdbk.
9 6 9
6
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G5 E5
This makes no sense. This makes no sense. This makes no sense. This makes no...
Gtr. 5
fdbk. fdbk.
9
6 6 9
Gtr. 1
9
G5 E5
This makes no sense. This makes no sense. This makes no sense. This makes no...
Gtr. 5
fdbk.
7
Gtr. 10 (dist.)
** pp
w/ phaser
0 0 0 0 0 0 0 0
**Vol. swell
*Gtr. 9
mf
12 12 12 12 12 12 12 12
9 9 9 9 9 9 9 9
*Kybd. arr. for gtr.
Riff E End Riff E
Gtr. 11 (fuzz)
*** pp mf
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
***Vol. swell
7
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Gtr. 5 tacet
*Gtr. 11: w/ Riff E
Gtr. 10
mf
0 0 0 0 0 0 0 0
Gtr. 9
12 12 12 12 12 12 12 12
9 9 9 9 9 9 9 9
*Played mf
Verse
Em/G Em/A Em
**
1. This air is too thick to breathe, so just drive.
Gtr. 12 (clean)
mf
w/ phaser w/ bar
12 12 12
14 14
14
-4
Fill 1 End Fill 1
Gtr. 10
ppp
0 0 0 0 0 0 0 0
Gtr. 9
ppp
12 12 12 12 12 12 12 12
9 9 9 9 9 9 9 9
**w/ echo set for half-note regeneration w/ 1 repeat.
8
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Gtrs. 9 & 10 tacet
Em/G Em/A Em
*
These eyes are too sick to see, don’t leave me be - hind.
Gtr. 12
Harm.
w/ bar
12 12 12
12
12
12
-4
Riff F End Riff F
Gtr. 4
dist. off
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*w/ echo set for quarter-note regeneration w/ 2 repeats.
Gtr. 4 tacet Gtr. 8 tacet
Em/G Em/A Em
Some -thing’s swim -ming in my blood, some - thing’s rot - ting in my brain. When I’m smoth - ered from the flood I can’t rec - og - nize your
Gtr. 12
mp
14 14
12 12
12
14
14
12
Rhy. Fill 1 End Rhy. Fill 1
Gtr. 8
w/ bar
5 5 5
4 4 4
5 5 5
-1/4
9
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Sorgdal
Em/G Em/A Em
*
face. I need to leave so just drive.
8va
loco
Gtr. 12
mf
w/ bar w/ bar
Harm.
12
12 7 7 7 7 7 7 7
12 12 12 12 12 12
-4 1/2 -4 1/2
Gtr. 4
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Fill 2 8va End Fill 2
Gtr. 3
amp tremolo off
Harm.
Gtr. 10
ppp mf
0 0 0 0 0 0 0 0 0 0 0 0
*w/ echo set for quarter-note regeneration w/ 3 repeats.
10
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Chorus
Gtr. 4 tacet Gtr. 3 tacet
Gtr. 10: w/ Fill 1
C,7 Em A5
Burn - ing lights on the street fight, fight - ing the grav - i - ty.
Voc. Fig. 1
(Fight, fight - ing the grav - i - ty.
Voc. Fig. 1A
(Fight, fight -ing the grav -
Riff H End Riff H
loco
Gtr. 12 8va
Harm.
7 12
12 12 12 12
Fill 3 End Fill 3
loco
Gtr. 3
w/ bar
17 17 17 17 17
-4
Riff G
Gtr. 8 8va
let ring
19 19 19 19 17 17 17
X X X X
16 16 16 14 14 14
Riff I
Gtr. 13 (clean)
mf
let ring throughout
12 12 12 12 12 12 16 16 16 14 14 14
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
Riff I1
Gtr. 14 (clean)
mf
let ring throughout
5 5 5 5 5 5 9 9 9 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
11
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Gtr. 12: w/ Riff H (2 times)
C,7 G5 A5
When I’m beat and de - feat - ed they’ll take you a - way from me.
Take, take you a - way from me.
- i - ty. Take, take you a - way
8va
Gtr. 8
let ring let ring
19 19 19 19 19 19 19 19 19
14 14 14 14 14
Gtr. 13
12 12 12 12 12 12 14 14 14 12 12 12
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
Gtr. 5
Riff J1
Gtr. 1 Riff J
divisi pp
9
7
Gtr. 14
5 5 5 5 5 5 7 7 7 5 5 5
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
12
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C,7 Em A5
Dead and lost in a dream, yes, this is the last of me.
This, this is the last of me.)
from me. This, this is the last
8va
19 19 19 19 19 19 19 19 19 17 17 17
X X X X X X
16 16 16 14 14 14
12 12 12 12 12 12 16 16 16 14 14 14
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
mf
9
7
5 5 5 5 5 5 9 9 9 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
13
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C,7 G5 A5
I’m al - ways fight - ing the grav - i - ty.
End Voc. Fig. 1
End Voc. Fig. 1A
of me.)
Riff K
8va
Gtr. 12
Harm.
7 7 12
End Riff G
8va
Gtr. 8
19 19 19 15 15 15 19 19 19 17 17 17
X X X X X X X X X X X X
16 16 16 12 12 12 16 16 16 14 14 14
Gtr. 13
12 12 12 12 12 12 12 12 12 14 14 14
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
Gtr. 5
Gtr. 1 mp
9
7
Gtr. 14
5 5 5 5 5 5 5 5 5 7 7 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
14
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Gtr. 4: w/ Riff F (1 1/2 times) Gtrs. 1, 5, 12, 13 & 14 tacet
Gtr. 8 tacet
Em E5
loco End Riff K
Gtr. 12
Harm. w/ bar
grad. dive
12 12
-3 1/2 slack
Gtr. 13 End Riff I
12 12 12 12 12 12 12
14 14 14 14 14 14 14 14 14 14 14
Gtr. 11
Gtr. 5
End Riff J1
Gtr. 1
End Riff J
9
7
Gtr. 14 End Riff I1
5 5 5 5 5 5 5
7 7 7 7 7 7 7 7 7 7 7
15
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Verse
Gtr. 8: w/ Rhy. Fill 1
Gtr. 11 tacet
Em/G Em/A Em
*
2. To - night is too much for me to get through.
*w/ echo set for half-note regeneration w/ 1 repeat.
Gtr. 3: w/ Fill 2
Gtr. 4: w/ Riff F
Em/G Em/A Em
To - mor - row’s just a dark - ened hall to an emp - ty room when I’m far a - way from
8va
Gtr. 12 loco
Harm.
w/ bar w/ bar
12 7 7 7 7
12 12 12 12 12 12
-4 1/2 -4 1/2
Gtr. 10
ppp mf
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Chorus
Bkgd. Voc.: w/ Voc. Figs. 1 & 1A
Gtr. 3: w/ Fill 3
Gtr. 8: w/ Riff G
Gtr. 10: w/ Fill 1
Gt. 12: w/ Riff H (3 times)
Gtrs. 13 & 14: w/ Riffs I & I1
C,7 Em A5
Burn - ing lights on the street fight, fight - ing the grav - i - ty.
you.
Rhy. Fig. 2 End Rhy. Fig. 2
Gtr. 15 (clean)
mf
w/ chorus
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
16
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Gtr. 15: w/ Rhy. Fig. 2 (4 1/2 times) Gtrs. 1 & 5: w/ Riffs J & J1
C,7 G5 A5
When I’m beat and de - feat - ed they’ll take you a - way from me.
C,7 Em A5
Dead and lost in a dream, yes, this is the last of me.
Gtr. 12: w/ Riff K
C,7 G5 A5 Em
I’m al - ways fight - ing the grav - i - ty.
I’m al - ways fight - ing the grav -
Gtr. 13
12 12 12 14 14 14 12 12 12 12 12 12
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
Gtr. 14
5 5 5 7 7 7 5 5 5 5 5 5
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
17
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Outro
Gtr. 3: w/ Riff C (last meas.) Gtr. 3: w/ Riff C (2 1/2 times)
Gtr. 7: w/ Riff B (2 times) Gtr. 15 tacet
Gtrs. 13 & 14 tacet
E5
G5
- i - ty.
This makes no sense. This makes no sense. This makes no sense. This makes no...
Gtr. 15
ppp
7 7 7 7 7 7 7 7
X X X X X X X X
7 7 7 7 7 7 7 7
E5 G5
This makes no sense. This makes no sense. This makes no sense. This makes no...
E5 G5
This makes no sense. This makes no sense. This makes no sense. This makes no...
E5 G5 E5 µ
This makes no sense. This makes no sense. This makes no sense. This makes no...
Gtr. 7
w/ bar w/ bar
7 7 7 7
-1/2 -1/2 -1/4
Gtr. 3
0 3 0
18
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from Blink 182 - Neighborhoods
Ghost on the Dance Floor
Words and Music by Mark Hoppus, Travis Barker and Tom De Longe
B5 E5 F#5
134 11 134
Intro
Fast q = 206
*B
(Drums & kybd.)
Gtr. 1 (dist.)
**p mf
7 7 7 7 7 X X 7 7 7 X 9 7 X X 7 X X 7 7 7 X 9
*Chord symbols reflect overall harmony.
**Studio fade-in.
6
9 7 X X 7 X X 7 7 7 X 9 7 X X 7 X X 7 X 7 9 0
6
7 X X 7 X X 7 7 7 X 9 7 X X 7 X X 7 7 7 X 9
6
9 7 X X 7 X X 7 7 7 X 9 7 X X 7 X X 7 X 7 9 0
B/C#
6
7 X X 7 X X 7 7 7 X 9 7 X X 7 X X 7 7 7 X 9
Copyright © 2011 UNIVERSAL MUSIC CORP., FUN WITH GOATS, EMI APRIL MUSIC INC., BEAT POET MUSIC and JOLLY OLD SAINT DICK MUSIC
All Rights for FUN WITH GOATS Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for BEAT POET MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved Used by Permission 1
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B B/F#
Riff A
6
9 7 X X 7 X X 7 7 7 X 9 7 X X 7 X X 7 X 7 6
B/E B/F#
6
7 X X 7 X X 7 7 7 X 9 7 X X 7 X X 7 7 7 X 9
B/E B/F#
1. “I’ll
End Riff A
9 7 X X 7 X X 7 7 7 X 9 7 X X 7 X X 7 X 7 6 7
Verse
Gtr. 1 tacet
B5 E5
nev - er let you down, boy, I’ll nev - er let you go.” Her
Riff B End Riff B
*Gtr. 2 (dist.)
mf
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 5 5 5 5 4 5 5 5 5 4 4 4 4 5
*Doubled throughout
Gtr. 1
2
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Gtr. 2: w/ Riff B (3 times)
G#5 F#5 E5
sub - tle hint of life is so in - no - cent and scar - y. “So
B5 E5
tell me that you’re here, boy,” she says as if she knows. When
G#5 F#5 E5
God took her with time, God made me quite a - lone. 2. It’s like the
Verse
Gtr. 2: w/ Riff B (4 times)
B C#m7
un - i - verse has left me with - out a place to go. With -
kids are in a hur - ry and I’m just full of fear. The
*
(Un - i - verse has left me with - out a place to go.)
Rhy. Fig. 1
Gtr. 3 (dist.)
mf
4 4 4 5 5 5 5 5 5 5 5 5 5 5 5 X X
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 X X
X X X X X X X X X X X X X X X X X X X X X X X X X X X X
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 X X
Riff C
Gtr. 4 (dist.)
mf
2 2 2 X X 2 2 2 2 2 4 2 4 4 4 4 4 4 4 4 4 4 X X
*Bkgd. Voc. 1st time only.
3
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G#m F#5 E5
out a hint of light to watch the move - ment glow. When our
lights make bod - ies blur - ry, it’s get - ting hard e - nough to hear. It’s like the
End Rhy. Fig. 1
4 4 4 4 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
X X X X X X X X X X X X X X 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
End Riff C
6 6 6 6 6 6 6 6 6 6 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 3: w/ Rhy. Fig. 1
Gtr. 4: w/ Riff C
B C#m7
song was slow - ly start - ing your mem - o - ry felt so real. At
ev - i - dence is cared for and ev - i - dent - ly clear. If I
G#m F#5 E5
first a - gainst my will, but God in - vent - ed chills. Yeah, I,
nev - er leave this dance floor, I’ll nev - er leave you here.
Gtrs. 5 & 6 (dist.)
mf
4 4
4 4
2 2
4
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Chorus
3rd time, Gtr. 7 tacet
*B5
Rhy. Fig. 2
Gtrs.
3&4
mf
I saw your ghost to - night,
Riff D
Gtr. 2
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 5 5 5 5 5 5 7 7 7 7 5 5 5 5 5 5
Rhy. Fig. 2A
Gtrs. 5 & 6
4
4
2
*See top of first page of song for chord diagrams petaining to rhythm slashes.
E5 F#5
End Rhy. Fig. 2
1., 2. The mo - ment felt so real.
3. It fuck - ing hurt like hell.
End Riff D
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 5 5 5 5 5 5 7 7 7 7 5 5 5 5 4 4
End Rhy. Fig. 2A
4
4
2
5
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Sorgdal
Gtr. 2: w/ Riff D
Gtrs. 3 & 4: w/ Rhy. Fig. 2
1st & 3rd times, Gtrs. 5 & 6: w/ Rhy. Fig. 2A (1st 4 meas.)
2nd time, Gtrs. 5 & 6: w/ Rhy. Fig. 2A
B5 * B5/C#
If your eyes stay right on mine
I felt you here to - night
*Bass plays C#.
To Coda 1
To Coda 2
E5 F#5
my wounds would start to heal.
but dreams can’t all be real.
Gtrs. 5 & 6
4 4
4 4
2 2
Interlude
B
4
4
2
Gtrs. 5 & 6 tacet
B/C#
Gtr. 1
6
7 X X 7 X X 7 7 7 X 9 7 X X 7 X X 7 7 7 X 9
Gtr. 1: w/ Riff A
B B/F# B/E
D.S. al Coda 1
B/F# B/E B/F#
3. The
6
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Sorgdal
Coda 1
Gtr. 2: w/ Riff D (2 times)
Gtrs. 3 & 4: w/ Rhy. Fig. 2 (2 times)
Gtrs. 5 & 6: w/ Rhy. Fig. 2A (1 1/2 times)
B5 B5/C#
I felt your ghost to - night,
E5 F#5
and, God, it felt like hell.
B5 B5/C#
To know you’re al - most
E5 F#5
mine, but dreams are all I feel.
Gtrs. 5 & 6
(Gtr. 6, cont. in slashes)
4 4
4 4 4 4 4
4 4 4 4 4
2 2 2 2 2
Interlude
B5
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 6
Gtr. 5
4
4
2 1 2
2
Rhy. Fig. 3A End Rhy. Fig. 3A
*Gtr. 7 (dist.)
3
mf
X X X X
X X X X
X X X X
*Doubled throughout
7
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Gtrs. 6 & 7: w/ Rhy. Figs. 3 & 3A (3 times)
Gtr. 5
2 1 2
2
2 1 2
2
(cont. in slashes)
4 4
4 2 4
2 2 1 2
2
Gtrs. 3 & 4: w/ Rhy. Fig. 2
B5
Rhy. Fig. 4 End Rhy. Fig. 4
Gtrs.
5&6
Gtr. 2
let ring
14 14 14 14
12 12 12 12 12
8va
Gtr. 1
fdbk.
1/2 1/2
7 7 7 7 7 X X X X X X 7 7 7 7 7
8
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D.S.S. al Coda 2
Gtrs. 5 & 6: w/ Rhy. Fig. 4 Gtr. 1 tacet
B5/E B5/F#
Yeah, I
Gtr. 2
let ring
14 14 14 14 14
12 12 12 12 12 12 12 12 12 12
Gtr. 1 8va
Gtr. 7
3
P.S.
X X X
XX XX XX
X X X X X
X X X X X
X X X X X
Coda 2
Gtr. 2: w/ Riff D (2 times)
Gtrs. 3 & 4: w/ Rhy. Fig. 2 (2 times)
Gtrs. 5 & 6: w/ Rhy. Fig. 2A (1 1/2 times)
B5 B5/C# E5
I saw your ghost to - night. It
F#5 B5 B5/C#
fuck - ing hurt like hell. I felt you here to - night
E5 F#5 B5
Gtrs. 3,
4&6
*
but dreams can’t all be real.
Gtrs. 5 & 6 Gtr. 5
(Gtr. 6, cont. in slashes)
4
4 4 4 4
4 4 4 4
2 2 2 2
*w/ echo set for whole-note
regeneration w/ 9 repeats.
9
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from Blink 182 - Neighborhoods
Heart’s All Gone
(Interlude)
Words and Music by Mark Hoppus, Travis Barker and Tom De Longe
A
Moderately q = 130
A5 **A5 F/A
*Gtr. 1 Riff A End Riff A
(Kybds.)
mp
10 10
9 9 10
7 7
*Piano arr. for gtr. **Chord symbols reflect implied harmony.
B
Gtr. 1: w/ Riff A (4 times)
Am F5 C/E F5 C/E
Gtr. 2 (clean)
mp
let ring throughout
0 0
10 10
0 0 0
10 10
0 8 8
10
7
10
8 8
10
7
10
Am F5 C/E F5 C/E
0 0
10 10
0 0 0
10 10 12 10
8 8
10
7
10
8 8
10
7
10
Copyright © 2011 UNIVERSAL MUSIC CORP., FUN WITH GOATS, EMI APRIL MUSIC INC., BEAT POET MUSIC and JOLLY OLD SAINT DICK MUSIC
All Rights for FUN WITH GOATS Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for BEAT POET MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved Used by Permission 1
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C
F/C C D5 F5 C/E F5 C/E
Rhy. Fig. 1 End Rhy. Fig. 1
1 1 1 1 1 3 3 3 3 3
2 0 0 0 0 0 2 2 2 2 2
3 2 2 2 2 2 0 0 0 0 0 0
3 3 3 3 3 3 0 3 3 3 3 3 3 3 3 3 3 0
1 1 1 0 0 1 1 1 0 0 0
Am F5 C/E F5 C/E
0 0
10 10
0 0 0
10 10
0 8 8
10
7
10
8 8
10
7
10
Am F5 C/E F5 C/E
0 0
10 10
0 0 0
10 10 12 10
8 8
10
7
10
8 8
10
7
10
Gtr. 2: w/ Rhy. Fig. 1 (4 times)
F/C C D5 F5 C/E
Gtr. 3 (slight dist.)
mf
1 1 1 1 1 3 3 3 3 3 3 3
2 0 0 0 0 2 2 2 2 2 2 2
3 2 2 2 2 0 0 0 0 0 0 3 3 2 2 2
3 3 3 3 3 0 3 3 3 3 3
1 1 0 0 0
1., 2., 3. 4.
F5 C/E F5 C/E
3
3
3
3 3
2
3
2
3
0
0 3
3
3
3 3
2
3
2
3
2
2
1 1 1 0 0 1 1 1 0 0
2
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from Blink 182 - Neighborhoods
Heart’s All Gone
Words and Music by Mark Hoppus, Travis Barker and Tom De Longe
Intro
Moderately q = 160
A5/E
*Gtrs. 1 & 2 (dist.)
f
2
2
0
0
*Composite arrangement
Double-time feel
µ A5/E F5/C µ F5/C
6 6 6 6 6 6 6 6 6 6
2 2 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 5 5 5
2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 0 0 0 0 0 0 0
A5/E µ A5/E F5/C µ F5/C
6 6 6 6 6 6 6 6 6 6
2 2 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 5 5 5
2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 0 0 0 0 0 0 0
Verse
A5/E F5/C
1. Take off the gloves, we fell in love by the side of the road. This des - ert will break you down.
Rhy. Fig. 1 End Rhy. Fig. 1
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Copyright © 2011 UNIVERSAL MUSIC CORP., FUN WITH GOATS, EMI APRIL MUSIC INC., BEAT POET MUSIC and JOLLY OLD SAINT DICK MUSIC
All Rights for FUN WITH GOATS Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for BEAT POET MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved Used by Permission 1
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Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
A5/E F5/C
The veins you cut, your smok - ing tongue is the end of us all, but you on - ly care a - bout
A5/E F5/C
fame and for - tune, watch - ing oth - ers tor - tured, cast - ing your re - flec - tion, gro - c’ry store per - fec - tion.
A5/E F5/C * Gsus4
This is the last time, sent to the front line with dirt - y boots on the ground. You said, “I’ll make this all
Gtrs. 1 & 2
let ring
6 6 6 6 6 6 6 6
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 3 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Bass plays G.
Chorus
C5 C5/D F5 C/E F5 C/E
mine.
You seemed so sweet at the start, but the start’s all wrong.
Rhy. Fig. 2 End Rhy. Fig. 2
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 0 3 3 3 3 3 3 3 3 3 3 3
0 1 1 1 0 0 0 1 1 1 0 0 0
Gtrs. 1 & 2: w/ Rhy. Fig. 2
C5 C5/D F5 C/E F5 C/E
You say you speak from your heart, but your heart’s all gone. Yeah, your heart’s all
2
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Interlude
A5/E µ A5/E F5/C µ F5/C
gone.
Gtr. 4 (dist.)
mf
let ring throughout
0
8 6 8 8 8 8 6 8 8
5 5 5 5 5 5 5 5 5
Riff A End Riff A
Gtr. 3 (dist.)
mf
let ring throughout
0 0
3 3 3 1
2 2 2 2
Rhy. Fig. 3 End Rhy. Fig. 3
Gtrs. 1 & 2
6 6 6 6 6 6 6 6 6
2 2 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 5 5
2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 0
0 0 0 0 0 0 0 0 0 0 0 0
Gtrs. 1 & 2: w/ Rhy. Fig. 3
Gtr. 3: w/ Riff A
A5/E µ A5/E F5/C µ F5/C
Gtr. 4
0
8 8 8 8 10 10 10 10 10 10
5 5 5 5 10 10 10 10 10
Verse
Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 4 tacet
A5/E F5/C
2. Black - jack and ar - chi - tect, let’s drink our - selves to death. The crimes of ev -’ry - one, passed down from fa - ther to
3
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A5/E F5/C *F5/G
son. Hope - less and des - ti - tute, de -stroyed by grat - i - tude. Your strong - est lines of de - fense are all just self - in - flict -ed
*Bass plays G.
Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (4 times)
C5 C5/D F5 C/E F5 C/E
wounds.
You seemed so sweet at the start, but the start’s all wrong.
C5 C5/D F5 C/E F5 C/E
You say you speak from your heart, but your heart’s all gone.
C5 C5/D F5 C/E F5 C/E
You seemed so sweet at the start, but the start’s all wrong.
Riff B End Riff B
Gtr. 5 (dist.)
mf
let ring
12 12 12 12
13 13 13 13 15 15 15 15 13 13 13 13 13
12 12 12
End double-time feel
Gtr. 5: w/ Riff B
C5 C5/D F5 C/E F5 C/E
You say you speak from your heart, but your heart’s all gone. Yeah, your heart’s all
Interlude
A5/E
*
gone.
Gtr. 5
13
Rhy. Fig. 4
Gtrs. 1 & 2
mf
2
2
0
0
*w/ echo set for half-note regeneration w/ 3 repeats.
4
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Gtr. 5 tacet
F5
Gtrs. 1 & 2
End Rhy. Fig. 4
3
1
Half-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 4
A5/E
Gtr. 5
mf
12
13
12
F5
8
8
5
Gtr. 5 tacet
A5 F5
Gtrs. 1 & 2
P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1
End half-time feel
A5 F5 Dm7 µ
P.M. f
5 5 5 5 5
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 5 5 5 5 5
1 1 1 1 1 1 1 1 1
Double-time feel End double-time feel Half-time feel End half-time feel
C5 C5/D F5 C/E F5 C/E
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5 0 3 3 3 3 3 3 3 3 3 3 3
0 1 1 1 0 0 0 1 1 1 0 0 0
5
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Chorus
Double-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
C5 C5/D F5 C/E F5 C/E
You seemed so sweet at the start, but the start’s all wrong.
C5 C5/D F5 C/E F5 C/E
You say you speak from your heart, but your heart’s all gone.
3
C5 C5/D F5 C/E F5 C/E
3
You seemed so sweet at the start, but the start’s all wrong.
Gtr. 5
3 3
let ring
12 12 12 12
13 13 13 13 15 15 15 15 13 13 13 13 13
12 12 12
Gtrs. 1 & 2
3 3
5 5 5 5 5 5 5 5 5 5 5 0
5 5 5 5 5 5 5 5 5 5 5 0
3 3 3 3 3 3 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3
1 1 1 0 0 1 1 1 0 0 0
3
3
C5 C5/D F5 C/E F5 C/E A5/E
You say you speak from your heart, but your heart’s all gone. Yeah, your heart’s all gone.
3 3
let ring
12 12 12 12 12
13 13 13 13 15 15 15 15 13 13 13 13 13 13
12 12 12 12
3 3
5 5 5 5 5 5 5 5 5 5 5 0 2
5 5 5 5 5 5 5 5 5 5 5 0 2
3 3 3 3 3 3 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 0
1 1 1 0 0 1 1 1 0 0 0 0
6
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from Blink 182 - Neighborhoods
Kaleidoscope
Words and Music by Mark Hoppus, Travis Barker and Tom De Longe
Drop D tuning:
(low to high) D-A-D-G-B-E
Intro
Moderately fast q = 184
Bm Bsus2 B5 A5 Gsus2 Bm Bsus2 B5 A5 G5
Rhy. Fig. 1 End Rhy. Fig. 1
Gtrs. 1 & 2 (elec.)
mp
w/ slight dist.
129
0
11 9 7 7 7 7 7 7 7 0 12 11 9 7 5 5 5 5 5 5 0
9 9 7 5 5 5 5 5 5 0 9 9 9 7 5 5 5 5 5 5 0
9 9 9 7 5 5 5 5 5 5 0 9 9 9 7 5 5 5 5 5 5 0
Verse
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
Bm Bsus2 B5 A5 Gsus2 Bm Bsus2 B5 A5 G5
1. Stop bang - in’ a - way on my ka - lei - do - scope, stop drain - in’ the col - or out - ta my scene.
Riff A1 End Riff A1
Gtr. 4 (elec.)
mp
w/ slight dist.
Riff A End Riff A
Gtr. 3 (elec.)
mp
w/ slight dist.
3 3
2 2 2
Gtrs. 3 & 4: w/ Riffs A & A1
Bm Bsus2 B5 A5 Gsus2 Bm Bsus2 B5 A5 G5
Just play me some - thin’ I can dance to. I can dance to an - y - thing you wan - na sing.
Copyright © 2011 UNIVERSAL MUSIC CORP., FUN WITH GOATS, EMI APRIL MUSIC INC., BEAT POET MUSIC and JOLLY OLD SAINT DICK MUSIC
All Rights for FUN WITH GOATS Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for BEAT POET MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved Used by Permission 1
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Interlude
D A
Rhy. Fig. 2
Gtrs. 1 & 2
2 0
3 2
2 2
0
0
Rhy. Fig. 2A
Gtr. 5
(acous.)
mp
let ring throughout
2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 3 3 3 3 3 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0
Bm7 A
End Rhy. Fig. 2
2 0
3 2
2 2
End Rhy. Fig. 2A
2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtr. 5 tacet
Bm Bsus2 B5 A5 Gsus2 Bm Bsus2 B5 A5 G5
Gtr. 5
2
3
2
2
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Verse
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1 1/2 times)
Bm Bsus2 B5 A5 Gsus2 Bm Bsus2 B5 A5
2. So lock me up in a stu - di - o, fill it up with sound
Gtr. 3
let ring throughout
7 7 7 11 11 11 12 11 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0
G5 Bm Bsus2 B5 A5 Gsus2
and sce - nar - i - os. Stop block - in’ the drive - way with your car.
7 11 11 11 11 11 12 11 7 7 7 11 11 11 11 11
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Bm Bsus2 B5 A5 G5 A5 G5 A5
Put the but - ter - fly in the bell jar. It’s the first
Gtr. 3
7 7 7 7 7 7 7 11 11 11 11 11 11 9 7 7 7 7 7 7 7 9 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtrs. 1 & 2
Rhy. Fig. 3 End Rhy. Fig. 3
12 11 9 7 5 5 5 5 5 5 0
9 9 9 7 5 5 5 5 5 5 0 5 5 5 5 7 7 7 5 5 5 5 7 7
9 9 9 7 5 5 5 5 5 5 0 5 5 5 5 7 7 7 5 5 5 5 7 7
3
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Chorus
Gtrs. 1, 2 & 3 tacet
D5 A5 D5 A5 F#5 G5
time that I’m wor - ried of a bad dream, of a jour - ney. On the high -
Rhy. Fig. 4 End Rhy. Fig. 4
*Gtr. 6 (elec.)
f
0
0 0 4 4 4 4 5 5 5 5 5 5 0
0 0 7 7 0 0 0 7 7 0 4 4 4 4 4 5 5 5 5 5 5 5 0
0 0 7 7 0 0 7 7 4 4 4 4 4 5 5 5 5 5 5 5
*Doubled throughout
D5 A5 D5 A5 F#5 G5
- way, through the val - ley, it’s a long road through the night. It’s a long
0
0 4 4 4 4 5 5 5 5 5 5
0 0 7 7 0 0 0 7 7 0 4 4 4 4 4 5 5 5 5 5 5 5
0 0 7 7 0 0 0 7 7 4 4 4 4 4 5 5 5 5 5 5 5
Interlude
Gtr. 6 tacet
B5 Gsus2 B5 Gsus2
road.
Gtr. 2
9 9 9 9 7 7 7 7 7 7 0 9 9 9 9 7 7 7 7 7 7 0
9 9 9 9 5 5 5 5 5 5 9 9 9 9 5 5 5 5 5 5
9 9 9 9 5 5 5 5 5 5 9 9 9 9 5 5 5 5 5 5
Verse
Half-time feel
Gtr. 2: w/ Rhy. Fig. 1 (4 times)
Bm Bsus2 B5 A5 Gsus2 Bm Bsus2 B5 A5 G5
3. Hear a stran - ger’s voice in the front yard, let the hours tick past the dead - line.
Riff B End Riff B
Gtr. 3
7 7 7 7 7 7 7 7 11 11 11 11 11 11 11 11 7 7 7 7 7 7 7 7 7 11 11 11 11 11 11 12 11
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
4
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End half-time feel
Bm Bsus2 B5 A5 Gsus2 Bm Bsus2 B5 A5 G5
Get an - oth - er stamp in your pass - port, wash your break - fast down with some red wine.
7 7 7 7 7 7 7 11 11 11 11 11 11 11 7 7 7 7 7 7 11 11 11 11 11 12 11
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Gtr. 3: w/ Riff B
Bm Bsus2 B5 A5 Gsus2 Bm Bsus2 B5 A5 G5
De - lete the pro - gress on your game, try to fall a - sleep while your ears ring.
Bm Bsus2 B5 A5 Gsus2 Bm Bsus2 B5 A5 G5
No rea -
From the loud - est songs on your mix tape, I can dance to an - y - thing you wan - na sing.
Gtr. 3
7 7 7 7 7 7 7 11 11 11 11 11 11 7 7 7 7 7 7 11 11 11 11 11 11 11
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Pre-Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 2
Gtr. 5: w/ Rhy. Fig. 2A
Gtr. 3 tacet
D A
- son, no ac - tion, no si - lence, no help here. No -
Bm7 A
bod - y came run - nin’ up by my side. It’s the first
5
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Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 3 Gtr. 5 tacet
G5 A5 G5 A5 D5 A5 D5 A5
time that I’m wor - ried of a bad dream, of a jour - ney. On the high -
Gtr. 3
9 7 7 7 7 7 7 7 9 7 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 5
2
3
2
Gtr. 6
0
0 0 7 7 0 0 0 7 7 0
0 0 7 7 0 0 0 7 7
Gtr. 3 tacet
F#5 G5 D5 A5 D5 A5
- way, through the val - ley, it’s a long road through the night. It’s the first
Gtr. 4
7 8 10 7 8 10 7
Rhy. Fig. 6
Gtr. 7 (elec.)
mp
w/ dist.
0
0
Rhy. Fig. 5 End Rhy. Fig. 5
Gtr. 6
4 4 4 0 0
4 4 4 4 5 5 5 5 5 5 0 0 0 7 7 0 0 0 7 7 0
4 4 4 4 5 5 5 5 5 5 0 0 0 7 7 0 0 7 7
6
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Gtr. 6: w/ Rhy. Fig. 5 (1 1/4 times)
F#5 G5 D5 A5 D5 A5 F#5
time that I’m wor - ried of a bad dream, of a jour - ney. On the high - way, through the val -
Gtr. 4
7 10 7 7 7 8 10
9 9 7
Gtr. 7
0
0
G5 D5 A5 D5 A5 F#5 G5
- ley, it’s a long road through the night. It’s a long road to get it right.
Gtr. 4
7 8 10 7 7 7
9 7 9 7
Gtr. 7
End Rhy. Fig. 6
0
0
Gtr. 6
0 0 4 4 4
5 5 5 5 5 0 0 0 7 7 0 0 0 7 7 0 4 4 4 4 5 5 5 5 5 5
5 5 5 5 5 0 0 0 7 7 0 0 7 7 4 4 4 4 5 5 5 5 5 5
7
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Interlude
Gtrs. 4 & 6 tacet
D Dsus2 D Dsus2 D5 G5 Gsus2 G5 Gsus2
Gtr. 7
0
0
Rhy. Fig. 7
Gtr. 1
mp
4 2 4 2 0 0 0 5 5 5 5 7 7 7 5 7 7
0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 0
0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 0
Gtr. 7 tacet
D Dsus2 D Dsus2 E5
0
0
End Rhy. Fig. 7
2 2 2 2 2 0 0
4 2 2 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 0
0 0 0 0 0 2 2 2 2 2 2 2 2 2 2
Gtr. 1: w/ Rhy. Fig. 7
D Dsus2 D Dsus2 D5 G5 Gsus2
D Dsus2 D Dsus2 E5
8
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D Dsus2 D Dsus2 D5 G5 Gsus2 D Dsus2 D
*Gtrs. 1 & 6
4
0
2
0
2
0
4
0
4
0
2
0
2
0
0
0 0
5
5
5
5
5
5
5
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5 0
4
0
2
0
2
0
4
0
0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 0 0 0 0 0
*Composite arrangement
1. 2.
Dsus2 E5 µ E5 Esus2
0
2
0
2
0
2
0 0 2 2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2 2
2
2
2
2
4
2
4
2
4
2
4
2
4
2 0
0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0
Gtr. 6 tacet Gtr. 1 tacet
D5 µ
It’s the first
Gtr. 1
0
0
Chorus
Gtr. 6: w/ Rhy. Fig. 4 (3 times) Gtr. 7: w/ Rhy. Fig. 6
D5 A5 D5 A5 F#5 G5
time that I’m wor - ried of a bad dream, of a jour - ney. On the high -
Gtr. 4
7 8 10 7 8 10
9
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D5 A5 D5 A5 F#5 G5
- way, through the val - ley, it’s a long road through the night. It’s the first
7 7 7
9 7 9 7
D5 A5 D5 A5 F#5 G5
time that I’m wor - ried of a bad dream, of a jour - ney. On the high -
7 7 8 10 7 8 10
D5 A5 D5 A5 F#5 G5
- way, through the val - ley, it’s a long road through the night. It’s a long
Gtr. 4
7 7 7
9 7 9 7
Gtr. 6
0
0 0 4 4 4 4 5 5 5 5 5
0 0 7 7 0 0 0 7 7 0 4 4 4 4 4 5 5 5 5 5 5
0 0 7 7 0 0 7 7 4 4 4 4 4 5 5 5 5 5 5
10
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Outro
Gtr. 6 tacet
D5
road... t - to get it
Gtr. 4
Gtr. 7
0
0
Gtr. 4 tacet
*
right.
Gtr. 7
0
0
*w/ echo
Gtr. 7 tacet
µ
**
Get, to get, to get it right.
**As before
Get, t - to get it
***
right. T - t.
***As before
Begin fade Fade out
†
T - g to get it right.
†As before
11
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from Blink 182 - Neighborhoods
Love Is Dangerous
Words and Music by Mark Hoppus, Travis Barker and Tom De Longe
Intro
Moderately q = 118
** B5 D5
*Gtr. 1
mp
2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
*Synth. arr. for gtr.
**Chord symbols reflect implied harmony.
G5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Gtr. 1 tacet
B5 †A5/D G5 Gsus2
Gtr. 3 (slight dist.)
mf Harm.
12
4 2 0 4 2 0
2 2 2 2 2 0
Rhy. Fig. 1
***Gtr. 2 (dist.)
f
4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 7 7 7 7 7 7 7
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
***Two gtrs. arr. for one. †Bass plays D.
Copyright © 2011 UNIVERSAL MUSIC CORP., FUN WITH GOATS, EMI APRIL MUSIC INC., BEAT POET MUSIC and JOLLY OLD SAINT DICK MUSIC
All Rights for FUN WITH GOATS Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for BEAT POET MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved Used by Permission 1
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B5 D5 G5 Gsus2
4 2 0 4 2 0
2 2 2 2
0 2 3
End Rhy. Fig. 1
7 7 7 7 7 7 7
4 4 4 4 4 4 4 4 7 7 7 7 7 7 7 7 7 7 7 7 7 7
2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
Verse
Gtr. 3 tacet Gtr. 2 tacet
B5 D5 G5
1. I’ve had it with this damn dou - ble vis - ion.
Gtr. 2
7
7
X
5
Riff A End Riff A
*Gtr. 4
mf
2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 0
*Bass arr. for gtr.
Gtr. 4: w/ Riff A
B5 D5 G5
My hand’s swol - len, I can’t keep hold - in’ on.
2
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B5 D5 G5
My heart’s sink - in’ and stuck in dead - ly rhy - thm.
Riff B
*Gtr. 5 (slight dist.)
mf
7 7 7 7 7 6 7 7 7 7 7 7 7 7 7 6 7 7 7 7 7 7 7 7 7 6 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 4 5 5 5 5 5 5 5 5 5 4 5 5 5 5 5 5 5 5 5 4 5 5 5 5
*Doubled throughout
B5 D5
I can’t fake it, I can’t, can’t brush it off.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 6 7 7 7 7 7 7 7 7 7 6 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 5 5 5 5 5 5 5 5 5 4 5 5 5 5
G5
End Riff B
Gtr. 5
7 7 7 7 7 6 7 7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X X
5 5 5 5 5 4 5 5 5 5 5 5 5 5 5 5 5 5 5
Gtr. 2
mp
P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
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Chorus
Gtr. 5 tacet Gtr. 2 tacet
Bm A5 G5
Love, love is dan - ger - ous.
Gtr. 3
mp
2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
2 2 2 2 0 0 0 0
3 3 3 3 3 3 3 3
Gtr. 6 (clean)
mf
2 2 2 2 0 0 0 0
3 3 3 3 3 3 3 3
Gtr. 2
2
3
4
4
2
Gtr. 6 tacet
Bm A5 G5 µ
*
Love, love is so dan - ger - ous.
Gtr. 3
2 2 2 2 2 2 2 2
2 2 2 2 0 0 0 0
3
Gtr. 6
2 2 2 2 0 0 0 0
3
*w/ echo set for half-note regeneration w/ 3 repeats.
4
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Sorgdal
Interlude
Gtr. 2: w/ Rhy. Fig. 1
B5 A5 G5 Gsus2
Gtr. 3
mf
0
4 2 0 4 2 0 0
2 2 2 2 2
B5 * D5/A G5 Gsus2
4 2 0 4 2 0 0
2 2 2 2
0 2 3 3
*Bass plays A.
Verse
Gtr. 3 tacet
Gtr. 5: w/ Riff B (2 times)
B5 D5 G5
2. I’m back at it, I just don’t seem to lis - ten.
B5 D5 G5
I see your lips, I just can’t hear the sound.
B5 D5 G5
It’s all stat - ic, just like my tel - e - vi - sion.
Riff C End Riff C
Gtr. 6
let ring let ring
2 2 2 2 2 2 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3
4 4 4 4 0 0 0 0
5
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Sorgdal
Gtr. 6: w/ Riff C
B5 D5 G5
Her skills sharp - en, her eyes cut through the clouds.
(I need...)
Gtr. 2
mp f
*P.M.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
*Gradually lift P.M.
Chorus
B5 D5 G5
Love, love is dan - ger - ous.
Hard times, don’t be fooled when she says it’s...
4 4 7 0
2 2 5 5 5 5 5 5 0
3 3 3 3 3
B5 D5 G5
Love, love is so dan - ger - ous. Love,
We’ll be - tray the ones we care
(We care,
4 4 7
2 2 5 5 5 5 5 5 5 5 0
3 3 3 3 3 3 3 0
6
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Sorgdal
Gtr. 2: w/ Rhy. Fig. 1 (last 4 meas., 2 times)
B5 D5 G5 Gsus2
love is so dan - ger - ous.
a - bout. Life’s cru - el, so we all pre - tend to fuck...)
we care a - bout.)
B5 D5 G5 Gsus2
Love, love is dan - ger - ous.
Interlude
D5
Gtr. 2
2
0
0
2
0
D5 G5
*Gtr. 7
mf
11 11 9 7 7 7 7 11 11 9 7 7 7 7 7 9 9 9 7 7 7 7 7 9 9 9 7 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
9 9 7 5 5 5 5 9 9 7 5 5 5 5 5 7 7 7 5 5 5 5 5 7 7 7 5 5 5 5 5
*Doubled throughout
Gtr. 2
f
7 7 7 7 7 7 7 7 7 7 7 7 7 0
5 5 5 5 5 5 5 5 5 5 5 5 5 0 5 5 5 5 5 5 5 5 5 5 5 5 5 0
3 3 3 3 3 3 3 3 3 3 3 3 3 0
7
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D5 E5 G5
(I need...)
14 14 9 11 11 11 11 11 11 14 14 9 11 11 11 11 11 11 9 9 9 9 9 9 9 9 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
12 12 7 9 9 9 9 9 9 12 12 7 9 9 9 9 9 9 7 7 7 7 7 7 7 7 5 5 5 5 5 5 5 5
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 0
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 2 2 2 2 2 2 2 0 5 5 5 5 5 5 5 5
0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3
Chorus
Gtr. 2: w/ Rhy. Fig. 1 (last 4 meas., 4 times)
B5 D5
Love, love is dan -
Riff D
Gtr. 5
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
X X X X X X X X X X X X X X X X X X X X X
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
Riff D1
Gtr. 7
11 14
X X
9 12
8
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G5 Gsus2
- ger - ous.
(Hard times, don’t be fooled when she says it’s...
End Riff D
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
End Riff D1
7
X
5
Gtr. 5: w/ Riff D (3 times)
Gtr. 7: w/ Riff D1
B5 D5 G5 Gsus2
Love, love is so dan - ger - ous. Love,
We’ll be - tray the ones we care
(We care,
B5 D5
love is so dan -
a - bout.
we care a - bout.)
Gtr. 7
14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14
X X X X X X X X X X X X X X X X X X X X X X
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
9
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G5 Gsus2
ger - ous.
Life’s cru - el, so we all pre - tend to fuck...)
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
B5 D5
Love, love is dan -
14 14 14 14 14 14 14 14 14 14 14 14 14 14 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
12 12 12 12 12 12 12 12 12 12 12 12 12 12 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
G5 Gsus2
- ger - ous.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
10
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Outro
Gtrs. 5 & 7 tacet
B5 D5 G5
Gtr. 5
11
X
9
Gtr. 7
7
X
5
Gtr. 2
mf
4 4 7
2 2 5 5
3
B5 D5 G5
Gtr. 2
4 4 7
2 2 5 5
3
mp
let ring
5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3
E5
p
rit.
let ring
5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 0
11
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from Blink 182 - Neighborhoods
MH 4.18.2011
Words and Music by Mark Hoppus, Travis Barker and Tom De Longe
Intro
Moderately fast q = 185
B5 Asus2 A5
Gtr. 1
(slight dist.)
mf
*
X
*Pick behind the nut.
**Gtr. 2 (dist.) Rhy. Fig. 1
mf
4 4 4 4 4 2
2 2 2 2 2 2
0 0 0 0 0 0
**Two gtrs. arr. for one.
Gtr. 1 tacet
E5 F#5 F#sus2 F#5 Asus2
Gtr. 2
2 2 2 2 2 4
2 2 2 2 2 2 2 6 4 2 2 2
0 0 0 0 0 0 2 2 2 2 2 2 4 4 4 4 2 2 0
0 0 0 0 0 0 2 2 2 2
A5 E5 F#5
0
0
4 4 4 X X X 2 2 2 2 2 2
2 2 2 X X X 2 2 2 2 2 2 2 4 4 4 4 4
0 0 0 X X X 0 0 0 0 0 0 2 2 2 2 2 2 4 4 4 4 4 4 0
0 0 0 0 0 2 2 2 2 2 2
Copyright © 2011 UNIVERSAL MUSIC CORP., FUN WITH GOATS, EMI APRIL MUSIC INC., BEAT POET MUSIC and JOLLY OLD SAINT DICK MUSIC
All Rights for FUN WITH GOATS Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for BEAT POET MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved Used by Permission 1
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Sorgdal
Asus2 A5 E5 F#5 F#sus2 F#5 Asus2
4 4 4 4 4 2 2 2 2 2 2 2 4
2 2 2 2 2 2 2 2 2 2 2 2 6 4 2 2 2
0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 4 4 4 4 2 2 0
0 0 0 0 0 2 2 2 2
A5 E5 F#5
End Rhy. Fig. 1
0
0
4 4 4 X X X 2 2 2 2 2 2
2 2 2 X X X 2 2 2 2 2 2 2 4 4 4 4 4 4
0 0 0 X X X 0 0 0 0 0 0 2 2 2 2 2 2 4 4 4 4 4 4 4
0 0 0 0 0 2 2 2 2 2 2 2
µ E5
Rhy. Fig. 2 End Rhy. Fig. 2
2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0
Verse
E *A5
1. Com - ing in, com - ing in, kill the ra - di - o si - lence. Break down in L. A.
Rhy. Fig. 3 End Rhy. Fig. 3
13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 9 9 9 9 9 9 13
X X X X X X X X X X X X X X X X X X X X X X X X X X
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 7 7 7 7 7 7 11
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Bass plays A.
Gtr. 2: w/ Rhy. Fig. 3 (2 times)
E A5
Giv - ing up, giv - ing in to a feel - ing of vi - ’lence. There’s hell to pay. So let’s
E A5
light an - oth - er match, stop liv - ing in the past where no - bod - y can hear me now. Blow the
2
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E A5
lock off the cage, watch the chil - dren come of age when their par - ents stop to take a bow.
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 2
13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 9 9 9 9 9 9 9 0
X X X X X X X X X X X X X X X X X X X X X X X X X X
11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 7 7 7 7 7 7 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Pre-Chorus
B C#5 A5
Noth - in’ takes root in this bar - ren soil.
4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4 6 2 2 2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 6 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 4 0 0 0 0 0 0 0 0 0 0 0 0 0 0
B C#5 A5 G#5
Noth - in’ takes root in this bar - ren soil. May - be there’s no one there at all.
but we bend and toil.
4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 6 2 2 2 2 2
4 4 4 4 4 4 4 4 4 6 2 2 2 2 2 2 6 6 6 6 6 6 6
2 2 2 2 2 2 2 2 2 4 0 0 0 0 0 0 6 6 6 6 6 6 6
4 4 4 4 4 4 4
Chorus
Gtr. 2: w/ Rhy. Fig. 1
3rd time, Gtrs. 4 & 5 tacet
Asus2 A5 E5 F#5 F#sus2 F#5 Asus2
Hold on, the worst is yet to come.
Riff A
Gtr. 3 (clean)
mp
let ring throughout
0 0 0 0 0 0 0 0
0 9 9 10 10 9 7
2 2 2 2
3
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A5 E5 F#5
Save your mon - ey for hired guns.
End Riff A
0 0 0 0 0 0 0 0
9 9 7 7 5
2 2 2
Gtr. 3: w/ Riff A (1st 4 meas.)
Asus2 A5 E5 F#5 F#sus2 F#5 Asus2
Hold strong when ev - ’ry - thing you loved is gone.
To Coda 1
To Coda 2
A5 E5 F#5
Slow down, stop liv - ing in the shad - ow of a hel - i - cop - ter.
Gtr. 3
0 0 0 0 0 0 0 0
9 9 7 7 5
2 2 2
Interlude
Gtr. 2: w/ Rhy. Fig. 2
µ E5
0
5
Verse
Gtr. 2: w/ Rhy. Fig. 3 (1 1/2 times)
Gtr. 3 tacet
E A5
2. Line ’em up on the wall, com - ing out with their hands up. Give ’em all the chair.
D.S. al Coda 1
Gtr. 2: w/ Rhy. Fig. 4
E A5
Let it burn, let it fall, let the end of the world come. Who’s left to care?
4
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Coda 1
Interlude
Gtr. 3 tacet
*A6 Asus2 A6 Asus2 G#m Asus2 A6
hel - i - cop - ter.
Gtr. 3
0 0 0
7 7 7
Gtr. 4 (dist.)
mf
11 9 9 9 9 9 11 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 11
9 7 7 7 7 7 9 7 7 7 7 7 6 6 6 6 6 6 7 7 7 7 7 7 9
Gtr. 2
2
0
*Chord symbols reflect overall harmony.
Asus2 A6 Asus2 C#5 F#5 A6
Gtr. 4
6 6 6 6 6
9 9 9 9 9 11 9 9 9 9 X 6 6 6 6 6 6 4 4 4 4 4 X 11
7 7 7 7 7 9 7 7 7 7 X 4 4 4 4 4 4 4 4 4 4 4 X 9
Gtr. 5 (dist.)
mf
11
9
Gtr. 2
f
7
5
5
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Asus2 A6 Asus2 G#m Asus2 A6
Gtrs. 4 & 5
9 9 9 9 9 11 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 11
7 7 7 7 7 9 7 7 7 7 7 6 6 6 6 6 6 7 7 7 7 7 7 9
Gtr. 2
7 7 7 7 7 7 7 7 7 7 7 7 6 6 6 6 6 6 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 4 4 4 4 4 4 5 5 5 5 5 5 5
Asus2 A6 Asus2 C#5 B5
6 6 6 6 6 4 4 4 4 4 4 2
9 9 9 9 9 11 9 9 9 9 X 6 6 6 6 6 6 4 4 4 4 4 4 2
7 7 7 7 7 9 7 7 7 7 X 4 4 4 4 4 4 2 2 2 2 2 2
6 6 6 6 6 6 4 4 4 4 4 4
7 7 7 7 7 7 7 7 7 7 7 7 4 4 4 4 4 4 2 2 2 2 2 2 0
5 5 5 5 5 5 5 5 5 5 5 5
D.S.S. al Coda 2
A5
* slight P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Gradually lift P.M.
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
6
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Coda 2
Outro
Gtr. 2: w/ Rhy. Fig. 1 (1st 13 meas.)
Asus2 A5 E5 F#5 F#sus2 F#5 Asus2
hel - i - cop - ter.
0 0 0 0 0 0 0 0 0 0
7 7 7 0 9 9 10 10 9 7
2 2 2 2
Gtr. 3: w/ Riff A (last 4 meas.)
A5 E5 F#5
Gtr. 3: w/ Riff A (1st 5 meas.)
Asus2 A5 E5 F#5 F#sus2 F#5 Asus2 A5
E5 F#5 E5
Stop liv - ing in the shad - ow of a hel - i - cop - ter.
Gtr. 3
0 0 0 0 0 0 0
9 9 7 7
2 2
Gtr. 2
2 2 2 2 2 2
2 2 2 2 2 2 2 4 4 4 4 4 4 2
0 0 0 0 0 0 2 2 2 2 2 2 4 4 4 4 4 4 4 2
0 0 0 0 0 2 2 2 2 2 2 2 0
7
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from Blink 182 - Neighborhoods
Natives
Words and Music by Mark Hoppus, Travis Barker and Tom De Longe
B5
134
Intro
Very fast q = 280
* G#5
Riff A End Riff A
Gtr. 1 (dist.)
mf
0
4 0 5 0 4 0 2 0 4 0 2 0 4 0 2 0 4 0 5 0 4 0 2 0 4 0 2 0 4 0
Gtr. 2 (dist.)
mf
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
*Chord symbols reflect implied harmony.
Gtr. 1: w/ Riff A
E5
Gtr. 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
B5
Riff B End Riff B
Gtr. 1
0 7 0 5 0 4 0 2 0 4 0 2 0 4 0 2 0 4 0 5 0 4 0 2 0 4 0 2 0 4 0
Riff C
Gtr. 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
Copyright © 2011 UNIVERSAL MUSIC CORP., FUN WITH GOATS, EMI APRIL MUSIC INC., BEAT POET MUSIC and JOLLY OLD SAINT DICK MUSIC
All Rights for FUN WITH GOATS Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for BEAT POET MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved Used by Permission 1
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Sorgdal
Gtr. 1: w/ Riff B (3 times)
*C#m
Gtr. 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
*Bass plays C#.
G#5
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
E5
End Riff C
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Verse
Gtr. 2 tacet
G#5 A#5
1. I’m like a cat in the cage, locked up and bat - tered and bruised.
2. Don’t start to pan - ic for me ’cause I have noth - ing to lose.
Gtr. 1
Rhy. Fig. 1
**Gtr. 3 (dist.)
mf
6 6 6 6 6 6 6 6 6 6 6 6 8 8 8
6 6 6 6 6 6 6 6 6 6 6 6 8 8 8
4 4 4 4 4 4 4 4 4 4 4 4 6 6 6 0
**Doubled throughout
2
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Sorgdal
Half-time feel End half-time feel
Esus2
I am the prod - i - gal son, a shame - ful prod - i - gy too.
I am as bright as the sun, I burn up all that I choose.
Riff D End Riff D
*w/ delay & flanger
let ring
0 0 0
0 0
11
*Delay set for dotted half-note regeneration w/ 1 repeat.
End Rhy. Fig. 1
2
2
0
Half-time feel
Gtr. 1 tacet Gtr. 1: w/ Riff D
Gtr. 3: w/ Rhy. Fig. 1 (3 times)
G#5 A#5 Esus2
I am the love of your life, bat - ter - ing ram and con - fused. I turn each
Up - on the side of a field I see a cit - y with lights. I touch her
End half-time feel
G#5
day in - to night, I stand there wait - ing for you. There is de - sire to fight,
face and I kneel, she tells me she’s not a - live. I am too nerv - ous to run,
Gtr. 1: w/ Riff D
A#5 Esus2
but I have noth - ing to prove. But with a crowd and some lights I start to
like kids who scat - ter and hide. To reach and grab for some - one but end up
G#5 A#5
feel things move. Do you have some - thing to hide? ’Cause I think that we all do.
bur - ied a - live. A world is wait - ing for me, a road that I rare - ly use.
Gtr. 1: w/ Riff D
Esus2
I am a child in - side, back up and give me some room.
I start to feel my feet, they kick down walls as they move.
3
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Chorus
Half-time feel
B
I’m just a bas - tard child, don’t let it go to your head.
Voc. Fig. 1
Spoken: (Don’t let it go to your head.
Rhy. Fig. 2
Gtr. 3
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
E5
I’m just a waste of your time, may - be I’m bet - ter off dead.
End Rhy. Fig. 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 3: w/ Rhy. Fig. 2
B
You turn us loose in the night, I’m fuck - ing Jek - yll and Hyde.
End half-time feel
E5
We’ll have the time of our lives, al - though we’re dy - ing in - side.
Dy - ing in - side.
4
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G#5
So let me go, go. So let me go, go.
Rhy. Fig. 3
Gtr. 3
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
E5
Just let me go, go, I’d rath - er go it a - lone.
Go it a - lone.
End Rhy. Fig. 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 3: w/ Rhy. Fig. 2
B
So let me go, go. So let me go, go.
To Coda
E5
Just let me go, go, I’m nev - er com - ing home.
End Voc. Fig. 1
Com - ing home.)
5
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Interlude
Gtr. 1: w/ Riff B (4 times)
Gtr. 2: w/ Riff C
B5
Voc. Fill 1 End Voc. Fill 1
Gtr. 3
4
4
2
Gtr. 3 tacet
C#m G#5
D.S. al Coda
E5
Coda
Interlude
Bkgd. Voc.: w/ Voc. Fill 1
B5
Riff E
Gtr. 1
dist. off
**w/ delay
4 3 6 4
X X X X
2 1 4 2
**Set for half-note regeneration w/ 1 repeat.
*Gtr. 4 (clean)
mf
***w/ delay
4
X
2
*Doubled throughout
***Set for dotted half-note regeneration w/ 3 repeats.
6
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Sorgdal
* E5
8 6 9 8
X X X X
6 4 7 6
4
2
*Bass plays E.
B5
End Riff E
4 3 6 4
X X X X
2 1 4 2
4
X
2
E5
8 6 9 9 4
X X X X
6 4 7 7 2
w/ dist.
4 4 4
4 4
2 2 2
7
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Gtr. 1: w/ Riff E
B5 E5
Gtr. 4
4
4 2 2 2
2 2 2 2
0 0 0
G#5 B5
Gtr. 3
*p mf
2 6 6 6 2 2
2 6 6 6 2 2
0 4 4 4 0 0
*Vol. swell
Gtr. 1
8 6 9 9 4
X X X X
6 4 7 7 2
Gtr. 4
2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0
Chorus
Bkgd. Voc.: w/ Voc. Fig. 1
Gtrs. 1 & 4 tacet
Gtr. 3: w/ Rhy. Fig. 2 (2 times)
B E5
I’m just a bas - tard child, don’t let it go to your head. I’m just a waste of your time,
B
may - be I’m bet - ter off dead. You turn us loose in the night, I’m fuck - ing Jek - yll and Hyde.
8
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Sorgdal
Gtr. 3: w/ Rhy. Fig. 3
E5 G#5
We’ll have the time of our lives, al - though we’re dy - ing in - side. So let me go, go.
E5
So let me go, go. Just let me go, go, I’d rath - er go it a - lone.
Gtr. 3: w/ Rhy. Fig. 2
B E5
So let me go, go. So let me go, go. Just let me go, go,
Outro
Bkgd. Voc.: w/ Voc. Fill 1
Gtr. 1: w/ Riff B (4 times)
Gtr. 3: w/ Rhy. Fig. 2 (2 times)
B
I’m nev - er com - ing home.
B
E5
E5
Free time
G#5 A#5 E5
Gtr. 1
Gtr. 3
6 6 6 6 6 6 6 6 6 6 6 6 8 8 8 2 2
6 6 6 6 6 6 6 6 6 6 6 6 8 8 8 2 2
4 4 4 4 4 4 4 4 4 4 4 4 6 6 6 0 0 0
9
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from Blink 182 - Neighborhoods
Snake Charmer
Words and Music by Mark Hoppus, Travis Barker and Tom De Longe
Intro
Moderately q = 100
*A Asus4
Gtr. 1 (clean)
Riff A
(Drums & synth.) (Drums, synth. & bass)
mf
**w/ flanger & delay
4 4 4 4 4 5 5 5 5 5
*Chord symbols reflect overall harmony. **Delay set for dotted eighth-note regeneration w/ 3 repeats.
A5 A
End Riff A
7 7 7 7 7 7 7 7 7 7 4 4 4 4 4
Asus4 A5 C#5/G#
Gtr. 1
5 5 5 5 5 0 0 0 0 0 0 0 0 0 0
Gtr. 2 (dist.)
f
6
6
4
4
Copyright © 2011 UNIVERSAL MUSIC CORP., FUN WITH GOATS, EMI APRIL MUSIC INC., BEAT POET MUSIC and JOLLY OLD SAINT DICK MUSIC
All Rights for FUN WITH GOATS Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for BEAT POET MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved Used by Permission 1
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1., 2., 3.
A5 G#5 C#5/G# A5 G#5 C#5/G#
Gtr. 2
1/4 1/4
6
6
4
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
6
6
6
6
4
6
6
4
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
6
6
6
6
4
4 5 5 5 5 5 5 5 5 5 4 4 4 5 5 5 5 5 5 5 5 5 4 4
4.
Verse
Gtr. 2 tacet
A5 G#5 A Dm/A
1. I felt a stut - ter and a waiv - er, cut - ting like a
2. You are a he - ro and sur - viv - or, your eyes are get - ting
Riff B
8va
*Gtr. 3
mp
H.H. throughout
5 17
5 17 6 18 8 20 6 18 5 17
*Synth. arr. for gtr.
Gtr. 2
1/4
6
6 7 7 7 7 7 7 7 7 7 6
4 7 7 7 7 7 7 7 7 7 6 0
4 5 5 5 5 5 5 5 5 5 4
A Asus4
ra - zor, like fire through the snow then straight down to the bone.
tired. There’s claw marks up your spine. It hap - pens all the time.
End Riff B
8va
Gtr. 3
5
6 18 7 19
7 19
2
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Gtr. 3: w/ Riff B
A Dm/A
She creeps up like a spi - der and wants you deep in -
The si - lent e - vil daugh - ters, like si - rens on the wa -
A E7sus4
side her. She turns you in - to stone, a twist - ed lit - tle show.
- ter. You’ve been the per - fect crime. It hap - pens all the time.
Gtr. 2
f
11
X
9
Chorus
A A/G# F#m D5
That’s how it was to all be - gin ’cause good girls, they like to
Riff C End Riff C
11 7 7 7 7 7 7 7 7 11 11 7 7 7 7 7 7 7 7 11
X X X X X X X X X X X X X X X X X X
9 5 5 5 5 5 5 5 5 9 9 5 5 5 5 5 5 5 5 9
Gtr. 2: w/ Riff C (2 times)
A A/G# F#m D5
sin. Way back at the start - ing line, when Eve was on Ad - am’s
A A/G# F#m D5
mind. And he was the first to go in search of the great un -
3
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To Coda
A A/G# F#m D5
known, and fall - ing yet a - gain ’cause good girls, they like to
Riff D End Riff D
Gtr. 2
11 7 7 7 7 7 7 7 7 11 11 7 7 7 7 7 7 7 7
X X X X X X X X X X X X X 0 0 0 0
9 5 5 5 5 5 5 5 5 9 9 5 5 5 5 5 5 5 5
Interlude
A5
sin.
Gtr. 1
P.M.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
Gtr. 2
7
0
5
C#5/G#
P.M.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
f
6
6
4
4
4
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Gtr. 1 tacet
A5 G#5 C#5/G# A5 G#5 C#5/G#
Gtr. 2
1/4 1/4
6 6 6 6
6 7 7 7 7 7 7 7 7 7 6 6 6 7 7 7 7 7 7 7 7 7 6 6
4 7 7 7 7 7 7 7 7 7 6 4 4 7 7 7 7 7 7 7 7 7 6 4
4 5 5 5 5 5 5 5 5 5 4 4 4 5 5 5 5 5 5 5 5 5 4 4
D.S. al Coda
A5 G#5 C#5/G# A5 G#5 A
1/4 1/4
6 6 6
6 7 7 7 7 7 7 7 7 7 6 6 6 7 7 7 7 7 7 7 7 7 6
4 7 7 7 7 7 7 7 7 7 6 4 4 7 7 7 7 7 7 7 7 7 6 0
4 5 5 5 5 5 5 5 5 5 4 4 4 5 5 5 5 5 5 5 5 5 4
Coda
Bridge
F#m D5 A5 E/G#
’cause good girls, they like to sin.
Voc. Fig. 2
(Whoa,
Voc. Fig. 1 End Voc. Fig. 1
(Ah,
Rhy. Fig. 1
11 7 7 7 7 7 7 7 7
X X X X 0 0 0 0 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 0
9 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 4 4 4 4 4 0
5
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F#5 E5
Good girls, they like to
whoa,
ah,
4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0
D5 A/C#
sin.
End Voc. Fig. 2
whoa.)
ah.)
End Rhy. Fig. 1
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4
6
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Bkgd. Voc.: w/ Voc. Fig. 1 (3 times) Bkgd. Voc.: w/ Voc. Fig. 2
Gtr. 2: w/ Rhy. Fig. 1
A5 E/G# F#5
I’m fall - ing yet a - gain.
E5 D5 A/C#
Good girls, they like to sin. Good girls, they like to
Chorus
A A/G# F#m D5
That’s how it was to all be - gin ’cause good girls, they like to
sin.
Gtr. 2
7 7 7 7 7 7 7 7 7 7 11 11 7 7 7 7 7 7 7 7 11
X X X X X X X X X X X X X X X X X X X X
5 5 5 5 5 5 5 5 5 5 9 9 5 5 5 5 5 5 5 5 9
Gtr. 2: w/ Riff C (2 times)
A A/G# F#m D5 A A/G#
sin. Way back at the start - ing line, when Eve was on Ad - am’s mind. And he was the first to
Gtr. 2: w/ Riff D
A A/G#
F#m D5 F#m D5
go in search of the great un - known, and fall - ing yet a - gain ’cause good girls, they like to
Outro
Gtr. 1: w/ Riff A
A Asus4 A5 A
sin.
Gtr. 2
7
0
5
7
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Asus4 A5
Gtr. 1
5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0
Gtr. 1 tacet
A Dm/A A Asus4
End Riff E
Riff E
Gtr. 3 8va
w/ bar
5 17
5 17 6 18 8 20 6 18 5 17
6 18 7 19
7 19 7
slack
Gtr. 3: w/ Riff E (till fade)
A Dm/A A
Gtr. 1
p
P.M.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
Begin fade
Asus4 A5 Dm/A
mp
P.M.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
A Asus4 A5
P.M.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
Fade out
Dm/A A Asus4
P.M.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
8
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from Blink 182 - Neighborhoods
This Is Home
Words and Music by Mark Hoppus, Travis Barker and Tom De Longe
Intro
Moderately q = 163
A5 F#m D5
Riff A End Riff A
Gtr. 1 (elec.)
f
w/ dist.
3 2 2 3 3 2 3
2 2 2 2 2 2 4 2 2 2 2 4 2 2 2 2 2 2 4 2 2 4 2 2 4
Rhy. Fig. 1 End Rhy. Fig. 1
*Gtrs. 2 & 3
mf
let ring throughout
2 2 2 X X
2 2 2 X X 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 X X 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 X X 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 4 4 4 X X 0 0 0 0 0 0
2 2 2 X X
*Gtr. 2 (acous.); Gtr. 3 (elec.) w/ dist.
Composite arrangement
F#m E5
3 2 2 3 3 2 3
2 2 2 2 2 2 4 2 2 2 2 4 2 2 2 2 2 2 4 2 2 4 2 2 4
2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4 4 4 4
4 4 4 4 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2
4 4 4 4 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Copyright © 2011 UNIVERSAL MUSIC CORP., FUN WITH GOATS, EMI APRIL MUSIC INC., BEAT POET MUSIC and JOLLY OLD SAINT DICK MUSIC
All Rights for FUN WITH GOATS Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for BEAT POET MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved Used by Permission 1
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Verse
Gtr. 1: w/ Riff A (4 times)
A5
1. We work and slave the day a - way, we’re raised in per - fect fam - i - lies.
2. Gun - shots, the punks are ri - ot - ing. The stage is slow - ly crumb - ling.
Rhy. Fig. 2
Gtrs. 2 & 3
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
D5/A
We fuck and fight like vag - a - bonds. We dance like fuck - in’ an - i - mals.
Smashed doors and try to stay a - live, a few drinks and a lot of bro - ken lights.
End Rhy. Fig. 2
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
Gtrs. 2 & 3: w/ Rhy. Fig. 2
A5
Don’t stop, the band is com - in’ on. Rude boys and punks will shout a - long.
Go hide and call the cav - al - ry, let’s dance in per - fect har - mo - ny.
D5/A
P’lice cars bring cuffs and load - ed guns. Kids scream, but laugh - ing as they run.
Get close, the crowd will come a - part. That girl will try to make you hard.
Gtr. 4 (elec.)
f
w/ dist.
3 3
2 2
0 0
0 0
2
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Chorus
D5/A A5 F#5 B5 C#5
Ah, ah, I, ah, ah, I, ah, ah, I hope. Do you
Riff B
Gtr. 6 (elec.)
mf
w/ dist.
let ring throughout
2 2 0 0 5 5 3 3 2 2 0 0 3
2 2 2 2 2 2 2 2 2 2 2
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 4
3 3 3
2 2 2
0 0 0
0 0 0
Rhy. Fig. 4
*Gtr. 5 (elec.)
f
w/ dist.
3
2 2 2 2 2 2
0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 6 6 6
0 0 0 0 0 0 0 0 0 0 0 0 0 0 4 4 4 4 4 0 2 2 2 2 2 4 4 4
2 2 2 2 2 0
*Doubled throughout
1.
Gtr. 4 tacet
D5/A A5 E5 C#5
wan - na let go? Yo, oh, oh, oh, oh, oh. ’Cause this is
End Riff B
2 2 0 0 5 5 3 3 2 2 2 2 0 0 0 0
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
3
2
0
0
End Rhy. Fig. 4
2 2 2 2 2 2 2
0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 6 6 6
0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 4 4 4
0 0 0 0 0 0 0 0 0 0 0 0
3
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Interlude
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)
Gtrs. 5 & 6 tacet
A5 F#m D5
home.
A5 F#m D5
2.
E5 C#5
oh. Do you
2 2 2 2 0 0 0 0
2 2 2 2 2 2 2 2
3 3
2 2
0 0
0 0
2 2 2 2 2 2 2 2 2 2 2 2 6 6 6
2 2 2 2 2 2 2 2 2 2 2 2 4 4 4
0 0 0 0 0 0 0 0 0 0 0 0
Gtr. 4: w/ Rhy. Fig. 3 (1 1/4 times)
Gtr. 5: w/ Rhy. Fig. 4
Gtr. 6: w/ Riff B
D5/A A5 F#5 B5 C#5
wan - na this time? Ah, ah, I, ah, ah, I. I hope you
To Coda
D5/A A5 E5 C#5
wan - na let go. Whoa, oh, oh, oh, oh, oh. ’Cause this is
4
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Sorgdal
Interlude
A5 F#sus4 F#5 E5 D5 A F#sus4 F#5 E5 D5
home.
Rhy. Fig. 1 End Rhy. Fig. 1
*Gtr. 7
mf
6 6 6 4 4 6 4 4 4 2 2 2 6 6 6 4 4 6 4 4 4 2 2 2
7 7 7 4 4 4 2 2 2 0 0 0 7 7 7 4 4 4 2 2 2 0 0 0
0 0 0 0 0 0 0 0
*Bass arr. for gtr.
Gtr. 7: w/ Rhy. Fig. 5
A5 F#sus4 F#5 E5 D5 A F#sus4 F#5 E5 D5
1.
**A5 F#m Esus4 D5
Gtr. 5
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 4 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0 4 5 5
**Chord symbols reflect overall harmony.
2.
Coda
D.S. al Coda
(take 2nd ending)
Esus4 D5 A5
home.
Gtr. 4 Gtr. 7
3 3
2 2
0 0
0 0 0
Gtr. 5
P.M.
0 0 0 0 0 0 0 0 0 0 0 0 0 4 5 5
5
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from Blink 182 - Neighborhoods
Wishing Well
Words and Music by Mark Hoppus, Travis Barker and Tom De Longe
Intro
Moderately q = 100
F/A F5 C5 D7(no3rd)
Riff A
End Riff A
Gtr. 3 (clean)
mp
w/ chorus
10 12 12 13
13
Gtrs. 1 & 2 (slight dist.)
mp
10
7
10 9 9 5 5 5 5 5 5 5 5 X X 5 5 5 5 X X 5 5 5 X X
7 7 7 3 3 3 3 3 3 3 3 X X X X X X X X X X X X X
X X 3 3 3 3 X X 5 5 5 X X
Gtr. 3: w/ Riff A (2 times)
F/A F5 C5 D7(no3rd)
Rhy. Fig. 1 End Rhy. Fig. 1
Gtrs. 1 & 2
mf
10
7 7
9
7
9
7
5 5
3
5
3
5
3
5
3
5
3
5
3
5
3
X
X
X
X
X
X
5
X
3
5
X
3
5
X
3
5
X
3
X
X
X
X
X
X
5
X
5
5
X
5
5
X
5
X
X
X
X
X
X
Verse
Double-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (4 times)
F/A F5 C5 D7(no3rd) F/A F5
1. Been gone a long time, I kind - a lost my way, can’t find it. And I caught a short ride
Copyright © 2011 UNIVERSAL MUSIC CORP., FUN WITH GOATS, EMI APRIL MUSIC INC., BEAT POET MUSIC and JOLLY OLD SAINT DICK MUSIC
All Rights for FUN WITH GOATS Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for BEAT POET MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved Used by Permission 1
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C5 D7(no3rd) F/A F5 C5 D7(no3rd)
to the grave and back this sea - son. I can try to get by, but ev -’ry time I start to pan - ic.
F/A F5 C5 D7(no3rd)
I’m a lit - tle bit shy, a bit strange and a lit - tle bit man - ic.
Pre-Chorus
C/E µ Fsus2 µ C5 µ G5/D µ
La, da, da, da, da, da, da, da. La, da, da, da, da, da, da, da, da.
Riff B End Riff B
Gtr. 4 (dist.)
mf
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Rhy. Fig. 2 End Rhy. Fig. 2
Gtrs. 1 & 2
f
3 3 3 3
1 1 1 3
0 0 0 0
2 3 X 0
3
Gtrs. 1 & 2: w/ Rhy. Fig. 2
Gtr. 4: w/ Riff B
C/E µ Fsus2 µ C5 µ G5/D µ
La, da, da, da, da, da, da, da. La, da, da, da, da, da, da, da, da.
Gtr. 5 (dist.)
f
5
5
3
2
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Sorgdal
Chorus
C5 G5
I went to a wish - ing well and sank to the o - cean
Rhy. Fig. 3
Gtr. 1
5 5 5 5 6 6 6 6 X 6 X X 5 5 5 5 6 6 6 6 X 6 X X
5 5 5 5 5 5 5 5 X 5 X X 5 5 5 5 5 5 5 5 X 5 X X
Rhy. Fig. 4
Gtr. 5
5
5 2
3 5 5 0
3 3
A5 F5
floor, cut on the sharp - ened rocks and washed up a - long the
End Rhy. Fig. 3
5 5 5 5 6 6 6 6 X 6 X X 5 5 5 5 6 6 6 6 X 6 X X
5 5 5 5 5 5 5 5 X 5 X X 5 5 5 5 5 5 5 5 X 5 X X
5
2 5
0 3 3 3
1 1
Gtr. 1: w/ Rhy. Fig. 3
C5 G5
shore. I reached for a shoot - ing star. It burned a hole through my
Gtr. 5 End Rhy. Fig. 4
5
5 2
3 5 5 0
3 3
3
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To Coda 2 To Coda 1
End double-time feel
A5 F5
hand, made it’s way through my heart. Have fun in the prom - ise
5
2 X
0 3 3 3
1 1
Interlude
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times) Gtr. 5 tacet
F/A F5 C5 D7(no3rd) F/A F5 C5 D7(no3rd)
land.
5
X
3
Verse
Double-time feel
** F/A F5 C5 D7(no3rd)
2. On a nar - row - ing line, what a way to sort my trou - bles.
Riff C
*Gtr. 6
mf
3 3 3 3 3 3 3 3
0 0 0 0 0 3 3 3 3 3 5 5 5 5 5
*Bass arr. for gtr.
**Chord symbols reflect implied harmony.
F/A F5 C5 D7(no3rd)
And a ver - y short time, gon - na pop, bet - ter duck and cov - er.
End Riff C
0 0 0 0 0 3 3 3 3 3 3 5 5 5 5 5
1 1 1 1 1 1 1 1
4
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Sorgdal
Gtr. 6: w/ Riff C
F/A F5 C5 D7(no3rd)
Can you fig - ure me out? I got caught like a lit - tle kid steal - in’.
D.S. al Coda 1
F/A F5 C5 D7(no3rd)
Did I say it too loud? Bit hard or a lit - tle mis - lead - in’.
Coda 1
Gtr. 3: w/ Riff A (4 times) Gtr. 5 tacet
* Dm7 F C Gsus4
land.
5
X
3
*Chord symbols reflect overall harmony.
D.S. al Coda 2
Dm7 F C Gsus4
Gtr. 4
p mf
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
Coda 2
Chorus
Gtr. 5: w/ Rhy. Fig. 4 Gtr. 1 tacet
F5 C5 G5
heart. Have fun in the prom - ise land. I went to a wish - ing well and sank to the o - cean
Gtr. 5
Gtr. 1
5
5 5
5
3 3
1
Riff D
Gtr. 4
7 7 5 5 5 5 5 7 7 5 5 5 5 5
X X X X X X X X X X X X X X
5 5 3 3 3 3 3 5 5 3 3 3 3 3
5
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A5 F5
floor, cut on the sharp - ened rocks and washed up a - long the
Gtr. 4 End Riff D
7 7 5 5 5 7 9 10 5 5 5 5 5 5
X X X X X X X X X X X X X X
5 5 3 3 3 5 7 8 3 3 3 3 3 3
Gtr. 4: w/ Riff D
C5 G5
shore. I reached for a shoot - ing star, it burned a hole through my
End double-time feel
A5 F5
hand, made it’s way through my heart. Have fun in the prom - ise
Gtr. 5
* ff
2
0 3 3
1 1
*Vol. swell
Outro
Gtr. 5 tacet
F/A F5 C5 D7(no3rd) µ
land.
Gtrs. 1 & 2
10 9 9 5 5 5 5 5 5 5 5 X X 5 5 5 5 X X 5 5
7 7 7 7 3 3 3 3 3 3 3 X X X X X X X X X X
X X 3 3 3 3 X X 5 5
6
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
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