Just for you

(based on the composer's piano solo interpretation)

Arranged by Music by Giovanni Marradi
Lilia Kacerovskaia
molto espressivo        


         


mp 3
        
           
con pedale


        
       
5

     


3
        
      

 
       
 

8

  
     


3

         m.s.          
      


m.d.

12           
      


 
3 3

    
     
 

         
       
15

   
mf
                 
3

      
m.s.


m.d.
 
© 2011 Lilia Kacerovskaia
http://pianolia.blogspot.com/
2

        
       
18

     
     m.s.      
3

    m.s.
  
    
 
m.d.

m.d.

          
 
21

  
       

        

3

   
m.s.

 

m.d.

     

   
25

      

     

3


3

  


 
*
   

28

              

  
f 3 3
m.s.      
3 3

   
   
3

3 3 3

 
m.d.


     
 
30

        
       
3 3 3 3
   
    
3
 
3 3 3

 
* 8va sign belongs only to the right hand part.
To play 8va higher only for the first time, second time - just as it's written on the staff.
 
3

    
 

           
31



       
 
3 3 3 3 3

  
    
3
  
3 3 3 3

   


            
33

     
     
3 3
 
     
3

        
 
 
 


    
To Coda

           
36

      

 
  
    
3


    

     
  
 
38

       
mf
       m.s.      
        
 
 
3

m.d.


            
 
41

  
3

          
           
  
4
  
  
        
44

     
 
         m.s.      
3

 
m.s.
   
   

m.d.

47     
m.d.


            

      m.s.         
3

      

m.d. 
50      
       


              
3 3

  

    D.C. al Coda

52

     


  


       
m.s.


m.d.
  

  

   
Coda
              
54

                    
    

  


  
   stringendo



 





57

  
  
     


    



  rit.   
 
