(very even,without accentuafin!jtlte ba, subdiviswnsi nowhe,e should flu imp,..s,"" 'If a bariNg be c,eated.

)
Come un meccanismo di predsione (stlrr(/lekhmiitJig, ohneAJnentuierun(/ IU, JaJdunt.rlrilU1l(!tn$pielen, IUr Eindruckeine, TflkfmelrikSdll sich nirr;erWs tr(!fIhen.)
(oJ. 56) Mit Ireier Hand,ohne ~en/ With/ree hand; put bow down
CD . Silen,aoassolu/o
0 0c;:~ord.
1I.'- - -
~
- - -. -. -. - - -
0
- -
0*)
111
p
CQn801'd.0
pt... , *)
:0:. .

p ,
~o
pt...
~

CO"sord. 0
pin.

P
NB. IndiesemSat..iHd .'" ~,fafLs nfcntgeo"derl..!u,dieJJauerdesjeweiligen TfIkt.. gUltig.
In lhis mootment#, .,and ~are valid for the whole bar, unless changed.
*) f!.~m;'3;:;'::i/:t7g~~'l::'~~:':;'~~;' '.:ot!:/r!'J!%;}:/!.:i::::j~~1,."tu=~"::t/,!g::;,~~~;,.~r: ;.,:t;a.U;'J!Z~:;f;t J.:~::/:~~1::::f:u:':.:.'C:!.."n~:::t,;~7e~ f~ ~~.all-
TIu! written.ouf rucelleraHdos (9. fO' T/ .12) and rallentandos art approxi_tions; the groups of g, 10 etc. mw;t by played with noalUnts whatever, flu resutt being a
gradual cltan(/e 'If spetd; the notated rhythm need not be talileH literally. This applies to bars 6. f2 and all analogous passages i" the movement.

CD CD 0 @

2('6)

*)

0
I 0
,*)

. 0 ,n " .. .. " .n
0) Siehe futmote o)oben.
See footnote *; above.

,
II
8.~:
@ m
Grave (Jeden Ton mit Ahzen'j
(~. 46) gleicl,ma"ig verteilt
/ (Eve,y note with accent,
even distributed) sinal
@ " =1flnuf@,
. ,OT'; 0 . @ poco a poco me*!, 'aftd)
€€€
- - - - L
E1=E1=
- - - 0

oJ ,f possibUe ' '

If , , ,
' ......................, ' ,
8"""""""""""""""""""""""""" I
#t: t: t: t: t: t: 't: ' suipont. 5 6 , 7 7 7

oJ , If I
, '
I , ' ,
, '
I
" 1=1=1=1= ' : :!ipont ,

oJ 7 7 7 ' 7 7
0
7
I :Lff--L--J
" 0
0 , 0
sui pont.
Jt: t:t: <1>: ... ... . I' I' ... °l'"""'" ...... I' I'... " . . . .. I"""" 1'1'1>.-.0 -,

'oJ 9 .
f 'Foss,
.,.,
fIJ1 u -
If

17
 PQc;O
pm mosso
-(..=50)
9-- --- -. -" . -@ - '" .. -
-@- .. .. @ ... .. -....
sui tasto.
"
@- m

1
- (nonQrpeggiJ
1 1

oJ
di"uHuendo p,oco a poco - - - - -, - - - - - - ' - - - 'mp sub.
, ' ' p
poco a poco' 'ord. ' lnon arpegg.:) sui tasto.
9 10 ' 10 10 10 10 10 dolce
,

oJ
diminuendo poco a poco - - - - -, - - - - - , - 'mp sub.
..
, , , , p
sultasto
poco a poco, ord. , , (non arpegg.') ' ",dolce
I I ' I I I I I IIIIIIIII'IIIIII[I . iiiir
, iiiil I I IJ
I [ I I I I I [ I I'I I I I I I i i i i
d,.!.inu6"dopDCOa poco - - - 9 - -' - to - - to - - - 10- - - 10- - 10s"b.
: oc "::t. . . . gliss.Isemp"e pin.)
' ,
(non arpegg.!)
,mp P
poco JJI'j'j,,;,to.

7 7 10 10 10 "'p 1O6ub.
diminue~do poco a poco P

@
"' .n .n @ II ,.
@ " 14
@ "

oJ ,.... -:&S.(.e",prepid.) 1 , - .- ,
1 diminuendo poco a poco
1
, , ,
" " ,n 10 11 '2 13 14

".. . gliss.(..",prepi'ZJ " , . " ,

' , dim,nuendopoco d poco - - -
, ,
, ,
' 1 "
10
' 10 10 10 1J ' 12 13 ,
1
diminuendo poco,:, poco - -
,
:
",'00 Isemvre iz'J II. . ' ,
,n
10 '"
10 .n
10 ,n
10 10 11 "
12
diminuendo poco a poco -

Q IIraduallychanqejrompi...lo A (finger. lip)

" @ ~,Allmlihlich von piz". zu;'" (Fingerku,ppe) r'lbergehen @
IoJ , , \
- (ctim.poco a poco) - - - - - - - - - - - pp dim. poco a poco -, - - - - - - -
T
" , , Oraduallychangejrompiz;.;o
..) AUmlihlichVOn '" (finger-lip)"bergehen -
phz. XU '(Figerkuppe) - - -
It! ,
! (dim.poco a poco) - '- - - - - ,- - - - -' ' - - -
'pp dim.poco a poco -, - - - -
, tJraduallg
..) AUm(J.h changefrom
ich vonpizz. pizz
zu (';.to'(Fingerkuppe)ubergehen
A (finger. tip) - - -
1
14 '
- (dim.pocoa POCO) - - - -15 - - - - - - - pp dim. poco a poco - 1 - - - - - - -
,
, :!"J:/f/i/!;:!k=p:J
*) o;'ti:"Uff/!{J,h:f:Jr:z": ubergehen - - - -
:
. 13 "
14 '"
15
- (ct,m. poco a poco) pp dIm. poco a poco
if) Sehr pr!lzis, ,Z.lei- Bewegung simultan in alIen 4 Inslrumenten.
Veryprecise, Ihe ctemisemiquaver motion IS SImultaneous in all 4 inslru"",nls.

Poco a poco tlccelerando sin al - - -**) - - - -

/~
f27\ Hierbereilsgan. ;.., (l1ztder f281Fing<rkuppe
I::.Y auj die~ SaileauJklopjen,alimliJdich
qan"aufdem 6riflbretl:)

I-.rrh.- - , ~;;
- (ct,m. poco a poco) - - - - ppp'- - - - - 'j!y-this 1z.°int e<!!irely;S -(l
l
** laP]he .s{ii;;g-wI!hlT.ef!"i;;ifp~g~~~il!l!-rO';i';qj>ver
, tJ.!efiHi1!.rbOarJ!.)

A I ,Iiier bereilsgan.;" (::'~~f:f1;W:;:fU!j1:;",,;lIm!i.ltlich gan. aufdem iJriftbr,tt.

~ 0#
_Y(dim. poco a poco)
,
- - - - ppplt- - - - -
'## ##.#*###..
1!.yIhisPE'nl "!lirely C'. (tap 0:'
~ #
tSlringwitlt: thej"!1er-liJ'.. grad~aJly ~cing.!'ver 0e .fr
~
in!!!rb,ar!!)
-----
, ,"*) I ,
ifier bereits gan.;'" (~}~; J;:::Y':JuJ'tf'd;/fen,
allmlihlich fl.anzauf, dem 6riffbrett.)

- (dim. poco a poco) - - - - ppp - - - - 'By.!his p.!!",t en.!rrely 0 (tap t!!e strf.HfJ wII!!.the f,,!!!er. tl}'.. qrM",dlY m,!clng O£er IhL/lng'?:Foardl
I
Hierberedes
ganz.n
U)
~ (Nit der Fing,rkuppe
I

auj dieSa!lea'ffklopfen>
. '
allmiihlichganx""1. dem iJriffbretl)

- (dim. poco a poco) - - ppp JJy.!h.s p'!..utlen~irely 0 (tap 0estrrn'l wllh LheJrng!.r-lipJ/raduq}ly mtJ!!.'"qo,!!r Ihe1rnger:l!oarrlL
,,*) Nil dem accelerando verschwIHdef allmahlick die rhylhmisohe Pri'izision und die Simulfaneifat.. fingerkuppen .Schlage poco a poco ad lib. imm,. sckndler und leiser.
Wilh the accelerando, the rhythmic preCIsIon anct s,'multaneily gra4ually disappea,.s i the linger-lip strokes become gmdually lader and so/Ier.

18
 -------- accelerando

@ AlI",iihlick
tJradually Rhllthmus,frti,
rltflthmfru; as
sofast as possib!e
schHell wie moglick

ppsempre
(dim.sem,,"')
crese. moIto - ord.,
ge/folo(semp",)
..""*" ~~
. .
sUb. ppp , ~ I
'" (aim. sempre) ':Iff pp =-- ppsemp'"
,wpsudaenly, ~u..)
astho"!!h ord.,gettato(8emP"')
wrn off ~~ r:-:---.
~ iff- . PI'sempre
- rdim.se"'pre) (MP) cresc."lOlto - p{iJMicha'ffhoren, urd.,gettaw(sempre)
*-~)
Rbii"'ile arco, sid ponl. wieahgmssen
slopsuddenly. ~o . ~ T--g
) as tho~qh torn o.'" ***'~J'

- (dl",.sem1're) pppp L" r ~f' p/Olzlich aUfhOren, PI' seml'~e J I

(pppP) cresc'molto- ~- -iff
wieaogerissen
9 J
1Ja~i'fv1j(f;:':::f::::!f,#~telY
H.) Au,!3erde", fingerkuppenspiel der recklen Hand betetligt sieh auck ein Finger der rinken Hand allmahlich in derselben Spielarl. Finger cUr redden Hand am driffbrett
qrdtend ;1I<mer mehr der linken Hand annOhern. SchHe!3lichiiherni"""t die linke Hand 'Ian>:etas Finqerkuppenspiel. Pie auf diese Weise,frsigewordens reehle Hand
nimml den Bogen. (Uichf gleick>:eitig,:<tarsl Vln.l, dann Vln.:!, VIa.und 'ehlie!3Hch m.)
As Ihe right haHd continues its finger. tip strokes, a left.handftngerqraduallyfoins in in Ihe Same manner rhe righl.handjinger gHaes along!hefingerboard toward Ihe
l~fI.handfinger. Finally Ihe lift hana tab.. over thefinger.tip slrokes completely. The right hand is noWfree and pic"s ~p the bow (no! all players at once;ft;-s! )T(n.l, 'then
Vln.2, Vla., andfmalill Vcl.).
NB. Ehy!hUfus jurd4s eYSte Vierlelfrei.lJie Nolalion isf eine Ande~mng.
The rhythm qf the first crolche! ts free. rhe nolation i$ ",erelya s"'lgestion.
OHO) IJenJJogenf.tn",erklich a'lfse!>:en,ohneZ!i.surpliJt~!iehvon A (linke HaHd»:u areo iihergehen. Crescendo molto' wie eiHep[ljlz/icheEruption' Vberlrieben, oehement (trol" Sord.].
Place the bow impereepUNI/. chang<8uddenly, wilhout a caes~ra,from A [lift hand) to arco.C",seendo mollo, !tke a sudden er~ptwn: Exaggeraled, vehemently [d£spite Ihe mule}.
..u.) uellato. einen kleint~Ak'ZtntJtweits at;/demersten Ton der ueltato'urnppe,dann kkines diminuendo.
o.llato' a slight accent on thefirst nole of each qett:atogroup, Ihen a litt:!edIminuendo.

..ubito:
al ancora piu mosso
rallentando poco a poco sin al
tal~ne (,L80J@ ~
@ ~ .~ ~~ o~a.W,tl4tosempre) ... . . .
1

------- ---- '--'-" y

"

....----.

:...;'-1""'" ~
.~ <-.:> ord. pppsempre
l .0 1 '---" ~
~ ...---... ~ Ial;aitoneq~ ta~ne ,"'to (;e.~ei~~

I 9 I L...L...J L..L J : Cj I
I
..
a-'I,
v...~~
L..L..J '3
L..L...J L..L
sf
J ~,
sf
9
l'
, 9
pppsempre '3~~

subito:
poco meno mosso
@ 1'1%", (~" 60) pi"".sultasto @Islmile)
. "..,..,..,..- F,_.o-.rvm. "'""m. mt,ireter]1(ma Ij';O "" "'. "" "" "" 1":' 1":'

..
iff iff 1' 1' hand I 7 " ,, 7 , I 7 II 7 I
oJ..3.. ' I
("woode,l"I»)
pin. sui pont pl...ord.,albr. I bogen weg, I
. . . 3 mitjreierHand ChJtze;;,ne.;'plnJ '" 0
,---,--, 1'311'3I

oJ -:r- - iff iff iff l' l' 1'

I
hand mf mf
I
mf
ph.. ord.albr
U =-"".--:-:-. I I 5 II 5 III, 5 " 5 I
'.m:.--'.: L- II 5 pi>.:oiulponl. 5
..
l' P p ' "'1' mp mp "'1' Imp mp mp
,I. (" rattllng"ph..) I
pl...sl pont pi"".ord.
III.'
- 0 " tb (pchHarrendes" pi...)
-e
lsimile)
-e -e -e

oJ --- d- m
iff iff iff iff 1'- 1'- 1'- p- 6J1ff' 3 f I If 9 I I f9 I ',' . -3'7 I

in der Ausfiihr~ng sind aile pinicati grelch.) platn; whenplayed, afl lhe p /
<oj }fur einmal an.upfen (die .~ckriftarl oerd.eutlicht n~r die SepWle, Pl~,* only on" (thep~rpose °1 this notation is to make the se1't~p!et
catos are eq=l).

19
 Sehr g(eichmiissig,
akzentlos bis zum Schluss
sui tasto . !3ii! Very even, no accentuation
Q, pW<>Cd.e""eiu.
~,hO~~gi~a'
"
*U)~I
ord.,arpeggiaro,suitasto,oibr.
~ r=m ~. from here to the end
Ise",prepl",,".8t<Iff'to )

ili.si.suJJii. (.e""",ipi"".)
se,..pre, se"~a aim.
a

..f ""
P glisuulJ[. (se",.,... pi...)
pItt.ord. 1
("""arpegg.)
11 ~II =i'::.1kd I
=I""",,.","
"1' P'"¥",,.'lo
.-
'" 'Ii! 'pp glW.8ullJI. (se",p,,"pi...) TO
pizz.ll :PP sempre, 8"'~a dim.
hand
pI""4ulpo"t. I ffJ!f
I . IIrgO
> ,,0 00000000 00000

l3(>6) 31.6) I ~
J I r;m J"I 12
pp se"'P"',se""", a,m.
*) Sllhe FUPHotexu Takt .35 [!] Den 13ogeH8thr slark a!if die Saile druckm (audt (J(Jru"d Hach(/em Ton). KratzgerQusch.
Seefootnote to bar 35 Press the bow very stro"flly OHfhe StrlHg (before aHd tifter the "ofe too). SeraJehiHg Holse.
",.) VIH.2, Talzle M.lI7; FlalJ(.(}lett-pi~z. Hachbl;HfJentassen (l.R. -FiHlJer hebelt. harfrntlJrxlicher Klang).
VtH.2, bars 36,3'" tel the harmoH;c pizz.resound (raise the lifl-handfinger,producing a harp-like sound).
u.) pi~~.arpeggiafo. ratifuHd ,,"nteralurnierend (i tJ / pizz.arpell9itdo. alterltafe/y up aHd dOWH(j t!

. 12 '.:::;/ ,, (,.'V
oJ+- + 10 10 )0
I 9
11 I gl""'IS'.i. pi...) I
. I (ll.) I 1

loJ 1 9 ' 9 . I .
10 9 .
1 gliss. (8""pre f"'Z.) I
., ,

9 I gliss.(s'""lf'"pi...)
I I
. 00000000000 0000000000 000000000 00000 0 0 0
I 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

oJ 11 In 0 . . .

@ @ @ - @
f46) @
'-si,...._ov °mov

loJ 9 9
I
. 1
I I
I
=- morendo I
I .
"
loJ 1 I
moreHdo I
. I I. I I
I

loJ =- I 'w
I moreH(/<)
I I
. 0 0 0 0 0 0 0 10 0 0 0 0 0 0 0 1.0 0 0 0 0 0 0 0 I0 0 0 0 0 0 0 0 0000000000000000 000000000000000 I

"\oJ 7
moreHdo Durata, ca. 03'15

20