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FULL

SCORE

Seven Years in Tibet


End credits

O H N W I L L I A M
(Orchestration : John Weufeld)

[  = 70 ]
Ord. Fl.

     
(doubling Piccolo) 1

 
 
2


3


  
Picc.
3 Flutes
(doubling Piccolo) 3


     
1   

3
E.H.
2

    
  
(doubling English Horn)

3 Oboes Edited by Ferdinand Claquin


Bar. Ob.
 
2          
2


  
       
Fl.
3 3


   
Ob.

     
3 3

E. H. 

     
3 3

        3   
   
3 3


3 3

  
      
             
3 3
3 3 3


Cl.

                      
3 3 3 3
3 3 3 3

     
    
    

  
Bsns.


    
       


A. Sax.

  
     
3 3

  
3 3

  
     
F Horns

   
3 3

   
      


Trb.

  
Tuba

   
   
Timp.  


                         

Hp. 1   
    
            
4 
3

 

             
Fl. 3 3


3 3

 
              

Ob. 3 3 3

 
3



E. H.

  
 
3 3

  
3 3

              
3 3 3

      
3 3 3

    
3

             
3 3

    
3 3 3 3

   
3
Cl.

             
3

 
3 3 3

   
3

        
  

 
Bsns.

      
              

 
          
A. Sax.
3

        
3 3
3 3 3


       
3 3

         
F Horns
3 3

 
    
       
3 3

  
  
   
Trb.

   
Tuba

   
 
   

                    
Timp.

       

Hp. 1

                   
      
Hp. 2
6     
4

     
(a2.)

 3    3
1
Fl.

    
2


  
Ob.1

   
  3
33 3

E. H. 2

        
 
rd
3 Oboe


Switch to Oboe
Bar. Ob.

  
3

    
  
3 3

   
3

    
3 3

     3  
3

     
3

     
3


Cl.2

              
3 3 3 3

       

3 3

  
3 3
3
3

  
    
  
3


1

 
2

          
Bsns. 3


 
3

 3
      
    3
A. Sax.

     
(a2.) 3
3
1

   3
2

       
3
a2.

F Horns 3

 3
4

        
(a2.) 3
5

 
6

1
2

 

B♭ Tpts.


  
     
     
3

  
 
1
2
3
Trb.
 
8
5

 
  
 
Fl.

 
  
3

  
Ob.

 
 
3


E. H.

    
3

 
  
       
3 3

   
3

  
   
3


3

  
   
3 3
Cl.

      
3


3


3

 
    
 

    

Bsns.

 
 
    
3

 
A. Sax.


    
3

 
    
3

F Horns

       
3


     
 

 
 
Trb.

 
Tuba

   
 
Timp.
 

  
9  
6

Fl. 

  

Ob.  

  
E. H.   

   
  

   3   

  
      
   
3

    
3 3


Cl.

  
 
3


3

   
    
3

    
3 3

 3

 
3

   
a2.



 
   
Bsns.

  



 

 
A. Sax.

         
3

 

          
3

F Horns

 

           
3

      
 

 
  
a2. 3

     
 

   
B♭ Tpts.
3


10 
7

  2  
1

Fl.   
   1  
Ob.   
     3
          
3 3
2


E. H.

   

 
   
     
               
13

      
3

 
3
3 3

 3 3

  
3

                 
2 3 3
3 3
Cl.

   

 
            
33

  3 
3

3 3

 
1

     
2 (a2.)

   
   
Bsns. rd
3 3 switvh


     
 

A. Sax.

  
        
1

       
3
2



 
        
3

       
3
4
F Horns




 
        
5

       
3
6




      

12            
8

 
Fl.  
      3   


       
3 3
3
E. H.

  3   

          
dim.3

 
3
3

  3   

 
         
Cl. dim.


3


3
3

  

dim.


      
F Horns



Solo Cello

 cant.

  
3

 
col Fl. 1
Celeste

   
Synth. 1 


 Celeste
 

col Fl. 2

   
Synth. 2 


    
 
        
3 3
3
Hp. 1

  


   
 
dim.

           

3 3 3
Hp. 2

 

    
        
   
dim.

   
      
 
dim.

   
Hp.


 
     
    
   
               

   
      

dim.

   
Hp. 4


  
  3  
       

  
      
3 3
3
Vlns. 1
  
9

         
                            

14 3

Fl.

        
      

  
            
Solo Cello

              
3 3
3

  
Synth. 1

         
         
3

   
Synth. 2

         
Hp. 1

       
     
simile

  
      
Hp. 2

     
 
simile



Hp.

                      
3 3 simile3 3 3 3 3 3

Vlas.

                      

 3 
Cellos

  
  
3 3 3 3 3 3 3

Basses
16         2     
       
10 1

  
 3
a2.
Fl.
3

 
1


2
Cl.

  
1


2

                
Bsns.


Solo Cello
 
             
3 3

      
3 3

     3
Synth. 1
   3

            

 

  
Synth. 2

     


 
    
Hp. 1


Hp. 2  
     
3

Hp.  
 
  3
 

 
 
Hp. 4




3

                  
3 3 3 3 3 3 3 3

Vlas.

                  
3  3
Cellos

     
  
3 3 3 3 3 3

Basses
                
11

      
18
3 3

 
Fl.

   

              
Solo Cello

     
3 3

           
Synth. 1

        
3
3
Synth. 2

       
 
   
Hp. 4



          
 
     
Vlas.

     


Cellos

    
Basses
 
19                 
12

Fl.            



Cl.

 

Bsns.



  
   

Solo Cello

            
   
3

     
Synth. 1

Synth. 2             

  

Hp. 4

          
 
        
Vlas.

Cellos
   
  
Basses
 
20           
      
13

 
              

Fl. 1 solo

Fl.


3

 

3

Cl.
   

     
Bsns.

       
    3

                   
Solo Cello

         
3 (col Fl. 1)


3
Quasi harp

          
Synth. 1

         

3



  
Synth. 2

     
   
  
    

 
s .

    
is
Hp. gl




   
poco

Vlns. 1 

33
   
3 33 3
3 3


Vlns. 2

           

Vlas.   

  
()
          

Cellos

 
    
()
Basses
   

     
6

  
14

     
22
(1°)

       
1
Fl.

         
3 5
3

 
3

 3 
 
Solo Cello

       
3

    
3

 
3

  
Synth. 1
3

 
        
 
 


     
 
Hp. 1 6


Vlns. 1                        

               

        
Vlns. 2

     
   
             
Vlas.

      
Cellos
  
       
Basses
   
       
     
15

       3
24 3


  
Fl. 3


3

            
 3 
3 3


3

     
Solo Cello

 3 
   3    
3

      3
Synth. 1 3 3

         
 
 

   
 
Hp. 2 6


      
Vlns. 1                   

         

              
Vlns. 2

               
        
Vlas.

       
   
  
 
Cellos

   
3

 
3

Basses
  
      
16

       
 
26 3

Fl.

  
3 3

      
3 6

     
  
Solo Cello 
     
      3  
3
6

 
Synth. 1

 
3

    
3

    


 


 
    

Hp. 1


 

         
Vlns. 1    

         
    
Vlns. 2

       
Vlas.       


   
Cellos  
    
Basses
  
27 
17

 
Fl. 1  

   
Ob. 1 

   
Cl. 1 
   
 
              
Bsns. 1

        
Solo Cello
   


   
 

     


Hp. 2

   

   

Hp.
3

   

Hp. 4 
 
Vlns. 1        


 
    
  
Vlns. 2



Vlas.  
      


    
 
         
pizz.

Cellos
  
 
29                   
18



2

 
Solo Cello

   
 
  
 



Hp. 1



     
    
  
Hp.  col Vlns. 1

 
     
  
Hp. 4  col Vlns. 2


 
     
    
Vlns. 1

 

     
Vlns. 2


Vlas.
          

       
arco. div. unis.
Cellos

                       
1 solo.

    
pizz.

 
Basses


31 1°    
    
19

Fl.    

 

   
       

Ob.

 

 
           

 
  
Cl.

      
 1°

 
          
Bsns.

  
              
Solo Cello
         
   

 

l.v.

 
Hp. 1


      
Hp. 2



 
33    
Fl.1  
 
Ob.1     

      

Cl.1

  
Bsns.1
  

              
       
      
Solo Cello

 
  
cresc.


pizz.

Vlas.



   
Cellos
 

34   
20

 
Fl.  
  
Ob.    
  
Cl.    
   
Bsns.
  
             
               
  

Solo Cello

 (cresc.)  

        
     
Hp. 1

     
Vlns. 1   


  
       
div.


Vlns. 2



    
    
arco.

Vlas.

  

    
Cellos 


    
  
sempre 1 solo. (pizz.)

Basses


36  
21

  

   
Solo Cello

    
 
   
   
 
Hp. 1


Vlns. 1    

   
unis.


Vlns. 2

  
  
div.
Vlas.

 
Cellos  
    
       
Basses

37   
22


(1°)

Fl. 


   

(1°)

Ob.



  
   
(1°)

Cl.



 
  
(1°)


        
Bsns.

        
       
   
 
Solo Cello

   

 
 
Hp. 1


 
Vlns. 1      
    
  

Vlns. 2

 
    
 
Vlas.

    
 
Cellos

   
Basses
 
38    
23

   
  
(1°)

1
2

   
  
Fl.
(picc.) 3


 
   
     
(1°)
1
2

   
  
Ob.

3

 
1         

   
Cl.2   

   
3
   

      
1   

   
2

  
Bsns.
(contra) 3

   
  
A. Sax.

  
    
o
1 . col timpani

   
1
2

   
[ ]
3

  
F Horns
4


  
5

   
6

   
  
B♭ Tpts.


2

    
3

 
1
    

2
3
      

Trb.
(bass) 4
Tuba
Tuba


           
 
24 a2.

 
 
40

 cant. 
             
Fl.


           
    
             

          
    
Ob.

 
    
                    

    
  

                 

Cl.

 
      
 cant.

     
         
    
   
 cant.

              


 
 


  
 
               
F Horns

 




 
         
 
 
   
Trb.


          
Tuba

  
     


 
   
Timp.

    
  

    
Solo Cello
 


  
     

Hp. 1

 

 
   

  
 

   
s.


   


is


   


gl

Hp. 2
   

   


 

     

 
   
42   
25


       2    


           
  
Fl.


Picc.





   
    
2

         
 

 
 
2

          
Ob.
2



    


         
 



    
2

        
Cl.

  
      


   
2

     


         

F Horns

     

     


 



  
Trb.

      
Tuba


         


         
     
Vlns. 1  
 ]        

 
                           
Vlns. 2
          


 ]               
        
 
Vlas.

] 


   

  
Cellos

pizz.
   
      
26

    
 
43

1
2

    
        
Fl.
(picc.) 3



   
   

  

  
 

1


2

      
      
Ob.



3

          
 

1

   
2
Cl.           

  
3
  
   
    


1
2

    

Bsns.


(contra.) 3

   
             
        
1


2

            
3

   
F Horns

        
4


5

   
6

2
1
 

   
 
B♭ Tpts.

3

       
o
1 solo.

 
1
2


3
Trb.

    
(bass) 4


Tuba


Tuba
45      
a2. 27

Fl.   
   
 cant.

   
   
 cant.

  

Ob.
Switch to E picc. Oboe


   
 
 
 cant.

   
Cl.  
 
 cant.
   
  
 
    cant.
        
 

 

Bsns.

    
Contra-bassoon


    


 
  a3. 
A. Sax.

 cant.

       


 
    
cant.

 
F Horns
a3.


 
 cant.
 
           
B♭ Tpts.

   
       



  
Trb.

         
Tuba

 
  
  
Timp.
   

  
[ ]

 
Med. Tam-tam

Perc. 2
  

    
28


    
46

    
Fl.

   
    

   
     
Ob. Picc. Ob. in E

 
   
  
    

         
Cl.


          

  
      
  

Bsns.

    


  
     
 
  
A. Sax.

   

 
  
F Horns

 
           
         
  
   
Trb.

          
Tuba

   

    

Timp.

    
Synth. 2

 
 

()

     

    
Pno.
       
29

47
(a2.)

1
   
2



Fl.
(picc.) 3


     
      
1
    

2
(picc. in E) 3

    
Ob.

 
    
  
1    
    
2
Cl.       
    

      

3

        
 
1
2


   
Bsns.


(contra.) 3


    
  
  

A. Sax.

  
    
1
2

 
2

 
3

  
F Horns
4



5


2
6



B♭ Tpts.


2

               


3

          
 
1
2
3
Trb.
(bass) 4
      

30

   
48

    
2

 
   
Fl.


      
2


         

       
  
2


Ob.



     
   
2



Switch to E picc. Cl.
Cl.

          
   
       
      
2


Bsns.

     
       
   

  
A. Sax.

       

2
2

      
   
F Horns
2



    
2

 cant.

   
B♭ Tpts.


a2.


2

          
 
 cant.
        
  
   
Trb.

          
Tuba

    
Timp.
  
    
49  
31

  

 

Fl.


 
    
    
a2.

  
      
       
Ob.


          
  

  
        
 
Cl.


 
    
      
   

 
Bsns.

        
    
 
 


  
A. Sax.

       
   

         
F Horns 3 3

    
   
   
3 3

     
B♭ Tpts.

   


    



 

 



 


Trb.

     
Tuba

    

  
      
     
32 (a2.)

       
50

1
2

 
Fl. cresc.
(picc.) 3

     
              
(a2.)
1
2

     

   
cresc.

  
 
Ob.

 
   
(picc. in E) 3

     
        
(a2.)

 
cresc.

  
 
1
3

     
    
       
Cl. cresc.

 
 
(picc. in E) 3
in E

  
   
cresc.


1
2

  
Bsns. cresc.

    
(contra.) 3

 (a3.) 
cresc.

1
2             

             
3


F Horns
(a3.)
4
5 
  
6

1 

  
B♭ Tpts.

  

2
3

              
            
 
1
2
3 cresc.
Trb.
 

Tuba
4
  
51    
33


  
Fl. 2

    

      
2


Ob.

   
    
2

      
2


Cl.


  
       
2

 


Bsns.

  
    

2

     
  
 
2

  
F Horns

  
 
      

solo

        
B♭ Tpts.

  

       

  

Trb.

         
Tuba


 



Timp.
  

 

    
 
Perc. 1



 


 
 
Synth. 2

      
     
   
()

  


s.
 
is
Hp. 1 gl
      
          
52        
 
34

 
 
  
        
Fl.

      
 


                         

               
         
       
Ob.

 
         
             
    

 
                               

Cl.

 
   
      



  
Bsns.

  
      



   
    
2


     
F Horns

 

          
2

          
B♭ Tpts.


          
        
2

  
    
Trb.

         
Tuba

  
  



 
 
Timp.

 


* Note : bar 50
3,4
35
, in the original manuscript score, harps 3 and 4 played the sam



36 1° solo

            
Piccolo

 
53 (a2.)
1° switch to Piccolo


1

    
2

 
       
(picc.) 3
Fl.


(a2.)
    
 
1
   

2

 
           
Ob.
(picc. in E) 3

        
   
(a2.)
1

       
3

   
Cl.
(picc. in E) 2


     

a2.

        
1

    
2
 


Bsns. [  ]

         
(contra.) 3

         
 
       
        
[  ]

1

 
 
             a2.
2

 
2

 
F Horns
3
           

 
 
4

  
2

  
                        
a2.

 
2
5


     
 
6

                    
a2.
1

     

2

                    
B♭ Tpts.  2
2



       
 

                 


 2   
a3.
a3.
1
2
3  
Trb.

 
Tuba
4
Tuba
56    
Rall. 37

   
Andante - Peacefully

Fl.        

  
cresc. possibile

    
       

 
cresc. possibile
        
Ob.

     
Switch to Bass Recorder

 
cresc. possibile
       
      

    
cresc. possibile
   
     

Cl.

 

          

cresc. possibile

     
           
 / 

   
Bsns. niente

   
     
 / 
   
 2 
niente

        
cresc. possibile

F Horns  

    

2

   
cresc. possibile

 
2

 cresc. possibile 
        
 

    
2


cresc. possibile


B♭ Tpts. 2

    
 cresc. possibile

           

     
2


Trb. cresc. possibile

         
Tuba
38


Bass Recorder


60
breathy


Ob.


 
       

Pretty chinese nipple-gongs
pochiss.


Perc. 1


/ 
all ring.

 
Synth. 2

  
(l.v.)

Hp. 1 

  
(l.v.)
Hp. 2

   
(l.v.)

   
Hp.


  
Vlns. 1

Vlns. 2
    
   
Vlas.

Cellos
   

Basses
  
39

  
62


   
Bss. Rec.
Ob.

    
1
2

   
F Horns 3
4

   
 
5

    
6


Trb.
Tuba
Tuba

             

(Nipple-gongs)


Perc. 1

   
/ 


Perc. 3

   


Synth. 2 (Low synths. strings)


   

           
  

(l.v.)

    
Hp. 1

    
         
(l.v.)

 
    
Hp. 2

   

              
 
3
Hp. (l.v.)

   
            
40


66

    
Ob.

  
               

a2.

  
 
 
               

a2.

  
F Horns

 
 
                 
a2.

  
 

      
            
col horns
Trb.

  
Tuba

      
 
Perc. 1

    
 
Large Tam-tam


l.v. l.v.
Perc. 2




   
Synth. 2

    
      

    


Hp. 1

     
      

   

Hp. 2

       
         

     
      

 
Hp.

 
 
    
      
Vlns. 1

   
        

   
      
Vlns. 2


      
      

 

       
Vlas.

      

 
Cellos


Basses
    
41

    
70
Switch to Reed Flute

 
Ob.

F Horns
 

 


 
Trb.


Tuba


Synth. 2

   
Hp. 1 
Hp. 2     

Hp.
    
   

 
Vlns. 1


    
  
Vlns. 2

Vlas.

Cellos
   


Basses
 
42

  

71

Reed. Fl.
Ob.


      
(a2.) (suggestive of a tibetan horn)


1
2


       
(a2.) (suggestive of a tibetan horn)


F Horns 3
4



       
(a2.) (suggestive of a tibetan horn)


5
6


   
  
(suggestive of a tibetan horn)

  
Trb.
Tuba
Tuba



   

(Large Tam-tam) l.v.
Perc. 2

  

   
 
Synth. 2 (Low synths. strings)

    

   
     
Hp. 1  

    
    
 
Hp. 2

    
  
3
 
Hp.  
   
    
Vlns. 1  

  
74
43

 
    
  
 possibile
F Horns
    

  
 possibile

    
  
 possibile

    

Trb.
Tuba

  
 possibile
Perc. 2

    


  
Synth. 2

 
    

 

     
   
solo

 
 



 
3

  
Hp. 1 3 l.v.



 
  
Hp. 2


 
  
Hp.


 
Vlns. 1    

     
  
Vlns. 2

Vlas.     

Cellos
    
    
Basses

44
Much Slower ( = )

    
 
Tibetan crotales Repeat pattern - ad lib.

 
76




Perc. 3

         
 ad lib.

 

Solo Cello

 exotique
       
      

Hp. 1

                    
    
Hp. 2

  

Hp. 
    
  

   
   
Hp. 4 


45

 
    
Reed Flute
79

Reed. Fl.
Ob.

 niente

  
1
2

3
F Horns
  
4

5
   

 

6

1
2

 
B♭ Tpts.

3
 

1   
3
2
Trb.

  
4
Tuba


Tuba

very beautiful, very sour

    
Med. /Low "Wash" cymb.

Perc. 1    




pochiss. l.v.
Perc. 3


      
   

Solo Cello

 

46

  
  
     
ad lib.


81
l.v. Riten.
Perc. 3

 
     


    

Solo Cello

    
    
l.v.

  

    
Hp. 1 6

 

    
   
l.v.


Hp. 2


       
l.v.
Hp.


       
l.v.
Hp. 4
84 a2.
              
47
Andante




F Horns               


            
         


 
         
Derby (hat) mute. Quasi horn

         


  
B♭ Tpts.

         

Derby (hat) mute. Quasi horn


   
       


 
a2.

         



          
Trb.


 
Tuba

  
  




 (sustain? with a ??? of irony and butterless ?)
Solo Cello
86     
   
48

      
1
  

2




      
   
   
niente


F Horns 3


4


 

            
niente


       
5


6




              
niente

      
1
2

  
 

 
B♭ Tpts. niente


        
3

     
 
 
   
niente

        

1

 
3
niente
2

   
Trb.


4

        
Tuba
Tuba

  
   


     
 




          
niente

  

Solo Cello


      
cant. e molto sonore

     
 
div.

    
Vlns. 1


 molto sonore

   
          
div.


 
Vlns. 2



 
           
molto sonore

   
div.

    
Vlas.



            
molto sonore

  
      .  
90      
49
Rall espr.

  

     
Solo Cello


3

 
solo.  allarmante
 

 
3
   
3


Pno.


 3    
      
    
  
 as needed
     
 33  
Vlns. 1

         
 
   
Vlns. 2

 33  
        
    
 3   
Vlas.

 3  
      
    
    
 33   
         

Cellos

  
    

  3      
Basses
 3 

 
  
94   
 
Rall.

 
Solo Cello

       
 

   
3

   
3

 
Pno.



96       
50

        
   
6

  6      
 
6
Solo Cello

rude, imprev. 6





Pno. l.v.

 unis.


Cellos



  
  
97                    
    
(lunga)

      

Solo Cello


6 3 3
  
 
3 3


3

 
Cellos

niente
99 slower   
51

  
        

Solo Cello

  
 


 
dim.

  
 
all ring


 
Hp. 1 l.v.

 


 
  
unis.
Vlns. 1

morendo
 dim.

 
   
unis.
Vlns. 2

morendo
 dim.

 
 

 
unis.
Vlas.

morendo
 dim.

  
 
Cellos

morendo
 dim.

  
Basses
  
 dim.
morendo

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