BLUE

TRAIN
John Coltrane transcribed solo for Liki
John Coltrane

                          
         
F B♭7 F F7 B♭7

3 3 3

     
           
            
     
7 F 3 C7

         F 
3 3 3 3 5

              
        
     
B♭7


11

  
 F
    
3


                 

14 B♭7

    
5


         
                      
     
16 F F7 B♭7

    
3


3

                   
  
         
20 F C7

                                
        
23 B♭7

         
               
F7

         
F B♭7 F

 
26

     
3

   
3 3 3

            
F


B♭7


30


5 3 3

       
3

                   
       
         
33 C7 B♭7
           F     
     
            
36 F

           
5

                 
   
39 B♭7 F7

        
3 5

                
     
42
B♭7

         
6

          
  
         
44 F

                  
3

               


C7


46 B♭7

             F   

3

      
     
48 F

            
                

51 B♭7

                    
5

     
3

      
B♭7

     
F7


53


                               
3 3

 
56 F

B♭7        
             
    
        
    
58 C7 F

         

    B♭7   
  
      
    

61

3 3 5

2
                
         
     
64 F F7

 
                      
3

    
       
66 B♭7 F

  
                          
3 6


  
69
C7

5 5 5

                 

       
     
 
B♭7


71

                              
3


  
73 F

  
     

           F7
     
        

75 B♭7 F


                
3 3 5

    
        
B♭7

      
78 F

    
                        
3 3 3 5

   
3 3 3
B♭7

   
C7


81

5 5 3 3

                            
          
F F B♭7 F
84 3

                    
3 3


          
  
F7 B♭7


89

           
3 3 3 3

                  
3

    
    
F C7

  
92

3
    
           F                  
         
95 B♭7

3 3

 
  
98