Amor Amor

Piano Solo
Arreglo: Juan Carlos Rodríguez Cerdán Rafael Pérez Botija

  
                              

 = 80 B♭ A♭

   
F /A E♭/G G♭ D♭/F Fsus4 F

  
             
        
 Rit...


       

                    
   
  3  

B♭ Cm


5 3

A Tempo              
  


           
3 3

  
3
    

 
           


      
F

 3    
Fsus4 B♭ A♭


10 3

  
    
     
       
3 3

    3
   

                     
        

B♭/F B♭

  
E♭/G E♭m/G♭ Fsus4 F


14


          


    
 
3 3

 
3

  

     
    
                                   
18 D7 3
3 E♭ B♭/D

 3  

           
   
3 3


3

    


3 

 
      

                 
  
F

 
B♭


Cm A♭ Fsus4

 
22

 
     
    
       
3

 
     

 
                                 
  
26 D7 3
E♭ B♭/D

     
         
  


 
3 3 3 3

    
3 
      

 
                            
Cm


F A♭

  
B♭ F /A E♭/G G♭ D♭/F

 
30 3

            
     
3


3


       

2
                
 
       
Fsus4 F B♭ Cm

 3
34 3

          


     
        
3

 3

    

 
      
               
Fsus4 F B♭


38 3
3

     


         
 
3 3

   
    

         
                  
     
A♭ E♭/G E♭m/G♭


42

  
    
  
 
   
3 3

 

3
   

                       
     

B♭/F B♭


Fsus4 F

 3
45 3

   


    


   

   
3 3 3

 
 3
 3
3
     

3
              
               
   
49 D7 3
E♭ B♭/D

     
      
3


3

  

   


  3
            
    


    


 

52 Cm A♭ Fsus4




 
   
      
3 3 3

  
3

   
  

                          
    3      
55 B♭ D7 3
3

 
                 
    
3

  
3

 
     

                                  
E♭ B♭/D Cm F B♭ F /A A♭ E♭/G


59 3

            
    
3


3 3


3

 

    
 
       

     
F

 
      


  
     
G♭


63


        
    
Rit...

  

4
      
                        
      
B D♯7

 
65 3 3

                
   
A Tempo 3

  

 
      
     

                


        
E3


B/D♯ C♯m A F♯sus4

 
69



      
 
     
 
3

   
3

     

   
        
          
        
B D♯7


73 3 3

   
         
     
  
3

 

               
     

                 
C♯m


E3 F♯sus4

 
B/D♯ F♯


77 3 3

        
      
 



     
    

   


  
   
81 B

       

Rit...


 

5