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7-Indirect Esthetic Restorations (Corrected) .
7-Indirect Esthetic Restorations (Corrected) .
ILOs:
1. Describe the indication, types, advantage and methods of construction for the
indirect esthetic restorations.
2. Select the most appropriate restorative material used in different clinical
situations.
3. Identify different surface pretreatments for indirect restorations
The search for the ideal restorative material continues, though the fact that amalgam
alloy still remain the most widely used restorative for posterior teeth, but there has
been increased demands for esthetic restoration and also growing concern about
biocompatibility and strength of existing restorations. Simplicity of restorative
dentistry dictates direct approach including cavity preparation and immediate
restoration of any tooth defect. Yet, in some cases indirect restoration may be the only
successful resort for restoration of anatomical and functional relation of the offending
tooth.
General indications for indirect Esthetic restorations:
The indications for Class I and II indirect tooth-colored restorations relate to a
combination of esthetic demands and size of the restoration and include the following:
1-Esthetics: Indirect tooth colored restorations are indicated for Class I and II
restorations located in areas of esthetic importance for the patient.
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occlusal posterior restorations, especially in regard to maintaining occlusal surfaces
and occlusal contacts. The wear resistance provided by indirect materials is especially
important in large posterior restorations that involve most or all of the occlusal contacts
without sufficient bulk, however, an extensive indirect ceramic or composite
restoration might fracture under occlusal loading, particularly in the molar region.
3-Economic factors: Some patients desire the best dental treatment available,
regardless of cost. For these patients, indirect tooth-colored restorations may be
indicated not only for large restorations, but also for moderate-sized restorations that
otherwise might be restored with a direct restorative material (usually composite).
1-Heavy occlusal forces: Ceramic restorations can fracture when they lack sufficient
bulk or are subject to excessive occlusal stress, as in patients who have bruxing or
clenching habits. Heavy wear facets or a lack of occlusal enamel are good indicators
of bruxing and clenching habits.
2-Inability to maintain a dry field: Despite some research suggesting that modern
dental adhesives can counteract certain types of contamination, adhesive techniques
require near-perfect moisture control to ensure successful long-term clinical results.
Advantages:
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posites and ceramics, can be used with indirect techniques. Indirect restorations have
better physical properties than direct composite restorations because they are
fabricated under relatively ideal laboratory conditions. Also, although CAD/CAM
restorations generally are fabricated chairside, the materials themselves are
manufactured under nearly ideal industrial conditions.
3-Wear resistance: Ceramic restorations are more wear- resistant than direct
composite restorations, an especially critical factor when restoring large occlusal areas
of posterior teeth. Laboratory processed composite restorations wear more than
ceramics, but less than direct composites in laboratory studies.
6-More precise control of contours and contacts: Indirect techniques usually provide
better contours (especially proximal contours) and occlusal contacts than direct
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restorations because of the improved access and visibility outside the mouth.
8-Increased auxiliary support: Most indirect techniques allow the fabrication of the
restoration to be delegated totally or partially to dental laboratory technicians. Such
delegation allows for more efficient use of the dentist’s time.
Disadvantages
1-Increased cost and time: Most indirect techniques, excluding chair side
CAD/CAM methods, require two patient appointments, plus fabrication of a temporary
restoration. These factors, along with laboratory fees, contribute to the higher cost of
indirect restorations relative to direct restorations. Although indirect tooth-colored
inlays and onlays are more expensive than direct restorations (amalgams or
composites), they are usually less costly than more invasive esthetic alternatives such
as all-ceramic or porcelain- fused-to-metal crowns.
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4-Wear of opposing dentition and restorations: Ceramic materials can cause
excessive wear of opposing enamel or restorations. Improvements in ceramics have
reduced this problem, but ceramics, particularly if rough and unpolished, can wear
opposing teeth and restorations.
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intraorally with the same instruments and materials used to polish direct com- posites,
although access to some marginal areas can be difficult. Ceramics are more difficult to
polish because of potential resin-filled marginal gaps and the hardness of the ceramic
surfaces.
The carbide bur or diamond used for tooth preparation should be a tapered
instrument that creates occlusally divergent facial and lingual walls. Gingival-
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occlusal divergence allows for passive insertion and removal of the restoration The
junction of the sides and tip of the cutting instrument should have a rounded design to
avoid creating sharp, stress-inducing internal angles in the preparation. Although the
optimal gingival-occlusal divergence of the preparation is 5-15 degrees, it should be
greater than the 2 to 5 degrees per wall recommended for cast metal inlays and onlays.
Divergence can be increased because the tooth-colored restoration is adhesively
bonded and because very little pressure can be applied during try-in and cementation,
(Fig 1).
Throughout preparation, the cutting instruments used to develop vertical walls are
oriented to a single path of draw, usually the long axis of the tooth crown. Most
composite and ceramic systems require that any isthmus be at least 2mm wide to
decrease the possibility of fracture of the restoration. Facial and lingual walls should
be extended to sound tooth structure and should go around the cusps in smooth curves.
Ideally, there should be no undercuts that would prevent the insertion or removal of
the
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•
Fig 1 the optimal gingival-occlusal divergence of the preparation is 5-15 degrees divergence
, the isthmus has to be at least 2mm width, the contacts is completely freed. the cavosurface
angle is 90 degrees
When extending through or along cuspal inclines to reach sound tooth structure, a
cusp usually should be capped if the extension is two thirds or greater than the distance
from any primary groove to the cusp tip (If cusps must be capped, they should be
reduced 1.5 to 2mm and should have a 90-degree cavosurface angle. When capping
cusps, especially centric holding cusps, it may be necessary to prepare a shoulder to
move the facial or lingual cavosurface margin away from any possible contact with the
opposing tooth, either in maximum intercuspal position or during functional
movements. Such contacts directly on margins can lead to premature deterioration of
marginal integrity. The axial wall of the resulting shoulder should be sufficiently deep
to allow for adequate thickness of the restorative material and should have the same
path of draw as the main portion of the preparation. (Fig 2)
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Cavity lining for indirect esthetic restorations:
If a compromised restoration (if present) is completely removed, and all caries is
excavated. The cavity lining is performed. The reason for cavity lining of esthetic inlay
preparations is not the same for amalgam and gold preparations.
Mesio-occlusal,distofacial,anddistolingualinlaypreparationonmaxil- lary
right first molar. Distofacial, mesiolingual, and distolingual cusps are reduced.
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The best lining materials are:
I. Resin modified glass ionomer.
2. Visible light cured composite resin.
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3) Resin Composite Inlay material Placement: The hybrid resin composite is placed
into the inlay preparation by taking the high-viscosity resin paste, placing it into the
proximal box, and gently condensing it with a ball burnisher. After the composite resin
has been placed in the proximal box, the occlusal portion of the preparation is
completely filled and gently condensed with a ball burnisher that has been lightly
coated with a resin adhesive to avoid the composite resin from sticking to the end of
the burnisher. Once again, firm pressure is placed on the reflecting wedges to guarantee
rapid separation of the teeth and to avoid creating gingival excess of the composite
resin inlay material. The end of a curved light-curing tip is placed firmly on the end of
the reflecting wedge and the interproximal area is cured for 60 seconds. The
interproximal surfaces are cured from the facial and lingual aspects; then the occlusal
surface is cured for 60 seconds also.
4) Inlay Removal: After the completion of light curing, the inlay must be removed
from the preparation. A scaler is gently placed on an interproximal surface, taking care
to avoid injury of the margins. The inlay is gently teased out of the inlay preparation.
If the inlay resists removal, a loop of dental floss can be placed in a small increment
of the composite resin material, and that small amount of composite resin is placed in
the central fossa area of the inlay and light cured. This will act as a handle for engaging
an instrument to remove the inlay along the preparation's path of draw.
5) Oven Tempering: Separator lubricant is painted on all the inlay surfaces. This will
act to exclude air and will allow the inlay to completely cure without an air-inhibited
layer. The air-inhibited layer is the soft surface layer of composite resin and should be
excluded whenever possible. The inlay is then light cured for an additional 60 seconds.
The composite resin inlay must now be tempered in a special tempering oven. The
inlay may be heat cured at 1100c for 7 minutes. The combined light and heat curing
ensures complete polymerization of the material, which guarantees an increased
hardness and provides potential for increased wear-resistance of the inlay. Therefore,
the direct-indirect inlay technique eliminates the need for an impression of the
preparation and the inlay can be finished in a single visit.
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II) Indirect Technique
The alternative method of composite resin inlay fabrication is to make an impression
of the prepared tooth and fabricate the inlay on a die. The indirect inlay technique can
be performed as either a one- visit or two-visit method. The one-visit method involves
making an impression with a vinyl polysiloxane material and pouring the impression
with a fast-setting die stone, which will set within 5 minutes. The inlay is fabricated
by the practitioner or trained staff personnel and should be bonded within
approximately 30 minutes. The two-visit method involves sending the impression to
a laboratory for fabrication and provides for bonding at a subsequent patient visit. The
following description applies to both one-visit and two-visit methods. The difference
is in the sequence of the fabrication and whether it takes place in the office or the
laboratory.
Steps of construction:
1) Impression Making: Impression should be made with either a polyether or a vinyl
polysiloxane impression material. These materials can be poured in stone immediately
and also will remain stable if the impression is sent to a dental laboratory. The
impression is then poured up in a die stone for inlay fabrication. For the in-office
technique, a fast-setting stone should be used.
2) Provisionalization: The aim of temporariztion is to protect the pulpo-dentinal
complex from any bacterial, mechanical, and thermal aggression and to stabilize
relations with proximal and antagonizing teeth, as well as maintain an acceptable
occlusion and function. However, these temporaries have to stay in the mouth for a
short period because it is advisable to proceed with the cementation of definitive
restorations as soon as possible, generally within a week of impression taking.
Technique of provisionalization:
a) The rubber dam is removed for the fabrication of the provisional restoration. For
an inlay, the provisional restoration can be constructed directly on the prepared tooth
in the patient's mouth.
b) A light coat of the patient's own saliva may be painted into the preparation to act
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as a lubricant.
c) Two drops of monomer liquid are placed into a dappen dish and enough powder is
added to form a runny mix of acrylic resin. When the mix acquires slightly less flow,
a disposable brush is used to paint some of the acrylic resin into the tooth preparation,
covering the gingival wall. When the mix becomes doughy, it is placed into the cavity
preparation with an angled flat plastic instrument.
d) The patient should close into maximum intercuspation and go through all
mandibular excursive movements to establish the parameters of an occlusal form.
After polymerization, the acrylic resin restoration is removed from the tooth. The
excess acrylic resin is trimmed with acrylic resin burs or abrasive disks.
e) After the finishing stage, the restoration is placed back into the tooth preparation
to evaluate the fit and marginal adaptation of the restoration. Articulating paper is used
to check the occlusion and make any adjustments that are necessary to maintain the
occlusion and proximal contacts. The surface of the provisional inlay is then glazed
with a light cured glazing resin. The restoration is cemented with a non-eugenol-based
temporary cement.
3) Cast Preparation: Once the die stone is set, the cast should be mounted and
sectioned for preparation for the inlay fabrication. Care should be taken when the cast
is sectioned, so that the gingival contacts remain intact; this should be done even at the
expense of the adjacent tooth. The impression can be poured a second time if
an additional cast is desired for better evaluation for the proximal contact area and the
path of removal.
4) Inlay Fabrication: The preparation margins are outlined with a red pencil. A
separating medium is applied to the internal surface of the die as well as to
the surrounding and opposing teeth. One or two drops are placed into the cavity
preparation and spread over the tooth so that each margin is well coated. The
separating medium is then dried with a gentle air stream.
The composite resin of the correct shade is dispensed onto a pad. This material is
sensitive to light exposure and will cure while it is being worked with, so it is necessary
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to work quickly. It is advisable to use the material within 5 minutes. The composite
resin can be built up in two layers if shading of dentin and enamel is desired. The
hybrid composite resin has a high viscosity for ease in sculpting and will hold its shape
until light-cured. Instruments made specifically for composite resin materials should
be used. Proximal and occlusal anatomy should be developed at this stage. Light curing
should then be completed; each surface is irradiated for 40 seconds. After light curing,
the inlay is removed from the die by pressing on the proximal surface in an occlusal
direction.
5) Heat Treatment: The resin inlay is heat treated in an oven for 15 minutes at 100°C
in a heat-curing oven. This oven can maintain the curing temperature over the curing
time for multiple restorations. The unit is very compact and requires little bench-top
space.
6) Finishing and polishing: After heat treatment, the inlay is carved on the die with
fine diamonds and mounted abrasive stones. The inlay is then polished with composite
polishing paste on a buff wheel.
7) Characterization: The inlay is thoroughly cleaned ultrasonically in a water bath.
It can then be characterized by applying one of the resin-based colorants to the surface
of the inlay. This characterizing stain is applied to pits and fissures with a brush. The
stain is then light cured for 40 seconds. Stain may also be applied when the composite
resin is being layered into the preparation to develop internal characterization. At this
stage the inlay is ready for bonding and cementation to the tooth preparation.
CERAMIC INLAYS
The word ceramic is derived from the Greek "Keramos" i.e. pertaining to pottery as
an art. Porcelain is defined as a fine kind ware-earthen having a translucent body and
a transparent glaze. The history of porcelain inlays goes back to more than 100 years
ago. Porcelain inlays have been used since this time but did not gain popularity due to:
I. Problems attributed to the exacting technique.
2.The inherent brittle nature of porcelain.
3.Microleakage and cement failure.
4.Poor fit and luting difficulties.
These problems have now largely been overcome by the introduction of "shrink-free"
porcelains which may be etched and bonded to resin composite luting cement, with the
chemical bonding being enhanced by silanization of the fitting surface of the inlay.
Types of ceramic inlays:
1.Ceramic inlays produced on refractory die material.
2.Castable and pressed ceramic inlays.
3.Ceromers inlays.
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1. Ceramic inlays produced on refractory die material (Feldspathic technique).
The refractory die technique uses a direct build-up of porcelain onto an investment
model whose coefficient of thermal expansion is similar to that of ceramic material.
3. Ceromers inlays
They are ceramic optimized polymers where ceramic fillers are incorporated to
substitute the quartz fillers. They are claimed to improve the wear resistance of the
material and its esthetic properties. Wear is said to be comparable to that of enamel
tissue. The material is available for both direct and indirect composite resin inlay
techniques. Silanated fibers may be added for the indirect technique for reinforcement.
Technique:
1) Removal of defective restoration and cavity preparation.
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2) Impression taking using alginate impression material.
3) Fabrication of positive replica using vinyl polysiloxane rubber base impression
material.
4)Base formation.
5)Incremental building up of the inlay with light curing.
6) Post curing using high performance curing unit.
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titanium oxide dust. It is essential to position the camera over the long axis so that the
computer can read all internal walls and cavosurface margins equally.
Computer generated restoration design: The restoration is designed from the image
shown on the computer screen by using a series of icons or symbols. Once the
restoration has been designed, the computer develops a three-dimensional image of the
inlay, onlay or veneer.
Milling procedure: The milling is accomplished by a three-axis of rotation cutting
machine which mills the restoration from prefabricated ceramic blocks with different
shades, which generally takes 4 to 7 minutes to complete the procedure. Final occlusal
adjustments are done in the patient's mouth. The weak link with these Systems is the
cement gap along occlusal surfaces that may be wider than desired. Minimizing this
gap depends on the computer digitization, design and manufacturing steps being
sufficiently accurate. The clinical longevity of these restorations is difficult to predict,
because only relatively short term clinical research information is available.
Advantages of the Cerec system:
1. Single appointment.
2. No conventional impression technique
3. Wear hardness is similar to enamel.
4. Excellent polishing characteristics.
5. Less fracture because it is milled from homogeneous blocks.
6. The whole procedure is accomplished in 1- 1.5 hours
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For proper adhesive bonding, the internal surface of the inlay/onlay must be treated
before cementation. The techniques and materials vary, depending on the specific
restorative system used. For most laboratory-processed composite inlays/onlays, the
resin matrix has polymerized to such an extent that few bonding sites are available for
the composite cement to chemically bond to the internal surfaces of the restoration. To
improve the bond of the cement to the processed composite restoration, some systems
recommend sandblasting (air abrading) the inside of the composite restoration with
aluminum oxide abra- sive particles to increase surface roughness and surface area for
bonding. For ceramic inlays/onlays, hydrofluoric acid usually is used to etch the
internal surfaces of the restoration . Such acid etching increases surface relief and not
only increases the surface area, but also results in micromechanical bonding of the
composite cement o the ceramic restoration. Hydrofluoric acid etching usually is done
by the laboratory. The clinician should check the internal surface of the restoration,
however, to confirm the etching, which is evident by a white- opaque appearance
similar to acid-etched enamel. Chairside ceramic etching is done with a 2-minute
application of 10% hydrofluoric acid on the internal surfaces of the inlay/onlay. After
etching, the ceramic is treated with a silane coupling agent to facilitate chemical
bonding of the composite cement
6. Curing: Visible light curing to initiate the polymerization reaction of the dual
cured resin cement.
7. Removal of rubber dam.
8. Finishing & polishing: The margins are finished using flexible discs or
diamond burs while polishing is done by composite polishing discs, white
rubber cups or porcelain polishing kits.
References:
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