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Introduction
Bacon described his essays as “dispersed meditations”, as “brief notes set down
rather significantly than curiously”. He regarded the essay as a receptacle for detached
thoughts. Many of his essays do indeed resemble note book jottings-one gets a good
idea, from observation or from some book and quickly notes it down briefly, so as not to
forget it. Some of his essays, especially the earlier ones, are strings of sentences that
read like maxims. These sentences are not linked by any development of ideas.
There is of course no digression from the central subject. Bacon never strays away from
the subject. There is no irrelevant matter, no going off at a tangent. But the essays are
not “well-knit” compositions: there is no systematic development from one thought or
idea to the next; the ideas do not evolve smoothly from one another. In, these earlier
essays, of which Of Studies and Of truth are typical examples, ideas have been put
together almost at random, as they occurred, though they all relate to the particular
subject. There is no detailed discussion of the subject. And what is more remarkable is
that in the interests of brevity and condensation of thought, even conjunctions and other
logical connections are sometimes left out.
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membra of his meditations” in most of his later essays. Though the general conception
of the essay as “loose thoughts, thrown out without much regularity” is not completely
discarded, the loose thoughts are not quite so disconnected in the later essays, like Of
Riches, Of Empire, Of Seditions and Troubles, Of Simulation and Dissimulation, Of
Friendship, Of the True Greatness of. Kingdoms, Of Truth etc. Another important
development in the later essays is in the use of figurative language that lends colour and
warmth to the abstract arguments. If we take the meaning of “curiously” to be literary
“care” or “elaborate treatment”, these essays cannot be said to be brief notes set down
significantly but not curiously. They are no longer brief notes or jottings and though
they are still “significant”, they also have a sense of richness about them. They are no
longer merely strings of compressed wisdom, but are “more flowing and gracious in
manner.” Bacon has made use of metaphors and similes extensively and a few of them
even have a poetical quality. The most obvious example of this:
“It is heaven upon earth to have a man’s mind move in charity, rest in providence, and
turn upon the poles of truth.” (Of Truth)
Conclusion
We see therefore, that it would not be possible to put all the essays of Bacon in the
category of “dispersed meditations”, or say that all of them are brief notes. His earlier
essays indeed resemble note book jottings - condensed, pithy statements strung together
with no apparent connection except in their relation to the subject. But when Bacon
realized that his essays were rather popular, his conception of its treatment underwent a
change. He has therefore taken greater trouble in his later essays to enrich the style. The
essays deal with a variety of subjects but they are no longer merely aphoristic.
Metaphors and similes enliven the style. There is an attempt to bring about some
connection and continuity in the ideas and thoughts expressed. They are still
meditations, but not quite so dispersed. They are still “significant” but there is also an
attempt at setting them down “curiously” - for in some essays there is indeed to be found
a fairly well reasoned, detailed and logical treatment of the subjects.
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