Home Work II Francois satan for a singing percussionnist aaa _ fae soos. F energeve | Steet intel Jo- : Take the 5p) the fret voice cap tages i songs Fe rie cae 10 Oh- ~~ IT: ae Relea eee elle cent 4 Oe. OR a ong ; ch Z ek i WG- JF pete eeren : sai Pgticm Sie 2 eee aoe (ial Try - (TIT ob peo @] Ars, wth toe helo of the me. tal z eters gohinei rage aoe site Bug aL BeR i F 5 = Ir wtt daa [A -Home work I-3 -ae fo op PUR > “Toc purer pene |) 1-7 pd idup Oo ST stk, Tecfe tie fo ston Forthe | vce ofthe ge. wetir | wo no'wo no | NOT UKE THAT. 2 oe ee de79 Ora 2 wing fe as : *e [ete Beate dasoly, & 1@ Ze @- voice 4 eee Jc feo ; @ ® nec the device to | earthed plug a paste thadsslerljsdaj lard wd fer longer oz i oe —— ot: an voice (T r a n a ee ert ned Ft 5 mo Oe egtars ugk ing mere te Pte ak isa ion fre 2 titty antecte iF = Tt yp pt Fay oper: -Home work I-4 -wer sy ATT cee ty EN ot utter inthabinpee tw plete Par cuotonee | Boon kt RL ay “ae 4 cE Trerert = + a rr ‘© a ——— mT sills tapes [as] NONONONO. Nor Uke | THAT. c HERE IT'S TOO HARD; etsy zp 4 es - £ a 2 = sal Sommers, =~ Flpa- ‘WERE IT'S Too SOFT. nm dep fogers JL uP copa Le = 2 ee ny RES ee ger FE Sp aS Cre Oc’ hinge of the faucet iol aah nar tH Paegeanquan) wat | oof Tittle flodr fe Yyoutaketherisk yes!" thesiGrisk —myGOOmess _abdome} P & emo tae] fyi ater taehe nS | Pees tim eee bth. augur t oe Tresee = ce = eee wr a ar” + —= -Home work II-5 -“Ppt otpep te ere TT cer os of ower the-hinge ft ta ean e+ Una een brews --tircie tani or gar com> Bea? 8 tke tac Rint] Poon eek Oe LAL me RE “se ttt Seep te f=pae a Ee == Oe =] Fe eee 7 ee ESE Sf St ft f me AN tepid dee eS LaUle j fe eon selfs aac ell a ah 31) RAL wo enn eee e reece cee J=70) Sah fect J=90 S foe Te (7: talon, P: pointe) Bf re| Opalie merbrane, to | get a reward the hinge of the faucet UALR 1 EGS tor or sefo bhnt vF Lo RE ROR -Home work II-6 -F ———— ip traers LRERLRL 7 Th f or Fart yy ‘and effeient? | Otherwise the whole system wil e chp tapes “cophanas othe f - a ieaireenTeaTeeetiEtee voice teat : r ‘i —. as eek vPro Tua Oe la ad cle 7 7 PP coe) gun ge me gine SO on ay ue SE 22 = = & ; fe firemen cee iE Te SF mf fr ft f (tiens tens) ae ayn 43 Coie * ake a ooooc0000 ier to the lt LO Bp consis) voice ise eeeereee ae 5 PS im a ra {nde les mains. | Tor OF NICAD STs 7 poser sina eh 7 i | SE vee Se — = fot zt 7 tsk Fete _ Peer -Home work II-7 -— t eae [ amp ren a i cadens” = pleasent Ps sr Sin Po 20] Sranoine uP Lamina ti comes ean ERE SLR LAURE oes 4 di i PETTITT t at [ Hae tretr a ae Se raw on errsive Eee eee fw mn con f rc) den] 9 © ® RURLALAL RLAL RURLRLRL RL RL uid | get in sma} chine, now? How get into this on (Crop be HEAD 90] < reed oe fect (= 7 oueecxs ae OLR OLR WE. BAW Sermme ie ae THT SS oie" 1 SIT HE-| 93 cop hands = a -Home work II-8 -@ : f 1@ ie gad ie sc weal a ® nad ate = t te COE ot ane a = ) l= he PP Bp ezmy, sur, ice “a fa jer] cree vest Jem) = one laces. = aid aL Ay tp tgs RL |p OBS od oo “cnuns) ——> TOP OF HEAD a on Now, THE PINS ARE TICK LING au | aici THEN! 304 | ta tras -Home work II-9 -a 4IT} 7] ie do all | want you to do. Ro cueecis, —* roe! sk Ty i i Torr neay tr & ones te By! Cece Bw. eRe eR ER LL “Sip ans cet he Men 1 aye oo EIA pain, ver UT Eo trons pase peer eeee | Haeecat RU RL Ade rg—— Nees Ty 11/8 ee nail 2D ome |B ames P Pe feet 4 gk ie, oe a coy ot ete -Home work 0-10 -opto oe oe 2 voce 4 ep tages ‘lop nance oh za egress ee = = 2 -Home work I-11 -Lt i eee we FS ma s oe tea (ae D4 aly? |i tt = 3 se 0 [ee et cs o_o fg ete ‘ie z Z "3 ES 3 er & = coy . iF fon 9 er ‘daphne ‘oe or Oo AQseap 290 N\ he Apne) © wee on O EN @ a O-7- p> © pore 3'5° -Home work I-12 -Home work IZ, in the garage, is an extract from Home work, for 6 musicians. ‘This part is for a solo singing percussionnist. The voice must be rapped, which is a rhythmical and half sung parlando. ‘The percussion part ts either on the body, or partly on the body, partly on instrufnents, or on a. percussion set. ‘The body version js preferred, but is demanding for the amplification, and doesn't have any resonating timbers, which is important for the groove. ‘The notex with a cross are on the face, the notes with a circle around are positions of the hand in space, silentiy. However, they must be "performed "in the alr, as hitting an invisible instrument, and the position must be hold the exact duration. The position number 0 is with the hands on the knees, The four positions in the air : 3